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"slings" poems
I can't wait till I'm awake.. Plugged into the wall. Nothing noted until the shell of the capsule collapses under the weight of your trembling hands. No there is no notation for what was said between us, just figure-less voices and a strenuous pain that strained our throats for the fear of nothing being communicated between the exasperated gasps of what was less than incommunicable silence. Ugly is not a word but a feeling applied with meaning, applied to a certain truth about that metallic taste in my mouth, that tearful pain jostled in my chest and that consuming fear. I know little of what this ugliness could mean other than it harbors shame in my corners. This shame is not inborn in anyone, but it builds it's presence as a drunken braggart who shouts obscenities and believes he is a prince of highest regard. His ugliness is in what he slings from his tongue and his criticisms of all who in his mind toil about. But he is simply a angry troll with no heart and delusions of grandeur, frittering away time.. for time stands as an eternal judge and measure.
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May 9, 2014
May 9, 2014 at 12:11 AM UTC
Cell Phone
Light of my life, The slings and arrows Of outrageous fortune Bloom a rose In the deeps of my heart. And so I came forth But could not behold the stars. The slings and arrows, They trespassed upon my thoughts. And I cried that I came To this great stage of fools, But it echoed loudly within me Because I am hollow at the core. That outward existence which conforms, This inward life which questions Confusion now hath made his masterpiece of. I don't exactly know What I mean by that, But I mean it.
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Nov 17, 2016
Nov 17, 2016 at 11:30 PM UTC
Patchwork
there's a marital dispute between squirrels in my chest, stomach and head. she flings lamp and liver while he slings obscenities about her barrenness. by midnight they'll **** then sleep and then I can watch John Oliver. but their problems aren't resolved.
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Jun 30, 2015
Jun 30, 2015 at 10:13 PM UTC
Squirrels
I wanted to write a poem about the joys simple things. But I’ve lost the meaning of them since I’ve been away it seems. For many years I’ve served duty tours, it’s just the life that I have lived. So I write poems of war and of warriors and death; sometimes it’s all I have left to give. I picked my brain for images of candlelight picnics on sandy beaches, but I opened the basket looking for ammo to load in my weapon breaches. Oiling my guns may not be romantic, or when I lace my boots up tight, but you can bet your **** it comes in handy when you’re caught in a fire fight. I tried concentrating as hard as I could, trying to envision more peaceful things. Instead I was reminded of Black Hawks with M240-Bravos in weapon slings. It seems I can’t be normal or think like a normal human being, I’ve been battle hardened inside my soul and this is part of what it brings. PTSD is what they call it, they say I need some aid, but it just feels like second nature, pulling the pins and throwing grenades.  I’ll go home one day and I’ll look the same because my wife can’t see my scars, I’ve hid them all inside myself and that’s what makes this hard. They tell me I’ve been lucky, I didn’t get a single injury. But the damage was done inside of me and that’s what they don’t see. So I’ll go home a “lucky one” and act like I am fine, and live my days pretending, while keeping this war trapped in my mind.
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Jul 24, 2012
Jul 24, 2012 at 6:07 AM UTC
PTSD
When it comes to matters of the heart it pays to be both wise and smart. Be proactive and take care of vulnerable hearts who take Love’s dare. Perhaps a stress test would be smart before old Cupid slings his dart. Be sure your pulse is strong and steady Not weak and racing and unready Take Flax seed oil as a precaution, before you dip into that Ocean besides the undertow of emotion. The mermaids that beset your dinghy may tend to be a little clingy The sea of love is cold, I’ve found Tho oft I’ve floundered, I’ve never drowned
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Dec 7, 2011
Dec 7, 2011 at 9:56 PM UTC
Romantic Cardiology
I walk across the landing and through the double doors and aim towards the lift shaft, that's where I'm going, of course. It's as if it hears my footsteps and needs no company as that old elevator shoots down to level 3. Every single morning as I approach its doors it disappears pretty quick down to those lower floors. I swear it sees me coming and doesn't like the look so as I rush to hitch a ride the **** thing slings its hook. The doors are on a system, computerised I read. But whenever I get near them they change the ****** speed. I stand alone here waiting and it just isn't fair 'cause I am stuck up here when I want to be down there. It speeds down to the bottom and sits on the ground floor you can here it taunting you with the movements of the door. Then after what seems ages it gradually starts to rise giving me some hope at last as I can hear the noise. Then it makes a pit stop at another floor and seems to take forever to open and close its door. Each and every level seems to get a viewing as if it wants to **** some time, with my mind it is ******** And then it reaches the sixth floor as if it is my saviour and finally opens up the doors as if it's doing a favour. It seems as if this machine requires me to stalk so now I've found the stairwell and instead I'm going to walk.
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Jul 9, 2015
Jul 9, 2015 at 1:50 PM UTC
****** Elevator
The dream haunts me often, far too often, building in intensity but is initially disguised in absurdity and the nonsense of a young man's lusts with an old man's deficits. This woman-like entity, ill-defined at first but forming voluptuously, emerges from swelling curtains. She moves, more levitates, toward my bed, buoyed by what I don't know, but angelic-like it would seem. Or perhaps an Aphrodite reincarnate? Oh this goddess, what pale skin, as Parian marble, full bosomed, jutting ******* ***** that beckon, nearly drool, and pursed red lips beaded with sweet juice stolen from the wild cherry tree beneath my window. Far too much clarity for a simple dream. But such a dream! And what seething testosterone I feel! I am become a hedonist, raging, pulsing spermatozoa, renewed of time and youthful energies. Nerve into nerve we join, ecstacy compounding ecstacy, bodies wantonly impaling the other on this love bed to the result that each cell of our individualities melds. We are indistinct, yes - as one, and any ****** impulse between us is shared to the point of utter exhaustion, depletion. I am nearly drained of life, it would seem. Then, as it always must, the scene changes, Act II. Inexplicably, shedding a ****** serpentine-like skin, she slings it away and drops limply upon me - entirely skeletal, dry cartilage, sinew, lifeless, sexless, motionless. The horror of a diabolical hollowness stares through me, and I am suspended, fully terrorized, in this paralysis. So, this is succumbing to the Succubus? God, my dear God, that I should never dream again! --
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Oct 12, 2011
Oct 12, 2011 at 10:25 AM UTC
Succumbing to the Succubus
The dream haunts me often, far too often, building in intensity but is initially disguised in absurdity and the nonsense of a young man's lusts with an old man's deficits. This woman-like entity, ill-defined at first but forming voluptuously, emerges from swelling curtains. She moves, more levitates, toward my bed, buoyed by what I don't know, but angelic-like it would seem. Or perhaps an Aphrodite reincarnate? Oh this goddess, what pale skin, as Parian marble, full bosomed, jutting ******* ***** that beckon, nearly drool, and pursed red lips beaded with sweet juice stolen from the wild cherry tree beneath my window. Far too much clarity for a simple dream. But such a dream! And what seething testosterone I feel! I am become a hedonist, raging, pulsing spermatozoa, renewed of time and youthful energies. Nerve into nerve we join, ecstacy compounding ecstacy, bodies wantonly impaling the other on this love bed to the result that each cell of our individualities melds. We are indistinct, yes - as one, and any ****** impulse between us is shared to the point of utter exhaustion, depletion. I am nearly drained of life, it would seem. Then, as it always must, the scene changes, Act II. Inexplicably, shedding a ****** serpentine-like skin, she slings it away and drops limply upon me - entirely skeletal, dry cartilage, sinew, lifeless, sexless, motionless. The horror of a diabolical hollowness stares through me, and I am suspended, fully terrorized, in this paralysis. So, this is succumbing to the Succubus? God, my dear God, that I should never dream again! --
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51
Once I looked to the Bard for words profound; ageless, his wisdom ran unabated. Yet Hamlet is now ideologically unsound, “the slings and arrows” historically Iocated. I wept for the creature of Frankenstein, spurned by his master, forced to roam the Earth. But I’d been subjectively positioned in a paradigm by Mary’s anxiety about childbirth. I read Balzac, Hardy and Henry James describing “worlds” which seemed quite sensible. Now Eagleton’s exposed their bourgeois games I find them morally reprehensible. I dreamt of being Robinson Crusoe or proud, fierce Hawkeye in his buckskins dressed, but Fenimore and Defoe have to go, they’re culturally encoded and empirically obsessed. Inspired by Guinness, did James Joyce sit down to see what magic flowed when he was ****** The stream of Ulysses floats Bloom-about-town dreamthinkingnever : “I’mamodernist”. I’d gladly give Woolf a Room of Her Own and be one of the boys with Hemingway, but sensitive guys leave their bulls alone say de Beauvoir and Luce Irigaray. No more fun with Wordsworth being daffodilly, no simple pleasure reading Mickey Mouse; Steamboat Willie can’t help but look silly dissected by Foucault and Levi-Strauss. The Bible shows intertextuality says the two Jacques, Lacan and Derrida. Judas, a construct of bisexuality? The **** fixations of Herod are? It’s got so bad I deconstruct a holiday brochure. I can’t even **** without Roland Barthes and Ferdinand de Saussure.
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Feb 25, 2015
Feb 25, 2015 at 12:06 AM UTC
LAMENT FOR LOST LITERARY COMFORT
WIMBLEDON COMMON Wimbledon common Was always the place to go, Catching the train from Streatham The family all aglow, Sandwiches in a paper bag Thermos in a sack, Plastic sandels and tennis racket Not forgetting the cricket bat. Everyone was skippy The sun high in the sky, Dad had his umbrella But the rain was shy, Jumping from the platform Down a row of steps, Brother took a tumble And that was that. Plasters in a pocket All was mended soon, Finally recovered Felt over the moon, Reached the grassy stretches Whoops mind the dogs, Come away from the lovers They're out for a jog. Find a shiny tree trunk Horizontal on the ground, Four happy people Tuck in to raspberry jam, Now for the thermos Plastic cups ahead, Here come the wasps To eat our jam and bread. Later penguin biscuits And a trip behind the bin, Dad puts out the wickets Let's see who wins, After a quiet session Brother looses his cool, Slings the bat skyward You should see it go, Mother looked upwards Covering her head, Just managed to miss it Landing on the hedge. I went off walking To gather pretty flowers, Dad hid under the paper We had a quiet hour, Clouds gathering slowly The sun going down, What a lovely day in the country We're now homeward bound. In memory and gratitude to my lovely mum and dad Grace and Eric Ayton- Robinson who always did their best. Love Mary **
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Jan 31, 2018
Jan 31, 2018 at 10:47 AM UTC
Wimbledon common
i remember too many things i should not, things best left behind, memories since best forgot. i remember the things it seems, things left in the wake, of all my failed, unrealistic dreams, all in all to forsake, now I stand here alone without any schemes, i now live in the lies i alone make. i remember too many things, and now i lay here in shame, of neglected love and misfortune's slings.
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Oct 4, 2010
Oct 4, 2010 at 1:02 PM UTC
i remember too many things
I want to go back to my past When tame pigeons of joy nested on my eaves And I could hear their crooning With the sweetness of love outpouring I want to go back to my past When innocent instincts ruled my heart And I ran after every call from the woods or bush Mesmerized by the whistles of the oriole and the thrush I want to go back to my past When every rainbow and every peacock feather Ignited curiosity in me as a child And colored my imagination wild I want to go back to my past When, with friends, I sat in the mango grove And savored the ripe juicy mangoes Careful not to let the pulp drip down our mouths I want to go back to my past When we strolled along the sandy strands Watching the wild waves fray And cooled by the kiss of spray I want to go back to my past When we had watched at night A hundred fireflies dancing around the neem Wondering if they were stars fallen from heaven’s seam I want to go back to my past When, like breeze, we ran over the meadows Looking for the bleating lamb Singing in chorus, ‘Mary had a little lamb’ I want to go back to my past, When life appears a trying test With ‘the slings and arrows of an outrageous fortune’ And as and when I feel so desperately alone!
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Aug 21, 2016
Aug 21, 2016 at 8:23 AM UTC
Retracing my Footsteps
Give me your heart, Full of  stringy sinews, stretch them as far as you can, use it as a yo-yo, watch it, it slings, it's ****** feelings everywhere, it's a  healthy heart, covered with a thin layer, insipid lipid tissues, whirling, yielding, under pressure, submissive, youthful, zeal for love, real lust for life. whips back, darned quick, many happy returns, while walking the dog! (C) Livvi
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May 28, 2014
May 28, 2014 at 2:38 PM UTC
Yo-yo
Quasimodo, ringer of the bells Quasimodo, hidden in his hell Watching from the bell tower as life is squandered daily Nobody seems to understand the truth of human frailty But there they chime again! It's that time again! You know Quasimodo's still alive Because the Bells are right on time In the shadows of Notre Dame A monster stalks our halls A giant, hulking, hungry mass Searching for ****** girls It's the truth, don't you believe it? The beast is out there creeping It's much easier to see than the demons we all keep Under lock and key Inside you and me Quasimodo, ringer of the bells Quasimodo, hidden in his hell Watching from the bell tower as life is squandered daily Nobody seems to understand the truth of human frailty But there they chime again! It's that time again! Quasimodo's still alive Because the Bells are right on time A monster forged in hate was a man who died for love and though he suffered the slings and arrows of the cursed world he lived above Quasimodo died as Quasimodo lived Believing that the gift of love was the best gift we could give. Quasimodo, ringer of the bells Quasimodo, dying in this cell Lying in the crypt with arms wrapped tight 'round his beloved Embracing his dark angel as eternally as love is But it's that time again! Why don't they chime this time? The Halls of Notre Dame are still Quasimodo must have died...
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Apr 28, 2015
Apr 28, 2015 at 8:43 PM UTC
Quasimodo
Come rest, the weary; A sheltered bay Slings and arrows ne’er compared To the mumbled words never said Personal perceptions pursued Come eat, the hungry; A feast, fit for cattle Jesters a King’s only friend The only pest made to ignore Power ignited so rarely in the strong Come come, child; A ***** constructed Wood timber and sneers The difference between “survive” And “thrive” is how fat you get
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May 9, 2012
May 9, 2012 at 4:21 PM UTC
Written in a Cafeteria Private-room
Failure in my opinion is the single most driving force in our world. Everything we do is to avoid failure. But is it so bad? Failure is the lack of the expected outcome but when the outcome is bad is failure not good? An attempt at ones own life when met in failure can lead to reasons to live in some. Many people feel that that suicide is the failure to cope with the "slings and arrows of outrageous misfortune" but no. It means to give up on that which you have lost control of. For me the success of my failure has shown me that if I try again... I will not fail.
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Dec 23, 2014
Dec 23, 2014 at 12:34 AM UTC
Success of failure
All silent in the months of grace When frosty blankets fall across the hills And fields where birds once sang their verse, But melody of wind is all we know. These lands to die are not yet dead Though bee does mourn for blooms and for himself When beetle joints go stiff with cold -- When funerary twilight season comes To ***** the days. The final wren Now senses slipping of the year, and so Of tenant hill and glen deprived Set in for sleep. If never to awake -- To never feel a verdant joy Or exultation of the orb that breathes Bright life into our skies -- at least Released from hardships and her sorrows be. But she has faith, she loves the sun! The twinkling of his eye will come in May Or else with April's gown he'll march: Believing in her lover's rising light The dream that takes her through the night. Not far, a sickly naiad's wood In seasons past so fair of face and leaf, Yet creeping forest's yellowing Like fingernails of corpse when skin recedes. But then blush orange sanguinate: The lover's sigh ignites when dies the vine, Their bubbling veins in praise of life When soonest to be severed by cruel scythe. This phantom of their fate is grim, More grim be sure than fate that falls in death: The slings and arrows of the mind Are those most potent poisoned, fear them not -- Illusory as winter's chill That peels off maiden's wedding veil in spring: A peaceful rest does come to all Though private troubles drown the trees through fall. Unthinking sleep does bliss the boughs, In hibernation lose to learn anew The sights proved true by waking world That are the growing season's cause to feel. When browns the brush and flies the thrush Unanchored Daphne nods and starts to drift In sea where beings dream as one. Soft blizzard quilt on woods in slumber laid, Demeter's daughter vanished into shade, With knowledge that she'll never fade.
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Nov 10, 2011
Nov 10, 2011 at 2:56 PM UTC
The Fall Of Autumn
All silent in the months of grace When frosty blankets fall across the hills And fields where birds once sang their verse, But melody of wind is all we know. These lands to die are not yet dead Though bee does mourn for blooms and for himself When beetle joints go stiff with cold -- When funerary twilight season comes To ***** the days. The final wren Now senses slipping of the year, and so Of tenant hill and glen deprived Set in for sleep. If never to awake -- To never feel a verdant joy Or exultation of the orb that breathes Bright life into our skies -- at least Released from hardships and her sorrows be. But she has faith, she loves the sun! The twinkling of his eye will come in May Or else with April's gown he'll march: Believing in her lover's rising light The dream that takes her through the night. Not far, a sickly naiad's wood In seasons past so fair of face and leaf, Yet creeping forest's yellowing Like fingernails of corpse when skin recedes. But then blush orange sanguinate: The lover's sigh ignites when dies the vine, Their bubbling veins in praise of life When soonest to be severed by cruel scythe. This phantom of their fate is grim, More grim be sure than fate that falls in death: The slings and arrows of the mind Are those most potent poisoned, fear them not -- Illusory as winter's chill That peels off maiden's wedding veil in spring: A peaceful rest does come to all Though private troubles drown the trees through fall. Unthinking sleep does bliss the boughs, In hibernation lose to learn anew The sights proved true by waking world That are the growing season's cause to feel. When browns the brush and flies the thrush Unanchored Daphne nods and starts to drift In sea where beings dream as one. Soft blizzard quilt on woods in slumber laid, Demeter's daughter vanished into shade, With knowledge that she'll never fade.
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47
A fool could see this from a mile away Still I let you get close Your love, like espionage for future endeavors For me to give out all my love to have it scattered across the walls you built up to keep me out Still I was outside your solitude of isolation My fair Juliet, misjudged and ruthless, how I like it Blinded by mistreatment, I want what's bad for me Like sugar to your teeth so sweet but risky I'd fight to suffer the slings and arrows of as they say misfortune with you could never come my way.. No one said anything about sticks and stones
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Jul 25, 2013
Jul 25, 2013 at 9:37 PM UTC
My inner Shakespeare
Growing out from childish pranks, With the storm and stress of turbulent teens, I locked within my mind’s cupboard, A portrait vaguely sketched, but never finished. Rough it was, though fancifully done, The silhouette of a masculine figure, The Gallant who would reach one day, To hold my hand and own me his. I had no inkling who he would, Yet had fallen in love with that phantasmal figure, He had dazzling eyes and sturdy limbs, With striking features, ravishing to view, Elusive ever to sight and touch, He remained an enigma, abstract to grasp. At times his contours grew distinct, But soon blanched out into hazy lines, When at times a covert devouring look, Or a pair of intent adoring eyes, Sent a thrill down my fickle heart, I forced open my chest nut draw, And took out stealthily that half done sketch, Hidden out from world’s staring glance, To alter the features one by one, And make it resemble the man I met, Either within a moving train, Or sometimes in an elite gang, Who derailed my thoughts in pensive mood, And tickled my fancy to heave and sigh. He made me turn and toss in bed, And left me, many a sleepless night, He stroked my heart with gladdening ache, And made me lose in sweet reverie. In the nick of time, he solemnly came, To hold my hand and tie the knot, With pounding heart and quivering breath, I found him differ from the man I dreamt. The fabulous fabric in my loom, Looked at variance from the one unfurled, Transfixed between fact and fallacy, I struggled to hide a falling tear. Time marched on in silent haste, And I learnt to outgrow my childish whims, Sagacity dawned with passing age, Making me discern the real from the sham. It made me admire his sanguine self. On fathomed deep beyond external mien, I saw him unveiled in taint less worth, That made my heart ever pine in love. Piecing together our halved selves, With the glue of love, our identities merged, Now he is with me in my blues, Consoling me with his balmy touch, He is with me in my joy, Making it resonant with a hearty laugh, He is there when storms rage, Whispering in my ear, not to fear, He taught me how to savour life, To meet the slings with radiant cheer, Now the image is clearly etched deep, Never to erase, nor to revise! And the old portrait locked within, Grew so musty, bereft of use, In its place, I keep within, His solid figure in indelible print.
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Feb 11, 2017
Feb 11, 2017 at 6:59 AM UTC
To My Man
Growing out from childish pranks, With the storm and stress of turbulent teens, I locked within my mind’s cupboard, A portrait vaguely sketched, but never finished. Rough it was, though fancifully done, The silhouette of a masculine figure, The Gallant who would reach one day, To hold my hand and own me his. I had no inkling who he would, Yet had fallen in love with that phantasmal figure, He had dazzling eyes and sturdy limbs, With striking features, ravishing to view, Elusive ever to sight and touch, He remained an enigma, abstract to grasp. At times his contours grew distinct, But soon blanched out into hazy lines, When at times a covert devouring look, Or a pair of intent adoring eyes, Sent a thrill down my fickle heart, I forced open my chest nut draw, And took out stealthily that half done sketch, Hidden out from world’s staring glance, To alter the features one by one, And make it resemble the man I met, Either within a moving train, Or sometimes in an elite gang, Who derailed my thoughts in pensive mood, And tickled my fancy to heave and sigh. He made me turn and toss in bed, And left me, many a sleepless night, He stroked my heart with gladdening ache, And made me lose in sweet reverie. In the nick of time, he solemnly came, To hold my hand and tie the knot, With pounding heart and quivering breath, I found him differ from the man I dreamt. The fabulous fabric in my loom, Looked at variance from the one unfurled, Transfixed between fact and fallacy, I struggled to hide a falling tear. Time marched on in silent haste, And I learnt to outgrow my childish whims, Sagacity dawned with passing age, Making me discern the real from the sham. It made me admire his sanguine self. On fathomed deep beyond external mien, I saw him unveiled in taint less worth, That made my heart ever pine in love. Piecing together our halved selves, With the glue of love, our identities merged, Now he is with me in my blues, Consoling me with his balmy touch, He is with me in my joy, Making it resonant with a hearty laugh, He is there when storms rage, Whispering in my ear, not to fear, He taught me how to savour life, To meet the slings with radiant cheer, Now the image is clearly etched deep, Never to erase, nor to revise! And the old portrait locked within, Grew so musty, bereft of use, In its place, I keep within, His solid figure in indelible print.
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64
The difference between Monday and Sunday; A vague salt upon the upper lip of some life apart, Pages incarnate in an acrid stomach guilt, And some bread and wine selling out Before I make it to the queue. Between the rest, perhaps a better hour; A few words absorbed, wrapped in cling film Like the ham and pickle I take on the train, On the bread leftover from the priest on Sunday. Slightly stale. For the most part, I try to keep on my shoes And off the grass. The cling film makes it Exceedingly difficult to know - And I can never quite discern The start of the horizon. And the irony of it is, I can’t cling to much Myself. City smog is honeysuckle riding A summer’s breeze; Singapore slings, Coffees and teas, and daydreams of you Are more real than me. It’s like looking through a car window, Seeing outside rush away behind you Before you can think about how beautiful it is. Like having tired of a masterpiece from which You expected timelessness.
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Aug 29, 2018
Aug 29, 2018 at 11:38 PM UTC
Cling Film
THE SHALE and water thrown together so-so first of all, Then a potter's hand on the wheel and his fingers shaping the jug; out of the mud a mouth and a handle; Slimpsy, loose and ready to fall at a touch, fire plays on it, slow fire coaxing all the water out of the shale mix. Dipped in glaze more fire plays on it till a molasses lava runs in waves, rises and retreats, a varnish of volcanoes. Take it now; out of mud now here is a mouth and handle; out of this now mothers will pour milk and maple syrup and cider, vinegar, apple juice, and sorghum. There is nothing proud about this; only one out of many; the potter's wheel slings them out and the fires harden them hours and hours thousands and thousands. "Be good to me, put me down easy on the floors of the new concrete houses; I was poured out like a concrete house and baked in fire too."
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1.5k
Jug
He told his sister to feed the dogs, His twin sister; Sophia Bogvoskya, As he was to take out the herds Of horses, sheep, donkeys and cows, Out to the plains and hill land for grazing, She never took a **** she locked herself, Up in the ante chamber of the main house, She took the mirror and began looking At her beauty, Russian model beauty She began picking her nails, As the dogs were starving in the sheds They whined but no succor came forth, A fiat that coincided with arrival of ogres, The great Western Ogres, the tongues wagging, They had a plethora of eyes and mouths, Noses and ears, limbs both hind and fore, They ate all the young sheep, They took away Putin’s young brothers Crimea and Ukrainian, both were taken away, By the ferocious NATO ogres they were taken In a whelp and desperate kicking for freedom, Dogs stood aloof as ogres thrashed Sophia Into thin lacerations of red flesh, They ate as they roared with laughter, Then they went away with their loot, Vladimir came back home, found nothing No sister, no brothers no sheeplings, Only two white sepulchers glared at him, The graves of his mother and father; The former cooks of Lenin Vladimir, He mourned and mourned grievously, Then he sang a dirge of his forefathers From the herculean land of Bosnia, And also Moscow, he dirged; We were born in the wee of the night, When the bear is whelping, And we were suckled by the Tigre When our mothers were taken slaves, For no man or creature Will ever make us victims Nor subjects of fear, He recovered from the moment Trial some moment of loss and bereave, Then he chose to go after the ogres But with a strategum of no match, He began arming himself first Before  he could set on, His mobile armory full of deadly weapons; A bunch of wasps, wild bees, black ants, A thousand slings, spears and sickles, Machetes, poisonous saps, and toxics, Wild dogs, five hundred snakes and scorpions, Bows and arrows as well as cudgels, Clubs, stones and chains, He also learned how to use the hands In the most lethal manner, Then he went for combat, To rescue all that was taken, Taken from him by the ogres….
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Sep 12, 2014
Sep 12, 2014 at 8:38 AM UTC
BALLAD OF VLADIMIR PUTIN
He told his sister to feed the dogs, His twin sister; Sophia Bogvoskya, As he was to take out the herds Of horses, sheep, donkeys and cows, Out to the plains and hill land for grazing, She never took a **** she locked herself, Up in the ante chamber of the main house, She took the mirror and began looking At her beauty, Russian model beauty She began picking her nails, As the dogs were starving in the sheds They whined but no succor came forth, A fiat that coincided with arrival of ogres, The great Western Ogres, the tongues wagging, They had a plethora of eyes and mouths, Noses and ears, limbs both hind and fore, They ate all the young sheep, They took away Putin’s young brothers Crimea and Ukrainian, both were taken away, By the ferocious NATO ogres they were taken In a whelp and desperate kicking for freedom, Dogs stood aloof as ogres thrashed Sophia Into thin lacerations of red flesh, They ate as they roared with laughter, Then they went away with their loot, Vladimir came back home, found nothing No sister, no brothers no sheeplings, Only two white sepulchers glared at him, The graves of his mother and father; The former cooks of Lenin Vladimir, He mourned and mourned grievously, Then he sang a dirge of his forefathers From the herculean land of Bosnia, And also Moscow, he dirged; We were born in the wee of the night, When the bear is whelping, And we were suckled by the Tigre When our mothers were taken slaves, For no man or creature Will ever make us victims Nor subjects of fear, He recovered from the moment Trial some moment of loss and bereave, Then he chose to go after the ogres But with a strategum of no match, He began arming himself first Before  he could set on, His mobile armory full of deadly weapons; A bunch of wasps, wild bees, black ants, A thousand slings, spears and sickles, Machetes, poisonous saps, and toxics, Wild dogs, five hundred snakes and scorpions, Bows and arrows as well as cudgels, Clubs, stones and chains, He also learned how to use the hands In the most lethal manner, Then he went for combat, To rescue all that was taken, Taken from him by the ogres….
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59
You love her in her many copies. blue, beige destroyer, creator. You hate her during some hours away from sun. procrastinator fighter, complainer. You fear her the control you can assert but can't reign in. Boycotter scaredy cat. You're in her swimming but drowning. Your psyche should not be a tiger trap. There should be leaves and soft earth not sticks. As your fears sharpen them, the pit will become deeper. So learn to watch where you walk in your veins. Control your thoughts your habits your acts. Or perish in your own sea of troubles Hamlet's slings, and arrows will be yours And let's face it. You just don't have that kind of thick skin.
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Apr 7, 2011
Apr 7, 2011 at 9:24 PM UTC
Kali
Immersed in God ecstasy and orange robes the true bhakta’s thoughts are always on God, for God and of God armed with pure love the slings and arrows of maya, good, bad and outrageous fortune are averted God and His beloved whirl across the bhakti path dancing with Rumi, Kabir, St. Francis Meera Bai and all the beautiful bhaktas for eternity
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May 25, 2015
May 25, 2015 at 7:27 PM UTC
Dancing with God