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Pepper Dove Jun 2017
Darkness is here
beneath the canopy
where tiny insects inject
venom with apathy
Swiftly spinning
webs
of solitude
watching you
taunting you
wanting you to intrude
Lingering notions
of spraying potions;
hypnosis
You're helpless
and hopeless
Unconscious
and motionless
Can't you hear the cries?
From the spirits
fallen victim to
all of it's lies,
gripping you with eyes
grinning
at it's winning
of your steady
slow
demise.
Metephorical for all those sneaky spiders in your life, always trying to manipulate you to fall into their webs of deception so they can use you to their benefit and consume your whole being.
eleanor prince Jun 2017
his presence stained long
after his glitter
wore thin

uncaring that
his hollow self
festered

puerile jokes regaled
spawning an
ingratiating syrup

of slick deception
fashioned by conceit to
fool most

but the astute
who sensed a rank
dearth of authenticity

long lost
to the lure of
common expediency
Eleni Jun 2017
Friday- the most promising day of all.
The beginning of the weekend, but the one day that will spark appall.

Down on Mainstreet all the girls
In their fringed dresses, pouting their foxy lips and their hair waving in short messes.

The hags frown as the winged ladies pass by- displaying their carriages a little sly.

Oh, but Jane's favourite speakeasy was 'The Back Room' down on Norfolk Street: the place where the lost creatures meet.

Tin ceilings, velvet wallpaper, plush thrones and back in that dark corner, there is the sound of low moans.

'A whiskey, neat, please' as a shadow in a tuxedo walked towards her and he whispered 'Hi,' in a sensual purr.

'Who are you?' he stirred,
'Oh, I'm Miss Doe' and he lept into the stool with a swift flow.

And the jazz trumpets married the spontaneous harmonies and the saxophone created sublime melodies.

So they sat as idle as ghouls in the dim spotlights, until Jane asked Mr Buck:

'D'you fight in the war?' And he whined 'Cambrai, Amiens and Lys' - his lips seemed a little sore.

'I'm sorry - do I know you?' His face looked as familiar as Jay to Nick. A brief pause in time at that smile.

That was the final chord to the "lick".
He drove her down to Roslyn- to his replica of Versailles and Jane looked intensely shy.

'Oh, do come in,' the desperado soughed. And she walked into the gilded palace which Cupid's presence bowed.

'I have a favour to ask of you, Miss Doe. Would you be as kind to wash away my woe?'

And as they congressed under diamond chandeliers, his comrades gathered around the bed in amorphous silhouettes; watching disgustedly.

As for Mr Buck he was an alien, skin-to-skin with a haunted beauty and Miss Doe- a labourer on duty.
A story based on the aftermath of the First World War, the birth of a "lost generation" and the excess of the 1920s.

1 'Miss Doe...Mr Buck' referring to a mature female of mammals of which the male is called 'buck'. This further adds to the animalistic imagery of their encounter.

2 'Cambrai, Amiens and Lys' battles of the First World War which the United States was comprised of the allied effort.

3 'Jay to Nick... that smile' an allusion of 'The Great Gatsby' when Gatsby and Nick meet for the first time at one of his lavish parties. Nick romanticises Gatsby's understanding smile.

4 'Lick' a jazz term for a repeating pattern or phrase in music.

5 'Replica of Versailles' a regal palace in France in this poem representing the wealthy individuals of 1920s America in New York.
H Weeks Jun 2017
I miss my best friend. I miss being able to talk about anything and everything. It was what I lived for. I leaned too far though. I depended on you to cheer me up and lie and that was wrong of me. I am so sorry. I am sorry you have not had an easy life and you feel so alone sometimes yet I'm even more sorry that you still feel the need to lie and put others down because you're so insecure about the great unbearable truth being revealed. We have gone our separate ways and nothing can be the same as it ever was. Nor do I want or need that. I do not need you. I do not need lies to give me confidence. I have me and that's just fine. I have done great without you. I cannot tell you any of this though because it does not matter. You never truly did. You ruined me
Eleni Jun 2017
He stands like a Michelangelo
Statue of David;

Naked, perplexed
Shoulders - flexed
Abdomen, stretched.

In his **** glory
He carries a pitchfork, a warning glare.
Ready to slay Goliath, with his bare snare.

A symbol of strength, youth, beauty
And I must protect his duty.

For he loved me as the stoat loves the hare.
And I loved him as the poor girl that loves the rich, old man.

I all but food for his stomach
A helpless maiden, haunted puppet.
Ryan Holden Jun 2017
Even after I
Cut out my eyes I can still
See truth behind lies.
Eleni Jun 2017
Nomad of Hades,
I have seen her emerald carriage...
And the treacherous path she walks on lingers with hyacinths and crocuses.

With every step of her yellowish limbs
She casts another hero to her vestigial garden
And she inhales the golden dust
That grows from the carob trees of lust.

She wears her lies in subterfuge
Even Mercury is struck by that ghastly perfume:
And let Uranus scatter more fertility into the seas- so that more maidens will fall under her trees.

Her weeping, her weeping!
We ask what is wrong, but her soul lies sleeping. Dormant, indifferent,
In lucid fantasies she cries,
'Have you any dreams for sale, warrior of Troy?'

These women, these women! Are they not content with the gifts and ways we please them?
'I seek to hold the wind,' she envelopes me with her long hands and pleading eyes.

And this is why I flee today.
I gave her what I could: intimacy and a place to stay.
Yet a pool of water lays before me and brass-stained roses all dark and gay!

Hélas, she has transpired and leaves with no delay!
Another poem about the Greek mythological goddess, Chloris, who was spotted by Odysseus, a champion of the Trojan War, in the underworld. Chloris is used as a metaphor for loss, addiction and melancholy. She has been said to turn Greek divines into flowers such as Hyancinthus and Narcissus.

She asks Odysseus if he has 'any dreams for sale' because she has no dreams of her own that she can achieve. She feels lost and nomadic.

The imagery of water in the last few stanzas is referring to the fact Chloris was like a plant and when plants transpire they release water  and often leaves the plant empty and flaccid if too much water loss occurs. This is a symbol for her death and self-destructive nature.
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