She is equipped with sensitive *******
and those other secret places
that ladies give out as prizes
to deserving guys as long as
they adopt the right disguises
of gods, gurus, intellectual giants,
goats, children, father figures, macho brutes,
sugar-daddies, supermen, seminal vessels,
house-repairers, jar openers, jocks, hate objects,
handy shoulders to cry on, emotional support systems,
sensitive, intuitive, yet strong silent types
who can also pay the bills,
tall dark and handsome total strangers,
toy boys, clowns, jugglers, jokers, millionaires,
wood choppers, ******* removers,
bottomless reservoirs of reassurance
or just plain spunky studs when the moon is right.
In fact, anything but woffly wimps.
Oh God, no.  Anything but woffly wimps.
Yes, but what about stoic, steadfast SNAGS,
you know, the Sensitive New Age Guys
who won’t face-shift for a ****?
Yes, well, let's try to sum all this up here right now.
I think that the woman is dripping
with a brimming reservoir
of luscious and sensitive resources on tap for  
the man who can figure out her cosmic kaleidoscope  
of swirling dreams and desires,
which is definitely not to say she can’t be totally independent.
Although please don't be confused.
Friendly boy-next-door types who are handsome,
aren't too hairy, who like to laugh, who have a boyish braggadocio,
who are students, who appear to be intellectuals,
who are not nerds,
and who can **** it in the kitchen, who  can be oh, so cool,
who can convince a maiden that she is in distress,
and is in need of rescuing, while he has
a swaggering hard-on will do, too.
Oooh. You devil.
And if you think this poem is misogynist, misanthropic or myopic,
well, I’ve been around and by now, well,
I really should be panoptic
because I’ve seen all the fads,
and really, it’s sadly too bad
about those poor old
earnest SNAGS.
But you know what?
I don't think I understand anything, because
I'm really a victim of worshiping women.
I'm bedazzled and as blind as the next man, and
yes,
I'm just happy whenever I'm with them.

The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage ----
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.

I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free ----
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I hve no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.

I want you
I want someone to want me
but
you don't want me

please want me

don't!
I'm broken
you don't want a leaky faucet
that
self repairs
with duct tape and silly putty

I'll recite you the backs of cereal boxes
and
throw away the locks on the doors of our common places
I'll keep a smile on mine if your face feels too tired from the weight of what your mind is speaking out your eyes

Everything.
Every string
that hangs off of well worn sweaters
snags on finger nails and pealing calluses.

I'll draw the curtains
if
and ONLY
IF
you first admit that you
are
BEAUTIFUL.
and i know it.

Your doubt should drown.
We'll drink it down.
Sipping wine only to set the scene
because
WE
already ditched our inhibitions
and
we decided that what was best for each other was to feeds each other's needs with the other's body.

This letter.
This note.
To you.
The long lost women of my dreams
the shape shifting goddess
who floats freely through the open windows of my memories.
Will this be enough to summon spirits to lift me to your level without being beaten to life by a trigger happy judge's gavel?

I built my prison to your specifications.
The measurements may be off
but
the bed...
The bed is warm
and cozy.
And
it fills my heart to see your cheeks turn that rosy
rosy red
that same
rosy red
that fills my heart
and
flows through yours.
Kept inside
but
peaking out in moments of vulnerability.
Shed your false
heavy
layers of security
toss them in the water and...

Flush skin of lips and finger tips
other places where my mind can only wander
wondering where in the world we will
meet again.

It's half past ten or some other hour,
I don't know and you don't mind
because
we're alive!
and our heart beats will set the pace
keeping time in place.

THE STORM IS LOUD
MY VOICE
is softer
now...

Okay--

Alright--

*
I'll give you your space{













But
YOU
BETTER FLY.
And NO MATTER HOW HIGH
NOW IS YOUR CHANCE TO SHOW
to TRULY KNOW the color of your wings.

And
I'll continue singing
because
someone else may be listening.
And
although these tears won't quench my thirst
I'm learning more about myself through my time searching
through my ***** laundry:
Bags of rags
and forgotten junior high and high school notebooks.

Failed jokes took to heart
the stinging silence of laughter kept inside.

Broken funny bones
NUMBED by repetition [repetition]
DUMBED down
COMFORTABLE BEING SUBMISSIVE

Well, I'm not sorry
NOT SORRY
to tell you
this mouse
whose mouth you shut is now stirring

Stirring the ***
Kept at temperature
All the right spices and slices and dices to enlighten you as to what the taste of life is.
.............................................................­.................................................
Please sit, here is your chair.
I love what you've done with your hair!
let me know if you would like seconds
but
that depends on if you brought your appetite.
I know I'M Hungary [hungry]
but
I won't slurp my soup if it offends you.

We'll take it slow
because
I know that
I still don't know you that well yet.
And I think we both could cool it down on the unnecessary judgement.
I'd really like to know you well, so I won't try to sell you anything that you're not buying.
And call me out if you think I'm lying, but I promise to be as honest as you want.

But it's a two way street
and I know you're probably tired from running down it so long
in which case I would gladly rub your feet
or your shoulders if you'd like to be a bit more discrete.

However, it still may be too soon for that
in which case I'll take a couple steps back.

Do you like music?
How bout dancing?
It doesn't have to be romantic
I just enjoy the feeling when I'm moving to the rhythm in time with other bodies.

Does you mind maybe feel clearer now that your body's moving free
or
are you holding back because you falsely feel that you lack the ability to let the music move

Your soul's of you feet.

Let go
and hold on to me.
I won't let you fall unless you're ready
but I'll catch you
please don't worry.

We are free
here.

Let's just be
here.

Forget fear
and see where that takes us
in a year.

Or more
Or less
Or until you decide
that your dress
is not
the most comfortable thing
you
could be wearing...

I'm just glad we can share the same air
and not care that our hair's getting messy.

But...
This...
is the best I've felt.

In a loooong while...

Spinning out of control
Lying
With you here next to me.

We fall,
and hard,
and in the shadows,
***** ourselves on snags,
that tear our clothes;
grazed and cut,
we stagger on -
Impressions, ideas, fancies!
Of these have we been disabused.

But is this spring,
come again?

Lovely,
yesterday,
in the bright sunlight,
to see you,
felt green hat in among the photo clouds,
apple suedes on the gallery's dank floor.

Melvyn,  
and I,
merrily circling with you the light cloud images,
my nostrils full of pollen spikes.
The pictures:
wisps of trailing dreams churning in ‘scapes of infinite blue;
dark clouds,
in amongst them,
too.

Photographs in two time places
caught;
at once, all:
the other and t'other.

So excitement swells,
and everything besides us quells,
because the knowing of itself,
knows,
and dares beyond the frames;
to skirt knowingly the unsaid;
to want beyond the wounded past,
to pull things,
once again,
inside out.

In whimsy’s currents flow these thoughts,
these feelings,
these drives;
swirling in eddies,
so that as you sit,
on a summer’s day,
it moves,
a mirror to everything above.

The wavelets on the surface,
hammered into shape,
burn, bite and dazzle;
the sun’s flames leaping and dancing on ripples.

In the basement,
on the concrete,
your Y proneness shifts,
releasing knees on black-clad thighs;
two pendulums swinging,
brushing;
yawing metronomes in the cool,
coolness of my desultory thoughts.

Oh, what am I saying?
Feelings like reveries walk along these silver lips straying languorously.
These myths are too soon made,
carried one to the next,
one-on-one,
until contained no longer,
become new truths.

As ek snags
in ons bed
met my koue voet
jou warm kniekuil kry
dan voel ek
die ewige geluk
ook al is môre
dalk alles verby

captured in the psych ward, new year special




it’s new years eve and ron bought along his punch bowl and a few sushi dishes

as well as party sandwiches, to make the people in the psych ward have a good atmosphere

for the new year, and this year charlie chaplin man was going to read all of his poems as the

entertainment and the nurses did a lot of work so the patients feel calm enough to enjoy

charlie’s show, so medication time was before the show and even charlie, because he was worried

he would yell very loudly if he didn’t and then it started

ron said, ok guys we are going to have a mini new years eve concert run by this man charlie chaplin

charlie said, welcome and happy new year and my first song is   The schitzophrenic


You see I am sitting at the mall
I am having dillusions of people teasing me, and I wish this will all stop, oh please, just leave me the f..k alone
And then I hear voices that aren't really being said o hear Jon killed my best friend named Fred, the thing is I have no best friend, oh year
1 2 3 4 do the schitzophrenic
From the first diagnosis till the day you reach 45, you see if i take medication it can be controlled yeah oh yeah
I am schitzophrenic
Then I went to see my psychiatrist and he told me, to try and get a life, I told him I was blackbeard and John F Kennedy, he just threw a smart *** comment my way, I thought that comment was rude and ******, yes it is hard to be liked when you do
1 2 3 4 do the schitzophrenic
Yes it's easy to do, just let me hang out
You see with my medication it can be controlled, ooooh
I am schitzophrenic
You see I get paranoid when I see people around and right wing governments want us locked up
It mighty hard to have this illness and I cab say this
1 2 3 4 do the schitzophrenic
Do it once and you get all hooked and after that you feel like a geek, cause your a schitzophrenic, and also with medication it can be controlled
Oooooh I'm a schitzophrenic
Yes, that's true

charlie said, that was a great song and it’ll get you started ya know, the next song is maybe later


maybe later, i will get what i want

maybe later, i will rediscover the beauty

of being alive in this great world

it’s just a long-awaited journey

from beginning to end

and i will try and enjoy the moment

in the psych ward spotlight

i say, please slow down, your moving too fast

please almighty one, let me live long enough to give

a poor old soul a home

they don’t want a bench and they don’t want an old burnt out hall

it’s not fun for me

to look at these big buildings

with hot shot business types, when your not one

it’s enough to drive you mad

please make me except it could be later




the next song charlie sang was standing on the inside looking out, a song that explains what we are going through


standing on the inside looking out

standing on the inside looking out

standing on the inside looking out

in the psych ward trying to get better

you see i was visioning i was in glenelg bay

but instead you get doctors saying how are you enjoying your day

i wished i was well and enjoying my life

instead of being in here wasting away

then i called out to almighty god

and the best i can get is a man who claims he is jesus christ

i said, no, were you nailed to the cross

and he said yeah after i rode in on my horse

and i said wasn’t it a donkey you ran in on and i was

standing on the inside looking out

standing on the inside looking out

standing on the inside looking out

in the psych ward trying to get better

i was getting bored, so i asked the nurse

to give me a pass out to the cafe

because i was starting to lose my mind

and when they said no i let out a little wine

i said please please please, mate, this place is driving me mad

the inmates here, smell really really bad

so the nurse made me a banana smoothie and i said thanks

and took it away to my bed, walking past every room before mine

i even tripped over a piece of fishing line

then i sat down in my glenelg bay apartment sipping my smoothie saying

standing on the inside looking out

standing on the inside looking out

standing on the inside looking out

in the psych ward trying to get better

dinner time came and i had fish and chips

it was ever so discusting, ya know like hospital food

i opened my orange juice and gave it one almighty sip

and i ate my chocolate mousse, yeah it is as tasty as

when dinner was over i went to the TV room

to watch the news and home and away

then some dude came into watch it with me

and he said, did you know i was GOD, i said, no

as i sat there thinking i was

standing on the inside looking out

standing on the inside looking out

standing on the inside looking out

in the psych ward trying to get better

standing on the inside looking out

standing on the inside looking out

standing on the inside looking out

in the psych ward in the psych ward

in the psych ward trying to get bet-ter


charlie chaplin after that song was over sang his small poem titled a smile has nothing on us, here goes


whether you let out a big smile or not

you could add it to your melting ***

what you need is a great big melting ***

big enough to take the world and all it’s got

every thing that you can eat

my rundown car is really neat

the coffee urn is piping hot

boiling whether you like it or not

but your smile comes through and through

like a fresh flower, blooming every day for me and you

i try to smile all the time

cause  it’s very fun to do

i like smiling, cause it’s fun



charlie then announced his next song saying spare me, because when your poor you always say spare me. here goes


spare me some money for the bus

spare me some money for the bus

spare me some money

so i don’t look like such a dummy

spare me some money for the bus

spare me some cutlets for my tea

spare me some cutlets for my tea

spare me some cutlets

and some vegetables

thank you very muchlets

spare me some cutlets for my tea

spare me some wine to go with that

spare me some wine to go with that

spare me some wine

so i can feel so divine

spare me some wine to go with that

spare me some chocolate for after that

spare me some chocolate for after that

spare me some chocolate

so i can have what you have

spare me some chocolate for after that


charlie then said, my next song is every day is a day of disappointment because being here really *****


Every day is a day of dissapountment

One day as I was walking down a busy street, saying g'day to everyone who u walk past, then I went back through the park and I saw so many walks of life, from the beggars asking for money and the rich refusing to give it to them, and it all sounds so crazy as I walk through doing nothing like that, after that I felt a bit peckish, so I went to the take-away to buy myself an hamburger with egg and bacon and there was this weird looking fella standing at the door, greeting each customer with a smile, he didn't really work there, but he will never be told to leave, cause he ain't a threat, oh no, then after that I went to the grocery store to buy enough supplies to last me for a week, or maybe more, I could hardly know, then after that, all that shopping made me a bit thirsty, so I went to the sports club and drown my day away, with a ice cold fosters lager or a ice cold can of VB, after that I will get so drunk o could hardly stand up and my friends drove me home and they also walked me inside, just to make sure, I don't collapse on the front lawn, you see, your day seems to go from good to bad, if you make the wrong choices and that makes every day, a day of dissapointment, after that horrible night on the *****, I got up and had a hangover cure, consisting of two raw eggs and worcestershire sauce, yes that sounds so very tasty, yes I love it and live by it, it really makes me feel like I can have a party in my mouth and everyone is invited to spend about a year or so, at the local sports club doing one thing every single day, and then after that you won't seem like every day is a day of disappintment for everyone on this earth



charlie then decided to pretend he had a best mate named albert waldron and back then albert gave him lyrics to a song, here it goes



Alfred Waldron looking back, oh yeah



You see I was a great footballer, man
Yes, I was so ace, but it was a long long time ago
About close to 1 hundred years
You see I payed in South Australa
And I played footy very well, and after the match
I would go to my car, and get my BBQ an start cooking the snags
Yes, I loved that, it was really really cool
Everyone thought I was an average cook
And they all came over for some meat
Yes, I even had some nice cold beers
Yes, I think thats so very cool
As I cooked the meat, the other players were saying
Come on mate, cook us some nice beautiful Aussie snags
I also played cricket, for South Australia as well
And I even took my BBQ to the cricket for after match food
The only way you can do that now, is if you just stayed local
And some days, like at the footy and the cricket
Every player got very vocal
I was a real Australian guy, who loved to play, footy or cricket
And I loved the BBQ at the end, yes it was so esquized
Yes I had the muscles, and I have lots of those
Everyone enjoy eating a snag a sausage
And then an egg and bacon roll
Since that footy life ended i felt cool


ron said to charlie just one more song because people are yelling and we can’t control them, but charlie we will have the midnights fireworks for you, ok



charlie said he has got his fresh old legs going wild here it goes


they will dance

they will run

into the midday sun

they will race

warm embrace

be a bit lazy

head to the pub

go to the shop

to buy some clothes

angels coming down

worshipping the town

playing football

driving cars

around the good old town

having drinks with the guys

fresh flowers for sale at the shop at SHOPRITE

SHOPRITE SUPERMARKET

CUTTING ALL THE FOOD BILLS YEAH

spiders coming through the window

to destroy all mankind

makin g lamb for dinner

nicest you’ve ever seen

i said i will stay home and watch my mate, mr bean

yeah, your fresh legs go wild

when they do all these things

and before the end, charlie got the entire staff and patients to sing auld lent zine at 10.00 pm

because everyone was getting tired and cranky
Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And days o’ lang syne!

Chorus:
For auld lang syne, my dear
For auld lang syne,
We’ll tak a cup o’ kindness yet
For auld lang syne!

We twa hae run about the braes,
And pu’d the gowans fine,
But we’ve wander’d mony a weary foot
Sin’ auld lang syne.

We twa hae paidl’t in the burn
Frae morning sun till dine,
But seas between us braid hae roar’d
Sin’ auld lang syne.

And there’s a hand, my trusty fiere,
And gie’s a hand o’ thine,
And we’ll tak a right guid willie-waught
For auld lang syne!

And surely ye’ll be your pint’ stoup,
And surely I’ll be mine!
And we’ll tak a cup o’ kindness yet
For auld lang syne!




ron and charlie were helping each other clean up while the other patiens were being injected with ******

from yelling too much and after the cleanup was done, charlie went to the TV room to watch the fireworks

that were on at midnight on the TV, meanwhile, ron clocked off and went to the pizza hut and went home to

watch the fireworks on the TV thinking, today, ron made charlie a happy man, by letting him do his concert

it wasn’t till midnight but they can’t do that in the HDU.

THE NEW YEAR TIGER HAS GRACED US WITH HIS PRESENCE



YA SEE GRAWL GOES THE BIG TIGER

AS WE ARE ABOUT TO CELEBRATE A GREAT NEW YEARS FEAST

YA SEE YOU MIGHT BE SITTING AT HOME

WITH YA KEBABS AND SNAGS AND STEAKS AND ****

BUT I CAN TELL YOU ONE THING

THAT YOU DON’T HAVE TO COOK FOR THE NEW YEAR TIGER

CAUSE BEING A TIGER HE LIKES IT RAW

YEAH ROAR GOES THE NEW YEAR TIGER TONIGHT

ROAR GOES THE NEW YEAR TIGER, YEAH

ROAR GOES THE NEW YEAR TIGER TONIGHT

AND WE’LL PARTY RIGHT TILL MIDNIGHT

MIDNIGHT, THE ONE MIDNIGHT WHEN HE DROP THE BALL, HAVE FIREWORKS DISPLAYS

ALL OVER THE PLACE, AND HAVE A TIGER GROWL

EXPLAINING, HE IS THE NEW YEAR TIGER

AND COMING TO GRAB ALL THE GRUB AND *****

THAN HE CAN POKE A STICK AT

NEW YEAR TIGER NEW YEAR TIGER NEW YEAR TIGER

WHAT A WAY TO END THE YEAR, OH NO, WAY

THE HAPPY GO LUCKY CAT, NEW YEAR TIGER

PARTIES ALL THROUGH THE LAND

YA SEE WE COUNT DOWN WITH HIM

RIGHT DOWN FROM TOP TO BOTTOM OH YEAH

AND THE MEN ASKED THE NEW YEAR TIGER FOR

A NICE COLD CAN OF BEER

DRINK IT DOWN, BURP IT OUT

MAKE THE NEW YEAR FUN, COME UP AND DOWN

MR HAPPY CHICKS SAID TO ME

THE NEW YEAR TIGER IS THE COOLEST ***** THAT YOU’LL EVER SEE

THE NEW YEAR TIGER GROWLS FOR A GOOD TIME

AND GROWLS FOR A BAD TIME

HE GROWLS AT ANYTIME, TO TICKLE YA FANCY

LIKE MY MATE NANCY, DO A DANCEY

LIKE YOUR MATE CLANCY, WHO WAS THE TIGER THEY CROSSED WITH A LION

TO CALL IT A TIGON,

WE WISH YOU A HAPPY NEW YEAR

WE WISH YOU A HAPPY NEW YEAR

WE WISH YOU A HAPPY NEW YEAR

FROM THE NEW YEAR TIGER TO YOU, GROOOOOWWWL, HAPPY NEW YEAR

Evening was in the wood, louring with storm.
A time of drought had ****** the weedy pool
And baked the channels; birds had done with song.
Thirst was a dream of fountains in the moon,
Or willow-music blown across the water
Leisurely sliding on by weir and mill.

Uneasy was the man who wandered, brooding,
His face a little whiter than the dusk.
A drone of sultry wings flicker'd in his head.
The end of sunset burning thro' the boughs
Died in a smear of red; exhausted hours
Cumber'd, and ugly sorrows hemmed him in.

He thought: 'Somewhere there's thunder,' as he strove
To shake off dread; he dared not look behind him,
But stood, the sweat of horror on his face.
He blunder'd down a path, trampling on thistles,
In sudden race to leave the ghostly trees.
And: 'Soon I'll be in open fields,' he thought,
And half remembered starlight on the meadows,
Scent of mown grass and voices of tired men,
Fading along the field-paths; home and sleep
And cool-swept upland spaces, whispering leaves,
And far off the long churring night-jar's note.

But something in the wood, trying to daunt him,
Led him confused in circles through the thicket.
He was forgetting his old wretched folly,
And freedom was his need; his throat was choking.
Barbed brambles gripped and clawed him round his legs,
And he floundered over snags and hidden stumps.
Mumbling: 'I will get out! I must get out!'
Butting and thrusting up the baffling gloom,
Pausing to listen in a space 'twixt thorns,
He peers around with peering, frantic eyes.
An evil creature in the twilight looping,
Flapped blindly in his face. Beating it off,
He screeched in terror, and straightway something clambered
Heavily from an oak, and dropped, bent double,
To shamble at him zigzag, squat and *******.
Headlong he charges down the wood, and falls
With roaring brain--agony--the snap't spark--
And blots of green and purple in his eyes.
Then the slow fingers groping on his neck,
And at his heart the strangling clasp of death.

It was threatening rain for a week or more
It was always threatening rain,
The Weather Bureau was always sore
When the threatening rain never came.
We’d hold an open air barbecue
Each time they said it would come,
‘Hey it’s gonna rain,’ said Oliver Payne,
‘What do they think, we’re dumb?’

But the Bureau Chief, one Adrian Reef
Said he was sick to the core,
Why wouldn’t the weather behave itself
Like it had done before,
‘It’s making us look like a laughing stock,’
He bitterly said to Jane,
‘I want you to ring up the airport now
And charter a small, light plane,’

He loaded the plane up with dry ice
And a generous load of salt,
And lugged along an elephant gun,
The plane took off with a jolt,
He peppered the clouds with ice that day,
He put his job on the line,
The last thing he wanted to have to say:
‘The weather is going to be fine.’

And down on the ground at the barbecue
We were sizzling snags and steak,
Having an ice cold beer or two
And trying to stay awake.
The sultry weather was drowsy then
We’d heard the report, in vain,
But just when the steaks were nicely done
It came down, bucketing rain.

We didn’t have time to pack it up,
We couldn’t save snags or steak,
In only a couple of minutes there
We were staggering round in a lake,
And Oliver’s esky floated away
With the rest of the beer we’d bought,
While we took shelter as best we could
Under cover of Maggie’s porch.

The water rose right up to our knees,
Our cars were afloat that day,
The chickens drowned and the old hearth hound
Was found seven miles away,
While on the Teev was the Bureau Chief
With a grin that was not quite sane,
He knew he’d won with his elephant gun,
‘The sky is threatening rain!’

David Lewis Paget

A bad mix of Shorty's Irish Whisky
and a whimper riding the wind,
has got me lying about my past.
A roomful of men in nooseties surround,
crowbar stares prying at my mindsafe of secrets--
I drink until the grimace gives way to birthday cake grin
and my watering eyes burst in confetti.

Martha emerges from the black suits
in her spiderweb burgundy dress.
Jack and Nathan drool in the corner.
Martha whispers, "Hey Harvey," and then a terribly long
something-or-other in my ear,
but I'm too far gone to comprehend
or to care about comprehending.
The crafted playlist for this party
hiccups and dies, creating a suffocating silence.
The beady eyes turn shifty, erratic strayfire gazes
fill the room.

I begin to laugh.

I notice Jack talking to a grey-haired man and pointing at me.
Martha looks at me and nods with a sense of urgency.
New music coughs across the room,
I slide into a small, desperate clan of dreamy-talkers,
hungry for a new pair of ears to beesting with *******.
I listen, while my aging wolf scours the room.
I make a swift break for the door,
the night lies naked in front of me--
light pollution pours fake beams on the contours of the evening.
A middle-aged woman snags my arm before I can reach my car.
I pull until my arm frees, but she delays me enough
for the grey-haired man to catch up.

He introduces himself with a lightning one-two punch.
One being a sharp left hook.
Two being a dusting right uppercut.

"You stay the hell away from my daughter!"

I begin to ***** a river of orange, red, dotted with black chunks.
More than a few drops land on his shiny black leather shoes,
so he proceeds to break my nose with a vicious kick.

Amidst my moans, I am able to ask, "Who is your daughter?"

"Karen, Karen Newman."

"I have no idea who that is!" I cry.

"Don't lie to me, Jack! She told us all about you."

"My name is Harvey."

I look out into the road.
A blue sedan stops momentarily.

"I owe you one, buddy!" Jack shouts.

The Newman parents disappear without
so much as an apology.
I lay listening to the low hum of the city's traffic.
A few minutes pass, sending me into a haze.
Delicate fingers lift my head from the concrete,
I look up.
Martha begins to clean the blood and ***** from
my face with a wash cloth.
I feel soft and pure in her hands.

I got zillion tracks to the light
But i chose the one that lights bright
I crawl first and then i stand
Unaware of the snags ahead
I begin to walk through the lane

The photo reminded her of bruised fruit. Well first and foremost:fruit.
Her body, curled around itself, sheltering the fibrous crunchy pit of her, her body white and frayed looking, rounded buttock, calf gently sloping, feet modest, willowy toes toenails like shale
face blurred, questionable dark spots where her eyes could have been. they closed as the shudder buckled, her mouth sagged open, lip lolling to one side, brow ancient furrowed like folds of sand nudged by a lazy tide.  None of it concise, only guessing. Her knees brought up, squeezed against small  
crunch-able chest. Full, heavy with pulp (stringy sweet, what snags on the teeth) but what if it were to fall from an appreciable height? Filmy is the flesh. Daring the looker to look closer, see what mite be hidden there.
Ripe:questionable. Sweet like nothing, pouring from the corners of a mouth: what a bite it would be.
That first bite.
The bruising comes in when she thinks of the brain beneath, that open, limitless figure so pale and forefront and brimming with intent, so crush-able with careless fist, so lovable with thirsty mouth. But what of the mind that put her before you, that turned her vulnerable, shameless, open for discussion?
Put her before you. naked.

There are crackles and scratches woven here;
bridges and highways where little things run.

Over tangles of brambles and berries
a bud’s coming out; a hand lying open in grass.

There is bracken crisping; brown and dry;
shaded by waxy leaves where water ***** roll.

There are bees in the air, flitting around.
Air which is thick with nectar and pollen.

It’s dense in here; cramped thorns twist,
ears are twitching, claws scratch on bark.

When the light goes away eyes start to shine,
the scurrying gets furious, noises in darkness.

An owl glides down and a mouse hurries up
but quicker than light, he’s swept from the ground.

Spiralling up from his hawthorn nest
He’s stolen away; into the night.

Sparrows whistle, a feather snags on a branch
and the moon bows down to the lilac dawn.

I find you
the lappet moth
like slug or bat
with fuzzy ears
stuck dead with
nothing except
the toxins of
my fever
abnormally
high and
boiling
how

perfect it is
to be under
your legs
bugs
or none
my fingers will
do the
crawling for
any insect
camouflaged
in the skin
dig

the nails
now
bits of flesh
under
tiny specks
of blood
gather
and your net
snags
words I’ve
never uttered

I leave the warmth of the feast
Out into the pleasant night air
A cat walks in the garden
Quietly atop a stone wall
It's eyes reflect in torchlight
Like two carved emeralds
I watch from the stone bench
As he snags a damselfly from the air
Pinning it to the mossy stone

Cat sits behind cage
Bored
Man comes in
Cat leaps up
Tries to catch his coattails
Snags his heart instead

Cat sleeps on couch
Content
Man comes in
Cat wakes up
Swats away his gentle hand
Signing it in red

Cat hunts in field
Brave
Man comes out
Cat pounces down
Returns to comfort of house
Victim having fled

I sailed the fjords between Powell River and
Drury Inlet to beyond the Salish Sea.
The land itself spoke from mountains, water falls, islets
From bird song and bear splashing fishers
From rutting moose and cougars sharp incisors.
The place has a scale that needs no advisers
But in our bodies felt, sensed in our story talking.
The Chinese spoke of sensing place by the four dignities
Of Standing of Reposing of Sitting or of Walking.
Indigenous peoples of the passage added of Paddling by degrees
For the Haida and Salish sang their paddles to taboos
To the rhythm of the drum in their clan crested canoes.
Trunks transformed indwelling people who swam like trees.
First Nations marked this land, made drawings above sacred screes
As they walked together, to gather, share and thank the spirit saplings.
So Dao-pilgrims in the blue sacred mountains of Japan rang their ramblings.
Now the loggers’ chainsaws were silent like men who had sinned.
I motored now for of wind not a trace -
I could see stories from the slopes, hear tales in the wind.
Modern hieroglyphs spoke from clear-cuts both convex and concave.
Slopes of burgundy and orange bark shaves
Atop the beige hills, and in the gullies the silver drying snags
and the brilliant pink of fire **** tags
A tapestry of  times in work.
A museum of lives that lurk.
Once the logging camps floated close to the head of inlets.
Now rusting red donkeys and cables no longer creak,
Nor do standing spar trees sway near feller notched trunks,
Nor do grappler yarders shriek as men bag booms and
Dump bundles in bull pens.
The names bespeak the work.
Bull buckers, rigging slingers, cat skinners, boom men and whistle punks.
…………………………………………………………………….
Ashore to *** with my dog I saw a ball of crushed bones in ****
Later we heard the evocative howl of a wolf
And my pooch and I go along with the song
Conjoining  with the animal call
In a natural world fearsome, sacred and shared.
---------------------------------------------------------­---
Old bunk houses have tumbled, crumbling fish canneries no longer reek.
Vietnam Draft dodgers and Canucks that followed the loggers forever borrowed -
Their hoisting winches, engines, cutlery, fuel, grease and generators.
While white shells rattled down the ebbing sea.
Listing float homes still grumble when hauled on hard.
Somber silhouettes of teetering totems no longer whisper in westerlies
Near undulating kelp beds of Mamalilakula.
Petroglyphs talk in pictures veiled by vines.
History is a tapestry
And land is the loom.
Every rock, headland, and blissful fearsome bay
Has a silence that speaks when I hear it.
Has a roar of death from peaking storms when I see it.
Beings and things can be heard and seen that
Enter and pass through me to evaporate like mist
From a rain dropped forest fist
And are composted into soil.
Where mountains heavily wade into the sea
To resemble yes the tremble and dissemble
Of the continental shelf.
Where still waters of deception
Hide the tsunamis surging stealth.
Inside the veins of Mother Earth the magmas flow
Beneath fjords where crystalised glaziers glow.
Here sailed I, my dog and catboat
Of ‘Bill Garden’ build
The H. Daniel Hayes
In mountain water stilled
In a golden glory of my remaining days.
In Cascadia the images sang and thrilled
Mamalilikula, Kwak’wala, Namu, Klemtu
The Inlets Jervis, Toba, Bute, and Loughborough.

Tuft of winter coat
Snags upon an open door frame
Escapes the new brush
Tumbles upon hardwood floor
til captured by the old brush

Whines and groans of melancholy
Knock on my door

Upon opening the blockade
The guest looked very eager
A small, furry stuffed animal sits


Eyes fixed on my complexion
When I smile, the doll imitates
When I brush my hand on the doll's fur
A tongue reveals and kisses my cheek

As I walk down the corridor
The fluffy rascal tails right behind

My eyes dart towards a toy
And the puppy snags it thereafter

With its brown precious eyes gleaming
It's impossible to resist the innocent tug
I take the plushy victim
And fling it across the room

The puppy witnesses the ~Plop~
And immediately dashes
Sprinting in the ten second race

Like a boomerang
The furry speed demon returns
With the plush trapped between its dull jaws
All I can remark is...
**"Good Boy!"

I see this woman,

A small woman, asian, older maybe 60, gray hair at her temples.

She is wearing a tan short sleaved blouse, darker tan khaki’s to her knees and open toed sandals.

She is standing in the alley, by the utility pole with her hands cupped together below her *******.

I wonder about this woman.

I wonder if she has known pain, then I stop myself.  Of course she has known pain.  Then I wonder, is she loved?  I try to tell myself that everyone is loved by someone, but then I think, or rather I ask myself, is that true?  Is everyone loved?

In the alley by the utility pole, she looks around, her hands still cupped below her ******* and she begins to look around.  Side to side, to the north down the alley then to the south.  She then looks up into the hazy, warm sky.
She continues to stand there and I watch her from my third floor kitchen window.

I then think to myself that I need to think of this woman more often.  

I think of my own problems and punishments too often without ever thinking of the problems and punishments of others.

She has now folded her arms and is looking down at the ground, walking in small circles, as if she is contemplating something.  She has been lead to the alley by the utility pole by these thoughts.

I begin to think of the things that may have lead her here, right now, at this moment, right when I look out the window.  

Has she come out here after a heated argument in her own tongue (an assumption on my part, Chinese perhaps, Vietnamese.  This is my own idiocy locked in my own world.) with her partner, husband, love, significant other?  An argument over bills, money, a recipe perhaps.  

Then I think maybe she isn’t outside because of an argument at all.  Perhaps she needed some “me time.”  She needed a moment to breath air brought to her by the wind.  To take it in and have it heal her where she needed it to.

Then she drops her hands to her side and she begins to sob.  She leans against the utility pole and slowly slides down its splintery surface.  Her tan blouse snags on the pole but she continues to slide down the pole, her hands at her sides.

She is sitting on the ground, crying, needing someone to help her, needing the person to have caused this pain to cure it, to make it go away, to come to the alley, reach out with both of their hands and pull her up from the pain of the gravel on which she sits.

Then I thought, maybe they can’t.  

Maybe they can’t and that is why she is sitting in the alley by the utility pole, crying with her arms at her sides.  Perhaps she has lost someone she has loved and is regretful of the last thing she ever said to this person.

I recalled my earlier thought acknowledging that she has indeed known pain.  I was watching her experience it.  I was helpless to this woman in this moment.  If I were to ask her if she needed help I could be invading on what she thought was a private moment.  

She didn’t need the help of a strange man watching her from his third floor kitchen window.

She pulled a handkerchief from her right pocket and put it to her face, resting her elbow on her knee and looked down the alley again, still crying.

I felt bad.  I was standing watching this poor, and yet beautiful, woman cry in the alley thinking I couldn’t help her.

I was conflicted.

Do I go see if I can do something that will help ease her pain?  Will I make it worse if I infringe on this moment?

Something pushed me.  An impulse.  God’s whisper.

I put on my shoes and descended the three flights of stairs to aid this woman that I did not know.  What would I say?  Would she even understand my English words?  Could I understand her (assumed) Chinese words?  

Regardless, she needed help.

I opened the back door and stepped onto the sidewalk cautiously, as if it would give way and I would fall.  What am I going to say to this woman?

I looked up and my heart swelled, as did the tears in my eyes.  I saw what I had envisioned seconds before.  The person who had caused the pain came to her, both hands reaching for both of hers.  He reached for her and she reached back.

It was beautiful and I choked on my tears.

He lifted her up and they embraced saying words I did not understand but I thought that perhaps it may have been “Baby, I love you, I’m sorry.”

I didn’t want them to know I had witnessed this, this pain, this loss, those tears, the love and the embrace.  I walked quickly past in a direction that I did not need to go with only one more quick glance so that I could remember this love that I had seen.

It made me think of all of the love that I don’t see, the moments that I don’t take to look at someone from my third floor kitchen window.

The love in my own life that I take for granted sometimes and that made me sob.

I think of my own love and I want him close.  No words, just an embrace, like theirs,

in the alley by the utility pole.

grit sand conglomerate binds
friction holding - heel steady
tottering
navy lace snags
upon brick dipped in night
save for - street lamps poignantly
establishing form to
lips seeking
to traverse the topography of your structure
tongue craving - salivary essence about mine

my curls remember being dragged
across,
- then –
pressed firmly against the brick
snagging
on vertical groove and red clay
your pelvic bone
ground deep – pressurized
into dust against my own

Serotonin, oxytocin fuse
Blown -  
Neural patina – thick
Pompeii to Vesuvius
Diffuse
Carbon filament lattice
Clings - to
ancient couple
cuddling
in ashen grave

Compressed densely

Perchance time will compress this grit
creating friction under sole.

THE PARTY AT PRINCE REGENT HOTEL FOR NEW YEARS


YA SEE WE PARTIED AT PRINCE REGENT HOTEL

ON NEW YEARS EVE, OH YEAH THAT SOUND SWEET

YA SEE THE CHEF HAD A BIG FRY UP WITH LEFT OVER SNAGS AND STEAKS

UEAH THAT SOUNDS SO COOL

AND ALL THE MEN SAT IN THE CORNER, DUDE

SAYING TOO EACH OTHER, WHAT A FINE COLLECTION OF *****

AND ONE FATHER GAVE HISW 8 YEAR OLD DAUGHTER SCOTCH AND COKE

AND DESPITE THE HOTEL STAFF HATING IN, THEIR HANDS WERE TIED

GREG LIKED THAT INTEGRITY, OH YEAH, DUDES, THOUGHT IT WAS RAD

CAUSE GREG WASN’T GOING TO BE LABLED A PARTY POOPER

IN EVERY STRETCH OF THE IMAGINATION

GREG DECIDED TO LAY LOW FOR A WHILE, SO HE GOT DRESSED UP AS THE NEW YEAR TIGER, DUDE

AND PUT ON A LITTLE SHOW FOR THE KIDS TO ENJOY THEIR NEW YEARS

GREG WAS A BIT WEIRD CAUSE HE WAS FORCING KIDS TO LISTEN TO HIM LISTEN TO HIM LISTEN TO HIM

THE KIDS WERE TIRED BUT GREG STILL FORCED THE KIDS TO LISTEN TO HIS NEW YEAR TIGER SHOW

YA SEE THIS DAY WAS START OF MY PARANORMAL VOICES YA SEE

YOU SEE ROSLYN MARRIED ME, CAUSE I WAS FORCING KIDS TO WATCH MY SHOWS

WHETHER THEY WERE TIRED OR NOT

YA SEE, WHEN I WAS YOUNG IN THIS LIFE, I HEARD VOICES OF PEOPLE TALKING ABOUT ME, BEHIND MY BACK

I DIDN’T KNOW WHAT TO MAKE OF IT AT FIRST, AND PEOPLE ARE RIBBING ME, BY SAYING SHUT UP WOOSEY

TO ME, AND NOW AS I REMEMBER, AS THE DINNER WAS OVER, JOSEPH PEANUCKLE

DECIDED TO GO TO HIS SUITE TO GET HIS FLUTE TO ENTERTAIN THE CROWD

AND THE LADIES AND MEN DANCED WITH EACH OTHER AND GREG AND THE

HOTEL STAFF WERE TALKING TO EACH OTHER, ISN’T THIS WONDERFUL

AND EACH OF US HAS 6 MILLION POUNDS EACH, AND IF EACH OF THE STAFF

PUTS IN 1 MILLION POUNDS, PRINCE REGENT HOTEL CAN GET THE COUNTRY CLUB UPGRADE

THAT IT THOROUGHLY DESERVES, AND AS THEY PARTY INTO THE NIGHT, AT 11.55 PM

GREG DRESSED UP AS THE NEW YEAR TIGER AND SANG

I AM A TIGER IN A TOP HAT

A TIGER IN A WHITE TIE

AND WE’LL PARTY ON DOWN

YA SEE, I AM A TIGER IN A TOP HAT

A TIGER IN A WHITE TIE

AND COUNT ‘EM OWN

HE REPEATED THAT TILL THE BIG COUNTDOWN

AND LED THE COUNTDOWN

10 9 8 7 6 5 4 3 2 1 AND YELLED OUT HAPPY NEW YEAR

AND JOSEPH PLAYED AULD LENG ZINE ON THE FLUTE

AND PLAYED OTHER SONGS ON THE FLUTE TILL 1-29 AM IN THE MORNING

ALL THE HOTEL GUESTS, ALL WENT TO BED, WHILE GREG AND THE HOUSE KEEPERS

WERE CLEANING UP AFTERWARDS, AND THIS HAPPENED EVERY YEAR OF THE

1817 TO 1819, THE 1820S THE 1830S THE 1840S

AND GREG WAS GREAT, EACH YEAR BRINGING THE NEW YEAR IN WITH A GRIN

HAPPY NEW YEAR, FROM THE OLD FASHIONED PRINCE REGENT HOTEL

AND ALL UPGRADES WERE SUCCESSFUL, MELBOURNE WERE THE TALK OF THE COUNTRY BACK THEN

HAPPY NEW YEAR

Can anarchy have empathy?
Yes, in our land of Aussies,
We say no wucking furries,
Always more snags on the barbie,
Still listen to a bit of Acca Dacca,
More burgers and fries from Maccas,
Frocked up in trackie dakkies,
Yes, it's the land of Aussies,
Our form of anarchy has empathy!

Snags in her tights,
Chipped black on her claws,
She stands against walls,
Vulnerable to the brawls.

A skirt grazing her thighs,
Too small for her liking,
She pulls at the seems,
And feeds the old men lies.

Lips that bleed,
Mascara stained cheek,
Frame too slim,
She's in the gutter, sensual and meek.

Lady of the night,
Rolls to your car,
beckons you with her finger,
hopes you won't linger.

A ten note slips,
Into her grip.
She squeezes.
It will feed her addiction.

She has money to pay,
Children to feed,
She digs her knuckles so much they bleed.

Life carries by,
As she tries to get high,
On the fumes of other men.

But the red light comes on,
Her skirt hitches up,
She cries as he whispers
good girl.

As he kisses her neck,
She thinks what the heck
Am I doing with my **** awful life,
Selling cheap love,
To father above,
In hope she gets a better price
than the tiny sum
From every business bloke that comes, beckons her into his arms.

She pulls at her pleather,
At her last tether,
Why am I in this life?

Soho's her home,
But it leaves her numb to the bone.

She has more than budget passion,
She craves style,
She fashion.

But instead the needle pierces,
And she sinks down,
Hating the body she's in,
Women walk and they frown,
But they don't understand how the girl feels deep down,
She just wants true love.

Oh heaven above?
If there is a Holy Spirit,
Let me be it,
For this withered young *******,
Belongs in your constitute,
Please, she begs, save me from the charity brutes.

Life of a man in poverty is pure experiment,
It effortlessly starts in the morning on each day
Swaddled in acuteness of despair and hope,
Hoping to pass on food for breakfast and lunch
Without test of agony in hunger pains;wistfullness
As drive for opportunity of super is forcefully atomic,
Projecting for bliss in posterity without education,
As paranoia of a merchant awaits disillusionment,
Pumping into regular snags from fortune creation,
As economic powers that be fix final nails
to the coffin, in which rests twist of fate,
Hoping for global relations to succor the times
As self reinforced poverty fetters all experiments,
Happening to be in the pauper’s laboratory,
Converting everything all into poverty’s turf.

And again you fall up.
Fall up into your own head.
Your tangled strings of thoughts
Slither and snake around themselves and choke
Themselves out with a pressure twisted
Tighter than boy-scout knots
Ebbing around painful snaps of rubber band nerves
Looping around the tennis ball of your brain
And as you fall your foot snags on the ringed
End of a threading needle and as you kick it deeper
Into your soft red pin cushion mind
You are hanging with your legs pointed up
With your fingers just barely *******
The edge of that whiskey bottle
The needle breaks.
And you fall down into that drink
Dousing your brain with boiling hot liquid
Hoping that your knotted thoughts will
Melt into spaghetti, soft and loose
Barely circling the fork of your brain
And finally unravel the pressure of
Being the only person who falls both ways.

I'm not insecure. I'm jealous and unrightfully so. You're not mine.  I'm jealous of anyone who catches your eye, I'm jealous of anyone who snags your attention. I'm jealous of the ones who take your time. I'm insanely jealous of anyone who makes you smile, feel, live more than I do. I have 41 days, 16 hours and approximately 32 minutes left here. I completely understand that you would not want to commit to that, to me when I will be 800 miles away. But I'm still here for now. I'm here now. Make these moments count. These should be what matter. Don't be scared, because you know I'm going to leave please. I just want to love you deeper than anyone else has, or will. Why can't you let me?

He swooshes down the mountain
Carving a series of humongous S letters,
Gracefully, brilliantly,
Gliding down the pure white *****.
Admittedly, the snow is hallucinogenic, an
Alphabet soup & smorgasbord;
A diabolic concoction I find irresistible.
He snaps to a dead halt before me, with
Flair & flourish like an Argentine tango dancer.
He is wearing a bright red Mad Bomber Hat . . .
(Mad Bomber Hat...$39.95  ‎Adwww.llbeanbusiness.com/‎1-855-371- 2754. Outerwear & Fleece-Top Gifts & Incentives - 20% Off Volume Discounts)
Forgive the poet, a simple refusnik, refusing to die in the gutter. Forgive me for making poetry pay, for once. $Ka-ching! $Ka-ching!
One had to have a shitload of
Self-confidence to wear a hat like that, my
Va-jay-jay getting creamy,
His smile fluttering my clitoral funny bone.
Confidence & humor: for me always a
Lethal combination.
Back in Providence they call me a
Rhode Island Pizza Queen; a
Certified cat litter-box for cads & scoundrels.
The Mad Bomber squats:
He is 50% Rhett Butler, 30% Joey Gallo,
& the other 40%, Cosmo Kramer, (duh?)
Adding up to a deadly duo that gets me every time:
Confidence & Humor snags my guinea ***.
First it’s coffee & Sambuca at the Lodge.
Two hours later I blow him in the shower
At The Green Mountain Inn.
The next morning, we say goodbye in the parking lot.
He promises to call me from Boston, but
Of course, I never hear from him again.
That sums up my MO with men,
Explains how I **** up when picking men.
Every time, again & again, like a
Third generation imbecile, deranged & demented,
Doing the same thing over & over, yet
Expecting a different outcome.
Woe is ******* me!
Another neurotic, myopic, ganglia misfire;
A behaviorist might point out there must be some kind of
Reinforcement going on, seeing I keep
Coming back, going back for more,
Like a lab rat still pushing the lever
Long after the food pellets are gone.
Oh yes! Call me Angie the
Out of control downhill racer.
It’s bipolar moguls & roller coasters,
Another Six Flags ski weekend,
A Stowe, Vermont Coney Island of the Mind for
Angelina Delvecchio, shimmy,
Shimmy Cocoa Pops.

After “lo fatal”

When I read you first I was living in Bergen.
Pretending at translation
and going up scree, clutching at conifers
in a painted flaxen sun.

I'd imagined you’d given up on being Modernista
to settle for a quaint shack—
for the hardness of the carved fjord.

Now if you were to arrive in the wild
where I have kept this place
strangely similar by the pine, blue herons,
               Mount Ozzard over the dandelions,

how would you come walking down the road?

Would deer pause to smell your tracks
or the cedar cutter look up as he heard you pass,

or these coal-black snags
which guard the lot’s entrance
          and haven't swayed in so long
groan?

Dichoso el árbol, que es apenas sensitivo.
Happy is the tree, you said. Scarcely sentient.

Ruben Dario: what is the tree
which rushes through this poem?

Lips like fire,

She scorches the town,

Leaving Ashen faces as signs of her affection.

Words like water,

steaming the lines of reality into

Smudged intentions.

Spine in flex formation,

She flips into memories, 

Avoiding snags.

Her brain in carefully curled spirals,
Dyed the intelligence that she deems fit.

She plasters their words over the fragile 

Threads that make her fly.

She buries herself in reflections, 
Willing away anything unseemly mortal.

Eyes like the plague,

Infecting those who look too close.

Hands like claws, 

Engraving pleasure scars across 
Your form.

Breathing in security from diluted sources,

Traced with innocence and lust.

She grows addicted.

She looks in curiosity, 

She hears the auto-tuned heartsong,

She smells with weakening heart, 

She feels the onset of withdrawal,

**She Bites