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"clasps" poems
They look out from the terrace. At the borders of sight live rocky hills behind brown and golden and olive crop under a cloudless sky. BANG! An artificial cloud. “Mira,” she points, “Venga!” They fly down stairs, diving like sparrows into the street. Boys sprint across pavements and climb; men vault over fences in time for news to reach ears. "¡Ya vienen!" Excitement and fear. The rattling of cow bells and galloping nears. Men bait and dodge horns and escape through doors and up and over red wooden bars. Sticks beat on the concrete ground and closer, louder, gallops sound. Seconds away – until the last, he side steps into a house; indoors, apart, he runs through the foyer and up the stairs around a corner with long strides too fast to follow. She chooses left and sings soprano when doors won't budge and        it                       crashes                                        in. She turns and the fear is paralysing. "FERMIN!" "FERMIN!" "FERMIN!" He hurdles the stairs and explodes but it rams her to and fro, thrashing her head against the wall where horns sin and gore cement and brick. He clasps the tail and heaves its hide from side to side as hooves smash crates of wine - they slip and slide in fractured glass; he finds a horn and yanks the head! He's yanked instead near dead before the men arrive down stairs to punch and kick it; strike and stick it smack and hit it; 'til it fits and quits and flees the foyer, fast and frantic, flying flustered by the frenzy, finally finding pattering paves it peters off down the street. "¿Que ha pasado?   ¿Quien ha sido?   ¡El Balbotin   y la Chicha!   ¡Que una vaca   les ha pillado!" "¿Estas bien?" Dizzy she's there with searching hands and scolding. "Podria haber sido peor"
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Apr 25, 2018
Apr 25, 2018 at 7:09 PM UTC
Fermin el Balbotin
They look out from the terrace. At the borders of sight live rocky hills behind brown and golden and olive crop under a cloudless sky. BANG! An artificial cloud. “Mira,” she points, “Venga!” They fly down stairs, diving like sparrows into the street. Boys sprint across pavements and climb; men vault over fences in time for news to reach ears. "¡Ya vienen!" Excitement and fear. The rattling of cow bells and galloping nears. Men bait and dodge horns and escape through doors and up and over red wooden bars. Sticks beat on the concrete ground and closer, louder, gallops sound. Seconds away – until the last, he side steps into a house; indoors, apart, he runs through the foyer and up the stairs around a corner with long strides too fast to follow. She chooses left and sings soprano when doors won't budge and        it                       crashes                                        in. She turns and the fear is paralysing. "FERMIN!" "FERMIN!" "FERMIN!" He hurdles the stairs and explodes but it rams her to and fro, thrashing her head against the wall where horns sin and gore cement and brick. He clasps the tail and heaves its hide from side to side as hooves smash crates of wine - they slip and slide in fractured glass; he finds a horn and yanks the head! He's yanked instead near dead before the men arrive down stairs to punch and kick it; strike and stick it smack and hit it; 'til it fits and quits and flees the foyer, fast and frantic, flying flustered by the frenzy, finally finding pattering paves it peters off down the street. "¿Que ha pasado?   ¿Quien ha sido?   ¡El Balbotin   y la Chicha!   ¡Que una vaca   les ha pillado!" "¿Estas bien?" Dizzy she's there with searching hands and scolding. "Podria haber sido peor"
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Come live with me, and be my love, And we will all the pleasures prove, That hills and valleys, dales and fields, And all the craggy mountain yields. There we will sit upon the rocks, And see the shepherds feed their flocks By shallow rivers, to whose falls Melodious birds sing madrigals. And I will make thee beds of roses, With a thousand fragrant posies, A cap of flowers and a kirtle Embroidered all with leaves of myrtle; A gown made of the finest wool, Which from our pretty lambs we pull; Fair lined slippers for the cold, With buckles of the purest gold; A belt of straw and ivy buds, With coral clasps and amber studs; And if these pleasures may thee move, Come live with me, and be my love. The shepherd swains shall dance and sing For thy delight each May morning: If these delights thy mind may move, Then live with me, and be my love.
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The Passionate Shepherd To His Love
I tied together a few slender reeds, cut notches to breathe across and made such music you stood shock still and then followed as I wandered growing moment by moment slant-eyes and shaggy, my feet slamming over the rocks, growing hard as horn, and there you were behind me, drowning in the music, letting the silver clasps out of your hair, hurrying, taking off your clothes. I can't remember where this happened but I think it was late summer when everything is full of fire and rounding to fruition and whatever doesn't, or resists, must lie like a field of dark water under the pulling moon, tossing and tossing. In the brutal elegance of cities I have walked down the halls of hotels and heard this music behind shut doors. Do you think the heart is accountable? Do you think the body any more than a branch of the honey locust tree, hunting water, hunching toward the sun, shivering, when it feels that good, into white blossoms? Or do you think there is a kind of music, a certain strand that lights up the otherwise blunt wilderness of the body - a furious and unaccountable selectivity? Ah well, anyway, whether or not it was late summer, or even in our part of the world, it is all only a dream, I did not turn into the lithe goat god. Nor did you come running like that. Did you?
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Music
If all the world and love were young, And truth in every shepherd’s tongue, These pretty pleasures might me move To live with thee and be thy love. Time drives the flocks from field to fold When rivers rage and rocks grow cold, And Philomel becometh dumb; The rest complains of cares to come. The flowers do fade, and wanton fields To wayward winter reckoning yields; A honey tongue, a heart of gall, Is fancy’s spring, but sorrow’s fall. The gowns, thy shoes, thy beds of roses, Thy cap, thy kirtle, and thy posies Soon break, soon wither, soon forgotten,— In folly ripe, in reason rotten. Thy belt of straw and ivy buds, Thy coral clasps and amber studs, All these in me no means can move To come to thee and be thy love. But could youth last and love still breed, Had joys no date nor age no need, Then these delights my mind might move To live with thee and be thy love.
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The Nymph’s Reply To The Shepherd
These clothes, they hide These clothes, conceal And when these clothes slide off There's nothing left to reveal Unhooked clasps Undone buttons Just unwrap this body 'Til absolutely nothin' My raw self for Only you to view Removing this fabric Is saying that I trust you
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Nov 3, 2014
Nov 3, 2014 at 1:23 AM UTC
Naked
Hands shaking as they clumsily undo Buttons, zippers, clasps Articles of clothing discarded Every word that passes between us Hangs suspended in the air Like dust motes Only larger, more distinct Each facet perfectly discernible By its own beholder's eye This was wrong I could feel it As my synapses fired Unconsciously guiding my hands down his back Arching mine It feels wrong But mostly it feels So right Now.
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Oct 6, 2010
Oct 6, 2010 at 10:36 AM UTC
Affair
The fountains mingle with the river And the rivers with the ocean, The winds of Heaven mix for ever With a sweet emotion; Nothing in the world is single, All things by a law divine In one spirit meet and mingle— Why not I with thine? See the mountains kiss high Heaven And the waves clasp one another; No sister-flower would be forgiven If it disdained its brother; And the sunlight clasps the earth, And the moonbeams kiss the sea— What are all these kissings worth If thou kiss not me?
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Love’s Philosophy
He clasps the crag with crooked hands; Close to the sun in lonely lands, Ring'd with the azure world, he stands. The wrinkled sea beneath him crawls; He watches from his mountain walls, And like a thunderbolt he falls.
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The Eagle
He clasps the crag with crooked hands; Close to the sun in lonely lands, Ring'd with the azure world, he stands. The wrinkled sea beneath him crawls; He watches from his mountain walls, And like a thunderbolt he falls.
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The Eagle (a fragment)
If all the world and love were young, And truth in every shepherd’s tongue, These pretty pleasures might me move To live with thee and be thy Love. But Time drives flocks from field to fold; When rivers rage and rocks grow cold; And Philomel becometh dumb; The rest complains of cares to come. The flowers do fade, and wanton fields To wayward Winter reckoning yields: A honey tongue, a heart of gall, Is fancy’s spring, but sorrow’s fall. Thy gowns, thy shoes, thy beds of roses, Thy cap, thy kirtle, and thy posies, Soon break, soon wither—soon forgotten, In folly ripe, in reason rotten. Thy belt of straw and ivy-buds, Thy coral clasps and amber studs,— All these in me no means can move To come to thee and be thy Love. But could youth last, and love still breed, Had joys no date, nor age no need, Then these delights my mind might move To live with thee and be thy Love.
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Her Reply
Like some pitted, coal-black dragon egg, it sits among the other fruits, exuding weight. It draws my eyes away from the obsequious apple and banal pear, its shape curving elegantly between their contours. As my hand clasps around it, I feel its skin of sinful reptilian texture. As I place it upon the cutting board, a hundred possibilities spring to mind. What will I do with this trove that lies before me? I will take a knife in one hand and the avocado in the other. I know that, like gold it will be heavy, and will feel soft without being so. The knife breaks the skin. Never has so smooth a wound been made, as the blade circumnavigates the centre. And with a twist, it falls open. A blinding springtime dawns on my eyes, revolving around a dark sun, and the absence of one. So perfect these halves look, side by side, the only two pieces of a sultry puzzle. There is no blast of stinging scents. They are the enigmatic philanthropists of the fruit world, bestowing their riches quietly, without great shows of favour. The first long, horizontal slice slides free and lies, curving wonderfully in and out. Fingers reach down and arm moves up, lips part. The moment the vibrant green meets desiring red, I breathe again. Nothing else in this world has such a wealth of subtle freshness, or spreads as soft as morning sunlight. And yet it is never airy or thin, but carries an embracing gravity. I open my eyes. The rest of the fertile crescent awaits me.
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Sep 12, 2014
Sep 12, 2014 at 10:50 PM UTC
Avocado
I want to be close to you like Mercury to see your full glow and brightness of your intimacy I see you like a Venus because of your unsurpassed beauty and your unfathomable, abysmal kind of love You are like the Earth where living with you is not a problem and with you it is always easy to breathe I see your ardent desires like a red Mars to fight a war to cover and protect me even sacrificing your own life You give a gigantic precious tenderness and enormously unselfish affections like a Jupiter You give me snowball rings like Saturn that gives remembrance to all the beautiful things that we had been in the atmosphere of treasured memories Your warmhearted axis that tilts on the rocky core of my life is like in a deep ocean of Uranus that clasps me with grasping arms You are like the depth the Neptune brings who takes me beyond the known to what's alive only in my wildest dreams. On a very far and infinite distance deep into the darkness like Pluto you are perfect to get lost with nothing matters but You and Me
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Sep 19, 2018
Sep 19, 2018 at 5:53 AM UTC
My Universe
His eyes penetrate the mirror, And the glass penetrates him back. Tears rain down his cheeks, And his semblance undergoes a crack. His head hits the pillow, His eyelashes flutter along to dreams. Mother watches with weepy eyes, Then sunlight through the window beams. His heart flutters like a leaf in a breeze, Excited by the man before his eyes. For years he has struggled With this affection he was taught to despise. Even as his heart tells him what to do, The boy continues to hide his truth. It seems there is much to lose, It seems a way to ruin his youth. But the secret ails him— A condition untreated. Without exploration, His heart remains defeated. Destruction clasps onto him, an iron grip, And his demons come alive. He begins to hate himself, Struggling to survive. Hatred finds him during his adolescence— Like a deadly blade wishing him dead. To survive, he learns a simple truth— His beliefs must be shed. Now a cloak of happiness hangs from his shoulders— His boyfriend is in his arms. He has parted with society’s silly notions, Of which only dealt him harm.
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Feb 27, 2017
Feb 27, 2017 at 11:46 PM UTC
The Shedding of Beliefs
Velveteen and closed with slim metal clasps Laying on the seat next to the edge of a dress. Let me slip my hand inside to find Nothing but a $100 bill that isn't mine. The car comes to a lurching stop I pay the cabbie and get out to walk. A few coins and an aching heart Linger with the clasp's top apart. My silken dress swirls around my knees At the bottom of the stairs of apartment three. One single step leads right to the next Velveteen catching my ragged breath. The metal clasps held firmly closed As I knock on the door to fill the hole. Stolen bills and velveteen held close And the door unbolts… But metal clasps remain closed.
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Nov 11, 2013
Nov 11, 2013 at 9:38 PM UTC
Coin Purse
I stand before you naked and bare, Vulnerable and scared With trembling hands, and shaky breath Because you gingerly stripped me Of the armor I had long ago melded to my being. You carefully untied the intricate knots That had tangled my chaotic mind. You skillfully unfastened the clasps, Which held together my crippled heart. You watched as my insecurities Fell to the ground in a pile around my ankles. I stand before you naked and bare With trembling hands, and shaky breath Because the impassioned stare your eyes posses Pierces the façade that I had shrouded myself with. The softness of your caressing lips Comforts the exhaustion of fleeing love. The heat of your searching hands Melts the ice that encases my thoughts. The pressure of your firm body Pushes away the worries of acceptance. I stand before you naked and bare Because your love has set me free from myself.
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Jun 8, 2013
Jun 8, 2013 at 2:14 PM UTC
Naked
Bellowing trumpets call the palace to order and servants, Dressed from head to toe in exquisite lace, Promptly wave their lush palmetto leaves while the Pharaoh Ambles domineeringly down the marble corridor. Though the floor rattles at the cries of enemy soldiers Penetrating the once impregnable palace walls, The mighty Cleopatra, exuberant in both beauty and intelligence, Maintains a powerful, dignified forbearance. Immune to cowardly apprehension petrifying those surrounding her, The Pharaoh relies on only her brooding heart to guide her. Though her once opulent eyes scorch in melancholy, They look onward toward the cynosure of her existence. Clad in dense armor, Mark Antony clasps his sword resiliently, Pacing nervously back and forth throughout his room At the thought of the danger soon to overtake him. His breath hangs heavy on the seaside air. Antony’s complexion brightens at the sight of alluring lover, And he releases his guard, opening his arms as she approaches. Shouting erupts from the neighboring corridor Though neither he nor Cleopatra discern the enveloping chaos. As Roman soldiers zealously round the corner and overtake the lovers, Waving their weapons high in hopes of slaughter, The couple’s lips merge together as one, Producing an everlasting bond that no sword could sever.
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Jun 1, 2016
Jun 1, 2016 at 1:32 PM UTC
Cleopatra
The Tingling Pulsing Throbbing sensation. The thought Of your sweet slow *********** The approval to claim your Deepest Redemptions Your Temptations Delivering me Blissful Salvation. Belly button deep Seeking for keeps Your palms grip my hips, My hips switch Like a gypsy. You bewitch me. Twitching Writhing Spell-bound  beneath me. You beseech me. Eyeballs rolling back into their rightful sockets If you can pry the clasps open ill give you the key to the locket Like Future said, Ill put your heart in my pocket. Soaring inside me to destinations reached only by rockets. Fingers tantalizing hard ******* Love fluid gushing with rip tide strength ripples. Mary Jane modeling between my fingers, Idoling bliss towards the tips, My fingers seek a settling seat upon the floor of your luscious lips -Lust at your own risk Inhale the kush Push me to the depths of my mattress Submerge me beyond the sheets, Beyond the springs underneath, Beyond the heights of my wildest dreams Make me shy, make me fly Provide me your name so I can surrender and scream.
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Dec 31, 2012
Dec 31, 2012 at 5:46 PM UTC
Spacebound...
What tempest rules the earth around her girth clasps her axe Thunderous lightening in twisted gales forlorns amazon anger with her gods Her voice screams for victory sought in rumblings of the earth below Touch not her heart of many stones unless you dare to feel her wrath upon your bones and wrench you and ****** into the further pit of hell, where dismal screams are heard from bitter depths below And snake like chains grind the cold stonehenge ground pulled by bleeding ankles to the bone Seek not merciful guidence from her wrath or shelter from her axe or kindness from cold black eyes but quiver from her icy demon touch Succubus her nature be, she draws the air from you and me and yet a tempest all in one Be hastened away by her tempest shrill and collar you for good Be alert not to roam too far from your neighborhood
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Dec 26, 2014
Dec 26, 2014 at 11:06 PM UTC
She-Myth
She likes him. They cuddle. He likes me. He's in agony. I like another him, Who likes me in return. He touched my feet, Ever so soft caress. I dissolved into light and dark To be awoken by the shaking of heart break. He asked her for space But in the moment of meaningless She reaches out a pinky Clasps his He shakes, eyes wide Repeats "I'm sorry, I'm so sorry, I'm so sorry." Holds back nails Which are hungry for flesh - holds back Flesh Hungry for detachment Sharp pain Removal of self "I feel stuck" Trapped between sorrow And a desire for comfort And a desperately needed boundary - so her heart isn't dragged along too. But she reaches out and holds on. And he holds onto me In minds eye And I grip another's hand firmly And he squeezes mine back.
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Oct 17, 2014
Oct 17, 2014 at 2:19 AM UTC
We all love each other really.
She thinks if she travels to foreign lands- even if it is only by dating an ethnic man- that she can scale the high walls of the borders between what she was taught and who she hopes she is. Having followed blindly her predestination programmed life she can’t resist taking squinted peeks through the tiny open slits of vision, hoping to find her true self. “You are losing the faith!” her anxious mother warns as though to do so would be an inherent flaw, not a conscious choice. But Mother’s own faith has been slipping through her hands for the past 30 years, and only that promised salvation can save her from the indiscretions that fill the non-rapturous void left-behind by mister Christian-right-wing-man. Taught well by mother, father, and god, that men must be assessed in a purely logical fashion, “Agree on finances and childrearing and you will have happily ever.” But she feels fake, and does not know how to peel the plastic wrap off her personality. You can see its bindings in the way her eyes implore you and how she clasps her hands on her lap by rote. She is the pink peg in the Hasbro Game of Life car with guilt trip road blocks, detours and poorly folded directional maps. Spinning the wheel in search of tour guides: What should I read? What should I think? But that only gives her new mind instructors. Perhaps instead of foreign languages and foreign lands, the verity lies in the realization that mother probably feels fake too.
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Aug 27, 2013
Aug 27, 2013 at 2:43 PM UTC
Only $16.99 at Toys R Us
Hands of a new mother gently washing baby's little parts A little hand clasps around her thumb and touches moms heart An unconditional love that continues to grow at first glance Brings new meaning to life makes you want to take a chance Hands of a Lovers first melting touch Not being able to breathe when it gets to be too much Butterflies in the stomach and throwing all caution to the wind Two innocent souls lost in the present and trying not to sin Hands of a fighter who helped liberate our lands Bringing countries together and starting a contraband Hands of the men who were young and oh so brave Friends and comrades who lost their lives and wound up in a grave Hands of a writer, a painter, or jack of all trades Blue collar living but these hands still need to get paid Calloused strong hands and a hard working class Got obligations and bills to try and outlast Hands of a beautiful woman on her day wearing white Ring on her finger from the love of her life Hands that promise to love and cherish through all the years Comfort those worries and help face all your fears Hands weathered and touched by father time No longer seeing your lovers hand...your partner in crime True love that has gone to a much better place But the hands remain tied and forever laced
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Aug 30, 2011
Aug 30, 2011 at 6:03 PM UTC
Hands
*With you I couldn't offer much I couldn't give you the life you're so accustomed to or the valuables those material gifts that so suit your lifestyle the Haute Couture that clasps to your body the perfect fit to your beautiful frame oh the body of a goddess one of mythical dreams I'm far from any Monroe or Taylor or any of the glamorous stars you so mirror with such etiquette I'm the girl sat in a cashmere cardigan with chipped red nails, bitten to the skin no make up and bed head hair and I know that you are true to all these things too you're a person about personality not mere possessions you beauty is internal it glows like the diamonds you sing of stars in a sky of love grandma Dolly's leather backed bible hand written notes that carry your true worth family values knowing without them you'd be no where and here am I, as poor as a church mouse no worldly possessions just me, myself and I a heart my loyalty my love a love for you more vast than all land and oceans combined each dollar in your pocket couldn't account for the price of this love a chance for love is all I crave to love only you in every way I know how a tight hug, a light embrace a smile, a sparkle, a tickle of your thigh oh what a distant obsession you have become like a mist of Chanel Eau de Parfum so intense then fading into the background my sheets, soul and skin are still soaked in your scent but you've gone, and taken part of me with you leaving me broken, split in two but as one, not one with you.* © Sia Jane --- “Kiss me, and you will see how important I am.” Sylvia Plath
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Jan 1, 2014
Jan 1, 2014 at 6:22 PM UTC
Kiss me (& see)
*With you I couldn't offer much I couldn't give you the life you're so accustomed to or the valuables those material gifts that so suit your lifestyle the Haute Couture that clasps to your body the perfect fit to your beautiful frame oh the body of a goddess one of mythical dreams I'm far from any Monroe or Taylor or any of the glamorous stars you so mirror with such etiquette I'm the girl sat in a cashmere cardigan with chipped red nails, bitten to the skin no make up and bed head hair and I know that you are true to all these things too you're a person about personality not mere possessions you beauty is internal it glows like the diamonds you sing of stars in a sky of love grandma Dolly's leather backed bible hand written notes that carry your true worth family values knowing without them you'd be no where and here am I, as poor as a church mouse no worldly possessions just me, myself and I a heart my loyalty my love a love for you more vast than all land and oceans combined each dollar in your pocket couldn't account for the price of this love a chance for love is all I crave to love only you in every way I know how a tight hug, a light embrace a smile, a sparkle, a tickle of your thigh oh what a distant obsession you have become like a mist of Chanel Eau de Parfum so intense then fading into the background my sheets, soul and skin are still soaked in your scent but you've gone, and taken part of me with you leaving me broken, split in two but as one, not one with you.* © Sia Jane --- “Kiss me, and you will see how important I am.” Sylvia Plath
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the vein clasps mentor rr rr s exposed to coke AND mentos vehement contamination - - correction facility of the soul - pull-off / pull-over push-up - pedestrian, panicking, my map marks nothing in the nested rest-stop CASTLE, CASTLE correction facility of the soul
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Nov 24, 2013
Nov 24, 2013 at 12:42 PM UTC
FALLACY
Watch me closely, God, though you’ve seen it all before. I’ve got the universe up my sleeve and it’s itching for a sleight, if you’re willing to be conned. The stardust filling Aquarius has poured for countless millennia and it won’t brim the bottomless cup of your oceanic blues. That’s the warm-up for Lepus who, lean and polar-white, leaps out from my flipped-over cap and is chased by the steel-plied Orion’s hankering for roast hare. Hunger-driven this heaven hunter has a saggy belt; his sword’s tip drags, slicing Gemini in two, but twins can’t be parted long and divinely grasping Pollux clasps Castor’s pause anew. Conjoined, they bow together under showers of milky petals kissing no-longer furrowed brows till black velvet curtains fall and are followed by your eons of endearing applause.
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Nov 13, 2010
Nov 13, 2010 at 6:41 AM UTC
Glass you gave me is emptiful, The
The heat intensifies with my lonesome tendencies, and I fear palpitation from innocently brushing arms with a stranger. But when I find myself in a stranger’s bed (or a wineshop, a car, a park) the thrill is missing. I am a stereotype, a masochistic statistic. I am becoming the 20-something-sleeping-around-to-stave-off-boredom. I am an archetype that’s been romanticized to death. Save the romance, it’s greed and it’s hunger and it’s pure boredom. These men become gold. Thread after thread of secret affairs solidify into a piece of treasure, Like 14 karat chain necklaces that get tangled into an unfixable knot of links and claw clasps. I carry it in my strut and that is exciting. My walk is confidently direct at 3 in the morning. In the summer, when the heat is outside and not in my bed, I am unsatisfied. Yet when the promise of romance approaches, I allow myself to make poor decisions out of fear. So I make a different poor decision to get me through the next hour.
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Jul 12, 2013
Jul 12, 2013 at 4:00 AM UTC
warning: too much information