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It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
Lyn-Purcell Aug 2018
~ ⚘ ⚪ ⚘ ~
But I am relieved.
Not being confined in bright velvets
of the West, or shimmering silks of
the East. Each hand-stitched with
animals and flowers, crystals and
furs, with gold and silver to
parade around in Court.

~ ⚘ ⚪ ⚘ ~
I find far more splendour in a simple
iris-purple kimono-robe, lightweight,
silk-satin and printed with lilies with
a pink silk trim. It strokes my ankles,
and the sleeves, they billow; the sash
firmly fastened around my waist.

~ ⚘ ⚪ ⚘ ~
My handmaid, Ilazi, presents a gilded
bowl with the purest form of fruits -
the ones that were rain-washed. I have
a variety to choose from - strawberries,
blueberries, peaches, green, red and
black grapes which I pick and nibble
on. Hmm, a succulent balance of
sweetness and ****.

~ ⚘ ⚪ ⚘ ~
And then my senior handmaid, Anihana,
arrives with a tray in hand, clearly made
from stainless steel with rose-gold accents.
'Sweet Queen,' says she. At the wave of my
hand, the music stops. 'Forgive me for
keeping you waiting. I know how particular
you are with your pearls so I narrowed
them to your favourite three choices.'

~ ⚘ ⚪ ⚘ ~
'Thank you,' I say and as I lean up, she
presents three cream-hued scrolls.
'Lists,' says she, 'of all the ship's
inventory. Would you like to
inspect them, my lady?'
'I will after some tea, Ainhana,
thank you.'

~ ⚘ ⚪ ⚘ ~
Anihana nods and moves by my side
as my eyes fall on the tray's contents.
A small silver five-minute sand-timer,
a glass teapot with bamboo handle,
an infuser and steel lid half filled
with hot water; steam dancing
out of the spout. Then, a lovely
glass teacup, one of the most
beautiful I've seen yet.
~ ⚘ ⚪ ⚘ ~
Part three of my Jasmine Pearl freeverse!
Lyn ***
Faded gilding, rubbed through to cracking, flaking wood.
A glamour of ages, sliding, flies to the breeze.

The little bird perches on a once-fine moulding;
Head tilted, one bright eye turned towards the mantle
where a half-blind mercurised mirror barely reflects
an army of creeping vines, consuming naked angels
and the God of this house.

Our hero’s velvets are ruined, dripping and eaten through.
Where riches have lived, decay succeeds.
Nature’s velvets; opulent mosses and emerald lichens
are devouring damask
and smoothing over marbled hardness.

The bird listens for footsteps.
The lady would scatter crumbs on the windowsill
and he would flutter, unafraid,
to peck at her sweet feast.

Once, she drew him.
Fine-lining passerine delicacy,
her pencils fetched him,
and bestowed him an artist’s nobility.
He turned, this way and that,
flashing gold-touched wings,
miming a duchess snapping open a fan.

She’s gone now,
and so have the crumbs.
The bird senses no sugar on the sill,
nor the faintest reminiscence
of lavender perfume, glittering as star bursts
at the hollow of her throat.

He sings regardless,
a mournful beauty
longing to return to a glorious, lustful age,
where light refracted in cut crystal,
danced upon frescoes
and illuminated the ugly –
- to render them enchanting.

He swoops to dance on the mantle,
answered by the mirror
and sits a while, preening.

The gentlemen and ladies are gone forever.
Ejected from history to echo as ghosts of fancy and excess,
undeserving of remembrance or pity.

The bird will never forget.
And knots up secrets
kept tightly in his breast,
committed to his tiny, fierce heart.
The Goldfinch is my favourite bird - both owing to its numerous appearances in Renaissance art and as the silent protagonist in Donna Tartt's book bearing its name.
judy smith Apr 2015
Getting the fashion industry excited about an event is no plum task. And yet season after season, Anna Sui does it with her thoughtful and fun runway shows. Blame it on her ability to transport her audiences deep into her world full of references that range from Pre-Raphaelites to Diaghilev to disco. (Of course, the retro soundtracks and top models don’t hurt, either.)

Lately, Sui’s been sharing her passion for fashion history with a wider audience by taking on many collabs, the latest of which is with O’Neill, in stores now. Just in time for summer, the designer crafted a selection of swimwear and cover-ups that echo the bohemian mood of her main collection but also target a new kind of customer. We caught up with Sui at her Soho store to reflect on her career, her favorite muses, and texting with Anita Pallenberg.

You’ve been doing more collaborations in general lately—why is it important to you to diversify into these arenas?

Well, there are certain limitations that we have as far as production for what we’re able to do. A great way to overcome that is to work with somebody who has the expertise in that product. So working with Frye, they make the coolest, sturdiest boot that you can imagine, and so I think this is my third time collaborating with them. They’re just dreams to work with. It takes you to another place. And also you learn so much, because we’re so limited as far as resources now that it opens up new avenues. I did the same with the Coach bags and with the luggage with Tumi and now this collection with O’Neill.

How did you get involved with O’Neill?

Our sales manager knew somebody at O’Neill, and she started thinking that it would be such a great pair-up between O’Neill and Anna Sui because O’Neill is very much our girl. They’re very print-oriented and known for their surfer style, but we wanted to incorporate our bohemian style with it. I think that we’ve blended it so well. The clothes are just so dreamy; we were all just oohing and ahhing over these lace pieces.

That perfect white lace dress is a very necessary summer item.

It’s so true. I remember one summer I was looking at Naomi [Campbell] pictures on a yacht on Daily Mail or something, and every day she had the most beautiful, little white baby-doll dress. I thought, Where did she find all those?! But she can just zero in on something, too. That’s always been my dream, to have all those gorgeous white baby-doll dresses.

You have the best references season after season—who was the beachy surfer girl that you looked to for this collab?

We wanted to capture that true bohemian feeling of the ladies of Laurel Canyon: Joni Mitchell, Michelle Phillips, all those girls you put pictures on the wall and are like, “I hope I grow up and look like this.” So what we tried to capture was that dream.

I think fashion in general is really swinging toward the Anna Sui vibe, very bohemian.

It’s exciting. It’s kind of like a new beginning again. We’ve had so much reaction from all the stores and press—it’s like when I first started. It’s got that same feeling. It’s wonderful.

How do you define who your customer is and continue to change and grow with her over the years?

I think that somewhere I never grew up, and it’s still that same dream as when I was looking at the pictures of Michelle Phillips. It’s still always that same thing, and no matter where I go with the collection, Vikings or Pre-Raphaelites, there’s still that bohemian girl there. That was always my ideal. As much as I try to veer away from it, there are always a couple of those Michelle Phillips and Joni Mitchells in the collection. Through every collection you can find them.

So what’s the secret to staying young forever then?

I think loving what you do. You can’t ask for more. This is what I wanted to do since I was 4 years old, and just the fact that I’m able to do it and do it globally—I work in Japan and I work in Europe and I work in New York—it’s kind of a dream. It’s a lot of hard work and I’m very, very dedicated to it. I do a lot of sacrificing of other things, but it’s what I’ve always wanted.

As someone who’s been in the business for so long, how do you stay inspired and not get worn out or jaded?

One of the things that I love the most is research—learning new things and exploring new things. That’s what I do when I work on a collection: I find something that sparks my interest and then I’m obsessed with and I just go into it. It’s like going into the rabbit hole. Then all of a sudden you find out all these other things because one thing leads to another. Like when I did the Ballets Russes collection [Fall 2011], I saw that beautiful Diaghilev exhibit at the V&A; and I thought, OK, now I can be inspired by those Léon Bakst drawings. I remember one of the Ormsby Gore sisters was telling me that the way they started wearing vintage was because of a sale of the Ballets Russes costumes in, like, 1968. They couldn’t afford the principal costumes, but they could afford the costumes of the Sugar Plum Fairies, all these crushed velvets. So they started wearing them on the street, and all of a sudden the Beatles and the Stones and everybody else started following what they were doing. Well, don’t you know, in the Diaghilev exhibit, there was a film of that auction. I was just like, “Oh, my God.” That’s what sparked that whole thing where everyone was looking romantic and medieval. I love finding that connection. That makes my day—that makes my season when I find that out.

Do you feel like it’s harder or easier today to communicate that to your customer? I feel like with the pressures to make Instagrammable moments, it’s become very hard to get people excited about the history of fashion.

There are so many levels in what I do. Somebody like Tim [Blanks] will get the really intricate things, but then the obvious things will be the things that people talk about the most. I always try to bring it all back, make it current, and tie it in to something that’s happening in our pop culture, like the Viking thing. It’s really true—I was watching [the History channel TV series] and I got that idea. It wasn’t an intellectual idea, but that’s really how it happened. I think that you have to put it on different levels.

Is there one specific era or muse you feel like is the most Anna Sui?

My biggest idols are Anita Pallenberg and Keith Richards. So at the end of the day, it’s always like: Is there something that Anita would wear? Is there something that Keith would wear? Is it cool enough for them? And then I usually send Anita an image and say, “This is the outfit that I did for you.”Read more here:marieaustralia.com | www.marieaustralia.com/evening-dresses
Phoenix Huntress Oct 2014
I can see the Velvet garden, with it's swaying flowers. I can smell the beautiful scent. The wind is a cool breeze, like a loving puppy breathing in your face. The grass is soft on my feet. And I know it's  going to be a good, country day.
Andie Jenkins Nov 2018
Your love was orange
And I never really liked orange
Before I could see the bright floating fire
On the sea of your iris’
Orange was the color of forced smiles
Days of sun when the world needs a little rain
But when the sprinkle
Turns to storms
I see you
And you don’t run for cover
You run for me
And I can see my orange
My sunset heart
For the first time
And I could cry
All the velvets and rivers and fields
But all I want is orange
Tahirih Manoo Feb 2014
Cold and stagnant* - I was found by a creature with two legs and two arms.
I was in a safe, concealed space before it took me.

Buried - it stuck me down without my consent.
It would not listen to me, almost as if it couldn't hear me.
Probably because I was too tiny. 

Panicked - I was afraid I'd suffocate but somehow I found a way to breathe. 

Scared - It always came back to spy on me, but I was smart-
I stayed hidden below and remained unseen. 

Thirsty -  I soon discovered and made a friend called Water.
 It told me to let it in- that it'll help me feel better.
 It seemed friendly, so I did what I was told-
and let as much in, to my heart's content. 

Changing - I felt myself swelling.
I was nervous of this new bulging yet I kept in-taking-
before Water stopped visiting.

Stronger - I became comfortable with new found energy and decided to stretch below and tour my new home.
 When I did that I met another friend called Soil.
It gave me delicious treats and later in life taught me to search on my own for more.

Brave - One day I had the courage to peek outside.
I stretched upwards amazed that I can change myself in such a manner!
It was then I felt myself glow for the first time!
Instantly, a new friend I met!
Helpful and wise- her name was Sunlight!
She taught me how to make my own food and reassured me that I can utilize her glow whenever she came out to play. 
Seeing Sunlight was the best part of my day.

Bonding - Water said he and Sunlight are best friends.
He goes up to see her and he hitches a ride back down with his Cloud allies.
I wanted to have a close relationship too,
so I started to stretch even more,
reaching as high as I could,
trying to touch her. ( never been able to touch her but at least I felt her)

Growing, stretching and enhancing- below and above -
Green velvets graced my brown limbs and down below I sunk deeper.
I sprouted delicate pink studs on top and learnt to dance with the Wind.
That was the most blissful thing.

LIVING -
Soon after, I even grew fond of Human! That's the word, a Butterfly who drank my nectar, told me it was called.
In the day, out of kindness I gift Human with rich oxygen and in return it enriches my home with good intentions.
Just to let me be me-
pretty as could be-
It sends me positive energy, much to my glee.
Human had let me be free-
never plucked at me.
I was and still am thankful.
I blossomed to the best of my ability until the day I started to wither.

Serene - Soil told me to be optimistic, that it will let me be one with it.
How kind.
It even said "Together, we can help the newcomer and show it how to fend for itself. "
I was overjoyed to hear that - for that meant even in my death- I can still help one more, allowing my essence and presence to be absorbed by its fresh existence

Fading
Just wanted to tell my story
-Before the fall of my last petal.
My life as a flowering plant was exceptional
.

- Feb 28th , 2014        2: 44 am.
A friend of mine asked me, two years ago, why I wouldn't pick the flowers in my garden.
I said and still believe " If I pick that flower just for me then that would be selfish- something so beautiful- deserves to be seen by everyone, also -picking it would shorten it's sweet cycle and I don't have the heart to do that"

~ Tahirih is a flower child in the daytime ~  I cannot hurt my fellow kin.
Aaron Mullin Nov 2014
Aquamarines
Hues unseen

Velvets and
Mercury retrograde

Projecting lines
Of constant course

Meanders and oxbows
Hinting at future and past

Dancing to songs
Unheard

An effigy for love
Unseen

A garden of tears
Unwrapping the present

Pistil and stamen
Awaiting

Pollinating
Ones and zeros

Bifurcating from binary to analog
Or amalgamating the two

Becoming one
Reprogramming matrices

With personal
Trinities

Everything looks neo
Through this lens

My purple iris contends
U2?

Something in her eyes
Took 1000 years to get here


Something in her heart
Something in her heart
Borrowed some lyrics from U2 ~ Iris (Hold Me Close)

Written in Santa Barbara
Lyn-Purcell Aug 2018
~ ⚘ ⚪ ⚘ ~
Yet, I admit, feel a tad uninspired.
So I gently wave my hand towards
two handmaids. Essha, a musician
uses her nimble fingers to play the
Harp with other, Semui who plays
the flute, together creating a true
aurelian tune.

~ ⚘ ⚪ ⚘ ~
There is so much ahead that my eyes
can see. Rings of still, clear waters
around the green hills of near and
far. Guards patrolling the high walls
of my borders, Knights riding horses
into my people's town. How it warms
me to see them all smiling and laughing,
going about their daily business.

~ ⚘ ⚪ ⚘ ~
A brethren of sweet lilies in the
vase shyly bob their heads, pouting
their rosy lips which I gently stroke.
Violets coiled around the bare feet of
the caryatids, and pots of bluebells
and dahlias by my own slippered
feet.

~ ⚘ ⚪ ⚘ ~
My star-kissed diadem, though
resting on my curls, is caressed by
the light as I turn my face towards
the horizon. Deer dance in the shade
of pure green, leaping over the silver
streams, that murmur tales and
secrets they hold within.

~ ⚘ ⚪ ⚘ ~
And by the docks of my Aurelinaea,
are many argosies with wooden
bellies and creamy sails with many
imports; of silks and velvets, satins
and eiderdown; apricots and apples,
plums and peaches, honeys, jams,
syrups and jellies from fruits and
flowers to heaps of sugars and spices,
make-up, jewels, flower-bulbs and
perfumes.

~ ⚘ ⚪ ⚘ ~
And my personal favourites - a great
assemblage of teas; herbal and cream,
drinks and oils as well as an assortment
of old tomes, Analects and books. I have
a dream that mine own library would
rival the fabled one of the once great
Alexandria.
~ ⚘ ⚪ ⚘ ~
Part two of my Jasmine Pearls free verse! ^-^
Lyn ***
leenyka May 2019
A night united together
For the very first time
Around the amish time

Inside this French Bistro
Surrounded by the glamorous duo
Gainsbourg & Birkin
Wrapping up the ambiant air
French musical undertones
Deep green velvets hues
Ilona, the Host of the Soirée
Walking as if she is dancing
With her irrepressible bubbliness
Serving us drinks & oysters

... Zee oysters ...
Taking their last breaths
In the fading ice
Indulging the no-teeth treatment
Is it a tragedy?
I dunno...I guess we will never know

Two Hirondelles lost in time
The time flying by
We are now the last guests of the Soirée
The clock  ticking by
Its time to leave this place
And those two Rock Stars
We are leaving behind

I knew you were trouble from the very first time
But ahhhhh, so refreshing, so alike...
A night united together
For the very first time
Jude kyrie Aug 2016
I have seen the sun and moon
Shining brightly in full grace.
I have seen the starlit nights
But never have I seen your face.

I have heard orchestras
Playing sweet music of rejoice.
Heard angel choirs of perfect sound
But never once heard your voice.

I have touched the finest silks
And velvets soft textures too.
The finest objects in the land
But never once touched you.

I have kissed the magenta dawn
And  twilights indigo rise
My lips have tasted the  dew of morn
But never have I kissed your eyes.

In dreams I have done wanton things.
Drank potions from a witches brew.
Awoken in a fiery glow.
But never once with you.
I like to think this is from a lady to her unknown lover.
But
I guess it could be a man also
Lol
Jude
Yule Jun 2018
My dear prince,
In the cloak of velvets and gold
Not only you have swept me away
You have me swooned all over
Onto the oceans and in so deep
Over the mountains and skies blue seep
Now that I have travelled far to your land
Give me the permission for your heart
I am asking for your hand, risking it all
Melting, in your arms I fall
You're the only one who can do it,
Lay a sword to my heart; you've slain
Oh my blood rose, can I get close?
Veins of blue, your sharp luring thorns
Every piece of you, I'm ready for it all
180622; 9:51 pm

{nj.b}
Instead of brooding over
The blackness of a light
That tenderly brightens
As the sheer warmth thickens
When you hug each other
I should think this is right:

I should delve in the kiss
Of the winter season
Rebel against my skin
We humans, all akin
I should seal my reason
In this holiday bliss…

But without a shelter
Without a clean cover
Not just a mere lover
How could I then not wish
For my ordeal to be over?
My pleas rush like a swish!

You plead about people
You’ve lost to wars and crimes
You could still when injured
Hurry to your white hall
Me, I just have my rhymes
But you call me perjured!

I will walk wild and weak
To the summits of time
With nothing but a dime
To see on top of all this love
You have deemed bleak.
The velvets of the glove

This lady in her shawl
Touches to her forearms
If I knock do you believe
She would hand me a bowl
Of this Christmas cold eve
My home her humble arms?

Lonely lunatic child
In the gleam of the moon
Oh! I hope she will soon
In her lenient linens
Open to the pure wild
Ness of my night silence

For a piece of this bread
I would tell her my world…
But she leaves satisfied
In the laughs of her thread:
To me demystified
Her dreams I can’t afford.

December 25, 2015
1:06 am
Libourne, France
Written for those who stay outside on Christmas Eve and Day
Aniq Ahmad Aug 2018
Its 3 am and Im sticking to my phone
There's no one really to call me
But Im still hanging on like a stone

So I ****** thinking and promo
And later Got my MOJO back
Its like I can do it all night with my slow-mo knack

Said she love pearls and 2XL Nexus
****** up, trynna find next exit
Thats too much for love, just some fake velvets

So everyone's got f-ed up, delusionally
Stop the watch and look out at this foolery
Cuz now everyone likes to be fly, prudery

Plus these tipsys don't love me anymore
Ran out as my pants fell down on the floor
So I'll rewind my song like Nazis on the roll

So just **** up and let me get back it
Too much on the line Mr.Pragmatic
What's up, ignore if you are mad at it

Pokerface, no ace but no ripper
Almost passed out as she showed the zipper
Am I overthinking or is it cuz of the liquor

You killed my vibe like you some kendrick
I'll probably do her again even it takes medic
It's like a kamikaze **** without any credit
Jude kyrie Aug 2015
I have seen the sun and moon
Shining with majesty in full grace
I have seen the starlit night
But never seen your face

I have heard sweet orchestras
Playing sweet music to rejoice
The purest choirs of perfect sound
But never heard your voice

My fingertips have touched finest silks
And velvets soft textures too
The finest objects in the land
But never once touched you

I have kissed the breaking of the dawn
And twilights magic rise
The crystal shining dew of morn
But never kissed your eyes

In my dreams I have done wanton things
Drank aphrodisiacs from a witches brew
Awoken in a fiery glow
But never once with you.
Yenson Nov 2020
A wonderful fable the hussies told
laying velvets over their heinous felonies
in gainsay somersault and agile twists
the innocents become the villains
and The Wigan Piers Boys rode into town
the **** came riding in too
pulling alongside the blinded and the dumb
it were the age of treasons and discontent

"It was the best of times, it was the worst of times,
it was the age of wisdom, it was the age of foolishness,
it was the epoch of belief, it was the epoch of incredulity,
it was the season of Light, it was the season of Darkness,
it was the death of hope and progress,
it was the seasons of lies and slander

It is the time of the mocking birds vengeance
the vendetta of rogues, knave, charlatan and the twofaced
and the vixens and the serpents whispered eulogies
meant for their fathers, their men their brothers and their sons
but it was never meant for the blameless man now in their gallows
they danced and smiled at the kangaroo court and cast their verdict
The Wigan Piers Boys and cahoots then consulted the unions
and the return to Wigan Pier with no parole and hard labour
It is the age of Revolution when faultless innocent man is hanged


Lets learn a little

https://youtu.be/l5baKXjdSjg
https://youtu.be/l5baKXjdSjg
Rachel Thomas Aug 25
The snow was falling thick that night
like tiny feathers to the ground
while stiff white fossil-coral trees
Stood still as statues all around


And in their midst a mansion rose
with towers and frozen weather-vane
Where sparkling pavé diamond snows
encrusted every window pane

The match-girl shivered in the cold
then made a spy-hole in the ice
And peered into a golden realm,
an ante-room to paradise

But all the velvets and brocades,
the glowing fir-tree there inside
Appeared to her like pictures painted
on a magic lantern slide

For in her world these plush divans
with cushions bursting at the seams
The draperies and tapestries
would always be the stuff of dreams


Two cats with buttonholes for eyes
and fur that shone like watered silk
Were purring by an open fire
no doubt with bellies full of milk

While what our little match girl ate
was scarce enough to feed a fly
Though she was told by men in gold
her feast was waiting in the sky

No, here on earth, these coddled cats
like pharaohs basking in the heat,
Or padding round on velvet paws,
had choicer food than her to eat

So when she saw the gingerbread,
the frosted fruit, the marzipan
She wondered how this hunger could
be part of the Almighty's plan

And then, beside two girls, a youth
with dreamy gaze and rippling hair
Came in and hardly seemed to see
the many treasures waiting there

The  match-girl watched him button-eyed
as if he were a fire-plumed bird
Or some chimeric creature from
a fairy tale that she had heard

And as she dreamt she felt such joy
though hunger gnawed her like a mouse
For now she stood with him right there
inside that warm, ancestral house

They danced a sweeping ballroom waltz
while she was draped in crispest white
With diamonds sprinkled in her hair
like stars upon a cloudless night

Then as the lilting music swelled
he picked her up and twirled her round
Until, just like a swan in flight,
her feet were lifted off the ground

A swan who'd left her murky pond
with all the fetters lurking there
To reach up for the firmament
and taste its sweet, untainted air
                      ii
Next day as she was hard at work
she passed the house and there they were,
Her prince dressed all in powder-blue
the sisters swathed in sable fur

They'd flown down from their iv'ry tower
to tread with serfs upon the street!
Oh how she longed to be in silk
with buckled shoes upon her feet!

But as she blushed and stepped aside
to let the "dvoryanstvo".pass
The boy stared through her sallow face
as if it were a pane of glass

Dvoryanstvo=Russian nobility

— The End —