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"ars" poems
i've moved past my belief in the Christian trinity... for me... the meditation stands on the pivot of the following translation the hexagon, start of david - which translates as the Holy Ghost - which denotes a congregation... the pentagon? of the befitting analogy to the five senses... the "son of man" - or simply... the myopia of man having to excavate the sixth sense using telescopes, microscopes, the like... and, finally? on a hand of five extensions, there are four... the square...   Y                    H             ⠁⠑                     read clockwise                                       like English traffic H                     W            on a roundabout. which? denotes the father...     if the Hebrews "think" they can hide their vowels?    the Latin answer is...    to interpolate Braille into their language...        and Emperor Nero would have appreciated it... whether with, or without the Byzantine propaganda machinery of the nevus testamentum... and it wasn't a propagandist piece?     how much longer did the eastern Empire, outlive the Western empire, when the onslaught by the Ottoman's reached                   Constantinople?! the Greek were craving a cultural revival!         they believed the Romans to have origins in Troy! they plaid the weakest cultural card of Judaism, revamping it into Christianity... hell... that's what i believe... and i'm not about to meet a Jehovah's Witness propagandist, or some aged Pakistani citing the Quran on a park bench...   or some Scientologist on Oxford St. with his wacky machine...   or some pseudo Hare Krishna monk with a book about some guru, pushing it like marijuana...    to change my mind on what i'm digesting! plus?   ⠽                   ⠓               Æ                  ( read anti-clockwise)                                             ⠓                    ⠺ fits in perfectly into the Adam and Eve narrative - as with all mythology - given the extent of time...     nuance, metaphor... abbreviation...                    ars poetica!
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Aug 19, 2018
Aug 19, 2018 at 8:32 PM UTC
Y⠁HW⠑H
i've moved past my belief in the Christian trinity... for me... the meditation stands on the pivot of the following translation the hexagon, start of david - which translates as the Holy Ghost - which denotes a congregation... the pentagon? of the befitting analogy to the five senses... the "son of man" - or simply... the myopia of man having to excavate the sixth sense using telescopes, microscopes, the like... and, finally? on a hand of five extensions, there are four... the square...   Y                    H             ⠁⠑                     read clockwise                                       like English traffic H                     W            on a roundabout. which? denotes the father...     if the Hebrews "think" they can hide their vowels?    the Latin answer is...    to interpolate Braille into their language...        and Emperor Nero would have appreciated it... whether with, or without the Byzantine propaganda machinery of the nevus testamentum... and it wasn't a propagandist piece?     how much longer did the eastern Empire, outlive the Western empire, when the onslaught by the Ottoman's reached                   Constantinople?! the Greek were craving a cultural revival!         they believed the Romans to have origins in Troy! they plaid the weakest cultural card of Judaism, revamping it into Christianity... hell... that's what i believe... and i'm not about to meet a Jehovah's Witness propagandist, or some aged Pakistani citing the Quran on a park bench...   or some Scientologist on Oxford St. with his wacky machine...   or some pseudo Hare Krishna monk with a book about some guru, pushing it like marijuana...    to change my mind on what i'm digesting! plus?   ⠽                   ⠓               Æ                  ( read anti-clockwise)                                             ⠓                    ⠺ fits in perfectly into the Adam and Eve narrative - as with all mythology - given the extent of time...     nuance, metaphor... abbreviation...                    ars poetica!
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81
it is like the many nights sleepless intone of light on the tiled floor and surreptitiously under the influence wringing out poems while looking at 8th and 7th street fondling darkness like virgins on the absolute a mutiny of dead cigar butts on the corner as "kuya Louie" passes by with a wrench half-drunk with "Emperador" half-mad with ars poetica. other sense of self somewhere brash and brazen awash with modern sensibilities as this night deepens whiter like the color of new bones to fledgling movements, just like any other night.
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Sep 21, 2015
Sep 21, 2015 at 1:48 AM UTC
Barangay 187, 8th & 7th
A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown— A poem should be wordless As the flight of birds. * A poem should be motionless in time As the moon climbs, Leaving, as the moon releases Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind— A poem should be motionless in time As the moon climbs. * A poem should be equal to: Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea— A poem should not mean But be.
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3.5k
Ars Poetica
Once upon a Time there lived a peasant whose poems were whisperings of nature. Nature aims toward growth, abundance and decays softly back to succulent soils. My homeland is not for your feet to step upon, you belong to surrealistic cynicism. My psychedelia does not approve of horrors mundi and skips on every third classical tune. What was impulsively chosen, can be a mistake in pompous rituals on established compilations. Apologies, for all the misdeeds lacking a true appearances. You implied my life is a great lie. No, it's not! Sometimes it is a knotted charade, noose chameleon dreams wanting to create in Castles build upon puffy clouds, youthful Ars Poetica meeting a Pat Metheney's wonderland. Beck is a phenomenal artist loving green lands. Bachus was a goat. And Artemis protects us all!
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Oct 11, 2015
Oct 11, 2015 at 7:58 AM UTC
Upon Life, Meaning, Ars, Poesis
I have always aspired to a more spacious form that would be free from the claims of poetry or prose and would let us understand each other without exposing the author or reader to sublime agonies. In the very essence of poetry there is something indecent: a thing is brought forth which we didn't know we had in us, so we blink our eyes, as if a tiger had sprung out and stood in the light, lashing his tail. That's why poetry is rightly said to be dictated by a daimonion, though its an exaggeration to maintain that he must be an angel. It's hard to guess where that pride of poets comes from, when so often they're put to shame by the disclosure of their frailty. What reasonable man would like to be a city of demons, who behave as if they were at home, speak in many tongues, and who, not satisfied with stealing his lips or hand, work at changing his destiny for their convenience? It's true that what is morbid is highly valued today, and so you may think that I am only joking or that I've devised just one more means of praising Art with thehelp of irony. There was a time when only wise books were read helping us to bear our pain and misery. This, after all, is not quite the same as leafing through a thousand works fresh from psychiatric clinics. And yet the world is different from what it seems to be and we are other than how we see ourselves in our ravings. People therefore preserve silent integrity thus earning the respect of their relatives and neighbors. The purpose of poetry is to remind us how difficult it is to remain just one person, for our house is open, there are no keys in the doors, and invisible guests come in and out at will. What I'm saying here is not, I agree, poetry, as poems should be written rarely and reluctantly, under unbearable duress and only with the hope that good spirits, not evil ones, choose us for their instrument.
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1.9k
Ars Poetica?
I have always aspired to a more spacious form that would be free from the claims of poetry or prose and would let us understand each other without exposing the author or reader to sublime agonies. In the very essence of poetry there is something indecent: a thing is brought forth which we didn't know we had in us, so we blink our eyes, as if a tiger had sprung out and stood in the light, lashing his tail. That's why poetry is rightly said to be dictated by a daimonion, though its an exaggeration to maintain that he must be an angel. It's hard to guess where that pride of poets comes from, when so often they're put to shame by the disclosure of their frailty. What reasonable man would like to be a city of demons, who behave as if they were at home, speak in many tongues, and who, not satisfied with stealing his lips or hand, work at changing his destiny for their convenience? It's true that what is morbid is highly valued today, and so you may think that I am only joking or that I've devised just one more means of praising Art with thehelp of irony. There was a time when only wise books were read helping us to bear our pain and misery. This, after all, is not quite the same as leafing through a thousand works fresh from psychiatric clinics. And yet the world is different from what it seems to be and we are other than how we see ourselves in our ravings. People therefore preserve silent integrity thus earning the respect of their relatives and neighbors. The purpose of poetry is to remind us how difficult it is to remain just one person, for our house is open, there are no keys in the doors, and invisible guests come in and out at will. What I'm saying here is not, I agree, poetry, as poems should be written rarely and reluctantly, under unbearable duress and only with the hope that good spirits, not evil ones, choose us for their instrument.
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36
Augur well, on a left ward spirral. I never meant to ignore the residential Wren or lazy Cat, who always knew better than my list of dreams. In the alleyway with dahlias, I wanted to think as my own, a perchance a symbol! now there's sacks of pebble stone and sand, no rub of green builders mucking in for someone's joy to settle, side gate entrance into a little abode no longer possibly mine.
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Dec 11, 2012
Dec 11, 2012 at 6:54 PM UTC
Ars Nova
Poetry whirls down drains, cruises down highway lanes.. toll free. Poetry is a clear potion, a natural motion. Poetry is the bird gliding high, and of course, the sky. Poetry is thundering elk through forests and glades, and the wolves that keep pace. Poetry is the **** Poetry is democracy, and its unfortunate hypocracy. Poetry is eternity vanished in an instant. Poetry is a slaughterhouse, a vegetable garden. Poetry is cat and mouse. Poetry ascends to descend, breaks to repair, it's uncommonly rare. Poetry is the longest minute and the shortest hour. Poetry lives when it is dead. Poetry comes from the body, thought by the head.
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Sep 7, 2012
Sep 7, 2012 at 1:51 AM UTC
Ars Poetica
It's a beautiful day,birds singing as I'm walking Mill Lane, listening to a few Me Fein Refrains, I'm whistling,feeling pretty fine and dandy, with my eyes red rovering all the eye candy, when I hear it,brakes shriekin'-women Shriekin', a mans voice-Hoarse, "Jaysus Someone do somethin", I spin on me heel,eyes centred as **** wishing this was all a dream-A runaway Truck, tires peelin' brakes smokin' rubber burnin', A runaway load,it's not gonna make the turn and it's **THEN that I feel true terror in me soul, I see a little boy playin' at the edge of the road** , he's a sturdy little lad,stick in hand, pokin' at the grasses growin' up from the path, and he's right in the Path of the Truck from hell, Theres no decision,I'm runnin' like a bat outta hell, and it's then that I get a feeling it's a Lucid dream, languidity covers me,no more screams, theres a Figure in my way that's wasn't there the last breath, then I'm literally starin' in the face of Death... and I FEEL his thoughts as he turns blank Orbits, on me and his words are like this "One Obit, uary in my Ferry is my Task today, do you really want to be the one who gets in MY WAY?(way way way), and he can HEAR my thoughts,just as I heard his, "get out the fuckin' way you long streak of **** "you said one has to go,well that's fine with me!", "I've got coins in my pocket if you need your fee!" and with a glint in his eye and a plangent refrain, he touches me centre forehead and declaims "NO PAIN" Then things speed up and I'm off fists pumpin', feet slappin' on the pavement head down, heart jumpin, I'm not the Flash,but I can move it when I need to Run, and the long drawn screech is a Hell of a starters Gun, I'm across the road like a bolt from the blue, grab the little Man and throw him,then BANG there I flew, its all earth,sky,earth,then a terrible jolt, but no pain as was promised as I come to a halt, then his Mother is there(he's on her hip) and she's holding my(only)hand, tellin' me theres ambulances and I'm gonna be grand, but theres a Grand Piano layin' on my Chest, and no pain,but to be honest here-I'm not at my best, and just as I start to think of family and friends, before Distress can manifest too much in my mind, a tall RATHER BONY figure stretches out his hand, and intones into me bones,"OFF TO THE NEXT LAND(land,land,land)"
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Dec 29, 2016
Dec 29, 2016 at 9:01 AM UTC
The Truck(Ars Morieri-The Art of Dying Well 1)
It's a beautiful day,birds singing as I'm walking Mill Lane, listening to a few Me Fein Refrains, I'm whistling,feeling pretty fine and dandy, with my eyes red rovering all the eye candy, when I hear it,brakes shriekin'-women Shriekin', a mans voice-Hoarse, "Jaysus Someone do somethin", I spin on me heel,eyes centred as **** wishing this was all a dream-A runaway Truck, tires peelin' brakes smokin' rubber burnin', A runaway load,it's not gonna make the turn and it's **THEN that I feel true terror in me soul, I see a little boy playin' at the edge of the road** , he's a sturdy little lad,stick in hand, pokin' at the grasses growin' up from the path, and he's right in the Path of the Truck from hell, Theres no decision,I'm runnin' like a bat outta hell, and it's then that I get a feeling it's a Lucid dream, languidity covers me,no more screams, theres a Figure in my way that's wasn't there the last breath, then I'm literally starin' in the face of Death... and I FEEL his thoughts as he turns blank Orbits, on me and his words are like this "One Obit, uary in my Ferry is my Task today, do you really want to be the one who gets in MY WAY?(way way way), and he can HEAR my thoughts,just as I heard his, "get out the fuckin' way you long streak of **** "you said one has to go,well that's fine with me!", "I've got coins in my pocket if you need your fee!" and with a glint in his eye and a plangent refrain, he touches me centre forehead and declaims "NO PAIN" Then things speed up and I'm off fists pumpin', feet slappin' on the pavement head down, heart jumpin, I'm not the Flash,but I can move it when I need to Run, and the long drawn screech is a Hell of a starters Gun, I'm across the road like a bolt from the blue, grab the little Man and throw him,then BANG there I flew, its all earth,sky,earth,then a terrible jolt, but no pain as was promised as I come to a halt, then his Mother is there(he's on her hip) and she's holding my(only)hand, tellin' me theres ambulances and I'm gonna be grand, but theres a Grand Piano layin' on my Chest, and no pain,but to be honest here-I'm not at my best, and just as I start to think of family and friends, before Distress can manifest too much in my mind, a tall RATHER BONY figure stretches out his hand, and intones into me bones,"OFF TO THE NEXT LAND(land,land,land)"
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46
Imitation is the ******* of creativity. So where for art thou romantic silopsisms? Meta-physical lotion, rubbing Prufrock's bald head. Where are the errors, syntactical? Intimation is the blow job of canon, The body, electric, ******* on Mt. Abora's Cliff face.  Short syllabic thrusts put the pallet in trouble. Sharp edged thoughts caught in the throat of the speaker, leaving them mush-mouthed, Sentimental. The poor rhyme scheme, literary analysis 101 feet, and meter abandoned for fun, Or played with weakly piling on what will Fit neatly enough in the bottom swill. Unrequited love notes, star-crossed  cries, Knotty tangled sentences to explain the deep ties, Out of focus snapshots of pixilated lives Even this bad poem, escaped the editor's knife.
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Oct 6, 2012
Oct 6, 2012 at 3:23 PM UTC
Ars Poetica: Bad!
They’d crashed the party at midnight Surely, a motley looking crew, All of them dressed in the weirdest best That the Monster Shop could do, There was Beelzebub, and Astaroth And the pale Witch of the North, Ahead of the Prince of Darkness in A goats-head mask, of course. They didn’t look out of place, for all The guests were dressed to **** One attired as a Fairy Queen While others were dressed to chill, Out of the mouth of Frankenstein The blood poured in a stream, And though it was only cochineal It brought the odd party scream. Most had thought it a great idea (Except for her folks, who’d cursed), They’d all dress up in the neighbourhood For Emily’s twenty-first, They’d even formed a committee so They knew what they had to do, And each would be wearing a different face So there’d only be one, not two. They studied the Ars Goetia And scanned it for demon names, The butcher had come as Malphas for He only had brawn, not brains, The newsagent was Vapula And his errand boy was Baal, While the postmaster was Sallos And he came there, bearing mail. They all were full of the grapes of wrath As it chimed the midnight hour, While Emily surged out like a goth From the depths of her wardrobe bower, The house, at 22 Rankine Street In the ‘burb of Astral Downs, Was built where an ancient charnel house Had piled the bodies in mounds. Her folks had put in a swimming pool Where there’d been a village well, Right on top of a demon school In the seventh circle of hell, The water began to heave and churn As Beelzebub drew near, And it cooked a few of the swimmers there As their laughter turned to fear. ‘You thought that you could make fun of us,’ Said the Prince of Darkness then, ‘For that, we’re making you one of us, You won’t bother us again!’ The ‘burb dropped into a bottomless pit That glowed with the flames of hell, ‘A subterraneaun coal seam fire,’ Said the Fire Chief, Adam Schnell. Emily’s parents came back home, Sat in the car, and cried, ‘I told her that Goth stuff wasn’t good!’ ‘Too late! Our Emily’s fried!’ They filled it in, there’s a parking lot Where her parents had sat and cursed, I’d like to bet, they’ll never forget Their Emily’s Twenty-First! David Lewis Paget
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Jul 29, 2013
Jul 29, 2013 at 10:53 AM UTC
Emily's Twenty-First
They’d crashed the party at midnight Surely, a motley looking crew, All of them dressed in the weirdest best That the Monster Shop could do, There was Beelzebub, and Astaroth And the pale Witch of the North, Ahead of the Prince of Darkness in A goats-head mask, of course. They didn’t look out of place, for all The guests were dressed to **** One attired as a Fairy Queen While others were dressed to chill, Out of the mouth of Frankenstein The blood poured in a stream, And though it was only cochineal It brought the odd party scream. Most had thought it a great idea (Except for her folks, who’d cursed), They’d all dress up in the neighbourhood For Emily’s twenty-first, They’d even formed a committee so They knew what they had to do, And each would be wearing a different face So there’d only be one, not two. They studied the Ars Goetia And scanned it for demon names, The butcher had come as Malphas for He only had brawn, not brains, The newsagent was Vapula And his errand boy was Baal, While the postmaster was Sallos And he came there, bearing mail. They all were full of the grapes of wrath As it chimed the midnight hour, While Emily surged out like a goth From the depths of her wardrobe bower, The house, at 22 Rankine Street In the ‘burb of Astral Downs, Was built where an ancient charnel house Had piled the bodies in mounds. Her folks had put in a swimming pool Where there’d been a village well, Right on top of a demon school In the seventh circle of hell, The water began to heave and churn As Beelzebub drew near, And it cooked a few of the swimmers there As their laughter turned to fear. ‘You thought that you could make fun of us,’ Said the Prince of Darkness then, ‘For that, we’re making you one of us, You won’t bother us again!’ The ‘burb dropped into a bottomless pit That glowed with the flames of hell, ‘A subterraneaun coal seam fire,’ Said the Fire Chief, Adam Schnell. Emily’s parents came back home, Sat in the car, and cried, ‘I told her that Goth stuff wasn’t good!’ ‘Too late! Our Emily’s fried!’ They filled it in, there’s a parking lot Where her parents had sat and cursed, I’d like to bet, they’ll never forget Their Emily’s Twenty-First! David Lewis Paget
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65
My best memories are not with her, And I will forever remember them, The reason I built my imagination, Till my childhood was there to stay, Enjoying the imaginary car crashes, Less than an ambition it was never. How clearly I remember myself, Often playing with glistening toys, They were mostly cars and tracks, When my mind drove 'em like an elf, Healing my loneliness with their jumps, Eyes glittering with the picturization, Ears hearing the imaginary blasts, Love was simple & objective then, Seemed the best life to a kid me.
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May 23, 2017
May 23, 2017 at 4:27 AM UTC
My Best Memories
am a scouser la dont want ya la dee da grew up wid a yard saw gardens from afar jus me an me ma wid ar windows barred against da smackheads an da scallys dat wanted wots ars not dat wot wuz ars wuz ars anyway stuff lifted off a wagon dat got lost on edge lane comin off da 62 could get ya waylaid passin thru where i grew up back in da day
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Mar 14, 2014
Mar 14, 2014 at 12:25 PM UTC
L7
They say to play with words. I see each page is a slide and we *smile while we're going down*. We're make-shift, Doctor Frankenstein, piecing together words that would lay lifeless without our spark. We're other people, dress-up, with our lens-less glasses, pens in hands that can't quite reach the tallest shelf. Through our words we rebel, show the world we are more than naïve. Just because we don’t think in refunds and rebates and 401k plans... Doesn’t mean our futures won’t be bright if we only hope to gain a sense of ourselves, in that moment when the tire-swing goes so high, you try to touch the sun.
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Dec 18, 2011
Dec 18, 2011 at 12:30 AM UTC
Attempted Ars Poetica
at 16 they taught u s about shakespea re, how? but now I realize there was m ore learned than bl ank stares at teache rs waiting for bells to slide departures under the doors of blank minds. balco ny preachings in fr ont of loveless tang ents foreshadowing the curvature of the then mindless. 5 ye ars gone i still find m yself wandering aim lessly to the next cla ss with the thought o f the useless priors a nd the books are get ting heavier
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Aug 16, 2015
Aug 16, 2015 at 6:36 PM UTC
Shakespeare°
I wish I had freckles on my shoulders that would t r ick le down to my blades and show that I have tasted the sun And I wish that my sc ars would show and not (hide neath my skin and in my heart’s shadows) to let you know that I have seen my share of hurt and Overcome.
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May 6, 2013
May 6, 2013 at 10:20 PM UTC
Freckles and Scars
bold glitch grip you've been colored violent by It code writ scrapes large like star whorls flake one solitary chromium petal fell into a river with a mien of mum where it wilted filled with **** and you watched it come from afar you saw the small sun become runny don't lie dear scar you must collect yourself or the ruin of ars will still what is ours into petrified mime
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Dec 21, 2015
Dec 21, 2015 at 12:58 PM UTC
constellation of hurt
Crinkled and knotted, Your mind pushes far beyond the last Fluid dimension of thought. Words and images ****** out, crossed out, and beaten. Their meaning disentangled From the syllables they’re bound to. Stretched, Pulled, Prodded, Poked, Rolled, And torn open. Mile by mile, down a endless road, Making no explicable progress. Broken and battered, Words, attempting equilibrium, Burn off energy enough to care. The unthinkable dread of empty canvas Impedes on the black and white tile That clangs too loudly For reason to be heard. Inspiration becomes an Agonizing, ever-twisting labyrinth. The climactic moment drawn out too far, Centuries too far, Tortures and torments you, Tears you to pieces Until, at last, you Are indistinguishable from The pain you’ve offered, The discomfort you’ve endured, The itch you’ve tolerated. And the balance finally restores itself. Rights you just at the point of ultimate collision, Lets you steal a breath, Before the next thought starts to pull.
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Jan 29, 2010
Jan 29, 2010 at 12:57 PM UTC
Ars Poetica
“A poet's qualifications include common sense, knowledge of character, adherence to high ideals, combination of the dulce with the utile, intellectual superiority, appreciation of the noble history and lofty mission of poetry, and above all a willingness to listen to and profit by impartial criticism.” Ars Poeti a (ll. 295–476).[10]
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Nov 20, 2021
Nov 20, 2021 at 9:10 AM UTC
A Poet’s Qualifications
“Art washes away, from the soul the dust of everyday life.” No more pain, stress or strife. “Have no fear of perfection, you'll never reach it.” So don't ever throw a fit. “I saw the angel in the marble, and carved until I set him free." Amazed by what beauty could come from me. "Art is not a thing; it is a way." So carpe diem... seize the day.
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Aug 4, 2014
Aug 4, 2014 at 10:12 PM UTC
Ars longa, Vita brevis
Th  lost l tt r Cam  to m V ry far in th  futur Missing th  targ t dat  by mil s It r ad of lov A lov w  had miss d Sw pt away, gon In th s achang of y ars
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Jul 16, 2016
Jul 16, 2016 at 2:16 PM UTC
The Lost Letter
A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown-- A poem should be wordless As the flight of birds. A poem should be motionless in time As the moon climbs, Leaving, as the moon releases Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves. Memory by memory the mind-- A poem should be motionless in time As the moon climbs. A poem should be equal to: Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea-- A poem should not mean But be. Archibald McLeish
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Mar 6, 2013
Mar 6, 2013 at 11:36 AM UTC
Ars Poetica
Truly gifted poets Straddle their crafts early on Some even in adolescence They have been cursed or blessed To be kings and queens of utterance. I never dreamed of becoming a poet It was furthest from my mind Then in a sudden twist of eardrum It happened in my Mid-thirties. Out of the recesses of Time Came the lure and a hook Shining in enchanted brook And before i knew it My heart was snatched And my movements flustered When i bit on ambrosiac bait Drenched in Muse's wine Drugged and drunk On sounds and images I struggled in a pool of words To assemble what held me infused To make sense of orphaned views Swaying between shade and light Like dancers deprived of audience. My poetic rapture began In frenetic rain of ink preposterous in direction A poetaster rapt on vapid rhymes With sounds of poetic crimes But my craft developed In piecemeal fashion And rendered my pen composed. A minnow of long ago Has grown into a mackerel And longs to become a whale In the ocean Ars Poetica Though it seems a pipe dream.
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Oct 2, 2018
Oct 2, 2018 at 1:09 AM UTC
Poetry Reeled Me In
lips cur l l ips a bo u t th en ak e d for tre s s of your s t r ain i ng hips in w hich resi de s the resi d ueof loves h ars hes tb ase notes a single molting instant when bodies uncleverly address each other rudely with loose and tight squirming tissues commonly beginning muscles rapid and dismaying and to fluffless orchards scurry
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Jan 20, 2012
Jan 20, 2012 at 3:27 AM UTC
Untitled
I. You have to taste the words like salt or earth And chew them up and let them grind between your teeth Let them crumble, coagulate. II. Know them, then introduce yourself. Court them and waltz them and spoon under moons and breathe in their air; their atmosphere. III. Comb your fingers through them and braid them and pinch them; Let them drip sticky down to your elbows, Let them stain and run, away even. IV. Leave them when it’s too much. And kick them, and scream And scream Until you’re hoarse and the tears stop, Until you know they know, Until you can both take a deep breath and sleep through the night. Then tomorrow: Spit them out. Sit them down. Whisper a secret, and watch.
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Aug 19, 2012
Aug 19, 2012 at 8:47 PM UTC
Ars Poetica: A Poem