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She had this habit of stealing my pens. Not in a careless way—no, she’d always take them with this playful smirk, twirling them between her fingers as if claiming them as her own.

"You have too many," she’d say, slipping one into her bag.

"And you never have one," I’d counter, watching her tuck it away like a prize.

It became our thing. Every time we met—at coffee shops, libraries, or even just in my car—she’d end up with one of my pens. And every time I pretended not to mind, but secretly, I started carrying extras. Just for her.

One evening, as she sat across from me, doodling absentmindedly on a napkin with yet another stolen pen, I asked, "Do you even use them, or do they just pile up somewhere?"

She grinned, biting her lip. "Maybe I just like taking something of yours with me."

I didn’t respond, just watched her trace circles on the napkin, my stolen pen spinning between her fingers.

Months later, we drift apart. Not suddenly—just a slow, quiet unraveling. The messages become shorter, the calls less frequent. And then, one day, there’s only silence.

One afternoon, I’m looking for something in my desk drawer when I see it—a pen. Not mine. Hers. The only one she ever left behind.

I pick it up, twirling it between my fingers the way she used to. I don’t even try to use it. I just hold it there, wondering if, somewhere in her bag, my pens still exist. If, in some quiet moment, she finds one and remembers me too.

Some people don’t take things to keep them. They take them to hold onto a feeling.

And maybe, just maybe, she held onto me too.
Charles 5d
diatomic love
electronic discharge

their bond is molecular
small but covalent
to them it is salient
Anais Vionet Feb 27
It’s Saturday morning at about 9am. I’m in the chemistry lab, a sterile looking room with 12 workstations that are like multi level kitchen islands with sinks and various lab gear. It’s the most fluorescently lit environment on earth and everything looks to be either white, stainless steel or glass.

I’m one of the two students in the lab this morning, so I’ve taken two stations at the far end of the room and I’m performing two experiments at once, I mean, why not get ahead?

Before I start a lab, I do a ‘cutsheet,’ It’s something I learned from my sister, Annick. The cutsheet lists every piece of equipment I’ll use (like a magnetic stirrer), every step I’ll perform (control the atmosphere), every safety measure I need to take (fume hoods), every chemical I will use (for instance alkyl halide in 0.1 concentration) and what my results should be. This is all more-or-less textbook - but I still hand-write it out myself.

It’s a quiet environment, I have my AirPods in and I’m listening to cello music - it’s relaxing. I’m performing two variations of nucleophilic substitution reactions - creating new carbon-carbon bonds. It’s Pretty standard stuff and I’m at the stage, in both experiments, where I combine reagents. When suddenly, a TA (teaching assistant) is stooping over my hunched, left shoulder.
“What do you have there?” He asked - let’s call him Lewis. I flinched. Ok, I jumped.

Lewis’ breaking the silence was sudden and intrusive. I hadn’t noticed him prowling about and for a moment I was flummoxed. I tapped my AirPods to stop the music.

This was irritating. See, anything I would say to him would sound like a child talking to an adult. He’s a doctoral student and to him what I’m doing is stupidly simple, like stacking blocks, but he’s put me in that position.

“I’m doing both variations of (problem set/homework) problem 5,” I motioned to the other station, “and I’m ready to introduce the Grignard reagent,” I couldn’t help a note of cringy defiance creeping into my tone, like a child expecting to be reprimanded.

“Are you..,” he started to say, I’m sure he didn’t mean for it to sound like an interrogation.
But I read his mind, adding, “I’m using anhydrous conditions and an ethereal solvent,” this time I said it like it should be obvious—and again I sounded childish and brittle (like an ignoramus)—to myself anyway—but I was at a loss. ‘God, I really need to be less defensive,’ I thought, mortified. I hate looking dumb.

He nodded his head, he’d been looking over my cutsheet. I gave him an upturned, sideways glance. Was he going to stand around observing or worse yet micro-manage me?
“Very good,” he pronounced, tapping my cutsheet lightly with an index finger, “carry on.”

He walked away, off to bother the other student, I hoped. Better him than me. I had work to do. I tapped my music back on, looking at my cutsheet.
Where was I?
.
.
Songs for this:
Havana by Brooklyn Duo
Carnival of the Animals: XIII. The Swan by Yo-Yo Ma & Kathryn Stott
BLT Merriam Webster word of the day challenge 02/26/25:
Ignoramus = an utterly ignorant or stupid person.

I don’t think that the way I present myself in vignettes is always flattering, but does it have to be? It’s more about stripping away fantasy to reveal the unfinished, and capturing the environment as it is—it's a ‘surveillance-style’ of framing.
Man Feb 9
He stands upon a stalk of grain,
Rested atop a leaf,
Balanced on the branch of a tree,
Nestled on the back of an amphibian
Four who salute longevity.

She comes as a breeze,
Graceful & gently.
As like spring blossoms
She extends an offering,
Ripe & sweet
Is the fruit of her peach.

Those given to fanfare of the stork;
Who hold nature, like the cosmos, sacred
And celebrate its different changes & forms.
The way sometimes seemingly co-opted never suffers blockade.
Frank Cavalo Nov 2024
How long will this stinging take
To wholly set in and metabolise
Search amongst muddy waters
Pursue a clearer compromise
I reach for you - Sulphur -
Find myself the gilded Fool
Iron makes a likely weapon;
Pyrite a lousy tool.

Yet you appear so indifferent
Or perhaps alike, otherwise
I wouldn’t hold my breath
Believe in worthwhile sacrifice
You may find me in the bush
Aflame before the Prophet
Plunge your poker in - spread thin -
My heart if you wish to stop it

Strike a match, test my metal
Will our souls still catalyse
Was his prediction correct
What the Alchemist surmised
Or has our time ran out
Have we reached our constant yet
How dastardly - equilibrium -
Were we pernicious when we met?

Is there any merit in looking
Back on methods - revised
Is there any hope now that
The chill has metastasised?
I would contact the Smith
If he could solder back - connection -
But our glow has dwindled now,
Without it there’s no resurrection.

Though I’m overcome - ravenous -
Your appetite dissatisfies
My belly runs on empty
Without you, comes my demise
Nears a cold stove
And the Chef, grown tired.
Farewell, my loving Sulphur.

Yours Truly,
a fading Fire…
Gerry Sykes Nov 2024
One place, pressure, temperature,
The Triple Point,
aqueous molecules skip between
solid, liquid and gas
the salsa between states - identical.

No growth of  ice
water does not accumulate
nor vapour pressure rise
because the waltz, one to another, is equal.

So the three coexist suggesting stasis
while constantly exchanging substance;
a symmetry of balanced dancing stability.
Written as a meditation on the Trinity while on retreat at St Beuno's in North Wales. The triple point of a substance of the exact temperature and pressure when the solid, liquid and gas phases of a substance are in equilibrium.
Gerry Sykes Nov 2024
As the solution cools
the molecules slow their stochastic dance
and the liquid is less able
to keep the substance dissolved.

As a threshold is crossed
the power of solution fails
and atom by atom
molecule by molecule
the substance crystallizes
plane by plane
layer by layer
the form of the substance
gives rise to a growing crystal
revealing in its structure
the nature of itself.
Paghunda Zahid Nov 2024
I was a Moon in a dark abyss
Wandering alone in tormented solace
As aimlessly as a fish in bowl
Glumly glad within my alien abode

In a spur _ you appeared from Nowhere
A Blackhole pulling me towards its angelic snare
Rearranging the space time fabric

To a whole new world
mystifying yet aesthetic

And I couldn't resist, for that Benignity
set my heart ablazed _
filled its Valence shell
Entwined with you I will step in eternity soon
Hoping, your floral rugs bear stars and moons..!!
neth jones May 2024
with unencumbered pink flourish she strips knickers down and dress shruggled brisk over her head a flit of no patience for my timid bow she clocks my eyes senses are abled then blasted overwhelm with her **** light it radiates exposed armpits huff glowing mist her groin blazes at me stricken to match but my male has no luminosity and no athlete or brute *** form either she must have liked our bar dance or the alcohol defect or she might even have bin soft for the random humour i worded her wooded way she reflects and we are minded and shyly i lump off my boots scuffle my clothes to the ground and embrace for the pacts effect everything becomes animal our playful selves step in take sleeve over us makes us kinetic cadaverliers strobic and i’m all muzzle and snout oder out of control and slurring eyes and hooked hands grubbing foreign soft hummocks and we brandish the moon and charge on frantic stimulus it's all fleshed out in front of us this splay
eleanor prince Mar 2024
when did a camp fire
become a wild fire
raging through
two hapless
souls blinded

in love with love--

how did it all grow
to a spreading inferno
with bait that satiated
opportunities denied
threatening what is

to be lost forever--

carefully built
solidity over years
of hard work and much
sacrifice, seeing the long-term
goals, knowing that a flash in the pan

often ends in a bitter rainstorm--

when did a camp fire
become a wild fire
raging through
two hapless
souls wounded

so stop now--
sometimes emotional intimacy occurs without realizing the possible cost to existing relationships
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