Submit your work, meet writers and drop the ads. Become a member
zebra Jun 2016
she came to me one day
the *****
beautiful like a girls choir
singing Latina L'Amour
moving her bottom
like a metronome

her ******* a cascade of kindness
that break the hearts of men
they die
for those
blouse muffins
her smooth legs and feet
made for *** art
lickity splits and ****** contortions
while her wiggly *** and ****
tell you
what heaven would be like
hips that sway  traffic
causing pile ups
and fender benders
and make good boys
hopeful about being chosen
perhaps anointed
and judged worthy
but alas  
turn good boys into
chronic *******-rs
in dim midnight closets
or trawling *** criminals

at the very sight of her
my soul buckled
i wanted her
like darkness
needs a lantern
like blood
needs cells

she looked at me
with ****** in her eyes
it would make my **** wet to hurt you
she said with a soft tremor
ill **** yours for hours
tongue toy
losange
gullets prey
girl food

will you earn your suffering
adore my goddess ***
and lick it **** and span
kiss my beautiful feet
with tender devotion
pray for cruel ***** abuse
be consumed
by ******* jaws
thrill me
love me
flood me
with blood
and ****
die for me
my love

as i looked into
her hollowed
desperate soul
so eager
and felt deeply her need
and loved her to tears
to broken hearts mend

to struggle with
the dark angle
unrequited love
to expunge
years of vacant stares
of nameless women
and empty beds
to forget foreboding
bath cabinets bereft
of girly things
like
lolly pop pink lipstick
cherry sherbet nail polish
lacquered hardened coats  
aerated perfumed clouds
of vanilla candies
and fashionable
demonic party masks
over black brooding mascara
on almond eyes
hiding hot embers
cool and staring hungry

while wrenched obsessive
for the feminine
that drag my soul
through long coffin
hollow gullies
that drive me
to invocations
of Hecate
sacrificial blood rituals
voodoo trances
god forms
and black art astrologers
who have the power
to move planets
through space
and change fates

oh so wrong
yet i must
for loves sake
say yes to her
yes to her for pleasures sake
even if in the end
i am left to moan
to howl at a blood moon
with in the confines
of her dark edged
appetite
ascending in sin
as she ***** me
like she hates me

yes my beloved
to vanquish numbness

she consoles
my willingness  
excites
i felt her adoration

be brave for me
she murmured
sadists are cowards
teach me surrender
you are glorious
in my clutches

i made my self ready
positioned my self
as per her instructions
face down
legs apart
on a bed of nails
happy in my pit
as she played
a whole lotta love
by led zeppelin
blood swollen ****
oozy
for her tender kisses
and brutal schemes

the masochists tao

to denigrate oneself
to kiss your goddess feet
to lick your perfect ****
to adore your prim rose ****
to taste your lips of fire
to tangle in your silky locks
to see your eyes a blaze
to drink your saliva nectar
to eat your crumbs
to lick your *** clean
to be beaten
to your satisfaction
to drown in your *******
to hold you close
to take pleasure
in your cruelty
to suffer for your delight
to be
the sacrificial lamb
to be a victim
in an ****** dream
with jaws and teeth

she took me inside
smiled  like a feral
lust twisted child
took out a
scalped handled knife
brushed it across
my tummy and *****
terror brewed
excitement struck
my **** got so hard
she grinned
and salivated
like a Satanic Cheshire
in bloom

she devoured ***** warm butter
as it poured in waves
into her black lipsticked
pink wet mouth temple

oh she said
i like it a lot
do you mind a small incision
my darling

mommy needs
a little taste of hell

her face shape shifted
into a warbled shadow
as she licked her lips
and tickled
her *******
with gooed fingers

cut me i implore
im in the mood
you sweet savage

she opened me slow
o o o o ooow
ooh the sting
don't stop i begged
loving her
voluptuous greed
as she covered me
with heavens kisses
eyes desperate
devouring
drenched through ******
and bestowed
upon me
eager  licks
that swoon
and savage wounds

she took charge
with curvilinear cutlery
she gave it to me hard
oooofff
then good again
aaahhh
then deep and threw
like a spoon through Crisco
a surgeon from hell house
oh so fun she said
she licked my ****
fingered my ***
****** my *****
frenetic
then stuck me with a fork
giggling
not done yet she mused
and then
required of me
that my tongue
obediently pay homage
to her naked mouth ****

i was the pig for slaughter
needles and knives
burned *******
bruised ****
a bleeding torn
pin cushion
eyes teared
back arched
torso writhing
cherry cheeks
blood gusher
her *******
and belly ****
soaked in my blood
commanded me to lick
my own pools
of red plush
for her amusement

a couple at play
in Satan's temple of lust
her face turned to mischief
in a demons trance
her soul
like hyenas
and clawed weasels
all trapped villeins

im done ****** around
with you she quipped
her **** on fire
like a burning house
she plunged a blade deep in my gut
her eyes wide and glaring
like blazing head lights
possessed by hell bats

oh my goddess
for you
over the summit
as i shuddered
arching in torment
curling into a ball
squirming
like a severed worm

her face contorted
with horrors fun
her **** pored forth
tremulous quivers
and hells
brimstone gasms
ecstatic

oh she drank my blood
****** my ****
with kaleidoscopic tongue
like a devils bride banshee
licked my *** clean
filthy *****
defaced me with a drooling ****
and brooding ****
strangled me with nylons
until my lips ran numb
until my tongue dragged
like a corpse in a car wreck
she  whimpered and cooed
suffocated me with her **** ***

stepped on my face
with feet i adore
chewed off my *****
a black mambas kisses
filled my mouth
with hot rocks
that melted my skull
oh cry to heaven
wheres Jesus
as i scummed
up-leaping

the  last words
i ever heard
*** you sure to kick a lot
im cu cu cu cu cu cu *******
for you blood boy
dead dead dead
floppy floppy head
**** like cherry pie
Ceida Uilyc Jul 2015
I could tell you,
But you’d laugh at me.
Because it is bare, raw and pure.
You gloat on the preservatives.
You discard the genuine.
Listen to me, my friend, there is a part of the world, where even a bulb is never, ever, witnessed in real, but reel of the sanskrit Cartoon slots. The peppy  and ‘lone B-grade Cartoons .
Filled with Flesh.
The stories of tantric mantras, with a sliver of diminishing hearth,
on the
Dimensions and depth of the Yoni in the resin of shellac
on the Immaculate ceremony,
In a woodpecker hole just underneath the sealed power of the Yakshini who truly screws it up if you have taste of her once.
the one who harbingers drunk loners of Kavadiyattom alley after 3:20 am.
She takes them to the crown chakra of palm trees.
Shows them the world.
she pushes them off the crown and the falcon falls in endless spirals of a inhuman push that pushes the concrete innards to a danlgling mass of amoebic copulation.
Breath comes back.
It is a big nauseating gag of Kumbhakarnan's long sadya that lasted for half a decade.
Of the soma saras that made the entire India go, ga-ga and believe they've seen the god.
But not one nor any saw the same face, colour, shape or even vibe of the god they had seen alone.
They agreed in unison that all their hallucinations of beautiful humans in Flower UFO s and high-tech cloning, were a vital hair in the nostril of the cosmos.
They made, each a god out of their genuine mix of memories.
Or in the, priest's ways,
Hence, the 2.3 Billion populous of the country had the same, well, odd Spiritual benefactors.

Keeping it all aside, lemme be honest, I'd follow many a fairy god-mother but give my milkey teeny tooth to the special one.
Hinduism tells you God is omnipresent.
Hinduism tells you God is within you.
It also says, there is no God.
The clipper to snap off the confusion of this, lies in the same cheap stained-yellow cliche of love. It entails everything. You, me, animals, plants, cosmos, vibes, thoughts, dreams and the universe.
It tells you to live with your body mind and soul.
From Kamasutras that teaches sense.
The excitement, control and breakthrough of it.
Like tao did under his exposed roof without the sacred dung of from Hindu Land.
This is the secret of a rumoured Mohini,
Of her 1000 per hour ******* during the her/ his/ its 352 incarnations.
which was the reason for Big bang.  
Amidst the sultry scant of the voluptuous *******,
Their skin,
a vernacular reflection of a dusk on the Japanese gold beaches, And the mounts,
firm and glowing with the rusty shade of pharaoh’s Gold anklet.
The gooey glaze of yesterday’s glamour in the wink of a gay galore.
Paulo Ceolho’s Holy Communion with God,
Or like the Japanese Tengaman says,
Or rather screams,
That all it it takes is a little *******.
So, yes.
That precise art of attaining a consciousness, from where your mind was
Afloat
Wild
Free
Satiated
By yourself
You’ve just consumed the essence of you
Your Ojhas
And the tiny matter that teaches the universe
Of a Shunya.
That, momentary sense of lapse of your body mass,
Or the breakthrough into your eye of the crown.
Only to join the mundane bustle of the 10,00 speakers on all four
JBLs, Boses and Pioneers live looping the zillions of sanskrit mantras under one roof.
In your Ear drum.
A synechdoche of the Gods and their jacuzzi of amphetamine bubbles.
Splashed from a white Elephant's bejewelled Snout, which has the
crowned ring in your pineals.
Secret lies under
the rotten bone chip of Hussain Sagar
deep under the ***** green lake,  
drowning the rainbow Buddha in the city of slimy immortal maggots on ham.
Open your eyes.
For the Gods will
Else
Cut your eyelids off
to show you that
the city's shardminds await you.
roaring
Playing close to the fire demons of Redland
A nail close to your wide open lid-less
White flowing eye.
Hear the city scream.
The deafening chaos,
In unison,
Intoxicating their venomous fruits
of the delirious worlds
Or simply put, divine prayer and offering
for
the Omnipotent,
Omniscient
And the
Om.
Shunya.
Or the cyclic abyss of meaninglessness.
But,
Like, the wilted azures
that seduced those flies,
From a far far away,
To come the praise the combs of their bellies,
Filled with the red from the omnipotent, dead, weak and evil
In one little fly belly.
They came from the
land called Lullaby.
To go there
from here,
But, first,
bear the Weasleys' infamous extendable ears and heed me now, for I say twice and See him Come.
The snake, the tangy smell of goated black rub and blueness.
Siva shouldn't come?
Not yet. A little DMT more in the brain and perhaps the spark will happen.
Better than the potions of those gigantic forest priests.
No, Heed me, now.

3 Dodos Walk-afar,
And, take the lone left-laden log
the one that is,
limitless Long
loyal and  let alone
By those
languors which
Killed
Lord Leopard Loot'.
While,
Lord's Lass
Lays lolled lambs,
Lolled ‘long le ******,
Leech on the laiden log,
leading to Lord Lava,
Yes.
The bridge of Casilii Po.

Of the Lord.
Guarded
By these bubbling bellies with a drop of the world's make.
Assassins.
the Fly, flies.

retain the scarification of theolden curse,
Older than the rocks underneath this gurgling lava,
On which reincarnation steams.

As destiny should have it,
the astrologers had seen,
3 centuries back
That at a Sphinx’s Wedding,
a war of Vision,
will break.
It will
Bring the Stars
Out of those melting blue nightsky of Neruda's wails;
And the diabolic estrangement inflicting Eagle,
From Meena’s vibes,
that rubbed of a distinct scent of Malabar embedding a little of everybody in the village,
on its Kasavu lines posing
at the focus
of Sahib's Ferguson or Baker.

The gold turned white.
A liquid white, like that of the sap,
For that,
***** on a parrot green rubber plant
And work your fun with the white gluey milk,
fragrant than the sap
Like the  Ylang Ylang buds freshly kissed by the drooly dew,
sealed away
elegantly in a crystal Indigo bottle by the pen stand.

One that glitters if you look at its surface, but smells of naphthalene ***** in the sink
in
that
creepy trailer in
mid salem night of the tut.
Colourful.
This is colorblind.

White is motile.
White is wriggling.
White is life.
With a **** of Eve’s fabric-less
Skin.
White is divinity
feeding you excess of everything,
With an tenfold over dosage injected intravenous, by a silver-haired-glow-in-the-dark-dodo-cupid;

She is divine.
**** Her.
**** her on a Pyre.
**** her innards on a fire.
inflame the bubble
of her her oily effluent you found on the toilet seat
Instil in her, the seed of your sodomic occult,
Not by compassion, but through a hiss and sting
of the
flawless venom of the diabolic.  
Then. Disinfect your fruit that you flicked off the paradise.
And bellow to the blowing gurgling below.  
A reign of ****  nihilism,
moaning the mood-swings-of-a-98-year-old-menopausing-Bhairavi of the Indian Aghora Tales;
And Shelly, fueled in his undiminished hearth with the help of his impetous West Wind,
dreaming lucid,
on a flight in the sky for one week,
with Lucy’s sewing  sequined buttocks,
Stinging their luminescent, lactating, lustrous skin,
Like a tatto machine, lifting rays into the epidermis
So that it roasts, burns a soot and neonifies the only colour
A shade of
The rave, rainbow-red karmas of human existence,
Its little greedy quantas waltzing around the matter
And of its unleashed illuminations
That fuel the same vessel in the universe,
infamously known as,
the
black hole.
Uggh!!
All characters and plots are fictitious.
Your nightmares are yours, not Caesar's.
This is truly the fruit of my insomnia. I have been awake 52 hours now. Had to rant the wakefulness out.
It is unedited. All those offended, I didn't mean it, you did.
BOOK I

     Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung above his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.

     Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since.  Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.

     It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep ***** tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!---though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:---O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."

     As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.---I am gone
Away from my own *****: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.---
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must---it must
Be of ripe progress---Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he ******'d
Utterance thus.---"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"---That word
Found way unto Olympus, and made quake
The rebel three.---Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.

     "This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.

     Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;---
Blazing Hyperion on his orbed fire
Still sat, still *****'d the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he---
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache.  His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,---
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came ***** upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.

     He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire?  It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.---
Fall!---No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."---
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might.  Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,---hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.---Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:---No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire.  I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.---This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:---I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:---
But thou canst.---Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.---To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."---
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.

BOOK II

Just at the self-same beat of Time's wide wings
Hyperion slid into the rustled air,
And Saturn gain'd with Thea that sad place
Where Cybele and the bruised Titans mourn'd.
It was a den where no insulting light
Could glimmer on their tears; where their own groans
They felt, but heard not, for the solid roar
Of thunderous waterfalls and torrents hoarse,
Pouring a constant bulk, uncertain where.
Crag jutting forth to crag, and rocks that seem'd
Ever as if just rising from a sleep,
Forehead to forehead held their monstrous horns;
And thus in thousand hugest phantasies
Made a fit roofing to this nest of woe.
Instead of thrones, hard flint they sat upon,
Couches of rugged stone, and slaty ridge
Stubborn'd with iron.  All were not assembled:
Some chain'd in torture, and some wandering.
Caus, and Gyges, and Briareus,
Ty
Bruised Orange Mar 2015
"Can Poetry Matter?"
by
Stephen Dobyns

Heart feels the time has come to compose lyric poetry.
No more storytelling for him. Oh, Moon, Heart writes,
sad wafer of the heart's distress. and then: Oh, Moon,
bright ******* of the heart's pleasure. Which is it,
is the moon happy or sad, ******* or wafer? He looks
from the window but the night is overcast. Oh, Cloud,
he writes, moody veil of the Moon's distress. And then,
Oh, Cloud, sweet scarf of the Moon's repose. Once more
Heart asks, Are clouds kindly or a bother, is the moon sad
or at rest? He calls scientists who tell him that the moon
is a dead piece of rock. He calls astrologers. One says
the moon means water. Another that it signifies oblivion.
The girl next door says the Moon means love. The nut
up the block says it proves Satan has us under his thumb.
Heart goes back to his notebooks. Oh, Moon,, he writes,
confusing orb meaning one thing or another. Heart feels
that his words lack conviction. Then he hits on a solution.
Oh, Moon, immense hyena of introverted motorboat.
Oh, Moon, upside down lamppost of barbershop quartet.
Heart takes his lines to a critic who tells him that the poet
is recounting a time as a toddler when he saw his father
kissing the baby-sitter at the family's cottage on a lake.
Obviously, the poem explains the poet's fear of water.
Heart is ecstatic. He rushes home to continue writing.
Oh, Cloud, raccoon cadaver of colored crayon, angel spittle
recast as foggy euphoria. Heart is swept up by the passion
of composition. Freed from the responsibility of content,
no nuance of nonsense can be denied him. Soon his poems
appear everywhere, while the critic writes essays elucidating
Heart's meaning. Jointly they form a sausage factory of poetry:
Heart supplying the pig snouts and ****** tissue of language
which the critic encloses in a thin membrane of explication.
Lyric poetry means teamwork, thinks Heart: a hog farm,
corn field, and two old dobbins pulling a buckboard of song.

(from Pallbearers Envying the One Who Rides, 1999)
I laughed hard at this.  Thought I'd share here. :-)
RAJ NANDY Dec 2018
Dedicated to all my Poet Friend, as I wish them a Merry Christmas & a Happy New Year - 2019 ! Kindly read the footnotes too. If you like it, do re-post this poem for wider circulation please! Thank You, - Raj

A BRIGHT STAR OVER BETHLEHEM !
             * By Raj Nandy
“We three kings of Orient are,
  Bearing gifts we travel afar;
  Field and fountain, moor and mountain, -
  Following the yonder star ! “
                               - A Christmas Carol.

Named Casper, Melchior, and Balthasar, - @
The Three Wise Men came from the East,
Travelling west guided by a Bright Star,
To seek out the child born under this lucky
Star ;
And to pay their homage and before him kneel,
For He was to become the Savior and King !
They brought Him precious gifts of Gold,
Frankincense, and Myrrh, -
Which were also symbolic gifts by far!
Precious Gold has been a gift for royalty always,
For the baby Jesus was to become the 'uncrowned
King' one day!
Frankincense as a soothing perfume was really
good ,
Which also symbolised His future priesthood !
Myrrh as an embalming ointment was being used,
By the ancient Egyptians as a preserving perfume ! #
This gift of Myrrh was like a breath of new life -
in the prevailing gloom;
While symbolising His sorrowing, suffering
and crucifixion;
And leading to His final resurrection, -
To save mankind from their sinful affliction!

So Friends, when you celebrate Christmas this
year,
Let us with love bring hope and good cheer!
And help to wipe out those sorrowing tears, -
By giving gifts to those destitute children
and bless,
Since we generally tend to forget them always!
And let our gifts become a true symbol, -
Of His kindness and love let them reflect and
resemble!
……………………………………………………………….......................
NOT­ES : - @ = One 8th Century AD Manuscript says that these Three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne !!
#MYRRH = was being used by the Egyptians during the 5th century BC, which they had obtained from Africa. It was used in incense, in perfumes, & in holy ointments; mostly for embalming , - signifying Jesus was to die for mankind ! Thanks for reading, – Raj.
           *ALL COPY RIGHTS WITH THE AUTHOR ONLY

,
RAJ NANDY Dec 2016
Dedicated to Ms Valsa George & my Poet Friend, as I wish them a Merry Christmas & a Happy New Year - 2017 !

A BRIGHT STAR OVER BETHLEHEM !
             * By Raj Nandy*
“We three kings of Orient are,
  Bearing gifts we travel afar;
  Field and fountain, moor and mountain, -
  Following the yonder star ! “
                               - A Christmas Carol.

Named Casper, Melchior, and Balthasar, - @
The Three Wise Men came from the East,
Traveling west guided by a Bright Star,
To seek out the child born under this lucky
Star ;
And to pay their homage and before him kneel,
For He was to become the Savior and King !
They brought Him precious gifts of Gold,
Frankincense, and Myrrh, -
Which were also symbolic gifts by far!
Precious Gold has been a gift for royalty always,
For the baby Jesus was to become the uncrowned
King one day!
Frankincense as a soothing perfume was really
good ,
Which also symbolized His future priesthood !
Myrrh as an embalming ointment was being used,
By the ancient Egyptians as a preserving perfume ! #
This gift of Myrrh was like a breath of new life -
in the prevailing gloom;
While symbolising His sorrowing, suffering
and crucifixion;
And leading to His final resurrection, -
To save mankind from their sinful affliction!

So Friends, when you celebrate Christmas this
year,
Let us with love bring hope and good cheer!
And help to wipe out those sorrowing tears, -
By giving gifts to those destitute children
and bless,
Since we generally tend to forget them always!
And let our gifts become a true symbol, -
HIS kindness and love let them reflect and
resemble!
………………………………………………………………...........................­¬..
NOTES : - @ = One 8th Century AD Manuscript says that these Three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne !!
#MYRRH = was being used by the Egyptians during the 5th century BC,
which they had obtained from Africa. It was used in incense, in perfumes, & in holy ointments; mostly for embalming , - signifying Jesus was to die for mankind ! Thanks for reading, – Raj.
,
Edit poem
RAJ NANDY Dec 2014
A BRIGHT STAR OVER BETHLEHEM!
* By Raj Nandy*

“We three kings of Orient are,
Bearing gifts we travel afar;
Field and fountain, moor and mountain, -
Following the yonder star ! “
- A Christmas Carol.

Named Casper, Melchior, and Balthasar, - @
The Three Wise Men came from the East,
Traveling west guided by a bright Star,
To seek out the child born under this lucky
Star ;
And to pay their homage and before him kneel,
For He was to become the Savior and King !
They brought Him precious gifts of Gold,
Frankincense, and Myrrh, -
Which were also symbolic gifts by far!
Precious Gold has been a gift for royalty always,
For the baby Jesus was to become the uncrowned
King one day!
Frankincense as a soothing perfume was really
good ,
Which also symbolized His future priesthood !
Myrrh as an embalming ointment was being used,
By the ancient Egyptians as a preserving perfume! #
This gift of Myrrh was like a breath of new life
in the prevailing gloom;
While symbolizing His sorrowing, suffering, and
crucifixion;
And leading to His final resurrection, -
To save mankind from their sinful affliction!

So Friends, when you celebrate Christmas this
year,
Let us with love bring hope and good cheer!
And help to wipe out those sorrowing tears, -
By giving gifts to those destitute children and
bless,
Since we generally tend to forget them always!
And let our gifts become a true symbol, -
HIS kindness and love let them reflect and
resemble!
………………………………………………………………...........................­...............

A Very Happy Christmas To All My Reader!
NOTES : - @ = One 8th Century AD manuscript says that these three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that
King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne!
#MYRRH = was being used by the Egyptians during the 5th century BC,
which they had obtained from Africa. It was used in incense, in perfumes , & in holy ointments; mostly for embalming ; - signifying Jesus was to die for mankind ! Thanks for reading, – Raj.
,
Rin Mar 2014
The horoscope says
We’re not meant to be that
Good friends is
All we ever could be
Apparently the air
Between us
Is highly conducive to
Failure in relationships
That romance
Between a Virgo and an Aquarius
Is as likely as getting a suntan
In the middle of *******
Winter.

Well, you know what?
Those astrologers
Can go ahead and kiss
My *** that you love so much
Because clearly they’ve got it
All ****** up
Like my hair after 8 PM
On Saturdays.

Why exactly does it matter
That I was born in August
A year after
You were born in January?
Is that why we don’t hold hands?
Is that why nobody knows
Including us
Exactly what the **** we are?
Is the planetary alignment
At the times of our birth
To blame for why
We could never
Have a proper date?

You see the reason
Why I’m all messed up is
Because I downloaded an app
And it told me that
It was being nice
When it said
We should just be friends.
And really
I shouldn’t care.
It’s just an app.
What does it matter?
And yes, it’s true
It doesn’t matter, still
I couldn’t help but wonder
If maybe
It’s not the only one
Who sees things
That way.
Wrote this a while back on my Tumblr. Just did a little editing, still not final though... I think. >_<
shaffu shafiq May 2016
I asked mountains where my love was
they replied find in the hill rocks
I asked forests where my love was
they replied go and find on the trees
I asked trees where my love was
they replied find in the bushes
I requested rivers where my love was
Its gurgling sound echoed and scared me
I looked upon a sky and heave a sigh of grief
It concealed it's face behind the puffy clouds
And being shedding it's tears and soaked me
I politely said astrologers where my love was
They said explore your love in the galaxy of stars
I humbly requested the stars where my love was
they replied your love was on the moon
its brightness predicted your love would meet soon
I asked the night where my love was
darkness of the night silently whispered me
Your love will be in the radiant light
I asked the sun where my love was
Sunshine slowly indicated your love would be your world
I asked the world where my love was
The world delightfully and gladly replied, follow me
My eyes brimming with full of tears
Wandering for my true & real love
I asked the nature where my love was
Nature welcomed me in a good mood
Your love was in the sunset and sunrise,the song of birds, their evening gatherings, the breeze that sways trees and the winds that blow your mind away
Nature Hold my hand and helped me walking on meadows,seashore of sea
Eventually i beseech to my GOD where my love was
GOD replied close your eyes,listen heart beats,Your True love was in your heart.

by shaffu.....
Love ....
Mateuš Conrad Aug 2016
as with any plaster work, or draping muscles and bones and
organs in skin - i knew i reached a zenith of some sort:
forever introspective, that chance momentum
that never reaches a museum of retrospective
finalised banalities -
and with that's happening in America,
i get a chance glimpse into that part of the world
so bogus, so *****-like, so haphazardly
put together - the chance to see the rats (artists)
jump ship and head to Tangiers, Paris, London
(for the pillars of the movement to come,
London especially, but might i suggest Edinburgh?
the capital of the offshoot that's to come
from Scandinavian novels?) -
i wouldn't suggest heading to Prague -
or Budapest - never to tourist hot-spots, obscurity is
what you need - Edinburgh out of season,
then the theatrical circus isn't there -
***** poetics: poncy monologues and Annabel
art-house flea markets... but that's the beauty,
flea markets in France, charity shops in England...
but i did exhaust this one musical avenue,
i dropped the ᚱᚢᚾᛖᛋ - it got boring after a while:
all that charged up mythological feeling -
the way we always wanted: myths to feel with,
to eat, rather than the sterile scientific facts...
i've learned enough to later ditch them,
even a Professor of Chemistry will have a postcard
of Edward Hopper's painting by his desk,
that window to view the world that doesn't
necessarily encompass sun moon and constellations...
how anyone would be foolish to scrub off
some inspiration from such things bemuses me,
the lowest of the low of poetic expressions is
sung to things that manage too much: the moon
and the sea tides, the sun and the seasons and
phototropism - it's a double edged sword...
only from one art to another do we get to see
our labourers of attention, else the same old deficit:
god... who in his glee took offence at anyone
having more awe-inspiring sense to please such
things... no alone can you master contemplating
both the beauty and the utilisation behind such
objects as a single man... however well...
it's impossible... you're sharing the bronze platform
with those that simply wrote of the shallow
beauty, and those that found these objects
were not simply aesthetic, but meaningful in
the machinery of things... it was never up to
us to find that electric genius of combining the aesthetics
with the machinery as one...
for in that sense god is a form as fraction
of 9/1, 8/1, 7/1, 6/1, 5/1, 4/1...
the fraction of wholeness... a complete set to start with...
man has already proved the limit as a fraction
with the base 3... 9/3, and that didn't really end well...
at best man is composed of a fraction base of 2...
by sharing the world through marriage to a woman,
or through a learned devotion, a crumb of what a woman
is, a philia (love) of his interests, a soloist voyage...
some just say: you will either take to being faithful
to philology and yourself as its devotee,
or you'll take up a wife... oddly enough chemists are
defilers of marriage having any purpose other than
to distract... but as i said: you can rarely write
decent things when trying to admire celestial spheres...
more ambition comes from the distraction of the zodiac
"prophets" and astrologers... a poem about the moon
is just a poem that is levelled with a poem
about a dustbin... but hey... Top Cat lives in the dustbin,
Neil Armstrong bopped along the lessened gravity
surface... but which is easier to acquire for a smile?
Benny... cue the violin theatrics of lamenting to a comic
end.
well... we have to juggle each other's impressions,
taking at hacking the raw meat will not give any of us
medium-rare barbecue steaks marinated...
taking the moon as something else is: nice...
and you know how nice things end up as... as tacky
suburban *******... if you're going to tackle the
thing with all the rawness... i'd first spend looking
looking at that thing of your attention in a graveyard...
just to get the feel to the idea: well... my fellow daisies
sniffed from the roots up would probably have
said something sulky similar.
but it's like that, you get to exhaust certain musical avenues...
i'm currently at a period where i have enough
stash of jazz records to rekindle my interest in it...
on today's menu? the real McCoy (McCoy Tyner,
Joe Henderson, Ron Carter and Elvin Flynn -
Flynn makes his mark, even though not the star
of the album, Art Blakey has a match) -
then onto the tragedy of Sonny Clark with his
cool struttin' alongside Art Farmer, Jackie McLean,
Paul Chambers and Philly Joe Jones...
i must admit that after watching the film whiplash
my ear-buds staged a coup to move from a certain
type of music into this... and even though
i already said that the climate in America at the moment
is very a second attempt at a Beat movement...
it's very much different... i guess jazz makes all the sense
in a pure urban environment...
jazz and urbanity, the hipster parties where wine flows
like poetry and people get to do their wild marijuana
******... but Bukowski changed everything
by bringing a taste of the classical into the scene...
it feels just like that these days...
there's no jazz on the radio...
going back to watches and radios, mono-utility things
that are the glamours of the inoffensive cluttering of a room...
no digital screen... the radio position at the back
of my head, behind me, the little fly-eye Rubik cube
ahead of me...
that's the odd thing with coming with jazz these days...
it's like Bukowski in the shadows of the beat movement
back when it was the beaten track...
so i said that jazz and urbanity are perfect partners...
well... take jazz from an urban environment and put it
in a outer-suburban environment, in a place
about 30 minute walk from farming fields with bulls
and horses... foxes the thieves rummaging in people's
trash... and... as classical music took to
teaching us the language of celestial bodies,
Holst... in this kind of environment jazz does the same...
jazz becomes equal to classical music with celestial
bodies... i'm just wondering if there are enough
instruments to arrange the solar system...
Mercury the Trumpet...
         Venus the Double Bass
Earth the Piano
                       Mars the Drums
Jupiter the Tenor Sax                                   (comparatively,
                Saturn the Soprano Sax                using a Holst
                                                           ­        schematic, the reverse,
                                             yet citing Jupiter, not as a planet,
                                           well, the bellowing voice of paternal fury)
Uranus the Clarinet
                                           (takes sheer magic to play that thing)
so that just leaves us with an Neptune as either
   Alto Sax or Trombone...
but that's how jazz morphed since it last came across
poetry... someone stole it from its urban environment
of busy streets and ugly manners and quick quick snappy
and the millionth time i could compare it to a spontaneous
encounter with someone in a bar... jazz lost its cool there...
people said the same thing about jazz
as Kaiser Joseph II did of Mozart... "too many notes"...
translate this urbanity into an outer-suburban environment
and put it against that kind of backdrop?
well... personally, there are just enough notes in each piece...
you looked outside the window? you could hear
a **** from a mile away and no tree would even sway
in nodding approval even with a galeforce wind slapping
them... jazz lost its synchronisation with the urban environment
it emerged from... but in so doing, it managed to mature
like good wine on the outskirts of large cities,
where it literally became the only thing that could ably
make a Kandinsky moment from semi-detached houses.
NEWSFLASH... what is this concern about art being
subjective? i don't see where these arguments go...
i thought art was about revealing the intimate,
not revealing the objective shallows of a method...
of limited scope like any philosophical systematisation...
if Christopher Columbus ever did things
objectively he might have discovered Lisbon or the Canary Islands...
art can't be objective... trying to argue that art is
"only a subjective" expression... well, if it was to be
a "greater" expression objectively, an artist would
walk into an art gallery, take all the paintings from
the canvases, and turn to the public and say:
now let's see your subjectivity, otherwise go ponce
off the art critics to take something they said to your
date about how: the light contorts the features of expressions
blah blah blah blah blah... the point of art being
superior as a subjective vehicle is so that i can feel someone
else's feelings... as opposed to thinking someone else's thoughts...
art is the sensual, not the premeditated dogmatic funeral -
which all philosophers attend: they're objective to the
point that they're afraid of having a personal attachment
to their outputs - they will hardly ever want to invite
a criticism of their objectivity, because they're such emotional
paupers - they fear criticism of their subjectivity to such
a point, that you can simply look at their pronoun usage
strategy, they really do use these words like kings -
but when Mozart is criticised by the Kaiser... he thought
nothing of it... he actually thought, nothing of it,
perhaps his vanity was wounded, but his virtue wasn't...
which is why he remains with us...
for the fatal wound incurred is not that of virtue,
but that of vanity... and true virtue is unafraid of criticism,
there's this cognitive blockage that enriches the
heart and leaves the mind blank... the sort of blank
that accommodates the Pyramid of Vanity:
bishops, priests, doctors, kings, queens, portrait artists,
Versailles... such things are so ****** void of anything
but scare-mongers, sycophants, leeches and finally tourists...
for whatever you take from the realm of Hades,
there's a stamp-duty on each precious element from that
realm... each thing is stamped: worthless...
you couldn't extract penicillin from Hades...
changing gold into a ring is worthless if such symbolism
of a union of monogamy end with the ring being
nothing more than a thing disputed over the divorce settlement.
One dreary September day
Emperor Manuel Komninos
felt his death was near.
The court astrologers -bribed, of course- went on babbling
about how many years he still had to live.
But while they were having their say,
he remebered an old religious custom
and ordered ecclesiastical vestments
to be brought from a monastery,
and he put them on, glad to assume
the modest image of a priest or monk.

Happy all those who believe,
and like Emperor Manuel end their lives
dressed modestly in their faith.
Lunar Feb 2017
they say men are from Mars
and women are from Venus
but i wonder what takes so long
for us to cross paths
perhaps
it's what the astronomers tried to declare
that Mars and Venus never does
and will never intersect orbits
with millions of miles in between them
or what the astrologers tried to foretell
that a love unknown as a nameless star
can never really shine in the first place
because of the thousands of miles between us
but even if it takes an infinity of time or space
for us to reach one another
i would still stay and wait
by your side, i will hover
what matters for now is
i found you
amidst many others
i saw you
even in the dark
and i love you so
hi there! i havent written in a while for a friend!!
this time, here's one for esther my egg **** and her mingyudon boy **

fun facts i discovered as i wrote this:
- venus is also called the morning star/evening star; it's the brightest in the night sky after the moon!!
- mars has the tallest mountains in the entire solar system despite being the second smallest planet (TOL LIKE KMG)
- venus is love venus is beauty (obviously like esther<3)
- pieces of mars have fallen on earth
- venus is the hottest planet in the SS
- mars will have a ring one day (wedding ring or?????teehee)
jonni inferno Apr 2018
Astrologers
their readings ruptured
now run around
in panic-stricken circles

How can this be ?!!?
What shall we do ?!!?
Ceres is Gone !!
Now Pluto too !!
Who shall be next ??!!??
Jupiter ??
Neptune ??

Alas
We know their plans
and they've been confirmed

- No -
it's not Saturn...
- sshhh -
Be quiet now
- Please -
Do Not Squirm
They only want
Uranus

Yes
Uranus
from a planet
to a planetoid
and if they keep going
a lowly
ghastly
asteroid


pic/poem
http://oi63.tinypic.com/9suo01.jpg
just a comedic finish to "Pluto, Thou Hast Fallen"
included the link to the pic/poem at the end
Marshall Gass Apr 2014
The endless sands bulging over and breaking
in undulating form
shifting in the winds language of low wolf whistles
and sensual whispers
stretches as far as the minds elasticity
into a sheltered cove where sits,
a desert prophet dreaming of strange rituals
in the mirage of waters and wastelands.

Come time and temperament he will rise
in the chill night to gaze upon the stars
moving within the spangled galaxies
between The Milky Way and Cassopeia,Andromeda,
with  Sirius suns rising in a another world
where secrets lay buried in the papyrus
of ancient astrologers who understood
how the earth was born and
other peoples left their mark
for a discovery  of millennium  future.

The prophet was here once.
Twelve feet tall and striding
between giant obelisks and pyramids
walking oceans, crossing land bridges
and land masses escorting
his forbears to seed the earth.

"I will return in time
ten thousand years after the Aztecs
Machu Pichu, Indus and Empires
built on carved  gods and seven headed hydra,
to rule again unquestioned, as before. Think.
Till then -leave what I have left behind
for you to caretake. Stay still.  Understand.

Author Notes
Return?
© Marshall Gass. All rights reserved, a month ago
Jeremy Duff Aug 2013
~

Today, a family friend marveled at how much I remind him of my father.
You must understand how much this scared me.
Nothing scares me more than addiction,
yet I perpetually submit myself to addictive behavior, substances, feelings.

These holes I've been digging cannot be dug forever.
There is a bottom and that is excommunication, prison, death.
No person will dig me out,
no person can.

The clock may move slower
after I use this,
and it may move quicker
after I use this.
It doesn't matter to me,
as long as moves in a way other than it does in sobriety.

The sun will rise and the sun will set,
all according to plan.
For hundreds of years into the future
astrologers have predicted at what time which stars
can be seen from certain locations on Earth.
Yet I do not know where I will be tomorrow.
I do not know who will be with me.
I do not know if my father will still love me,
or if we will still share a home, a family, blood.
Mateuš Conrad Apr 2018
/if there is but one use for Freudian theoretics, for a man who has jargon for dreams, or a man who rarely summons a need to dream, for a man who does not have the luxury of a dream worth interpretation, for a man who has not dreamt a recurring dream...

it is far easier to summon
a woman, within the hour,
to the confines of a brothel
room,
    unshackeling her
from the vengence of
artimesia and binding her
to: breaking the sacred
taboo of swallowing
a kiss...
      
        than it will ever be...
to summon a woman to the liberty
of equal fortitude in
playing the role of atom,
  father, son, brother...
      
far sooner a woman from a *****
comes, than a woman
from the ivory tower, cold cut
marble, halo labyrinth,
spotless "madonna"...

   for whatever the need for Freud these
days, i am adamant on
this one church gong echo...
   that Hades could only shed tears
when Cerberus died,
and Charon replaced him in
claustrophobic confines of deity...

after the wake, having slyly laughed
at my great-grandmother's funeral,
i gnashed my teeth hard enough
to scrub off a chip off my incisor,
and toyed with a red rose,
tickling it with a candleflame,
until i, managed to persuade
a bozo cardinal to step into a role
of a humble bishop,
    attired in a rare hue of burgundy,
namely a blood-purple
      mishap of what would otherwise
become: that glaring,  ******* red
of those would-be Kippah donning
Vatican mafiosos...

however much the tedium of a German
thinker, as far removed he might have
been from the airy fairy pancake square-i.e.i.e.  
starry ******* stay-ree?
    squack-diddly- a ******* toobah boo -
Belshezar receiving the paranormal
scribble in Timbaktu?
     squarry... rhombus... alias:
   some sort of etching resembling 90 x 4...

nonetheless: even the most tedious german
thinker.... will be more fathomable
to me, in techniqlaity over style,
over the hot-air balloon contra
zeppelin London bombardment of
french thinkers...
          
          as ever: building on national
stereotypes...
                       sure, had I been native geboren
und spreschen...
the French would appeal to me...
as novelists? hands down...
      no tin drum (perhaps
due to the eng'flush)...
                  or suma summarum
ping (cogito) | pong (sum)
                       Thai for:
**** 'ou lon' thai'm,
                       and then the *******
juggle and gamble
asking for a new version of
the niqab to, expose
the feminine parts...
     chubby Arab mama's hands...
who d' pretty niqab fwend eye
if not rottweiler hazel...
   swarovsky inorganic crystal
blue... hence the Madonna
and the halo labyrinth...

   far easier to stomach the tedium
of a German technician,
than a fence-tinkerer...
   namely gilles deleuze
                      and félix guattari,
since no one is about to call
out names,
   the western plague of premature
depression...
   ontologically old age is predisposed
to melancholy...
    the joy of building a home,
and the sadness, of settling in it
up in completion,
   but depression, and so early?
synthetic, unnatural,
                            cognitive malnutrition.

far easier to summon a woman
from the depth of prostitution,
than it is to summon a woman
from the height of the ****** birth,
and countless the number of
ways a woman can show her honesty,
than act out a juggling act...
how close am i to the materialistic
reading of Oedipus,
   by prodingoutside
              the siamese gene pool?

not far from the mantra of the mantis:
to stand a woman,
a man must disappear...
    hence the madonna reign...

monogamy among animals is more
mysterious than the thought
of god in man...
                   each to his harem and
a pound of flesh each night, thoroughly
funfaired...

      a woman from the depths
of prostitution, even if for an hour...
    it's enough that I have to stand my own
thinking, let alone
            to act in devistion from it...
that I'd have to submerge beneath
   the caucus of agony aunts and astrologers
to amplify,
    what remains,
     otherwise hidden,
   an executioner's transaction...
                    as the remnant daughters
toy the nest.

perhaps this is all but a puritanical
cleft of exhausting youthful swoons prior
to the plunge into responsibility...
     odd... i don't seem to recall ever
signing a contract,
     whereby I,  as an "individual" stressed,
was somehow to rationalise
the efforts of the collective in continuum,
who, somehow, magically found
Genesis Africa...
      but... somehow... can't tell me...
whereabouts, that Dodo Rock actually
fell and made such a great indentation...
dunno... maybe Sahara was
a great mountain range akin to
the Himalayas, given the transition
period of:

Himalayas - Dead Horse, Utah - Sahara.
alex kennedy May 2014
What is the use of dipping your finger tips into someones heart
before you have melted your skin into the oceans of the world?
why would you lose yourself in someones eyes when you could
float in between the waters horizon and the dawn of the atmosphere?

Can you love someone when the soles of your shoes have been worn to voids
or do you have to wait for your human soul to be stripped of every meaning as well?

Because I have been running endlessly to catch a glimpse of your life
and its broken my heart and torn my shoes.

life is too long to spend your days asleep and then pretending you
blinked to find yourself lonely in routine.

And that is why I do not waste a second walking to the parking lot to
get your wallet. Instead I run.
Because i can travel the world and i can grab
the soil of a thousand different mahogany lands
but I will always find my hands
guiding themselves through the dark back to your body.

life is too long to spend your days asleep and then pretending you
blinked to find yourself lost in a future that came to soon.

And that is why I spend no time asleep. Instead of watching the sunrise
I watch you begin to wake up because because the sun does not rise
until you smile for the first time at 8 thirty AM.

The only travel I need is that of the vibrations of your laugh sailing from
your lips only to vanish into the memories I have kept so well in my mind.
The winds of the world could never whisper
sweeter things than you could on a drunken,
sleep deprived night.

I do not have to wait for the night time so I can wish on stars with you.
Partially because I have nothing to wish for,
as every lover would say.
but mostly because if I connected your freckles to your goosebumps
I would have the entire constellation mapped out on your body.
And unlike stars Your love doesn't fall.

I do not need astrologers to look deeply into the sky to let me know
that you are the one.
Because I am a palm reader and when your hand is embedded in mine
the only thing i know is that you are my entire world.
this is basically starting out with someone believing you cant fall in love with a person when there are so many places to go and people to see. As the poem keeps going the person grows older and understands that love is when everything you could experience and everyone you could meet in the world is that one person.
ok Dec 2014
When I climbed into his bed, all of my joints popped simultaneously
(he said it was the loneliest, prettiest song he'd ever heard, and I told him the orchestra was just tired, but that's another story for another poem),
my hollow bones trembles, pressurized into diamonds.

Every particle of our beings is recycled stardust,
and astrologers recorded our flesh as a newly discovered zodiac sign.
I always write about constellations because somehow humans have found a way to connect giant ***** of fire that are literally galaxies away from each other and create art.

*That should tell you everything you need to know about mankind.
We human beings are seeking Enlightenment

But we live and die in the dark

The myth makes us scared of a lizard

Instead of fearing the shark



It's sad that we are taught lies

And our mind is full of junk

It's time for the Intellect to make the monkey mind

Into a silent, tamed monk



But how do we doubt our parents and teachers...

Who taught us all that we know?

How can we believe that this world is not real...

It's just a cosmic show



For years we have followed our religion

And believed in what scriptures tell

Suddenly to change our belief is tough

That there is no heaven and hell



What is the Truth, what is the myth...

How will we get to know?

Until we ask questions and investigate

Through Life, we will just flow



We are taught to chase money and success

And that the Goal of Life is Achievement

We live and die without realizing

That the Goal of Life is Enlightenment



Throughout Life we chase pleasures

And to become happy, we try to be

We never realize the Truth that happiness

Is within and then from misery we are free



Money can buy medicines and a bed

And it can buy a diamond ring

But money cannot give us health and sleep

True Love it cannot bring



So, throughout Life we believe in the myth

We never learn the Truth

We live and die with ignorance

Not getting to the bottom of the root



We try to be Happy in a tomorrow

A tomorrow that is not yet born

And we live with the miseries of yesterday

A past that is forever gone



We believe in astrologers and palmists

And like fools show them the lines on our hand

We don't realize that everything is controlled

By a Supreme Power beyond our land



We live and die with ignorance

Thinking we are the body, ego and mind

But the Truth is that we are the Divine Soul

This Realization, when will we find?



We come with nothing, we will go with nothing..

This Truth, don't you know?

Enlightenment will open your 'real' eyes

To realize everything is just a show





Then, the myth makes us celebrate our birthday

With balloons, candles and a cake

The Truth, we were conceived nine months prior

To this Truth, when will we awake?



We think God lives in a distant heaven

He is made of blood, bone and skin

That is a myth, the Truth is this

God is the Power within



Doesn't each human being on earth say with pride...

'I am Roger, Steve or John'?

These are just names, when will we realize

One day, this body will be gone!



Some of us believe in the Law of Action

Everything is controlled by our deed

Do we believe in the myth...

That we can get mangoes with an apple seed?



Then, why do we believe the Law of Attraction...

That we can manifest all we Dream?

When will we realize, not attraction, but action...

A Team and Scheme will fulfil our Dream



We believe the myth that our mind is king

And we trust it can do anything

When will we realize it is the biggest enemy...

That throughout life does misery bring!



Isn't it true that we will die?

Death is certain for all who are born

Some of us believe we are this body

But at death, we depart, we are gone?





Then, we believe that after death

To a distant heaven we will go

We ourselves destroy the body of our loved one

Then to God, who will go?



We haven't understood death, have we?

The myth of death makes us live with fear

The loss of all that we own and the beyond, unknown

Makes us shiver, year after year



Why do bad things happen to good people?

This question our ignorance does ask

Bad things can't happen to good people

Everything is happening as per our task



Then, we blame God as being cruel

And say that He is unjust, unkind

This is sheer ignorance my friend

It is a trick of our monkey mind



It believes that good deeds will take us to heaven

But think, who will go there?

The body at death has become dust

And the one who died, is where?



Of course, we have to pay for our actions

For every good deed and sin

When we realize the Truth of Rebirth

Then, this battle of Life we win!



But we just live with ignorance

Thinking bad thoughts will control our

Life It is not bad thoughts, but actions

That we do to our friends or our wife





And so, we pray to our Heavenly Father To

forgive us for our bad deeds

When will we realize the law he made?

Everything grows as the planted seeds



The Truth is simple, it can be learnt

If we transcend the ego and mind

But first we must discard the fairy tales we learnt

Then Enlightenment we will find



For years we are taught this story

That God lives in a temple or church

We live and die with the ignorance

But for God we never search



We think God is a statue or picture

Who has a name and a form

We don't realize that God is the Supreme Power

He is immortal, He never dies, nor is ever born



But because we are taught with prayer

To God we can go

We continue to fold our hands at pilgrimages

Through life we flow, we don't grow



Is there a way to find God?

This Truth we never find

We just live as slaves of our ego

And our rascal monkey mind



Because we just believe everything

We are taught and we are told

To the myth and the superstitions of this world

And to the rituals we are sold



Religion is good, it teaches us basics

But it's just a kindergarten, it's where we start

If we want to realize God

We need Spirituality that will take us to the last



Spirituality is the way to realize God

To realize the Power in our heart

To realize we are ourselves that Supreme Power

And with the Power we will unite, when we depart



But as long as we believe that our ancestors are alive

In some heaven far away from earth

We will not realize the mind and ego

Will return to earth in a rebirth



Why do we believe in the fairy tales?

Stories that preach suffering of the Soul

To realize that the Soul is the Supreme Power

Is our life's ultimate Goal



But we are taught about good Souls and bad Souls

We don't realize we are all one

Our bodies and mind are different

But our Soul is the Power of the sun



There is one Power that controls everything

The Supreme Immortal Power

But until we overcome our ignorance

The Truth we will not discover



Have you ever stopped to realize...

What is the purpose of life?

When you do, you will be free from all misery

And the triple suffering that causes you strife



The past is gone, you can't change it

But you can change Life from now

Go in quest and realize the Truth

Today, take this solemn vow



Let go of the fairy tales, the myth and the lies

And realize the Truth of this show

We are just actors, this earth is a stage

We just come and we must go



Before we go, let us overcome the myth

Let us transcend the ego and mind

Then, we will attain our ultimate Goal

Within, our GOD we will find



And if we don't realize the Truth, then what?

One day we will die on earth

Then we will return again and again

As we suffer in a Rebirth



Those who realize the Truth of Life

That they are not the ego, body and mind

They are free from all misery

Everlasting Bliss and Peace they find
Paul Hansford Aug 2016
They weren't kings really, those other visitors. The chaps that wrote the story down (and that was years after), they knew it, called them "wise men". Don't know where the "king" idea came from. Wizards, more like, astrologers even. Maybe there's something in that astrology stuff, but they were nearly a fortnight late. We were there at the birth, well, pretty soon after.

I don't know about angels. There was a light, like a star had exploded or something, but angels? We may have said so at the time; I'm not sure now. We'd gone into the village, some of us, looking for a drink and a change of company, but perhaps it was too late. Or perhaps it was just that the village was full of ­strangers claiming a royal ancestor. Pity they were all so ordinary.

But then we heard this baby, a real new one, in a cow-shed, with a pitiful little cry on him, and we went to have a peep. We had a lamb with us. Nothing unusual about that; he was only just weaned, and his mum had kicked him out, so we were keeping him warm. Lovely little chap he was, not a mark on him, just the kind for an offering in the temple. So when we saw the mum and dad so worried and lost-looking, and that scrap of a baby, well, they needed all the luck they could get. I suppose that was why we gave them the lamb.

But this is the bit that still scares me. When the baby saw the lamb he stopped  crying, and he looked ... peaceful. Wise. Only sad too, almost as if he knew what the lamb was in for. And - you'll say I was imagining it, but I know sheep, and I know what I saw - the lamb looked back at him the same. I've never seen that expression on a sheep again, and I've looked for it, believe me. It was almost as if he knew, too.
If it doesn't seem too pretentious of me, this was planned as a kind of counterpart to Eliot's "Journey of the Magi".  It was intended to be a poem, but insisted on coming out as prose, and I didn't want to chop up the lines just to make it look like a poem.
Solitude Man Dec 2018
even love, a faded meaning
the uneven skill; bludgeoning the compass
a longing, a thirst for fortress in the prodigal past
always seems to swim so shallow

an even meaning when roses die
a shadow walking ground, a skeleton in the earth
leaning on its symbiotic ecstasy;
frail and ephemeral dipped in a sea of ash  

when paradise keel's over in sea
awake in this lucid dream
let loose of the pipe
lest you breath as love

a silent lips for astrologers, even a tombstone for gazers
blood streaming down the crown;
never to grow rose
love is the soil.
Niesha Radovanic Feb 2019
My room is the universe.
Big and bright.
The door wide open to all the possibilities.
Music blaring as loud as The Big Bang.
I lose myself in this vast space.
When I jump on my bed I can reach the stars.
Grasping on to all the positive energy dancing in the air.
The clock ticking through 1:11 reminding me,
to welcome abundance into my life.
The window open, blowing in the strong breeze.
I can hear the animals sing love songs to the sunrise.
Astrologers footprints on the welcome mat.
They traveled through this galaxy before.
Warm compliments bouncing off the solar systems,
painted on the walls.
The moon's glow beams off the mirror
inspiring us to look for shooting stars every night.
We lye down on the soft milky way carpet.
Where we share our wishes in between passes
of a trip to outer space.
Astrologers footprints on the exit mat.
They traveled galaxies to get home.
And I stayed a constellation in my room.
Maria Mitea Apr 2021
that's right, I like rats.
I like them because they're not fussy
They don't turn their nose and they eat anything:
they don”t wonder if it's healthy, organic, ...

- They're not like moths either,
eating only furs, wool, natural silk,
rats eat plastic or chew gum,
the incisors grind
without grinding their teeth
during the day,
or at night,

- they adapt  easily in any home,
it doesn't have to be luxurious,
in the country or in the city,

- when moving to a new home
the first thing they do, - they multiply as quickly as possible,
conquering new territories,… they are many, "where there are many… there are many"

- I really admire rat women,
after giving birth seven times a year, the males abandon them
without leaving a note, a letter or alimony,
and they become  strong, durable, ready for the hole life,

- I also admire the intelligence of the rat male
they understood well how not to turn nature into whining,
"what doesn't **** you strengthens you"

- it is fascinating how the large one are the heads on sewers and basements,
and the little one are the bosses on ceilings and roofs,

- roof rats are named climbers,
astrologers, looking at the stars and moon,
writing poems,
composing music,
cooking like Ratatouille,  climbing,
climbing now, as you read,
climbing on the window of your room,

this is it, not my fault that I like rats
because they're not fussy,…
Bob B Feb 2020
Shadow is a scaredy-cat,
His tough appearance a masquerade.
It takes little to scare him, for even
His own shadow makes him afraid.

Loud noises terrify him.
The telephone rings, a door slams,
A horn honks, fireworks go off,
The vacuum roars and Shadow scrams.

When guests come to pay a visit,
As soon as Shadow hears the sound
Of a knock on the door or the ring of the doorbell,
The scaredy-cat's nowhere to be found.

Under a bed, behind a couch,
Deep in the closet--out of sight--
Shadow waits in the grip of panic,
His green eyes open wide with fright.

One would think that by this time
Shadow's fears would be subsiding.
However, as long as he hears strange voices,
He remains in his places of hiding.

As soon as guests have left the house,
Shadow appears, looking as though
He's saying to his insensitive masters,
"Why do you have to torment me so?"

Whatever is out of the ordinary
To Shadow is an impending threat.
Imagine the pandemonium
Whenever he has to see the vet.

Nobody knows why Shadow's so fearful.
Deep in his past was something traumatic?
His doctor can't begin to explain
Why his behavior is so erratic.

Who can fathom the mind of a cat?
Something frightening must have spooked him.
The sad effects of a horrible nightmare?
Had someone long ago harshly rebuked him?

Astrologers looked at his birth chart to find
What could have caused his alarming neurosis.
“Mercury square Saturn,” they said,
And then they recommended hypnosis.

A Tarot card reader saw the Hermit
And the Eight of Swords, both reversed,
Flanked by the Moon and the Nine of Wands.
“My goodness!” she cried. “The poor cat’s cursed!”

A local preacher dropped by and said,
“I can pray this problem away.”
He then proceeded to speak in tongues.
It didn’t work, needless to say.

If you have a list of suggestions,
Do him a favor and check your list.
If Shadow is going to shake off his fears,
He's going to need a therapist.

-by Bob B (2-1-20)
Babatunde Raimi May 2020
Your glossiness; amplified by sunlight
With a distinctive smell
You are curvaciously curvacious
Full of life and robust energy
If I decide to open the crest
Please tell me, how much gold?
Tell me, how much?

Dorning luminous colours
That seperates you from the multitude
Save for the blind, none can miss your presence
Heralded by a strong and seductive fragrance
Surely; I think, you were created on a Sunday
After God rested on Monday

Astrologers follows the stars
For me and my everything, I choose you
Like a beacon to an Airplane
Your firm rounded headlights;
They are my longitude and latitude
Sending strong signals to my temple
And if you say "No", I'll die...

This is not about your "Tembe"
I just want to be lost in your world
And be the co-pilot if your plane
Hence I choose to disrupt tradition
Why kneel, with a precious ornament
When I can do it poetically
With poweful lines woven specially for you

Your real gloss is inately in you
Not in Mary Kay or Estee Lauder
I can't guarantee you heaven on earth
Nor all the precious ornaments in Kano
But what I promise you with my life
Is a lifetime of love and friendship

This is where it gets tricky
With every courage I can muster
Backed by the backing of the Backer
With a glow of pride and responsibility
And on this very special date
I ask poetically, will you marry me?
Just say "Yes", please!

— The End —