Even when
All is said and done,
And I have become
A guardian angel
Over my past self,
Even then,
I have failed.

The shanties of the shore are the tide’s wives in clay,  
The uxorious sea fawns at the blushed lips of the beach,
A serenade from the sung-exhalations of all living things,
Though eternity is the stillness of silence repeating.

The fallen leaves are the shrouds of hoof prints,
The withers of breeze reined to time-kept trysts,
Gentilissimo, Cavalieri di Corredo, Italian knight
Whose path by pure lover’s look is made clean.

We go back, we go back to the sun caught by handfuls,
Like the Medieval snow melts into Grecian stream.

Gentle knight, to your galloping song of Winter:
The sweeping rush of grass and gathering refrain
Of bells surrounds the long sloping meadow of
The muzzle, snorting freedoms of wildflowers past,
Leaving its bosky thunderbrush of tail like distant
Summer storms and the slackening rhythms of rain.

We go back, we go back to the sun caught by handfuls,
Like the Medieval snow melts into Grecian stream.

The volplaning bird plucks from fish-eyed shallows,
A gargoyle perches on an ***** key, ever sustaining,
A woman plays the lute from man’s hollowed rib,
As the priests with sophistry sweep the dust off sin.

We go back, we go back to the sun caught by handfuls,
Like the Medieval snow melts into Grecian stream.
But the clock cannot turn its face from its tears.

Morning was sudden-made as an onwardness of hills,
Meant for donning crusade in chainmail glistenings,
The sun visored in misty slats of cold steel,
To glimmer fusty through the godded grove,
A holy sepulchre, earthly-dim to its rafters of oak,
Where the forest-fall of sunlight shed its rosework,
And a red-breasted bird, its song-flight of dappled gleam,
And in the meadow, where colorful whorled the tale of Saladin,
Wayside flowers shook beneath the destriers' cloth caparisons,
A sunny fullness of vales for the crusaders' forest-heartened lungs,
And when this furthering of sights was sunken from,
Still an onwardness of hills to Jaffa like steppingstones.

Loneliness is a sketchwork of pen and ink of iron gall,
Brushed over in brown wash of wood soot from oak,
Disguised then under tempera of golden-ratio of yolk,
Flared over with fiery oils to the smoke-blurred brink, sfumato,
Or pigment of the fresco, a shade of off-life, languid as watercolor,
Or from the too-fondly-felt impasto knife.

But bares its bones in the light-dark cleft of Caravaggio,
With diminutions of death and the storm’s dark imbroglio,
And sunlight as flesh made into soul,
The skin stretched whole around the world.

Each sky is just a sketch
Of loneliness, left unsigned,
By every hand.

Love has passed me by like a stream at a miller’s side
Who has store of grains and grinds and little else.
A bird is the mill wheel that spills out
Small buckets of splashing trills in these woods
~Whose heart is the great spiral tragedy of a tree
that lessens itself by load of leaves~
Love has passed me by like a road for the dusted hoof
Of a pack horse whose rider is a daze of coin-pursed eyes,
And a saddle of dry distance for fortune’s miles.

Love, how you pass me again and again,
In your madness for grain of coin and its too many roles.
Sometimes the giver is more gift than the rose.

Love is a left-mouse click, a flashing prompt,
For the cursor cross of a Crusade that never was,
And the knight who is broken on the scroll wheel,
And the lady in waiting who backspaces from the real.

Love is a Phoenician breeze,  
Purest abjad of Tyrian purple and royal blue,
Pillow bearer of golden consonance between kings.

Love is a Phoenician trader over deepest-sounded seas,
Far-blown nomad that still wants for the thunder of golden drums
And the rain that comes in rounded vowels of water.

Because love has no tribe but is the purest nomad.

Love, unruliest hope, when fierce Diana went wild
With savage discourse, the arrow-stroke of her tongue—
While rage-hounds bay in wooded Gargaphie—aimed at Actaeon.
Or old Baucis her god-giving bone fat of mind,
Stewed the broth of covenant for Zeus to repay in kind.
Then Parthenope, siren-stung in her whirlpool of sea vines,
Her maiden-voice is a breath of sand for Naples to muse upon.
The body of Helen still lies in ages-old smoke over our cities,
We live in the timberframe of her bones of burned ships.
Why can’t her death be an end to all skies?

My grandmother had forgotten everything but the ability to be good,
Innate courtliness sitting like a castle upon a moor.
Her world of insensate rains and fogs and heaths,
And still the hearth flickering from her lost eyes.
My grandmother whom I adored, to all the world,
Your goodness will go unnoticed into night,
Just as your eyes stared unknowing
Before the subsuming of tides,
While the world blasted through your bones,
Breath without force of inspiration.

The sky will never hold more
Than all the paths of soldiers’ unreturning,
Laid out the length of undone goodbyes.  
Their eyes that sleep on the wind,
Palace of last breath,
And the rain that falls, expectant of windows,
And those left within to live without eyes.

She kisses like the reading of an ancient poem
With lips clouded by their own sighs,
So too with all her mock moons, paraselenae,
Obnubilations over her luminous mind,
Her last desperate pulchritude of night,
Chaste labors of assembling unspoiled dew:
Just crumbs of breath at the Greek feast of wind,
New sun pouring in to the clay flowers of our lungs.

The immortal is the time before the rain
When we have thoughts of it afterward.  
By then, the mosaic of tongue and its words
Are broken stones swept away
By the shuttling broom of storm.

When she folds into me and weeps,
The world of empty things falls into me
Like the wetness of July in antiquated Rome,
Mother of tears, Mater Lachrymarum, in Forum stone,
The rain-addled veneers of Octavia’s portico.

Gather up these black sickened bellies of ruins,
Turn them out to make hunger the den of the skies,
Let the cracked whisper of each monument and temple
Breathe as Caesar, in unending stillness like a bare road.

A road is the sadness of seeing our beginning
But knowing love its far-off end is foretold.

Sunset is a washwoman's stream of rubia dyes
And the crushed scales from the Kermes insect,
While the loosened garments of life slide
Over the ancient liquidity of the hills rolling
As the mountains rolling as the seas rolling
As the clouds rolling as the graves rolling
Like eyes rolling back to sleep.

I am pressed for lullaby,
Not the pillow-clap of thunder or the ether songs of Persephone,
Biding by her asphodels with icen fingers from plum-colored hell.

But press my ear in my mother’s lap of ancient sun,
Of peplos and himation and stola,
And listen to the vines and bunched grapes
And all of heaven sink in its commodiousness.

Press my ear to the sun-fed heart that flows
To the furthest span of the cloth-seas of man and
The solemn songings of the ever-deepening sky.
My mother all along smoothing out the wrinkled sheet of sunlight.

Her eyes are the lighthouse of the Pharos,
Alexandrian, bronze-mirrored fire flung round
The gloaming coastal sorrow like sand-glittered spears.

Her praying mantis limbs of light,
Sever-poised for needlepoint strike
At the jeweled glint of wings in dim, rare-seen limits,
Now one with her rasping sea of scarab beetle husks.

Polyurethanized love,
Polyols and isocyanates
And one part dove.

Keep your trees, keep them for your heaven of ashen dusk
And night like the pale-faced deathmask of emperors,
No reason that the commoner to oblivion is hushed,
These old-wise woods and leaves, peopled without us.

Keep Macedonian dust lightly conquered over the breeze,
So that it shoots its tail like the centuries-sole comet,
The scorched earth left by Alexander’s mapmaker eyes,
Swung wide like his Sarissophoroi over Persian might.

Remember the lesser grove of his teacher Aristotle’s tribe,
They have only slipped their sandals off, to bare themselves
Of sound and the concourse of the foot’s impulse,
Caught the lithesome wind, to flow outside our hearing,
And muse as empire of air and loss and forgotten walks.

Keep your trees and the darkening sky through them
That remind me of the passing into the past.
Never is the poem from tongue of ***** or plow.

The soul has as its sextant the ribs opened wide,
The heart its compass in fluid circuitous diatribe,
When each to zone the geometry of Greek sky  
With its powdery fabulism of centaurs and jars
From Aesop’s wine of words, the untimeliness
Of sundials to Charybdis’s bloom of giant watery eyes.

To know oceans by the dry riverbed of my pulse,
To scale only as high as the sparrow’s tomb of my heart.

Like the frog of batrachian notes in the inkwell of swamp,
And the bee waggling hieroglyphs to the papyrus of hive,
Like the flight of birds in the palm of radiating skyline,
And the sad might of the world to the caged dog’s eye.

Someone must go off to death, little ones.
Though grandfathers hold back the darkened thrall,
The half-flit coven of breezes and icy vine that sprawls,
Until the black worms away at them and they grab hold
Of the language of death like a locket over their hearts.

Someone must go off to death, little ones.
In spite of the keepsake of hoarders, fathered by fathers old.
Death’s single-worded world speaks; the chain of old men folds,
Kingdom’s pawns, their broken tongues lie bleeding with sun,
The black fluency slips through, then childhood falls as one.

Someone must go off to death, little ones.
There is one who played with us in sunlight
Who sits between the ancient legs and watches us
Like a friend from a window who is too sick to play.  
Old men, soon to your rest, and I will let death
Carve its name on my shoulders while my spirit frays.

Maybe the darkest things are the truest things,
Death, the redoubtable lover of all, the atom bomb
Burns beneath cherry blossoms of closed eyelids,
A magnolia grove of forever fasting lips of the dead,
Pompeii and Hiroshima, twin lovers of rupture,
Graves of the wind now, keepers of nothing and all.

Love has become less and less than the loneliness that abides,
Shaped by death after death into morphological surmise,
A sense of evolution without atavistic ties,
(Like her lips forever disjoined from mine).

Sicily is the golden caesura of history,
Where the human poem is paused to hear
The exalted precipice of its own sigh.

I make my grave in her dark treason of hair,
Fragrant master of soldiers and memories,
Bei capelli, conspiracy of internecine curls.
Her upbraidings strangle all my sweet nothings
To breathless wish of the emperor-purple of lips.

Flow then like black gloss of birds
And the brood hatchlings of shadow, exiled eastward,
Fled like a premonition of warmth somewhere far off,
While the wine-colored blood spills his heart into a throng of mouths.

Love, you are the hardest grave,
Were you ever just a kiss
Or always from daggers made?

Nothing can be said from the lip of the sun,
To array with full redress the wind-flayed waters
Of the river-run and the naked broomrape of Spring,
Absolve naiads of their blued minstrelsy in venous scream,
Or pour a yellow songbird from the gold-rimmed cup of war.
Nothing is said in the liver-spotted ground of rain-ghosted gardens,
Where love’s monument is a blot of dried flowers and grayed thorns.

I never learned to weep
But ground my eyes down
On the griststone of a mill
Turned sadness into powder
Then choked on my own weaponized sorrow.

Snow is but listening silence,
Sent from our dark past,
Inaudible ghosts made visible
In the butterfly net of cold.

Do you have eyes, old man, as airy as the sky?  
Do the trees grow through your eyes, old man?  
Do the starry leaves of your mind grow old with you?

Her dark hair falls like the lowered trumpets,
Soundless as the eyelid-close of Accursed Gates,
Past the city’s outer walls and alley-clotted throes,
Some shield-hearted soldier sent to his earthen fold,
Her blood-rimmed sky-lids of night foretell the phantom peace
Of Autumn like a head sinking down with the fell-purpled leaf of war.

***
Love, you once guided the black looms of Autumn,
Olive-skinned druid, you are a dark everything,
And a toss of your hair flings to dust all of Rome.

The dead lie like Rome,
Like toppled sunshine in stone,
From a boy who had blown
Into the seashell of the Forum,
Heard back in restoning, the alley of home,
The narrow, basket-flowered angiportum…
But, lips too strong, let out unknown
The stone-witherings of Medusa
And the bone dust of empire.

Rome has set on the sun,
Spreads the rays of its streets
And the warmth of its torches.
Caesar commands nightfall come,
To make florid incense and wine
And talk as one full of the moon.

Time has turned her back on me,
So I feel the rough shoulder blades of sin,
So I no longer conjugate with her reflective eyes,
But see the incommunicable universe, as cosmos
Of ribs and unshining lungs, wet and clay-like,
With fingerprints where I pressed in.

Time has a ravaged back and the organs drop
Like sodden fruit, gone unpicked.
Time is that woman looking back,
With her hair witchery of forever turning.
I see the future lovers on her crystal path,
Translucent workings of her single-sided glass.

Says the soldier to his love,
When he holds her handful of fantasy
That itself recalls holy wine and bread,
The blood seeps into his own hands is all.

Says the soldier to his love when he crawls
To impotence of mud and stone sediments
That augur not a fleshen but a fossil birth,
Like the bone of the once-masticating jaw.

Said the soldier to his love, when he fell face first
Into the nuptials of lily, delphinium, and dark earth,
I only wish to be the petals for your wedding, my love...

Marble made of seagulls’ wings, set in flight,
Their beaks foam and crest and rise for air,
In headwinds and feathered drag, upward lift,
Carve out fluted columns by tunneling vortex,
Beams of bluebirds made from cross-sky stitch,
Parthenon of flying tides and nested Acropolis,
Endless fossilized sigh of Saronic Gulf sea-winds.

Love is a thousand women who fail to amount to one,
Peasant seductress with bared shoulders of red dun-colored roads and candle smoke,
Who pours down her wet, ungoverned hair, like a fast-fading storm to dry over Aurelian walls,
In that dark sneer of sultriness over the sentry-like stillness of ramparts and stone,
A wasp in water whose sibilance comes from what the sting makes,
Like the upgathered phalanx of spears in the sand,
Or the sisters of fate who have coiled their hair as sunset snakes,
Her fingertips ***** into me like much-traveled and ancient rain.

She is the typesetter’s “e”

The once-rounded uncial script,
Unbroken like the solemn vow of a monk,
His whisper, a shepherd of words under the cowl,
Murmurations of the Holy Mother to the lambswool shroud of candlelight.

His candle-flock of dreams to some hill of penitent towers, war-cowed
And broken open like faith-unfended helmets, littering the ground,
With their unspeaking tassels in babbling pagan sound of wind,
That hill too, once-rounded bare under the glittering apostles of twilight.

In the abbeywork of air, calligraphy was a cipher of souls,
He unwrested demons from an inkwell of sunsets, smothered them in blotting paper,
Freed the incarnate whole to the book of hours, nib-pointed in quills and illuminated in gold,
Line by line, in Carolingian winding sheets, he returned the misshapen to the fold,
To the carpet page of home and the warm ligatures of their waiting women.
So the shutters of the heavenly house could blow light in slanted rays to a wilderness in storm.

But he never tamed the aero-elongated, descender of Troy in a “t,”
He never knew the unholiness of the underscore or fonts as ******,
Or the world unwilling to know itself in serif robes of ancient lore.
His life was a simple rounded-out syllable of one man,
Left in the muddied, unintelligible text of faith and war.

She is the typesetter’s “e” and now belongs to any hand.

She walked out of the watercolor storm of a fresco
Like a cowl-bound form in a light drizzle of rain,
Her mosaic tiles of ancient lovers’ eyes, ceramic-borne,
Just as her hips held the curves of the urn, kiln-fired,
The coiled heat of Greece still stinging through her flesh.

For her, the treetops had been the summoners of storm,
In kind, she poured down the wet grove of her hair, electral,
Pantheress of humid breath and fanged flair of lightning,
Tamed once in the cloudy cage of Pentelic marble of the Parthenon.

But the world piled dust before her, baiting with its groveled roads,
For her black mullings, much-tasted rain, and heaven’s leaves to fall.
If only the Michelango-to-come had carved the clouds of her
For the light to remain, shining its centuries,
Then maybe the thunder would have been left undone.

The mouth is the small compass of the soul,
Without dials, true north, or magnetic force,
The ungaugeable instrument of the voice,
In directionless modulations of undertow,
To circumnavigate under cartographer’s pole
Stars guide our wayfinding-heirlooms of words.

Love is not a maturation of voices to the more sublime,
But sotto voce, an undertow of groping intonations,
The sod of soil hearts cast across the reaping sea.

In the park, soft-study of sands and swings,
Where the birds while away the unabridged air
Like rains on green, copper roofs ~ their wings.
So I have touched my rainy fingers on the fountain’s surface,
And tum-tumed at the dumpy belly of a dog,
So I have felt the vendor’s balloons like cantaloupes for freshness,
So I have a pocket-change of smiles for all.
At the fountain’s edge,
Like green-molded quaystones feather-singed
By the touchstrokes of the arcing wings of the sea,
Or like a saucer of warm milk
For the alley-cats to drink the milkiness of sun
And then with their paws,
Plink at overturning the day into porcelain shadows.

Sometimes I want the snow
To fall over me,
Cover me
Somewhere in the woods.
I’d just lie on some fallen twigs;
Listen to them crackle
As I pushed my back into the earth.
Then I’d look up
And watch the white drop,
Let the snow fill up over my body.

I’d feel it sink into me,
Pour into an empty mold.
Cover me
And make me part of the smoothness
Of the white earth.
Then I’d wait,
For the rabbit or deer to leave its tracks
Over my white.

And I wouldn’t care.
Not care that the snow had been
Wrinkled~
Because I’d wrinkle it too
When I got up and left my tracks
On another’s white—
Maybe someone like me,
Who had watched the snow fall.
And maybe they’d stay longer.
But I’d have to go,
Because it’s only
Sometimes I want the snow
To fall over me.

That night, one of the old guard died,
And the rain said nothing,
And the thunder said nothing,
And the clock with its bell chimes
Struck nothing.

Paper lantern prose,
Crematorium of hearts,
Beating quick to ash.

Brother, our young summers held us in a long chain like the phalanx of bronzed soldiers forward flung,
And the lion was skinned and hung out to dry like the sunned-fur of the beach at Marathon.
Brother, help me to dream again.

Brother, our yellowed days shook us like serried Hoplites of an atomic age,
Shoulder to shoulder, friction rubbed, all ranks split from the fissioned-flanks.
Brother, help me to dream again.

Storm-footed Titans of heat, dust, and irradiated wind pry from a ruptured Tartarus,
The flanks are an open pulse; the scorch-song thirsts for its sea-cooling to stone.
Brother, the lion lives that wears your skull around its mane.

Brother, dream of me again, of Persian arrows and lances,
And my fallen eyes instead of yours pouring in
With a sea of lavender water and mists
And summers of once-were.

The ancient way across this world lies like sunset over black pearls,
The treetops are marble-made that the riffler of wind deforms,
To know all mother tongues from the quarry of rough stones,
To speak everything at once, Bride of Unbecoming,
The moldering walls of lips, the kiss of vacant streets
And the quiet, wet solitude bespoken by back roads,
The whispered origami of the Forum, paper gods in folds,
Smothered in the false pillows of their own repose,
The wolf’s beard dipped in the fresh pant of dewfall,
While lovers have placed on the stones of the Appian Way
Their perfect hearts like votive candles, cupping the flames,
Looking down the swift arrow of loneliness, Sagittarius its same
Heaven-glow and besprinkled guidepost of a starlit Sacred Way.
Mother of Rome, your powdered face has been made ashen by those
Unreturned home, your far-off travels lead only to the graves of sons.
The ancient way across this world lies like sunset over black pearls.

What is Christmas but the collected dead to say one last goodbye,
To speak in their fabulous, untranslatable tongues of old furniture
And the lacquered shine from the lighted tree and pablum of candles,
All that seems childhood’s undersong of pine and catch-full solitude of eyes.
Until the feeling past Christmas of unwrapped sunset and having said goodbye.

Sunset whispers to itself
~No time outlives time~
The meltemi winds crackle the wild millet,
Graze-feed upon the stalks of Greek plains,
The pelican scoops up the honeyed Aegean,
Waves of sunlit anise and almond in refrain,
Vestigial as the sweet persimmon from Egypt,
The hammered warmth from the flat anvil of Africa,
Sunset whispers to itself
~No time outlives time~

Love, what have you become?
In broomsticks and cupboards and pantries,
On the dust-covered stairs,
In the breathless rush of faucet water,
On the crumpled lampshade at night,
Love is the summation of an individual’s life alone,
Somehow still expressed by two across the bridge of language failing.

Death undoes itself like a woman undoes her dress
With knowing look and shrewd-salt of beguilement
Of supple shoulders and bared back, of life shimmying
Down the legs of the longest dark road of disappearing.