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Jim Davis May 2017
Kevan Fuchs died today in his sleep
In a similar way as his father of one
And actually, also my father did too
Of those bitter, big cancer scourges
Which always come in unexpected
In this short enough life, a bit early

I've known him ever since first, when
We were knee high to Dad's shotgun
Throughout our small neighborhood
We would all roam to see and look
For ***** toads and such other fun
Without any known end in our sights

We often, came all together, at once
In his parent's, little Clovis back yard
In the under ground, in our deep dug
Wild little clubhouse of our new pride
Approved by our jealous Dad's stare
Made all by ourselves, with great care

Eight by eight, with three feet of deep
Shagged carpet floors, walls around
And places to hide stuff with those
**** magazines we wished to remain
Unseen by our parents, although they
Surely lived through similar wild times

Black lights , fluorescent mod posters
Fans to cool, while there in the deep
Kept the place comfy, from several
Hot summers in New Mexico's heat
Staying nights over, in conspiracy we
Came colluding, while hoping no fame

This place was our place, of known
Refuge from all of the big crazy, with
Frightening world still yet to come
Giving us our youngest freedoms
And also so much being in trouble
As kinda neighborhood hoodlums

Far up his Dad's, tall, two-way radio tower
One of us in care would climb
With binoculars to see the dark night
With our pair of walkie talkies held
Warn the others, carousing around
Of any plight, in appearing headlights

Kevan's brother, still alive,  Keith
My other brother by another,  Buddy
Also at first, a weird guy, named Chris
One other member, as second cousin
Who actually, was my very first kiss
When it was hard to aim, lips to miss

All bound as one, by made up signs
And part of something called PSO
Which, if you don't know well, what it
Truly means, then you were definitely
Not a part of the so very high bliss
Which we suffered through so often

Kevan's true nature is clearly proven
Finally, most completely, at his end
In the nature of his wonderful loving
All his family, who also so loved him
And all those other parties to trouble
Who also so loved, really all of him

©  2017 Jim Davis
Kevan passed away over a year ago.  I just wrote the poem recently.
CK Baker Jul 2017
They weren’t all cut from the same cloth
vilified tenders of the iron *****
some were lovers
(or lucid dreamers)
stage romantics
hidden behind jackboots
and skull caps
and switchblade seams

Caste members of a forlorn pack
counting their patchwork and deeds
conjuring up demons
around the console
filling their dreams
with radio reds
and dusted quarries
and faded sepia prints

Brass knuckles
and marches of the few
lightening bolt cracks
from a chilling blood moon
death’s dark specter
cold and ominous looms
the cobalt sea swells
near the nestled, and lost
Clubhouse at Kiusta
Show us some light, Mr Jimmy
jeffrey robin Aug 2010
and the dripping water cross the pane
the dreams are hard to reach
thru the dripping water
of the clubhouse window

the dripping lives and the water mingle
the children in the clubhouse huddle
in the darkening shadows
as the dripping water
hides their dreams

they shall not die
the have made sacred vows
clubhouse vows
concerning eachother
and their dreams
The oxygen secreted from the walnut tree,
the snap-pole green beans growing
up the side of the rusty garden fence, and
bags of aluminum cans stored  in the shed
with the old cash registers from the antique store.
These are the golden frames caught and
edited onto organic film, etched into grey matter,
projected from a foggy lens onto reflective marble.

We abandoned the clubhouse because of spiders;
they took the place for themselves after a storm.
Our new abode was the patch of grass between the
walnut tree and the fence in the back corner of the yard;
shady, rough terrain from fallen walnuts, and
the grass always had a slight dew in places.
"The place where the snakes live" is what we called it
when we were sprouts; now we could catch them in both hands.

One night, the wind blew over the shed doors;
flimsy, sliding rail, aluminum thing.
We slinked in and got to play with the old adding machines,
foreign tools, jars full of door hinges, and
rusty hand-crank egg beaters.
Eventually, the roof of the shed collected so many years
of twigs, walnut husks, and foliage fallen that
tiny trees began to pop their heads up from the clutter.

Crickets underneath the gutter guards-
two types; the black singers and the
ones you have to dig for that will draw blood
if they get a hold of one of your fingers.
Sometimes, if bravery was roused and boiling,
we would drift closer to the railroad tracks
in attempts to catch yellow jackets, or even hornets.
One popped their stinger into the back of my neck.
tlp
Sean Critchfield Jun 2013
My Father used to buy cars. A lot of cars. Broken down, busted up, P.O.S. cars. Usually VW's. Always on the door of the great rusting field in the sky. He'd park them on the side of the house in a long row. This area was technically off limits, but rest assured that many battles were fought against mythical beasts and imagined armies.

It was a fort, a hideout, a giant clubhouse, and where I saw the inside of my first ***** magazine.

But the landscape was always changing. Evolving. This time line of rust and oxidized paint.

The cars would move forward one by one into the future like plate tectonics and more cars would be added to the past. And each one would make it's way into the garage. The land of curse words and flying tools. It was in the gladiator arena that smelled less like sand and more like grease,  that I learned to be a man.

Busted knuckles and loud music. And these cars would raise up on stands, and my father, like a surgeon would open their insides and make them whole again. Slowly. With the time that he had. And the cars would heal and eventually purr to life. And then, one day, they'd be gone.

Some would stay longer than others. Some would be displayed like show ponies. But eventually, they all left. And all the while, I would watch from my graveyard of cars on the side of the house.

It wasn't until I was older that we talked about it. Those cars. I always thought that this was just my dads hobby. Fixing things. It made sense. Anytime I needed something fixed from a toy to an angry heart, I'd take it to my father. And, I suppose, in a way it was.

I asked him about those cars once. Why he did it? Did he miss it? Why didn't he keep them?

He told me that he never intended to keep them. That in his eyes, they were not cars. They were insurance policies. Rent. Food. Emergency house repairs. Peace of mind for my mother.

And it all became clear. My family struggled in my youth. A young couple. A hairdresser and an airforce airplane mechanic. With two kids. Trying to make ends meet.

It was this line of rusted cars that made those ends meet.

It was ****** knuckles, loud music, curse words, and air heavy with sweat and grease that made those ends meet.

And any time the ends would not... quite.. touch...

One of the cars would go.

My father doesn't work on cars anymore. He doesn't have to. He and my mom are successful. Comfortable. They worked hard to become so.

And I am proud of them.

He has traded in his wrenches for other hobbies. Traveling. Collecting military memorabilia on ebay. Watching movies.

But that row of cars will always live in my heart as the example of what it means to be a good man.

My father loves his wife. He loves his family. His knuckles have healed. And the cars have gone.

And he is still my hero.

My dad is a husband, a fighter, a survivor, a mountain man, a war hero, a father and grandfather to dozens who didn't have one of their own, a firefighter, a medic, a collector, a wicked good shot, a teacher, and a friend.

He is also a mechanic.

And he is a good man.
Ugo Dec 2011
Iridium fastball pitches
from Zuni serpent mound,
bottom of the 9th walk-off homerun
over 30ft diving moai.

Slide to home base in volcanic lava
to congratulatory ***** Gatorade bath
from Kubla Kahn forefathers,
chanting psychedelic clubhouse anthems.

Levitate from home plate
and land atop Pyramid of Cholula for victory dinner;
for since we’re all artists in our dreams,
true dreams never come true.
drumhound Jan 2014
I wish the world
banana seats and ***** bars
chariots of childhood
transports to imaginary kingdoms
erasers of boundaries
freedom makers
brother bonders
vehicles of the delegates of peace
a better way.

Bolted to a heavy metal frame of
metallic green with
ape hanger handlebars
the playing cards clothes-pinned in spokes
making siren noises with our mouths
rope-lashed weapons aboard
discovering creeks
woods
forbidden backyards and
never-before-known games with
barn side lumber and pop cans
double-dog daring inedible things
teasing girls
riding to secret clubhouse meetings and
the playground.

I wish the world
our playground
summers of innocence
bottomless wells of laughter
center of the universe
June to September
ages 8 to 18
bean bags and ringers
tether ball - hand and paddle
basketball and baseball and
box hockey
(where it was encouraged
to give children axe handles and
a softball
to beat through holes
in a 2 x 6 board
defending a goal
with their life and
busted knuckles).
We liked it that way.
We lived as legends.

I wish the world
a bike ride with friends
ending at the playground.
For there has never been a bad day
on a banana seat.
with props to Nat....
Paul Glottaman Jan 2011
Meet me in the forest,
what passes for one here.
Tell me your secrets and I
will tell you mine.
Over flashlight and
blood pacts we will
save our bottle caps
for our whispered projects.
In a notebook we keep the
page for decoding the
language we invented.
Each night we’ll bring the latest
chapters of our story.
In the morning we’re strangers.
We don’t talk, we don’t laugh,
we don’t look.
We’re each others best kept
secret.
One day we’ll decode love,
without the help of invented
language or spiral bound
notebooks.
My god, I miss the illusion
we had built around our
“Love.”
david jm Sep 2014
I take my time
as time takes me.

Life is wildfire
For roots of the soul.

The flames will
eat the fossils.

The sea cooked
To perfection embodied.

Night's purple marrow,
Is ours to feast,

The meat is for
The shadow of a flower.

I've broken both knees
Building this fortress so

Sleep deep dandelion,
Dreams can't burn you here.
Larissa Lou McCasky is hurting relapses needs Clyde Eli Moskowitz to stay at her side and more than anything he wants to help her through this difficult time yet there is nothing he can do but watch his most precious angel be devoured in her own flames at first it is drinking he can not keep up with her she drinks until she feels oblivion next drugging she goes back to old destructive ways she practiced after divorce 15 years ago Clyde will not go there with her Larissa stops writing reading her sewing machine sits dormant hairs around her ******* grow long she makes demands he is not capable of giving Clyde is *** addict he reads to Larissa from Yukio Mishima’s Madame de Sade “the more exalted the man the more refined his pleasures” Larissa learns from Clyde then she insists on more goes beyond him buffalo meat is tough Clyde shows her how to cook it with water little lime juice Larissa repudiates his coaching she prefers to chew the meat tough sometimes she hears war drums beating in her heart Clyde owns 3 guns in his house 2 pistols and a shotgun he keeps them hidden from Larissa

2

spirit dog is dog that stays long after dog dies sometimes spirit dog needs to be fed or water left out in case spirit dog is thirsty spirit dog makes you question did you do enough when dog was alive spirit dog dogs you with faint sounds in house dogs you in dreams in bed at night dogs you when you look in face of other dogs spirit dog does not ever leave your side

3

the artist is will always be at odds with him/herself society the system when his/her work becomes viable commercially it becomes corporatized part of the system imagine Nine Inch Nails song Closer lyric “i want to ******* like an animal” becoming elevator music

4

concerning creation establish location characters then sit back let imagination go wild take your time think it through the weirder the better there are no mistakes just pure improvisation

5

what power did her dog Sweeny sanction within Larissa that Clyde could not fulfill? was it Sweeny’s absolute dependency that brought out her nurturing instinct? Clyde needs Larissa yet wants her more than he needs her when spirit dog inside Larissa gets hungry she indulges him

6

Larissa takes to the streets and that’s where real damage commences slow at first old man with worn out $20 bill then young punk who shoves her out penniless with mouthful of *** then biker dude gives her lift unto back of Harley rides her back to clubhouse feeds her rohypnol 13 men pull a train stub out lit cigarette butts on her face and ******* then crack 2 front teeth shoving shotgun down her throat another up her *** and take bets on where the shots will meet they decide instead to leave her naked with no water in the desert Mexicans sneaking across border rescue her escort her to Tucson she finds her way to Clyde’s house begging he stands in doorway sees missing teeth scars on cheeks chin above left eye damage beyond his understanding how to fix feels both fear and tears welling up lies to her tells her he has new girlfriend she knows he’s lying wanders off gets arrested for vagrancy then disorderly conduct then prostitution

7

every author faces the dilemma of how to fix what they have broken if the work is to be original then it must break from convention

8

Larissa Lou McCasky has an epiphany in Pima County jail when she gets out she will find a job sewing or writing or proof-reading maybe all 3 then she will find a dog and after she is settled Larissa will look up Clyde Eli Moskowitz and try her best to win him back and regain paradise lost yet knowing it is unlikely she will gratefully accept whatever comes her way and remember to honor respect spirit dog and vigilantly at times keep him on leash

9

Larissa keeps promise to herself she and Clyde meet at Sky bar it is 3 years since their first meeting she has more gray hair than he her teeth are patched up

LARISSA i’ve missed you Clyde and thought about us a lot

CLYDE i’ve missed you too Larissa you look lovely like good things are happening around you i forgot how beautiful you are

LARISSA chill on the flattery Clyde i’ve found a new dog and named it Eli after you he’s ******* outside see him

CLYDE wow that’s your Catahoula hound that licked my hand on the way in wow where did you find him

LARISSA animal rescue hey Clyde if you don’t mind i’ll just cut to the chase you know i want to come home with you

CLYDE slow down girl one step at a time let’s order some drinks and talk and yes i would love getting back with you

BARTENDER may i help you

LARISSA yes i’d like a Shirley Temple and my friend here can have whatever he wants my treat

CLYDE guess i’ll have what the lady is having

LARISSA you quit drinking too

CLYDE yup starting now with you

LARISSA i love you Clyde i really truly do
Westley Barnes May 2014
Where buses still elapse with Time
Down straight Dame Street
The Trees are satellites that allow Children to look up
and let the pavement breath.

Earthen Columns that gate the Boombox Clubhouse tint
Flanked by the Yeoman Guards of Hollister
but forget to pay the same compliment
outside of American Apparel
Where Teenagers dream out fantasies
of lamp-lit, flash-shot
worship-worthy objectification
in a converted loft in the real New York
Their headphones spring streams of bright optimism
as they cradle knitted knee-high socks.

Take the curve round Trinity College
and laugh past the rumours
that it may soon float on Dow Jones
and dodge past the charity advertisers
Strutting over campbags of sleeping homeless
to Lemon Cafe for an overpriced Mocha
Which regardless deflates the sheen-covered hollowness
of green-comfy Starbucks

and learn the subtleties of speaking lightly
to dark-jaceketed Blonde girls
Whose eyes seem to sparkle "Yes, we have sipped
on Veuve Clicquot at reserved tables on Graduation nights
at Cafe En Seine"
-"Where Oscar Wilde might have drank"
- "..Had he been alive."

Then speculate on the best Festivals and whose
Films and Books are over-hyped and under-appreciated
and the after-College Gossip on who broke-up or stayed together
or who hooked up even though they shouldn't have
or regretted it

and who's doing a paid internship and who's moving abroad

and afterwards charmingly tease their superficial attitudes
as meanwhile they secretly take photos
to upload on Instagram
and later you'll fake-admonish them
for how they did this behind your back
while you were staring into the lake
in St. Stephen's Green.

When the moon no longer glazed the water
and had receded its contrast to the farthest grass
and you decide to take the last bus home.

Throughout
Caution Glints The Vowels
and Brands them too.
All caps intentional-for emphatic purposes.
Jeffrey Robin Mar 2016
.


We and the stars

Death and the child walk the streets

Looking for someone

But you ain't there

•    •

( • )  ( • )



In former righteous days !

The child and the gods

Walked the earth and it was good

////

The Ferris wheel !

Up and down !

They said that this was truth

( they lied  but we believed )

CLUBHOUSE POETRY



we

Promise

WE SHALL NOT

SELL OURSELVES

TO THE MAN !

//

Under the stars

We await the appearance

Of our purity

We will do nothing

Til it is here
.
Payton Hayes Feb 2021
Rock n’ roll music, Folger’s, and paint-smeared hands.
Dresser drawers filled to the brim with undeveloped camera film.
Blue bonnets and overgrown grass, pecans and crunching fall leaves.
Dirt roads and river-rocks, typewriters, polaroid cameras, and feather-quill pens.
Those hand-me-down blue eyes and brown ones that are “sometimes hazel.”
Crystal clusters and Lord of the Rings.
Countless mosquito bites and play-pretend games in the clubhouse.
Early-birds and night-owls.
Trudy; and Randy Hayes.
“Don’t touch everything you see,” and “If you say you’re bored, I’ll find work for you to do.”
Sweet tea and okra and southern dishes blackened and drenched in cheese or gravy.
Grandma always burned everything to make sure it was fully cooked, and to her, it was never burned, just “well-done.”
Cigarettes and carpentry and cookbooks. Wild blackberries and birthday parties at the lake.
Sleeping in all day and staying up all night and procrastination.  
Shepherd's Pie, potatoes, and four-leaf clovers.
“Nil Desperandum. Never Despairing.”  
I’m from a whole house that eats eggs for breakfast, and I’m allergic to eggs.
And trees as tall as buildings and buildings as tall as trees.
“You should never take the lord’s name in vain,” and “Jesus loves you, so you should love others.”
Day-dreams and stargazing and thunderstorms.
“All or nothing,” and “There is no try, only do.”
Old family pictures in dust-glittered frames.
We are crystals. We have facets, each one makes us who we are.
With only one window of our lives to express, we’d merely be glass.
I am a part of each of these things just as much as they are each a part of me.
This poem was written in 2017.
John F McCullagh May 2012
The air was brilliant, crisp and clean,
as he in walked in on a sea of green.
Kerry Woods, old 34,
at Wrigley field, his field of dreams.

Upon a time, old Cubs fans say,
He struck out twenty in one day.
He stirred some hope the “curse” was gone;
the hope that Cubs fans live upon.

The surgeon’s knife put hope to bed-
his blazing fastball all but dead.
He could no longer start in games,
As a closer he achieved some fame..

He journeyed there, he journeyed here,
At times, in flashes, it would appear,
That blazing fastball on the gun
that time and surgeons had undone.

We all come to that final day
when we can no longer play.
Upon the mound for one last time,
What would be Kerry’s final line?

He threw three strikes, the last one swinging-
Kerry had that fastball singing
When coach came out to take the ball
Cheers shook the ivy covered walls.

He held his young son in his arms
and doffed his cap to cheering fans.
Old 34 then disappeared
In the ancient clubhouse beneath the stands..
A poem about Kerry Woods' last appearance as a Chicago Cub.
Nigel Morgan Jun 2014
A suite of fourteen poems

for Alice, always

I

Cutting for Silage

Seen
on the path close to the field edge
a swathe of green grass cut,
Left
in the wake of the machine
to dry in the hopeful sun,
Rich
in a profusion of grasses,
glimmers of wind flowers,
weeds and tares.

Seen from afar
the cut fields partition this landscape
with stripped overlays
packaging the valley,
dark green rows revealing
the camber and roll of
a naked field shorn,
Dark upon light.

II

Walk to Porth Oer

Where the sand whistles
and windy enough today
for the tinnitus to set in,
we’ll walk the curve of its dry fineness
left untouched by the tide’s daily passage
up and back

before
and along cliff paths,
from the mountain
past secret coves
whose steep descents
put the brake on all
but the determined,
beside shoulders of grasses
bluebelled still in almost June
now hiding under the rising bracken
up and down

we’ll walk to a broad view
of this whispering bay
where below on the sandy shore
dots of children
tempt the slight waves.


III

Cold Mountain

Whether  a large hill
or officially a mountain
it’s cold on this higher place
wrapped in a land-mist,
the sea waiting in breathless calm
where the horizon has no line,
no edge to mark the sky.

Any warmness illusory,
in sight of sun brightening a field
far distant, but not here,
where waiting is the order of the day,
waiting for grass to shine and sparkle,
for bare feet to be comforted
by sweet airs.

Meanwhile the sheep chomp,
the lambs bleat and plead,
the choughs throaty laugh
a shrill punctation, an insistence
that all this is how it is.


IV


China in Wales

In my hermitage
on this sea-slung place,
a full-stop of an island
back-lit illuminated always,
I view the distant mountains,
a chain of three peaks
holding mist to their flanks,
guarding beyond their heights
a gate to a teaming world
I do not care to know.


V


Wales in China

O fy nuw, I thought
my valley only owned such rain,
but here it teams torrential
taking out the paths on this steep
mountain side. Mud
everywhere it shouldn’t be.
Everything I touch damp and dripping.
No promise of pandas here.
And there’s this language like the chatter of birds,
whilst mine is the harsh sibilants of sheep
on the hill, the rasp of rooks on the cliffs.


VI


Boy on the Beach

Heard before seen
the boy on the beach,
a relentless cry
of agrievement, of
being badly done to.
This boy on the beach

following his mother
at a distance
then no further.
‘I hate you, ‘ he screams,
and stops,
turning his back on the sea,
folding his arms,
miserableness unqualified,
no help or comfort
on the horizon he cannot see.
It is attrition by neglect.
He becomes silent, and called
from a distance, relents
and turns.


VII


The Poet

Austere, his mouth
moved so little when he spoke,
you felt his words
were always made in advance,
scripted first
and placed on the auto-cue.
Ask a question: and there’s a long pause

as though there lies
the possibility of multiple answers
and he’s running through the list
before he speaks, his antenna
trained on the human spirit,
full of doubt, doubting even
belief itself.


VIII


A Gathering

Thirty, maybe forty
and not in a lecture room
but a clubhouse for the sailing
look you. And we did,
out of the patio doors
to the sun-flecked sea below us,
here to honour a poet’s life and work
in this village of the parish he served
at the end of the pilgrim’s path .

Pilgrims too, of a kind, we listened  
to the authoritative words
of scholarship where ironing
the rough draft found in the bin,
explaining the portrait above the bed,
balancing the anecdotal against the interview,
reading the books he read
become the tools of understanding.

But the poems, the poems
silence us all, invading the space,
holding our breath like a fist.



IX


In the Garden

He came alone to sit in the garden
and remember the day
when, with the intimacy of his camera,
he took her, deep into himself;
her look of self-possession,
of calmness and confidence,
augmented by butterflies
motionless on the wall-flowers,
and the soft breath of the blue sea,
her soft breath, her dear face,
freckled so, his hand trembling
to hold the focus still.


X


The Couple from Coventry

Young beyond their years
and the house they had acquired
but only to visit at weekends for now,
they drove four hours to open the gate
on a different life, a second home
requiring repairs on the roof
and replastering throughout.

With their dog they were walking
the mountain paths, checking out the views,
returning to the quiet space
their bed filled in an upstairs room
echoing of birth and death:
to experiment further with loving
before the noise and distraction
of children swallowed up their lives.


XI


On Not Going to Meeting

There was an excuse:
a fifteen mile drive
and a wet morning.
He had a book, a journal
that might focus his thoughts
towards that communion of souls:
a silence the meeting of Friends
sought and sometimes gathered.

These experimental words
of a man who felt he knew
‘I had nothing outward
to help me,’ who then, oh then,
heard a voice which said,
‘There is one, even Christ Jesus,
that can speak to my condition
. . .  who has the pre-eminence,
who enlightens and gives grace
and faith and power.’


XII


New Life

From behind its mother
the calf appeared
tottering towards the gate,
but after a second thought,
deeming curiosity inappropriate,
turned back to that source
of nourishment and life.


XIII


A Walk on Treath Pellech

Good to stride out.
Good to feel unencumbered
by the unconfining space
of beach and sea, a shoreline
littered with rocks and shallow pools,
sea birds flocking at the tide’s edge.

Alone he sought her small hand
and wished her there over time and space
so to observe what lay at his feet,
that he might continue to look
into the distance with a far-flung gaze.


XIV


The Owl Box

James put it there.
One of forty
all told but
empty yet.
‘We live in hope,’
he said.

Slung from a bough,
bent and bowed,
on a wind-shaped tree,
a hawthorn blossoming still,
(inhabited by choughs a’nesting)
the box hangs waiting
for its owl, her eggs,
her fledgling young
who are not hatched together
but are staggered as though
to give the mother owl some
pause for thought.

Meanwhile the nesting choughs
tear the air with tiresome croaks,
a bit of rough these black characters,
neighbours soon to the delicate mew,
the cool, downy white of the Athene noctua.
The poet celebrated in this suite of poems is R.S.Thomas.
Marshal Gebbie Jan 2010
Dedicated to Mike Evans & Wendell Griffin…for their great approach to the King of sports, Golf.


Loosen up, feeling good,
Back swing nice and smooth
Power stroke an easy glide
A solid thwack to move
That golf ball into orbit,
Disappearing into air,
Diminishing like angel dust
On a trajectory so fair.


Looking good, nice and straight
In parabolic curve
At apex point it hesitates,
No breezes cause a swerve
Plummeting to emerald grass
The ball bounces on the green
To travel in a perfect arc,
The best I’ve ever seen,
It teeters at the cup lip
To roll around the rim
And by the grace of God,
That golf ball vanishes within!


The day at once looks perfect
The morning light pristine,
The singing birds in trees
Throw brilliant shadows to the green.
I peer into the cup
To see my sweetest dimpled ball,
That darling Dunlop eight
Henceforth shall grace my trophy wall.
My name will feature on the cup
Atop the clubhouse shelf
And the bar room shout for all the boys
Should put a large dent in my wealth.

But the wonder, the wonder,
The spangled wonder of it all
Will have me grinning foolishly
Whenever I recall,
That magnificent stroke
Towards that iridescent green
When I scored a hole in one
And drank a toast to Golf and Queen.


Marshalg
@ the Bach
Mangere Bridge
12th  January 2009
yokomolotov Aug 2013
Summer. bike ride. I’m a child. I live just outside of Churchill Downs in Kentucky. young in skinned knees, pumping a 10 speed in a humid southern town, dodging cracks in the side walk. it’s an old superstition and I still hold it. grass growing in tiny bunches, in cracks. sun peeling the skin. candy rotting the teeth. the city is so *****. the houses dilapidated like fallen, shambling drunks. paint crumbling. and my brother ate paint chips. someone called him *******. rusted cars, playing house. sedan clubhouse, an oven in July. garbage day, rummaging for toys. I once found Quik strawberry milk in the trash I consumed it, and later felt like ****. hot trash treats. cumulus cloud companions, balloons without strings, the heat over eighty degrees, friends none to speak. after school fight. kids claiming coitus in the elementary. country music blaring from a fake wood radio. I found the radio on the curb and was proud of my conquest. all the lyrics incoherent but somehow they resonated. riding bikes all day. no parents. busy, their marriages failing, lives changing. riding through the slums. the houses of broken homes watching me tiredly. boarded eyes. down steep hills. up plywood ramps. kids jeering from porches, throwing rocks, glass, anything. scribbled graffiti. the rain makes everything more loathsome, wet clinging grime.  the dirt sticks to everything. fingertip messages scrawled on cars. s.o.s. twenty foot Marlboro man towering above the block, faded, peeling, half his face gone. like a totem making sentry of the oiled trash, the houses and apartments nodding to demolition. meanwhile, the thoroughbreds are fenced off and protected like coveted family jewels. I stood at the fence and thought, that’s all Kentucky is to the world. just some **** horses. Now and Laters and candy lips stick, my front porch.  the house leans. a drunk on the curb mouth a gape and snoring. is that your dad? no he’s in the tavern across the street. he lives there and its always loud. angry sounding buses threaten to squash the spastic child cyclers as they clutch their Sega genesis desires. cleaning gritty fingernails, I learned that my math teacher was dead. her car she wrapped around an old elm or maple on Southern Parkway the night before. my dad signed me out of school and took me to see the spot where she died. on the asphalt a ripe red stain. did I make this up or was that real? death. learning about death. with cockroaches. the bug-man sprayed and killed your parakeet, Christina. it was stuck to the newspaper that lined the bottom of its cage. I recorded it chirping on a cassette tape. I remember running terrified from rusted sedans. dented and hosting drug addled predators in cut-off jeans, wet legs stuck to torn imitation leather seats. ***** glued them and fueled them. I fled with my flea bitten mongrel friend. fly eaten, **** making. my dog made a minefield of our backyard. in this backyard where every Derby I parked tourist cars, the ladies in fine heals, disgusted and wobbling around the turds, the mud. I stood squat, shabby and I pocketed their money. Kentuckians, that’s all we are; horses, chicken and the cluck, Thompson.
Michael R Burch Mar 2020
The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.

Originally published by The Raintown Review

These are poems about sports like baseball, basketball, boxing, football and soccer. Keywords/Tags: Sports, locker, locker room, clamor, adulation, acclaim, applause, sentiment, darkness, light, retirement, athlete, team, trophy, award, acclamation



Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, more bronze than gold,
a coin God stamped in His own image—Bold.
My blood boiled like that river—strange and wild.
I died to hate in that dark river, child.
Come, be reborn in this bright river, child.

Published by Black Medina, Bashgah (Iran, in a Farsi translation), Other Voices International, Thanal Online (India), Freshet, Formal Verse, Borderless Journal, Interracial Love, and in a YouTube video by Lillian Y. Wong

Note: Cassius Clay, who converted to Islam and changed his “slave name” to Muhammad Ali, said that he threw his Olympic boxing gold medal into the Ohio River. When drafted during the Vietnamese War, Ali refused to serve, reputedly saying, “I ain't got no quarrel with those Viet Cong; no Vietnamese ever called me a ******.” I was told through the grapevine that this poem appeared in Farsi in a publication called Bashgah.



Me?
Whee!
(I stole this poem
From Muhammad Ali.)
—Michael R. Burch



hey pete!
by michael r. burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy’s dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then
you'll be a Superstar.

Pete Rose was my favorite baseball player as a boy; this poem is not a slam at him, but rather ironic commentary on the term “superstar.”



Baseball's immeasurable spittin’ mixed with occasional hittin’.—Michael R. Burch



Larry Seivers had golden hands
by Michael R. Burch

Larry Seivers had golden hands,
platinum hands,
diamond hands,
hands of jasper, sapphire, chalcedony, emerald, sardonyx, sardius, chrysolite, beryl, topaz, chrysoprase, jacinth and amethyst.

Other receivers were more elusive,
bigger,
faster,
more physical,
flashier ...

but Larry Seivers had hands.



Julius
by Michael R. Burch

Instinct
in an unplanned moment
as you rise
will teach your limbs the art of flight:
the waltz of light
through vaulted skies.

A falcon flies:
its keening cries
as sunlight fails
fall hollow to the earth below,
and you must know
how fierce the light of sunset feels.

You hear
those ringing cries, their echoes clear
though far away, and so you pause
—defying even gravity,
suspended over some vast sea—
then fall ... into applause.



Larry Legend
by Michael R. Burch

He's slow, can't jump,
looks pale and plump.
He talks too much;
he brags, and such.
He's not real nice,
has blood like ice
and will like steel
(and steal he will).
But when the game is on the line,
your team, or mine?



Big Mc Attack
by Michael R. Burch

Johnny Mc
Enroe
is back—
the fierce
attack
of words
and serves,
returns
and taunts.

He flaunts;
he flails,
reviles
and rails.
Sometimes
he wails.
His ego
swells.
He grunts
and groans
and moans
and gee . . .
I think
he wants
to referee!

Johnny Mc
(thank God)
is back—
wisecrack
ing, fiery,
taking flack
(not hesitant
to give it back).

We love
to watch
him glare
and wince,
and since we sense
his dreams
(intense),
we sit
on pins
until
he wins.



For Jack Nicklaus, at the 1987 Open
by Michael R. Burch

When you were young
every putt was makeable
and every dream remarkable;
the stars were unmistakable
you set your sights upon.

Then, in your youth,
time not yet a factor
and age not yet your rector,
you plotted every vector
and victory shone ahead, like truth.

But uncouth youth was fleeting ...
soon losses grew more numerous;
time's skies became more cumulus;
the nerves with age—more tremulous,
as the sun from the sky was setting, retreating.

How have you then, as sunset nears
and the world looks on with unsure eyes,
cast off the crutch of age to rise
and stand as though the butterflies
have no effect, no, nor the cheers?



I wrote this poem after Tom Watson chipped in at the 1982 US Open to defeat Jack Nicklaus. Nicklaus was getting older, but he was still competitive.

There Are Dreams
by Michael R. Burch

for Jack Nicklaus

There are dreams
that you have dreamed
that are etched into your eyes.

There are dreams
that you have dreamed
that resignation can’t disguise.

There are dreams
that you have dreamed . . .
O, I’ve dreamed them, esteemed them.

Like fire,
desire
flares most brightly as it dies.



Jimbo
by Michael R. Burch

for Jimmy Connors

Pounce like a panther,
all sinew and nerve;
attack, arched in anger,
your quarry—the serve.
Imagine a moment
of glory to come
as you lunge for the path
of its flight through the sun.

Are you a Templar
like warriors of old,
forsaking your loved ones,
crusading for gold?
Or could it be
need for fame drives you on?
Do you soak up the cheers
as you dash through the sun?

As you battle those younger,
those stronger, more fleet,
still none can be fiercer,
less yielding, complete.
Oh, what drives you onward,
what makes you compete?

I think not the riches, acclaim, even love . . .
but your heart is incentive enough.



The Great GOAT Debate
by Michael R. Burch

The great GOAT debate
can no longer wait:
we MUST know who’s best, and know NOW!

Is it Jordan, Kareem,
or Hakeem the Dream?
Is it Gretzky, the Rocket, or Howe?

Is it O.J. or Brady,
or are they too shady?
Tom Burleson or Monte Towe?

But now that I’m thinking
and done with my drinking,
before I make friends with a large purple cow ...

It’s the Babe, let’s get serious!
Babe Didrikson Zaharias!
Let the Ultimate GOAT take a bow.

Mildred Ella “Babe” Didrikson Zaharias was a basketball All-American, a baseball and softball star, a professional golfer who accumulated ten major championships, and a track and field legend who won two gold medals and a silver in three different disciplines at the 1932 Olympics while setting four world records in the process. She was also an expert diver, roller-skater, bowler and billiards player. Didrikson won the 1932 AAU track and field team championships while competing as an individual, by winning five of the eight events she entered and finishing second in another. She remains the only track and field athlete, male or female, to have won individual Olympic medals in a running event (hurdles), a throwing event (javelin), and a jumping event (high jump). Despite taking up golf in her mid-twenties and having to wait until age 31 to regain her amateur status, Didrikson won 17 straight women's amateur tournaments, an unequaled feat. Altogether, she won 82 golf tournaments. She made the cut at two men’s PGA golf tournaments, the only woman to do so, and she did it sixty years before any other woman even tried. In 1934 exhibition games, after being taught the curve ball by Dizzy Dean, she pitched one scoreless inning against the Dodgers and two scoreless innings against the Indians. Didrikson still holds the world record for the longest baseball throw by a woman. The world has never seen anyone like her.

“She is beyond all belief until you see her perform ...Then you finally understand that you are looking at the most flawless section of muscle harmony, of complete mental and physical coordination, the world of sport has ever seen.” – Grantland Rice, considered by many to be the greatest sportswriter of all time



Ring-a-Ling Bling
by Michael R. Burch

The ring
thing
is mostly bling.

Determining an individual athlete's greatness by counting championship rings (i.e., team success) makes no sense to me and seems disrespectful to all-time greats like Ernie Banks, Charles Barkley, Elgin Baylor, **** Butkus, Ty Cobb, Michelle Kwan, Karl Malone, Dan Marino, Marta (who may be the greatest female soccer player of all time), Barry Sanders, John Stockton, Fran Tarkenton and Ted Williams. Perhaps the best example is the player most cited for rings these days: Michael Jordan. In reality, Jordan didn't win a ring his first six years and was 0-6 against
the Larry Bird Celtics and lost two more playoff series to the Isiah Thomas Pistons. Were Bird and Thomas the better players, or did they simply have better teams? The answer seems obvious.
Jordan only began to win rings after he was joined by outstanding players like Scottie Pippen, Horace Grant, et al, and even then it took time for that team to jell. Jordan was a transcendentally great player before he won a ring. If he had failed to win rings because he never had good-enough teammates, would that make him a lesser player? Judging individuals by team success or failure makes no sense, unless Jordan was a lesser player for six years while his teams struggled and then he miraculously became the GOAT when more capable players showed up. Ditto for LeBron James. The first thing he does after changing teams is use his influence to get better players to join him. LeBron is not foolish enough to believe rings are won by individuals.



The Ring Thing (is entirely Bling)
by Michael R. Burch

The ring
thing
is entirely bling.

Michael Jordan was zero-for-six
against the Larry Bird Celtics;
moreover he was twice sent home
by Isiah’s Pistons;
his ring case only began to gleam
when he had Horace, Scottie and B.J. on his team.

Thus the ring
thing
is bling.



The Ballad of King Henry the Great
(aka Derrick Henry)
by Michael R. Burch

Long live the King!
Send him victorious,
happy and glorious,
long to reign over us:
Long live the King!

Long live the King!
Send him like Sherman tanks
Mowing down cornerbacks,
Stiff-arming tiny ants:
Long live the King!



No T.O.
by Michael R. Burch

Lines written after the aptly-named Eric Eager said, “A. J. Brown is Terrell Owens.”

I’m young, I’m big-hearted,
but I’m just getting started.

I’m running my own race
at my own **** pace.

T.O. belongs in fabled Canton town,
but I’m A. J. Brown.

The second stanza was actually written by A. J. Brown, a budding poet, and published in the form of a tweet.



Charlie Hustle
by Michael R. Burch

for Pete Rose

Crouch at the plate,
intensity itself.

Follow the flight
of the streak of white
with avid eyes
and a heartfelt urge
to let it fly.

Sweep the short arc,
feel the crack of a clean hit,
pound the earth
toward first.

Edge into the base path,
eyes relentlessly relentless.

Watch his every movement;
feel his every thought;
forget all save his feet;
see him stretch
toward the plate ...
and fly!

Fly along the basepath
churning up the dirt,
desire in your eyes.

Slide around the outstretched glove,
hear the throaty cry,
"He's safe!"
And lie in a puddle of sunlight
soaking up the cheers.

A Texas Leaguer dropping
to the left-field side of center
sends you on your way back home.

Take the turn past third
with fervor in your eyes
and a fever in your step,
the game just strides away ...
take them all and then
slide your patented head-first slide
across the guarded plate.

Pause in the dust of your desires,
loving the feel of the scalding sun
and the roar of the crowd.

Shake your head and tip your cap
toward the clouds.

Slap the dirt
from your grass-stained shirt
and head toward the clubhouse ...
just doing your job,
but loving it
because it is your life.

This was an early attempt at free verse, written in my teens.



The Sliding Rule
by Michael R. Burch

If you’re not quite kosher,
like Leo Durocher;
or if you have a Pinocchio nose,
like Peter Edward Rose;
or if your life turns tragic,
like Ervin Johnson’s magic;
or if your earthly heaven
is stopped, like Howe’s, at seven;
or if you’re a disciplinarian
like Knight, but also a contrarian;
or if like Joe you’re shoeless
because you’re also clueless;
or perhaps like Iron Mike Tyson
you work a little vice in;
or like Daly working the jackpot
you’re less unlucky than merely a crackpot;
or like Ruth you’re better at drinking
than at dieting and thinking;
or perhaps like Andre Agassi’s
your triumphs are really your tragedies . . .
though The Judge might call you a sinner,
society’ll proclaim you a WINNER!



Tremble
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse

Keywords/Tags: Tremble, predator, raptor, hawk, eagle, falcon, talon, beak, wing, preen, preened, preening



Y2k: The Score
by Michael R. Burch

You should have known
when you were giving us wedgies,
pulling down our pants
in front of the cheerleaders,
playing frisbee with our slide rules . . .

that the years are exceedingly cruel.

You should have seen,
dashing across the gridiron
(as the cheerleaders screamed
in a *****-show of ecstasy),
playing the hero, the bull-necked **** . . .

the hands on the face of the unimpressed clock.

Though you were popular,
the backseat Romeo, the star
who drove the flashiest car,
though you lived out our dream
and took the prettiest girls to the dances, the prom . . .

you never had a chance.  Something was wrong.

We missed the big dances and proms
as we hissed and we schemed,
as we wrote and re-wrote our revenge
while you partied like Stonehenge.
Now your business is in debt to the hilt.
It’s too late to cry: Foul! Unsportsmanlike! Tilt!

One statement of ours and yours are all lost!
Your receivables, aging and gathering dust,
will yellow like ***** one soon-coming day.
While you were scoring, you missed this play—

Jocks: Zero. Nerds: Y2k.



Ordinary Love
by Michael R. Burch

Indescribable—our love—and still we say
with eyes averted, turning out the light,
"I love you," in the ordinary way

and tug the coverlet where once we lay,
all suntanned limbs entangled, shivering, white ...
indescribably in love. Or so we say.

Your hair's blonde thicket now is tangle-gray;
you turn your back; you murmur to the night,
"I love you," in the ordinary way.

Beneath the sheets our hands and feet would stray
to warm ourselves. We do not touch despite
a love so indescribable. We say

we're older now, that "love" has had its day.
But that which Love once countenanced, delight,
still makes you indescribable. I say,
"I love you," in the ordinary way.

Winner of the 2001 Algernon Charles Swinburne poetry contest; published by The Lyric, Romantics Quarterly, Mandrake Poetry Review, Carnelian, Poem Kingdom, Net Poetry and Art Competition, Famous Poets and Poems, FreeXpression, PW Review, Poetic Voices, Poetry Renewal and Poetry Life & Times
Matt Jul 2015
On the fifth tee
A raven spotted me

He walked right up
Near my ball
He was arrogantly
Standing tall

I tried to shoo him away
I had golf to play

And on the 7th hole
He was there again
To pester me
Much to my chagrin

Jesus is Lord
I pronounced to him

And with that proclamation
I poured that four foot put
Right in

A foul and hateful bird
Of ancient lore

Was this the bird
That Poe found rapping,
Rapping at his chamber door?

And on the eighth tee
There he was 20 yards
Up ahead
I could see

Perched upon a branch
Perhaps spying on me?

And near the clubhouse
As I rounded the bend
There he sat
Staring into the distance again
I don't think I have ever been more pleased with a poem.  I had a good laugh after I finished this one.   I hope you enjoy it.
jeffrey robin Oct 2015
.




                                                  ( when we ...          ... loved )





(                                            
•                        
).  






                                               ^^^

••

born on the streets before empty dawn


Nah

We don't go to school no more

( we dumb enough ALREADY ! )                                                  


••


We just waiting for the cops to bring us down

Waiting for fate

To do what fate does to a boy

Tryin to become a Man

<•>


She

Soaking wet and sick like a dog !

Hope we don't gotta take her to
The

Hospital

(-)

the day

Musical chairs !

Hope nobody has to die



Beauty !

The little puppy playing by the garbage cans

)(

Everyone is hungry

Hope nobody had to die
Gillian Aug 2014
I recently went back to AJ’s
and bought two Charleston Chews,
a bottle of Moxie,
and a pack of Werther’s Originals.
You and I used to split our money
to buy that stuff, every time, the same thing.
Now, I’m sitting in the cemetery
by myself, in front of the faded
plastic flowers that we left for the
dead baby.
Miss Mary Mack echoes in my head, and
I take another sip of Moxie.

The wet copy of Charlotte’s Web is still stuck
to the floor of our clubhouse.
Nobody has been inside for five years.
All the sweat from that summer
drowned at the bottom of the mill pond,
along with our fish hooks.
Leeches stuck to our feet.
We hid in your crumbling house,
barely standing, we wrote our names
on the walls and read each other
Goosebumps.

I grew up with art and literacy.
You grew up with tubes in your stomach,
unstable families, the inability to shake off
the sadness.
A backup supply in your pocket,
in case of emergencies.
In and out, back and forth,
Sleeping bags and clammy
hospital sheets.
There's a small girl
With a big heart
In a big world
With a smile like art

She laughs and she plays
She walks the right way
She dances and she sings
Happiness she brings

She was so innocent
Thought the world was magnificent
She saw the world as a colorful place
And never suspected it was black and grey

That girl grew up, though
As all girls do
Pain she would know
She'd know depression, too

That girl was now a young lady,
Spending her time crying
In meadows with daisies
Wishing she were dying

A man came along
And asked, "What is wrong?"
She said she didn't know
Oh, she did though.

When the young lady
Was still a young girl,
She saw a tall man
With lots of black curls.

He said, "Hello!"
And she said, "Hi!"
He said, "There's a clubhouse, you know."
And she said, "I want to see it. May I?"

He lead her to a meadow
And did terrible things
He had led her
To a place where no bird sings.

With every touch he took a piece of the child
When he saw her tears she saw his smile
With his hands on her delicate body,
Her soul started slowly rotting

She didn't tell anyone
What that man did
Nobody knew
The secret she held from within

The girl transformed
Into a young lady
And sat crying everyday
In that same meadow with the daisies.
Francie Lynch Apr 2015
The Mutual Admiration Clubhouse
Is a Hall of Carnival Mirrors.
Joanna Grace Apr 2014
My loss of balance
I blame on evolution

I look around and see smoke
in the air from
pollution
and
my best friend's cigarette

I see different eyes
how they evolved into unique shapes
and how both people
still need to console themselves
with their man made vices

when i'm sober
I can only think of
the strong imprint
of the smell of whiskey
and the plans for its return

so I go find my old hide away
from the days sobriety didn't concern me
and see it surrounded by thorns
and feel it grown into the hillside

As I scrape my ankles
and sacrifice myself to these tiny threats
I wonder if this old clubhouse
represents what happened to me

Am I cruel for the same reason the forest grows thorns?

Though beautiful on the inside, we both want to keep the world out.
Galbraith Frase Nov 2017
Sunset vine in the suppressed crowd
Heart's pounding so hard and loud
A whole thread with extreme machines
They're somewhat things I've never seen

Pigmented cheeks, numb veins, soul enchanted
These are moments that I've wanted
Gleaming stars from above are mesmerizing
Hours are enough and totally amazing

Giggles and screams, joy and beams
Hearing them is like a dream
Few blissful thoughts, we're off gravity
This lovely day shows pink sanity

Cursive words, laughing in snickered wheels
Blended soothing air and hilarious feels
Rising of stomachs with butterflies attended
Raw and pesky clubhouse but independent

Pale flowers blooming in most gardens
Typical teens with sneakers and Kankens
The finale is a beautiful screenplay
Looking forward to more treasuring portraits

Freshly made memories are quite unforgettable
Afterwards, I'd exclaim, "It's actually memorable,"
Neon signs glistening clear and bright
Locked sensation with the floating lights
A "six-word-challenge" poem :)

~ Personally, November could be the worth ber-month I would have this 2017, but something special happened within it, so why not form it into letters? Just because I could also share it with you too x.
Angela Rose Jan 2018
I don’t think about us too often anymore
I don’t think about the night at the clubhouse where I dared you to kiss me
I don’t think about the nights we stayed up late in my living room while my mom was on vacation
I don’t think about how we were up late waiting together, pacing, waiting for our SAT scores to come out
I don’t think about the adventures on the beach and the party at your house where I almost lost my virginity to your best friend
I don’t think about how I was always your second choice next to her
I don’t think about the times we visited college campuses together and you cried in my arms on the pier in St. Augustine
I don’t think about how we got drunk on four lokos and had *** even though your mom was in the next room
I don’t think about how we didn’t talk for two years when you left for college and moved away from me
I don’t think about how when you came back to visit we met up in the mid afternoons for summery, hot, sweaty hook ups
I don’t think about when we would roll down the windows in my bedroom and get high at 1 in the morning
I don’t think about how we grew up and still ended up meeting up years later to connect
I don't think about how we were mid twenties and still harbored so much love for each other
I don’t think about none of that, no not at all
But I get a taste of that fiery and ****** cinnamon flavored Fireball and it all comes rushing back like a punch in my face
Lunarian Oct 2016
His
He'd drag to hell
these daydreams do tell
a slow song, a love song
that i know too well.

He'd be my Romeo, and I Juliet
if I let him be the one to drive me insane and yet
My bed is his favorite
clubhouse
My legs is his favorite
clubgrounds
and My lips is --- his now
as i don't dare to ever care to think about
-another man.
I'd rather have no man.
My dreams are clouded with this man
let me pretend
I dont care,
he'd grab me, pull me close, whisper in my ear
he'd dare me to say "i don't care" again
he'd press his lips to mine.
conquering his sweet valentine
nonetheless, just invading my lips and thoughts with his tongue as he intertwines
The first tee shot , the first drop
The first beer , an early morning deer
The course all to yourself with no one else in sight , the first hot dog after the ninth , the first cool day of fall , the first wooded hunt for the ball
The first bogey , a clubhouse steak and cheese hoagie
The first warm day of spring , the pleasure that a gentleman's sport truly brings* ...
Copyright February 7 , 2017 by Randolph L Wilson * All Rights Reserved
Matt Jun 2015
On the Range

I saw the kind man
Tell the kind woman
That she had good form
He has a great smile

I saw her that other day
Having fun hitting *****
And talking with a friend
Good people

Hitting Putts

I saw the women with
Their colored dresses walk into the clubhouse

I saw the flock of white birds fly together
How they moved
This was the Tao

It was moving
In action
Ever present and in motion

I cried a bit

Tao is great
Heaven is great
Earth is great
xmxrgxncy Jan 2017
sometimes i just wanna watch the weeds in my mother's herb garden grow and not in a monotonous way like i have nothing better to do with my life cause i mean i don't but i just want to have the control of saying i could destroy you if i wanted but having even more control in never doing it don't you think it's sick and sadistic don't you think my mind is a poisonous **** itself wrapping itself around the places it doesn't belong and when it finally leaves like those summer breezes that blow leaves around then leaves them sad and despondent cause they can't fly once the breeze deserts the place and the branches and the feelings it ******* loved most and isn't it ******* ironic that a monster like the wind can feel it can destroy and destroy and destroy but it also has feelings and in the aftermath and all the torn up branches and weeping children's voices crying over look mommy my clubhouse got crushed by that falling tree and the wind was mad, honey, that's all and no i wasn't mad i was torn torn from myself and from feeling what i wanted to feel when i wanted to how i wanted to because my feelings can destroy you and me and everything else everyone else and when i look back over my shoulder those weeds have grown into a plant so spiky and forbidding that i feel helpless and know i had the control to **** it earlier but didnt and dont you wonder what it would have been like if i had just killed it at its source and just eradicated all this useless pain?
I think I might be a ****.  
I wish we had a clubhouse.
Tete Rudo Dec 2018
Out here on the Green
Reminds me of the
Garden of Eden.

Lush green everywhere
Peaceful
Tranquil
Serene

Here
You leave all your cares
Behind
At the clubhouse door

It is a time for
Fun in the sun
With family and
Friends.

It is
A time to
Bond
A time to
Connect
A time to
Laugh
Together
After all
Hakuna matata!

In quiet tones
We talk
Relaxedly
We walk
One hole to the next.

Out here on the Green
The birds sing joyously
The butterflies flitter
Doing their thing
The reeds sashay gently
In the cool, morning breeze.

Out here on the Green
Life is good.

Fun in the sun
Hanging with
Family and friends.
Hakuna matata!

Life doesn't get
Any better than this.
Out here on the Green!
Lou Romano Nov 2019
It’s raining and we’re laying face to face
In the clubhouse where our sweet, sweet love was made
A private universe created in this space
A light so bright it could not ever fade

— The End —