I still have flashbacks, horrifying and spectral: of conference meetings, projectors and efficiency meetings...corporate metrics, acronymic value cards that read like a Masonic Temple's pledge.. ...honesty, commitment, sacrifice, the dutiful worship of mercury and saltpeter; also customer satisfaction.
           Those flashbacks frequent my mind alot--especially when I am ramming my co-workers into the trash compactor with the blades of the fork truck. They say " ooooh" and " ahhhhh" as if they are getting a massage. They dull my blades with their dull heads.
          I have to ram them with the blades of the fork-trucks, or they will scramble out. They still say things like, " make sure that has a tag,".....and " wear your safety goggles," making chills run down my spine. I haven't put all the workers from the " Do-Wee depot" in the compactor only corporate cadavers and not zombies.
          But I have to forewarn, the zombies are not a threat, it is a few cadavers and the "consumers" that pose a threat to me and what I have built. The zombies are producers, even only if it is moans and putrefaction, but they are good sports, and my only friends.
         Some co-workers, who I was friends with before, I have spared from the compactor--owing mostly to that the part of their brain that was corporate, either fell out on the floor, or was gnawed on by a fellow zombie rendering them good sports and not cadavers.
        I use the building material section to chain them to their previous aisles. Jose, was my best friend, he was shaped like a slug, with a huge lower lip, and slicked back greasy hair, he always cheered me up, how busy it was and how slow he remained. Him and I worked together in the ' outside-lawn-and-garden' section. Even his zombie self has kept his lisp.
          I chain him to the outside lawn and garden section, where he likes to water the flowers. He lunges at me sometimes, but the chain is thick, and Jose is still a cool zombie.
Angry Joe is out there too. He is chained to the 'reach' truck. He is always mumbling about overtime.....or " Im not staying late."
         I have disabled the riding engine, so he just stands on it and runs the fork blades all the way up then all the way down, beeping the horn the whole while. He is the only one I kept, that has some vestige of corporacy in his brain, for the reason that he watches the back gate. The consumers are constantly probing this outside metal fence gate, and Joe has eaten all of them. Don't get me wrong, Joe can be a good sport, when he is not drooling about 'overtime' or ' I havn't took a lunch yet.' He can be quite funny.
          He banters with Ryan from inside 'lawn-and-garden' all the time. Ryan is alot younger, alittle younger than me. He has a mullet(what I call a mullet and he say's a hockey cut) and verily is--before he become a zombie-- the laziest person ever, and now that he is a zombie, well let's just say, I don't have to chain him anywhere, I know where to find him.....at the back gate smoking a ciqerette backwards with his mullet on fire or in the break room. He had the most squeeky voice when he was a human, but now odd fully enough, he sounds like Tom Jones.
         " You ate my cosumer Ryan," drools Angry Joe, " No I didn't Joe, you ate your own consumer," Ryan rejoins in his acapella voice ( I like hearing Ryan's deep zombie voice).
There are others, in the various departments of the Do-Wee Store, but this journal is to relate the first most pressing concern, two cadavers have escaped the compactor.
             The store manager Joyce and her minion(the assistant manager Damien) have escaped. They were ******* humans, and remained so in corporate cadaver form. They hide from me, as I plow through the aisles with the inside forklift. I have used wire from the fencing aisle to reinforce my forklifts. Sometimes a cadaver co-worker will jump out with a price gun, drooling " where is your spootterrrr...."( a safety regulation in the store).....I run them over with great gladness, but then wishing I heeded their advice of safety glasses."Splat."
            I have my theories, on how everyone turned to zombies. It started with over-ocurring routine, which my a.d.d could have been impervious to. But I couldn't have been the only one in the store with a.d.d? But that seems the case. The first day when I showed up to ' outside-lawn-and-garden' it took me six hours before I noticed everyone was zombies. I didn't notice they were zombies until I noticed them in good spirits.
               But the first day of the zombies, was concurrent with the rise of the consumers--ever more dangerous, greedy, and audacious are the consumers. They consume everything in their path, they consume good conversation, good manners, and replace with their mark, which is this....your life with the current moment is to be sacrificed to get them what they need to continue resuming their lives. They do not enjoy shopping, but enjoy holding you in place, consuming you and your values into their value, which has no value at all, since their mind has consigned the present moment that has you and not them, to a number that always has too much value, and they will bring you and it down while you are subject to time and they are not.  
             They turned my friends into prisoners of arbitrary time; and like putting a rabbit in a dank dark basement, with plenty of food and treats and space, it will slowly get diarrhea and die.  Everyday I marked the sunrise, and I would always pay thanks to it, no matter if I was on break or not.  The nine hour day could not ruin me, but my friends being ruined, that started to ruin me.
                       And that is what I believed started all this, nature has no room for two kingdoms of Consumers. So the producers(zombies) were created from the routine of being divested of life, and from nothing they came to produce: producing gases, vile ****** smiles, human  cannibalism, hearty conversation, practical jokes, moaning questions to the infinite sky.... they were created human again, given value, and most of all, I have my friends back, and they are happy again. But, the corporate cadavers that escaped the compactor , put my creation in risk, they look to let in the consumers again, they are up to something...
             But presently with the corporate cadavers gone, and the consumers held at bay, I have my Depot of Eden, I can grow anything, make anything, and soon will be able to ferment everything, especially fuel.   Now monday morning conferences that threaten you to pick it up because there are alot of people out there that want your job( iterated by the frizzy headed gangly Joyce) are replaced with 'zombie dance parties'.  
            " Zombies, what is the first rule of zombie dance party," they reply to me, " dohmp talk bout damp party," then we make a music video.  I let loose a couple of cat's in the break room, and presto, an agile cat make's flesh eating zombies look like Micheal Jackson.  Even I get busy with them, I feel so comfortable with them; dancing to Juvenile "back that *** up,".the best dancer gets to eat the cat...sure beat's listening Joyce's depressing morning pep talks about quotas while I am watching a bird outside the front glass trying to eat a dragonfly, " Keith you paying attention."  I just want to say, " No I am not you frizzy headed gangly walking skeleton key(she is skinnier than the gang of keys jingling on her belt)."    I will find her and put a roofing nail in her temple and her plans.
                The sound of zombies walking in here is music to my ears, like gypsys walking barefoot on a strawberry patch.  I don't know what that has to do with anything, but I like it, and don't care who knows.

            I fortified the outside of the store with everything within the store. I grew a garden, with all the fertilizers, and acids and alkilines of outside garden. I also use the garden chemicals to sprinkle on the brains of my co-worker zombies to change their acidity(almost like a hyrdrangea shrub). The purpose to get them somewhat coherent to play poker and darts in the breakroom. I figured out how to make explosives, with the nitrogen fertilizer and pool cleaning acid, well actually HeyZues did, he always eats both, and one day he moaned really loud  " BLOOOONDEEE " ( his nickname for me from The Good The Bad And The Ugly) and  gestured his expanding stomach, he blew up and gave me my first wound, he destroyed my dart board.   I took his head and posted it on the back loading dock, I know there are consumers trying to infiltrate when he sounds off with " BLOOONDEEEE..."  resounding through the whole store (almost like when he was a human).   I created another dartboard, I can create anything here, sometimes I think, that feeling is what........
                But the point of this journal is the two who escaped the trash compactor, Joyce and Damien. They haunted me before and haunt me still. When I leave to venture outside for gasoline for the generators(the only thing I need, not for long hopefully) they run amok. I will see new ' sale signs' in zombie penmanship, and I can see that they have hidden co-workers to have cadaver meetings, where they talk about ' customer satisfaction.'  I can sometimes hear keys jangle, it has to be Joyce, for the sound is to the cadence of her John Wayne walk, like she has been on horseback her whole life.
            Outside is very dangerous. There are many consumers out there.
                 I was outisde in the parking lot, where consumers still wallow around when a consumer asked "which product is better." I had to drop a cinder block pallet on him with the forklift; they are more adacious then my zombie co-workers. Even after a pallet of concrete is forklifted on them, they wave fliers with sale advertisments from underneath.
            Well, this particular trip, I returned inside and was startled by the loudspeaker, it was Damien's voice, the same as before, paging the hardware department. I jumped on the fast slim forklift to hunt for him. There are phone terminals everywhere, and he could be in the upper level offices. I saw Joyce's shape through the window once.
          They are up to something.
Everytime I ventured outside, the store became altered. I even saw a consumer waiting in line with the cashier machine now on. I sent the consumer to Angry Joe, who was due for a lunch break.
          There is a gap in my wire somewhere, I know it.
            I was at the gas station, getting propane and gas, when a consumer was scowling " where is the gas attendant, is everyone stupid or what?" while he was trying to figure out how to pump gas. I disabled the safety pumps, they do not shut off, and do not coincide with numbers, you hold the handle it pumps out as much as you need.
              He was pacing around like a little kid denied recess and suffering from sounds of frolic and kickball--dragging his feet due to the fact he had to pump his own gas, I heard a scraping metallic clicking noise. My eyes were caught by a bright glare on his shoe tread, I gripped my nail gun..... then he dropped the hose and walked back to his car with gasoline gushing as his wake. I saw what it was on his tread, I had no time to flee....it was a push button grill ignitor with the orange tint of a " Do-Wee" label on it......" ****."
              The last thing I registered was the consumer saying " ahhh don't touch me," apparently talking to flames. I woke up in a ditch, the big fork truck and my gas station destroyed.
I limped back to the " Do-Wee" store, and utter horror greeted my singed and surprised eyebrows.
              " Grand Re-Opening, 50% off everything." I squeezed the trigger of the nail gun, the nail harmlessly echoed off the parking pavement at which it was aimed. "They set me up at the gas station. "
               They had to do better than that to separate me from my zombies.

             I entered through the store in a nun-plussed state. I woke out of my unbelieving stupor with the sound of Jose's voice. " Welcome to Doooooo-Weeee....can I eat your...."
            "Jose it's me, who chained you to the entrance?"
         " Dammian, Keeeeeth, they are waiiiting....here's a newsletter...." --he smacked me across the face with the newsletter.
        " I don't want that ****.....' as I clutched the newspaper the loudspeaker went off in Dammians annoyingly over-polite and late-night-voice.
       " Attention shoooppers. all prices are feeeefty percent off, ask our associate Keeeeeth for a 80% discount, he is the skinny deleeecious looking kid with spicy skin, and a boston red sox hat on."
Hundreds of consumers pivoted their heads to my direction. " Hey, that kid has a Boston Yankees hat on."
         " Run Keeeth," zombie-lisped Jose.
           Fifty million imbecilic questions assailed me at once......" can I return this sprinkler for a jacuzzi.....can I get 120% off.....can you come to my house and fix my television for free"-- it was unabashed audacity, survial of the most annoying and repetitious; and the corporate cadavers have let this consuming flood in on me and my poor zombies.
           I needed to find my steed, my inside forklift. It was not where I left it near the entrance.            
        Surely they have sabotaged it. " the riding mowers," the thought uplifted my fading resolve. I darted past wallowing consumers before they could get my scent. I heard a consumer, " you obviously don't know what Im talking about," talking to zombie George, who was munching roofing nails.
         The consumer grabbed me, and said "here he is, this is Keith, he is wearing a Phoenix red sox cap"--panic bit into my brain, this consumers grip was implaccable. The grip that holds the steering wheel tightly driving nowhere fast, with anything in that interstice of commuting, not worthy of manners and the least of which being a friendly wave to 'go ahead.'
           They formed a wall of uttering stupidity, escape was cut off. They scratched at me, hissed, tore at my flesh and screamed demonistically in my ears. I caved and and called the hoard m'am and sir, they choked me, and loosened their grip only so I could tell them " Im sorry, sorry for your inconvenience, take my life and personality as tribute, take my imagination rendered prostrate by these sceptic corporate words that this mouth emits, betraying my personal form, the human element to this lifeless purposeless machine....destroy me, for finding the infinity between letters of corporate law and none between nature's laws......"
        I was almost unconscious, giving a speech to imagined hooded phantoms......" destroy me, for valuing friendship and imagination, and seeing infinity, in the shadow of a letter, eternity in the numeral of a number, and for defying the order to see things as others do....."...." destroy me, for seeing that people are unhappy and trying to uplift people for the sake of seeing them smile....destroy me, destroy my smirk, and add a lifeless smile to my corpse."
              I heard a horn, the riding floor mopper/buffer, it was Ryan, he commandeered the machine with precision-like drunkenness. He knocked down the consumers like twenty pin bowling. " What's up ***** cat," he possibly said, and I climbed to my feet.
         I walked to the riding mowers, and turned the key on the floor model. I sped the main aisle, with caresses of consumers that would be deep clawings at a slower speed. I dodged stupid question, and swerved from unabashed frugality. I turned up the tool aisle, grabbed a battery nail gun.
              " It says batteries are included, but are they included?" I answered with a 12 gauge nail, and resumed my course to the upper offices, that for too long looked down on me and my friends. I climbed the stairs and entered. The office was abuzz in corporate banalities. " Hello, this is Damian how may I help you.....oh helloooooo keeeeeth, one minute.......sir hold one second thaaaanx."
                I aimed the nail gun muzzle at his ugly overly polite mug." I finally found you, I will get the store back in shape Damian...."
          He cut me off, " no yoou woonn't, they are pouring in, we will meet our quota for the year...."
        " Me and my friends

Chapter Two

“I think of art, at its most significant, as a DEW line, a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.”                Marshall McLuhan  
  
I attended Bucknell University in Lewisburg, Pennsylvania because my father was incarcerated at the prison located in the same town.  My tuition subsidized to a large extent by G.I. Bill, still a significant means of financing an education for generations of emotionally wasted war veterans. “The United States Penitentiary (USP Lewisburg)” is a high-security federal prison for male inmates. An adjacent satellite prison camp houses minimum-security male offenders. My father was strictly high-security, convicted of various crimes against humanity, unindicted for sundry others. My father liked having me close by, someone on the outside he trusted, who also happened to be on his approved Visitor List. As instructed, I became his conduit for substances both illicit, like drugs, and the purely contraband, a variety of Italian cheeses, salamis, prepared baked casseroles of eggplant parmesan, cannoli, Baci chocolate from Perugia, in Tuscany, south of Florence, and numerous bottles of Italian wine, pungent aperitifs, Grappa, digestive stimulants and sweet liquors. I remained the good son until the day he died, the source of most of the mess I got myself into later on, and specifically the main caper at the heart of this story.

I must confess: my father scared the **** out of me.  Particularly during those years when he was not in jail, those years he spent at home, years coinciding roughly with my early adolescence.  These were my molding clay years, what the amateur psychologists write off with the term: “impressionable years hypothesis.” In his own twisted, grease-ball theory of child rearing, my father may have been applying the “guinea padrone hypothesis,” in his mind, nothing more certain would toughen me up for whatever he and/or Life had planned for me. Actually, his aspirations for me-given my peculiar pedigree--were non-existent as far as the family business went. He knew I’d never be either a Don or a Capo di Tutti Capi, or an Underboss or Sotto Capo.)  A Caporegime—mid-management to be sure, with as many as ten crews of soldiers reporting to him-- was also, for me, out of the question. Dad was a soldier in and of the Lucchese Family, strictly a blue-collar, knock-around kind of guy. But even soldier status—which would have meant no rise in Mafioso caste for him—was completely out of the question, never going to happen for me.

A little background: the Lucchese Family originated in the early 1920s with Gaetano “Tommy” Reina, born in 1889 in Corleone, Sicily. You know the town and its environs well. Fran Coppola did an above average job cinematizing the place in his Godfather films.  Coppola: I am a strict critic when it comes to my goombah, would-be French New Wave auteur Francis Ford Coppola.  Ever since “One From the Heart, 1982”--one of the biggest Hollywood box office flops & financial disasters of all time--he’s been a bit thin-skinned when it comes to criticism.  So, I like to zing him when I can. Actually, “One From the Heart” is worth seeing again, not just for Tom Waits soundtrack--the film’s one Academy Award nomination—but also Natasha Kinski’s ***: always Oscar-worthy in my book. My book? Interesting expression, and factually correct for once, given what you are reading right now.

Tommy Reina was the first Lucchese Capo di Tutti Capi, the first Boss of All the Bosses. By the 1930s the Luccheses pretty much controlled all criminal activity in the Bronx and East Harlem. And Reina begat Pinzolo who begat Gagliano who begat Tommy Three Finger Brown Lucchese (who I once believed, moonlighted as a knuckle ball relief pitcher for Yankees.)
Three Finger Brown gave the Lucchese Family its name. And Tommy begat Carmine Tramunti, who begat Anthony Tony Ducks Corallo. From there the succession gets a bit crazy. Tony Ducks, convicted of Rico charges, goes to prison, sentenced to life.  From behind bars he presides through a pair of candidates most deserving the title of boss: enter Vittorio Little Vic Amuso and Anthony Gaspipe Casso.  Although Little Vic becomes Boss after being nominated by Casso, it is Gaspipe really calling the shots, at least until he joins Little Vic behind bars.
Amuso-Casso begat Louis Louie Bagels Daidone, who begat the current official boss, Stephen Wonderboy Crea.  According to legend, Boss Crea got his nickname from Bernard Malamud’s The Natural, a certain part of his prodigious anatomy resembling the baseball bat hand-carved by Roy Hobbs. To me this sounds a bit too literary, given the family’s SRI Lexile/Reading Performance Scores, but who am I to mock my peoples’ lack of liberal arts education?

Begat begat Begato. (I goof on you, kind reader. Always liked the name Begato in the context of Bible-flavored genealogy. Mille grazie, King James.)

Lewisburg Penitentiary has many distinguished alumni: Whitey Bulger (1963-1965), Jimmy Hoffa (1967-1971) and John Gotti (1969-1972), for example.  And fictionally, you can add Paulie Cicero played by Paul Scorvino in Martin Scorsese’s Goodfellas, not to be confused with Paulie Walnuts Gualtieri played by Tony Sirico from the HBO TV series The Sopranos. Nor, do I refer to Paulie Gatto, the punk who ratted out Sonny Corleone in Coppola’s The Godfather, you know: “You won’t see Paulie no more,” according to fat Clemenza, played by the late Richard “Leave the gun, take my career” Castellano, who insisted to the end that he wasn’t bitter about his underwhelming post-Godfather film career. I know this for a fact from one of my cousins in the Gambino Family. I also know that the one thing the actor Castellano would never comment on was a rumor that he had connections to organized crime, specifically that he was a nephew to Paulie Castellano, the Gambino crime family boss who was assassinated in 1985, outside Midtown New York’s Sparks Steak House, an abrupt corporate takeover commissioned by John Teflon Don Gotti. But I’m really starting to digress here, although I am reminded of another interesting historical personage, namely Joseph Crazy Joe Gallo, who was also terminated “with extreme prejudice” while eating dinner at a restaurant.  Confused? And finally--not to be confused with Paul Muldoon, poetry gatekeeper at The New Yorker magazine, that Irish **** scumbag who consistently rejects publication of my work. About two years ago I started including the following comment in my on-line Contact Us, poetry submission:  “Hey Paulie, Eat a Bag of ****!”

This may come as a surprise, Gentle Reader, but I am a poet, not a Wise Guy.  For reasons to be explained, I never had access to the family business. I am also handicapped by the Liberal Arts education I received, infected by a deluge, a veritable Katrina ****** of classic literature.  That stuff in books rubs off after awhile, and I suppose it was inevitable. I couldn’t help evolving for the most part into a warm-blooded creature, unlike the reptiles and frogs I grew up with.

Again, I am a poet not a wise guy. And, first and foremost, I am a human being. Cold-blooded, I am not. I generate my own heat, which is the best definition I know for how a poet operates. But what the hell do I know? Paulie “Eat a Bag of ****” Muldoon doesn’t think much of my work. And he’s the ******* troll guarding the New Yorker’s poetry gate. Nevertheless, I’m a Poet, not a Wise Guy.  I repeat myself, I know, but it is important to establish this point right from the start of this narrative, because, if you don’t get that you’re never going to get my story.

Maybe the best way to explain my predicament—And I mean PREDICAMENT in the sense of George Santayana: "Life is not a spectacle or a feast; it is a predicament." (www.brainyquote.com), not to be confused with George’s son Carlos, the Mexican-American rock star: Oye Como Va, Babaloo!

www.youtube.com/watch?v...YouTube Dec 20, 2011 - Uploaded by a106kirk1, The Best of Santana. This song is owned by Santana and Columbia Records.

Maybe the best way for me to explain my predicament is with a poem, one of my early works, unpublished, of course, by Paulie “Eat a Bag of ****” Muldoon:

“CRAZY JOE REVISITED”  
        
by Benjamin Disraeli Sekaquaptewa-Buonaiuto

We WOPs respect criminality,
Particularly when it’s organized,
Which explains why any of us
Concerned with the purity of our bloodline
Have such a difficult time
Navigating the river of respectability.

To wit: JOEY GALLO.
WEB-BIO: (According to Bob Dylan)
“Born in Red Hook, Brooklyn in the year of who knows when,
Opened up his eyes to the tune of accordion.

“Joey” Lyrics/Send "Joey" Ringtone to your Cell
Joseph Gallo, AKA: "Joey the Blond."
He was a celebrated New York City gangster,
A made member of the Profaci crime family,
Later known as the Colombo crime family,

That’s right, CRAZY JOE!
One time toward the end of a 10-year stretch,
At three different state prisons,
Including Attica Correctional Facility in Attica, New York,
Joey was interviewed in his prison cell
By a famous NY Daily News reporter named Joe McGinnis.
The first thing the reporter sees?
One complete wall of the cell is lined with books, a
Green leather bound wall of Harvard Classics.
After a few hours mainly listening to Joey
Wax eloquently about his life,
A narrative spiced up with elegant summaries,
Of classic Greek theory, Roman history,
Nietzsche and other 19th Century German philosophers,
McGinnis is completely blown away by Inmate Gallo,
Both Joey’s erudition and the power of his intellect,
The reporter asks a question right outta
The Discrete Charm of the Bourgeoisie:
“Mr. Gallo, I must say,
The power of your erudition and intellect
Is simply overwhelming.
You are a brilliant man.
You could have been anything,
Your heart or ambition desired:
A doctor, a lawyer, an architect . . .
Yet you became a criminal. Why?”

Joey Gallo: (turning his head sideways like Peter Falk or Vincent Donofrio, with a look on his face like Go Back to Nebraska, You ******* Momo!)

“Understand something, Sonny:
Those kids who grew up to be,
Doctors and lawyers and architects . . .

They couldn’t make it on the street.”

Gallo later initiated one of the bloodiest mob conflicts,
Since the 1931 Castellammare War,
And was murdered as a result of it,
While quietly enjoying,
A plate of linguini with clam sauce,
At a table--normally a serene table--
At Umberto’s Clam House.

Italian Restaurant Little Italy - Umberto's Clam House (www.umbertosclamhouse.com)
In Little Italy New York City 132 Mulberry Street, New York City | 212-431-7545.

Whose current manager --in response to all restaurant critics--
Has this to say:
“They keep coming back, don’t they?
The joint is a holy shrine, for chrissakes!
I never claimed it was the food or the service.
Gimme a ******* break, you momo!
I should ask my paisan, Joe Pesci
To put your ******* head in a vise.”

(Again, Martin Scorsese getting it exactly right, This time in  . . . Casino (1995) - IMDb www.imdb.com/title/tt0112641/Internet Movie Database Rating: 8.2/10 - ‎241,478 votes Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. Greed, deception, money, power, and ****** occur between two  . . . Full Cast & Crew - ‎Trivia - ‎Awards - ‎(1995) - IMDb)

Given my lifelong, serious exposure to and interest in German philosophy, I subscribe to the same weltanschauung--pronounced: veltˌänˌSHouəNG—that governed Joey Gallo’s behavior.  My point and Mr. Gallo’s are exactly the same:  a man’s ability to make it on the street is the true measure of his worth.  This ethos was a prominent one in the Bronx where and when I grew up, where I came of age during the 1950s and 60s.  Italian organized crime was always an option, actually one of the preferred options--like playing for the Yankees or being a movie star—until, that is, reality set in.  And reality came in many forms. For 100% Italian kids it came in a moment of crystal adolescent clarity and self-evaluation:  Am I tough enough to make it on the street?  Am I ever going to be tough enough to make it on the street? Will I be eaten alive by more cunning, more violent predators on the street?

For me, the setting in of reality took an entirely different form.  I knew I had what it takes, i.e., the requisite ferocity for street life. I had it in spades, as they say. In fact, I’d been blessed with the gift of hyper-volatility—traced back to my great-grandfather, Pietro of the village of Moschiano, in the province of Avellino, in the region of Campania, Italia Sud. Having visited Moschiano in my early 20s and again in my late 50s, I know the place well. The village square sits “down in the holler,” like in West Virginia; the Apennine terrain, like the Appalachians, rugged and thick. Rugged and thick like the people, at least in part my people. And volatile, I am, gifted with a primitive disposition when it comes to what our good friend Abraham Maslow would call lower order needs. And please, don’t ask me to explain myself now; just keep reading, *******.  All your questions will be answered.

Great Grandfather Pietro once, at point blank range, blew a man’s head off with a lumpara, or sawed-off shotgun. It was during an argument over—get this--a penny’s worth of pumpkin seeds--one of many stories I never learned in childhood. He served 10 years in a Neapolitan penitentiary before being paroled and forced to immigrate to America.  The government of the relatively new nation--The Kingdom of Italy (1861)--came up with a unique eugenic solution for the hunger and misery down south, south of Rome, the long shin bone, ankle, foot, toes & kickball that are the remote regions of the Mezzogiorno, Southern Italy: Campania, Basilicata, Calabria, Puglia & Sicilia. Northern politicians asked themselves: how do we flush these skeevy southerners, these crooks and assassins down South, how do we flush the skifosos down the toilet—the flush toilet, a Roman invention, I report proudly and accept the gratitude on behalf of my people. Immigration to America: Fidel Castro did the same thing in the 1980s, hosing out his jails and mental hospitals with that Marielista boatlift/Emma Lazarus Remix: “Give us your tired and poor, your lunatics, thieves and murderers.” But I digress. I’ll give you my entire take on the history of Italy including Berlusconi and the “Bunga Bunga” parties with 14-year old Moroccan pole dancers . . . go ahead, skip ahead.

Yes, genetically speaking, I was sufficiently ferocious to make it on the street, and it took very little spark to light my fuse. Moreover, I’ve always been good at figuring out the angles--call it street smarts--also learned early in life. Likewise, for knowing the territory: The Bronx was my habitat. I was rapacious and predacious by nature, and if there was a loose buck out there, and legs to be broken, I knew where to go.
Yet, alas, despite all my natural talents & acquired skills, I remained persona-non-grata for the Lucchese Family. To my great misfortune, I fell into a category of human being largely shunned by Italian organized crime: Mestizo-Italiano, a diluted form of full strength 100% Italian blood. It’s one of those voodoo blood-brotherhood things practiced by Southern European, Mediterranean tribal people, only in part my people.  Growing up, my predicament was always tricky, always somewhat bizarre. Simply put: I was of a totally different tribe. Blame my exotic mother, a genuine Hopi Corn Maiden from Shungopavi, high up on Second Mesa of the Hopi Reservation, way out in northern Arizona. And if this is not sufficiently, ******* nuts enough for you, add to the child-rearing minestrone that she raised me Jewish in The Bronx.  I **** you not. I took my Bar Mitzvah Hebrew instruction from the infamous Rabbi Meir Kahane, that’s right, Meir “Crazy Rebbe” Kahane himself--pronounced kɑː'hɑːna--if you grok the phonetics.

In light of the previously addressed “impressionable years hypothesis,” I wrote a poem about my early years. It follows in the next chapter. It is an epic tale, a biographical magnum opus, a veritable creation myth, conceived one night several years ago while squatting in a sweat lodge, tripping on peyote. I

We used to swing under the big willow tree
We lived 3 doors down from each other
We were princesses who fought dragons
We could save the kingdom and find our prince by lunch time
Our moms laughed and talked about how cute we were
Four years old was a cute age

Fast forward a bit
We went into elementary school innocent and young
Boys had cooties
Girls had cooties
Kickball always ended with someone getting hit in the face
We would always sit out field and pick grass and shape it into a little birds nest
Life was good
Until your parents started fighting and I mean really fighting.
It scared me and I would have to go home
I would make you come with me
three doors down
Our moms didn’t laugh anymore
By Christmas break your parents were broken up and divorced
Eight years old was a confusing age

Junior high was mean.
Girls would rip you to shreds and then hang pieces of you on everyone’s lockers
Boys just wanted to make out
A whirlwind of uncontrolled hormones
We were the quiet ones
Always flew under the radar
Just trying to make it out alive
We found a little spot to eat lunch under the stairs where no one would go
We giggled and talked about boys who didn’t even know that we existed
I remember crying in the bathroom with you because people were brutal and we weren’t good enough
Our moms worried about us and how distant we were becoming
Thirteen years old was a sad age

Highschool is another story
You were put in the hospital for a month
I was left at school alone
I had to find more friends
I found most of them were fake
So I ate my lunch in a bathroom stall
Reading all the swear words that were carved in the wall
You were really sick and we grew apart
We were always close
We will always love each other
You tried to save me from myself
But I didn’t let you
Seventeen was an important age

Now we are at different colleges
I tried to **** myself while you were getting an A on your anatomy test
It’s sad
We don’t swing under the big willow tree or fight dragons anymore
Our moms hardly talk
You are a success
and I am a failure
We don’t really mesh
I miss you every day
I’m sorry I can’t be good enough for you
We were princesses who lived three doors down, we saved the kingdom.
I love you
I’m sorry this has faded
Just like everything else
Nineteen years old is a dying age.

Sweeter* than* wait I am starting
to melt like a____?
             Royal Jam
  Scarlet Movie Oh!  I don't give a
              ****!!
The Milkman versus My Breadman
How can I decide I feel I am
going to faint

Such a quaint picnic was "Hot Epic"
       My biggest fan is my
              Mother
    Going public like a stand up comic

All stereotypes happiness
        is a warm bread
Any way you slice it love it
Even going out of our head
The war going on
Hello Vietnam
Be my *Grand Slam

Have difficulty with everything
Melting our hearts those
"Good Eat" the luckiest people
But it's us the ordinary people
No time to brag or boost
who believes
everything is extraordinary
take a bow

Feeling tired give me a bat and ball
My big hit  built me a buttercup bed

I love the sweet warm toast
With my butter spread that
dash of sea salt the most
What was truly said in
your opinion no one's fault
Justice For All so stop
feeling guilty

Or in the presence of someone, you
didn't love at all

End of the reign beginning of
Melted candle dripping softly
like I apple butter he texted me
His ears were full of wax

Moms and
their daughters play
dressed up Dads and sons
  kickball having a meltdown
Of timeless bills no bread lines
Kings and Queens love their crowns
Love those quilts of corals
Soft as butter what morals

It's time for Hellman's
mayonnaise sandwich
What a dilemma
Every morning she is eating
Cream of wheat like a blob
Of farina
Kansas City here she comes

She loves her buttered popcorn
Poppy seed bagel was
near her acorns
We used to be human now
  An Army of Robots
Keep your enemies closer
If you truly love her

Robin Hood of the thieves

She got Gingersnapped
Melted finger-mapped
Crusty Baguette's French lip
lemon creme
Those marionettes caused
a scene

Butterscotch candy sugar cookies  
cleaning up your
computer meet "Ms." Butterworth"
movie
The worst shes ever has seen

She is sitting in the country
southern style
the dining room
Doing banana splits boiling
egg yolks Mcdonalds pancake
with Old folks

And cartwheels Moms always
wearing her buttercream heels
More room buttercream paint
And so toxic she zooms

What a silly goose with hens
He is hiding his eyes like
a fugitive he was blind getting
melted by so many lovers
Buttery slippery hearts

Jumping like Jack Rabbits melting a
white picket fence no nonsense
This bread and butter hold me closer
Everyone is looking
like a stranger
Almost every morning new
improved bread love pusher
Fresh taste and another lover
Uptown girl left her catcher of
the rye bread on used up counter
Seeing too many piano players
of Billies, she was getting a
Bread hot fever

Take me to *Panera Bread
Cyborgs the pig and whistle 
beer and nuts melted butter pretzels
The Alien like a damsel in distress
Like a heart of the shamrock
What a lucky piece Irish bread
The Queen red wine and
breadcrumbs
On her musical chair
Milk and honey not your
Unicorn Pony quick kick
then melt me in my sleep

Ancient rocks up her castle
Sipping her hot spell word
puzzle
Secrets of all tattle tales
In her coffee, he smiles with
French croissant like a sergeant
Bread melted her butter lips
The very first time she
ever saw his face
There were more excursions
but no excuses to
butter up my Prince

i have not spoken to you in

four or six years but

the hex code for the color of your eyes

i could determine from:

strawberry-kiwi juice, thumb tacks

CD rainbows

softball (

and kickball, hours of it)

chicago in 2007, white pebbles like teeth, and converse shoes—

My mom
Tells me I'm a gift.

She says love
Is what keeps the atoms
In you and I
Is the moment
She caught my
Father's eye
Is the day
My grandfather died
With a candy kiss on his cheek
She had never tasted something so sweet.

When we were little
We played kickball,
The ground is lava
And hide-and-go-seek.
As I grew I knew most days,
It was harder to find myself;
Let alone somebody else.

And I have been around
Enough center city playgrounds
To see the rich
Pump every bit of spare change
In their veins fighting
A cancer that they
Never learned to put in their past.
To see the poor
Wage wars with themselves
Trying to pick up
Way too much,
Way too fast;

Nobody really knows how to make love last.

So put your prism your heart
Beneath the moonlight.
Refract the wavelengths
Of your wonders
Into ROYGB-eautiful like the sea,
It took a lot of jellyfish to let
people see through me.

And even more mirrors
To find a place I was comfortable
Praying in.

Fraying in doorways
Where I learned hope,
Is looking both ways
On a one way street
Cause it can be so easy to thank God
While you still have bread to eat.

I have never prayed
So hard for a healthy meal
Than the days I remember
The heart is a muscle;
And sometimes the only
Thing we need
Is to "work it out."

And I know that some days,
My doubt hangs my
Smile like Jesus Christ
I never quite learned
How to bleed right.

But if there's one thing
I found from cleaning
The crosses out of the
Empty hallway of my character
Is that you haven't experienced loss
Until you've held two outstretched arms
For years waiting for your innocence to come back.
Nothing, weighs more than the guilt of your past
And nothing throws punches
Faster than the ghost of who you used to be.

And I know it's hard
To stop looking for yourself
Under every bed you
Left nightmares in
And I know it's hard
To be comfortable
In your own skin

But sometimes bars
Aren’t the only thing
That builds a cage
And sometimes
The only way to live
With yourself
Is to stop digging
Your own grave.

You can spend years
Listening to morticians
And never get grounded.
Surrounded by the
Square roots we all share,
By the same air,
We've all got to learn to let go.

To learn that
Holding your breath
Has never been how
Living things
Learn to
Grow

You were hungry tonight at midnight
And woke me up out of a dead sleep
For the fifth time in a row,
But I got up and fed you,
And that’s okay,
Because that’s what Mommies do.

Today you started to walk
And thought I was crazy
Because I videoed you
And talked about how that
Big guy named Daddy,
Who’s been here since day one,
Wasn’t here to see.
And I was squealing
The whole time.
But that’s okay,
Because that’s what Mommies do.

Today you started to talk
And your first word was
“Ma-ma"
And I laughed and cried
But that’s okay,
Because that’s what Mommies do.

Then you learned how to ride a trike
And soon after that a bike.
You looked at me like I was nuts
After I said something about how
You were growing up too fast.
But that’s okay,
Because that’s what’s Mommies do.

When you are ten,
And you’re upset
Because you played kickball
And you were picked last,
I won’t tell you it’s no big deal,
Because Mommy knows just how you feel.
I’ll tell you it’s their loss,
But I know right now,
It feels like yours.
Then I’ll hug you and we’ll get icecream
And talk about how we’ve never liked kickball anyway,
And that’s okay,
Because that’s what Mommies do.

Today I told you
That’s it’s okay to be mad
And it’s okay to be sad.
But when you’re mad,
Count to ten and
When very mad one hundred,
Just like Jefferson said,
And don’t let anger
Get the best of you.
When you’re mad
And you don’t know what to do
And the mad you have makes you feel sad,
You can come sit in my lap, even when you’re twenty-two,
And we’ll try to talk it through,
Because that’s what Mommies do.

When you’re sixteen,
And you like someone
But you don’t want to,
Because it doesn’t fit the Five-year plan,
I’ll tell you how I had a Five-year plan
But I met Daddy in Year Two
And a week before Year Three,
I knew he was the one for me.
So before Year Three
Was halfway done,
Daddy and I
Had the same last name.
And by Year Five,
Daddy and I found out
Soon there would be
A little baby in our house.
I’ll tell you how sometimes your dreams change
From traveling to Greece,
To wiping tear-stained cheeks
And that’s okay,
Because that’s what Mommies do.

When you go off to college,
Or maybe to China,
Like your aunt did,
To take care
Of babies who
Don’t have mommies,
Or wind up in the army
To protect your country,
Like your uncle,
I’ll be waving goodbye
And crying
Because it feels like
Part of me is dying
But that’s okay,
Because that’s what Mommies do.

Slow and steady wins the race
so please be patient with my heart,
I'm back to notebooks filled up past
the brim with simple love poems
and an empty bed to preach them to,
She has done and filled me up,
Put light back in my smile and
remembered that blue is my favorite color.
So even with hearts beating fast
playing kickball inside my ribcage,
I will walk slow, remember that
slow and steady will win the race,
So hold my heart, and teach it patience

Helpful.
Holding Hands.
Chatting over email.
Have a lot of fun.
Always there for each other.
Go getting manicures with each other.
Playing soccer and kickball with my friends.
We got to the movies,mall,and restaurants together.
Bella, Jenna, Darla, Saanvi, Rebecca,
Caitlin, Isabella, Thalia, Laxmi, Sophia.

A square, white, four bedroom, one bath country home
With fourteen kids, parents and much family love
We didn’t have abundance:  fiscally poor
But we had each other:  banked on our family
We shared our victories and or trying pain
We were a modest Scottish Catholic Clan

Isolated, we were not to our immediate clan
Our uncle’s lived within a trot, fifteen in his home
We kids worked and played on the farm without pain
It was an adventurous labor of extended family love
We worked, laughed, cried, and played as a family
In the early years, we young ones were anything but poor

However, in grammar school, we learned the meaning of poor
And materialism and envy, outside our cloistered clan
But together we lived and loved as a close nit family
Sure we had disagreements, not material goods, but a solid home
White paint peeled on the outside, yet inside was painted love
Still, there were poverty jokes, ridicule and masked pain

Every family has strife, baggage, and superfluous pain
Our parents didn’t drink; we had faith, yet fiscally poor
Ole Dad plumbed toilets; Mom slaved in the house, both with love
So we wouldn’t trade riches for our impoverished meager clan
Summer berries to pick, winter sledding, spring kites, and forever home
Kickball games, splashing  in ponds, nature hikes and family

We were not taught to show emotions, hug, not an “I love you family,”
Albeit, an honest, polite, and proud Scottish Clan
The old house was eternally warm; it was our forever home
Until 1999. Dad passed from cancer still money poor
Yet rich in the knowledge of family and that his true pain
Was never saying that word; on his deathbed he whispered “Love”

Though our patriarch was laid to rest, we rose with the word “Love”
Eventually, the house was sold, but always one huge family
Mom spends her days in a retirement home remembering her clan
As time passes and memories fades, it lessens the pain
Of the loss of a noble father, economically poor
Yet with a strong work ethic, church, and love, built a home

Fourteen children now forged fourteen homes on love
Many, still, financially poor, but rich in forever family
Correcting mistakes that caused pain, while perpetuating our clan

and so my life rushes by.

no more razor scooter afternoons,

Barbie jeep and a kickball marathon,

walking home from school in spring, swinging a Powerpuff Girls backpack.

jumping on hot black trampolines, burning our small feet,

running to the park to see if we were able to hold on to monkey bars.

no more alligator tag evenings, falling down in wood chips but brushing it off-

I have always been a tough cookie.

and I become an adult soon enough, a victim of my own past and a

culprit of my future, but nothing in between.

Honda Civic and a movie marathon,

liquored-up nights,

high as the midnight sky, staring up at stars as far as the atlantic.

life used to be so simple
wake up in the morning, have some cereal
walk to school all excited
you got to see your friends after all
recess was such a blessing
20 minutes of fresh air, playing tag or kickball
girls had cooties so you pretended you were too cool to hangout with them
and they giggled and pointed and teased you
but that meant they liked you, and it made you smile
after school you'd play in the yard
leaping from surface to surface, cause the ground was lava, and you couldn't fall
joy was so easy to come by
hardship was a runny nose, or wheat bread for your lunch
and the cuts on your arms were from crawling in a rose bush
chasing butterflies with a mindless passion
dinner was a time for family
you could talk about your day, spend time with dad
and after, maybe everyone would watch tv together
laughing and smiling
life was so simple back then
why'd it have to change?

now you don't wake up in the mornings
because you couldn't sleep last night
the demons didn't let you
breakfast?
you haven't had that in years; you never have the time
you still walk to school, but now its a slow, weary trudge
because you are dreading the hours you spend in a perfect hell
anxiety ridden, stress filled, insult filled torture
recess doesn't exist anymore
because when you are older, they decide you don't need it
now the guys you used to hangout with think they are too cool for you
they are off chasing girls, because that is what they;re supposed to do
and the girls? well, they still call you names
but somehow, "******" doesn't make you smile quite like "butthead" did
after school you trudge home and stare at a screen
killing time, trying to find anything to distract yourself
so you don't have to consider reality
because nowadays, the ground really is like lava
and if you walk in it wrong, all those ugly problems will rear their heads
being sick is normal; you have worse things to deal with
because dad sleeps on the couch, and mom's smiles never reach her eyes
and the cuts on your arms?
you tell people it was some rose bushes you stumbled in walking home
but in all honestly, you put them their yourself in the depths of the night
after another dinner you skipped, because being fat is a sin
and family time is gone, you spend the night alone
brooding and sobbing
a hopeless wreck, unable to find the joy you used to have
life used to be so simple
I guess all good things had to end

I have never been the girl you fall in love with

Over the years I’ve won gold for being
1. the girl you bring home to your parents
2. the girl that takes care of you when you’re drunk
3. the girl that hollows herself out for you and carries you in her lungs until you feel better again
but I have never been the object of your affection
nobody has ever looked at me and thought
“that’s the girl I’m going to fall in love with”

I’m perpetually the last one picked for kickball
but instead of picking teams you’re picking your future
and instead of kickball it’s your heart
but I’ve never been good at sports
so it makes sense why I’m picked last every time
who falls in love with a girl
that can’t even be trusted to play kickball?

My heart comes with a money back guarantee
if you’re not satisfied you can return it to me in 30 days
I ask that it’s returned in its original condition
but I’m a sucker for keeping people happy
so I’ll accept it broken with a smile on my face
and give you back every penny
so you can find one more worthy of your money

Grass stains
Growing pains
Tetherball
Kickball
New swear words
Detention

Girlfriends
Best friends
Pizza parties
Saying "No" to drugs
(Eventually saying "Yes")
Ketchup on the ceiling at lunch
Detention

Pencil stuck in the ceiling
Detention

Scraped knees
Snowball fights
Fist fights
Detention

Life's lessons
Early on
Dealing with bullies
Being a bully
Detention

Being stubborn
But growing up
Learning things the hard way

Detention

You are not the ocean because I do not know that well,
you are not a meadow nor a stroll around the park.
None of these things mean much to me, although
they're beautiful in and of themselves.
You are the scent of incense that used to attack my nose,
eventually I craved it, now the smoke in my room grows.
You are laying on my back in the middle of the road
a kickball flying over me, no worries in the world.
You are a caterpillar making it's way across the street,
climbing onto my open palm so that we may personally meet.
Suction cup feet, pipe in it's mouth a formal way of greeting me.
You tickle my taste buds like peta chips,
you're like sleeping through Christmas morning
(something I could never miss
on purpose,
but if I'm tired enough, I might accidentally oversleep.)
You are grass with ants on each blade
but I lay in you anyway
roll around
breathe
it in
laugh, think,
when did this begin?
When I stopped appreciating little things.
The freezing water of a pool in the shade,
baked beans and a fire place.
New York City vendors
selling handicrafts.
My town written down
tucked away with other maps.
You are
an apple all sliced up without the skin,
you are the worm inside it, too.
Where did this begin?
You are a tree,
now trace my roots,
later trace my skin.
But only when I've figured out
what's missing from within.

Out of all the hysteria that unraveled
My sanity was the kickball lost in the neighbors garden
Too embarrassed to recover
One backpack strap over the shoulder made each step a dance
hips swaying trying to retain balance
as if that was something of a friend that i knew i would someday meet
Each stride- each left right glide didn't make trotting a positive feat  
The sleet of sleep that rested on the bottoms of my eyes made me blind to the consciousness of others
It was not the cracks in the concrete that caused every trip
just legs struck out,just little "slips"
Another layer of confusion lamenting
My brain had disney stickers slapped onto every ridge and every gap
Nobody mentioned they were supposed to look like that
Underneath were throbbing aches
A hostile home versus what the media had shown
was school to become another danger zone
Yes.
I'll tell you now,years later some may try to atone
The slight dominance they had felt over you will be overthrown
Once you learn to make your own laughter the world will be your oyster
that will be your umbrella for every drop of moisture that falls
So trot through those doors,
soon will come the adolescence wars
right now though you're only five years old

There will come a day
When all of the colors fade
to grey
When all of the flowers
In the garden start to wilt
When everyday is cloudy.
The headlines hold names
Of kids you grew up playing kickball with
Being killed by people who thought
That one more drink wouldn’t do any harm.
People who thought that a party
Was more important than
Everyone else on the road.

Now,
We have a four year old boy whose mama
Won’t see him graduate preschool
We have an eighteen year old girl whose daddy
Won’t see her graduate high school.
We have teachers
Who don’t know how to educate
To a classroom full of students
Who have so many questions.

But the legal limit isn’t taught in textbooks.

This isn’t whether or not you feel
That the law applies to you.
This is life or death.
This is Russian Roulette with a bottle.
This is driving blindfolded
With the music on too loud.
This is a four year old boy
Who still doesn’t understand
What Heaven is.
This is an eighteen year old girl
Who’s wearing her graduation dress
To her father’s funeral.
The dress that her father helped her pick out.
He said,
“You know, sweetheart, I always loved you in black.”


This is crying for someone
You never met.
This is military homecomings or
Babies smiling for the first time.

Except in reverse.

This is military homecomings in a box.
This is babies crying for a mother
Who cannot comfort them.
This is empty spaces in a poem
Where words should be.
This is “I just saw them yesterday.”
This is “I’m sorry for your loss.”
This is...
not knowing what the right thing to say is.
She still had clothes in the washing machine.
He had a T-Time for next Thursday.
We had a dinner reservation next Friday.
This is knowing that he will never have a birthday again.
This was not something I was expecting
I mean, who would?
Photographs can’t capture a lifetime.
They may be worth a thousand words,
But you my dear are worth so much more.

Perhaps it’s the chemicals
In the mulch
Or the heat of the sun
Or that it’s Friday
But I want to grip monkey bars,
Just once

Hovering over
freshly baked plastic
and burn my ***
Or scream that I’m it and
slap some chubby bully kid-
run like the cool wind
Thank gosh I am quick.
Impress Kylie with my
Kickball Kick
Or cry on the swings-
the playground’s gallows,
When I learn she is moving

come the fall.

Leaves roll in,
dragged in waves across pavement
Queens of the universe
speed by
late for classes in some far off world where there is no recess

But my time
is kept
by bright bells
The clanging of metal,
distant shrieks,
Tall red beams and
lines of dumb ducklings.
It begins with a voice
And ends with a sliding slam of
a Silver Chrysler door
It is sustained by light thunder
Of feet pounding woodchips
Leaving dust in the seams of jeans
My mother bought me at Kohl’s last week.

Almost time for recess! thinks Chase, feeling a rush of energy.
Maybe we’ll play kickball near the old oak tree.
Wanting to run and jump, he can only squirm in his seat.
Waiting impatiently, Chase sighs, and swings his feet.

His eyes move toward the clock and then toward the door.
“Time to line up for recess” announces Ms. Alvarez,
but Chase can’t take it anymore.

Launching from his seat, Chase barrels toward the line
without seeing Lilly Parker moving at the same time!
Lilly’s sweater flew from her hands, as she tumbled toward the floor.
“I’m sorry” he said, his cheeks growing warm….. he’s felt like THIS before.

Like the time in the cafeteria, Chase was in such a rush
his milk had toppled over, turning his food turning it into mush.
He had felt so embarrassed while cleaning up his tray
Wondering if kids were snickering and looking his way.

Lilly stared at the floor as if she might cry,
then with a puzzled expression, simply asked him, “Why?”

Chase stared blankly. He honestly didn’t know.
“Why do I rush? Why can’t I move slow?
I know moving too fast is unsafe, and yet…
I get so wound up, I always seem to forget”.
With a look of both frustration and concern,
Ms. Alvarez wondered, Chase, when will you learn
“You need to slow down and remember our rule:
We walk, we don’t run. We move safely in school!”

That night, as Chase was lying in his bed
he remembered the words his counselor had said,
When you find yourself with a burst of energy
take a look around ….and then count to three.
Calm your body. Breathe in deep.
Take the kind of breaths you take before sleep.
Quiet your mind. Enjoy the peace.
Inhale slowly and then exhale…. release.
Squeeze your squishy ball or the seat of your chair
Take the time to notice who is around you, and where.
Then think…Do I have enough space to move or run?
If not, someone might get hurt and THAT won’t be fun.
With practice Chase, you will reach your goal
You CAN calm yourself down. You ARE in control.

On the next day, as playtime drew near,
Chase looked at Lilly and it all became clear.
I’m excited to play…. but I want to do it safely.
I will take some deep breaths to relax my body.
He enjoyed the cool of the air as he breathed it in
And felt a release as he let it out again.
The breaths seem to be helping as the minutes flew by
Soon, the breathing felt effortless. He no longer had to try!

As the class was called to recess, Chase slowly became aware
he had no sudden urge to leap from his chair.
He was not waiting impatiently or shuffling his feet
or imagining kickball on the concrete.
He didn’t even wiggle in his seat this time.
Chase was in control of his body and mind.

She is like children’s shampoo you had at age four.
“Tear free.”
But when in your eyes,
The tears still stream.
She is like scented markers from kindergarten classrooms.
Foreshadowing when you’ll be sniffing things that will make you lose yourself,
And maybe lose everyone else, too.
She is like sidewalk chalk you drew with in the first grade.
Entertaining for the weekend,
But easily washed off with the rain.
She is a 9/10 on a second grade spelling test.
So close, but not enough.
She is the inflated stomach you had in third grade,
When all the kids would call you names and picked you last for kickball.
She is the time you threw up in fourth grade,
Because being “Fatso” wasn’t who you were.
Or wanted to be.
She is the countless sleepless nights in fifth grade,
Wondering if you were running away, or running to something.
She is the blood stained sheets from sixth grade,
The time you named a razor after your ex-best friend,
Who left you for the blonde bombshells.
She is the time in seventh grade,
When suddenly the sleeping pills your mom took looked more like candy than meds
So you had a few,
And ended up in a hospital bed.
She is everything you wanted to forget.
And yet somehow,
She brings you solace after a life not well spent.

I'm tired of waiting around for you,
tired of knowing I come last but still hoping to be picked first,
like a child in line for kickball who never makes the team.
My heart feels like your kickball,
discolored red and rubbery from the trauma.
I just want to be the team captain for once.

When I was little,
We would play kickball
In the cul-de-sac.

You would scold me
While I was in the outfield,
Told me not to puppy-guard
The bases.

I told you to run faster.

Last night,
You wouldn’t let me
Leave, wouldn’t let
Me sleep alone.

I told you not to puppy guard
My heart,
To have faith in yourself,
In me, in us.

I told you not to puppy guard my heart.

You told me to love faster.

I told you I couldn’t.

You seemed broken, frozen.

I walk down Dillon street,
sun baking cement
and aging wooden doors.

No grass grows in this
mania of row homes
and crowded restaurants
save the few brave weeds
peeking out of cracks
in the sidewalk.

Father Kolbe School:
stands as a rose growing
in the midst of this barren
bar-studded desert.

Dozens of children play
kickball in its roped off intersection:
theirs for thirty minutes a day;
laughter of future senators
and junkies clad in clean
pressed blouses and plaid jackets.

In these moments
they can shriek and relax,
so few years before they sweat
over non-sufficient funds and
that shaky feeling that comes
from the ache of more;

more money more coffee
more time.

I should know, my forehead
is often soaked to the bone.

I am hereby officially tendering my resignation as an adult, in order to accept the responsibilities of a 6-year-old.

The tax base is lower.

I want to be six again.

I want to go to McDonald's and think it's
the best place in the world to eat.

I want to sail sticks across a fresh mud puddle
and make waves with rocks.

I want to think M&Ms; are better than money,
because you can eat them.

I want to play kickball during recess and stay up on Christmas Eve waiting to hear Santa and Rudolph on the roof.

I long for the days when life was simple.

When all you knew were your colors, the addition tables and simple nursery rhymes, but it didn't bother you, because you didn't know what you didn't know, and you didn't care.

I want to go to school and have snack time, recess, gym and field trips.

I want to be happy, because I don't know what should make me upset.

I want to think the world is fair and everyone in it is honest and good.

I want to believe that anything is possible.

Sometime, while I was maturing, I learned too much.

I learned of nuclear weapons, prejudice, starving and
abused kids, lies, unhappy marriages, illness, pain and mortality.

I want to be six again.

I want to think that everyone, including myself,
will live forever, because I don't know the concept of death.

I want to be oblivious to the complexity of life and
be overly excited by the little things again.

I want television to be something I watch for fun,
not something used for escape from the things I should be doing.

I want to live knowing the little things that I find exciting
will always make me as happy as when I first learned them.

I want to be six again.

I remember not seeing the world as a whole, but rather
being aware of only the things that directly concerned me.

I want to be naive enough to think that if I'm happy, so is everyone else.

I want to walk down the beach and think only of the sand beneath my feet
and the possibility of finding that blue piece of sea glass I'm looking for.

I want to spend my afternoons climbing trees and riding my bike, letting
the grownups worry about time, the dentist and how to find the money to fix the car.

I want to wonder what I'll do when I grow up and what I'll be,
who I'll be and not worry about what I'll do if this doesn't work out.

I want that time back.

I want to use it now as an escape, so that when my computer crashes,
or I have a mountain of paperwork, or two depressed friends, or a fight
with my spouse, or bittersweet memories of times gone by, or second thoughts about so many things, I can travel back and build a snowman, without thinking about anything except whether the snow sticks together
and what I can possibly use for the snowman's mouth.

I want to be six again.

I was born little, and I grew up a little.
In a small house in Boston,
where I grew up with a mouth full of Skittles
in a town where it was so simple to get lost in.

9 New Whitney Street, constructed of brick and knee scrapes.
We grew and we learned how to say hello to each other without ever actually speaking.
We played hide-and-seek with our knee high socks,
because we found pleasure by slipping and falling to our favorite hiding spots.

It was an average life.
We danced through the streets to our favorite parks,
Each containing a strong color that we would each label through our child-like dialogue
Red park—Monkey bars & pull up contests
Yellow park—Tire swings & puke-infested children slides
Green Park—Two hour kickball series & poison ivy ankle blisters.

When they'd come home from work,
my mom would always come to my room to check that I was there,
and not out collecting memories in these colorful parks.
My dad would slam his face onto our couch pillow,
his frail body parallel to the sofa,
With an unopened Heineken in his palm and his eyes glared on Larry King.

They said hello to each other without ever opening to their mouths.
And on nights, when it would drop below freezing,
my mother would wrap the plants she made earlier that day into blankets,
and drag the tall ones inside.

On those freezing nights, my father would wrap the pipes with tape,
and allow them to drip throughout the night,
it was an average life.
Nothing more or less special than the families we were surrounded by.

The clouds were laying flat on the rooftops and the mountains, smelling toxic and too clean, roses and lemons. The tears streaming down my face dripped in time with the math metal kick drum and fast crashes. It wasn't snowing, it was just nuclear fallout laying, staining the mountain tops. We opened the drawers and water rushed out, flooding the office, the whole **** apartment. I waded through the waist deep, ink stained memories now rushing over my legs. Disappearing.

The next day was sunny, and we snuck on the roof to read the numbers on the tops of city buses. Together, wearing each other's clothes, oddly discontent with our divestments. We saw the rain steam off the sidewalks from our designated spaces, perched above the crowds of swagger, staggering college students below. The blue and gold was overwhelming - we hid under blankets, curled against each other, kickball and four square on our minds.

I've been screaming for hours, pulling the acrylic off of my shortened fingernails, coming up with plots, ways to shut you up. The graphs are old and borrowed and coffee-stained, like the textbooks pulled so lovingly from the bottoms of boxes in attics and basements. I will continue to wait until the times you decided on, I will continue to wait.

My yawns were wasted on you, the subtleties of conversation breaking your kneecaps and knocking you over. Yellows and greens, parodies and satire, video games, hours spent in ***** beds. The chaos of a youth untamed. The chaos of a youth forgotten.

Scabby fixes on brick trinities
Nouveau riche social climbers
empty holes
rubbled interims' morning glories
rats jovial
Someone's been killing the cats

Three half squares broken open
Shorn wallpaper on each
Large machinery
downing old world's new world
Kickball is
only legend to internet urchins

Sitting on stoops
punching thumbs on cellular
apparatus for the ages
Doohickey haves
Doohickey have-nots

If there must be urban renewal
leave me cherry Italian water ice
at a buck a pop
I don't much care for
Cold Stone Creameries'
Green Tea and Lychee Martinis

I’m afraid to die.
There, I said it.
My greatest fear is dying.
What the hell kind of fear is that,
it’s like being afraid of a sunrise,
or of black eyes,
Something that’s gonna happen,
and something that doesn’t hurt after.
For years I convinced myself it was gonna miss me,
but this ain’t kickball, and gettin chose last is the same as gettin chose.

"I could die right now, I could die while reading this."
It’s terrifying, don’t you think, that we could die at any time?
There my heart goes on its Zanzibar drum solo.

And it’s crippling too.

Because you can’t move past that fear and do something else,
what’s the **** point of even thinking of anything?
We’re gonna die. We’re gonna die. We’re gonna die.
What should I do now?
Doesn’t matter gonna die.
What about my dream?
Doesn’t matter gonna die.
Will I be remembered…
… doesn’t matter, still gonna be dead.

It makes every other fear bearable, no, romantic.
Living alone, being unloved, being unremembered: how the hell is that scary?
Each offers insight into character, the beautiful motivation of self reliance and self understanding is what led to that deep understanding of humanity, these thoughts drove
Thoreau,
dead
Whitmen,
dead
Dickenson,
dead.
dead dead dead dead dead dead dea.
they are all dead!
and what the hell did they do to deserve it—what will I do?
Nothing.
I'm still paralyzed.

I see my naked reflection painted on the glass as I look out upon the night sky
the delicate sparkles make me smile like a little girl, lost in a daydream

The pungent smell of farmland gone bad disrupts the serenity of my scene
But no bother
I will not let the grandeur be tainted

As I gaze out at the romantic splendor
The song in the background transports me to a time when I danced with reckless abandonment

when my main priority was a game of kickball or maybe a long bike ride where I got lost in myself til the fading light of day guided me home.

Youth is never lost on the young if you pay attention