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Gunner  May 2017
Skin
Gunner May 2017
Skin.
Skin by definition is a thin layer of tissue forming a natural outer covering of the body.
Skin is for people to tan, to clothe, apply make up to... to touch.

Itch, bleed, scab, repeat.

Mosquito bites.
Mosquito bites by definition are the itchy bumps that appear after mosquitoes use their proboscis to puncture your skin and feed on your blood.
Mosquito bites are for people to feel, to itch, to bleed, to scab and repeat. The entire cycle.

Itch, bleed, scab, repeat.

Summer.
Summer by definition is the warmest season of the year.
Summer is for t-shirts, shorts, exposure, swimming, tanning, skin, skin, skin, skin, skin.
"It's Summer, put on some shorts."
"It's Summer, why aren't you wearing a t-shirt?"
"It's Summer, let's go swimming!"
Summer is a time for these questions, these statements, these words to fester, to breed like muosquitos, to sting like the bite of a bug.

Itch, bleed, scab, repeat.
Itch, bleed, scab, repeat.

Dermatologist.
A Dermatologist by definition is a doctor that treats diseases, in the widest sense, and some cosmetic problems of the skin, skin, skin, skin, skin.
The Dermatologist tells me to use this and to use that. Lotions and potions, as my mother would say. Slather, rub, treat, swallow.

Itch, bleed, scab, repeat.
Itch, bleed, scab, repeat.

Skin care.
Skin care by definition is the range of practices that support skin integrity, enhance its appearance and relieve skin conditions.
Get up, shower, sterilizing soap, body oil, steroid cream, medicated lotion, drink water and repeat the process before bed. My daily cycle.

Itch, bleed, scab, repeat.
Itch, bleed, scab, repeat.

Seesaw.
A Seesaw by definition is to change rapidly and repeatedly from one position, situation, or condition to another and back again.
Seesaw, to push off the ground, into the air with a sense of victory and joy, only to fall hard to the ground with stinging ankles and sore calf's.
This isn't a playground anymore.
The Dermatologist says that if I don't get better, they'll have to put me on the pill.

Itch, bleed, scab, repeat.
Itch, bleed, scab, repeat.

The Pill.
The Pill is an oral treatment for my condition. My eczema.
One pill every morning at seven AM with food and an entire glass of water.
The risk associated with the pill- Osteoporosis,  Muscle weakness, Mood and Behavioral changes, Increase in chance of developing cataracts,  Stomach Ulcers and Liver Failure.
One pill every morning at seven AM with food and an entire glass of water. The daily cycle.

Itch, bleed, scab, repeat.
Itch, bleed, scab, repeat.
Itch, bleed, scab.... **** it.

I would rather my liver fail and my bones go brittle then to be stared at on the street!
"What is that?"
"Are you okay?"
"What's wrong with her?"
"Is it contagious?"
"Don't touch me!"
I itch, my nails dragging over my scarred skin and pulling at wounds. I bleed, the welts that crack and leak drops from the red river that flows silently beneath my skin. I scab, leaving horrible lumps of ugly, hardened flesh to coat the once smooth area. I repeat....

Well, I don't want to repeat! I want to be able wear the clothes I want, to walk the streets with out the judging and questioning eyes of the passersby on me, to be held and touched by a significant other without the fear that their fingers will fall upon my skin and recoil in disgust!

Without looking in the mirror and wondering when I can finally begin to love myself.

I decided that today is the day! No more Itching! No more Bleeding! No more Scabs! It's time to break this ******* cycle.
Cyril Blythe Nov 2012
Janie pushes the metal book cart back into its parking space in the Document Delivery Department of the St. Louis Public Library and hangs the last sticky note for October 30, 2012 on the wall by the head of the department’s closed door. She retightens her brown scarf under her chin, tucking the wispy hairs above her ears back into hiding. Having your hair begin to prematurely gray as a teenager has dramatic effects on a person. Her mother wore scarves around her wrists when Janie was growing up and when Janie begin to wear scarves to conceal her salt-and-pepper hair, her mother just smiled. The clock hanging on the wall above the children’s section reads 11:28pm.
Two more minutes.
She reorganized the pens and books on her desk and set the box reading NOTES onto the right corner or her desk with three blue pens and a stack of note cards. Her coworkers learned fast that Janie does not like to talk. She does not like eye contact. She loves the silence, and never ever to ask her about her hair. Her manager gave her the NOTES box after about a month of horrible miscommunication and everyday it fills with requests for books or tasks that Janie has to complete. She completes the tasks one by one, alone, in her back office in the Reference Department and hangs the completed sticky notes on the wall by her manager’s door. She works the night shift and locks the library up every night. When she’s alone she can talk out loud to herself and those are the only voices she cares to hear.
“Goodnight, books. Good night, rooms.” Janie shut the heavy wooden door to the library, placed the color-coded keys in the front right pocket of her jacket, and began her walk to the bus stop one corner away. She avoids the main road, taking her first right onto a side street that she knows would spit her out right beside the bus stop.
“Goodnight Taco Bell Sign. Goodnight Rite-Aide. Goodnight Westside Apartments. Goodnight Jack-o-Lantern smile.” She stopped in the middle of the alley and peered up at the Jack-o-Lantern grinning down at her from the third story window above. “Mother wouldn’t’ve liked your smirk, Jack. She would’ve slapped that **** right off your face.” Janie, satisfied the pumpkin was put in its rightful place, smiled as she trotted on.
“Mother carved smiles into her arms and that’s why Daddy left, it is, it is.” She kicked at a crushed Mountain Dew can as she remembered that night from years ago.

“Mommy?” Janie pushed opened the door to her mother’s bedroom and saw the moving-boxes torn open and all their contents scattered across the floor. She tiptoed through piles of scarves and silverware and corkscrews until she reached the bathroom in her mom’s room.
“Come to us like rain, oh lord, come and stay and sting a while more, oh lord…” her mother’s voice was slipping off the tiled bathroom walls. Janie pushed open the door and saw the blood for the first time pouring from her mother’s wrist. Her mother was naked and perched on the bathroom sink, singing to a red razor blade.
“Mommy?”
“GET OUT!” Her mother jumped from the counter and perched on all fours on the floor. She began to growl and speak in a voice too deep to be coming from her own throat.
“Mommy! It’s Janie!” She began to cry as her mother, still naked and bleeding, twisted and writhed onto her back and began to crawl towards the door that Janie hid behind.


“Thirty-Three percent, dear. Just a thirty-three percent chance.” She shivered trying to clear the last memory of her mother with the words that all the shrinks had echoed to her over the years. “Schizophrenia is directly related to genetics, little is known about the type of Schizophrenia mother was diagnosed with except that it is definitely passed on genetically. But, there is only a thirty-three percent chance you could have it, dear. Thirty-three percent.” The sound of the bus stop ahead reminds her it is time to be silent again.
“Disorganized Schizophrenia.” She mouthed to herself as she stepped back out onto the busy street from her alleyway. She tightened her scarf and saw the bus pull into the pickup spot. She walked forward to the bus, again immersed in her self-imposed silence.
Stepping out of the February cold, Janie removes her wool scarf as the bus doors close behind her.
“Where to baby?” The driver smiles a sticky smile. Her nametag reads, “Shannon” and has a decaying Hello-Kitty sticker in the bottom left corner.
“The Clinton Street drop.” She hands the driver her $2.50 fare and avoids the woman’s questioning eyes. The night drivers are always more talkative, curious.
“Your ticket hon.” She tears Janie a ticket stub. “Everything is pretty dead this late, I’ll have you there in ten minutes top.”
Janie begins to shuffle towards the seats, ignoring the woman.
“You mind if I crank up the music?” The bus driver asks, purple fingernails scratching in her thick blonde hair. “I need to keep my eyes open and blood flowing and music is my fire of choice you know?”
“Sure.” Janie shrugs her bag onto her shoulder and walks on before the woman can say anything else.
“Route E-2, homebound.” Shannon’s voice crackles over the loudspeaker.
She shuffles down the bus towards her usual seat; second from the back right side.  Shannon starts the bus rolling before she reaches her seat and Janie can hear her singing along to “Summertime” by Janis Joplin. The bus floor, today, is sticky because of the morning rain. Two years of riding public transportation has taught Janie that staring at the floor as she walks to her seat is better than the risk of making eye contact. The bus is usually empty this late but if there ever happens to be anyone else on, it’s better not to converse. Safer that way.
She plops into her seat filling the indention that ghosts of past passengers left. The seat is still warm and Janie squirms around until the stranger heat is forgotten. She tightens her scarf and sighs. The brown pleather seatback in front of her is peeling towards the top. Janie leans forward and idly picks at the scab-like dangles of brown as she watches the sodden city canvas roll past her out the foggy window. As she picks, the hole grows. She twists and digs her unpainted nails into the seat until her hands feel wet, warm. Looking down, they are covered in blood and mud.
“What. The. Actual. ****.” she whispers, wiping her hands on her pants leg. She cautiously picks off another piece of pleather and a trickle of deep red begins to run from the seat back, clumps of mud now falling onto her knees. A puddle of blood and mire splatter down her legs and pool around her feet as she picks at the seat. Her white tights are definitely beyond saving now, so she digs faster until her thumbnail catches on something, bends back, and cracks. She gasps and withdraws her shaking hand, watching her own blood mix with the clotting muck in the seat, half of her thumbnail completely stripped off.
Looking around, all else seems normal. The driver is now muttering along to some banter by Kanye West, completely unaware of Janie’s predicament. She closes her eyes.
This is a dream, this is a dream, wake the **** up.
She opens her eyes to see the pool of filth around her feet trickling towards the front of the bus. Panic sets in with a whisper, They’re going to think it was you, your fault, you’ll be thrown in jail.
“But I didn’t do this.” She lashes out to herself. “I didn’t hurt anyone.”
Next stop, E-2. Shannon blares on the intercom.
“It’s just a dream, get your **** together, Janie.” She laughs at herself, manic.
Prove it! Her subconscious screams.
Convinced to end this moment she has to continue; Janie plunges her hand into the pleather grave one more time. Frantic and confused she laughs as she digs, spittle of muck splashing on her bus window.
Faster, faster, faster.
Deeper, deeper, deeper.
Realer, realer, real.
Wake up, now!
Then, as the bus slows, one last chuck of mud splatters to the floor and Janie sees a pink piece of her thumbnail stabbed into the white of a bone in the bottom of the seatback pit. Her white Ked’s were becoming so red they were almost black. She pulls her knees up to her chest and begins to rock back and forth. Clenching shut her eyes she begins to hum. Janie’s sweet soprano harmonizes with the buses deep droning purr, their wet melody interweaving with the driver’s alto and Lil Wayne’s screech made her feel dizzy as the bus turned right.
She take my money when I'm in need
Yeah she's a trifling friend indeed
Oh she's a gold digger way over town
That dig's on me
The bus slows to a stop and the bass is shaking. Janie is cold. She slowly peeks out of her right eye, expecting to be instantly immersed into the same dismal scene. The seatback is whole again. Releasing her knees, her feet fall back to the floor and her shaking fingers stroke the solid pleather.

“Ma’am? We’re at the Clinton Drop.”
Janie hurriedly picks up her bag and flees down the aisle to the bus doors.
“Everything alright, dear?” The bus driver asks, smiling.
“Fine, just fine.”
“You be safe out there tonight. The night is dark and only ghouls stroll the streets this late.”  Shannon laughed as Janie’s jaw dropped. “Happy Halloween, dear. It’s midnight, today is October 31st.”
The bus doors opened and a cold wind ****** the warm bot-air surrounding Janie into the streets. She begrudgingly followed, her mind spinning as she stepped onto the pavement. The doors slammed behind her and she turned to see Shannon pull out a tube of lipstick and smear it, red, across her cracked lips. Shannon made a duck-face in the mirror and reached down to crank up the music as loud as it would go. The bus exhaled and rolled forward, leaving Janie behind as it splashed through the potholes.
She surveys the surrounding midnight gloom and the street is quiet and dark. Even the stars are hidden behind swirling clouds. She begins to hum, hands in her pocket, and shuffle towards her apartment.
“Goodnight, stars. Goodnight, street.”
As she approaches her single-bedroom apartment, digging through her coat pocket for her keys, her thumb pulsates. She grasps the keys and pulls them out as she steps up to the apartment. Sticking the cold, silver key in the lock she looks down at her thumb and in the shadows of the porch sees half of the nail completely missing. She laughs as she pushes the door open to her bare apartment, light flooding out. Without any hesitation she closes the door behind her, sheds her clothes, and slips onto the mattress in the corner of the room gripping her thumb tight. She reaches out for the glass of milk on the floor beside her bed from the morning and it’s still cold. Nursing the milk, surrounded by blankets and solitude, she reminds herself,  “Only a thirty-three percent chance. A nice, small, round number. Small.”  
She sets down the empty glass and curls into the fetal position under the heavy blankets, pointer finger tracing circles on her thumb. Only when she has heated her blanket cocoon enough to feel safe does she remove her scarf and allow her thick white hair to fall around her face.
“Goodnight, room. Goodnight, mother,”
George Anthony May 2017
I know that there is a table
in a Catholic high school in my local town
with an etch of the letter "G"
next to boredom-inspired vandal,
jagged lines, circles,
perhaps a few ******* shapes
as silly high school boys
are prone to draw.

An Advanced Maths textbook sits on a shelf
with a little doodle
of a peace sign next to an emo smiley
from a time where I was caught
between two phases,
tight black jeans and a flowing turquoise shirt.

Tobacco stains smeared
over the wood of a sealed off door
just outside my bedroom,
evidence of the first time
I tried a cigarette, seven years old,
and then panicked and tried to
flush it down the toilet,
only to have to fish it out and stuff it
in a little crevice, to be hidden and
remain there for seven years.

We leave all these little marks
and stains
in places we've been.
Spilled food, spilled ink, spilled drink,
tobacco stains and pools of blood.
"The marks humans leave are
too often scars."

I have scars.
Left forearm. Right calf. Right wrist bone. Both kneecaps.

A scar across my ribs and chest I was
so desperate to be rid of,
I bathed myself in oils and it was
the first scab I
never picked at; but a couple of weeks ago
I dreamt it was there again, fresh.
It tore open in front of everyone, bled out,
and I woke up gasping, drowning in my fear,
agonised, clutching at a wound that'd long since faded
convinced I could feel it splitting me apart again.

I have evidence all over my body
and more buried deep within the recesses of my mind,
scars so jagged they put knives to shame,
shining, pale, like diamonds in moonlight
not half as precious
but still invaluable.
Evidence of the marks humans leave behind.

I'm not innocent.
I don't pretend like I am.
I know there is a man out there
who gained another scar to add to his collection
when he was fourteen years old.
I know my hands carved it into his skin.
I know I used to use my fists
when others used their words to hurt me.

When I die, I know that I will leave
pieces of myself
everywhere
I've ever been. Whether people know it
or not, whether they
remember me
or not. There are ink stains
and coffee spills. My blood
is still on the floor of his house.
The high school cafeteria
has a circle of red
from a nosebleed I didn't realise I was having.
There are parks wearing my graffiti
and children donning my old clothes, and people overseas
still alive because of me

(or that's what they'll tell me, but
all I did was talk.
Give yourself the credit you guys deserve,
you're the ones who chose to listen.
You're the ones who had the strength to
pick your head up and carry on)

There are exes who still think of me
and friends who will one day
come across some article of clothing
or a piece of technology
I left behind after a sleepover.
Teachers who will remember
that smart, sarcastic student
who had panic attacks in their classrooms
and drank coffee in the mentoring hub with Mrs. Hume
whilst buttering bagels and functioning on no sleep.

Maybe our place in the universe is
insignificant. Or maybe it's the
most significant thing
of all.
Maybe the Buddhists are right.
Maybe we are the universe, together
as one. I sure think it makes sense.

Streams of consciousness
and spirits that need healing.
We work the sun
without even realising we're doing it.
We destroy it, too,
which is perhaps why we
are so self destructive in turn.

Maybe we're
smaller than specs of dust
but that's okay.
You don't have anything
without the particles required
to make things up.
Everything is a collection of atoms:
the tiniest things of all
yet they're the centre of everything,
the beginning of everything.

So when the end comes and
we burst back into the sky,
stardust and souls and
blinking little lights,
we'll have left our marks on the earth
regardless of who remembers
and we'll still be there, twinkling,
a collection of atoms that came from a supernova
essential to the makeup of galaxies
and life itself.
What could be more beautiful than that?
I don't know. It was... some sort of stream of consciousness, perhaps? I blanked out halfway through writing it.
Indigo Morrison Jul 2018
My body is the makeup of both hard and softness
The reds, browns, golds...
The light and darkness of all my ancestors.
Some men have lost themselves here,
Some men have found themselves here
Most women stand stronger next to this.

I am both war grounds and silent cities.
I am both girl trying not to drown in all this sadness, all this loss...
And woman trying not to drown in all this sadness, all this loss.
I am your blonde roast that starts a riot in you first thing in the morning
And your dark roast that goes down smooth, leaving you to want for a little more...

I am both the scab healing over bruised skin
And the area surrounding it.
I am both strong legs and soft lips
...Brown skin deep enough to hide flaws still.

I am the softness in light...
And the softness of honey, but still thick enough to swim in.
I am the hardness of knees on ground, praying to the man or woman who has made me both hard and soft.

I am the woman who cannot forget enough to truly forgive,
But human enough to help you if the light goes out.
I am consistent no's and the yes that matters,
I am shattered glass and spilled milk.

This skin mirrors both the earth and everything you give the universe on a new moon .
I am both woman dancing in nothing, but a skirt to the rhythm of the ocean ...
And the ocean kissing the shore wishing to be as free as that woman.

Sometimes this mouth...
Sometimes my words bite,
Creating harsh weather,
But I am tired of making storms of people, storms of my relations.

I am both soft belly and strong back.
Something you can count on,
A woman you can be sure of.
You can bet on me,
You can stand near me,
You can fall in my presence.
...You can be both hard and soft with me.
Adrianna Aug 2018
I despise social media.
It's ugly, to state the obvious
Our lives are posted, retweeted, altered, reblogged, perfected, and photoshopped to exactly how we want to be perceived
We have the freedom to be exactly what they want us to be.

It starts with a few edits doesn't it,
pigmented our skin to seem smooth and sun kissed,
that would seem most acceptable right?
Maybe an extra like for the skinnier waist.
More reassurance for brighter colors.
Some more filters will hid the emptiness you feel with your friends
   Another like
Flashier clothing, phones, shoes, cars, other simple words our eyes have latched on to
     Another like
We urge ourselves to portray the life of leisure and effortless beauty, happiness, success,
       Another like
But what are we enjoying?
         Another like
Views of our changing world through a 3 by 8 view.
           Another like
Events pass by swipe
             Another like
and swipe
               Another like

And when we managed to unlock ourselves from this grasp
We always come back
Like flies to light, more like scratches to a scab
Festering we find ourselves getting ****** back in
To an imaginary world, that if destroyed, would have no physical effects on their fictional beings
For without this world, maybe eyes will open
We will step past the boundaries,
and start to love our beings
unfiltered
I really do not like the social norms of having the staples of social media, it is a toxic area that traps us in an infinite loop of trying to upgrade one another
Marri  Nov 2019
Scab
Marri Nov 2019
I pick & pick & pick.
I peel the layers off, satisfyingly.
I watch the blood ooze out.
Slowly running down arms and legs.

I pick & pick & pick again.
I tear the skin off, contently.
I watch the skin reveal pink flesh.
Slowly, I feel alive.

I keep thinking of you;
I pick the scab.

I keep remembering everything;
I pick the scab.

Flashes of your face invoke my memories;
The blood runs.

The sound of your laugh enters my mind;
The blood drips.

I go to places that were special to us;
I smile.

I pretend you’re there with me;
I laugh.

I sit in silence--
I talk in my head.
I even scream sometimes.
All while I pick & pick & pick some more.

The same cycle occurs over and over again:
I pick, bleed, then heal.

Healthy,     isn’t it?
Kairee F  Mar 2012
Scab
Kairee F Mar 2012
A bleeding flesh wound –
I am the fingernail digging in sharply,
Deepening the cave of plasma and color.
I am the itching when healing attempts
To envelop the skin in beige-clustered hues.
I am the crusty, brown layer on top,
Unsightly for certain and unwanted at best.

Did no one teach you? No matter your stance,
Ignoring a scab to its slow, subtle parting
Will still leave a scar behind. –
I gracefully linger, for these scars don’t fade.
Ken Pepiton Nov 2018
How we start is only part of what we eventually do.

Physically that's easy to see. Being human, adamkind,
we see weak starts often in life.
Colts or pups born a week too soon can be loved to lives as pampered pets,
Siring toys for the enjoyment of those who can afford to fuel them,
For generations, with never a single care,
Past that initial trauma and subsequent subjugation to the will of man.

I don't tell horse stories, dog stories or war stories, if I can keep from it.

But when you want to demonstrate the purest of payback,
revenge getting the bad guy in the end,
having a horse be the hero makes behaving like an animal
more noble to the mind of vengeful man.
It's not true, revenge being noble.
That's a very old lie.

Law is to prevent error by disallowing failure. Law.

Relative to the rest of God's creatures, we, adamkind, seem dependent, weak and vulnerable next to bears being weak
a way-less long time
Than we.
We come into this world weak as a baby anything and we stay that way longer
Than any living creature.

I am an American, by birth.
I was not born to a political party or a family with political roots,
"I ain't no Senator's son."
Still,
I was reared drinking mythic cherry wine
sprung from George's failure to lie
Regarding his woodman's knack with a hatchet.

Sitting on the fence rail Abe split,
town fathers where I lived
were said to have decided the most harmonious of towns
have only gainfully employed darker folks,
while white
trash was allowed to loll around because they was
some employer's kin by marriage.

It all seemed pretty normal, as a child.
The loller-arounders let kids listen when they told
Their friends, who could not read, what the newspapers said.

One block from my house there was a vet's and hobo's flop-house clad in corrugated tin, rusted-round the nail-holes all the way to the ground and the rust had spread, so at sunset,...
I only recall the single story shed having one door.
There were always old white men sittin' on the southside of the shed. At sunset, those old men's whispy white hair

appeared as white flowing mare's tale clouds under
a scab-red wall held up by old men with sunset shining faces...

It was a big shed, a low barn, a bunkhouse,
eight or ten 4-foot tin-sheets long on the north and south
Windowless walls.
The one door was on the south side.
Once I saw an old man selling red paper buddy poppies.
He was missing both legs about half-way up his thighs.
The poppy seller rode a square board that had what I think were
Roller-skates, the key-kind, with metal wheels about a 1/2 inch wide.
Nailed to it's bottom. He had handles made from a carpenter's saw
Without it's blade. He pushed himself with those handles.

That looked fun, to a four-year old.
It looks different now-a-days. Knowing
Those red poppies symbolized
The after math automatics of the war to end war.

Who knows the poppy-sellers son? He would be old.
Does he know how his father lost his legs, but lived?
Does he bear the curse of the curse that lost his father's legs?
Does he honor his father's cause or weep at the thought?

Enough is enough.
My family tree branched in America, but only one great grand-parent,
Three generations back from me, was rooted in this land.
My gran'ma's ma, a Choctaw squaw,
That rhymed fine,
But it's not true. My grandma did not know her parents. She was born an orphan,
And her father and mother were likely strangers.

1910 in southwest Arkansas or southeast Oklahoma or northeast Texas or northwest Louisiana
And the color of her skin is all that proved my American heritage.

My grandma was born poor as poor can be,
she never told me how she survived

To survive a 1925 or so car wreck
in eastern Arizona's white mountains.
I never asked what my grandmother knew,
nor how she came to know.

This is my point.
After you and I have gone into forever more,
Our great grand children may wonder
what we did or did not, since we
Are no longer around to give our account.

These days we can leave our story to our great grand children.
Our own children
And our grand children follow us on facebook back to before they were born.
Shall they judge us idlers wielding idle words for laughs,
or  think us knowers of all we found while seeking first the Kingdom of Heaven
In the place Jesus says it is. You know where Jesus said the Kingdom of our kind lies?

The double minded man is unstable in all his ways,
hence Eve and her broader bandwidth corpus colostrum
Come back later, there is a breath system upgrade evolving.

Such changes to the courage of the mind rolls out more slowly
to the root ideas, labouring to find sustenance,
it is a struggle being a radical idea,
we agree, but we have our part,
as do the flowers
and the spore.
Leaven the whole lump, like it or lump it.

The now we live in grew from far deeper roots than
the roots claimed by the
Self-identified nation through it's cartoons/representations of national desires to rally 'round the flag as if it were the fire,
those desires to herd beneath any shelter from the storm,
Your country, your incorporated allegiance
to the inventor and creator and counter of the money under
the protection of the sword and crown representative
of the flame that burns,
The namers of patriot, the rankeers of ideas
who, by their existence,
naturally, over rule you.
Such powers are granted by the individual, not the mob.
You get that?

The desires of the nation over rule the desires of the individuals who
Com-prize the nation.
Whose side are you on, dear reader?

Is the idea we believed believable?
Ex Nihilo, I don't think so because
I can't imagine how now could be
Accidental-ly.

When my hero wore spurs as he went from the jail office to
Miss Kitty's place, (Gunsmoke on A.M. radio)

What did Miss Kitty do?
I had no clue.
In my hero's world people never
Did the wrong thing
While Marshal Dillon was in Dodge.

So did you think Miss Kitty's place was anything other
than a culturally acceptable
reference to professional social ******* workers
under a strong, smart female CEO
with top-level links to the local cops?

All these are rhetorical questions, this being
Rhetorical if you are hearing me say this.
That means, don't nod or raise your hand or shout Amen, kin!

I see your answer my answer and
I know my answer, so you know my answer.

Step-back, 1961, USA Snapshot
Unitas, Benny Kid Perett, Mantlenmarris, the Guns of Navarone.

Why I recall those things, I know not.
Why I did not say I do not know, I do not know.

Though, pausing to think,
knowing contains the doing of it within it, you know.
What's to do?

Outlaws were more my heroes than cowboys, and marshals, and such
Especially the ones that had been forced out by law.

I grew up in a 1950's junkyard with no fence, one mile north of route 66
On the Al-Can highway to Las Vegas, 103 miles away.
My Grandpa was a blacksmith's son,
who rode a horse he broke and his pa had shod
From Texas to Arizona in 1917, at the age of 18.

by the time I knew him,
He was fifty, settled down, nearly, from the war.
Momma had to work, so, daytime, Granddaddy raised me.

Horses weren't, wrecked cars were,
the toys of my childhood.

Grandpa built a junkyard from cars left steam blown
on the old stage road, from before
the railroad.
The Abo Highway hain't been Route 66 for some time yet…
Hoping…


Hoping sometime to polish this bit of this book, I left myself re-minders
Hoping memory of mental realms might rewind or unwind sequentially
When trigger
Neighed.
That worked, Roy Autry and Gene Rogers were names Sue Snow's
Mormon Bishop granddaddy called me,
back when I first recall My Grandpa Caleb,
a baptist by confession,
who was,
as I recall a *****-drinkin' jolly drunk.
While Grandma made beds in some motel,
granddaddy built boats and horse trailers
and hot rod 34 Chevies,
and he fixed this one red Indian, I could read the word on the gas tank, I knew the word Indian
and this motor cycle was proud to wear the name. I was 4.

A stout-strong man, no fat near any working muscle system,
he could and would
repair any broken thing,
for anybody. People called him Pop.
Pop and Mr. Levi-next-door at the Loma Vista Motel, shared a listing in the Green Book,
so broke down ******* knew where help could be found
after dark in that town.
There was a warnin'ag'in
let'n sunset there
on darker than grandma's skin.

My Gran'daddy's shop had two gas pumps
that were reset to begin pumping with the turn of a crank.
As soon as I could turn that crank,
I could pump gas.
I could fill up that red Indian
Motorcycle.
But "m'spokes was too short
to kick the starter."
I told my eleven year old uncle
and he told
how he would always remember learning
that saddles have no linkage
to horse brakes.
"Not knowing what you cain't do
kin *** ye kilt."

He grew up in the junk yard, too.
My first outlaw hero.

Likely, I am alive today, because
On the day I discovered I could pump gas as good as any man,
I also discovered that real motorcycles were not built for little boys.
This is an earlier voice which I wrote a series of thought experiments. The book is finished, most parts, some reader feedback as to interest in more, will be high value gifts from you to me, and counted so.
Logan LaFleche  Dec 2013
Scab.
Logan LaFleche Dec 2013
Cold, dark, and lonely..
I spread my toes out in front of me,
Stretching erratically on
my bedroom floor.
  
Frantically, I grab things,
anything. To keep myself
distracted.
  
Something to bound me away from
my worries,
my fears,
my regrets.
You.
  
Sweat builds, and a
red,
inescapable rash,
consumes my face.
Choking my innocence.
Digesting my happiness.
  
I'm pulling away,
at what I love,
at what I want most in this entire
******* world.
  
And I'm scraping you off
like a scab.
Away you'll go, quick,
and easy to forget.
For now.
  
But you'll remain as a scar,
tearing at my skin,
a surfacing pain inside my mind.
  
I can't forget you.
I won't forget you.
That is why,
you must go.
John Updike  Jan 2010
Hoeing
I sometimes fear the younger generation will be deprived
  of the pleasures of hoeing;
  there is no knowing
how many souls have been formed by this simple exercise.

The dry earth like a great scab breaks, revealing
  moist-dark loam--
  the pea-root's home,
a fertile wound perpetually healing.

How neatly the green weeds go under!
  The blade chops the earth new.
  Ignorant the wise boy who
has never rendered thus the world fecunder.
Kerrigan Reyes Apr 2014
Your cold hand against mine
we are frozen in time
with your breastbone against my body
and the darkness all around me
All I want is to call you my own
all day that's what I moan
but you've passed away today
there's no other way
to hear you say "I Love You"
or for us to gently woo
the other one to marriage
where the ledge stood
that you jumped off of
to the ground below and above
the birds sang as the sound
of crunching bones against the ground
shatter the silence with a scream
maybe I'm just in a dream....
But then I awake with an empty bed
beside my body and my head
I reach across and look for you to grab
my hand where my ugly, horrendous scab
from when I tried to **** myself
lives within the hidden shelves
of my lost mind.
Oh, lover, where have you gone?
I sing a sorrowful song after song
hoping that will  bring you back
but instead your body is cracked
and will never house another soul
your body is just a black hole
within my memories of us
you're now a once was
after your suicide
I've never been the same. a part of me died.

— The End —