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Liz Nov 2016
Light of my life,
The slings and arrows
Of outrageous fortune
Bloom a rose
In the deeps of my heart.

And so I came forth
But could not behold the stars.
The slings and arrows,
They trespassed upon my thoughts.

And I cried that I came
To this great stage of fools,
But it echoed loudly within me
Because I am hollow at the core.

That outward existence which conforms,
This inward life which questions
Confusion now hath made his masterpiece of.  

I don't exactly know
What I mean by that,
But I mean it.
This is made of quotes from some of my favorite pieces of literature
I met him on the Amtrak line to Central Jersey. His name was Walker, and his surname Norris. I thought there was a certain charm to that. He was a Texas man, and he fell right into my image of what a Texas man should look like. Walker was tall, about 6’4”, with wide shoulders and blue eyes. He had semi-long hair, tied into a weak ponytail that hung down from the wide brim hat he wore on his head. As for the hat, you could tell it had seen better days, and the brim was starting to droop slightly from excessive wear. Walker had on a childish smile that he seemed to wear perpetually, as if he were entirely unmoved by the negative experiences of his own life. I have often thought back to this smile, and wondered if I would trade places with him, knowing that I could be so unaffected by my suffering. I always end up choosing despair, though, because I am a writer, and so despair to me is but a reservoir of creativity. Still, there is a certain romance to the way Walker braved the world’s slings and arrows, almost oblivious to the cruel intentions with which they were sent at him.
“I never think people are out to get me.” I remember him saying, in the thick, rich, southern drawl with which he spoke, “Some people just get confused sometimes. Ma’ momma always used to tell me, ‘There ain’t nothing wrong with trustin’ everyone, but soon as you don’t trust someone trustworthy, then you’ve got another problem on your hands.’”—He was full of little gems like that.
As it turns out, Walker had traveled all the way from his hometown in Texas, in pursuit of his runaway girlfriend, who in a fit of frenzy, had run off with his car…and his heart. The town that he lived in was a small rinky-**** miner’s village that had been abandoned for years and had recently begun to repopulate. It had no train station and no bus stop, and so when Walker’s girlfriend decided to leave with his car, he was left struggling for transportation. This did not phase Walker however, who set out to look for his runaway lover in the only place he thought she might go to—her mother’s house.
So Walker started walking, and with only a few prized possessions, he set out for the East Coast, where he knew his girlfriend’s family lived. On his back, Walker carried a canvas bag with a few clothes, some soap, water and his knife in it. In his pocket, he carried $300, or everything he had that Lisa (his girlfriend) hadn’t stolen. The first leg of Walker’s odyssey he described as “the easy part.” He set out on U.S. 87, the highway closest to his village, and started walking, looking for a ride. He walked about 40 or 50 miles south, without crossing a single car, and stopping only once to get some water. It was hot and dry, and the Texas sun beat down on Walker’s pale white skin, but he kept walking, without once complaining. After hours of trekking on U.S. 87, Walker reached the passage to Interstate 20, where he was picked up by a man in a rust-red pickup truck. The man was headed towards Dallas, and agreed o take Walker that far, an offer that Walker graciously accepted.
“We rode for **** near five and a half hours on the highway to Dallas,” Walker would later tell me. “We didn’t stop for food, or drink or nuthin’. At one point the driver had to stop for a pisscall, that is, to use the bathroom, or at least that’s why I reckon we stopped; he didn’t speak but maybe three words the whole ride. He just stopped at this roadside gas station, went in for a few minutes and then back into the car and back on the road we went again. Real funny character the driver was, big bearded fellow with a mean look on his brow, but I never would have made it to Dallas if not for him, so I guess he can’t have been all that mean, huh?”
Walker finally arrived in Dallas as the nighttime reached the peak of its darkness. The driver of the pickup truck dropped him off without a word, at a corner bus stop in the middle of the city. Walker had no place to stay, nobody to call, and worst of all, no idea where he was at all. He walked from the corner bus stop to a run-down inn on the side of the road, and got himself a room for the night for $5. The beds were hard and the sheets were *****, and the room itself had no bathroom, but it served its purpose and it kept Walker out of the streets for the night.
The next morning, Texas Walker Norris woke up to a growl. It was his stomach, and suddenly, Walker remembered that he hadn’t eaten in almost two days. He checked out of the inn he had slept in, and stepped into the streets of Dallas, wearing the same clothes as he wore the day before, and carrying the same canvas bag with the soap and the knife in it. After about an hour or so of walking around the city, Walker came up to a small ***** restaurant that served food within his price range. He ordered Chicken Fried Steak with a side of home fries, and devoured them in seconds flat. After that, Walker took a stroll around the city, so as to take in the sights before he left. Eventually, he found his way to the city bus station, where he boarded a Greyhound bus to Tallahassee. It took him 26 hours to get there, and at the end of everything he vowed to never take a bus like that again.
“See I’m from Texas, and in Texas, everything is real big and free and stuff. So I ain’t used to being cooped up in nothin’ for a stended period of time. I tell you, I came off that bus shaking, sweating, you name it. The poor woman sitting next to me thought I was gunna have a heart attack.” Walker laughed.
When Walker laughed, you understood why Texans are so proud of where they live. His was a low, rumbling bellow that built up into a thunderous, booming laugh, finally fizzling into the raspy chuckle of a man who had spent his whole life smoking, yet in perfect health. When Walker laughed, you felt something inside you shake and vibrate, both in fear and utter admiration of the giant Texan man in front of you. If men were measured by their laughs, Walker would certainly be hailed as king amongst men; but he wasn’t. No, he was just another man, a lowly man with a perpetual childish grin, despite the godliness of his bellowing laughter.
“When I finally got to Tallahassee I didn’t know what to do. I sure as hell didn’t have my wits about me, so I just stumbled all around the city like a chick without its head on. I swear, people must a thought I was a madman with the way I was walkin’, all wide-eyed and frazzled and stuff. One guy even tried to mug me, ‘till he saw I didn’t have no money on me. Well that and I got my knife out of my bag right on time.” Another laugh. “You know I knew one thing though, which was I needed to find a place to stay the night.”
So Walker found himself a little pub in Tallahassee, where he ordered one beer and a shot of tequila. To go with that, he got himself a burger, which he remembered as being one of the better burgers he’d ever had. Of course, this could have just been due to the fact that he hadn’t eaten a real meal in so long. At some point during this meal, Walker turned to the bartender, an Irish man with short red hair and muttonchops, and asked him if he knew where someone could find a place to spend the night in town.
“Well there are a few hotels in the downtown area but ah wouldn’t recommend stayin’ in them. That is unless ye got enough money to jus’ throw away like that, which ah know ye don’t because ah jus’ saw ye take yer money out to pay for the burger. That an’ the beer an’ shot. Anyway, ye could always stay in one of the cheap motels or inns in Tallahassee. That’ll only cost ye a few dollars for the night, but ye might end up with bug bites or worse. Frankly, I don’t see many an option for ye, less you wanna stay here for the night, which’ll only cost ye’, oh, about nine-dollars-whattaya-say?”
Walker was stunned by the quickness of the Irishman’s speech. He had never heard such a quick tongue in Texas, and everyone knew Texas was auction-ville. He didn’t know whether to trust the Irishman or not, but he didn’t have the energy or patience to do otherwise, and so Walker Norris paid nine dollars to spend the night in the back room of a Tallahassee pub.
As it turns out, the Irishman’s name was Jeremy O’Neill, and he had just come to America about a year and a half ago. He had left his hometown in Dublin, where he owned a bar very similar to the one he owned now, in search of a girl he had met that said she lived in Florida. As it turns out, Florida was a great deal larger than Jeremy had expected, and so he spent the better part of that first year working odd jobs and drinking his pay away. He had worked in over 25 different cities in Florida, and on well over 55 different jobs, before giving up his search and moving to Tallahassee. Jeremy wrote home to his brother, who had been manning his bar in Dublin the whole time Jeremy was away, and asked for some money to help start himself off. His brother sent him the money, and after working a while longer as a painter for a local construction company, he raised enough money to buy a small run down bar in central Tallahassee, the bar he now ran and operated. Unfortunately, the purchase had left him in terrible debt, and so Jeremy had set up a bed in the back room, where he often housed overly drunk customers for a price. This way, he could make back the money to pay for the rest of the bar.
Walker sympathized with the Irishman’s story. In Jeremy, he saw a bit of himself; the tired, broken traveler, in search of a runaway love. Jeremy’s story depressed Walker though, who was truly convinced his own would end differently. He knew, he felt, that he would find Lisa in the end.
Walker hardly slept that night, despite having paid nine dollars for a comfortable bed. Instead, he got drunk with Jeremy, as the two of them downed a bottle of whisky together, while sitting on the floor of the pub, talking. They talked about love, and life, and the existence of God. They discussed their childhoods and their respective journeys away from their homes. They laughed as they spoke of the women they loved and they cried as they listened to each other’s stories. By the time Walker had sobered up, it was already morning, and time for a brand new start. Jeremy gave Walker a free bottle of whiskey, which after serious protest, Walker put in his bag, next to his knife and the soap. In exchange, Walker tried to give Jeremy some money, but Jeremy stubbornly refused, like any Irishman would, instead telling Walker to go **** himself, and to send him a postcard when he got to New York. Walker thanked Jeremy for his hospitality, and left the bar, wishing deeply that he had slept, but not regretting a minute of the night.
Little time was spent in Tallahassee that day. As soon as Walker got out on the streets, he asked around to find out where the closest highway was. A kind old woman with a cane and bonnet told him where to go, and Walker made it out to the city limits in no time. He didn’t even stop to look around a single time.
Once at the city limits, Walker went into a small roadside gas station, where he had a microwavable burrito and a large 50-cent slushy for breakfast. He stocked up on chips and peanuts, knowing full well that this may have been his last meal that day, and set out once again, after filling up his water supply. Walker had no idea where to go from Tallahassee, but he knew that if he wanted to reach his girlfriend’s mother’s house, he had to go north. So Walker started walking north, on a road the gas station attendant called FL-61, or Thomasville Road. He walked for something like seven or eight miles, before a group of college kids driving a camper pulled up next to him. They were students at the University of Georgia and were heading back to Athens from a road trip they had taken to New Orleans. The students offered to take Walker that far, and Walker, knowing only that this took him north, agreed.
The students drove a large camper with a mini-bar built into it, which they had made themselves, and stacked with beer and water. They had been down in New Orleans for the Mardi Gras season, and were now returning, thought the party had hardly stopped for them. As they told Walker, they picked a new designated driver every day, and he was appointed the job of driving until he got bored, while all the others downed their beers in the back of the camper. Because their system relied on the driver’s patience, they had almost doubled the time they should have made on their trip, often stopping at roadside motels so that the driver could get his drink on too. These were their “pit-stops”, where they often made the decision to either eat or court some of the local girls drunkenly.
This leg of the trip Walker seemed to glaze over quickly. He didn’t talk much about the ride, the conversation, or the people, but from what I gathered, from his smile and the way his eyes wandered, I could tell it was a fun one. Basically, the college kids, of which I figure there were about five or six, got Walker drunk and drove him all the way to Athens, Georgia, where they took him to their campus and introduced him to all of their friends. The leader of the group, a tall, athletic boy with long brown hair and dimples, let him sleep in his dorm for the night, and set him up with a ride to the train station the next morning. There, Walker bought himself a ticket to Atlanta, and said his goodbyes. Apparently, the whole group of students followed him to the station, where they gave him some food and said goodbye to him. One student gave Walker his parent’s number, telling him to call them when he got to Atlanta, if he needed a place to sleep. Then, from one minute to the next, Walker was on the train and gone.
When Walker got to Atlanta, he did not call his friend’s family right away. Instead, he went to the first place he saw with food, which happened to be a small, rundown place that sold corndogs and coke for a dollar per item. Walker bought himself three corndogs and a coke, and strolled over to a nearby park, where, he sat down on a bench and ate. As Walker sat, dipping his corndogs into a paper plate covered in ketchup, an old woman took the seat directly next to him, and started writing in a paper notepad. He looked over at her, and tried to see what she was writing, but she covered up her pad and his efforts were wasted. Still, Walker kept trying, and eventually the woman got annoyed and mentioned it.
“Sir, I don’t mind if you are curious, but it is terribly, terribly rude to read over another person’s shoulder as they write.” The woman’s voice was rough and beautiful, changed by time, but bettered, like fine wine.
“I’m sorry ma’am, it’s just that I’ve been on the road for a while now, and I reckon I haven’t really read anything in, ****, probably longer than that. See I’m lookin’ to find my girlfriend up north, on account of she took my car and ran away from home and all.”
“Well that is certainly a shame, but I don’t see why that should rid you of your manners.” The woman scolded Walker.
“Yes ma’am, I’m sorry. What I meant to convey was that, I mean, I kind of just forgot I guess. I haven’t had too much time to exercise my manners and all, but I know my mother would have educated me better, so I apologize but I just wanted to read something, because I think that’s something important, you know? I’ll stop though, because I don’t want to annoy you, so sorry.”
The woman seemed amused by Walker, much as a parent finds amusement in the cuteness of another’s children. His childish, simple smile bore through her like a sword, and suddenly, her own smile softened, and she opened up to him.
“Oh, don’t be silly. All you had to do was ask, and not be so unnervingly discreet about it.” She replied, as she handed her pad over to Walker, so that he could read it. “I’m a poet, see, or rather, I like to write poetry, on my own time. It relaxes me, and makes me feel good about myself. Take a look.”
Walker took the pad from the woman’s hands. They were pale and wrinkly, but were held steady as a rock, almost as if the age displayed had not affected them at all. He opened the pad to a random page, and started reading one of the woman’s poems. I asked Walker to recite it for me, but he said he couldn’t remember it. He did, however, say that it was one of the most beautiful things he had ever read, a lyrical, flowing, ode to t
A Short Story 2008
Tyler James Cook May 2014
I can't wait till I'm awake..
Plugged into the wall.
Nothing noted until the shell of the capsule
collapses under the weight of your trembling hands.

No there is no notation for what was said between us, just figure-less voices and a strenuous pain that strained our throats for the fear of nothing being communicated between the exasperated gasps of what was less than incommunicable silence.

Ugly is not a word but a feeling applied with meaning, applied to a certain truth about that metallic taste in my mouth, that tearful pain jostled in my chest and that consuming fear.

  I know little of what this ugliness could mean other than it harbors shame in my corners. This shame is not inborn in anyone, but it builds it's presence as a drunken braggart who shouts obscenities and believes he is a prince of highest regard.

His ugliness is in what he slings from his tongue and his criticisms of all who in his mind toil about. But he is simply a angry troll with no heart and delusions of grandeur, frittering away time.. for time stands as an eternal judge and measure.
Jason Henry Jul 2015
there's a marital dispute
between squirrels
in my chest, stomach and head.

she flings lamp and liver
while he slings obscenities
about her barrenness.

by midnight
they'll ****, then sleep
and then I can watch John Oliver.

but their problems aren't resolved.
Sean Kassab Jul 2012
I wanted to write a poem about the joys simple things. But I’ve lost the meaning of them since I’ve been away it seems. For many years I’ve served duty tours, it’s just the life that I have lived. So I write poems of war and of warriors and death; sometimes it’s all I have left to give.

I picked my brain for images of candlelight picnics on sandy beaches, but I opened the basket looking for ammo to load in my weapon breaches. Oiling my guns may not be romantic, or when I lace my boots up tight, but you can bet your **** it comes in handy when you’re caught in a fire fight.

I tried concentrating as hard as I could, trying to envision more peaceful things. Instead I was reminded of Black Hawks with M240-Bravos in weapon slings. It seems I can’t be normal or think like a normal human being, I’ve been battle hardened inside my soul and this is part of what it brings.

PTSD is what they call it, they say I need some aid, but it just feels like second nature, pulling the pins and throwing grenades.  I’ll go home one day and I’ll look the same because my wife can’t see my scars, I’ve hid them all inside myself and that’s what makes this hard.

They tell me I’ve been lucky, I didn’t get a single injury. But the damage was done inside of me and that’s what they don’t see. So I’ll go home a “lucky one” and act like I am fine, and live my days pretending, while keeping this war trapped in my mind.
I don't actually have this but I know people who do.....now where are my bullets?.....
F White Oct 2013
sharp lines work their  way
through my veins
run the labyrinth to my heart-
a spiky, futile, mercurial art.

where I dance in spirals unknown
pondering the number of steps down from my throne
crown of thorns, I'd never wear
rather, I dare Delilah to cut my hair.

plucked at the web, spoke you your lies
Atruistic voice, the most formidable disguise
my chameleon dance done, Exit Stage Left,
Dear little Psyche, still on the run.
copyright, fhw 2013
AN: I went back today and reworked it a bit. I wasn't satisified with it and wrote it from a dark staircase in my brain. I am seeing more clearly today.
John F McCullagh Dec 2011
When it comes to matters of the heart
it pays to be both wise and smart.
Be proactive and take care
of vulnerable hearts who take Love’s dare.
Perhaps a stress test would be smart
before old Cupid slings his dart.
Be sure your pulse is strong and steady
Not weak and racing and unready
Take Flax seed oil as a precaution,
before you dip into that Ocean
besides the undertow of emotion.
The mermaids that beset your dinghy
may tend to be a little clingy
The sea of love is cold, I’ve found
Tho oft I’ve floundered, I’ve never drowned
A Piffle about love ( A Piffle is a poetic triffle)
Lysander Gray Nov 2011
There's something tragic about Brisbane; the city speaks of an older more Romantic time, though the people speak of a newer, modern; more disposable age. It seemingly looks at you with a lost lovers eyes.

Though the city still retains some of its antique glamour; take a stroll down any street in the center and around you will be found the remnants of that age.
Victorian Red-bricks dot the city like proud sentinels, keeping watch over the ever expanding invasion of its contemporary neighbours.
What tales would these monolithic madmen tell is if only we had the ears to listen, who's feet did once trample up the now year-stained wooden stairs, who lived and died and loved and uttered curses and birthed within those walls...and what tales would they have to tell if we only listened?

Ah, gentle reader, you see how your mind wanders at the mention of these thoughts?
The City certainly has its landmarks: the Clock tower of Town Hall, over looking the new modern space of "The Deck" in King George Square, the facade of Grand central station still retaining its grandeur and majesty; now turned into theme bars and a nightclub strip. The old houses littering West End and the strip of red bricks running like a sepia toned river up Elizabeth Street. And of course the dotted remnants of Old City Life being ever encroached upon in the center of the City's smoke filled heart.

The most curious of these is the impression wrought in plaster and cement, white over red, of a window in the city center, with a set of stairs leading up to a place that no longer exists; 50 feet in the air.
Whenever I gaze up at that window, that reminder of the past, I cannot help but wondre who would be staring down at us, on this date in the last century.

"Suffer them not" I wish to say, "for these people are of a different age, with different Gods and values than you."

Suffer them not, ignore their slings, suffer them not.

I love Brisbane.

It's mish-mash of centuries, its people, the tales of its unwritten past, it seems as if the city exudes both a sense of joy and one of unutterable melancholy.

I'm on the train, homebound now to my modern house in the ultra-modern Gold Coast. This is quite depressing. The freedom, the movement, the chance, the ebb and flow of the people soaked tide of the city is leaving fast behind me as this electric trap with seats barrels under facades and tunnels, with enormous neon snakes glittering down from the peaks of modern and ancient towers and we find them reflected in the winding river like innumerable fireflies...dying and twisting and being reborn in the soft moonlight.

South Brisbane Station.
An immortal Victorian construct, still surviving to this day. The same architecture, the same route...different paint though. This Industrial Relic is overlooked by the shining modern whirlpool of THE EYE, a gigantic Ferris wheel giving you the chance to see the city by air, to one side; and a multicoloured, four story glowing monument to the hairdresser franchise god Stefan on the other...which I dub "Stefan's Pintle".

It's garish as hell.

Passing through the night the train goes ever on, powered incessantly by the ticket payers seemingly endless dollar supply.

There's a strange transition from City to Coast, the outerlying towns left in the dust and wake of one and unsure whether they belong to the other. Places such as Kuraby, Banoon, Runcorn, Altandi, Logan and Eden's Landing.

Yet the train ponders on into the night, as it's denizens relinquish themselves to its discretion and desires.
Yes; the train ponders on into the night...

We slowly pass through Woodridge, one of those last bastions of civilisation, neither here nor there. A glittering town trying desperately to be a city. They have a McDonalds. Yay. These places always scare me, and confuse me.
What are they like? Their people? I guess I'll never know, i've never stayed in one long enough to realize.

Welcome to Loganlea, this is a strange place...the funniest thing about it is the fact that it IS a hole. Yet the sign into it shows a shining beach with palm trees and boldly proclaims "WELCOME TO LOGANLEA".
As you draw closer you realize it's pock marked with bullet holes and rust stains.

A train whizzes past, and we find ourselves reflected in its windows, our reality traveling one way; our ghosts another.
Into the long, pale night, coloured by the stars of a thousand distant streetlights. Like a million tiny man made suns; created to fend of the darkness and keep our fears at bay. We truely live in the age of endless day.

The melancholy of the city is far behind now, it's streets, its smells, its people all gone. As we are lost in the brightness of the endless day and the night grows ever long, touching those distant, far between places with its natural, velvet splendour, running its hand down the cheek of time. For there will always be a night, even when we create days, and the city will always be melancholy, and the coast will always be a glittering sequin on the dress of a cheap, soulless *****.

I love Brisbane.
Ask not what the Universe can do for you.

Ask what you can do to aid the Universe ?
~.An Acrostic exercise ~October 27th 2018.

Ask not what the Universe can do for you.
Sometimes they are under relentless demand
Kings and beggars and entrepreneurs pray

Never mind ,what they can offer the Universe
On a daily basis pray for their own deliverance
To make ends meet, eat a crust , or a cure

We poets here on our favourite web-site know
Having been seeking the true way forward
Ask not what the Universe can do fo you.
Though this is the expected way to pray

The first thought in our head should ever be
Hey ! What can I do to aid the Universe.
Earth and the environment but a small part

Universe stretches deep deep into the cosmos
Now where do you think heaven rests in this ?
I believe it is here and surrounds us completely
Virtually every loved one that has passed on
Every thought process that you possess
Reacts in your minds eye as memory
So perpetuating the life span of a loved one.
Expand your own meditation to include them.

Clearly giving an aid to the Universal spirit.
Asks not what the Universe can do for you.
Never complain about being forsaken by God.

Do as you would be done by and **** it up.
Only pausing to calculate the best way to rise

From the sad position you find that you’re in
On giving something back to the Universe
Riches will flow back to you a thousand fold

Yes but not necessarily in a financial way
Or in an appropriation of jewels or art
Universal gifts seldom trade in those chattels

Ask what you can do to aid the Universe
Simply think about it in a pure and selfless way
Knowledge gained during your own life’s span

Wake up and smell the coffee if you can
Having negotiated the slings and arrows
Ask what you can do to aid the Universe
To me its a simple question n a simple answer

You can positively manifest your own pathway
On that road you have many crossroads
Universe has trained the minds of past lives

Coincidentally you carry the minds past loves
Ask what you can do to aid the Universe
Now bring back to mind all souls of meaning

Dedicate the sights and the fragrance of life
On a kind of conference call to the departed

Tell me if you think what I say is too far fetched
Only I know that it works ,well it does for me.

Ask what you can do to aid the Universe
I posed that question many many years ago
During the time that I prayed then to God

The crisis erupted between Russia an the US
Hydrogen and nuclear bombs were threatened
Europe ,a state of emergency unprecedented

Undaunted I joined the Civil defence, in ‘62
Now looking back , I realise my pathway’s set
In not expecting the Universe to be helping
Venus in retrograde and other cosmic moves
Effects of the moon phases all considered.
Reality is you hold the precious key to success
So next time you pray , you’d better pray good.
Entreating God to advise his plans for your day

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
An Acrostic poem written by Philip. 27/10/18.
Inspired by the JFK speech of ‘62. “Ask not what your country can do for you. But what you can do for your country. “
I walk across the landing
and through the double doors
and aim towards the lift shaft,
that's where I'm going, of course.

It's as if it hears my footsteps
and needs no company
as that old elevator
shoots down to level 3.

Every single morning
as I approach its doors
it disappears pretty quick
down to those lower floors.

I swear it sees me coming
and doesn't like the look
so as I rush to hitch a ride
the **** thing slings its hook.

The doors are on a system,
computerised I read.
But whenever I get near them
they change the ****** speed.

I stand alone here waiting
and it just isn't fair
'cause I am stuck up here
when I want to be down there.

It speeds down to the bottom
and sits on the ground floor
you can here it taunting you
with the movements of the door.

Then after what seems ages
it gradually starts to rise
giving me some hope at last
as I can hear the noise.

Then it makes a pit stop
at another floor
and seems to take forever
to open and close its door.

Each and every level
seems to get a viewing
as if it wants to **** some time,
with my mind it is *******.

And then it reaches the sixth floor
as if it is my saviour
and finally opens up the doors
as if it's doing a favour.

It seems as if this machine
requires me to stalk
so now I've found the stairwell
and instead I'm going to walk.
9th July 2015
© Copyright Christopher K Bayliss 2014
This is a True Story of one elevators aim to cause me STRIFE!
Spenser Bennett Nov 2016
Arm me against my troubles
With slings and arrows borrowed
From the backs of the naked and famous
Blind by blind but I ain't aimless
What's a crow to the shine
Dearest darling, love of mine
Take these arrows and give them to your enemies
But never forget they came from my own spine
So, let's become the thing that we hate most

Common, complacent, and unaware that the world has moved on
And we still can't see for the dust clouds our eyes and chokes the words in our throats
We did this to ourselves, we built our houses too tall, and too far removed, afraid to let anyone get too close

Give me back the words I gave you once, in a year long gone
I can hear the fire outside, and it feels like the sun is moving on
Can you feel the lethargy in the dark that comes

You would do well to learn the art
For love is more than sweet kisses and little sleep
Love is war and peace and all the uncertainty between
To be certain the only certainty is how much she will make you bleed

So arm me against my troubles
Slings and arrows and sleeves
Worn thin by time and hunger
My breath, abandoned, from under the table
I'm not dreaming anymore
No, stillness contrasts the flicker
Call me famous, call me nameless, call me anything but love
Hal Loyd Denton Dec 2013
Best known for writing such words it scrawled in many languages inked out of hearts of
Poet’s politician’s clergy investment of mind and soul glided over parchment it would open
Doors of wood hinges were heard to creak when wise words were spoken and angry kings could
No longer hold freedom back after words of truth shined forth with wisdom and would not
Be denied by personnel greed and cruelty the very breath of man was infused in such
Documents that had veracity that was uncommon in nature the heights were noted the
Indignity and stupidity and rigidness that would in slave people was forever snapped no bonds
Could hold after the quill responded to such ignorance pleasantries were subscribed to by
Mortal hand that reached beyond uncertainty and touched divine sensibility it wrote on
Personnel levels in the case of widowhood when the dark curtains of loss were drawn and no
Light shined into the soul of the bereaved in the darkness a sister friend’s face slowly emerged
From the murky dark waters that sorrows flood brought in her embrace and understanding the
Quill wrote of a slow growing power a bridge was constructed over the river of nerve and
Exhausting pangs longing for the beloved that was departed but through this single individual
The stitching of healing began its most needed work through another the sharing of faith and
Trust would create a heart that no longer was held in gloom but pierced the heavenly blue
Where the fair one stood in garments of gleaming white of mist and tranquil portions no longer
Was fate alone in play but joyous music the flute the horn the violin drew a picture of a country
Lane there love was once again completed harmony over arched death itself and it was all
Viewed under the greatest banner men ever knew and it is friendship the telling and knowing of
Tears and a shoulder to cry on it gives way to building blocks that create a different life
Widowhood made agreeable while the wound still remains it is a course changer the injured
Now arises a heroine of quiet silent grace a source of strength a viable counter weight to grief’s
Unbearable character the quill surmounts the littleness in people stories are in abundance that
Show both sides of the issue the abyss that selfishness brings but what heights can be reached
By serving others instead of self weights the quill lifts effortlessly weighty matters the line we
Have come through many slings and arrows fits twists and turns the quill runs before as a lion
Tamer it cracks a whip trouble is quickly vanquished there is writing everywhere the quill will
Guide to so many existing ideas that create formidable answers but with this in play the
Intangible restless pull of something beyond reason that must be recognized and dealt with all
Success and pleasure will melt away as the pull of importance that will not give way most of us
Know the undeniable truth that over all that is said above a greater quill writes in perfect
Accord without error not of fleshly hand but spirit that moved on men to state His wishes and
Commands without this writing no one can know true happiness or fulfillment outside of this
Most extraordinary compelling truth but what record there is of such sadness because of failure
To listen to a love story of tremendous drama all pertaining to the highest highs and the lowest
Lows and of one by love just won’t give up on the ones He holds so dear it comes down to this
Reality it still stands true there is a Hell to shun and a heaven to win through all the swirling
Down through time this great weight rests on us all what we decide will be flames or bliss abide
With him who hates you completely or the one who loved you to the point of dying in agony
You are the only one who can complete the story the quill writes love and mercy sadly so many
Show it has little effect the quill writes on sin is death those who practice it will surely die this is
The second death the lake of fire
Andrew M Bell Feb 2015
Once I looked to the Bard for words profound;
ageless, his wisdom ran unabated.
Yet Hamlet is now ideologically unsound,
“the slings and arrows” historically Iocated.
I wept for the creature of Frankenstein,
spurned by his master, forced to roam the Earth.
But I’d been subjectively positioned in a paradigm
by Mary’s anxiety about childbirth.
I read Balzac, Hardy and Henry James
describing “worlds” which seemed quite sensible.
Now Eagleton’s exposed their bourgeois games
I find them morally reprehensible.
I dreamt of being Robinson Crusoe
or proud, fierce Hawkeye in his buckskins dressed,
but Fenimore and Defoe have to go,
they’re culturally encoded and empirically obsessed.
Inspired by Guinness, did James Joyce sit down
to see what magic flowed when he was ******?
The stream of Ulysses floats Bloom-about-town
dreamthinkingnever : “I’mamodernist”.

I’d gladly give Woolf a Room of Her Own
and be one of the boys with Hemingway,
but sensitive guys leave their bulls alone
say de Beauvoir and Luce Irigaray.
No more fun with Wordsworth being daffodilly,
no simple pleasure reading Mickey Mouse;
Steamboat Willie can’t help but look silly
dissected by Foucault and Levi-Strauss.
The Bible shows intertextuality
says the two Jacques, Lacan and Derrida.
Judas, a construct of bisexuality?
The **** fixations of Herod are?

It’s got so bad I deconstruct a holiday brochure.
I can’t even **** without Roland Barthes and Ferdinand de Saussure.
Copyright Andrew M. Bell.
Warren Gossett Oct 2011
The dream haunts me
often, far too often, building
in intensity but is initially
disguised in absurdity and the
nonsense of a young man's lusts
with an old man's deficits.
This woman-like entity,
ill-defined at first but forming
voluptuously, emerges from
swelling curtains. She moves, more
levitates, toward my bed, buoyed
by what I don't know, but angelic-like
it would seem. Or perhaps
an Aphrodite reincarnate?

Oh this goddess, what pale
skin, as Parian marble, full bosomed,
jutting *******, ***** that
beckon, nearly drool, and pursed
red lips beaded with sweet
juice stolen from the wild cherry
tree beneath my window.
Far too much clarity for a simple
dream. But such a dream! And what
seething testosterone I feel!
I am become a hedonist, raging,
pulsing spermatozoa, renewed
of time and youthful energies.

Nerve into nerve we join, ecstacy
compounding ecstacy, bodies wantonly
impaling the other on this love bed
to the result that each cell of our
individualities melds. We are indistinct,
yes - as one, and any ****** impulse
between us is shared to the point of
utter exhaustion, depletion. I am
nearly drained of life, it would seem.

Then, as it always must,
the scene changes, Act II.
Inexplicably, shedding a ******
serpentine-like skin, she slings it away
and drops limply upon me - entirely
skeletal, dry cartilage, sinew, lifeless,
sexless, motionless. The horror
of a diabolical hollowness
stares through me, and I am
suspended, fully terrorized, in
this paralysis. So, this is
succumbing to the Succubus?
God, my dear God, that I should
never dream again!

--
Oliver Philip Nov 2018
Ask not what the Universe can do for you.

Ask what you can do to aid the Universe ?
~.An Acrostic exercise ~October 27th 2018.

Ask not what the Universe can do for you.
Sometimes they are under relentless demand
Kings and beggars and entrepreneurs pray

Never mind ,what they can offer the Universe
On a daily basis pray for their own deliverance
To make ends meet, eat a crust , or a cure

We poets here on our favourite web-site know
Having been seeking the true way forward
Ask not what the Universe can do fo you.
Though this is the expected way to pray

The first thought in our head should ever be
Hey ! What can I do to aid the Universe.
Earth and the environment but a small part

Universe stretches deep deep into the cosmos
Now where do you think heaven rests in this ?
I believe it is here and surrounds us completely
Virtually every loved one that has passed on
Every thought process that you possess
Reacts in your minds eye as memory
So perpetuating the life span of a loved one.
Expand your own meditation to include them.

Clearly giving an aid to the Universal spirit.
Asks not what the Universe can do for you.
Never complain about being forsaken by God.

Do as you would be done by and **** it up.
Only pausing to calculate the best way to rise

From the sad position you find that you’re in
On giving something back to the Universe
Riches will flow back to you a thousand fold

Yes but not necessarily in a financial way
Or in an appropriation of jewels or art
Universal gifts seldom trade in those chattels

Ask what you can do to aid the Universe
Simply think about it in a pure and selfless way
Knowledge gained during your own life’s span

Wake up and smell the coffee if you can
Having negotiated the slings and arrows
Ask what you can do to aid the Universe
To me its a simple question n a simple answer

You can positively manifest your own pathway
On that road you have many crossroads
Universe has trained the minds of past lives

Coincidentally you carry the minds past loves
Ask what you can do to aid the Universe
Now bring back to mind all souls of meaning

Dedicate the sights and the fragrance of life
On a kind of conference call to the departed

Tell me if you think what I say is too far fetched
Only I know that it works ,well it does for me.

Ask what you can do to aid the Universe
I posed that question many many years ago
During the time that I prayed then to God

The crisis erupted between Russia an the US
Hydrogen and nuclear bombs were threatened
Europe ,a state of emergency unprecedented

Undaunted I joined the Civil defence, in ‘62
Now looking back , I realise my pathway’s set
In not expecting the Universe to be helping
Venus in retrograde and other cosmic moves
Effects of the moon phases all considered.
Reality is you hold the precious key to success
So next time you pray , you’d better pray good.
Entreating God to advise his plans for your day

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
An Acrostic poem written by Philip. 27/10/18.
Aid to the Universe
wichitarick Apr 2022
Casts, Braces Or Slings

Night or day blend into one, windows blacked out, limit all doubt
Holding back hurt, mental game to disguise deep pain
Knowing others DO feel like me but they are not here to see, that philosophy hold lots of clout

        Here in my room
Soon to test the limits of my soul, Life WITHOUT GRIEF major relief
Tomorrow's mystery will be if I Capture a fracture, closed, open, hairline, new day await another X-ray
...............Breaking Bones........
                                                                                                                    
Backed into a corner hiding behind the light, unlike many I hold back over bearing internal fright
She will soon be throwing her stones, Loss of air, SCREAM of death
Who will I be when I awake, nervous neurons playing foresee my fate

Here in my room
Soon to test the limits of my soul, Life WITHOUT GRIEF major relief
Tomorrow's mystery will be if I Capture a fracture, closed, open, hairline, new day await another X-ray
...............Breaking Bones........

My room, a bed, became a padded throne, revolving time has no zone
Longing to lumber or to be put under, past flashbacks of TWISTING my lumbar
Mystique of fate hangs like a black or gold gate, which entrance or exit always an unknown

Here in my room
Soon to test the limits of my soul, Life WITHOUT GRIEF major relief
Tomorrow's mystery will be if I Capture a fracture, closed, open, hairline, new day await another X-ray
...............Breaking Bones........

Have we held the door closed to long, blind to the good adjusting too easily with the wrong
Unexplored outside grows larger while the walls closing in make a room smaller, do we give up or call the queen of hearts on her bluff?
Have the number of bumps or bruises increased over time? Has age just showed me I am not as strong?
Many gambles as we ramble, move forward into wicked wind, are we failing to foresee a fine future or blinded by hate without feeling love

Here in my room
Soon to test the limits of my soul, Life WITHOUT GRIEF major relief
Tomorrow's mystery will be if I Capture a fracture, closed, open, hairline, new day await another X-ray
...............Breaking Bones........
Was from the song "BREAKING BONES by  OFFSPRING, so reading those lyrics is helpful,followed the thought BUT tried to show or rise above just keeping the door closed to negative! Having seizures in my sleep and the gamble each time I lay down explains my thinking better.That bedroom is our mind, OPEN minded is a lifestyle
Edna Sweetlove May 2015
This is a prose tale about the great superhero, SNOGGO
(as told in the first person by SNOGGO to his amanuensis, Edna)

*'You can't have "Jew",' I said.
'Why not? It's a perfectly good word. Are you anti-semitic or something?'
'Jew has a capital J,' I said.
'Not necessarily. I've used it before.'
'Not with me you haven't. There's the dictionary. Look it up.'

Jumbo grudgingly picked up the Shorter Oxford and looked up "Jew". He sniffed loudly, slammed the dictionary shut and removed the tiles from the board. His replacement word was a sodding disaster.

'That's twenty-four points you've cost me with your nit-picking, you *******,' he said through gritted yellow teeth, his flabby body shaking with rage. 'The J was on a triple letter score.'

I sneered derisively and laughed long and loud, making Jumbo froth at his ugly fat nostrils with anger.

'Watch this and weep, Jumbo,' I said, playing out all seven of my tiles onto the board to create a stunning word: UNZIPPED. 'The Z's on a double letter score and it's all on a triple word score, so that's 90, plus 50 for playing all my tiles, 140 in total and the end of the game,' I declared in triumph. Jumbo was caught with 14 in his hand (remember: he still had the J) and thus I, the great SNOGGO, became Greenwich Scrabble Champion for the 25th year running. Not only that: but 25 consecutive defeats in the final for Jumbo.

Jumbo roared in frustration as he saw his hopes of taking the coveted 24ct gold "Queen Anne" cup away from me, SNOGGO, dashed to the ground yet again. And, by centuries old tradition, 25 consecutive victories meant the priceless cup was now mine to keep for ever. Jumbo's scream of uncontrollable, incandescent rage could have been heard as far away as the Vanbrugh Hill Municipal Waste Disposal Centre.

'******* you for all ******* eternity,' he bellowed unsportingly as he waddled out of the cheering hall. In so doing he flouted the gentlemen's convention of always staying to take part in the closing ceremony. He missed seeing me, the great SNOGGO, receive the shining gold cup from the gnarled hands of the Lady Mayoress, the Hon. Mrs Snotte-Wragge, who whispered in my ear 'Fancy a quick **** later, back at the mayoral parlour, SNOGGO dear?' For the fifth year in a row I told her to go and get stuffed as I didn't go for ugly old bats with arses on them like a double-decker bus.

Later that evening, as I sat in the splendid Georgian surroundings of Snoggo Manor, cradling the gold cup and admiring the row of 25 Championship certificates on the walls of my elegant dining room, finishing off my second bottle of Bollinger Grand Cru '89 and stuffing my 18th oyster down my happy throat, I heard a knock on the door. Who could that possibly be at nearly midnight?

It was Jumbo, my fat defeated foe. He looked downcast. 'SNOGGO,' he said, 'I've come to offer my apologies for my inappropriate behaviour earlier. You deserved to win, you are the finest scrabbler in all of Greenwich. I have come to offer you the hand of friendship and to invite you to my humble home for a midnight snack to celebrate your stirring victory.'

'Jumbo,' I replied, 'that's uncommon civil of you, old man. And your timing is excellent, as I've just finished my apéritif and was on the verge of kicking Mrs SNOGGO, my new 17-year old Thai mail order wife, out of her hammock to make my supper. So what's on the menu, squire?'

'Well,' said Jumbo, 'I was thinking of pâte de foie gras - naturally made by Mrs Jumbo using our own force-fed geese, with a bottle of Château d'Yquem '78 to start with. Then perhaps a kilo of blood-red filet mignon avec pommes frites, washed down with a rather good magnum of Brouilly '99. Then there's Mrs Jumbo's famed cheeseboard with a tumbler full of vintage port, followed by a dozen crêpes suzettes, a few petits cafés, a monster Armagnac and a giant Havana each.'

I considered the proposed menu carefully before replying. 'Sounds quite good to me, Jumbo,' I declared, glancing over his shoulder at the Bentley waiting outside. I could just see the peaked chauffeur's cap of the diminutive Mrs Jumbo peering myopically over the leather-covered steering wheel.

And so, having told Mrs Snoggo to tidy up a bit whilst I was out, I went off to dinner with Jumbo. In all our 25 years of Scrabble rivalry I had never once set foot into his house, so I was eager to check out what sort of lifestyle he enjoyed. Once inside Jumbo Villa, I cast my eyes over the luxurious furnishings with an expert eye, evaluating their immense worth and rarity with incredible perspicacity and knowledge.

'Not a bad pad you've got here, Jumbo,' I conceded. 'Not in the same class as Snoggo Manor, of course, but still ****** impressive.' He was visibly flattered by my compliment.

'A glass of sherry while we wait for Mrs Jumbo to serve us?' queried Jumbo jovially. I sniffed at the huge portion of delicious amber nectar appreciatively. 'Lustau Amoroso Bodega Marquès de Mierda '42?' I guessed instinctively. Jumbo nodded. '******* spot on, SNOGGO,' he admitted in stunned amazement.

I took an enormous gulp and felt the alcohol hit me like a slam in the abdomen from Cassius Clay's butcher and more vicious brother. The room spun and I closed my eyes in resigned delight.

When I came to I found myself hanging unclothed in chains on the wall of a dank cellar. My head was pounding and I felt distinctly below par. I looked over my shoulder and beheld Jumbo standing there with a sjambok in his hand. He was stark ******* naked, naked as the day he was born, and I have never seen anything so repulsive in all my life (with the sole exception of that incredible day when, as a child, I caught my paternal grandparents bonking on the Persian rug in the Great Hall at Snoggo Manor on Christmas Eve). Jumbo’s huge pendulous ******* sagged over his bloated fat belly, which itself hung so low his genitals were mercifully hidden from my view. He was a ******* monstrosity.

The tiny Mrs Jumbo stood to the rear of the cellar, also naked, pallid and with her public hair died a shocking pink. She was a skinny freak, a vision of *** Hell. I noticed the tattoo on her belly. It showed a depiction of the crucifixion which I felt was in dubious taste, especially with Jesus sporting an enormous *******.

What I, the wonderful SNOGGO, suffered in the next few hours was truly indescribable, so I will only summarise it. After a seemingly endless whipping from Jumbo (assisted by Mrs Jumbo, but her puny lash strokes were almost pleasurable), accompanied by their combined frenzied cries of demented hatred and loathing, I was forced to suffer the supreme humiliation. Jumbo mounted a set of fine Regency library steps, positioned his Hellish lumpen body behind me and unceremoniously inserted his tiny ***** into my outraged ****. Oh the shame! Oh the shame!

‘O Jesus Christ help me!’ I yelled in rain and pain. And suddenly a voice spoke unto me. 'O great SNOGGO,' it intoned, 'thou needst not suffer the slings and arrows of outrageous fortune so needlessly. Only have faith in me, the great loving Jesus, and I shall give thee strength to deal with thy ******* awful tribulations.'

It was a miracle! SNOGGO could and would be saved! Quickly I mumbled a couple of Ave Marias remembered from my youth as a leading mutual masturbator in the chapel choir, and I silently promised a quick twenty thousand quid to the local faggotty priest ******* fund, and my chains fell to the floor with a blast of heavenly thunder. Halle-*******-luliah!

'Right, Jumbo you fat ****,' I snapped, 'you have ******* had it.'

And with one mighty blow of my right arm I smashed him against the wall. His huge hideous body crumpled as he slid to the floor, blood oozing from his fat gob. I gave him a ****** good kicking in the face and in the heart region and shortly he went to meet his maker, with a sickening grunt and expulsion of *****.

Then I turned to the horrified naked ugly skinny tattooed Mrs Jumbo and said: 'OK, *******, where's my ******* supper?'

She shrugged and headed upstairs to prepare the meal I had been promised by Jumbo earlier, as I was seriously hungry by this stage. Little did she know I would be obliged to put her out of her misery later. Or if she were lucky, I might offer her a position as unpaid toilet cleanser chez moi.

Yes, it was yet another stunning victory for the fabulous SNOGGO, thanks to timely divine intervention for which I am very much obliged.

And don't forget my luscious 17-year old Thai mail bride would be waiting to give me a really good ******* once I got back to Snoggo Manor. Either that or I would give her a good belting and send her back to her grotty poverty-stricken village with a demand for a full refund, chop chop.
Olivia Kent May 2014
Give me your heart,
Full of  stringy sinews,
stretch them as far as you can,
use it as a yo-yo,
watch it,
it slings,
it's ****** feelings everywhere,
it's a  healthy heart,
covered with a thin layer,
insipid lipid tissues,
whirling,
yielding,
under pressure,
submissive,
youthful,
zeal for love,
real lust for life.
whips back,
darned quick,
many happy returns,
while walking the dog!
(C) Livvi
Terry O'Leary Mar 2013
1

The drummer beats slowly, the drummer beats loud
     as he beats of humanity wrapped in a shroud.

Well he beats of the **** and the killing of war
     and the mind mangling sorrow we blithely ignore
          and he beats of combatants who’re dying deceived
               while the merchants of ****** count profits received.

And he beats of civilians so savagely slain
     and of bundles of bodies cast off in distain,
          and he beats of the butch'ry that's feeding the flood,
               clogging drains with our flesh, filling swamps with our blood.

And he beats of cadavers, by famine defined
     that has ravished and plagued since the dawn of mankind,
          and he beats of big biz letting oranges decay
               while a child suffers scurvy and passes away.

He beats and he pounds till our consciences gnaw
     and his fingers are battered and ****** and raw
          and his hands are all broken and bleeding and raw.

2

The drummer beats slowly, the drummer beats loud
     as he beats of abuse that we try to becloud.

Well he beats of the barons and princes and kings
     who have broken broad backs with their clubs and their slings,
          and he beats of the toll of divine royal rights
               when the droit du seigneur sullied white wedding nights.

     And he beats of the bribes that the powerful make
          to the pale politicians who wax in their wake,
               and he beats of the waifs bound by chains to machines,
                    and of slaves sporting nooses, and other such scenes.

And he beats of the tyrants in clerical garb
     who have tortured with ******* and thumbscrews and barb
          and he beats of decrees claiming all men are free
               while ignoring cowed thralls and their agonised plea.


He beats and he pounds till revealing the flaw
     and his fingers are battered and ****** and raw
           and his hands are all broken and bleeding and raw.

3

The drummer beats slowly, the drummer beats loud
     as he beats of the strength of the rebels so proud.

Well he beats of the spirit the rack couldn’t break,
     and the fragrance of flesh that was burned at the stake,
          and he beats of gray witches submerged in a pond,
               being swum to nirvana and even beyond.

And he beats of the minds that could never be chained
     by the faith that was living while ignorance reigned;
          and he beats of bold battles when Spartacus rose        
               having tired of shackles and slavery’s woes.

And he beats of bent women who’ll fight to be freed
     and will never give up till they finally succeed,
          and he beats of their progress, belying the jeers,
               overwhelming the pessimists' fatuous sneers.

He beats and he pounds till we stand back in awe
     and his fingers are battered and ****** and raw
          and his hands are all broken and bleeding and raw.

4

The drummer beats slowly, the drummer beats loud
     as he beats of the sights that he’s seen from a cloud.

Well he beats of the passion when lovers have lain
     with their bodies entwined midst a field of fresh grain;
          and he beats of the joy when a mother has smiled
               while she’s nursing a baby, her newly born child.

And he beats of the sorrow upsurging inside
     leaving shadows and ruins when loved ones have died.
          Then he beats of an image that looms as a dream
               of a time when compassion and love reign supreme.

And he beats of lush meadows pale yellow and green,
     shining lakes in a woodland, a river serene.
          Then he beats of a planet that dies in a sweat,
               and of smirks of the dullards denying the threat.

He beats and he pounds till we see what he saw
     and his fingers are battered and ****** and raw
          and his hands are all broken and bleeding and raw.

*

The drummer beats slowly, the drummer beats loud
    
     And he beats of humanity wrapped in a shroud
          And he beats of abuse that we try to becloud
               And he beats of the strength of the rebels so proud
                    And he beats of the sights that he’s seen from a cloud.

     And he beats and he pounds till our consciences gnaw
          And he beats and he pounds till revealing the flaw
               And he beats and he pounds till we stand back in awe
                    And he beats and he pounds till we see what he saw.

And his fingers are battered and ****** and raw
     And his hands are all broken and bleeding and raw.

          And his hands are all
               broken
                   and bleeding
                        and raw.
D Conors Oct 2010
i remember too many things
i should not,
things best left behind,
memories since best forgot.

i remember the things it seems,
things left in the wake,
of all my failed, unrealistic dreams,
all in all to forsake,
now I stand here alone without any schemes,
i now live in the lies i alone make.

i remember too many things,
and now i lay here in shame,
of neglected love and misfortune's slings.
D. Conors
04 October 2010
Valsa George Aug 2016
I want to go back to my past
When tame pigeons of joy nested on my eaves
And I could hear their crooning
With the sweetness of love outpouring

I want to go back to my past
When innocent instincts ruled my heart
And I ran after every call from the woods or bush
Mesmerized by the whistles of the oriole and the thrush

I want to go back to my past
When every rainbow and every peacock feather
Ignited curiosity in me as a child
And colored my imagination wild

I want to go back to my past
When, with friends, I sat in the mango grove
And savored the ripe juicy mangoes
Careful not to let the pulp drip down our mouths

I want to go back to my past
When we strolled along the sandy strands
Watching the wild waves fray
And cooled by the kiss of spray

I want to go back to my past
When we had watched at night
A hundred fireflies dancing around the neem
Wondering if they were stars fallen from heaven’s seam

I want to go back to my past
When, like breeze, we ran over the meadows
Looking for the bleating lamb
Singing in chorus, ‘Mary had a little lamb’

I want to go back to my past,
When life appears a trying test
With ‘the slings and arrows of an outrageous fortune’
And as and when I feel so desperately alone!
Sam Oliver May 2010
I know I'm not the best.
Not the best at
Loving, fighting, living, giving.
Living a life hidden in shyness
And a lack of courage.

And I know I don't deserve you.
You are perfect,
Like an Angel
Untouched
Uneffected.

And I know you don't deserve me.
No.
You deserve something more.
One who'd die for you,
Like myself,
But exists on your higher plane.

And I know I am stuck
here, down on Earth,
Getting what I do deserve,
Harsh, threatening words from those I pass.
I walk on
As if I don't hear them,
But I take all their slings and arrows
Unarmored and exposed.
If I truly deserve anything
I deserve something less.
It is only by God's grace I am
Human.

I have undoubtable proof
There is a God;
Without him,
I'd be an ant
Trampled upon by all above me.

You are so far above me
I can't see you clearly,
Which just shows
You deserve something more.

Something more than shy
Something more than a coward
And something more
Than a human
Exposed to the slings and arrows of bitter fortune.
Mary Gay Kearns Jan 2018
WIMBLEDON COMMON

Wimbledon common
Was always the place to go,
Catching the train from Streatham
The family all aglow,
Sandwiches in a paper bag
Thermos in a sack,
Plastic sandels and tennis racket
Not forgetting the cricket bat.

Everyone was skippy
The sun high in the sky,
Dad had his umbrella
But the rain was shy,
Jumping from the platform
Down a row of steps,
Brother took a tumble
And that was that.

Plasters in a pocket
All was mended soon,
Finally recovered
Felt over the moon,
Reached the grassy stretches
Whoops mind the dogs,
Come away from the lovers
They're out for a jog.

Find a shiny tree trunk
Horizontal on the ground,
Four happy people
Tuck in to raspberry jam,
Now for the thermos
Plastic cups ahead,
Here come the wasps
To eat our jam and bread.

Later penguin biscuits
And a trip behind the bin,
Dad puts out the wickets
Let's see who wins,
After a quiet session
Brother looses his cool,
Slings the bat skyward
You should see it go,
Mother looked upwards
Covering her head,
Just managed to miss it
Landing on the hedge.

I went off walking
To gather pretty flowers,
Dad hid under the paper
We had a quiet hour,
Clouds gathering slowly
The sun going down,
What a lovely day in the country
We're now homeward bound.

In memory and gratitude to my lovely mum and dad
Grace and Eric Ayton- Robinson who always did their best.
Love Mary **
Xan Abyss Apr 2015
Quasimodo, ringer of the bells
Quasimodo, hidden in his hell
Watching from the bell tower as life is squandered daily
Nobody seems to understand the truth of human frailty
But there they chime again!
It's that time again!
You know Quasimodo's still alive
Because the Bells are right on time

In the shadows of Notre Dame
A monster stalks our halls
A giant, hulking, hungry mass
Searching for ****** girls
It's the truth, don't you believe it?
The beast is out there creeping
It's much easier to see
than the demons we all keep
Under lock and key
Inside you and me

Quasimodo, ringer of the bells
Quasimodo, hidden in his hell
Watching from the bell tower as life is squandered daily
Nobody seems to understand the truth of human frailty
But there they chime again!
It's that time again!
Quasimodo's still alive
Because the Bells are right on time

A monster forged in hate
was a man who died for love
and though he suffered the slings and arrows
of the cursed world he lived above
Quasimodo died
as Quasimodo lived
Believing that the gift of love
was the best gift we could give.

Quasimodo, ringer of the bells
Quasimodo, dying in this cell
Lying in the crypt with arms wrapped tight 'round his beloved
Embracing his dark angel as eternally as love is
But it's that time again!
Why don't they chime this time?
The Halls of Notre Dame are still
Quasimodo must have died...
An ode to the 'Modo.
J T Gaut May 2012
Come rest, the weary;
A sheltered bay
Slings and arrows ne’er compared
To the mumbled words never said
Personal perceptions pursued

Come eat, the hungry;
A feast, fit for cattle
Jesters a King’s only friend
The only pest made to ignore
Power ignited so rarely in the strong

Come come, child;
A ***** constructed
Wood timber and sneers
The difference between “survive”
And “thrive” is how fat you get
Eli Smith Dec 2014
Failure in my opinion is the single most driving force in our world.
Everything we do is to avoid failure.
But is it so bad?
Failure is the lack of the expected outcome but when the outcome is bad is failure not good?
An attempt at ones own life when met in failure can lead to reasons to live in some.
Many people feel that that suicide is the failure to cope with the "slings and arrows of outrageous misfortune" but no. It means to give up on that which you have lost control of.
For me the success of my failure has shown me that if I try again... I will not fail.
A fool could see this from a mile away
Still I let you get close
Your love, like espionage for future endeavors
For me to give out all my love to have it scattered across the walls you built up to keep me out
Still I was outside your solitude of isolation
My fair Juliet, misjudged and ruthless, how I like it
Blinded by mistreatment, I want what's bad for me
Like sugar to your teeth so sweet but risky
I'd fight to suffer the slings and arrows of as they say misfortune with you could never come my way..

No one said anything about sticks and stones
Alexander Klein Nov 2011
All silent in the months of grace
When frosty blankets fall across the hills
And fields where birds once sang their verse,
But melody of wind is all we know.
These lands to die are not yet dead
Though bee does mourn for blooms and for himself
When beetle joints go stiff with cold --
When funerary twilight season comes
To ***** the days. The final wren
Now senses slipping of the year, and so
Of tenant hill and glen deprived
Set in for sleep. If never to awake --
To never feel a verdant joy
Or exultation of the orb that breathes
Bright life into our skies -- at least
Released from hardships and her sorrows be.
But she has faith, she loves the sun!
The twinkling of his eye will come in May
Or else with April's gown he'll march:
Believing in her lover's rising light
The dream that takes her through the night.
Not far, a sickly naiad's wood
In seasons past so fair of face and leaf,
Yet creeping forest's yellowing
Like fingernails of corpse when skin recedes.
But then blush orange sanguinate:
The lover's sigh ignites when dies the vine,
Their bubbling veins in praise of life
When soonest to be severed by cruel scythe.

This phantom of their fate is grim,
More grim be sure than fate that falls in death:
The slings and arrows of the mind
Are those most potent poisoned, fear them not --
Illusory as winter's chill
That peels off maiden's wedding veil in spring:
A peaceful rest does come to all
Though private troubles drown the trees through fall.

Unthinking sleep does bliss the boughs,
In hibernation lose to learn anew
The sights proved true by waking world
That are the growing season's cause to feel.
When browns the brush and flies the thrush
Unanchored Daphne nods and starts to drift
In sea where beings dream as one.
Soft blizzard quilt on woods in slumber laid,
Demeter's daughter vanished into shade,
With knowledge that she'll never fade.
Nat Lipstadt Apr 2014
you will not like what
you will soon imbibe...

long has a single moot court team
infernal internal debated,
the if's and of's, among itself:

"To Read, Or Not To Read?"

in solitary confinement,
place one's self,
undisturbed but for stale bread,
but unpolluted water

letting only visions sprung internal
guide thy words and world,
from tongue to paper,
creating as pure as one can,
unperturbed by the
rocket's glare of another's poetry

risking all but certain knowing,
it is my fawlty fault alone,
no compare, all laid bare,
no infection of inflection,
no reflection of yours,
in mine mirrored image

my issued seed, entire genetic,
it's only inked environment what is
pre-seeded by blood and *****,
my eyes filter all sight by this light,
this lonely light alone

for the moment, when,
I bend my head to thy stream
to partake when inspiry is parched,
the knowledge that what you
write and wrought,
so much better
than my small portions,
I am condemned in perpetuity
not to the agony mot of defeat,
for I could not
cease to write,
any more than I could
cease to breathe,
or despair of all hope
for messianic better days

but, if to be burdened
by the too real title of
second best,
then my poems,
all sadness to be.

this I cannot have,
so let my pieces,
mediocre or even trash,
live peacefully unencumbered
by the site lines of the living
and the dead

thy finery exceeds my plain grasp,
when I read yours,
my self-pity self-suffocates,
and I ask,
nay, I beg of myself:

let my voice be still
but not stilled,
let my thoughts be boundless,
but not in thine clasped,
let my heart speak my truth,
even unto admitting my yellow courage,
let it not be disparaged by,
for my rank of commonality,
it's low caste author's curse


"for who would bear the Whips and Scorns of time"

I have read the best

once, I wrote
to laugh,
reminded and reminding,
they too feared,
the compare to those who
wrote before their own hour

now I know better,
my only solution,
let my additive, be uncomplicated
my images, uncompromised,
by that, my eyes have n'ere seen,
in languages unspoken, but yet believed,
that were given birth only
for a poet's needs

you may dispense
with my droppings,
as you please, but when
I read you and yours,
I am,
so dangerously pleasured,
my creativity,
my one true god and deity,
oft no longer speaks to me,
it's silence a death sentence
that no court, not in any land,
on earth or unheaven,
may e'er grant clemency,
that of course,
unkindest cut of all

"Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprise of great pitch and moment
With this regard their currents turn awry"


"The undiscovered Country, from whose bourn
No Traveler returns, Puzzles the will,
And makes us rather bear those ills we have,
Than fly to others that we know not of"


You see, already cursed and contaminated,
All my sins italicized, except for my original one,
The imposition of mine own hand,
To dare to write and dream in line and meter, verse

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


*To be, or not to be, that is the question—
Whether 'tis Nobler in the mind to suffer
The Slings and Arrows of outrageous Fortune,
Or to take Arms against a Sea of troubles,
And by opposing end them? To die, to sleep—
No more; and by a sleep, to say we end
The Heart-ache, and the thousand Natural shocks
That Flesh is heir to? 'Tis a consummation
Devoutly to be wished. To die, to sleep,
To sleep, perchance to Dream; Aye, there's the rub,
For in that sleep of death, what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes Calamity of so long life:
For who would bear the Whips and Scorns of time,
The Oppressor's wrong, the proud man's Contumely,
The pangs of despised Love, the Law’s delay,
The insolence of Office, and the Spurns
That patient merit of the unworthy takes,
When he himself might his Quietus make
With a bare Bodkin? Who would these Fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered Country, from whose bourn
No Traveler returns, Puzzles the will,
And makes us rather bear those ills we have,
Than fly to others that we know not of.
Thus Conscience does make Cowards of us all,
And thus the Native hue of Resolution
Is sicklied o'er, with the pale cast of Thought,
And enterprises of great pitch and moment,
With this regard their Currents turn awry,
And lose the name of Action. Soft you now,
The fair Ophelia. Nymph, in all thy Orisons
Be all my sins remembered.
11:13 this Saturday morning, composed to Pavarotti singing
Nessus Dorma!

as noon approaches, the day divided, I will here pause as long as my eyes, permission me to stop seeing...
Valsa George Feb 2017
Growing out from childish pranks,
With the storm and stress of turbulent teens,
I locked within my mind’s cupboard,
A portrait vaguely sketched, but never finished.

Rough it was, though fancifully done,
The silhouette of a masculine figure,
The Gallant who would reach one day,
To hold my hand and own me his.

I had no inkling who he would,
Yet had fallen in love with that phantasmal figure,
He had dazzling eyes and sturdy limbs,
With striking features, ravishing to view,

Elusive ever to sight and touch,
He remained an enigma, abstract to grasp.
At times his contours grew distinct,
But soon blanched out into hazy lines,

When at times a covert devouring look,
Or a pair of intent adoring eyes,
Sent a thrill down my fickle heart,
I forced open my chest nut draw,

And took out stealthily that half done sketch,
Hidden out from world’s staring glance,
To alter the features one by one,
And make it resemble the man I met,

Either within a moving train,
Or sometimes in an elite gang,
Who derailed my thoughts in pensive mood,
And tickled my fancy to heave and sigh.

He made me turn and toss in bed,
And left me, many a sleepless night,
He stroked my heart with gladdening ache,
And made me lose in sweet reverie.

In the nick of time, he solemnly came,
To hold my hand and tie the knot,
With pounding heart and quivering breath,
I found him differ from the man I dreamt.

The fabulous fabric in my loom,
Looked at variance from the one unfurled,
Transfixed between fact and fallacy,
I struggled to hide a falling tear.

Time marched on in silent haste,
And I learnt to outgrow my childish whims,
Sagacity dawned with passing age,
Making me discern the real from the sham.

It made me admire his sanguine self.
On fathomed deep beyond external mien,
I saw him unveiled in taint less worth,
That made my heart ever pine in love.

Piecing together our halved selves,
With the glue of love, our identities merged,
Now he is with me in my blues,
Consoling me with his balmy touch,

He is with me in my joy,
Making it resonant with a hearty laugh,
He is there when storms rage,
Whispering in my ear, not to fear,

He taught me how to savour life,
To meet the slings with radiant cheer,
Now the image is clearly etched deep,
Never to erase, nor to revise!

And the old portrait locked within,
Grew so musty, bereft of use,
In its place, I keep within,
His solid figure in indelible print.
Today 11th Feb. is our 38th wedding anniversary. This is a loving dedication to my husband. As I look back, I wonder how time has fled in sweeping haste! Thank God and thanks to him.... I am a happy wife and mother!
Jug
THE SHALE and water thrown together so-so first of all,
Then a potter's hand on the wheel and his fingers shaping the jug; out of the mud a mouth and a handle;
Slimpsy, loose and ready to fall at a touch, fire plays on it, slow fire coaxing all the water out of the shale mix.
Dipped in glaze more fire plays on it till a molasses lava runs in waves, rises and retreats, a varnish of volcanoes.
Take it now; out of mud now here is a mouth and handle; out of this now mothers will pour milk and maple syrup and cider, vinegar, apple juice, and sorghum.
There is nothing proud about this; only one out of many; the potter's wheel slings them out and the fires harden them hours and hours thousands and thousands.
"Be good to me, put me down easy on the floors of the new concrete houses; I was poured out like a concrete house and baked in fire too."
Piper Diggory Aug 2018
The difference between Monday and Sunday;
A vague salt upon the upper lip of some life apart,
Pages incarnate in an acrid stomach guilt,
And some bread and wine selling out
Before I make it to the queue.

Between the rest, perhaps a better hour;
A few words absorbed, wrapped in cling film
Like the ham and pickle I take on the train,
On the bread leftover from the priest on Sunday. Slightly stale.

For the most part, I try to keep on my shoes
And off the grass. The cling film makes it
Exceedingly difficult to know -
And I can never quite discern
The start of the horizon.

And the irony of it is, I can’t cling to much
Myself. City smog is honeysuckle riding
A summer’s breeze; Singapore slings,
Coffees and teas, and daydreams of you
Are more real than me.

It’s like looking through a car window,
Seeing outside rush away behind you
Before you can think about how beautiful it is.
Like having tired of a masterpiece from which
You expected timelessness.
One which was difficult to find words for
F White Apr 2011
You love her
in her many
copies.
blue, beige
destroyer, creator.

You hate her
during some
hours away
from sun.
procrastinator
fighter, complainer.

You fear her
the control
you can assert
but can't reign
in. Boycotter
scaredy cat.

You're in her
swimming but drowning.

Your psyche should
not be a
tiger trap.

There should be leaves
and soft earth
not sticks.

As your fears sharpen
them, the pit
will become deeper.

So learn to watch
where you walk
in your veins.
Control your thoughts
your habits
your acts.

Or perish in
your own sea
of troubles
Hamlet's slings,
and arrows will be yours
And let's face it.

You just don't have
that kind of
thick skin.
copyright FHW, 2011
Sam Oliver Jan 2011
“Despite all your love for your fellow man, God has gone out of his way to poison you.” I said. The man had been a wreck for most of his life, and the time was right to reap his poor soul. “You have gained nothing that didn't hurt you in the end.” A visible tear rolling down his face, his eyes stared, watery at the back of her head as she walked away.

“People keep speaking of hope and perseverance...” I whispered, his friend putting his hand on this poor man's shoulder, right beside me and offering condolences as I continued to talk. “...But that's what got you this far. Hope is the only reason you are still alive after years of torturing yourself, living amongst these uncaring philistines who consider themselves people, doing everything you can to better their lives, all they give you is grief.” I ended with a bit of a chuckle. He shrugged off his friend's helpful words and separated from him.

“The Bible is an old relic. Judging by your life thus far, do you really think he'd make a place for you in his Heaven?” He stood on a bridge, staring out into the night sky. Even the stars and the moon would not shine on his this cloudy night... What a perfect time to hit him where it hurt... “You aren't worthy. You were born ugly, you have been battered and bruised by everyone you have ever loved, despite many of them claiming the same love of you.” I said. The man had struggled all his life to be loved and this, his twentieth failed attempt, was sure to be his last, the final straw in a life of suffering at the hands of others. Doubtless, he was remembering those many nights where things had looked joyful, only to deceive him of the troubles ahead.

“God has done nothing if not lied to you your whole life. He's taken away all your joy! He's taken your will to laugh, to enjoy the simple things!” I continued, a smug grin spreading across my lips as he walked towards downtown. “Is this the kind of God who would grant you a place among angels? Surely not.” He walked into a pawn shop, his eyes scanning through the armaments laid out before him. Fortunately for me, this day had been a long time coming, and he had previously applied for a  license. He picked out the cheapest pistol available and a small box of rounds. “You are not human in the eyes of men or God and thus, you cannot be saved.” He smiled a fake smile and waved a goodbye to the store owner as he made his way back out. He turned into the first empty back alley he could find.

He rifled through his items, readying the gun in one hand, one of the bullets in the other. His whole body shook in fear and nervousness. “So, lift the cannon,” He held the gun at about chest-height. “Load the charge,” He slid the chamber back to where he could manually load the single shot and slipped it in. “**** it.” He put the chamber back in place, so the gun could properly do its job. “Take it to your 'holy temple'.” He broke out in loud sobs, using his thumb to pull back the hammer.

“Pull the trigger and let the peace of nothing wash over your poor animal soul.” The deed was done. The man no longer suffered the slings and arrows of this world. Instead, he would dangle forever in the halls of Hell from the trees of tristitia...
Immersed in God ecstasy
and orange robes
the true bhakta’s thoughts
are always on God, for God
and of God
armed with pure love
the slings and arrows
of maya, good, bad and outrageous fortune
are averted
God and His beloved
whirl across the bhakti path
dancing with Rumi, Kabir,  St. Francis  Meera Bai
and all the beautiful bhaktas
for eternity

— The End —