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Julian Oct 2016
Afflatus screams in mellifluous moonlight by a placid pond
Disturbed slightly by a miracle on ice deloused at a heavy price
Pantechnicons swarm as ghosts maraud around the outskirts of the forest
Suddenly the resurrected memories of renegades become conscientious
Angels swarm with fluttered wings invisible to the albatross of opprobrium
They concert themselves with chirpy dreams, itinerant crumples of amnesia creams
Marigolds are miracles at the most opportune time to be called a hysteria
Asserting the divinity of trinkets applauded that litter history with euphoria
Flinch my core, drunk on the travesty of stodgy moralism unfurled zero kelvin cold
But Salt Lake City towers above my contemplations and UFOs make themselves known
Every city this big is well in eternity and maternity very well known
Shelter not from husbandry, for Babylon is no longer idolatry
Stemwinders and poltroons with prisons crooned
Tyrannosaurus Rex still terrorizes aliens and humans alike on a stranded dark side of the moon
Pink is the ****** of Mayweather and Mayflower, so rigid in rock-a-by-baby tunes
Now is "Never" but TV time "When The Music’s Over" is Bang Bane rather than Boom
Hostage tickets of English hecklers proclaiming my royalty serenade the forest green
I hear their laments of the rumors ballyhoo obscene
Imagine a forest bright, trepidation of unlikely marauders of Viking spite
Spates of jinx own the tanks, sharks (jaws of these aliens in time "Thriller") evanesce as fluttered cameras blink
Marigolds are really miracles as euphoria that plangent has never been so bold
It owned the night and owed nothing of fright to hear aliens chirp ******* penetrated so tight
To hear the orchestra of God’s minions applaud my albatross receding in plight
The swiftest musketeer aims his gun at an AIMed pun
The renegade blackmail is the rut of a guttural wedding of a none and a nun
How sad that she waits, as a ragamuffin of eternal wraiths
That speak to her dreams specifically as a barnacle waif
Genius eludes the moment of sinking eternity and Van Gogh alpenglow
Cracked screens reap grime and grim preachers that reap what they sow
Accentuated stature of imposture clutters legends urbane with glowing silt
Rigmarole of laughingstock circus with the strangest 25-year old days of a dead man Wilt
It was the steward of a day too strange to forget
It was the Newark of a Jersey of Gretzky #99, a hard-won bet
Histrionic of history, an underappreciated music is a well-worn divinity
The best music ever is the best music of time-traveled complicity
Sadly lost on inferior ears is the plangent flow of sonorous pantheons
Lost on an island of good taste in a world that prizes prosaic mellow eons
Rather than delicate paeans with hummingbird simplicity
I resent how rare my taste is in an olfactory of waste
How rare a smell is that yegg harder to lambaste
Don’t gibber the jibe of jive-talking stalk
The scarecrow in Back to the Future is a ******* heckler hawk
Rarefied abduction of stolen keys of NYPD sprees
To drivel the wharf of piedmont rifts in Heaven’s eternal leaves
Time to step back from the sidewinder missive
Time to crack the gravy epistle so dismissive
Non-linear experiments in time and memory crave recognition
Finally I learn that house arrest is a Home Alone good enough for a virtual reality prison
(March, 1919)A LIAR goes in fine clothes.
A liar goes in rags.
A liar is a liar, clothes or no clothes.
A liar is a liar and lives on the lies he tells and dies in a life of lies.
And the stonecutters earn a living-with lies-on the tombs of liars.
  
Aliar looks 'em in the eye
And lies to a woman,
Lies to a man, a pal, a child, a fool.
And he is an old liar; we know him many years back.
  
  A liar lies to nations.
  A liar lies to the people.
A liar takes the blood of the people
And drinks this blood with a laugh and a lie,
  A laugh in his neck,
  A lie in his mouth.
And this liar is an old one; we know him many years.
  He is straight as a dog's hind leg.
  He is straight as a corkscrew.
He is white as a black cat's foot at midnight.
  
The tongue of a man is tied on this,
On the liar who lies to nations,
The liar who lies to the people.
The tongue of a man is tied on this
And ends: To hell with 'em all.
  To hell with 'em all.
  
It's a song hard as a riveter's hammer,
  Hard as the sleep of a crummy hobo,
  Hard as the sleep of a lousy doughboy,
Twisted as a shell-shock idiot's gibber.
  
The liars met where the doors were locked.
They said to each other: Now for war.
The liars fixed it and told 'em: Go.
  
Across their tables they fixed it up,
Behind their doors away from the mob.
And the guns did a job that nicked off millions.
The guns blew seven million off the map,
The guns sent seven million west.
Seven million shoving up the daisies.
Across their tables they fixed it up,
  The liars who lie to nations.
  
  And now
  Out of the butcher's job
  And the boneyard junk the maggots have cleaned,
  Where the jaws of skulls tell the jokes of war ghosts,
Out of this they are calling now: Let's go back where we were.
    Let us run the world again, us, us.
  
Where the doors are locked the liars say: Wait and we'll cash in again.
  
So I hear The People talk.
I hear them tell each other:
  Let the strong men be ready.
  Let the strong men watch.
  Let your wrists be cool and your head clear.
  Let the liars get their finish,
  The liars and their waiting game, waiting a day again
  To open the doors and tell us: War! get out to your war again.
  
So I hear The People tell each other:
  Look at to-day and to-morrow.
  Fix this clock that nicks off millions
  When The Liars say it's time.
  Take things in your own hands.
    To hell with 'em all,
  The liars who lie to nations,
  The liars who lie to The People.
certifiednutcase Oct 2013
"You can no longer roam these streets, or hide at the stairway."

Where am I?

"You have no one to send those stupid messages infused with your devilish thoughts anymore."

Who am I texting?

"No more enduring long lessons which meant nothing compared to wars fought in your mind."

Wait what? Weight = M x g?

You'll begin to gibber to yourself
Curse yourself
Question yourself
Once you realize
The concept of time that humans created
Limits your happiness.
For you are human
Stuck in a world with a timed concept.
"OH, when I was a little Ghost,
A merry time had we!
Each seated on his favourite post,
We chumped and chawed the buttered toast
They gave us for our tea."

"That story is in print!" I cried.
"Don't say it's not, because
It's known as well as Bradshaw's Guide!"
(The Ghost uneasily replied
He hardly thought it was).

"It's not in Nursery Rhymes? And yet
I almost think it is -
'Three little Ghosteses' were set
'On posteses,' you know, and ate
Their 'buttered toasteses.'

"I have the book; so if you doubt it - "
I turned to search the shelf.
"Don't stir!" he cried. "We'll do without it:
I now remember all about it;
I wrote the thing myself.

"It came out in a 'Monthly,' or
At least my agent said it did:
Some literary swell, who saw
It, thought it seemed adapted for
The Magazine he edited.

"My father was a Brownie, Sir;
My mother was a Fairy.
The notion had occurred to her,
The children would be happier,
If they were taught to vary.

"The notion soon became a craze;
And, when it once began, she
Brought us all out in different ways -
One was a Pixy, two were Fays,
Another was a Banshee;

"The Fetch and Kelpie went to school
And gave a lot of trouble;
Next came a Poltergeist and Ghoul,
And then two Trolls (which broke the rule),
A Goblin, and a Double -

"(If that's a *****-box on the shelf,"
He added with a yawn,
"I'll take a pinch) - next came an Elf,
And then a Phantom (that's myself),
And last, a Leprechaun.

"One day, some Spectres chanced to call,
Dressed in the usual white:
I stood and watched them in the hall,
And couldn't make them out at all,
They seemed so strange a sight.

"I wondered what on earth they were,
That looked all head and sack;
But Mother told me not to stare,
And then she twitched me by the hair,
And punched me in the back.

"Since then I've often wished that I
Had been a Spectre born.
But what's the use?" (He heaved a sigh.)
"THEY are the ghost-nobility,
And look on US with scorn.

"My phantom-life was soon begun:
When I was barely six,
I went out with an older one -
And just at first I thought it fun,
And learned a lot of tricks.

"I've haunted dungeons, castles, towers -
Wherever I was sent:
I've often sat and howled for hours,
Drenched to the skin with driving showers,
Upon a battlement.

"It's quite old-fashioned now to groan
When you begin to speak:
This is the newest thing in tone - "
And here (it chilled me to the bone)
He gave an AWFUL squeak.

"Perhaps," he added, "to YOUR ear
That sounds an easy thing?
Try it yourself, my little dear!
It took ME something like a year,
With constant practising.

"And when you've learned to squeak, my man,
And caught the double sob,
You're pretty much where you began:
Just try and gibber if you can!
That's something LIKE a job!

"I'VE tried it, and can only say
I'm sure you couldn't do it, e-
ven if you practised night and day,
Unless you have a turn that way,
And natural ingenuity.

"Shakspeare I think it is who treats
Of Ghosts, in days of old,
Who 'gibbered in the Roman streets,'
Dressed, if you recollect, in sheets -
They must have found it cold.

"I've often spent ten pounds on stuff,
In dressing as a Double;
But, though it answers as a puff,
It never has effect enough
To make it worth the trouble.

"Long bills soon quenched the little thirst
I had for being funny.
The setting-up is always worst:
Such heaps of things you want at first,
One must be made of money!

"For instance, take a Haunted Tower,
With skull, cross-bones, and sheet;
Blue lights to burn (say) two an hour,
Condensing lens of extra power,
And set of chains complete:

"What with the things you have to hire -
The fitting on the robe -
And testing all the coloured fire -
The outfit of itself would tire
The patience of a Job!

"And then they're so fastidious,
The Haunted-House Committee:
I've often known them make a fuss
Because a Ghost was French, or Russ,
Or even from the City!

"Some dialects are objected to -
For one, the IRISH brogue is:
And then, for all you have to do,
One pound a week they offer you,
And find yourself in Bogies!
LD Goodwin May 2013
Awake! Ye ancient brittle bones,
Unfold yourselves to me.
For I am sick at heart
And an unprevailing cause mocks my sleep.
Our time is upon us.
We must gather together now as one
While the squeak and gibber
Of these impious spirits haunt our very purpose.

Awake! Ye sleeping minions,
Ye true warriors of love,
With hearts and souls at well deserved rest.
Though our duty hath been done 'tis true,
And deserv'd the slumber of all eternity,
The devil's fray is ashore
And 'tis time we take on flesh and finish the closing battle.

As it is unwritten on our souls in heaven
We, the last moral servants,
True at heart and conscience,
Are to become one in the flesh for the last clash.
Aye, but here's the rub,
There'll be no battlefield for to drive our staves into.
No streams to run red with the blood of gentle kin and death mongers.
No blackened sky from pyers ablaze.
This, the last battle shall be fought
Not with blades of contempt and disdain,
But with the sacred sword of Love,
A sword that God Himself shall forge.
He shall gather all our souls
And cast them into His sacred furnace, to make His sacred whirling mace from heaven.
For no man hath made a weapon that can ever thwart the madness of war.

The power of Love has come to fruition
And we mortal warriors shall wield Its might.
For hate is the true enemy here,
Not zealous underlings
Eager to serve their dispirited hearts.
Hate is what burns in their eyes,
Hate is also what blinds them.
And now, like a handful of bees,
They torment the earth with their misguided mission.
Hate is the tinder
And lies are the winds that fan their unholy flames.
With the patience of a weaver
They loom their imperfect prayer rug,
That the god in their mind may think them humble.
Yea, even now as the pestilence kneels and prays
And bows its head in gesture,
It is in gesture only.
His ancient prayers, though once righteous and profound,
Now come from lips tight with blind hatred
And God strains to hear his worshipping.
For the God his forefathers bowed to was a loving merciful God
Who's auspicious whispers kissed the words of love, hope and forgiveness.
Nay, death was not upon His lips.
Though they wave the ****** banner of their unportentous god,
With misread writ their disjointed false prophets blindly lead them on.
Like scornfilled women whose wrath is tainted with the blood of a thousand censorious years
And can not wipe their memories clean.
Their ceaseless thoughts of revenge eat at them,
Like brain-sick harpies madly gnawing off their own limbs.
Bid you make haste,
For he is at the door.
He has been here, settled in and quiet.
He wears the hats of peasant folk and hides.
Fie, fie!
To skinny among the masses and plant seeds of terror
Like impish gnomes.

Rise up bones! You rusted mantle clad mercenaries of the dark
I do beseech you
Walk into the light, into the light of omega
The reckoning
On to fight on no battleground!
On to fight for no faith nor religion!
On to fight for no flag nor country!
On to fight for all mankind!
On into the battle to end all battles!
For the **** crew and the earth has begun its retrograde.
Already have our thews began to form,
Soon, once dusty, moldy hands will take up the truncheon's length of Hope
And do the deed for which we were born,
And for which we gave our breath.
Heaven hath made us one,
And our single beating heart of love is the sword with which the dragon shall be slain.
Fuse skeletons of passion's might,
Our virtuous calling awaits.
No more will the earth tremble in fear,
No more will there be this god and that god,
No more will man be blinded by his mind.
For his pure and loving heart will be his home,
And his long awaited soul will be his peace.

*Peace       Salam      Shalom
Harrogate, TN May 2013
neth jones Feb 8
lying, deceitful liar    panting live in the steamy mongrel of my slummy hive / marksman, deficient marksman   rake out my mortar - the body laughter - criminal grime  ; an absent partner /  

kissed ; what a frisky view - the sky seems so keen
from here   it's howling downhill  fire i breathe
so sweet to greet the menial hereafter

                                                - [manic laughter]
had the song This Town Ain't Big Enough for Both of Us by Sparks stuck in my head when i wrote this and two other shorts
neth jones May 20
i fed on your gushy sunshine
i feed on the void black line   that centres all of your smiles
          and fall foreign in felty dreams   of extremities in distance
untravelling   a bursting sense of yelp   back across my lone moor of memory
                            for that  i am blue wound

there is love in life and liver in pâté
it's food and a crush in on me
squeezing out   my colours ruin with blame

                                                       - a discharge
Michael Tobias Aug 2013
We know not what we do
as we wail and wince,

alone in the woods,
sheltered beneath the hot lights.

I close my eyes to hide
and gibber to be unheard.

The black in my head trembles.
The nothing, liquid and thick,

longs to be the silhouettes
of things forgotten.

Ancient stars once called my name,
long before Yahweh.

Like a burst of Milhaud
they reached through eternity to me,

longing to be seen before they die.
I am made of stars.

I am the quiet that sings,
I am the dust that cries.

I speak the gospel of visible light,
and with it I create everything.

A boy claims the tabernacle shook.
He's right. It did.
Marshal Gebbie Dec 2014
Across the blistered gibber plain where flies die in the sand
Through swamps of prickly sago where rotting death is planned,
To stride in windblown tussock hills where wind vanes carved their say
To saunter groves of green tree fern where moa giants did play.
In clearings cut with alkali, tusked elephant would loom
With crevassed hides, Methuselah, once aged in terms of doom.
Whilst high above the rocky crags of ancient mountain high,
The keening screech of kestral soaring up to deep blue sky.

Heavy boots in crusted sand where tiny lizards flee
Amidst the rust red rubble of volcanic rock and scree,
To clamber up the ignimbrite, great Vulcan's steps of stone,
Encrusted with thick epiphyte in lichen's mossy home.
Up into the altitude where dark cloud clusters here
And the threat of rolling thunder indicates that rain is near,
Torrential in it's downpour with sudden squall of gale
Surmounted, all quite suddenly, with a blinding blast of hail.

Staggering to shelter in a tiny alpine hut
To find hot coffee on the woodstove and a curvy, hot young ****,
To find us frollicking together beneath a patterned patchwork quilt
Was quite beyond my imagination's comprehensions built?
And afterwards in slumber through the curtains of our room
I watched, in fascination, at a hanging, frozen moon
And wondered, in amazement, at the doings of the day
And speculated, sleepily, where tomorrow's prospects lay.

Blearily I stretch out from the covers, nicely warm
To nullify persistence of that alarm's intruding horn,
Yawning into morning I remove myself from bed
With panicked realisation....all dreams evacuate my head.
Vanished are the alpine hut, the dolly bird, the caves
The crash of rolling thunder and the plunge of mighty waves,
Gone are those phantoms which dwelt inside my mind
Devestatingly dismissed until re-dreamed another time.

M.
Pukehana Paradise
13 December 2014
Third Eye Candy Jun 2014
in the park where squirrels peep and gibber
and the grass is brown, where the green died brownley...
there's a mark
on the world -
where we never fetched turtles
or lay languid in the shade,
but a place removed
and a day
wasted.

i see your charms as a heap of bleed.

and i forgive you all I give for ...

but i mark this place.

i brand it and sear my name
in the flesh
of our fresh regret, and stammer
in the sunshine
of our irredeemable
suns

the suns
that moons mock
and orbits abandon
to get on with the business
of sleeping through
a dream.

and you approve.

and i remain
unsleeped.

like a withered fruit
unpeached.
shåi May 2017
language has become
fool's talk
we gibber and gabber
to prove unimportant points
we speak
to disturb the silence of the world
we write
irrelevant symbols
to tell stories
untold
we wish
to make noise
for the simple
desire
to be heard

(b.d.s.)
They’d sat beneath the sweltering sun
For an hour, or maybe two,
Lost somewhere on the Birdsville Track
They didn’t know what to do.
‘Stay with the car,’ said Derek Beech,
‘They’ll come and find us soon.’
‘Better we walk,’ said Colleen Scott,
‘Til we find that last lagoon.’

They glared and bickered, and pursed their lips,
The battlelines were drawn,
He to stay with the crippled car,
She to go wandering on.
‘The temperature’s hitting fifty C
If you go, you won’t survive.’
‘Rather than dehydrate out here,
I want to get out alive!’

They’d driven through Cooper’s Crossing
As the day was becoming dark,
He had been keen for pushing on
Though she had wanted to park.
The driver had the advantage, so
Their lights cut into the night,
In through the gibber country, where
The tracks crossed, left and right.

They’d entered the Stony Desert when
The first of the tyres blew,
They’d only taken a single spare,
She said, ‘That’s down to you!’
It took an hour to change it
Trying to jack the car in the sand,
The jack would sink in the bulldust mix
So she had to lend a hand.

By morning they were completely lost
And the radiator boiled,
The lights had flashed all over the dash
And the motor suddenly stalled.
‘I can’t believe that we’re stuck out here,’
She’d wailed, and punched his arm,
‘Why did I ever listen to you?
I should have stayed on the farm.’

‘Maybe you should,’ said Derek Beech,
His temper beginning to show,
‘You’re not much good at the outback life,
Go back to your Auntie Flo!’
‘That’s it,’ she said, and she pulled the ring
He’d given her days before,
Flung it down in his lap, and watched
It bounce to the desert floor.

She took a bottle of water, then
Stomped off the way that they came,
‘If you get lost you will die out there
With only yourself to blame!’
She took a short cut back to the track
They’d turned off, hours before,
And gradually drank the water, though
She knew that she needed more.

The endless dry and barren land
Had not seen rain for years,
The track wiped out by the drifting sand,
Colleen was soon in tears,
She stopped beneath a coolibah tree
Surviving on its own,
And rested there in the paltry shade
In the land of the great unknown.

While Derek sat in an agony
Of doubts, to cloud his mind,
Should he have gone along with her,
Or should he have stayed behind?
Some hours had passed before he rose
To place the ring on the car,
Along with a note, ‘I love you, girl,
But I don’t know where you are.’

He started to walk the way she’d gone,
The sun, it was going down,
He knew that hope was a step too far
As he walked along, and frowned,
If only he’d thought to call her name
Snapped out of his mute dismay,
He might have met her along the track,
Coming the other way.

They were only a hundred yards apart
When they passed like ships in the night,
And she had stumbled back to the car
When the sun put gloom to flight,
She found the note and she found the ring
And she placed it back on her hand,
Then sank beside their wreck of a car
And was covered by drifting sand.

While he was found, propped up by the tree
In the glare of the blazing sun,
His final thought of the way they’d fought
That never could be undone.
But love was there in the desert air
As she lay, the ring on her hand,
While he clung on to the bottle, she’d
Flung empty, down on the sand.

David Lewis Paget
Harmony Sapphire May 2016
You're ***** and I'm unpure.
You have no cure.
Innocence is what you will lure.
Trouble Is what You stir.
Nothing is what you were.
You probably think it's neat.
How you can so easily manipulate and deceit.
Your deceptions no one can perceive.
Why is it I who have to get it received.
The truth no one believed.
It's nothing that can be conceived.
You'll never keep my daughter.
You took away my father.
Go drown in the water.
You suffocated me.
You bstrd.
Who couldn't die any faster.
You're a troublemaker.
A lying faker.
A heartbreaker.
A homewrecker.
Your a cnt.
You put on the front.
Your garbage and trash.
You spread like a rash.
You hoard and stash.
Your obsessive compulsive.
Two-Faced b
* .
You are a backstabber.
You gibber & gabber.
You wanted to **** Snow White.
Because she couldn't put up a fight.
You have no right.
That's why Ariel and I will take a flight.
You will never see the light.
You should never been seen in the day or night. You cause people unnecesary fright.
You've never been responsible for Ariel's care.
If California only knew the truth they'd be shocked and stare
But to care they wouldn't dare.
You're not welcome here.
I don't want you around me or anywhere near. You are who Ariel fears.
I'm the one who hold her dear.
To trouble is where you steer.
Nothing is what you hear.
You are crazy and lazy.
My memory is not hazy.
You know where you can go.
You're blind deaf and dumb.
With you Ariel will never have fun.
You fckd a child ****** ***.
Just so he could get some.
You'll never see God's Kingdom.
John F McCullagh Mar 2016
Let the curse be invoked, let ghosts gibber and moan!
It appears the Bard’s skull is out and on loan.
Although long protected by a malediction dread,
It turns out Shakespeare’s body is missing his head.
Some Victorian fans thought it quite the lark
to make off with his skull; a deed done in the dark.
Alas poor Shakespeare whose works I know well
Your skull now a paperweight where miscreants dwell.
Like Crassus the Roman, you serve as a prop
And your moldering bones are missing their top.
If Poor Yorick had heirs they are under suspicion;
Subject them to torture to obtain their confession.
According to reports Shakespeare's skull has been stolen from his grave
No matter the colour of flesh
when opened all are pink inside'
It's a fascinating fact
honesty most of them lack

Cheeky little monkey
come out of the tree
I have a banana of love
just to share with thee

Please don't gibber and Ape around
come monkey climb down to the ground
let me give you this banana
and show you how pink you are inside


By Christos Andreas Kourtis aka NeonSolaris
In the conclusion of this war
I do send you my best twelve
don't tell me you love me
as I deny you, safe in my temple I dwell

Your quintet so mundane just annoy me
yet they were rather nice to consume
you better meditate a better way
if you want to be rid of me

Do you think after all these many years
did you think you would be rid of me
think again my mother and father
I stay my sword, just to **** you off

I mean to defend till the end
I will make many of yours with me
for you will never have your way
of taming the wild and free

You made this world of hell
you the lord of mighty *****
and as the gibber your lies
I do laugh and gloat church side

Enjoy the demise of you
feel the loneliness of rejection
watch your temples fall
as mine are built on your ruins

By Christos Andreas Kourtis aka NeonSolaris
RW Khalid Curley Jan 2015
Pounding Rhade rhythms knock on many doors
                                  spirits curl upon the world tree
                                       open portal,  Poteau Mitan
                                             axis between worlds
                                  access to the land behind the mirror

                                         bodies gyrate, caper madly,
                          steeds of flesh,  wild-eyed and flecked with foam
                                       absent of self await the riders
                           tightened goat hides rumble forbidden prayers
                                       summoned spirits mount the lucky

                                      Legba, doorman, admits the few
                                                   stamping beasts
                                    Ogun, warrior, tests with savage fury
                                                strong hearts’ courage
                                     Accompong, judge,  gives the verdict
                                                  Who will be blessed?
                                                  Who will be ridden?

                                              chalices gibber in the black
                                                      lolli­ng tongues
                                                      whi­tened eyes
                                                  give evidence of favor

                                     a gift of knowledge from the undead
                                               people behind the mirror
Extern and intern
From the prowling death itself
(like an afeard mouse into the hole)

Still heating,
You will be to a woman escaping,
For protection at her arms, laps and knees.

Not just the fire,
That calls with ease, not just the desire,
But you are also pushed there by the must -

For this, you'd hug,
If you were on her drug,
Hugging her till the whiteness of the mouth.

A double burden,
'n double treasure is the must to love.
For the one who cannot find a simple mate,

So homeless,
As so suportless
As the wild animal doing excrete.

There's nowhere to hide
No resort; even you get a knife
And as a brave, you aim at your mother!

See now, it happened
A woman who understand'
These words, but she pushed you away.

I have no place,
In this way, among livings. Pains,
In my head' to flourish my troubles;

Like a toddler,
Rattling the rattler
If he is left all alone.

What to do
Being contra or pro?
I have no shame to find out,

Since gets castaway
Even the poor who is a prey
Of the sun's and night's nightmares.

The culture's
Falling of me like costumes
While from others, they fall in big love -

But where it is written,
To be tossed by death hither-thither
In fact of that I'm suffering all alone?

The baby
Is also in pain, being born by the lady,
Since the shared pain is eased by humbleness.

But for me
My painful chants bring money
Enjoined with disgrace and more sorrow.

Help me, guys!
You, little boys, let your eyes,
Let them burst where this woman goes.

O' innocents,
Scream under the boots of dissidents
And tell them, please: It hurts so much.

O' faithful dogs,
Get under cars' wheels and smogs,
Then bark to them: It hurts so much.

O' women with burden,
Abort your half-living *****,
Then cry painfully: It hurts so much.

O' healthy men,
Fall down and ******* then,
Just to mutter: It hurts so much.

O' men,
Fighting each other for a woman,
Don't keep it silent: It hurts so much.

O' horses and bulls,
For the yoke loosing your *****,
Don't miss a moo: It hurts so much.

O' dumb fish,
Getting a hook to become dish,
Gawp and articulate: It hurts so much.

All who's alive,
Join the life-long strife,
Let burn the forest, the house, the hutch.

And then, at his bed,
Mortified, slumber-near, almost dead,
Gibber with me for last: It hurts so much.

So, she can hear while alive.
This is what she denied, if worthwhile.
She did restrict it by her own pleasure

Extern and intern
Escaping from living itself
That was his last resort.
Attila József - "Nagyon Fàj" Translated by me from the original Hungarian language.

03.07.2018
I watch them jump around in the Julla tree
biting each other fearing the second one
they look so cute fighting amongst themselves
greedy Gibbon's with bad habits

I watch from a distance
for I trust none of them
I love to hear them gibber
in their incoherent *******

I want to play master of the sea
so please don't play with me
for I will tear you all new *** holes
and put your gibbon heads up it

This is my first warning
in my life there is no morning
so think on it you gibbon *******
if you want to see another day dawning

By Christos Andreas Kourtis aka NeonSolaris
We both sit on this rocky outcrop
he's killing critters, me I am playing drums
and whist I am composing something dire
the monkey is playing with his plums.

The lions on the plain of reality
look lustful hunters so ready for dinner
but monkeys say what monkeys do
just **** by will and ****** well gibber

I sit as more and more come to the rock
I watch them push and fight, day and night
and I start to wonder, should I leave them
should history be, Me and the monkey man

By Christos Andreas Kourtis aka NeonSolaris
SøułSurvivør Mar 2014
I write... I write...

In this cloistered
oblique night.

It comes in through
the corners of eyes
shadows black
they come disguised.

This feeling, wanting
feral pain
snatches breath
naught remains.

I read... I read.. I read...

maybe then
I will not bleed.
I can only
count the ticks
the clock is mute
the seconds lick.

I read YOU
you precious child
fingers stop.
No longer wild.

This has shred me
to the bone
though not written
for me alone.

The demons
gibber and cavort
but
silenced, dumb,
by precious art.

If there's one thing
that I could say
you have
touched a life

today.
Thank you.
ms reluctance Apr 2020
I was a little older than six
when you came to us,
ruddy cheeked
with a shock of curly hair,
tiny fingers that wrapped
around my pinkie
and squeezed
happiness into my heart.

You were (and still are)
the epicenter
of the world forever changed.

To be honest,
my childhood began with you.
I don’t have any memories
of being anyone
before I was your sister.

I know you will say
that’s just because I’m dumb.
That’s not the case, idiot.
Mom always tells me
that I was a lonely child,
neither sad nor shy,
just content playing by myself.
I choose to think
I was waiting… for you
to join the fun.

And what fun we’ve had!
Making up dance routines
to our favorite songs;
Smuggling snacks to bed;
Adding new levels
to invented games.
Remember “Sleep, Sleep”?
Competing to see who
could pretend to sleep
without moving the longest –  
I’m sorry I tricked you, boo.
I knew you would drift off
and I’d be able to read in peace.
You caught on soon though
and I had to think of other ways
to keep you still.

So I began reading to you
from books I loved,
stories and poems,
of adventures so epic
they called the magic to the skin  
and you listened,
tickled pink.

You listened, enthralled,  
to the gibber jabber
I came up with on the spot,
often asking for more.
To this day, you listen
and pay heed
to every word,
every notion
like it is really worthy
of your attention.
NaPoWriMo Day 28
Poetry form: Free Verse
Letters of old dancers dancing to music, touching undone turbulents, formulating makeshift sentences, releasing their fury onto the world, the saints who have done no harm but are forced to make all the decisions, delivering daggers, of fury, in their brass outfits, off iron loviung, of bows and arrows locking into the hearsts of men and women in the same place, of peopple, yes, of humans loving intimacy, of loving dominance and power and in acceptance, of superiority or infiriority, clowning at majestic paragraphs, that are meaningful then meaningless, that are gibber gabber, edgar allen poe, allen ginsburg, allen allen allen clowning in your ear get back there in a fury!  make of an echo and make out of a whisper!  and do and do and do
John F McCullagh Jan 2019
Once he was a soldier strong and tall.
But that was another place and time.
Now he is old, frail and bowed.
He lives on the streets, but that’s no crime.

He lives on the streets of our nation’s capital,
Where Politicos gibber and disagree.
Since they have shut the government down
He labors now for you and me.

I’ve seen him daily at the Wall.
With broom in hand, he sweeps each day
He cleans the debris left by visitors
Who come to gawk; perhaps to pray?

It’s become his mission now,
to maintain the Wall. He asks no pay.
Just respect for his friends who died
on a battlefield so far away.

Franklin Davis is his name.
a homeless veteran on our streets.
He’s not one of those timid souls
Who knows neither victory nor defeat.
During the government shutdown, a homeless Vet is maintaining the Vietnam War memorial known as the Wall- he's a one man volunteer force.
Letters of old dancers dancing to music, touching undone turbulents, formulating makeshift sentences, releasing their fury onto the world, the saints who have done no harm but are forced to make all the decisions, delivering daggers, of fury, in their brass outfits, off iron loviung, of bows and arrows locking into the hearsts of men and women in the same place, of peopple, yes, of humans loving intimacy, of loving dominance and power and in acceptance, of superiority or infiriority, clowning at majestic paragraphs, that are meaningful then meaningless, that are gibber gabber, edgar allen poe, allen ginsburg, allen allen allen clowning in your ear get back there in a fury!  make of an echo and make out of a whisper!  and do and do and do



Jolted, ready for action, body ready with a menacing pride, ready to unleash some kind of chemical, what kind of chemical, of brass of of object, some sort of metal recurring in me, let it go, release the fury, how to learn to let go proprery, let it go with some sort of a grace, doesn’t seem to be entirely possible, how does one really, really, let go?  exactly?  how do I know when my concioesnneseneses which I can never spell right is actually functioning?  when is it actually functioning at the proper measures?  I ask this humbly, as if talking to my therapist, who is thrilled with his PHD, who really really really wants to help me, and understand my disease, my disorder, where did this guy come from?  He’s full of grey hair and he knows nothing and everything and his advice is that of a weight which drags me down and sombers my tone, but is left a note in my boats prolonged brigade of bridges, bringing me back to basics
Brian Turner Oct 2022
Dangerously attractive
Sentient being
Sitting opposite...
God has given her a full hand

Seriously smooth
Androgynous clothed alien
Knows her place in society
Plays the room

Confidently quiet
She eyes up the weak in front of her
And turns her head back to the glass wall
It's not time to preen

Smiling nervously
The weak gibber and gabber
Trying to place a hook
But the sea is vast and the catch is not biting
Notes on sitting opposite a very naturally attractive being.
Simon Monahan Nov 2017
Part I.

The Pathways sing beneath the walk
The Stones all gibber and chatter
Even the Hills will seem to talk
But God is ever silent.

The Sun above does gladly shout
The Moon is ever laughing
Nocturnal Stars are calling out
But God is yet still silent.

The Rivers dance while they converse
The Trees cry out rejoicing
The Flow’rs and Shrubs repeat their verse
So why is God yet silent?

The warm, dark Earth sounds forth a chant
Great Waters deep are whispering
Nature declares, she won’t recant
That God is ever silent.

To hear that Voice divine I long
And yet my weeping is ignored
O God! do not reject my song
Do not remain still silent!

One syllable worth any price
“Repent ye now”,
The Angelic advice,
“Embrace God’s holy silence.”

So now, of succour sweet despairing
With girded ***** and bracèd nerves
For trials fierce and pains preparing
I wade into God’s silence.

Part II.

The roaring wheel of brass and fire which turns
Clamoring discontented mind
When hearts a break with noise would find
Rams into the sanctuary and burns.

Titan of confusion, shrieking manic
Hurling anxious darts left and right
Bitter fear of sweet, quiet night
Raises pale banners in rebel panic.

And then is swallowed by the silence of God.

And then that vicious imp, empty as smoke
With shadow flares and eye-hooks small
****** still ears with his plaintive call
Stirring bare phantoms better left unwoke.

Reveler in flight, retreating gladly
One second seen, another vanished
When from vision’s corner banished
In dawn’s clear light melts, moans, and mourns sadly.

And then is swallowed by the silence of God.

Next comes the whispering harpy snarling
With siren’s chant and feathered dance,
Star-lit promise of dire romance,
Ev’ry poison played to snare her darling.

With pitfalls, traps, and terror’s bone-deep goad
She drives the frail into her arms;
Should the pilgrim despise her charms
She falls unembraced from the narrow road.

And then is swallowed by the silence of God.

Then mem’ry’s cursèd brother, roused at last
Renews and fires old sleeping fears
Unseals fountains of ancient tears
Loosing soul-deep wolves, self-war loping fast.

He sings forgotten songs of unhealed woe
Canticles of reminding pain
Recalling weakness to the brain
Parades of shame and horrors marching slow.

And then is swallowed by the silence of God.

Now stripped and shivering the sinner lies
To vain light blind, to mean pain numb
To ****** words both deaf and dumb,
All spent, undone, to Heaven weakly sighs.

Then lo! a gentl’r sun, a fairer glow,
Voice free from the burden of clay
Sure refuge of undying day
Descends to see, to touch, to heal, to know.

And ah! to be swallowed by the silence of God!
Ugo Victor May 2020
Smiles exist in spectrums

Take for example
The loving smile of my baby girl
as she babbles beautifully
in gibber, ish

The knowing smile of my gran
as she speaks
in nods, ish

The former
because she's not seen anything yet
The Latter
because she's seen everything there is
HarshaVA Mar 2020
Flowing through the rails
      topping all the trails
Running behind the sails
        leading to my tales
Blowing with the wind
         treating all the sinned
Rising above the lind
         pausing all the grind
I'm shapeless to fit in the piece
I use the abstract for the seize
An alley to the natives
But the baddy to the curatives
I'm challenging for them to figure
Also made them to gibber
Wondering the significance of my presence
Here you go with my essence
Rocking over the years
    ranking above the beards
Resuming the golden ages
   reducing the false wages
Singing with the chirps
      jumping with the fins
Talking with the souls
      giving time to console
Evolving to the best
   shaping with the crest
Investing your gold in the right
        believing on your might
Every 'once' ends with 'ever after' and
my ring will also break when its role is paid
Worrying leads to pain
Analyzing makes a new reign
I'm explaining to say my name and that's...
Inculcating CO-ordination in a RObust way to restore
the lost NAmes and that says...
'CORONA'.....
Quentin Briscoe Jun 2012
Well that's always what you tell a puppet...
Someone one that you use ..
I mean Make me feel like I'm nothing without you...
use me and abuse...
Say there no strings attached one more time...
Cuz I can feel your hand up my behind...

opening                and              closing....

s­peaking gibber jabber..
see to you everything's fine ..
but I can feel something is the matter..
but I can't move
this bond is way too strong...
I heard of Pinocchio and some brotha named Geppetto...
but i'm not made of wood..
I'm flesh and bones
so i know this act can't be good...
put your smile upon my face ...
the voice to all my reason...
The cries that echo on...
even when no one sees them...

so you can make it seem like this all cute and funny...
But through your definition of love and connection
you forgot to mention I'm your dummy...
and even with no strings you can still be controlled.....

— The End —