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We blend together like honey and milk,
Like razor-sharp blades on pearly skin,
Like widows to dark apparel cling—
We are together with flowers and spring.

In her arms were forty streams,
And stars in her hair—seven.
She sat above the angels’ wings,
And they carried her to heaven.

There to dwell—where, I can’t tell.
Too far, too soon, she swayed and fell.
The sky hid her without farewell,
Beyond all earthly possessions.
A quiet meditation on the fragile blend of beauty and pain, presence and loss—where love lingers beyond the grasp of time.
ash 3d
what an empty epitaph that is—
the art of noticing,
fragility of life.

does iron fear the rot
that overtakes it in the moisture the world provides?

it is what it is,
but does it have to be?

plots of the unknown—how can i thrive?

liminal space of some sort, where i've found myself this once,
and all the other once’s.
i’m still in the spirit,
but the dead don’t return.

can’t find a body—everyone has souls,
not a single empty one.

i have stars on my ceiling.

can you hurt a spirit,
wound it like you’d wound a body?

find me a confessional—
i’d like to admit to my sins.

long since it has felt
like grief lives in the walls of this room where i reside.

you write and you put it out
and it’s like baring yourself in the naked truth
and ugly to everyone outside.
i intend to stay hidden—
in a shirt twice the size of me,
a pair of pajamas i should’ve thrown away a while ago,
and the same damaged pair of glasses—
except they’re light
and they feel mine,
with the same teddy and old laptop.

needed this to be a list of prompts.
found it making sense instead.
my life’s woven this way—
of symphonies, perhaps i’ll leave unsaid.

uncertainty begging for understanding,
faith asking to be relieved.
i can fit into the same years ' worth of old clothes.
have i never really grown, all this while?

i’ll save this to push it down the bin,
choke as every word comes out to spill—
the darkest of secrets, epiphanies of the night.
you breathe in the love,
tend to forget its might.

half-eaten swiss roll, rotting with sour cream.
a modified bunny made out of clay.
purple tulips—
but they’re fake.
i like the color grey.
cherry bombing every lie.
kiss till you’re numb,
dissociate into the wild.

what speaks—and what swallows?
golden halo of the angels,
wings tainted in red,
singing siren sounds,
myths ruled over, unclad.

i broke my old pair of glasses.
they’re beyond repair now.
umm
i've lied
Izan Almira Apr 30
I hate it when people look behind bright smiles;
when they look at the underpainting of my heart
and find that there’s nothing behind my laughter
but empty white that lacks dream or purpose
and was only born to remain hidden.
Mia Apr 27
Oh Darling, Oh Daisy
As pretty as a pink peony,
Yet, your petals are wilting, dear,
Stems a little frail, wracked.

Oh Daisy, Oh Daisy
As sharp as a red rosy,
Yet, don’t they see, dearest,
Thorns tracing those fragile strands?

Oh Daisy, Oh Daisy
As sweet as a light *****,
Yet, don’t they see, dear?
Tears slipping, draping a silk on your chest.

Oh Daisy, Oh Daisy
As clever as late Nancy,
Yet, is your nectar still
Sweet as hot honey

Oh Daisy, Oh Daisy
Ask of the flies, just once, dear,
Do they taste the bright red
Of copper candy?

Oh Daisy, Oh Daisy
As graceful as old lacy
Do you dance, dear,
To the screams that hum a melody?

Oh Daisy, Oh Daisy
As naive as a little daisy,
Are you certain what awaits you?
Dear Daisy.
This poem is inspiried by the song Lacy by O.R though the themes are different I love the repetition she used to create a poem of my own
Izan Almira Apr 3
We are so fragile.
We could break at any moment.
God could leave us scattered on the ground
like broken, old, used toys.

God is like a child:
Tsunamis his tantrums.
Humans his marionettes.
Humans    
      are          
             God’s
         voodoo
    dolls.

And he plays with us;
He stitches red needles into our bodies.

I think there is nothing left in mine.
No filling.
No nothing.
I am empty inside.
I'm sorry if you are religious, really.
Lynn Mar 14
I built this house
Of glass with stone
I watch you break it with my bones
Malcolm Mar 11
Fingertip reaches—rose glass-fractured sky,
but the world keeps turning, indifferent, blind.
We watch, we wait, we sift through the fallen ashes—
searching for warmth in a fire long gone.

Ghosts of wanting drift through the ebb,
feet sinking in time’s marrow-thick river.
Clawing at the hilltop, slipping, gasping—
but do we climb or just fall slower?

Love hums then shatters,
echoes down corridors we dare not tread.
The oaken river swallows its dead,
birds fall southward, wings brittle with regret.

Winter comes for all—darkness too.
Light flickers, just out of reach,
a mirage for the desperate, the reckless,
those who still run, still chase, still bleed.

But what if the answers unravel the mind?
What if understanding breaks us instead?
What if we lose ourselves,
seeking someone else to make us whole?

Is life’s significance just a joke told in passing,
laughter drowned in the howl of the void?
If misery loves company,
why do so many stand alone?
Copyright Malcolm Gladwin
March 2025
Wanderers on the Edge
Syafie R Jan 15
A shadow lingers, heavy and cold,
Never a story of joy retold.
Tablets lined in a fragile row,
In their silence, what do they know?
Dreams dissolve in a bitter hue,
Emotions dulled, both false and true.
Promises whispered: "You’ll feel whole,"
Relief bottled, sold to the soul.
Every smile feels borrowed, thin,
Shaky hands hide storms within.
Still, we swallow, day by day,
A search for light in skies of gray.
No cure, just balance, a fragile dance,
To numb the ache, one last chance.
Maryann I Nov 2024
The petals open,
fragile as the thought of ending,
and the bloom sways,
unaware of the silence
growing around it.


Each breath is a weight,
pressing against the ribs,
like soil folding into the earth
underneath an endless sky.


The scent of death lingers
in the softness of the petals,
a sweetness too sharp,
too final.
It smells like surrender,
like the last exhale
before the body falls still.


The flower unfolds,
its beauty sharp as grief,
each layer a quiet plea
for release.
It opens with the same quiet violence
that consumes the soul,
waiting for a moment
when the pressure
becomes too much
to bear.


In the fading light,
you watch the petals curl,
and wonder if they, too,
wish to escape
the weight of their own bloom.


And yet, it's peaceful—
a slow descent
into the dark soil,
where the pressure finally stops,
and the bloom fades,
as all things must.
Inspired by the song "Pressure" by the artist Maebi
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