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JL Harlow Apr 2014
I don't think tunnels can go this deep:
The way the oceans part--
Starfish foam, bubbling for air.

I saw the moon bleeding,
So many hidden cries.
She shouted:
"No fair, no fair...No fair..."
And now the polished skeleton
Bones glisten in the sun.

Taken from the dusty closet,
One by one by one.
Alongside a black journal,
No embellishments,
No lock to conceal shame.

Pages of her history,
Like collected pages of
The suffrage, and at the
Very last page, her dream's name.

Italicized like lies fresh oyster pearls shine.
Glistening in the frost of the night,
The soothing heat of her mind's height.
Tunnels can touch Earth's spine.
"Earth's Spine" from J.L. Harlow's book of poetry "Dragonfly Island".
ConnectHook Apr 2017
Wussup, professional Latina?
Diversity been good 2 U?
Water warm enough 4 U?
Shaking down enuf rich gringos
to fund your Non-Profit?
(speak against capitalismo here)
Got time for la Revolución after your pedicure today?
(mention the border here)
still watching Oprah, Abuela?
heard from your third ex-husband recently?
Wussup consummate professional.
(turn on NPR here)
Got nail polish? Got car waxed? Got investments?
(take a networking business lunch here)
Have you streaked your hair enuf?
(mention indigenismo here)
I hope you are caring well for all the nietos
and still have time to be a tiburona
(insert italicized Spanish word here)
How are all your gente ?
(mention mujeres fuertes here)
Hey Latina - when did you move out of the barrio ?
(mention La Raza here)
Mujer Latina—wussup.
how is Gringolandia workin' out 4 U ?
(turn off Univision here)
'cause if the oppression gets too bad
you could always move back
to Venezuela
or Chihuahua
or San Juan,  or...
(mention Trump here)
...Miami?
You hypocrite you
I am an italicized remark,
your spicy punctuation;
I am your steamy satisfaction,
your permanent vacation.
A unique innuendo,
a read between the lines;
I am a story like no other
as I lick between your thighs.
from Cosmo,
The New Yorker;
A romantic gentleman lover.
A sweet wine you taste-test
and lick around my lips,
I am a kiss you can't resist-
a naked sweat, a seductive bliss.
I am the palm that stings the skin,
a ***** spank than burns within.
I am a moaning, seeping ******
that rumbles with percussion.
I am your emphasized description
although no adjective does justice.
Copyright Christopher Rossi, 2010
1100

The last Night that She lived
It was a Common Night
Except the Dying—this to Us
Made Nature different

We noticed smallest things—
Things overlooked before
By this great light upon our Minds
Italicized—as ’twere.

As We went out and in
Between Her final Room
And Rooms where Those to be alive
Tomorrow were, a Blame

That Others could exist
While She must finish quite
A Jealousy for Her arose
So nearly infinite—

We waited while She passed—
It was a narrow time—
Too jostled were Our Souls to speak
At length the notice came.

She mentioned, and forgot—
Then lightly as a Reed
Bent to the Water, struggled scarce—
Consented, and was dead—

And We—We placed the Hair—
And drew the Head *****—
And then an awful leisure was
Belief to regulate—
Michael Egan Mar 2012
I made a list of all our kisses, starting with just ‘kiss’
Which in the heat of passion was italicized like this:
kiss, then emphasized in variations Kiss! and KISS and KISS
Which even though ethereal somehow added to our bliss.
And later in IM we found that we could really KISS!
I mean in theory still, of course, for physically we missed
The real touch of real lips and autres choses on that list.
And there were funny graphics, I can’t reproduce them here,
But you know the ones we used a lot, they all meant kisses there
The hearton built with < and 3, which always made you smile
And the asterisks and emoticons we used once in a while
And let’s not forget those x’s which a net of crosses wove
*** and xxxx, our ******* book of love.
Soon added to our kisses came words like longingly,
And tenderly, and lingeringly and gentle morningly
Sometimes we gave it lots of tongue, but loving nibbles too
Whenever I’d le pout or tears your lashes would bedew.
These are the ones I can recall, probably there are more
I’m sure you’re itching to remind me from your memory’s vast store
And you can tell me all about them in some poetry well versed
But my love, before you write it, you’ll just have to kiss me first.
Johnnie Rae Dec 2015
I never knew how to
write poetry correctly.
It's not like it comes with an
instruction manual
that reads in italicized letters

"dig so deep into your head that if a brain aneurism were to spontaneously combust, you'd be the first to know about it"

No one told me that my emotions
would corkscrew like falling
meteorites every time I picked
up a pen.

No one told me that the thoughts
would sometimes dry up
and leave me searching like
a dog who buried a bone and
then developed a rare type
of amnesia.

No one told me that sometimes
it would be hard to get the words
onto the page without tears
falling like a liquid avalanche.

There was no instruction manual
or italicized letters. There was only me,
and a lot of lessons to learn.
One of those morning where I want to cry
Over one condescending comment
And curl up into a ball
And die a little.
Robert Ronnow Aug 2015
How many poetry books = 1 Nissan Pathfinder exhaust
      system.
How many bluebirds? Money is how we thank people for
      what makes them special
How we express our love and gratitude.

Weight and moods, up and down, with weather and outcome
      of meetings.
I am so sick of humanity, people. Wouldn't I prefer
      chickadees?
Then I get home, that is the comfortable tree hole I've been
      longing for.

Aaron pitches and plays piano. Zach likes lacrosse and math.
The mound was soft, sand, with a hole big enough for an urn
      or to hide a plover
But Aaron pitched carefully anyway, slow strikes and the
      opposing team scored.

What would God's work be? Meaningless question. Today's
      schedule:
Write fund raising letters, conserve small farms. Local food,
      local jobs. Don't transport food coast to coast. Save fuel,
      less CO2.
In my opinion the dislocations resulting from climate change
      and global warming will be within man's adaptive capacity.
      On the other hand.
Also, green industry will open a vast employment market, a
      job for every grackle, crow.

The good life, unsustainable, we're poisoning our children
      although my children are not so poisoned. They're bald.
      Unusually bald. Good looking bald. Future of man bald.
      Happy bald.
Bald eagle. Nesting, mating near Karen Sheldon's, a
      conservationist, philanthropist, on the river, whose
      husband recently died. During romantic dinner on a
      second honeymoon in Paris, so I've heard.
That's Jake's spirit come home as an eagle, Karen said. Isn't
      that great, I said, and the she-eagle he's nesting with!
--I'm gonna **** that *****.

Compare Captain Carpenter and In a Prominent Bar in
      Secaucus One Day. In each case the hero's (heroine's)
      body declining
Under life's duress. Anything located in Secaucus, NJ could
      not be considered prominent, could it?
In the end, clack clack takes all. Hard to end a poem better
      than that. Clack clack the crow's beak, upper and lower
      mandibles meeting. From hunger, or it just does. Crows
      clack clack to communicate.
Whitman's greatest poem is Out of the Cradle . . . also
      involving communicating birds, in what is initially an
      embarrassingly emotional display. All that italicized
      moaning and yearning. Get away.
Then, clack clack, he turns on you. Death lisping, straight into
      your eyes. Suddenly you realize you should have taken
      him seriously, been paying attention.

In the meantime, traffic, corn, new exhaust system, ask for
      money, save farms, poor people, sun on garden, whole
      wide world, wars, stars.
I gave up long ago on a quiet world. Now going deaf. Then it
      will be quiet, too quiet.
No more birding by ear. "No more *******." I mean really . . .
      I was moved as anyone by Hall's honest poem about Jane
      dying and I guess ******* can be music to someone's
      melody, stand for living, but not me.
No more birding would have had more meaning. I'd rather
      bird than ****. No more *******, no more worry, no more
      war.

Which is why I'm gonna **** that ***** is so funny, such a
      life-affirming comeback.
At first I worried Karen really believed the eagle is her
      husband. Maybe she does,
But that punch line makes her the kind of woman I want to
      know.
www.ronnowpoetry.com
shooshu Dec 2015
"italicized idleness
illuminated by the
tic toc of time;
fueled fluorescent in
the blue confusion of
flickering bulbs &
clinical corridors of
filler conversation."
I'm seeking to amass a Collection
of the World's spiritual, mythic and philosophical codices.
I want to collect them out of veneration
for those who came before who have tried to illuminate the Paths:

The following is my library of such books of yet.
Entries in bold are my recommendations;
entries italicized are strongly recommended.

-Old Works:

Egyptian Book of the Dead
Tibetan Book of the Dead
The Bhagavad Gita
Euclid's Elements

Tao te Ching (I have 3 translations)
I Ching (2 translations and a workbook)
The Qur'an
The Bible

-Newer Works:

Plato and a Platypus walk into a Bar: Philosophy explained through Jokes
Quadrivium: Number, Geometry, Music, & Cosmology
The Pulse of Wisdom - College Eastern Philosophy Book
Food of the Gods by Terence McKenna
The Elements of Reason - College Logic Book
1001 Perls of Buddhist Wisdom
Net of Being by Alex Grey
Art Psalms by Alex Grey
The Portable Nietzsche
The Red Book of Jung
The Portable Jung

The Subtle Body - Encyclopedia of chakras, auras and other personal energy systems.
Who are you? - 101 Ways of Seeing Yourself
--

I seek to compile this Collection
not to have a nice looking bookshelf;
nor do I seek to find which one is right.

I seek to learn from each of these
the lessons that are intrinsic in our Lives;
they're all matters of perspectives.

I want to compile the aspects of each philosophy with which I resonate
and integrate them into my own,
forging a dynamic and holistic individual philosophy.

All of these books are Mystical masterpieces.
All of these books provide insights to the nature of our Holy Reality.
All of these books ultimately attempt to express the same ineffability.
All of these books are interpreted then translated and interpreted again.
The way I see it,
I may as well do it for myself; draw my own conclusions:
Think for myself.
If anyone seeks further information
such as publishers or Authors not mentioned, please let me know.
If anyone has suggestions for additions to my collection, please let me know. :)

Quadrivium is simply and unequivocally badass.
brianprince Feb 2017
i meant (italicized)
to commit
to many things.

i meant (underlined)
to submit to
my authority.

obligation.
restriction.
(pause) deterioration.

i go over the
f o r m u l a
over and
(caps) over

again. one
that no (bold) one
looks at.

but me (underlined).
accepting what i see.
some form of (italicized)

rotary dial coin slot skipping cd broken sink peanut
butter and jelly crust click push breathe particles
layered dust on the window sill.

commited to a mental
institution (meant to).
middle eastern tradition.

no variety (elipse) —sonic boom—
no room for parady (italics) commit
suicide.

a process according
to the scribbles
of man.

and a pattern that
absolutely
nothing
amounts
to (period).
Poetoftheway Jul 2015
~~~
"But I’ll know my song well
before I start singin’"


Bob Dylan
"A Hard Rain A-Gonna Fall"
~~~
thought this poem down years ago,
while hiking in a nature preserve,
never wrote it up,
never knew why

I'm a
top-of-lungs shower singer,
a hiking poet,
dripping italicized words from the
four corners of mine eyes

my voice,
*****,
my song,
a work in progress,
my brain, says,
challenge,
asking

how dare you sing words,
you know
that I know,
don't know your song well,
well enough,
to start singin'?

the flowers and the fauna,
sea grass, lagoon, deep forest cover, beach,
butterflies hiding in bamboo stalks,
the deer, the fox, the chipmunks

all start laughing at me

"look upon us,
a single preserve
is our shelter,
a thousand years in the making,
our song has hardly begun
we are a forever
work-in-progress,
just like you

so sing of us, sing of you,
learn the chords as you go along,
finger the word notes,
try out variations,
realize this unfixed change,
is all of us
preserving

that friend
is indeed,
your song

you know it
well enough,
that's why
you have
never stopped tryin' and never stopped
singin'

~~~

July 2012 ~ 2015
Mashomack Preserve|The Nature Conservancy,
Shelter Island, N.Y.












    






~~~

http://www.bobdylan.com/us/songs/hard-rains-gonna-fall#ixzz3gFdhKEW1
Nat Lipstadt Apr 2014
you will not like what
you will soon imbibe...

long has a single moot court team
infernal internal debated,
the if's and of's, among itself:

"To Read, Or Not To Read?"

in solitary confinement,
place one's self,
undisturbed but for stale bread,
but unpolluted water

letting only visions sprung internal
guide thy words and world,
from tongue to paper,
creating as pure as one can,
unperturbed by the
rocket's glare of another's poetry

risking all but certain knowing,
it is my fawlty fault alone,
no compare, all laid bare,
no infection of inflection,
no reflection of yours,
in mine mirrored image

my issued seed, entire genetic,
it's only inked environment what is
pre-seeded by blood and *****,
my eyes filter all sight by this light,
this lonely light alone

for the moment, when,
I bend my head to thy stream
to partake when inspiry is parched,
the knowledge that what you
write and wrought,
so much better
than my small portions,
I am condemned in perpetuity
not to the agony mot of defeat,
for I could not
cease to write,
any more than I could
cease to breathe,
or despair of all hope
for messianic better days

but, if to be burdened
by the too real title of
second best,
then my poems,
all sadness to be.

this I cannot have,
so let my pieces,
mediocre or even trash,
live peacefully unencumbered
by the site lines of the living
and the dead

thy finery exceeds my plain grasp,
when I read yours,
my self-pity self-suffocates,
and I ask,
nay, I beg of myself:

let my voice be still
but not stilled,
let my thoughts be boundless,
but not in thine clasped,
let my heart speak my truth,
even unto admitting my yellow courage,
let it not be disparaged by,
for my rank of commonality,
it's low caste author's curse


"for who would bear the Whips and Scorns of time"

I have read the best

once, I wrote
to laugh,
reminded and reminding,
they too feared,
the compare to those who
wrote before their own hour

now I know better,
my only solution,
let my additive, be uncomplicated
my images, uncompromised,
by that, my eyes have n'ere seen,
in languages unspoken, but yet believed,
that were given birth only
for a poet's needs

you may dispense
with my droppings,
as you please, but when
I read you and yours,
I am,
so dangerously pleasured,
my creativity,
my one true god and deity,
oft no longer speaks to me,
it's silence a death sentence
that no court, not in any land,
on earth or unheaven,
may e'er grant clemency,
that of course,
unkindest cut of all

"Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprise of great pitch and moment
With this regard their currents turn awry"


"The undiscovered Country, from whose bourn
No Traveler returns, Puzzles the will,
And makes us rather bear those ills we have,
Than fly to others that we know not of"


You see, already cursed and contaminated,
All my sins italicized, except for my original one,
The imposition of mine own hand,
To dare to write and dream in line and meter, verse

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


*To be, or not to be, that is the question—
Whether 'tis Nobler in the mind to suffer
The Slings and Arrows of outrageous Fortune,
Or to take Arms against a Sea of troubles,
And by opposing end them? To die, to sleep—
No more; and by a sleep, to say we end
The Heart-ache, and the thousand Natural shocks
That Flesh is heir to? 'Tis a consummation
Devoutly to be wished. To die, to sleep,
To sleep, perchance to Dream; Aye, there's the rub,
For in that sleep of death, what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes Calamity of so long life:
For who would bear the Whips and Scorns of time,
The Oppressor's wrong, the proud man's Contumely,
The pangs of despised Love, the Law’s delay,
The insolence of Office, and the Spurns
That patient merit of the unworthy takes,
When he himself might his Quietus make
With a bare Bodkin? Who would these Fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered Country, from whose bourn
No Traveler returns, Puzzles the will,
And makes us rather bear those ills we have,
Than fly to others that we know not of.
Thus Conscience does make Cowards of us all,
And thus the Native hue of Resolution
Is sicklied o'er, with the pale cast of Thought,
And enterprises of great pitch and moment,
With this regard their Currents turn awry,
And lose the name of Action. Soft you now,
The fair Ophelia. Nymph, in all thy Orisons
Be all my sins remembered.
11:13 this Saturday morning, composed to Pavarotti singing
Nessus Dorma!

as noon approaches, the day divided, I will here pause as long as my eyes, permission me to stop seeing...
Nat Lipstadt Feb 2014
the woman disregards
what's best for me,
( See http://hellopoetry.com/poem/bus-poems-victuals-victim/ )
gives me with kind regard,
what's best for me,
for this is the kindness
that hallmarks
the long lasting kind

bring before your childlike tap tap attention wains,
a treatise on leftover chicken wings
and other such nonsensical
finger food additions,
purposed
to inspire, to find innovation,
in expressing, reclaiming and newly exclaiming
that miscreant four letter word
that appears in the other 99% of les ecrivants
(See the notes)

in some poem writ recent,
pontificated that the
most overused three words,
yes, those abused three,
degraded by overuse,
losing their poetic juice
thru constant repetition,
being nearly
boringly indecent,
even when
boldly italicized,
the impact upon the reader
is in the realm of
"oh yeah, that's nice for you"

Better to be best in show,
deduce how,
to demonstrate
rather than insistently remonstrate,
new ways every day
to say
chicken wings means..
you know what...

Some get tea and oranges,
others get cherished
when our repast is twice recast,
when she feeds me leftover
chicken wings,
both kinds,
spiced and honey just like
l....e should be

do you know why
Silly
has two L's?

Correct.

for the run lies therein,
kissing knuckles when unexpected,
******* the exhausted, tucking them in,
going out for ice cream in the midst of a
polar vortex,
recording the game to watch later,
so her downtown abbey guys,
she can be watching at the
proper English
place and time,
and celebrating life the next day
with leftover chicken wings
and other heartfelt,
but unheart healthy food additions

that folks, is how you writ a poem in deed,
that will be returned to you sevenfold in reads,
when you want to explain how,
you can, truly, sigh,
you know, love another...
with sinful, leftover chicken wings
Love is a four letter word, when writ as,
I  love you,
Gary Brocks Aug 2018
A storm blew through early, left frost
etched, lit, glistening, on
a window's waking surface.

I sit framed by that translucence,
my daughter aligns, orders
mirroring matroyshka doll members.

I reflect on an essay*, how
poems are a symbol of  will,
concluding a pact, perhaps

achieved in diction, image metaphor,
adherence to structure, rhyme, form.
Might these devolve to decoration? Or,

trace the transmission of "will to
commitments," expressing “intent”,
"weakly lost or strongly spent?”

Frost etchings fissure, shift, glint, slide
on their emergent effluence,
configure in gusts of cognition.  

I sense a covenant in these lines.
my daughter adjusts her doll's placements,
the promise of one revealed in the other.

Copyright © 2004 Gary Brocks

——————————————
Attribution:
Stanzas 3, 4, and 5 are greatly influenced by my reading the Robert Frost essay titled *THE CONSTANT SYMBOL.
The short phrases in italicized quotes are direct quotes from that essay.
180828F

Frost,  Matryoshka, symbol, essay, configure, cognition, covenant, pact, commitments, intent
Molly Coates Apr 2013
WAKE UP WAKE UP WAKE UP

**** it’s only 2.
Well, now that I’m up,
Lemme watch that slide show
That has an automatic timer for switching slides
Because I’ll be ****** if I ever want to see those things again
And so I just. Can’t. Hit. Next.

Lemme curl up in my bed under the blankets I stole from my basement.
Let me take a few deep breaths because I know for the next lifetime I’ll be running,
And Alice macartney knows you don’t get to breathe this deep on a run.
And If you have to ****, it better take a second because anybody can see you
And I know it too because, hell, I’ve been running my whole life until now
And it’s time I had a break.

Well, I’m already up
And it’s always sometimes helpful maybe
When I reread the script in my brain that begins with
“I’ve been physically abused for most of my life”
and ends with “I don’t know, but yeah.”

Three feet from the ceiling under two blankets
And the crushing ticking of two clocks that are never the right time
I lay down in a desperate attempt to be able to say tomorrow “yeah I got some sleep”
without feeling like a ***** liar.
And when I do lie, I’m gonna lift my mug of caffeine with a splash of dirt and milk to my lips
As if by blocking my mouth I erase the falseness of my words.

And after I reread my script and reread my script
And watch the slideshow titled “what the hell happened to your ribs?”
With an italicized subtitle “don’t tell anybody, okay?”
I scratch at the TO DO list of favors and assignments
And required events and obligations
That seem to crowd over the curvy crayola cursive that reads
“Please sleep. Please eat.”

And then I walk out of my room and down the long long hall
As quietly as I possibly can
So that I can listen to keyboards click, or floorboards creak, or pencils scratch
So that maybe I can count how many others are up with me
In the Twilight Zone.

And maybe by the time the grandaddy clock downstairs chimes one two three
I’ll have washed my face enough times and brushed my teeth enough times
And read my script enough times
To have a pounding headache just heavy enough to shove down my eyelids.

WAKE UP WAKE UP WAKE UP

****, It’s only 4.
Luckily I have a new slideshow to watch
And this one is called “the Fourth time my brother died”
With subtitle “flowers in my chain lock links”
And a dedication to Oom, my cow stuffed animal that has a bit of blood on him
From that one time I don’t remember.

I walk back down to the bathroom
And wash my face for the upteenth time.
Surely by now my skin is chemically burnt because
If I’m not going to wear make up, then I better be perfect!

A palmfull of water might irrigate my dust-bowl throat.
I must have been screaming in my dreams.

I slither back under the ceiling and the blankets
And I hold my fists against my eyeballs
As if a ravaging beast is trying to burst out.
I try to breathe silently so that I can pretend I don’t exist
That I’m not alive.
Because my heartbeat sounds disgusting
And my lungs were never that good.

One Two Three Four Five
And I’m ****** because I’ve been counting
From 72 to 248 for an hour now
And I know there is only one hour and fifty minutes
Until I have to
WAKE UP WAKE UP WAKE UP
Again.
Joseph Sinclair Mar 2015
Being a parody of Abou ben Adhem by Leigh Hunt
(See glossary below for translation of italicized words)
By Yossel Zweben (1929-  )

Moishe Ben Shlomo (may his nostrils drip!)
Awoke as they approached the landing strip
And saw within the cabin (business class)
A stewardess with an exciting ***.
The badge pinned to her ***** said Lorraine.
A life of chutzpah had made Ben Shlomo vain
And to the well-endowed hostess he said
“I bet that I could land us on my head!”
The crew who had endured his endless yack,
Found this the straw that broke the camel’s back,
And to this *******-up braggart they declared
“Our magazine contains a questionnaire
To test your aptitude to fly this plane.”
“What a metsieh,” thought Moish, wracking his brain
And mentally the crew echoed his thought
As, finally, they got the peace they sought.
When El Al published names that had been blessed.
Oy veh!  Ben Shlomo’s name had failed the test.
GLOSSARY
Chutzpah - insolence
Metsieh - blessing
Oy veh - woe is me
Joseph Childress Oct 2011
The Wildest Conclusion

Who are you
To tell me
My thoughts
Aren't worth being heard
I deserve
And demand my rights
I might
Shout amendments
First,
Then commence
To irregular common sense

My stability
Is retained
By the imbalance
In my brain
You see,
I can't enable
These "Cain and Able" angels
That rest on your shoulders
Because
I ain't able

Fables
Fly out the mouth
Of an astounding author
His sound
Is profound
His prowess authorized
By his copy written
Signature
Which is his style
Italicized and laid back
Now,
Crack open
Another pack of pens
And draw out
The wildest conclusions
In deep thought
Then listen...

.The world disapproves.

The extent
Of my intentions
Were wilder than I could imagine
So I didn't know
I would take it this far

The words written
Were forbidden
In the foulest belief system
I wouldn't have wrote them
If my outrageous mind
Wasn't dying
From boredom
Boarding off the monsters
That alter ideas
From beneath the bed
They reach my head
And toy with my
Emotions
Tantalize and
Taint my tender mind
Then morph it
To be the tainter!

To picture death
You'll need help
From this
Morbid painter

Why do I
Write so wickedly
Then spread like pandemics
It's
Pandemonium momentarily
Shared with you
With whatsoever
You should do

With

Evil knowledge
Is truth
Look in your hands
I say
"Vice is right"
Can I persuade?
Like a gun used to
****** a murderer

Some executions
Are executed
At the exact moment
Of redemption

How tempting
Is it for
A wholesome man
To make
A half-hearted attempt
At prosperity
Sparingly
Laying in Evil's bed
But never staying

When he awakes
Will he use the tools
Because he learned the trade
Or teach others
To not
It's hard to reach others
When all they believe
Is a happy ending
I conclude
But
The true ending
You can't imagine
Because it's too wild
For you.
Joseph Paris Dec 2015
So it's us against ourselves.
The mind is the adversary.
And what is that?
A mere dream within a dream.
What does forever mean?
Some hazy lines...
A blur of self,
A little talk,
Between you and me?

A heart lost in translation is in me, while forever is to be free of wonder.
Humans hungry for home and hopeful for hunger.
Life is one long plunder
For the lost ones of
Silent thunder.

Are these lost ones so lost?
Or will these sons of thunder
Flash like lightning?
How far do you have to go
Before no one understands at all?

As far as the fog found clouding the light that sits quiet in the souls of the stormborn.
The light that breaks the beaten barriers of sound and gives life to the lifeless.

That distant light called Hope by some;
A hope that may only protract disharmony.
A skillful prolongation
To the battered.
It is said that hurt is proof of love,
But what's left to prove
When the uncalmed storm
Engulfs us?

By light I live, but by love I die.
Pray to every god that we are left in the eye.
The only proof we need is meaning, something bold to live by.
But we crave happiness, and there can only be one,
So what could anyone do but try and cry?



First of many, I'll have Joseph title it since I don't feel like I have a place in doing so...

My words are italicized
#love   #life   #question   #storm   #existence   #meaning   #paris   #collaboration   #joseph
Nat Lipstadt Feb 2016
~~~

Jan 31, 2014

Victuals Victim


There is a contest this day,
that does not involve my P.S.F.
(Preferred Sport Franchise)

truly, don't give a good ****** who wins,
but that is no excuse to deny me
my victim status,
my Sir Sore Loser demeanor,
so poorly,
in season's long suffering
earned,
so richly,
undeserved.

A triumvirate of
Doctor, G.F. and battery
of medically intrusive tests,
have ruled on the field,
that but once a year,
a conjugal visit permitted,
tween my arteries and chicken wings,
is legally permissive.

there will pigs in blankets
oinking, demanding attention,
sliders and mini right sized,
bite sized potato knishes
(at least in New York City)
cole slaw juices,  
even a
foreign dignitary,
Sayyid Cous-Cous,
all lining up along side
the quarterback  
who will be slinging
'winging' honey and spicy passes
to his favorite receiver,
this couch coach
and today's impartial line judge.

This is my Super Sunday fare,
antithesis of a pre-Day of Atonement fasting meal.
where gluttony
is deemed
less than kosher

If insufficiently highbrow,
for all you poetic aesthetes,
have no fear,
this athlete gastronomic,,
victim of his victuals,
will prepare mentally
to reverse course afterwards,
by hanging out
with King Lear yet once more,
sharing a verbal tasting menu fare,
a recollection of a prior years repast,
this King,
an unrepentant Manchester man-fan,
who knew me too well,
and once condemned me,
after an historic NY Giants Super Bowl celebratory,
sadly,
all too many years ago,
as follows:

"A knave; a rascal; an eater of broken meats;
a base, proud, shallow, beggarly, three-suited,
hundred-pound, filthy, worsted-stocking knave;
a lily-livered, action-taking knave, a whoreson,
glass-gazing, super-serviceable finical rogue;
one-trunk-inheriting slave;
one that wouldst be a bawd,
in way of good service, and art nothing but
the composition of a knave, beggar, coward, pandar,
and the son and heir of a mongrel *****:
one whom I
will beat into clamorous whining,
if thou deniest
the least syllable of thy addition.”


― William Shakespeare, King Lear

~~~

Feb. 2, 2014

My leash is on,
I am to be walked


ad melius parare hominem,
to better prepare man,
before the coma of wings and a super sized
spectacle
tackles, invades and overtakes,
his nation's soul.


by the East River
will I be perambulated,
following 
each lying-down,
pedestrian drawning of a chalk figure,
directing the course
of a river walk
drawn and quartered
just for me.

chatting to the gulls
re the river's latest delicacies,

comparing my upcoming menu
for overlapping interest,
while praying the bicyclists,
on my body,
have tender mercies.

because I will,
all the walking while
be silently recording poems,

to tribute the international nation
of poets and the
global sport of
poetry,
that knows no leagues,
or geographic
delineations.

~~~

Feb 5, 2014

leftover chicken wings and other love nonsense

the woman disregards
what's best for me,
instead, gives me with the
kindest of disregards,
what's best for me,
for this is the kindness
that hallmark stamps
upon the softened heart,
the long lasting kind
of kind

before your childlike
tap tap attention away-wains,
bring you this,
a treatise,
on leftover chicken wings
and other nonsensical
finger food additions,
purposed
to inspire, to find innovation,
in expressing, reclaiming and newly exclaiming
that miscreant four letter word,
£0V€
that appears in those unsilent majority,
99% of them, other entrants
the Bohème poèmes,
residing in our Mr. Roger's neighborhood

in some poem writ recent,
poet pontificated,
that the most overused words, yes,
those abused three,
(duh, I love you)
degraded by overuse,
lost their poetic juice
thru constant repetition,
almost being nearly boringly indecent,
even when
boldly italicized

the impact upon the reader
lives in the lies in the realm of
"oh yeah, that's nice"

far, far better
to be best in show,
deduce how renewed,
to meaty demonstrate
rather than
insistently remonstrate,
in newer ways,
every day
that grade A choice
sentiment

to say, par example,
that serving day old chicken wings means,
well,
you know what...

Some get tea and oranges,
me, I get cherished
when our repast is
twice recast,
when she feeds me
leftover chicken wings,
both kinds,
spiced and honey
that come all the way
from her heart

so, now do you know why
Silly
has two L's?

Correct.
(answer: lucky in love)

for the luck-river-runs
lie just neath
the silliness currents swirling,
where kissing knuckles unexpectedly,
******* the exhausted,
tucking them in,
going out for emergency ice cream
in the midst of a
polar vortex,
recording the game to wee hour watch later,
so she may hang with the notorious outlaw
"Downtown Abbey Gang,"
watching at the
proper English place and time,
leaving the celebrating of life's  leftovers,
for the morrow sup,
with chicken wings and 0
other things
reheated,
and other heartfelt,
but unhealthy,
warm heartening
food additions

that folks,
is how you write
a poem in deed,
one that will be returned to you
sevenfold
in reads

when you want to explain how,
you can, truly, sigh,
you know,
love another...
employing with decoying,
sinful, leftover chicken  wings
then you too be mastering,
the poetic life
of sonnet and song

~~~
all three posted here on the specified dates and modestly edited,
on this day,
in anticipation of a winged revival
this hallowed eve of
two seven sixteen
Dane Johnson Dec 2011
of the wind that speaks multitudes
abounding creation that decries its mournful existence
fluidity of a falling leaf
dwelling of inhabited space
posterity of the pompous
calming blues describing the waters of high noon
reflecting on perspective
qualms of my imagination
nightingale flush
internal beauty of the highest decree
flaunting tact
simple pleasures of breathing
caress my hand, i’ll touch your hair
the blue of mine eyes shines unseen in the night
erstwhile noticed of syllabic manifestations
furtive felicity, comely for the homely
murmurs of softness
love is in the air


i spy, with my little eye, a pond, rotting with life.
a sea, devoid of meaning, as seas are
triangular pencils scratching away
out-dated calendars that hang on a peg

papers that bind us to our word
word that is bound to the papers
thought that is trapped in letters
letters formed into words
assembled into phrases
spoken from the mouth

bingo is the lingo

burning brightness of blithering baboons, begone.

smiling is more than showing teeth

gone are the days of yesterday, tomorrow is near, and yet, never here.
the present of what is that now was but is again

oh, do you ever wonder about the life of an italicized comma?
Riq Schwartz Jul 2014
You stole my breath
but needed only ask.
Gave love freely
and demanded the same back.
You took no ****
so never gave one.
You showed me the way
- my eyes followed you -
to feel no regret.

You were bold and brazen,
I was empathetically italicized,
leaning on you
in times of duress.
You gave and gave and gave and gave and gave
two-bit trinkets
half-assed like alimony.
I took and took and took until
I was overburdened and
rooted in place.
You walked away like an action hero
and never looked back.
You showed me the way
- my eyes followed you -
straight out the window.

Yesterday you gave
     me a call. Said
     you were fine.
I didn't ask
     if you felt my eyes
     searching you out
     in dreams,
digging deeper through memories
to us, together.
You teaching me to love
     selfishly,
showing me the way you did.
My eyes followed you,
  followed yours
     following her,
and you showed me the way
you felt no regrets.

Perhaps sometime I can show you
how I find my way
straight out the window
and let your eyes follow me
down.
Lots of help from Jamie L Johnson (http://hellopoetry.com/jamie-l-johnson/) and my dear friend Blu. As always, thanks for reading!
AntoinetteBrandt Mar 2014
Deep in these moments of silent reveries memories are all that remain. It was snowing so hard the wind looked like italicized apologies on a break-up note. Luckily, the hot air is blasting, chipping your expensive no make-up make up. There at a stop sign on the street perhaps waiting for the bus, two girls laugh, they are hanging on to each other for support as they laugh, their laughter creating billows of steamy joy. I thought I'd crack under their warm and comfortable togetherness, instead I let go of the breaks and lurched forward. There was this faint tug persistent that back there was a life reminder: it's not those who have everything but who make the best of everything.
Sam Schedler Jan 2012
This is a Deep poem.
The sound of it resonates in your Soul.

You can tell it's deep for a couple of reasons:

random words are Capitalized and they shouldn't be and it's weird.

I use words like cacophony and Endless.

I talk about things like Conformity and Pain and Myself.
Can't figure out why that word is italicized?  I can't either.

I look at the problems of Society and say "I am going to talk about you so hard right now."

The title of it is confusing and you are trying to figure out "Why?  That literally has nothing to do with anything in the poem." And I laugh.  Marvel at the deepness.

Some stanzas are
            weirdly
                                                        shaped
b­ut it's all just part of the
                       poem's
meaning.
In the moment of silence after reading think about this poem and
how RAW
how REAL
how EMOTIONAL
it is.  

Everything necessary for a deep poem is in here.
This is a deep Poem.  Just trust me.
Wanderer Nov 2014
I am italicized*


We sing and we simmer
Our cosmic tumble tune
Hardly yet wholly
A place without room
Stardust dancing along side our gate
Black hole chancing just beyond our escape


If that gate can be an escape
An entrance to the unknown world
Fistful of stardust
Blow it to the wind
Let the wind be our guide
Beyond the canvas of our life
Our imagination captured beyond the horizon

Sunset washes the day clean
Brilliant peach orange blaze
Still left wondering what this all means
I am connected to you
As I am to this tree
Whole and in pieces
Full picture you see
The circle comes round
We dance to it's beat
Evolving masterpieces
Rarely repleat
Fingertips touching
Secrets yielded to soft sigh
Hoping with sore hearts
You'll always feel this high


In the circle of eternity
The known rhythm is back
In concentric circles
Frenzied steps
Spark that kindles two hearts
Blazing through the night sky
Touch of freedom
Paints the encircled world
Hearts healed with magic potion
Trust emboldens the souls
To soar higher and higher
It’s an eternity
Now, the saga shall continue
Thank you for writing with me :) I thoroughly enjoyed it!
CRH Mar 2013
I AM A ******* ADULT.

At the very least, the status is implied
by the Jenga-tower
of (mostly unopened) envelopes
on top my refrigerator
(which is full of ingredients now,
occasionally,
instead of scraps or dead-end, quick-fix options)

My wine comes in bottles, now;
$6 bottles, on average, but still.
(though I maintain my
unconditional support of the
undeniable
economical benefits and efficiency offered
by pumping it into/out of a box)


Why is the measure of maturity exhaustion?


Two years ago, I bought a file cabinet,
for no other reason
than it seemed like the
'adult'
thing to do at the time.
Inside lies reams of papers
instinct tells me to save.
Some with impressive
time-sensitive, stamped, sealed, italicized importance.
Times New Roman.
PAY ATTENTION.

My plates don't match,
and technically until less than four months ago
I only had one bowl,
but i have a decent can opener and
measuring cups of various degrees.
-No ladle. -
(But how often does one really need a ******* ladle?)


Why is the measure of maturity exhaustion?


A queen-sized mattress
minimizes the volume of my
minimally-spaced apartment.
A point of pride last year
after the 24 it took to shake the twin-sized option.
Sheets with a thread count
low enough for my cat to count to
but I could get some throw pillows,
or a dust ruffle. (do people still have dust ruffles?!)

I am a ******* adult.
What a shock
to discover
from where I sleep on this red denim couch.
(Did I forget to mention, that
I only sleep in my bed like once a month?)
But I can see the file cabinet from here.
Doesn't that count for something?

**Why is the measure of maturity exhaustion?
Work in progress...
Ashlee Reyes May 2017
Your bedroom was small
But it held big dreams of mine

I should've known that first night
When you kissed me all too boldly
That what we had would unravel
So coldly

I should've known after 2 days of not hearing from you
All my visions and aspirations with you
Were ultimately untrue.

Your bedroom was small;
4 walls,
But each of them wide enough
To grip me at your calling

I should've known when you
Didn't say hi to me at the party
It wasn't me... it wasn't us,
It was always you.

I should've known
Each I miss you wasn't an "i miss you,"
it was a you missed what I did for you

Your bedroom was dark each time
I laid in it,
In literature class they don't teach you
That foreshadows happens in real life,
In my living room, my mother never warned me about the boy who
Would hold me with no intention of
Making me his wife...y

I should've listened when you told me
You weren't ready,
I shouldn't have italicized and highlighted
Your excuses as acceptable
When all you wanted
Was for my endless desires to be quieted
Because to you a label was unacceptable.

I should've known that a
Second chance,
Shouldn't be granted
To boys who selfishly grasp
At my vulnerability
When it comes to romance

I should've never written poems
Asking myself what it was that
Made you deem me unworthy
I should've realized
After relapse 2 and 3 and 4
That your words would always be
Untrustworthy.

Your bedroom is small,
It can no longer hold me,
Its walls thinned out.
Perhaps my dreams are too wide
Or perhaps I've finally
Found my pride.
Dorothy Sep 2014
"So the thing is, the thing is. And that thing is this:

I live in a bit a blurr (a bit of, sorry), I can think (can’t, sorry), I am forever interested in disillusion (how am I still breathing?). What are grammar, what is speling, spieling all the **** I used to feel so burn in stomach; I used to be so alive.

Maybe it was the Dramamine I took in bed this morning with twice my scrip of xanaxian colored pillz devouring like candy yum how delicious is it to disappear, I am in love with the Nothing of it all (I’m no nihilist, though, no.)

For example, for proof, I shall explain how yesterday I had a long beautiful walk along the water with lovely friends and we laughed and I even ate healthy even though I did drink (how many nights of the week do I? Don’t ask, please, but it’s New York, that’s what we all do — right, that’s what we all do?)

But I’m not a sad girl, I’m not a sad girl anymore, I’m just a blurred girl now, I can’t even see myself straight, how do I expect anyone to see me. (Should there have been a question mark after that.)

Switch lines like knives’ eyes (wait, what kind of line, literary or otherwise?) I try to focus on pages, I try to focus on work, but all I can do is mutter and mispell misspelll twice and attempt to convince myself (and you, sir, lady) that I’m perfectly fine. Italicized.

The truth is (and here’s the crazy part) I actually am fine, I actually am fine for the first time in a long time, I’m mostly actually amazing and ecstatic and all those great ALL CAPS words we toss around in life on phones in text like little sweet congrats donuts, but I guess the truth is that I’m also something else, I’m also volatile, I’m both happy and a mess, I’m just in progress, I guess. I’m honest, I’m honest, I’m not hiding this time behind a second person narrative (god how comforting those babies are).

No, this time, I’m just telling the truth, and the truth is the thing; and the thing is, I am better than I’ve been in a while except in certain small moments when everything collapses inward crushing down, and in these moments, I am helpless and hapless and less than everything I want to be. I want to be perfect, you know. I want to happy all of the time.

I want every day to be like yesterday.

But today is not. Today is just wrongly prescribed glasses making everything all hazy glazed over, today is just overused parentheticals explaining things to people who don’t need to be explained to.

Feel free to hate me, I do sometimes. Feel free to love me, I do sometimes. Feel free to vindicate me / indicate me / masticate me in crunching acid commentary.

but GUESS WHAT

today is just today

tomorrow will be tomorrow

(obligatory obvious, sorry)

But it all adds to the very bones of the thing which is: this moment I want to ***** up all my self indulgent sadness and be okay, but I cannot do anything but snuggle it in corners into words and have faith that the other end of the daylight holds a girl in sharper focus than this one"
-by  *ZK Lowenfels*
Mikaila Jan 2013
How do I feel?
You all know how I feel!
I've been telling you all this long year
That I'd rather I died
Than spend any more time
Drowning in stale old trite tears.

How do I feel?
I've screamed how I feel.
I tore at my hair, don't you remember?
The days on that stage
When I fell into rage
Eyes wild, screams silent, wounds tender.

How do I feel?
I've told you how I feel.
I've not stopped my pleas since the fall
When the leaves shriveled and fell
I told you I was in hell
I told everyone, everything, all.

How do I feel?
I've sobbed how I feel.
Over tiles and full plates and porcelain.
My words sound so nice
You forget that they're right
Read the truth from my meek little pen.

Am I okay?
You should know what I'll say.
I've been answering you for a lifetime.
If you'd only listen
You wouldn't be missing
The boldfaced italicized signs.

How do I feel?
Angry sad hurt alone
I feel empty and hopeless and ragged.
I feel as I've felt
For a long time without
Love to make the world's edges less jagged.

Just because my worlds lilt
Doesn't mean I don't tilt
Tiptoed over a death dive.
The emptiness calls
And demands that I fall.
How do I feel?
I feel barely alive.
Lora Cerdan Nov 2014
My mind is a graveyard
Full of dead dreams and memories
I wish I never had
Half engraved epitaphs
unable to finish my name
while yours are written in gold
italicized, bold and framed
so I won't ever forget
to put flowers on your grave
but the weeds are growing
and the paint is fading
my happy ever after
is now sleeping six feet under
I wish I didn't have to bury you
I wish I was buried there too
Remember remember.
Mitchell May 2011
Stronger then truth is the heaviest weight
With italicized pocket books
Pushing meaning and sincerity
A message to the scattered window panes of memory
Reflecting myself back through the glass shards of woefulness
And a man flips through some ***** books
As his wife walks away cause' of her looks
Ady Jan 2015
Why I shouldn't do it
is a list at the very front of my mind.
It is comprised by  the mundane and insipid.
Little bullets with bold letters engraved and
edited every other day that
I didn't do it.

Why I want to do it
is a brief italicized and underlined word;
Liberation.

Why I shouldn't do it
is a desperate attempt at clinging
to each single facet of my prolonging days.
There are things like
-I have not read enough
-I have not seen enough
-I have not written it all
but Why I Want To Do It has added
neon lettering to that trifling word
and I am captivated by the prospect and
beauty of the light in the obscurity of my mind.

Why I'm making a list
is my hope that the amount of excuses
will surpass the weight of that word
and it will someday be crushed by the
pressure of
Why I didn't do it.
stardust style Oct 2013
i found out
another friend is
Sad
with a capital 's', with capital weight
heaviness, of a bomb dropped
into glowing memoriam
sorrys and thanks, in equal measures
the world is
a little off kilter, a little
straighter
now
the sky still disassociates with the earth, in the morning
a membrane of white
stitched by avian sillouettes
awhiles whittling into brittle tones
paneling the arching of our spines
and
the italicized whir points out the
jagged smoothness
of sighs
Sarah Pitman Apr 2013
I like the way your name looks,
in Times New Roman,
in Comic Sans.
I like the way it looks in
Thames, Condensed,
and Arial (bold or italicized.)
I like the way your name looks
scrawled across papers and note books
and I like the way
your name looks next to mine.
© Sarah Pitman 2013

— The End —