I am an instrument with proud, inexcusable curves,
finished in a deep stain that shows my wear,
how I was loved—
the hands that have touched me.
It accentuates my grooves, my nicks.
It implies the things I've seen
and the music I've created.
I hang on the wall in the far left corner.
One of many walls in this room of a thousand others like me,
made to perform the very same tasks.
It's quiet here.
Echoes in our hollowed bodies,
amplified from the smallest sounds.
All of us, hiding away until we're found,
recognized—and stroked and strummed.
Poor and pitted, waiting
for the completion of hands, and minds,
and unmatched understanding of how and when.
There is a hope, when the lights come up—
when the footsteps approach my wall.
Although he hasn't yet, the thought alone sustains me.
I can feel him
lift me off of my holds,
run his hands down my pronounced edges,
and tune me with precision
by his classically trained ear.
He twists and plucks,
as I contract and give and give again.
I only play beautifully for him.
I vibrate to hum
making notes that require
no accompaniment.
For a stretch of time, I have purpose.
My hollowness
becomes a haunt for untethered melodies.
He makes me something I cannot otherwise be.
The maestro,
the maestro and me.
© Bitsy Sanders, March 2015