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Cecil Miller May 2015
Did you ever wonder,
Like I always wondered,
What kind of love
Story you would have?

It was hard to imagine,
I've come from so far away...
We are surrounded by war,
But we make each other laugh.

We laugh,
We laugh,
We laugh,
We laugh...

She is the color
Of the sun when it sets,
A hazy bronze hue-
She is my breath.

She's from the desert
Far beyond the sea-
She could be from Heaven.
She is an Angel to me.

To me,
To me,
To me,
To me...

I'm just a man.
I came here to find my way.
Our families won't approve.
We'll love each other anyway

(We love each other any- anyway.)

Our customs are different.
As different as night from day.
Traverse the dymensions.
I'll meet you halfway.

We shoot across the sky,
And answer the riddle.
How could we make love?
We kiss in the middle.

Kiss in the middle,
Kiss in the middle,
Kiss in the middle,
Kiss in the middle.
A few days ago, a friend e-mailed me a musical recording that he and his brother had worked up. He gave me a working title of Kiss in the middle and an idea of a long-distance relationship. I was invited to write a treatment for the lyrics. I had the idea of star-crossed lovers over a cultural divide. The narrator is perhaps American or British...he joins the military to venture out in the world and find himself. He ends up in the sands of the war-torn middle east. That is where he meets his love. Moreover, he is a mere man at heart but. Feels she is inbued with a celestial purity. The first two verses he is telling the reader about it. The last verse, he is encouraging very directly to his love that they meet on a cultural median where they Kiss in the Middle. This is a first draft, and as it is further collaborated will probably change drastically. I hope you like it. Copyrights to lyrics by Cecil Miller. 5/15/2015
Cecil Miller May 2015
How many hearts are you gonna burn?
How many hearts are you gonna burn?
How many hearts are you gonna burn?
How many hearts are you gonna burn?

I don't put stock in the things you say.
You broke my heart in so many ways.
You say you love me, but you love them, too.
I'll never again make love to you.

You don't want to be tethered to just one man.
On the flip, I guess I can understand.
So, go on and let your heart have fun.
I could have only been your only one.

Love's not a bag of snacks, baby.
You've got a lot of lessons to learn.
I could have been your only one.
How many hearts are you gonna burn?

How many hearts are you gonna burn?
How many hearts are you gonna burn?
How many hearts are you gonna burn?
How many hearts are you gonna burn?

You have many men, but they don't know,
But I'm The ******* Jack Kid, you know.
I won't blow your cover, so don't you fret.
They'll learn soon enough what they don't know, yet.

You know, your logic ain't wrapped too tight.
Your a dead-end bird flying blind at night.
How's it gonna go when the others catch on,
When they all know they weren't your only one?

Love's not a bag of snacks, baby.
You've got a lot of lessons to learn.
I could have been your only one.
How many hearts are you gonna burn?

How many hearts are you gonna burn?
How many hearts are you gonna burn?
How many hearts are you gonna burn?
How many hearts are you gonna burn?
I wrote this at 12:41 am on 5/14/2015. So it is very, very new.
It is kind of a rock-a-billy Homage to Not Fade Away by Buddy Holly and the Cricketts.
Dec 17, 2016, I added backing rhythm and refrain to fill this one out. (I also changed a line in the second verse to reference ******* Jack as a tie in to the first line in the refrain about the bag of snacks. It is very rockabilly Buddy Holly ripping on Bo Diddly.
Cecil Miller May 2015
I could not believe my luck
To finally find a friend.
We could have taken on the world together,
I never wanted it to end.

Something had to come along and change it.
I know where we went wrong.
We both wanted to be in the same band,
But we both wrote differents songs.

We broke apart like clashing comets
Falling from out of the sky.
I guess inside I always knew
That I could never be your guy.

It wasn't that I lacked self-confidence.
It was not even that I felt shame.
We understood what the other meant.
But, the thing we wanted was the same.

I would have bet my heart on you.
But I could never live a lie.
For a while there, life was a party,
How the time flew by!

You drifted back into my world,
I was drifting far from mind.
About the time I was fragmenting,
Saturn was about to unwind.

Like a stone, I catapulted into the world.
I ricocheted liked a silver ball.
I was making up for lost time.
I would rise, then I would fall.

The colors melded hotly
As I did crash and burn.
The cynicism came with ease,
With every lesson I did learn.

I settled into my routine.
I cooled as I slowed down.
I looked you up to say hello,
And I miss having you around.

I cannot believe my luck.
That you still are my friend.
Sing your songs and tell me stories,
Like you did way back when.
May 5th, 2015 - I wrote this poem after I connected with a friend from the old days. We called each other by the old names.
Cecil Miller Apr 2015
"You are my friend.
Please do me a favor.
Give Bobby this phone number.
Don't tell him I told you to.
Maybe he'll call before Dr. Mendrokis and his wife get home.
The children are sleeping in their beds.
I don't really care for being alone.
Tell Bobby to call me on the Doctor's phone."

Jill tries to study but it's quiet tonight.
The telephone rings to her delight.
It must be Bobby.

"Hello"

There is a silence, but she can tell someone is on the line.

"Bobby?"

Nobody answers so she hangs up the phone.
Jill Johnson doesn't like
To be alone.

The clock ticks on.
She hears a racket in the kitchen.
It's the ice-maker in the freezer.
She takes a fudgesicle out of the pack,
As she wonders if Bobby will try to call back.

The phone rings.
Jill says,"Hello, Bobby? What do you know?"

"Have you checked the children?"

Jill hangs up the phone.

At the weather, Jill fixes a drink.
They won't notice a little missing brandy, she thinks.
That call was scary.
His voice was dark.
Maybe it was Bobby
Who was just pretending.
Maybe she doesn't like him much, anyway.
He's kind of a ****.

The phone rings again.

"Have you checked the children?"

"This isn't funny, Bobby. Don't call back, anymore."

"Why haven't you checked the children?"

Jill slams down the receiver in a panic.
She dials the police on the rotary as fast as she can.
She's terrified and alone.

The policeman tells her,
If the man calls back,
The call will be traced
If she keeps him on the line.

She sits on the stool by the stairs.
She silently waits.
She's scared.

The phone rings.

"H-Hello..."

"It's me."

"I know."

"Why haven't you checked the children?"

"You, You can see me?"

"Yes."

"I turned the lights down.
I''ll turn them back up if you'd like."

"No."

"You really scared me before,
If that's what you wanted.
Is that what you wanted?"

"No."

"What did you want?"

"Your blood...all over me."

Jill hangs up the the phone,
It rings again.
She answers the phone and screams,
"Leave me alone!"

The policeman then says,
"Your life is in danger.
Soon, police will be there.
Get out of the house...
The call is coming from upstairs!"
This is inspired by the opening sequence to one of the greatest, but most underated suspense movies. When a Stranger Calls, released in 1980. The remake was not very good. Some of the dialogue is from the movie. I really cannot call this an entirely original work. It is an honest homage to one of the greats.
Cecil Miller Apr 2015
You never were a hater,
But you tried to be a player.
You tried to come off cool,
But there's a devil in your lair.
You tried to be a good one,
But they talk behind your back.
They're plotting, they're wotnotting,
And they're planning their attack.
They severed your reality -
They twisted every turn.
They're burning and they're churning,
They don't render what you yearn.
Then panic triggers fever,
And you feel the fever burn.
If they keep on pushing,
Those suckers gonna learn.
Then the witness understands.
There is reason for concern.
There is a new commander -
And oh!   The worm has turned.

What could you do?
You never knew.
How could have you?
No-one told you.
Misery is glue,
Sticks to you.

You never were a villain
Till they clotted up your chill.
You never needed anyone
To tell you what you feel.
They only know to validate
Themselves - they never love.
If it suits their motives,
They will bite, and kick and shove.
There never was a heartache
That you could not overcome.
You have to have a heart that's hard.
So go out and get you one.
Trample loosers under foot,
Or they'll be too burdensome.
Keep your left hand from your right,
And keep your lovers under thumb.
Finally, you start to see
That life is just a loaded gun.
You can never stop to rest,
You're always on the run.

What could you do?
You never knew.
How could have you?
No-one told you.
Misery is glue,
Sticks to you.

You master all that you survey, Everybody knows your name.
Cream rises to the top -
You are the winner of the game.
If you gave them half the chance,  
They  would cut you down.
You forever have to watch your back,
Never let them gather 'round.
You didn't try to rule the world,
You only wanted to survive.
If they had their way,  
You would no longer be alive.
Your meter's getting weaker,
But you strive to make it through.
You've trudged thicker purposes,
You always make it through.
They will give it all they've got
When they finally come for you.
You have never had a moment's peace,
'Cause misery is glue.

What could you do?
You never knew.
How could have you?
No-one told you.
Misery is glue,
Sticks to you.
I started writing this song in 2000. I was inspired by the rap-pop song by Blondie called No Exit.
Cecil Miller Apr 2015
Mi' Padre' was stabbed in a bar fight.
The cantina is the deepest of wells.
Mi' Madre' put mi' ropa in la mochila.
La pandillas tiene mi' hermano - He fell.

Madre' sold her finest of silver
To buy maquillaje to color my face.
She said, "Better that you should have her"
To the man who had come from The United States.

Yo era una nina novia.
El era un hombre mayor.
I wanted to run away fast, go back home,
But nothing was there for me anymore.

I was but only sixteen.
I had never been touched before.
There I was in such a new land,
Our cothes crumpled on the floor.

The whole time I kept my eyes closed.
I longed for mi' familia and home.
He held me and slumbered when it was over.
My tears were hot and I felt so alone.
.
Yo era una nina novia.
El era un hombre mayor.
I wanted to run away fast, go back home,
But nothing was there for me anymore.

I was told to learn to speak English.
To abandon the language I knew.
I did not speak of my heritage,
It was better that I was kept from view.

I learned to cook like an American wife,
And soon I could speak like the rest.
It was difficult, but I learned how to fit in.
I even changed the way that I dressed.

Yo era una nina novia.
El era un hombre mayor.
I wanted to run away fast, go back home,
But nothing was there for me anymore.

These days, I spend keeping shop,
When the children are still at the school.
They are the heart of my life.
They are named Sally and Raul.

The nights are the hardest to get through.
I still dream of my other life,
Before I was given to my husband.
But I love him now, I am his wife.

But,
I remember when -

Yo era una nina novia.
El era un hombre mayor.
I wanted to run away fast, go back home,
But nothing was there for me anymore.
One of my most creative endeavors, Nina Novia is my first attempt at folk-tale poetry that is patially in Spanish. It took some effort because I am not exceptionally bi-lingual. You might read in the comments where I was inspired to explain her having to deny her heritage to fit into her new American life. At that time she is vulnurable, but it is a testimate to her strength that she endures. But in her regailment her Spanish becomes deminished, except in her recounting her past. That part was writen and added april 29th, when I read the comments and realized there was a gap in her story. I hope it translates well, and is well recieved. I hope it makes more sense. Now, I think it should be a ballad. I wrote and posted the original on April 27, 2015.
Cecil Miller Apr 2015
Hey now! Hold on, baby.
What'cha tryin'na do?
I've been around this big ol' block
A time or two.
You think you're cleaver,
But you really don't know -
I'm the only super-******'
Star of this show.
I'm here to tell you,
Get yourself in line,
Or maybe drink of
Someone else's bottle of wine.
I've heard all the talking
I'mma hear today.
You can either help me,
Or move out of my way.

Stop your complaining,
And you better not nag.
I'm not impressed by tongues
That only wag.
If your mind is weak,
You better take note.
Or you can go find
Another joint to ****.
You've been too jazzy,
And I've had enough.
It ain't even like
You've ever had it rough.
I am the man,
And I will have my say.
You can either help me,
Or move out of my way.

Your teary eyes
Aren't gonna prove a thing.
When it's time to rock-n-roll
You better know how to swing.
When I go get the bacon,
Better pick up a broom;
Or you can make the money
And I'll clean the room.
I'll go it with ya,
But not carry your load.
If that ain't good enough,
You can hit the road.
Remember, I'm the man
And I will have my way.
You can either help me,
Or move out of my way.

You can leave this party
By the door you came.
Because you signed a pre-nup
And gave up your claim.
Don't get to thinking
You can tame my style.
You better get to knowing
I can be mean and vile
If you wanna fix it,
We can give it a go;
But I don't wanna hear
About your every woe.
I've got ideas,
The world is mine today.
You can either help me,
Or move out of my way.

I've got some fuel
And I know my path.
I got no time for drama,
Or your daily wrath.
This might be the last thing
That I say and you hear.
If you want to stick with me
Then get your *** in gear.
Have I been clear,
So that you understand.
Your ******* gets old
And it's hard to stand.
We can clean the slate
And start it new today.
You can either help me
Or move out of my way.
4/25/2015 just wrote these lyrics. I probably have some tweaking to do.
I wanted to write a song that was straight forward, *****-out, rock-n-roll. This one is very raw.
Cecil Miller Apr 2015
Stiletto heels and a push-up bra,
Hair piled high, bleached and toned and all…
That’s the way you used to shuffle around,
But you ain’t been much since your man went to town.

Who’s that a’ worrin’ bout them wrinkles and lines?
Is that the same broad who fell for all his lines?
Well, since he left you all you do is frown.
No, you ain’t done much since your man went to town.

You could’a picked a man who would’a cherished you
Once upon a time when love was fresh and new,
But you picked the one who was known all around.
Now,  you ain’t known much since your man went to town.

(Interlude)

You could’a picked a man who would’a cherished you
Once upon a time when love was fresh and new,
But you picked the one who was known all around.
Now, you ain’t been much since your man went to town.

What’cha gotta to do to make it right
Is take your piece out of your purse, it’s a Saturday night.
What’cha gotta do is shoot him down,
‘Cause you cry too much since your man went to town.

(I'm still tweaking the arrangement. It should have an upbeat Little Richard or Ray Charles rock-n-roll mid-upbeat tempo with possibly hand claps on the downbeat like a spiritual chorus... since most early rock and r&b; musicians got their starts in small black southern Baptist churches. Let me know what you think. If it *****, tell me.
Notes are posted below the body
Cecil Miller Apr 2015
Of all the ways you've laid waist
to the Fortressess of Love I ***** in the realm of my emotions...

Of all the brittle limbs you send back crumbling on which once grew life I sent to you like pawns before me in this dry territory where the dust disturbs the view of the silvry illuminations in the sky...

Of all these things I've said, and the things I've not said...

At least, they let me know that you know I'm alive.
I could not sleep, nor think.
So I wrote a poem.
Cecil Miller Apr 2015
You got to know what for, Babe, you got nothin' to lose,
Just like ev'rybody else in the whole **** world.
You gotta break on through
To the other side of your sad attitude,
But you can't shake off
Them muddy Mississippi Bluez.

Well, Hell! She's beatin' on a drum
And she's gettin pretty loose.
Seems like ev'rybody else in the whole **** world
Is comin' down on her
And standin' on some plattitude.
She's just tryin' to groove
To the muddy Mississippi Bluez.

Up and down the water,
You watch the riverboats cruise,
As you drink against the tree beneath a sky of blue.
Sleep wants to take you,
But Honey, you refuse.
You gotta pay your dues
To the muddy Mississippi Blues.

Life along the delta can be simple and fine,
When the stills fill the jugs and the full moon shines.
You're gonna make it through
When you find a little gratitude.
So give your praise
To the muddy Mississippi Bluez

"Well, Hell! Take me away,
Muddy Mississippi.
I know I can count on you.
To stain my soul
Like muddy Mississippi goo.
I owe it all
To the muddy Mississippi Bluez!"
There is a version of this song on hellopoetry.com. I liked the responses to it so I am leaving it up.
This version has an additional verse that I just wrote. It is a song. I really hope you guys enjoy it.
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