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"corridors" poems
I wrote this for you a long time ago on a coffee stained napkin, after you left me, full of love, lingering in a cafe. "For you, in all your follies and faults and the way they make you so perfect for me. For you, in the moments that linger in the vehemently insignificant corners and corridors of things, as if drifted of their own grandure. For you, for the words that spill to the floor and the brilliant way you understand the deafening silence that follows. For you, for your supernovas and clever shades, for your daylight smiles and nighttime skins. For you, for your familiarity and the impossible truths that stand as martyrs to say that I have loved you before. For you, despite the treachery and quiet sinister fun of the world. For you, for making me so terribly scared of dying." Yet here I am, in your wake, so full of so many thoughts and demons. Know that I have died, that I have loved and lost with equal measure.
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Apr 7, 2014
Apr 7, 2014 at 12:23 AM UTC
For you.
Ilion gray poet extraordinary is away learning the codes hidden in raindrops no reason for surprise; for the mountains of Brooklyn, the Manhattan caverns of Sunhenge^, corridors of narrow focus for trapping the declining sun rays, neither high enough, narrow blinding, to keep a good man from doing good things that life provides as opportunities to do the right thing he muses that it took five years for the other poets to understand our poem-dreams; avant-garde he says, but I laugh, never felt more misunderstood and reply take care, be en garde! no matter for he is learning a new language, the codes hidden in raindrops in a land of wheat once called Indian Territory and eager await his return so we may walk along the Brooklyn shoreline, beginning from under the Brooklyn Bridge where Washington’s men escaped a British trap and he can decode for me the whispery thunderous noises of NY showers that come up so sudden,  so roughened, but right now, the seductive sun blinks in Manhattan windowed towers reflecting back on to our East River as golden blinks of nature We will walk lost in the absorption of our different commonalities, holding the hands of his young son, and my Wendy, both of them equal in possession of round saucer eyes that give us poems He calls me me friend, I call him brother, teacher, master, better than the best, well recalling a late night message that bred a five year conversation ongoing not everything need be coded what you read here it is not coded, for the raindrops come clear and clean and the poems land on our tongues bounce on the foreheads and eyes of the babes, all stored and saved for the future blessings spoken in a single tongue 7/18/18 ^https://en.m.wikipedia.org/wiki/Manhattanhenge
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Jul 18, 2018
Jul 18, 2018 at 10:41 PM UTC
Ilion is learning the codes hidden in raindrops
Ilion gray poet extraordinary is away learning the codes hidden in raindrops no reason for surprise; for the mountains of Brooklyn, the Manhattan caverns of Sunhenge^, corridors of narrow focus for trapping the declining sun rays, neither high enough, narrow blinding, to keep a good man from doing good things that life provides as opportunities to do the right thing he muses that it took five years for the other poets to understand our poem-dreams; avant-garde he says, but I laugh, never felt more misunderstood and reply take care, be en garde! no matter for he is learning a new language, the codes hidden in raindrops in a land of wheat once called Indian Territory and eager await his return so we may walk along the Brooklyn shoreline, beginning from under the Brooklyn Bridge where Washington’s men escaped a British trap and he can decode for me the whispery thunderous noises of NY showers that come up so sudden,  so roughened, but right now, the seductive sun blinks in Manhattan windowed towers reflecting back on to our East River as golden blinks of nature We will walk lost in the absorption of our different commonalities, holding the hands of his young son, and my Wendy, both of them equal in possession of round saucer eyes that give us poems He calls me me friend, I call him brother, teacher, master, better than the best, well recalling a late night message that bred a five year conversation ongoing not everything need be coded what you read here it is not coded, for the raindrops come clear and clean and the poems land on our tongues bounce on the foreheads and eyes of the babes, all stored and saved for the future blessings spoken in a single tongue 7/18/18 ^https://en.m.wikipedia.org/wiki/Manhattanhenge
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She looks in the mirror At the age on her face "I wonder what he thinks of me this way?" She considers her weight and the pores on her skin She thinks out loud "I don't deserve him." She picks apart the woman he loves Separating her worth from all that she does                He looks in her eyes and caresses her face He sees it glowing with love and full of grace  The lines on her face   he views with pride   Recounting the victories   each time they've been tried The weight that she carries  is that of a mom  Nothing's too heavy  She just marches on These bodies will perish  and mirrors offer no truth True love abides  beyond the corridors of youth   No, she doesn't deserve me   Perhaps God can see   Conceivably, one day   I'll be as worthy as she
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May 10, 2015
May 10, 2015 at 9:21 AM UTC
She Doesn't Deserve Me
Sweet is the village home With the overhanging trees With the open well on the east With the kitchen adjacent to the well.. The coconut trees giving shade The Jack fruit and the mango trees Decorating the land beside The peacocks roosting on the trees The red Mangalore tiles Giving protection from the sun and the rain The green chillies and the bananas The drumstick tree and the climbers Ginger and Curry leaf tree The Coccinia and the Turkey berry Plants and climbers Giving all the vegetables in-house The long verandahs The corridors The wooden stairs The large dining hall It is not just a home But a life itself With nostalgic memories Which will never die at all... The house that has seen Various happy moments Various sad events Which has seen birth and death It is not just a home But a life itself With nostalgic memories Which will never die at all.....
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Jul 12, 2015
Jul 12, 2015 at 2:19 PM UTC
The Village Home
From the warmth of her womb to a wooden coffin the cloth of her **** laid lifeless Gone to soon, gone too soon The pain was more than she could bare after losing her only son to the rough street of Chicago where the kingpin rules and the prosecutes parade the dark corridors in dark suits It's a mother worse nightmare, when the law enforcements, is train to **** and asked question after. In fear of their lives, however, two wrongs, cannot equal to right. Our judicial system defenses team toss them back to the mean street with only criminals intents on their minds another careless proceeding gone wrong. so, here I am back to the crime scene
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Mar 14, 2015
Mar 14, 2015 at 9:11 AM UTC
In Memories Of A Brother
I laid my body on the tall grass. She wrapped me in a rustle of green. I closed my eyes in the shadow of a tall pine, curling up so the pain wouldn’t spill beyond my heart. Consciousness sinks into nothingness. I feel the particles of my “self” breaking into a million molecules. I flow through the grass and seep into the earth. Now my body puts down roots, nestling against the pine that weeps with resin. My emotions pass through the trunk of the tree. The thread of memories is a long earthworm, crawling through the empty corridors where once blood pulsed. White bones remain still, slowly dissolving into the vessel of eternal life: Earth, water, air, lost particles of light, and my longing for the final union. Doubts hollow a chamber, soft and warm – my new home. When my dream ends, I will dwell in it. Now I am the pine. My needles, bark, and resin radiate invisible light for this space, for this world. Yes, I was once human.
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Aug 17, 2025
Aug 17, 2025 at 8:16 PM UTC
Essence
Olives, figs, dates and mastic, wyrd or oracles, fates and magic, wars and loves and all that’s tragic. A Father’s lust, an Uncle’s hate, a puzzling labyrinth, through the gate, A Cretan born, another covered, a starry symbol, placed in the cupboard, Special place, where heroes meet him, mindless creature, murderous ****** South in winter, man below with a bull above, placed in the heavens by two father's love, A strangeness here, the seat of trade, in forbidden tryst, a beast was made, Man of blood, tortured soul, stalks the maze, that stalks the pole, "Stranger still, this wild pattern, revolving Seventh, Circle of Saturn?" Unholy corridors made of granites, trace out the movements of the planets! Life of horror, a soul of pain, terrorizing, with no refrain, Smells their fear, scents of sin, raging actions, threshing men; “They call me Moloch! They call me Baal! Tear your body, festoon my hall!” In trepidation, to gatekeeper sent, a ****** start, for your punishment; “I collect the hearts, I eat the eyes, I eat the liver, before he dies!” Olives, figs, dates and mastic, wyrd or oracles, fates and magic, life and death and all that’s tragic.
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Jun 9, 2016
Jun 9, 2016 at 11:48 PM UTC
Asterion
Is it the words whispered in secret corridors i love you are they proclaimed boldly from roof tops I LOVE YOU Or maybe love sounds like laughter giggles shared only between two what if love has no noise its beauty is similar to a sunset seen and felt but never heard
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Dec 26, 2018
Dec 26, 2018 at 12:10 PM UTC
What does love sound like?
An odor has remained among the sugarcane: a mixture of blood and body, a penetrating petal that brings nausea. Between the coconut palms the graves are full of ruined bones, of speechless death-rattles. The delicate dictator is talking with top hats, gold braid, and collars. The tiny palace gleams like a watch and the rapid laughs with gloves on cross the corridors at times and join the dead voices and the blue mouths freshly buried. The weeping cannot be seen, like a plant whose seeds fall endlessly on the earth, whose large blind leaves grow even without light. Hatred has grown scale on scale, blow on blow, in the ghastly water of the swamp, with a snout full of ooze and silence
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The Dictators
What thoughts I have of you tonight, Walt Whit- man, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcнa Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective. We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier. Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe? Berkeley 1955
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A Supermarket In California
What thoughts I have of you tonight, Walt Whit- man, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcнa Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective. We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier. Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe? Berkeley 1955
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Twelve o’clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations, Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium. Half-past one, The street lamp sputtered, The street lamp muttered, The street lamp said, ‘Regard that woman Who hesitates towards you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.’ The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap. Half-past two, The street lamp said, ‘Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.’ So the hand of a child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him. Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: ‘Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smoothes the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and old Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.’ The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars.’ The lamp said, ‘Four o’clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair, Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.’ The last twist of the knife.
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Rhapsody On A Windy Night
Twelve o’clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations, Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium. Half-past one, The street lamp sputtered, The street lamp muttered, The street lamp said, ‘Regard that woman Who hesitates towards you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.’ The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap. Half-past two, The street lamp said, ‘Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.’ So the hand of a child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him. Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: ‘Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smoothes the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and old Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.’ The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars.’ The lamp said, ‘Four o’clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair, Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.’ The last twist of the knife.
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. How do we mend wavering pedestals... When the ground beneath is parched dry. Stemming off loose foundations that time had weathered wry. How do we mend broken gazes... When watchful eyes which were meant to see, are blinded by the onslaught of half-truths and fallacy. How do we mend burnt bridges... When we never look back to trace heavy missteps. We fail to admit to consciously springing obvious traps. How do I mend ailing hearts... When familiar corridors seem warped to a bend. When my own is struggling and perpetually on the mend.
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May 26, 2016
May 26, 2016 at 3:59 PM UTC
On the Mend
Won't you dare Step in the storm? Won't you dare Cup the hand of fate in yours? Lead on the way Amidst corridors of blazing sands Won't you let the friction carve? Your hands, your sight and heart? Brushing against your face, Peeling off your gentle fate My friend; won't you dare? And step in the roaring lair? For ashes and dust Is this greyish world So burn the flame And light in fumes Hear the tapping of your feet And feel your sole melt away On strange wooden lands Sprinkled with blazing sand Catch the pebbles Struck at you Let it burden till you grieve, Or build the castle of your dream Set ablaze, set ablaze Set yourself ablaze; Let yourself combust and scarred And become the blazing star
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Feb 17, 2015
Feb 17, 2015 at 11:21 AM UTC
Blazing Star
Lone star walking roads, crowbar in hand cowgirl I'll die for, I died and I died again, fluent in 6 country's, passports; pardons no cargo, but luggage is a stainless steel flask, half full, half way, to the moon if you asked me? Cadillacs in space, expensive taste that's masked with — the cheap stuff, inspired souls, they walk, and this forsaken path, they'll never make hell a ***** deed or two from heaven, counterparts we're equals, we're lost they're my colleagues, a scandal from remembrance, remember we followed rules? no response **** there's a shift in the rubix cube,  a memo from the warden, no weapons in the visit room, coordinating sin, a taste of gin before the see you soons, world was much warm before stone replaced the sand dunes, scoff at the elixir, cordially she casts stones, ******* of a demon crossing ponds is all the child knows, tales of the fishermen, who heard it through the corridors, all and all departed, with a fear of the other gods, strictly prohibited, a swig of the forbidden fruit, who are you to judge me, When Your Son Is Not Of Holy Proof! wedded to a mortal said your honor, absent i do's, abstinence is bliss and your crime ascends civilian law, guilty -- you're filthy, your son will never know your soul, I know my role and play it well, Your god never admits he's wrong, so why would I? — a baby cried, I'm present for my son's birth, and leave before an open eye the practice of a perfect curse.
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Sep 29, 2016
Sep 29, 2016 at 8:13 AM UTC
(great grandson of Greek God Cronus) Our Deadbeat Father
The bedroom walls don the shadows of the falling snowflakes Through the window boughs swing heavy with crystals Shimmering in the muted light of the crescented moon Tracks of invisible animals impressed into that white A wind whistling through empty corridors of an abandoned house With a chandelier twisting in the ecstatic breeze Flurries whipping frantically through that chilled air Winter
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Nov 6, 2013
Nov 6, 2013 at 11:23 PM UTC
Describing the Cold
*Blazing stars across the sky Night’s come alive with celebrations Gorgeous display across the dark So many things do fade away But sheer brilliance gives hope Many dark corridors will be lit up The constellations know the secret*
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Mar 26, 2015
Mar 26, 2015 at 9:36 AM UTC
Across Night Sky
Oh! mother where are the snow falls of yester years? Where are the great king Ashoka and the world master Sankaracharya? Where is the ujjayani that was immersed in the literary effluence of The great dramatist Kalidasa? Where is the light that shone from the piercing eyes of the warrior Queen Rudrama Devi and the Goddess Durga? Where are the snow falls of yester years? Where is the buzzing sound of the bees that came from the corridors Of the great king Shajahan? Where are the echoing sounds of the war monger The sword Thikkana?Where is the gallooping white horse climbed by the unconquerable warrior queen of Jhansi Lakshmi Bai? Where are the snow falls of yester years? Where is the fire that emanated from the broad shoulders of The inimitable king and connoisseur of art, Sree Krishna devaraya? What happened to the living breaths of Balachandra, the young warrior And brahmanaya, The great warrior and social reformer? Where are the snow falls of yester years? Where are the kings, the great poets, the warriors, the chaste queens? Where have they gone? Where are the foot prints of the golden wings of time that fanned and fled? Oh! Mother, Where are the snow falls of yester years? Where are the snow falls of yester years?
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Sep 25, 2011
Sep 25, 2011 at 1:10 PM UTC
THE SNOW FALLS OF YESTER YEARS
a)  i am the mortar incurring blow after blow      from the abrasive quality of your negligence.       no, i am herb between pestle and mortar       the full realization of 'rock and a hard place' b)  i am the mortar between each brick you lay,      in blue collar glory, or rock star slumming,      to bind shaky corridors of past serenity      and bear indiscretions on my limestone shoulders c)  i am the mortar you fire before crawling under covers      for inexpensive *** and trashier beer      by a lake on a camping trip where tents trump love      like the queen of spades in a hand of hearts        d)  in fact, these are false, merely possibilities --      actuality: you were never enough       to make me spew homonyms in metaphor       because you were nothing like them,       always appearing changed but monotonous in meaning,       and if you're so into contraposition,       are we not but names for each other?
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Jun 18, 2013
Jun 18, 2013 at 3:28 AM UTC
the final will not be multiple choice
i quake to my bones to my very core i shudder and crumble ashes to ashes dust to dust overwhelmed, consumed filled to the brim the very thought of me Screams you the slinking corridors hide my addictions, afflictions, illusions, distractions, my convictions the mirrors reflect nothing i am weightless, drifting ashes to ashes, dust to dust
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Jun 19, 2014
Jun 19, 2014 at 2:15 AM UTC
dust to dust
My complex brain keeps me thinking deeply For hours it keeps spitting **** perpetually. I think outside the box and write always, look at things in 3D and cross the streets sideways. This is the universe at work in another way. Maybe I'm being rewarded, if I may, For the countless hours put into thinking About a fraction of mankind's problems. And the thoughts about seeking answers to questions, That will someday bring a resolution to our problems, For the universal betterment and the good of mankind. Maybe I'm a product of some social and scientific Or intellectual experiments or the combination of all three. All that was yesterday, when I was something else If I was ever made a saint then for my past good deeds, I have no recollection of what transpired down those dark Corridors of the part of the multiverse I came from. So, if I ever did some positive things in my past life, Kudos to that mass or ball of energy I once was. Today, maybe I'm just one idiot with a laptop Who has time to write things some people may deem obnoxious, senseless and otherwise incomprehensible? Maybe I'm an outlet for deep thoughts And a vessel of wisdom for some people. Through perseverance and the little time, I have on hand, I have helped save lotta folks some precious time In coming to acknowledge the reality of our time. Thus, making it easier for them to see, That things are messed up and that despite this, hope looms!
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Mar 10, 2018
Mar 10, 2018 at 9:31 PM UTC
The Idiot With Time And A Laptop
she sat in the center of her home becoming the heart of the halls the blood drifting in and out of the corridors, the clot that stood still in the living room unable to move to the next destination stuck staring at the dusty painting that haunted her tendency to fix that which does not need fixing, humming the delicate tune which ascended into the aorta of her kitchen, all the way to the apex of her attic and finally folding into itself like the towels in her chamber of cabinets, before unraveling out through the long vein of her chimney, the housewife who makes a living with sharpened bread knives and turning scones into christmas trees, who croons ancient love songs in her infinite spare time, and i wonder as i stare at her from underneath my book of russian poetry, how she holds up when the front door bursts opens and nature sings a solo to her heart.
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Nov 20, 2015
Nov 20, 2015 at 5:31 PM UTC
housewife
One year ago this month. I fell off a cliff. For the first time falling, I thought I was flying. In February I hit the ground. My emotions splattered all around. I felt weak and worthless. I’d never felt more alone. In March, I moved on. I got up, and I pushed myself. Away from him, away from the past, And away from myself. April brought rain. I always remember rain. Getting washed away. In that April rain. May brought beauty. And with beauty came my camera. I still have pictures of that first day, In the sunshine of May. June was too much like a puzzle. No school, floating with nothing to do, But pick up the pieces, And start over. July brought me back. I finally found myself in those corridors, Pushing myself through fears upon fears. I stopped hiding in July. August brought hope. For a new day, a new me. With support from my friends, I pushed and tried to win. September brought a new age. It shouldn’t have changed me but it did. I’m still the youngest of all of us. Why shouldn’t I feel like a kid? October brought me only sadness, Missing my friends from July. All their birthdays were there in the autumn madness. Why’d I have to say goodbye? November was a month of silence. A break from the stress of my life. But even though it was silent, I wouldn’t have ever gone back for more. December has brought a new beginning. Confidence, and strength through myself. I’m now saying goodbye and I’m happy, That 2017 is now gone.
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Jan 5, 2018
Jan 5, 2018 at 11:23 AM UTC
Goodbye 2017
***She sits in shadows Displaced by life Forgotten by self Dejected by all those Crows that fly Northwards A Sparrow hawk calls She remembers him but utters nothing that is desirable He flies onwards Never to look upon her Dark princess Of lower grounds She holds fast and keeps council with demons Demons who roam the corridors of her soul Pulling the cloak over her nakedness as the stage  illuminates the way An actress of sorts Another west end show A vagabond who plays her hero Darkness falls from her And all who are touched by her fateful hand Will linger no more in sun drenched meadows Too bright to see Too good to believe Her fearfulness becomes her Her innocence laid bare upon a slab of false regret Be he gone from her mind She may be free For what lingers a princess in darkness Than a love betrayed The darkened hour may find its way into any heart The broken man Can do as he tries But stumbles when he beholds her stare.***
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Oct 5, 2015
Oct 5, 2015 at 4:42 PM UTC
Princess of darkness
If I close my eyes and think of you I can smell your scent From a mere two days ago The flutter in my heart follows If I close my eyes and think of my father I can smell the joints That I identified aged 10 I try not to ***** If I close my eyes and think of my best friend I can smell her perfume and washing powder It makes me smile And want a hug If I close my eyes and think of my father I can smell the stale beer A middle of the night smell It meant 'don't leave your room' If I close my eyes and think of my mum I smell safety and comfort Strength and gravity The balance keeps me strong If I close my eyes and think of my father I can smell the stale sweat The cruel words of abuse The hatred inside myself If I close my eyes and think of my sister I smell vanilla and style Fashion and creativity Sullen kindness If I close my eyes and think of my father I can smell the cold of the room With its broken window in the arctic temperatures The fire unlit because the marijuana needed somewhere to grow If I close my eyes and think of school I smell the comforting sawdust The corridors familiar The classrooms like home If I close my eyes and think of my father Not having friends round to tea- because. 16 not 6- you can't buy my trust 16 not 46- don't want prayer flags for my birthday If I close my eyes and think of home I smell the damp washing hanging up Every squeaky floorboard Every drip, clank, comforting noise If I close my eyes and think of my father I smell the power he loved to have How I haven't seen him in three years The fear that still remains If I close my eyes and think of myself I smell nothing Hear and see nothing At that is what scares me the most.
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May 26, 2014
May 26, 2014 at 6:48 PM UTC
Close my eyes
If I close my eyes and think of you I can smell your scent From a mere two days ago The flutter in my heart follows If I close my eyes and think of my father I can smell the joints That I identified aged 10 I try not to ***** If I close my eyes and think of my best friend I can smell her perfume and washing powder It makes me smile And want a hug If I close my eyes and think of my father I can smell the stale beer A middle of the night smell It meant 'don't leave your room' If I close my eyes and think of my mum I smell safety and comfort Strength and gravity The balance keeps me strong If I close my eyes and think of my father I can smell the stale sweat The cruel words of abuse The hatred inside myself If I close my eyes and think of my sister I smell vanilla and style Fashion and creativity Sullen kindness If I close my eyes and think of my father I can smell the cold of the room With its broken window in the arctic temperatures The fire unlit because the marijuana needed somewhere to grow If I close my eyes and think of school I smell the comforting sawdust The corridors familiar The classrooms like home If I close my eyes and think of my father Not having friends round to tea- because. 16 not 6- you can't buy my trust 16 not 46- don't want prayer flags for my birthday If I close my eyes and think of home I smell the damp washing hanging up Every squeaky floorboard Every drip, clank, comforting noise If I close my eyes and think of my father I smell the power he loved to have How I haven't seen him in three years The fear that still remains If I close my eyes and think of myself I smell nothing Hear and see nothing At that is what scares me the most.
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