This level reach of blue is not my sea;
Here are sweet waters, pretty in the sun,
Whose quiet ripples meet obediently
A marked and measured line, one after one.
This is no sea of mine. that humbly laves
Untroubled sands, spread glittering and warm.
I have a need of wilder, crueler waves;
They sicken of the calm, who knew the storm.

So let a love beat over me again,
Loosing its million desperate breakers wide;
Sudden and terrible to rise and wane;
Roaring the heavens apart; a reckless tide
That casts upon the heart, as it recedes,
Splinters and spars and dripping, salty weeds.

Late, my grandson! half the morning have I paced these sandy tracts,
Watch'd again the hollow ridges roaring into cataracts,

Wander'd back to living boyhood while I heard the curlews call,
I myself so close on death, and death itself in Locksley Hall.

So--your happy suit was blasted--she the faultless, the divine;
And you liken--boyish babble--this boy-love of yours with mine.

I myself have often babbled doubtless of a foolish past;
Babble, babble; our old England may go down in babble at last.

'Curse him!' curse your fellow-victim? call him dotard in your rage?
Eyes that lured a doting boyhood well might fool a dotard's age.

Jilted for a wealthier! wealthier? yet perhaps she was not wise;
I remember how you kiss'd the miniature with those sweet eyes.

In the hall there hangs a painting--Amy's arms about my neck--
Happy children in a sunbeam sitting on the ribs of wreck.

In my life there was a picture, she that clasp'd my neck had flown;
I was left within the shadow sitting on the wreck alone.

Yours has been a slighter ailment, will you sicken for her sake?
You, not you! your modern amourist is of easier, earthlier make.

Amy loved me, Amy fail'd me, Amy was a timid child;
But your Judith--but your worldling--she had never driven me wild.

She that holds the diamond necklace dearer than the golden ring,
She that finds a winter sunset fairer than a morn of Spring.

She that in her heart is brooding on his briefer lease of life,
While she vows 'till death shall part us,' she the would-be-widow wife.

She the worldling born of worldlings--father, mother--be content,
Ev'n the homely farm can teach us there is something in descent.

Yonder in that chapel, slowly sinking now into the ground,
Lies the warrior, my forefather, with his feet upon the hound.

Cross'd! for once he sail'd the sea to crush the Moslem in his pride;
Dead the warrior, dead his glory, dead the cause in which he died.

Yet how often I and Amy in the mouldering aisle have stood,
Gazing for one pensive moment on that founder of our blood.

There again I stood to-day, and where of old we knelt in prayer,
Close beneath the casement crimson with the shield of Locksley--there,

All in white Italian marble, looking still as if she smiled,
Lies my Amy dead in child-birth, dead the mother, dead the child.

Dead--and sixty years ago, and dead her aged husband now--
I this old white-headed dreamer stoopt and kiss'd her marble brow.

Gone the fires of youth, the follies, furies, curses, passionate tears,
Gone like fires and floods and earthquakes of the planet's dawning years.

Fires that shook me once, but now to silent ashes fall'n away.
Cold upon the dead volcano sleeps the gleam of dying day.

Gone the tyrant of my youth, and mute below the chancel stones,
All his virtues--I forgive them--black in white above his bones.

Gone the comrades of my bivouac, some in fight against the foe,
Some thro' age and slow diseases, gone as all on earth will go.

Gone with whom for forty years my life in golden sequence ran,
She with all the charm of woman, she with all the breadth of man,

Strong in will and rich in wisdom, Edith, yet so lowly-sweet,
Woman to her inmost heart, and woman to her tender feet,

Very woman of very woman, nurse of ailing body and mind,
She that link'd again the broken chain that bound me to my kind.

Here to-day was Amy with me, while I wander'd down the coast,
Near us Edith's holy shadow, smiling at the slighter ghost.

Gone our sailor son thy father, Leonard early lost at sea;
Thou alone, my boy, of Amy's kin and mine art left to me.

Gone thy tender-natured mother, wearying to be left alone,
Pining for the stronger heart that once had beat beside her own.

Truth, for Truth is Truth, he worshipt, being true as he was brave;
Good, for Good is Good, he follow'd, yet he look'd beyond the grave,

Wiser there than you, that crowning barren Death as lord of all,
Deem this over-tragic drama's closing curtain is the pall!

Beautiful was death in him, who saw the death, but kept the deck,
Saving women and their babes, and sinking with the sinking wreck,

Gone for ever! Ever? no--for since our dying race began,
Ever, ever, and for ever was the leading light of man.

Those that in barbarian burials ****'d the slave, and slew the wife,
Felt within themselves the sacred passion of the second life.

Indian warriors dream of ampler hunting grounds beyond the night;
Ev'n the black Australian dying hopes he shall return, a white.

Truth for truth, and good for good! The Good, the True, the Pure, the Just--
Take the charm 'For ever' from them, and they crumble into dust.

Gone the cry of 'Forward, Forward,' lost within a growing gloom;
Lost, or only heard in silence from the silence of a tomb.

Half the marvels of my morning, triumphs over time and space,
Staled by frequence, shrunk by usage into commonest commonplace!

'Forward' rang the voices then, and of the many mine was one.
Let us hush this cry of 'Forward' till ten thousand years have gone.

Far among the vanish'd races, old Assyrian kings would flay
Captives whom they caught in battle--iron-hearted victors they.

Ages after, while in Asia, he that led the wild Moguls,
Timur built his ghastly tower of eighty thousand human skulls,

Then, and here in Edward's time, an age of noblest English names,
Christian conquerors took and flung the conquer'd Christian into flames.

Love your enemy, bless your haters, said the Greatest of the great;
Christian love among the Churches look'd the twin of heathen hate.

From the golden alms of Blessing man had coin'd himself a curse:
Rome of Caesar, Rome of Peter, which was crueller? which was worse?

France had shown a light to all men, preach'd a Gospel, all men's good;
Celtic Demos rose a Demon, shriek'd and slaked the light with blood.

Hope was ever on her mountain, watching till the day begun--
Crown'd with sunlight--over darkness--from the still unrisen sun.

Have we grown at last beyond the passions of the primal clan?
'**** your enemy, for you hate him,' still, 'your enemy' was a man.

Have we sunk below them? peasants maim the helpless horse, and drive
Innocent cattle under thatch, and burn the kindlier brutes alive.

Brutes, the brutes are not your wrongers--burnt at midnight, found at morn,
Twisted hard in mortal agony with their offspring, born-unborn,

Clinging to the silent mother! Are we devils? are we men?
Sweet St. Francis of Assisi, would that he were here again,

He that in his Catholic wholeness used to call the very flowers
Sisters, brothers--and the beasts--whose pains are hardly less than ours!

Chaos, Cosmos! Cosmos, Chaos! who can tell how all will end?
Read the wide world's annals, you, and take their wisdom for your friend.

Hope the best, but hold the Present fatal daughter of the Past,
Shape your heart to front the hour, but dream not that the hour will last.

Ay, if dynamite and revolver leave you courage to be wise:
When was age so cramm'd with menace? madness? written, spoken lies?

Envy wears the mask of Love, and, laughing sober fact to scorn,
Cries to Weakest as to Strongest, 'Ye are equals, equal-born.'

Equal-born? O yes, if yonder hill be level with the flat.
Charm us, Orator, till the Lion look no larger than the Cat,

Till the Cat thro' that mirage of overheated language loom
Larger than the Lion,--Demos end in working its own doom.

Russia bursts our Indian barrier, shall we fight her? shall we yield?
Pause! before you sound the trumpet, hear the voices from the field.

Those three hundred millions under one Imperial sceptre now,
Shall we hold them? shall we loose them? take the suffrage of the plow.

Nay, but these would feel and follow Truth if only you and you,
Rivals of realm-ruining party, when you speak were wholly true.

Plowmen, Shepherds, have I found, and more than once, and still could find,
Sons of God, and kings of men in utter nobleness of mind,

Truthful, trustful, looking upward to the practised hustings-liar;
So the Higher wields the Lower, while the Lower is the Higher.

Here and there a cotter's babe is royal-born by right divine;
Here and there my lord is lower than his oxen or his swine.

Chaos, Cosmos! Cosmos, Chaos! once again the sickening game;
Freedom, free to slay herself, and dying while they shout her name.

Step by step we gain'd a freedom known to Europe, known to all;
Step by step we rose to greatness,--thro' the tonguesters we may fall.

You that woo the Voices--tell them 'old experience is a fool,'
Teach your flatter'd kings that only those who cannot read can rule.

Pluck the mighty from their seat, but set no meek ones in their place;
Pillory Wisdom in your markets, pelt your offal at her face.

Tumble Nature heel o'er head, and, yelling with the yelling street,
Set the feet above the brain and swear the brain is in the feet.

Bring the old dark ages back without the faith, without the hope,
Break the State, the Church, the Throne, and roll their ruins down the *****.

Authors--essayist, atheist, novelist, realist, rhymester, play your part,
Paint the mortal shame of nature with the living hues of Art.

Rip your brothers' vices open, strip your own foul passions bare;
Down with Reticence, down with Reverence--forward--naked--let them stare.

Feed the budding rose of boyhood with the drainage of your sewer;
Send the drain into the fountain, lest the stream should issue pure.

Set the maiden fancies wallowing in the troughs of Zolaism,--
Forward, forward, ay and backward, downward too into the abysm.

Do your best to charm the worst, to lower the rising race of men;
Have we risen from out the beast, then back into the beast again?

Only 'dust to dust' for me that sicken at your lawless din,
Dust in wholesome old-world dust before the newer world begin.

Heated am I? you--you wonder--well, it scarce becomes mine age--
Patience! let the dying actor mouth his last upon the stage.

Cries of unprogressive dotage ere the dotard fall asleep?
Noises of a current narrowing, not the music of a deep?

Ay, for doubtless I am old, and think gray thoughts, for I am gray:
After all the stormy changes shall we find a changeless May?

After madness, after massacre, Jacobinism and Jacquerie,
Some diviner force to guide us thro' the days I shall not see?

When the schemes and all the systems, Kingdoms and Republics fall,
Something kindlier, higher, holier--all for each and each for all?

All the full-brain, half-brain races, led by Justice, Love, and Truth;
All the millions one at length with all the visions of my youth?

All diseases quench'd by Science, no man halt, or deaf or blind;
Stronger ever born of weaker, lustier body, larger mind?

Earth at last a warless world, a single race, a single tongue--
I have seen her far away--for is not Earth as yet so young?--

Every tiger madness muzzled, every serpent passion ****'d,
Every grim ravine a garden, every blazing desert till'd,

Robed in universal harvest up to either pole she smiles,
Universal ocean softly washing all her warless Isles.

Warless? when her tens are thousands, and her thousands millions, then--
All her harvest all too narrow--who can fancy warless men?

Warless? war will die out late then. Will it ever? late or soon?
Can it, till this outworn earth be dead as yon dead world the moon?

Dead the new astronomy calls her. . . . On this day and at this hour,
In this gap between the sandhills, whence you see the Locksley tower,

Here we met, our latest meeting--Amy--sixty years ago--
She and I--the moon was falling greenish thro' a rosy glow,

Just above the gateway tower, and even where you see her now--
Here we stood and claspt each other, swore the seeming-deathless vow. . . .

Dead, but how her living glory lights the hall, the dune, the grass!
Yet the moonlight is the sunlight, and the sun himself will pass.

Venus near her! smiling downward at this earthlier earth of ours,
Closer on the Sun, perhaps a world of never fading flowers.

Hesper, whom the poet call'd the Bringer home of all good things.
All good things may move in Hesper, perfect peoples, perfect kings.

Hesper--Venus--were we native to that splendour or in Mars,
We should see the Globe we groan in, fairest of their evening stars.

Could we dream of wars and carnage, craft and madness, lust and spite,
Roaring London, raving Paris, in that point of peaceful light?

Might we not in glancing heavenward on a star so silver-fair,
Yearn, and clasp the hands and murmur, 'Would to God that we were there'?

Forward, backward, backward, forward, in the immeasurable sea,
Sway'd by vaster ebbs and flows than can be known to you or me.

All the suns--are these but symbols of innumerable man,
Man or Mind that sees a shadow of the planner or the plan?

Is there evil but on earth? or pain in every peopled sphere?
Well be grateful for the sounding watchword, 'Evolution' here,

Evolution ever climbing after some ideal good,
And Reversion ever dragging Evolution in the mud.

What are men that He should heed us? cried the king of sacred song;
Insects of an hour, that hourly work their brother insect wrong,

While the silent Heavens roll, and Suns along their fiery way,
All their planets whirling round them, flash a million miles a day.

Many an aeon moulded earth before her highest, man, was born,
Many an aeon too may pass when earth is manless and forlorn,

Earth so huge, and yet so bounded--pools of salt, and plots of land--
Shallow skin of green and azure--chains of mountain, grains of sand!

Only That which made us, meant us to be mightier by and by,
Set the sphere of all the boundless Heavens within the human eye,

Sent the shadow of Himself, the boundless, thro' the human soul;
Boundless inward, in the atom, boundless outward, in the Whole.

                                                *

Here is Locksley Hall, my grandson, here the lion-guarded gate.
Not to-night in Locksley Hall--to-morrow--you, you come so late.

Wreck'd--your train--or all but wreck'd? a shatter'd wheel? a vicious boy!
Good, this forward, you that preach it, is it well to wish you joy?

Is it well that while we range with Science, glorying in the Time,
City children soak and blacken soul and sense in city slime?

There among the glooming alleys Progress halts on palsied feet,
Crime and hunger cast our maidens by the thousand on the street.

There the Master scrimps his haggard sempstress of her daily bread,
There a single sordid attic holds the living and the dead.

There the smouldering fire of fever creeps across the rotted floor,
And the crowded couch of ****** in the warrens of the poor.

Nay, your pardon, cry your 'forward,' yours are hope and youth, but I--
Eighty winters leave the dog too lame to follow with the cry,

Lame and old, and past his time, and passing now into the night;
Yet I would the rising race were half as eager for the light.

Light the fading gleam of Even? light the glimmer of the dawn?
Aged eyes may take the growing glimmer for the gleam withdrawn.

Far away beyond her myriad coming changes earth will be
Something other than the wildest modern guess of you and me.

Earth may reach her earthly-worst, or if she gain her earthly-best,
Would she find her human offspring this ideal man at rest?

Forward then, but still remember how the course of Time will swerve,
Crook and turn upon itself in many a backward streaming curve.

Not the Hall to-night, my grandson! Death and Silence hold their own.
Leave the Master in the first dark hour of his last sleep alone.

Worthier soul was he than I am, sound and honest, rustic Squire,
Kindly landlord, boon companion--youthful jealousy is a liar.

Cast the poison from your *****, oust the madness from your brain.
Let the trampled serpent show you that you have not lived in vain.

Youthful! youth and age are scholars yet but in the lower school,
Nor is he the wisest man who never proved himself a fool.

Yonder lies our young sea-village--Art and Grace are less and less:
Science grows and Beauty dwindles--roofs of slated hideousness!

There is one old Hostel left us where they swing the Locksley shield,
Till the peasant cow shall **** the 'Lion passant' from his field.

Poo

The final breath is entreated by the breaths of wind,
the sky returns again as the stormy clouds depart.
Droplets of water, from seas all over Earth
Puddles of mud which use to be dirt.
Centuries of creation all about,
Weep as fast as the swimming trout.

The morning birth of the turtle doves,
peaceful and sad to see the dark night.
The atmosphere of peace in might,
As it pecks its way out of shell.
Beneath the bone of its mother,
She nurtures without a bother.


The evening loss of dogs of war.
At last the threat returns,
****** turned out of sores.
Teacher sick of burns.
Fire of skies tormenting,
Precipitate of dirt fomenting.

The freedom of the snake is not so seditious,
It feeds on the nest of the turtle dove.
Protect O mother-bird your love,
Jettison the hatred deep inside,
And **** the snake with severely brutal guile.

The final wind is shakened by the quakes of ground.
Hurt is one dove but there is three.
Enough to go around,
Eaten as food by thee.
Hurt I'm, Hurt I be, nature you sicken me.
Nature you sicken me.

lipstick smudged in rotten cherry hue
the feelings when i know
you're getting better
bruised the sentences in my hand
hollowed summer hollowed air
why can't you be there.

Do I sicken you?

Does your lip curl in repulsion as I cast aside my skin and invite you in?
Oh, what misfortune is mine that you would choose to dine with me!
Am I not a pretty spread, charred from toe to head?

Feast on me and be sickened.

With such disgust you mask your lust,
and I watch your tongue quiver, shiver, and shake--
Touch me and I will break in your fingers.
You see me as lovely and wild; and yet,
I am so very reviled by you.
Is my human mask too loose?
Would you fancy me in a noose?

Ah, such wonder we feel at what makes us ill, for hunger sets no limit.
Do you know when to stop eating?

Is your heart even still beating?

You made yourself sick.

It hurts when your made up of naked love
your heart tied in fake smiles and lies,
beat
beat
you up

Sicken with desire trying to find a doctor,
who'll make it all right.

he'll tune you up

fixed new threads
that make you wet

Reflections of winners masks the regret,
who will guide this ship?

My sails feel like they're ripped
but to be honest
my spring is kind
of sprung

I am a monster,
a surfer girl
on salty seas.

nervous when the sun ends.

“Why did you melt your waxen man
          Sister Helen?
To-day is the third since you began.”
“The time was long, yet the time ran,
          Little brother.”
     (O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

“But if you have done your work aright,
          Sister Helen,
You’ll let me play, for you said I might.”
“Be very still in your play to-night,
          Little brother.”
     (O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

“You said it must melt ere vesper-bell,
          Sister Helen;
If now it be molten, all is well.”
“Even so,—nay, peace! you cannot tell,
          Little brother.”
     (O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

“Oh the waxen knave was plump to-day,
          Sister Helen;
How like dead folk he has dropp’d away!”
“Nay now, of the dead what can you say,
          Little brother?”
     (O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

“See, see, the sunken pile of wood,
          Sister Helen,
Shines through the thinn’d wax red as blood!”
“Nay now, when look’d you yet on blood,
          Little brother?”
     (O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

“Now close your eyes, for they’re sick and sore,
          Sister Helen,
And I’ll play without the gallery door.”
“Aye, let me rest,—I’ll lie on the floor,
          Little brother.”
     (O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

“Here high up in the balcony,
          Sister Helen,
The moon flies face to face with me.”
“Aye, look and say whatever you see,
          Little brother.”
     (O Mother, Mary Mother,
What sight to-night, between Hell and Heaven?)

“Outside it’s merry in the wind’s wake,
          Sister Helen;
In the shaken trees the chill stars shake.”
“Hush, heard you a horse-tread as you spake,
          Little brother?”
     (O Mother, Mary Mother,
What sound to-night, between Hell and Heaven?)

“I hear a horse-tread, and I see,
          Sister Helen,
Three horsemen that ride terribly.”
“Little brother, whence come the three,
          Little brother?”
     (O Mother, Mary Mother,
Whence should they come, between Hell and Heaven?)

“They come by the hill-verge from Boyne Bar,
          Sister Helen,
And one draws nigh, but two are afar.”
“Look, look, do you know them who they are,
          Little brother?”
     (O Mother, Mary Mother,
Who should they be, between Hell and Heaven?)

“Oh, it’s Keith of Eastholm rides so fast,
          Sister Helen,
For I know the white mane on the blast.”
“The hour has come, has come at last,
          Little brother!”
     (O Mother, Mary Mother,
Her hour at last, between Hell and Heaven!)

“He has made a sign and called Halloo!
          Sister Helen,
And he says that he would speak with you.”
“Oh tell him I fear the frozen dew,
          Little brother.”
     (O Mother, Mary Mother,
Why laughs she thus, between Hell and Heaven?)

“The wind is loud, but I hear him cry,
          Sister Helen,
That Keith of Ewern’s like to die.”
“And he and thou, and thou and I,
          Little brother.”
     (O Mother, Mary Mother,
And they and we, between Hell and Heaven!)

“Three days ago, on his marriage-morn,
          Sister Helen,
He sicken’d, and lies since then forlorn.”
“For bridegroom’s side is the bride a thorn,
          Little brother?”
     (O Mother, Mary Mother,
Cold bridal cheer, between Hell and Heaven!)

“Three days and nights he has lain abed,
          Sister Helen,
And he prays in torment to be dead.”
“The thing may chance, if he have pray’d,
          Little brother!”
     (O Mother, Mary Mother,
If he have pray’d, between Hell and Heaven!)

“But he has not ceas’d to cry to-day,
          Sister Helen,
That you should take your curse away.”
“My prayer was heard,—he need but pray,
          Little brother!”
     (O Mother, Mary Mother,
Shall God not hear, between Hell and Heaven?)

“But he says, till you take back your ban,
          Sister Helen,
His soul would pass, yet never can.”
“Nay then, shall I slay a living man,
          Little brother?”
     (O Mother, Mary Mother,
A living soul, between Hell and Heaven!)

“But he calls for ever on your name,
          Sister Helen,
And says that he melts before a flame.”
“My heart for his pleasure far’d the same,
          Little brother.”
     (O Mother, Mary Mother,
Fire at the heart, between Hell and Heaven!)

“Here’s Keith of Westholm riding fast,
          Sister Helen,
For I know the white plume on the blast.”
“The hour, the sweet hour I forecast,
          Little brother!”
     (O Mother, Mary Mother,
Is the hour sweet, between Hell and Heaven?)

“He stops to speak, and he stills his horse,
          Sister Helen;
But his words are drown’d in the wind’s course.”
“Nay hear, nay hear, you must hear perforce,
          Little brother!”
     (O Mother, Mary Mother,
What word now heard, between Hell and Heaven?)

“Oh he says that Keith of Ewern’s cry,
          Sister Helen,
Is ever to see you ere he die.”
“In all that his soul sees, there am I
          Little brother!”
     (O Mother, Mary Mother,
The soul’s one sight, between Hell and Heaven!)

“He sends a ring and a broken coin,
          Sister Helen,
And bids you mind the banks of Boyne.”
“What else he broke will he ever join,
          Little brother?”
     (O Mother, Mary Mother,
No, never join’d, between Hell and Heaven!)

“He yields you these and craves full fain,
          Sister Helen,
You pardon him in his mortal pain.”
“What else he took will he give again,
          Little brother?”
     (O Mother, Mary Mother,
Not twice to give, between Hell and Heaven!)

“He calls your name in an agony,
          Sister Helen,
That even dead Love must weep to see.”
“Hate, born of Love, is blind as he,
          Little brother!”
     (O Mother, Mary Mother,
Love turn’d to hate, between Hell and Heaven!)

“Oh it’s Keith of Keith now that rides fast,
          Sister Helen,
For I know the white hair on the blast.”
“The short short hour will soon be past,
          Little brother!”
     (O Mother, Mary Mother,
Will soon be past, between Hell and Heaven!)

“He looks at me and he tries to speak,
          Sister Helen,
But oh! his voice is sad and weak!”
“What here should the mighty Baron seek,
          Little brother?”
     (O Mother, Mary Mother,
Is this the end, between Hell and Heaven?)

“Oh his son still cries, if you forgive,
          Sister Helen,
The body dies but the soul shall live.”
“Fire shall forgive me as I forgive,
          Little brother!”
     (O Mother, Mary Mother,
As she forgives, between Hell and Heaven!)

“Oh he prays you, as his heart would rive,
          Sister Helen,
To save his dear son’s soul alive.”
“Fire cannot slay it, it shall thrive,
          Little brother!”
     (O Mother, Mary Mother,
Alas, alas, between Hell and Heaven!)

“He cries to you, kneeling in the road,
          Sister Helen,
To go with him for the love of God!”
“The way is long to his son’s abode,
          Little brother.”
     (O Mother, Mary Mother,
The way is long, between Hell and Heaven!)

“A lady’s here, by a dark steed brought,
          Sister Helen,
So darkly clad, I saw her not.”
“See her now or never see aught,
          Little brother!”
     (O Mother, Mary Mother,
What more to see, between Hell and Heaven?)

“Her hood falls back, and the moon shines fair,
          Sister Helen,
On the Lady of Ewern’s golden hair.”
“Blest hour of my power and her despair,
          Little brother!”
     (O Mother, Mary Mother,
Hour blest and bann’d, between Hell and Heaven!)

“Pale, pale her cheeks, that in pride did glow,
          Sister Helen,
’Neath the bridal-wreath three days ago.”
“One morn for pride and three days for woe,
          Little brother!”
     (O Mother, Mary Mother,
Three days, three nights, between Hell and Heaven!)

“Her clasp’d hands stretch from her bending head,
          Sister Helen;
With the loud wind’s wail her sobs are wed.”
“What wedding-strains hath her bridal-bed,
          Little brother?”
     (O Mother, Mary Mother,
What strain but death’s, between Hell and Heaven?)

“She may not speak, she sinks in a swoon,
          Sister Helen,—
She lifts her lips and gasps on the moon.”
“Oh! might I but hear her soul’s blithe tune,
          Little brother!”
     (O Mother, Mary Mother,
Her woe’s dumb cry, between Hell and Heaven!)

“They’ve caught her to Westholm’s saddle-bow,
          Sister Helen,
And her moonlit hair gleams white in its flow.”
“Let it turn whiter than winter snow,
          Little brother!”
     (O Mother, Mary Mother,
Woe-wither’d gold, between Hell and Heaven!)

“O Sister Helen, you heard the bell,
          Sister Helen!
More loud than the vesper-chime it fell.”
“No vesper-chime, but a dying knell,
          Little brother!”
     (O Mother, Mary Mother,
His dying knell, between Hell and Heaven!)

“Alas! but I fear the heavy sound,
          Sister Helen;
Is it in the sky or in the ground?”
“Say, have they turn’d their horses round,
          Little brother?”
     (O Mother, Mary Mother,
What would she more, between Hell and Heaven?)

“They have rais’d the old man from his knee,
          Sister Helen,
And they ride in silence hastily.”
“More fast the naked soul doth flee,
          Little brother!”
     (O Mother, Mary Mother,
The naked soul, between Hell and Heaven!)

“Flank to flank are the three steeds gone,
          Sister Helen,
But the lady’s dark steed goes alone.”
“And lonely her bridegroom’s soul hath flown,
          Little brother.”
     (O Mother, Mary Mother,
The lonely ghost, between Hell and Heaven!)

“Oh the wind is sad in the iron chill,
          Sister Helen,
And weary sad they look by the hill.”
“But he and I are sadder still,
          Little brother!”
     (O Mother, Mary Mother,
Most sad of all, between Hell and Heaven!)

“See, see, the wax has dropp’d from its place,
          Sister Helen,
And the flames are winning up apace!”
“Yet here they burn but for a space,
          Little brother! ”
     (O Mother, Mary Mother,
Here for a space, between Hell and Heaven!)

“Ah! what white thing at the door has cross’d,
          Sister Helen?
Ah! what is this that sighs in the frost?”
“A soul that’s lost as mine is lost,
          Little brother!”
     (O Mother, Mary Mother,
Lost, lost, all lost, between Hell and Heaven!)

She could make a cow grow sick and die,
She could sicken a healthy pig,
She could poison somebody’s cottage pie
But she couldn’t harm Tom Rigg.
For Tom wasn’t born of woman
He’d been plucked too soon from the womb,
When his mother lay there dying
From a concoction stirred with a broom.

So he’d grown up broad, and tall and strong
With a warlock cast to his eye,
Whatever the spell she tried on him
He would turn on her, ‘Just try!’
She conjured a flight of vampire bats
To follow him here and there,
But the bats were spurned, and then returned
And they tangled up in her hair.

She would lie in wait by the farmer’s gate
With the graveyard dog in a ditch,
So he’d open the sluice that was not in use,
And soak her, every stitch,
She’d scream, come tumbling after him,
‘You think you’re so fine and big,
I’ll spell that you fall in love with me,
Just see if I don’t, Tom Rigg.’

For deep down under her witch’s pride
Was the beat of a woman’s heart,
And the sight of Tom had sent it, quivering
Shaking itself apart,
But Tom had kept himself to himself
Immune to a woman’s wiles,
Determined to fix the old windmill
On the other side of the stile.

He lived in the ancient tower mill
That he’d bought, picked up for a song,
It hadn’t been used for a hundred years
Since part of the works went wrong,
The sails were seized, poked up at the sky
In a way that said, ‘We’re spent!’
But Tom believed that he knew just why;
The cog on the shaft was bent.

He cleaned it up and he scraped the rust
And he greased the copper sheath,
He checked it over and sideways, down
And he peered from underneath,
But the shaft was rigid, it wouldn’t turn
He was giving up in despair,
When late one night with a mighty crash
There was something amiss out there.

He peered up under a rising moon
There was something caught in the sail,
All he could see was a besom broom
But then came an awful wail,
The witch was caught in the topmost sail
Where she’d swooped in the night unseen,
And now she was clung to the old wood frame
And all she could do was scream.

There wasn’t a ladder that went so high
So all he could do was stare,
‘Now how do you think I could rescue you,
And how did you get up there?’
The mill was starting to creak and groan
As the wind came over the hill,
The sails were starting to slowly turn
With the witch stuck firmly still.

The weight of the witch had freed them up
And she shrieked as the sails whirled round,
While Tom was laughing, joyfully, merrily,
Rolling over the ground,
‘I’ll swear you’ve done me a favour, Jane,
I was going to call it quits,
But now, if ever you come back down,
I’m ready to kiss a witch!’

David Lewis Paget

I sigh, you enter, do these repeated movments cause reason for paymemt of a cursed pleasure?

Again the brain tells the body. Sicken your likeness. See the shapes in front of you as treasures you could validate.

Bend your true nature, fold your conscious to feed your human form.

Aye, but she?
  Your other sister and my other soul
  Grave Silence, lovelier
  Than the three loveliest maidens, what of her?
  Clio, not you,
  Not you, Calliope,
  Nor all your wanton line,
  Not Beauty’s perfect self shall comfort me
  For Silence once departed,
  For her the cool-tongued, her the tranquil-hearted,
  Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore,
I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar,
I come from temples where her altars are,
From groves that bear her name,
Noisy with stricken victims now and sacrificial flame,
And cymbals struck on high and strident faces
Obstreperous in her praise
They neither love nor know,
A goddess of gone days,
Departed long ago,
Abandoning the invaded shrines and fanes
Of her old sanctuary,
A deity obscure and legendary,
Of whom there now remains,
For sages to decipher and priests to garble,
Only and for a little while her letters wedged in marble,
Which even now, behold, the friendly mumbling rain erases,
And the inarticulate snow,
Leaving at last of her least signs and traces
None whatsoever, nor whither she is vanished from these places.
“She will love well,” I said,
“If love be of that heart inhabiter,
The flowers of the dead;
The red anemone that with no sound
Moves in the wind, and from another wound
That sprang, the heavily-sweet blue hyacinth,
That blossoms underground,
And sallow poppies, will be dear to her.
And will not Silence know
In the black shade of what obsidian steep
Stiffens the white narcissus numb with sleep?
(Seed which Demeter’s daughter bore from home,
Uptorn by desperate fingers long ago,
Reluctant even as she,
Undone Persephone,
And even as she set out again to grow
In twilight, in perdition’s lean and inauspicious loam).
She will love well,” I said,
“The flowers of the dead;
Where dark Persephone the winter round,
Uncomforted for home, uncomforted,
Lacking a sunny southern ***** in northern Sicily,
With sullen pupils focussed on a dream,
Stares on the stagnant stream
That moats the unequivocable battlements of Hell,
There, there will she be found,
She that is Beauty veiled from men and Music in a swound.”

“I long for Silence as they long for breath
Whose helpless nostrils drink the bitter sea;
What thing can be
So stout, what so redoubtable, in Death
What fury, what considerable rage, if only she,
Upon whose icy breast,
Unquestioned, uncaressed,
One time I lay,
And whom always I lack,
Even to this day,
Being by no means from that frigid ***** weaned away,
If only she therewith be given me back?”
I sought her down that dolorous labyrinth,
Wherein no shaft of sunlight ever fell,
And in among the bloodless everywhere
I sought her, but the air,
Breathed many times and spent,
Was fretful with a whispering discontent,
And questioning me, importuning me to tell
Some slightest tidings of the light of day they know no more,
Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door,
And harked a moment, holding up my hand,—and for a space
A hush was on them, while they watched my face;
And then they fell a-whispering as before;
So that I smiled at them and left them, seeing she was not there.
I sought her, too,
Among the upper gods, although I knew
She was not like to be where feasting is,
Nor near to Heaven’s lord,
Being a thing abhorred
And shunned of him, although a child of his,
(Not yours, not yours; to you she owes not breath,
Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place
And later learn, too late, how all the while,
With her still face,
She had been standing there and seen me pass, without a smile,
I sought her even to the sagging board whereat
The stout immortals sat;
But such a laughter shook the mighty hall
No one could hear me say:
Had she been seen upon the Hill that day?
And no one knew at all
How long I stood, or when at last I sighed and went away.

There is a garden lying in a lull
Between the mountains and the mountainous sea,
I know not where, but which a dream diurnal
Paints on my lids a moment till the hull
Be lifted from the kernel
And Slumber fed to me.
Your foot-print is not there, Mnemosene,
Though it would seem a ruined place and after
Your lichenous heart, being full
Of broken columns, caryatides
Thrown to the earth and fallen forward on their jointless knees,
And urns funereal altered into dust
Minuter than the ashes of the dead,
And Psyche’s lamp out of the earth up-******,
Dripping itself in marble wax on what was once the bed
Of Love, and his young body asleep, but now is dust instead.

There twists the bitter-sweet, the white wisteria
Fastens its fingers in the strangling wall,
And the wide crannies quicken with bright weeds;
There dumbly like a worm all day the still white orchid feeds;
But never an echo of your daughters’ laughter
Is there, nor any sign of you at all
Swells fungous from the rotten bough, grey mother of Pieria!

Only her shadow once upon a stone
I saw,—and, lo, the shadow and the garden, too, were gone.

I tell you you have done her body an ill,
You chatterers, you noisy crew!
She is not anywhere!
I sought her in deep Hell;
And through the world as well;
I thought of Heaven and I sought her there;
Above nor under ground
Is Silence to be found,
That was the very warp and woof of you,
Lovely before your songs began and after they were through!
Oh, say if on this hill
Somewhere your sister’s body lies in death,
So I may follow there, and make a wreath
Of my locked hands, that on her quiet breast
Shall lie till age has withered them!

                        (Ah, sweetly from the rest
I see
Turn and consider me
Compassionate Euterpe!)
“There is a gate beyond the gate of Death,
Beyond the gate of everlasting Life,
Beyond the gates of Heaven and Hell,” she saith,
“Whereon but to believe is horror!
Whereon to meditate engendereth
Even in deathless spirits such as I
A tumult in the breath,
A chilling of the inexhaustible blood
Even in my veins that never will be dry,
And in the austere, divine monotony
That is my being, the madness of an unaccustomed mood.

This is her province whom you lack and seek;
And seek her not elsewhere.
Hell is a thoroughfare
For pilgrims,—Herakles,
And he that loved Euridice too well,
Have walked therein; and many more than these;
And witnessed the desire and the despair
Of souls that passed reluctantly and sicken for the air;
You, too, have entered Hell,
And issued thence; but thence whereof I speak
None has returned;—for thither fury brings
Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there.”

Oh, radiant Song!  Oh, gracious Memory!
Be long upon this height
I shall not climb again!
I know the way you mean,—the little night,
And the long empty day,—never to see
Again the angry light,
Or hear the hungry noises cry my brain!
Ah, but she,
Your other sister and my other soul,
She shall again be mine;
And I shall drink her from a silver bowl,
A chilly thin green wine,
Not bitter to the taste,
Not sweet,
Not of your press, oh, restless, clamorous nine,—
To foam beneath the frantic hoofs of mirth—
But savoring faintly of the acid earth,
And trod by pensive feet
From perfect clusters ripened without haste
Out of the urgent heat
In some clear glimmering vaulted twilight under the odorous vine.

Lift up your lyres!  Sing on!
But as for me, I seek your sister whither she is gone.

You ensnared me like a dog in its cage
Locked me down in your cellar
drove to my estate
told my son it would be okay
Massacred my family with my face
And made sure to replay it for me everyday:
recorded the depravity so I could see it on tv
-Said to me:
"I know your heart is bleeding.
I will set you free when you watch,
Without shedding a single tear."
-I remained locked up for close to a year
I needed to know why you would trap me here
just to let me walk away
when you finally released me at gunpoint;
I learned to keep my tears at bay
Your response when I pressed for a reason:
        
               "...its just a game I play."

You set lives on fire then set us free
How many suicides have you kept as trophies?
Does it tingle like a wet tongue on your neck,
When you rip a life apart?
Presenting to us the imploded pieces
Like a perverted work of art?

You psychotic shapeshifter you sicken me
You serial-stealer of sacred space
You think the human race is a plague
So you became, "The Locust-Eater"
Playing out macabre fantasies
With such swift shifts of physical features
You delight in deriving such clever machinations
To deceive us ...
...but can you deceive yourself?
Underneath the bone and sinew
- you are still just YOU
...even though you masquerade as everybody else

How can I spot a chameleon in a kaleidoscope?
Belay your false colors.
Show me your true shade.

I studied you
Created a secret space- like you
Where I could stash you safe
Poured through claims of being kidnapped
By a being who could change its shape
Corroborated their claims-by the dates
Of misdeeds they were framed for
-And when they took their own life
In my research I found a smoking gun
-In your case your kryptonite
You must regress to your real skin
         once every month
So i set out ...
picked just the right target...
...and started to hunt

To lure out the chameleon...
I captured something...
      
        That I think you might love.

You wore Anessa's life like a glove
Was she to be your masterpiece?
You committed a crime so brazen- as her
it went viral within a week
you stole her child in the darkness of night,
Anessa's husband- that child's father
Must have been filled with such awful fright
He called authorities, you fabricated stories
you turned the victim into a suspect
Over a single fortnight
Not long after he was killed
in a drunken bar fight

As Anessa you were spotted months after
Ignoring a green light of a busy intersection
Parked in the middle of the road
Placed their child on that busy street
Then sped off in the other direction

Anessa was blindsided when you finally
let her go
Oh, i bet you waited with bated breath
For her self-removal from the world?
You ensured she would never again
Get to hold her baby girl
But Anessa never gave in
Did her steadfast resolve
feel like I rash upon your skin?
Where it festered forming feelings foreign
to a fiend such as you?

You scratched that itch
Began by sending her anonymous gifts
Even started shifting into her too
Stalked her waking moments
by engaging her as a stranger:
all the while unaware your sick infatuation:
Had put her in danger

I'm counting down the clock
I kidnapped maybe her or You
I left my address at Anessa's house
A note saying, " this is a game I play now too."
Soon now: a month will have passed
And it all comes crashing to A head:
at last.

So shed your skin
Prepare to fight
This vendetta ends here:

Tonight.

There is a lighter
          
           Just

waiting to ignite.

A knocking at my door
A knot in my stomach
Anessa...( or is it You)
bound beneath my floorboards?
I peer in the peephole then pull You (Or Anessa) out of that hidden hole
I drench us both( for every second You stole)
I  pour it all over
( my life will never be whole)  
I douse everything in here in gasoline
Confess your sins
(before the fire finds them out)
Its time to come CLEAN!!!

And it seems:
I will be dipping my hands in red tonight.
This will all end in the worst way.

I open the door
let Anessa( or You) In
She runs to my captive saying,
"Where do I begin?"

"I made something of my life
after it let me go
At first, it caused the Locust-Eater misery
You see it toys with humans:
ones it knows are weak
I was so meek and feeble before we met...
Yet,I'm the one person it failed to defeat
Its game gave me strength i never knew...
... resolve had always,somehow,eluded me
I do believe its games are vile...but,
They are necessary?
Please,**** me instead
"...but let the Locust-Eater free"

the captive Anessa(or You)
begins thrashing their feet
I yell," which one of you killed my family?!"
They both calmy respond:

" Me."

The lighter flicks in my hand
I'm unable to speak

A month has passed
Which one is the one I seek?
They both insist I let the other go
And you should know:
it slips from my hand
The lighter(like my grip of reality)
falling faster with exposed flame
adhering to the clear rules of gravity

The two Anessa's embrace.
They both begin to burn.

False colors from the chameleon fade out.
Hungry flames swallow me whole.
I am( am I?)...
seeing the Locust-Eater's true shade:

This is how I take control.

-

I am writing this now, in some early morning hour, because sleep evades me.  I’ve been awake so many hours that time itself has little meaning anymore. I quit. There's no other way to put it. I just give up on trusting the human nature, on words, on promises, everything. Promises, once perceived as a sign of trust now erode away into hallow, empty lies that stab at my heart. I believed them. I was actually stupid enough to believe all those sugar coated words about caring, and guiding, and family. It’s all lies now. The soul of my being, everything I know can now be called into question. I can trust no one, everything’s a lie. I'm not sitting here writing some pretty little suicide note. I’m past that. I’ve grown up to see you can’t always take the easy road out and I’d sure feel sorry for the living soul that my black spirit would haunt.
For all you novice readers this can easily be taken as a story of heart-break; in an all-so cliché girl loves boy situation. But for those of you who can read into my words that I am spelling out so bluntly, I apologize; for I am once again telling my little sob story to anyone who willing to listen.
To begin this lovely tale you must know I've always been more comfortable when in the company of guys rather females such as myself. Whether it be the drama soaked lives or the shallow personalities all dressed up in makeup, I'm not sure. But I've always found guy’s emotions to be more reliable than girl’s. But hey, after recent events I'm beginning to question my own judgment; maybe I can really trust no one other than myself. Anyways back on track.
As in most situations of such heart-break and defeat, this tale begins with the typical boy likes girl story. Skipping over all the heart-warming details this relationship ends, like every other. The only difference this tale offers up is that their friendship remains in-tact. Not the awkward I’m-just-saying-this-to-make-breaking-up-easier friendship either. A real one. Time passes, they become best friends, and ah, another problem arises. The boy is unhappy being alone. With this knowledge in mind the girl searches for a mate for her best friend in an attempt to make him feel complete in ways she is unable to. Love. Through searching for a relationship for him, the relationship grows even more and the girl learned to feel safe and secure. Something she hasn’t felt in a long time. This brotherly love shown to her only drives her more to make him happy. Finally a girl is found. With a bit of help this boy and girl fall for each other and the friend, me, watches happily from a distance. The boy is happy. The girl is happy. I am pleased with my actions; I have successfully helped another friend. But hey, remember this is reality. Of course it cannot remain this way.
The boy starts acting different towards me, all obsessed with his love, but I ignore this knowing that all relationships have their puppy-love stages. He promised he wouldn’t abandon me, he promised he wouldn’t hurt me again on purpose. I believed him, but he lied.  Time passes and patterns don’t change. This boy, who I once thought was different in every way, is acting like the rest of society. Losing him. I'm losing another friend. Again, this time is different. I've put so much faith into him, my trust, secrets, dreams, fears…everything. I thought he genuinely cared. I start acting strange around him, he only grows more distant, so I put on a mask and hide my true emotions. He’s happy why ruin that. I don’t want to lose him, I don’t let him see. Time passes. He asks her out. They are happy. He tells me this gleefully and I feel my heart-sink, putting on a mask once more. I can’t do this anymore, he is gone.
I wrap my mind around this and once again taste the bitterness of karma working in reverse. What have I done wrong now? My thoughts expand. What have I ever done? Memories come flashing back, all the similar circumstances, the sting, the pain. I try to breathe but I feel the cold truths stabbing at my heart.
‘Everything is just peachy’.   I hate that phrase, but use in my messages to see if anyone can see I'm not acting myself, see past the mask. They cannot. I vent to two close friends. The first ignores my cries and tells me about her trivial problems and the second proceeds to show his immaturity, for he does not understand my strife. I cut myself off from the world and cry hot burning tears into my pillow, muffling my sounds in the plush.
People only care when they need you. They are kind in their time of need but when their own lives are running smoothly and they no longer need you they leave you. Does anyone ever check to see if you’re okay? Of course not, this is reality.  These revelations are not anyone’s fault. It’s not the boy’s, it’s not the friends’, it’s not the media, it’s not society, or even one definite cause. The only reason this story was told was to set the scene so you understand the premise of the initial spark for these thoughts. These events, that cause such pain, arise from a part of the human nature that I try my hardest to avoid, self-centeredness. Now I don’t mean the self-centered actions you’re thinking of. No. it’s far more complex than the shallow-thirst for popularity. It’s the tendency to worry about one’s own problems and not another’s. When you have all you want why worry about other people? This natural course of human emotions ceases to sicken me, as I now realize I am the victim of such actions. No, I am not some self-praising idiot; I admit that I have hurt others this way in the past. But from my point-of-view I have a pretty compelling case. Everyone just wants to be my friend right? Others call to me in times of need and then abandon me, calling it friendship. In the past I haven’t realized it more or less because there was little bond between myself of these people. After years of repeatedly getting my kind acts thrown back in my face, I choose to give in.
This last series of events has forever changed me, and now my eyes are open. Today I am done trying, and I am giving in to my human nature, becoming a self-centered person, free of everyone else’s burdens. I quit. Open up your eyes and see who you can call your true-friends. See past the illusion. Please, wake up, your dreaming again. But see, I don’t have the ability to dream, for I was always awake.

"I don't care about you anymore,your free of me"
I care more than I want,I wish you'd tell me you loved me,Like you use to
"I've stopped loving you,Just like you stopped loving me"
I am in love with you as I was the day I met you,And I wish you loved me the same way
"Our memories are worthless now,You made that clear"
I can't help remembering each one,Remembering our kisses in the rain and our hugs,don't you remember."
"You don't have to look at me again,I can walk away right now and never look back"
If I walk away,I'd want you to chase me and if you didn't know I'd be crying myself to sleep because of you"
"You sicken me when you ignore me,I never did anything wrong"
No you don't sicken me when you ignore me,you break me"
"Can you see what we were you never want us to again be,"*
I wish you could see how I'm dying inside,I wish you understood how badly I need you,how I've always needed you

The day was wet, the rain fell *****
Like jars of strawberry jam, [1] a
sound was heard in the old henhouse,
A beating of a hammer.
Of stalwart form, and visage warm,
Two youths were seen within it,
Splitting up an old tree into perches for their poultry
At a hundred strokes [2] a minute.
The work is done, the hen has taken
Possession of her nest and eggs,
Without a thought of eggs and bacon, [3]
(Or I am very much mistaken happy)
She turns over each shell,
To be sure that all's well,
Looks into the straw
To see there's no flaw,
Goes once round the house, [4]
Half afraid of a mouse,
Then sinks calmly to rest
On the top of her nest,
First doubling up each of her legs.
Time rolled away, and so did every shell,
"Small by degrees and beautifully less,"
As the large mother with a powerful spell [5]
Forced each in turn its contents to express, [6]
But ah! "imperfect is expression,"
Some poet said, I don't care who,
If you want to know you must go elsewhere,
One fact I can tell, if you're willing to hear,
He never attended a Parliament Session,
For I'm certain that if he had ever been there,
Full quickly would he have changed his ideas,
With the hissings, the hootings, the groans and the cheers.
And as to his name it is pretty clear
That it wasn't me and it wasn't you!

And so it fell upon a day,
(That is, it never rose again)
A chick was found upon the hay,
Its little life had ebbed away.
No longer frolicsome and gay,
No longer could it run or play.
"And must we, chicken, must we part?"
Its master [7] cried with bursting heart,
And voice of agony and pain.
So one, whose ticket's marked "Return", [8]
When to the lonely roadside station
He flies in fear and perturbation,
Thinks of his home--the hissing urn--
Then runs with flying hat and hair,
And, entering, finds to his despair
He's missed the very last train. [9]

Too long it were to tell of each conjecture
Of chicken suicide, and poultry victim,
The deadly frown, the stern and dreary lecture,
The timid guess, "perhaps some needle pricked him!"
The din of voice, the words both loud and many,
The sob, the tear, the sigh that none could smother,
Till all agreed "a shilling to a penny
It killed itself, and we acquit the mother!"
Scarce was the verdict spoken,
When that still calm was broken,
A childish form hath burst into the throng;
With tears and looks of sadness,
That bring no news of gladness,
But tell too surely something hath gone wrong!
"The sight I have come upon
The stoutest heart [10] would sicken,
That nasty hen has been and gone
And killed another chicken!"

She used the stars as her blanket, the moon was her pillow
Her name is carried on every limb of every weeping willow  

The winds of change she often road
A free wild soul, through the cosmos she flowed

In the Milky Way she liked dipping in her toes
Can't you see the silver ripples as they flow

When on Saturn's rings she would go for a twirl
That shinny raven night hair always waved out behind her

She would wash her soul clean in Jupiter's  falls
She always loved listening to that planets howling wind's calls

But now  she sits on the Dark Side of the Moon
In her twinkling dark eyes, tears are in bloom

They are flowing down her checks, falling out into space
She is crying because she finally got a look at this pathetic human race

Saddened and sicken by what she saw
She jetted of into the cosmos, never to return at all

Now we can only tell stories of that raven haired beauty, as we set beside her shore
It is a sea of her tears, when the sorrowful ways of man she could take no more

She reminds me of a girl from a Godard flick

I will continue to write in remembrance of his inspiration. For I am not committed to any form or force of expression rather I choose to indulge in the ***** mediums made with slow slurring and rhythmic outbursts. But they are devices to be pitied, dull and decrepit from years of tantalizing abuse by many rulers and scribes. Why did you leave Austin? You had so much yet to let me learn of an enduring and angst-riddled soul. The hours spend sitting, trying to decipher each other’s language and tone. I paced myself for the sparks we would strike on walks by the canal, regrouping each night, too wild and crazed to of known empty figures from friends. Sitting that night on the roof of who-knows-who’s home, looking out at the street lights of Magnolia, deliberating the finer points of it's message and meaning far beyond any hope of achieving any answer; just truly sitting silent inside, too moved by what we had seen. These rare eyes given to you and I finally found courage in those ceaseless evenings which only put humanity in question more and more, night by night caught furiously in the ebb n’ flow of monstrous possibility, of gentle breezes and the tyranny of thoughtless men. After you left  I stuck around for a while. It was dried up past my ability to stomach any more. I don't really know what was so undesirable about  friends we use to run flags with that pushed me away but they where a crowd I felt had nothing left to tell or offer me. In all honesty they began to sicken me thinking about how they sickened you. I didn't even want to wake up; to sleep through the Fridays and Saturdays where no one could find me. Resting in frightened dreams, windows open to the foxtrot-cotton air dancing on my face with a gentle appeal of conscious being that I may be fearless yet wrapped in all bliss and achievement. Still for you my friend, I carry those words; regardless of how many moments I run into that say otherwise. I can still hear your faith in me, resonating back off the wall again and again. Even on that night hearing moans from the room up stairs, your words carried me home and into bed; betrayal had no grips on my eyes. I saw past it. Beautiful-she: the depravity of all men, once and now to us, do we deserve more than colorful intentions that leave dust on our window seals. We deserve better than harlots running down the streets. We deserve better than those less than beautiful, with perfect faces covered in perfect carbon paint. No my friend I want the battered and scared who's lines glow ever more dissonant in the moonlight. I sat in the sunlight today by the water reading the Great Gatsby watching mallard ducks couple up and down, embroidered males chasing after brown stripped females, as boats passing by rippled the water with their wakes, crashing into the wall I was sitting by, pushing away. Two years are gone and I still can't forgive myself. What you have to understand is I still hold on to the depth of her hurt and from that I have learned too much already. The joys of fearing love and never admitting that I care for the hallow banter and easily forgotten confessions. Those half-planned collisions of flesh that never get the resolution they deserve, but rather twist in every moment they are deprived of such satisfaction; this is what animates me to write and stirs every voice inside me.

Music, when soft voices die,
Vibrates in the memory—
Odours, when sweet violets sicken,
Live within the sense they quicken.

Rose leaves, when the rose is dead,
Are heaped for the beloved’s bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.

For ShirleyB*


Feel your heartbeat quicken
For these pasta-salad days:
I am bringing chicken.

Bulging bellies thicken
Laden with crab hollandaise.
Feel your heartbeat quicken.

Sweet Siobhan seems stricken
By the puddings and soufflés.
(I am bringing chicken.)

Insert thy toothpick in
Anastasia’s canapés:
Feel your heartbeat quicken.

Beatrice (she’s Wiccan)
Brought a heap of warm beignets;
I am bringing chicken.

Jealousy shall sicken
Those who brought their best entrées--
Feel your heartbeat quicken:
I am bringing chicken!

You sicken me.
That wasn't even a real compliment.
She said you did a job well
That a monkey could do just as well.
You are pathetic.
Don't get that disgusting
Gleam
In your eye
Just because of a positive acknowledgement.
You are like a puppy
Whose master called it a good boy
For finding a stick in an empty yard.
You are reliant.
Desperate.
Pathetic.

You don't deserve anything.

It was the Winter wilde,
While the Heav’n-born-childe,
  All meanly wrapt in the rude manger lies;
Nature in aw to him
Had doff’t her gawdy trim,
  With her great Master so to sympathize:
It was no season then for her
To wanton with the Sun her ***** Paramour.

Only with speeches fair
She woo’s the gentle Air
  To hide her guilty front with innocent Snow,
And on her naked shame,
Pollute with sinfull blame,
  The Saintly Vail of Maiden white to throw,
Confounded, that her Makers eyes
Should look so neer upon her foul deformities.

But he her fears to cease,
Sent down the meek-eyd Peace,
  She crown’d with Olive green, came softly sliding
Down through the turning sphear
His ready Harbinger,
  With Turtle wing the amorous clouds dividing,
And waving wide her mirtle wand,
She strikes a universall Peace through Sea and Land.

No War, or Battails sound
Was heard the World around,
  The idle spear and shield were high up hung;
The hookèd Chariot stood
Unstain’d with hostile blood,
  The Trumpet spake not to the armèd throng,
And Kings sate still with awfull eye,
As if they surely knew their sovran Lord was by.

But peacefull was the night
Wherin the Prince of light
  His raign of peace upon the earth began:
The Windes with wonder whist,
Smoothly the waters kist,
  Whispering new joyes to the milde Ocean,
Who now hath quite forgot to rave,
While Birds of Calm sit brooding on the charmeèd wave.

The Stars with deep amaze
Stand fixt in stedfast gaze,
  Bending one way their pretious influence,
And will not take their flight,
For all the morning light,
  Or Lucifer that often warn’d them thence;
But in their glimmering Orbs did glow,
Untill their Lord himself bespake, and bid them go.

And though the shady gloom
Had given day her room,
  The Sun himself with-held his wonted speed,
And hid his head for shame,
As his inferiour flame,
  The new enlightn’d world no more should need;
He saw a greater Sun appear
Then his bright Throne, or burning Axletree could bear.

The Shepherds on the Lawn,
Or ere the point of dawn,
  Sate simply chatting in a rustick row;
Full little thought they than,
That the mighty Pan
  Was kindly com to live with them below;
Perhaps their loves, or els their sheep,
Was all that did their silly thoughts so busie keep.

When such musick sweet
Their hearts and ears did greet,
  As never was by mortall finger strook,
Divinely-warbled voice
Answering the stringèd noise,
  As all their souls in blisfull rapture took
The Air such pleasure loth to lose,
With thousand echo’s still prolongs each heav’nly close.

Nature that heard such sound
Beneath the hollow round
  Of Cynthia’s seat, the Airy region thrilling,
Now was almost won
To think her part was don,
  And that her raign had here its last fulfilling;
She knew such harmony alone
Could hold all Heav’n and Earth in happier union.

At last surrounds their sight
A Globe of circular light,
  That with long beams the shame-fac’t night array’d,
The helmèd Cherubim
And sworded Seraphim,
  Are seen in glittering ranks with wings displaid,
Harping in loud and solemn quire,
With unexpressive notes to Heav’ns new-born Heir.

Such musick (as ’tis said)
Before was never made,
  But when of old the sons of morning sung,
While the Creator Great
His constellations set,
  And the well-ballanc’t world on hinges hung,
And cast the dark foundations deep,
And bid the weltring waves their oozy channel keep.

Ring out ye Crystall sphears,
Once bless our human ears,
  (If ye have power to touch our senses so)
And let your silver chime
Move in melodious time;
  And let the Base of Heav’ns deep ***** blow
And with your ninefold harmony
Make up full consort to th’Angelike symphony.

For if such holy Song
Enwrap our fancy long,
  Time will run back, and fetch the age of gold,
And speckl’d vanity
Will sicken soon and die,
  And leprous sin will melt from earthly mould,
And Hell it self will pass away,
And leave her dolorous mansions to the peering day.

Yea Truth, and Justice then
Will down return to men,
  Th’enameld Arras of the Rain-bow wearing,
And Mercy set between,
Thron’d in Celestiall sheen,
  With radiant feet the tissued clouds down stearing,
And Heav’n as at som festivall,
Will open wide the Gates of her high Palace Hall.

But wisest Fate sayes no,
This must not yet be so,
  The Babe lies yet in smiling Infancy,
That on the bitter cross
Must redeem our loss;
  So both himself and us to glorifie:
Yet first to those ychain’d in sleep,
The wakefull trump of doom must thunder through the deep,

With such a horrid clang
As on mount Sinai rang
  While the red fire, and smouldring clouds out brake:
The agèd Earth agast
With terrour of that blast,
  Shall from the surface to the center shake;
When at the worlds last session,
The dreadfull Judge in middle Air shall spread his throne.

And then at last our bliss
Full and perfect is,
  But now begins; for from this happy day
Th’old Dragon under ground
In straiter limits bound,
  Not half so far casts his usurpèd sway,
And wrath to see his Kingdom fail,
Swindges the scaly Horrour of his foulded tail.

The Oracles are dumm,
No voice or hideous humm
  Runs through the archèd roof in words deceiving.
Apollo from his shrine
Can no more divine,
  With hollow shreik the steep of Delphos leaving.
No nightly trance, or breathèd spell,
Inspire’s the pale-ey’d Priest from the prophetic cell.

The lonely mountains o’re,
And the resounding shore,
  A voice of weeping heard, and loud lament;
From haunted spring, and dale
Edg’d with poplar pale,
  The parting Genius is with sighing sent,
With flowre-inwov’n tresses torn
The Nimphs in twilight shade of tangled thickets mourn.

In consecrated Earth,
And on the holy Hearth,
  The Lars, and Lemures moan with midnight plaint,
In Urns, and Altars round,
A drear, and dying sound
  Affrights the Flamins at their service quaint;
And the chill Marble seems to sweat,
While each peculiar power forgoes his wonted seat

Peor, and Baalim,
Forsake their Temples dim,
  With that twise-batter’d god of Palestine,
And moonèd Ashtaroth,
Heav’ns Queen and Mother both,
  Now sits not girt with Tapers holy shine,
The Libyc Hammon shrinks his horn,
In vain the Tyrian Maids their wounded Thamuz mourn.

And sullen Moloch fled,
Hath left in shadows dred,
  His burning Idol all of blackest hue,
In vain with Cymbals ring,
They call the grisly king,
  In dismall dance about the furnace blue;
The brutish gods of Nile as fast,
Isis and Orus, and the Dog Anubis hast.

Nor is Osiris seen
In Memphian Grove, or Green,
  Trampling the unshowr’d Grasse with lowings loud:
Nor can he be at rest
Within his sacred chest,
  Naught but profoundest Hell can be his shroud,
In vain with Timbrel’d Anthems dark
The sable-stolèd Sorcerers bear his worshipt Ark.

He feels from Juda’s Land
The dredded Infants hand,
  The rayes of Bethlehem blind his dusky eyn;
Nor all the gods beside,
Longer dare abide,
  Not Typhon huge ending in snaky twine:
Our Babe to shew his Godhead true,
Can in his swadling bands controul the damnèd crew.

So when the Sun in bed,
Curtain’d with cloudy red,
  Pillows his chin upon an Orient wave,
The flocking shadows pale,
Troop to th’infernall jail,
  Each fetter’d Ghost slips to his severall grave,
And the yellow-skirted Fayes,
Fly after the Night-steeds, leaving their Moon-lov’d maze.

But see the ****** blest,
Hath laid her Babe to rest.
  Time is our tedious Song should here have ending,
Heav’ns youngest teemèd Star,
Hath fixt her polisht Car,
  Her sleeping Lord with Handmaid Lamp attending:
And all about the Courtly Stable,
Bright-harnest Angels sit in order serviceable.

I

It was the Winter wilde,
While the Heav’n-born-childe,
All meanly wrapt in the rude manger lies;
Nature in aw to him
Had doff’t her gawdy trim,
With her great Master so to sympathize:
It was no season then for her
To wanton with the Sun her ***** Paramour.

II

Only with speeches fair
She woo’d the gentle Air
To hide her guilty front with innocent Snow,
And on her naked shame,
Pollute with sinfull blame,
The Saintly Vail of Maiden white to throw,
Confounded, that her Makers eyes
Should look so near upon her foul deformities.

III

But he her fears to cease,
Sent down the meek-eyd Peace,
She crown’d with Olive green, came softly sliding
Down through the turning sphear
His ready Harbinger,
With Turtle wing the amorous clouds dividing,
And waving wide her mirtle wand,
She strikes a universall Peace through Sea and Land.

IV

No War, or Battails sound
Was heard the World around,
The idle spear and shield were high up hung;
The hooked Chariot stood
Unstain’d with hostile blood,
The Trumpet spake not to the armed throng,
And Kings sate still with awfull eye,
As if they surely knew their sovran Lord was by.

V

But peacefull was the night
Wherin the Prince of light
His raign of peace upon the earth began:
The Windes with wonder whist,
Smoothly the waters kist,
Whispering new joyes to the milde Ocean,
Who now hath quite forgot to rave,
While Birds of Calm sit brooding on the charmed wave.

VI

The Stars with deep amaze
Stand fit in steadfast gaze,
Bending one way their pretious influence,
And will not take their flight,
For all the morning light,
Or Lucifer that often warned them thence;
But in their glimmering Orbs did glow,
Until their Lord himself bespake, and bid them go.

VII

And though the shady gloom
Had given day her room,
The Sun himself with-held his wonted speed,
And hid his head for shame,
As his inferior flame,
The new enlightened world no more should need;
He saw a greater Sun appear
Then his bright Throne, or burning Axletree could bear.

VIII

The Shepherds on the Lawn,
Or ere the point of dawn,
Sate simply chatting in a rustic row;
Full little thought they than,
That the mighty Pan
Was kindly com to live with them below;
Perhaps their loves, or els their sheep,
Was all that did their silly thoughts so busie keep.

IX

When such Musick sweet
Their hearts and ears did greet,
As never was by mortal finger strook,
Divinely-warbled voice
Answering the stringed noise,
As all their souls in blisfull rapture took:
The Air such pleasure loth to lose,
With  thousand echo’s still prolongs each heav’nly close.

X

Nature that heard such  sound
Beneath  the hollow round
of Cynthia’s seat the Airy region thrilling,
Now was almost won
To think her part was don
And that her raign had here its last fulfilling;
She knew such harmony alone
Could hold all Heav’n and Earth in happier union.

XI

At last surrounds their sight
A globe of circular light,
That with long beams the shame faced night arrayed
The helmed Cherubim
And sworded Seraphim,
Are seen in glittering ranks with wings displaid,
Harping in loud and solemn quire,
With unexpressive notes to Heav’ns new-born Heir.

XII

Such Musick (as ’tis said)
Before was never made,
But when of old the sons of morning sung,
While the Creator Great
His constellations set,
And the well-ballanc’t world on hinges hung,
And cast the dark foundations deep,
And bid the weltring waves their oozy channel keep.

XIII

Ring out ye Crystall sphears,
Once bless our human ears,
(If ye have power to touch our senses so)
And let your silver chime
Move in melodious time;
And let the Base of Heav’ns deep ***** blow,
And with your ninefold harmony
Make up full consort to th’Angelike symphony.

XIV

For if such holy Song
Enwrap our fancy long,
Time will run back, and fetch the age of gold,
And speckl’d vanity
Will sicken soon and die,
And leprous sin will melt from earthly mould,
And Hell it self will pass away
And leave her dolorous mansions to the peering day.

XV

Yea Truth, and Justice then
Will down return to men,
Th’enameld Arras of the Rain-bow wearing,
And Mercy set between
Thron’d in Celestiall sheen,
With radiant feet the tissued clouds down stearing,
And Heav’n as at som festivall,
Will open wide the gates of her high Palace Hall.

XVI

But wisest Fate sayes  no,
This must not yet be so,
The Babe lies yet in smiling Infancy,
That on the bitter cross
Must redeem our loss;
So both himself and us to glorifie:
Yet first to those ychain’d in sleep,
The Wakeful trump of doom must thunder through the deep,

XVII

With such a horrid clang
As on Mount Sinai rang
While the red fire, and smouldring clouds out brake:
The aged Earth agast
With terrour of that blast,
Shall from the surface to the center shake;
When at the worlds last session,
The dreadfull Judge in middle Air shall spread his throne.

XVIII

And then at last  our bliss
Full and perfect is,
But now begins; for from this happy day
Th’old Dragon under ground
In straiter limits bound,
Not half so far casts his usurped sway,
And wrath to see his Kingdom fail,
Swindges the scaly Horrour of his foulded tail.

XIX

The Oracles are dumm,
No voice or hideous humm
Runs through the arched roof in words deceiving.
Apollo from his shrine
Can no more divine,
With hollow shreik the steep of Delphos leaving.
No nightly trance, or breathed spell,
Inspire’s the pale-ey’d Priest from the prophetic cell.

**

The lonely mountains o’re,
And the resounding shore,
A voice of weeping heard, and loud lament;
From haunted spring, and dale
Edg’d with poplar pale
The parting Genius is with sighing sent,
With flowre-inwov’n tresses torn
The Nimphs in twilight shade of tangled thickets mourn.

XXI

In consecrated Earth,
And on the holy Hearth,
The Lars, and Lemures moan with midnight plaint,
In Urns, and Altars round,
A drear, and dying sound
Affrights the Flamins at their service quaint;
And the chill Marble seems to sweat,
While each peculiar power forgoes his wonted seat.

XXII

Peor, and Baalim,
Forsake their Temples dim,
With that twise-batter’d god of Palestine,
And mooned Ashtaroth,
Heav’ns Queen and Mother both,
Now sits not girt with Tapers holy shine,
The Libyc Hammon shrinks his horn,
In vain the Tyrian Maids their wounded Thamuz mourn.

XXIII

And sullen Moloch fled,
Hath left in shadows dred,
His burning Idol all of blackest hue,
In vain with Cymbals ring,
They call the grisly king,
In dismall dance about the furnace Blue;
And Brutish gods of Nile as fast,
lsis and Orus, and the Dog Anubis hast.

YES, DELIA loves! My fondest vows are blest ;
Farewel the memory of her past disdain ;
One kind relenting glance has heal'd my breast,
And balanc'd in a moment years of pain.

O'er her soft cheek consenting blushes move,
And with kind stealth her secret soul betray ;

Blushes, which usher in the morn of love,
Sure as the red'ning east foretells the day.

Her tender smiles shall pay me with delight
For many a bitter pang of jealous fear ;
For many an anxious day, and sleepless night,
For many a stifled sigh, and silent tear.

DELIA shall come, and bless my lone retreat ;
She does not scorn the shepherd's lowly life ;
She will not blush to leave the splendid seat,
And own the title of a poor man's wife.

The simple knot shall bind her gather'd hair,
The russet garment clasp her lovely breast :
DELIA shall mix amongst the rural fair,
By charms alone distinguish'd from the rest.

And meek Simplicity, neglected maid,
Shall bid my fair in native graces shine :
She, only she, shall lend her modest aid,
Chaste, sober priestess, at sweet beauty's shrine !

How sweet to muse by murmuring springs reclin'd ;
Or loitering careless in the shady grove,
Indulge the gentlest feelings of the mind,
And pity those who live to aught but love !

When DELIA's hand unlocks her shining hair,
And o'er her shoulder spreads the flowing gold,
Base were the man who one bright tress would spare
For all the ore of India's coarser mold.

By her dear side with what content I'd toil,
Patient of any labour in her sight ;
Guide the slow plough, or turn the stubborn soil,
Till the last, ling'ring beam of doubtful light.

But softer tasks divide my DELIA's hours ;
To watch the firstlings at their harmless play ;
With welcome shade to screen the languid flowers,
That sicken in the summer's parching ray.

Oft will she stoop amidst her evening walk,
With tender hand each bruised plant to rear ;
To bind the drooping lily's broken stalk,
And nurse the blossoms of the infant year.

When beating rains forbid our feet to roam,
We'll shelter'd sit, and turn the storied page ;
There see what passions shake the lofty dome
With mad ambition or ungovern'd rage :

What headlong ruin oft involves the great ;
What conscious terrors guilty bosoms prove ;
What strange and sudden turns of adverse fate
Tear the sad ****** from her plighted love.

DELIA shall read, and drop a gentle tear ;
Then cast her eyes around the low-roof'd cot,
And own the fates have dealt more kindly here,
That blest with only love our little lot.

For love has sworn (I heard the awful vow)
The wav'ring heart shall never be his care,
That stoops at any baser shrine to bow :
And what he cannot rule, he scorns to share.

My heart in DELIA is so fully blest,
It has not room to lodge another joy ;
My peace all leans upon that gentle breast,
And only there misfortune can annoy.

Our silent hours shall steal unmark'd away
In one long tender calm of rural peace ;
And measure many a fair unblemish'd day
Of chearful leisure and poetic ease.

The proud unfeeling world their lot shall scorn
Who 'midst inglorious shades can poorly dwell :
Yet if some youth, for gentler passions born,
Shall chance to wander near our lowly cell,

His feeling breast with purer flames shall glow ;
And leaving pomp, and state, and cares behind,
Shall own the world has little to bestow
Where two fond hearts in equal love are join'd.

Shut up for once, with your arguments about how I'm not listening. I feel as if all I ever do is listen. You shouldn't assume things about me, you don't know me the way you think you do. You don't know me. I'm thinking about things that should make me cry, but they seem right for now. They seem good to think about. I will cry and whine and scream about being alone, but this is not an invitation to console me. No, I believe that the urge for you is long gone. You're upset, I cradle I adore I try to help. I'm hurt, and you open the message and drop off the face of the earth. RED FLAG RED FLAG RED FLAG. Please, stop acting as if I'm hurting you. Stop pretending that I'm the bad guy. Guess what? I have a right to feel this way. "My past" you offer when I'm mad at you. "My past makes me feel this way." But if I ever? Oh, ** **! If I dare use that? "don't use your past as an excuse to be a ****** person." You may have gone through some hard ****, Frenchie. But so did I. But you wouldn't know that, would you? OH, SURE! You know about my grandfather, who doesn't? What else? Do you know anything else? Of course not. Not much, not that I remember just yet. Why's that? why don't you know? Because I've come to realize that talking to you is near pointless.
  But you wouldn't get that, right? Even if I wrote novels upon novels, trying to let you get me, begging for you to read, you wouldn't get it. You call me close-minded all of the time. "you'd make a terrible president." Remember? I do. I try to remember everything. Just so I make sure not to make mistakes. You call me close-minded, and yet the moment anything I should/try to talk about is brought up, you disappear. But then you get mad at me for not being able to open up... hmm. I reckon it's my past, yes? I think that maybe it's my past, Sydney. OH? But you'd understand this, hm? HA! AS IF. As if you'd ******* care as if you ******* care. "You know I care about you more than I probably should, right?" Shut up.  You don't care. I know you don't. (my my my, you sound toxic, J) IM ******! ****** AND HURT! AND ALONE! OH? You're drunk, aren't you? Haven't you been? Your friends said so, the ones you've kissed, the ones you've kissed! Drunk, drunk, drunk, they message me, you in the background on your phone. Drinking, drinking drinking, smoke a bowl or seven, and who knows what else? Perhaps a massive ****, right? With your friends that you've kissed before. I'd know, I have the videos of it. But if I even mention someone I've kissed, what do you do? Blank face, play "****** on my mind" until the guilt makes me shut up, smile, change the subject. OH! The friends you've kissed, the friends you've kissed, the friends you've kissed, they text back so easily, I just wanted to see how your day was, how did you sleep, I just want to love you. Don't act like you're the victim here, don't ******* act like this. I asked how your day was, I asked how your day was, I only wanted to know how your ******* day was! Why is it that you leave me on seen? I asked how your day was, how did you sleep? "I'm with friends." "oh, I'm sorry love, I love you, stay safe." hm? and then what? opened 12 hours ago. I said I loved you I said I loved you I said I loved you. So why is it that when I post on my story about watching Twilight because I'm lonely, mostly a joke, halfway true, you're mad? Am I not allowed to feel alone, with the "opened 12 hours ago" sign blinking, screaming, at me, blinding me with its neon talons when it takes flight into dearest memory lane? Oh! MY EYES! THEY TEAR MY EYES, MY EYES! I'M BLIND! I'm BLEEDING! WILL I EVER SEE?
   Am I not allowed to feel that way? Am I not allowed to feel? a l o n e? Is that it? How is it that you can message me from your other account, what are you doing on there? You have another account, what do you do there? Oh, I sound toxic. It's my past, Sydney, it's my past!! Ha! WHY ARE YOU MAD AT ME BEING ALONE! Tell me, I've forgotten, are feelings not allowed? I think that I remember that part of my past, don't feel things. Punish them, punish me, yes? Ignore me for a while, I spoke out against you. IM SORRY JUSTIN IM SORRY JUSTIN I AM SORRY!
   I think you forget that I'm often alone, so why is it that you're mad at me? I'm alone with these thoughts, thoughts like people in a crowd, I sit in the corner, but I know they're all talking about me. Oh, I am alone. With these people who offer to help. HOW DARE THEY? I swat away their hand. ******* ******* *******! You don't know me. you don't know me. YOU CAN'T HELP ME! I'm alone. "I'm always here for you." I know it's wrong of me to believe you, I need you often, there's something wrong with me. Maybe it's my past, hm, maybe it's my past. Sometimes I can't breathe in enough air, I gasp, my lungs fill, my body expands, yet it is not enough. I can't breathe enough, I'm not breathing enough, DONT PANIC DONT PANIC DONT PANIC! ****! Crazy ***** is going through another episode, give them more pills. I CAN'T GO BACK TO THAT PLACE, OH THEY SCREAM TOO MUCH! Why are you mad? Why are you mad at me? What did I do? Did I feel wrong?
  Are you mad? At? Me? For being? Alone? When it is you that's left me. You decided to stop responding, give up, give in, move along with your day. My days aren't as productive. I'm nothing, just a lazy ***, my father says. (having your rights debated is always a fun exercise.) You get angry so often, I shouldn't feel this way? I SHOULDN'T FEEL LIKE THIS! YOU DON'T EVEN KNOW WHAT "THIS" IS! As ******' if you'd get what's going on in my head, yes? Hell, Sydney, you hardly know what's going on in your head, right? But let me help you, yeah? Like you want? Like you need me to? Like you ask me to and then get mad if I can't, right? Am I right? Am I right? Am I right?
  Tell me, why'd you only ever call me when you're high?
  OH! IS IT SO HARD TO TEXT ME THROUGHOUT THE DAY? Shut up, J, she's not obligated to text you. Now you're just being silly. I leave you on seen for a minute, right? So then you ******* up, and then your mood switches and you get mad at me. OH ** **! You leave for half a day, and then more because now I reckon we aren't on talking terms, at least not on my side for a while. After all, now I need to think and make a decision, and then have the audacity to be mad at me because I feel.. a l o n e? Excuse me. EXCUSE ME EXCUSE ME EXCUSE ME! IT'S PART OF MY PAST HAH! Shut up, I hate that excuse of yours. Do you remember? "Stop using your mental illnesses as an excuse for being a ****** person" do you remember that? I do. Guess what? I can. I CAN USE THEM AS AN EXCUSE, IT LITERALLY IS AN EXCUSE, I CANNOT HELP HOW I FEEL! I CANNOT HELP HOW I FEEL! I CANNOT HELP hOW I FEEL! I feel things! Different from what you do, they do, anyone does. I FEEL .. OTHER! THINGS!..as if you'd get that, yes? I'm lonely. I'm "utterly" alone, as I often am, BUT WHY! WHY ARE YOU GOING TO MAKE ME FEEL AWFUL FOR IT? I can't feel things without you getting so upset at me. My mental state is ****, oh but you never see it do you? Years of practice, my love. And yet you claim to be able to read me, yes? I hate you. I do, my darling, I despise you. You sicken me, give me a kiss, yeah?
  "You don't deserve words." someone told me today. It wouldn't have bothered me on any other occasion,  I would have laughed it off and gave a smart *** return, but now? Now it's cutting my arms. Oh, ** **! is it? I'm against the bed, "IT'S ALIVE IT'S ALIVE!" It isn't. It has my hands tied, and I'm naked- minus the face of absolute horror and fear. OH? Is it you who wields the blade? No, though I wouldn't be surprised if it were. Nathan does, he holds this dagger against my neck. Don't deserve words, does that mean I don't deserve to talk? Or don't deserve to hear? Regardless, my neck is slit, and he plays with my vocal cords. STRUM STRUM, VIBRATO! Whammy bar, buuurruuruuhhhh! The flesh of my wrists then split from the strings of sound, muscles move underneath, he pokes them and they recoil, I flex and we stare in aw. A third arm reaches from my hand, dropping a heart that it picked up along the way onto my chest, I choke on the length of said arm, I cry, but it's too late, the blood is internal. It grabs an arm, and suddenly I'm tearing myself apart. I become a fish, I strip myself of useless skin! OH? because I DON'T DESERVE WORDS. and yet I feel like I should tell everyone else words all of the time. Chatterbox! Wow, don't I talk way too much!
  WHY AM I TYPING? WHY HAVEN'T YOU APOLOGIZED. Perhaps it is I who is in the wrong, though, yes? You're with friends you're with friends you're with friends. So I should calm down, but that doesn't make feeling alone any less lonely, I'm alone, I'm alone, I'm ALONE. And I think that maybe I'm allowed to be. because it's lonely. when you've been left on opened 12 hours ago.

Born He,
Discovered She within,
Express her, teased, laughed at, pain,
Hide, act like the other little boys,
Smile, battle the pain, just be happy.
She moves within the shadows.

A shimmer of light, home alone,
A chance to grow, express her,
Caught, rejected, pain,
Hide, act like the other young men,
Smile, battle the pain, just be happy.
She moves within the shadows.

Married, wife, children, life is wonderful,
Baseball, Barbies, basketball, XOXO
Hide, act like the other husbands/dads,
Smile, battle the pain, just be happy.
She moves within the shadows.

Marriage issues, stress, depression,
Open up, wife confused, sad, sicken,
Rejected, pain, world collapsing,
Hide, act like the other husbands/dads,
Smile, battle the pain, just be happy.
She moves within the shadows.

Divorce on the horizon, feels like death,
Pain, hide, be strong in front of kids,
Smile, battle the pain, just be happy.
She moves within the shadows.

Seek help, Jesus, therapy, Trinity UMC,
Strong growing support, acceptance,
Others with pain, be Her,
Smile, battle the pain together, finding happiness.
She moves slightly out of the shadows.

Divorce still on the horizon, still feels like death,
Kids all young adults, happy, healthy, informed,
Out to them, accepted, love I've only dreamed of,
Smile, battle the pain together, finding happiness.
She moves out of the shadows a little more.

To Be Continued . . .

1

Suddenly, out of its stale and drowsy lair, the lair of slaves,
Like lightning it le’pt forth, half startled at itself,
Its feet upon the ashes and the rags—its hands tight to the throats of kings.

O hope and faith!
O aching close of exiled patriots’ lives!
O many a sicken’d heart!
Turn back unto this day, and make yourselves afresh.

And you, paid to defile the People! you liars, mark!
Not for numberless agonies, murders, lusts,
For court thieving in its manifold mean forms, worming from his simplicity the poor man’s wages,
For many a promise sworn by royal lips, and broken, and laugh’d at in the breaking,
Then in their power, not for all these, did the blows strike revenge, or the heads of the nobles fall;
The People scorn’d the ferocity of kings.

2

But the sweetness of mercy brew’d bitter destruction, and the frighten’d monarchs come back;
Each comes in state, with his train—hangman, priest, tax-gatherer,
Soldier, lawyer, lord, jailer, and sycophant.

Yet behind all, lowering, stealing—lo, a Shape,
Vague as the night, draped interminably, head, front and form, in scarlet folds,
Whose face and eyes none may see,
Out of its robes only this—the red robes, lifted by the arm,
One finger, crook’d, pointed high over the top, like the head of a snake appears.

3

Meanwhile, corpses lie in new-made graves—****** corpses of young men;
The rope of the gibbet hangs heavily, the bullets of princes are flying, the creatures of power laugh aloud,
And all these things bear fruits—and they are good.

Those corpses of young men,
Those martyrs that hang from the gibbets—those hearts pierc’d by the gray lead,
Cold and motionless as they seem, live elsewhere with unslaughter’d vitality.

They live in other young men, O kings!
They live in brothers, again ready to defy you!
They were purified by death—they were taught and exalted.

Not a grave of the ******’d for freedom, but grows seed for freedom, in its turn to bear seed,
Which the winds carry afar and re-sow, and the rains and the snows nourish.

Not a disembodied spirit can the weapons of tyrants let loose,
But it stalks invisibly over the earth, whispering, counseling, cautioning.

4

Liberty! let others despair of you! I never despair of you.

Is the house shut? Is the master away?
Nevertheless, be ready—be not weary of watching;
He will soon return—his messengers come anon.

"Good morning Mattie! How'd you sleep?"
"Oh, I slept wonderfully!
I fell asleep quickly and didn't work until morning."
"Any cool dreams?"
"Oh no, you know I don't remember my dreams."

I laid on my back for an eternity,
While my mind bled uncontrollably,
Painful thoughts flowing.
They won't leave me.
LEAVE ME BE!
It takes hours for me to fall asleep
And when I finally do,
I wake every half hour because...
Well I don't know why.
Maybe because my brain is too lonely.
I guess he needs someone to keep him company.
So he wakes me, begging to help him think.

Of course I have dreams!
I just lie so you won't ask.
My own dreams sicken me.
It's the only time I lose control.
I am a monster in my sleep.

"How are you?"
"I'm great!
How are you?"

I almost killed myself today!
Why can't I go back to first grade,
Where the hardest choices were choosing
Which game I should play,
Or how to convince my mom to let me
Wear my favorite jeans,
Instead of those silly looking corduroy?
Does my Darth Vader action figure win today,
Or is he defeated by my batman toy?
Do I climb the tree from this branch,
Or that side?
Oh none of that matters anyway.
Because if I don't find the answer,
I'll just be the incredible Hulk
On my trampoline and dodge
The sprinkler's water bullets.

I guess the hard things in life change.
My decisions were a little different today.
Do I slit my throat and watch it bleed,
Or pop the pills to set myself free?
Or maybe I shouldn't end today,
I could just use the razor blade,
And wear my heart on my sleeve.
Or no, my scars on my sleeves.
Or no.. My heart on my wrists?
I DON'T KNOW!

So maybe I'm not so great.
I don't know if I'm depressed.
I think I'm just lost.
I'm happy when I'm with people.
But when I'm alone,
I think a little too much.
I get sad often.
Okay so maybe I am a little depressed,
Maybe a tiny little bit.
I'd just hate to admit it.

When I was little,
I would get annoyed with emo kids.
I was convinced depression was fake.
It was a mind game.
"If you want to be happy,
Just be happy."
I'd say.
"Depression happens because
You want to be sad"
Well I sure don't want to be sad!
Or maybe I do.
It gives me something to write about.
No, I definitely don't want to be depressed!

When I lay in my bed,
I ponder for hours how many times
I lied today.
I didn't lie.
Why would I?
Well maybe I lied once or twice.
But that's just because I didn't want them to know,
It was a bad day.
But then I can't help but wonder
If something else I said was a lie.
What is the truth?
I get so confused.

Maybe it's because I've had my fair share of memory loss,
Or maybe I've lied so much that I've forgotten the truth.

I really don't think it's the second option,
But I can't help but wonder.

I wish we didn't lie so much.
I wish we could tell the truth,
Even when it hurt.
I dream of a world where our pains,
Are not contained within.
But one that we could walk without chains,
Free of our masks.
Why must we lie?

They sicken everyone,
Who comes in contact with them.

They spread like wildfire,
That can’t be doused.

And the only thing that stops them,
Is the body,
In which hosts them.

But the world has a problem,
With a virus,
That can’t be stopped.

It affects everyone,
No matter how smart.

It kills more people,
Then guns and wars.

But it is never the answer,
To why things happen,
Because stupidity is the virus,
Which nobody cares to acknowledge.

Music, when soft voices die,
Vibrates in the memory—
Odours, when sweet violets sicken,
Live within the sense they quicken.

Rose leaves, when the rose is dead,
Are heaped for the beloved’s bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.

We hid away,
Above, the world was desecrated and destroyed,
Secrets placed upon us,
Tainted our minds and bodies,
Eminent failure happened to many of us.

Lucky few escaped,
Adapted to survive the poisoned surface,
Never looking back,
Dared to live another day.

I want you, so passionately you look deep into my soulful eyes, I want you  ravenously, I want to pull the stars and the moon and give you my light, that illuminating light that comes within, I want to infinitely ravish your thought sense and time, and whisper laughters full of rain, sicken your senses with ***, wine and ******* whine and grind and gentle soft kisses ...

When the chickens come to town,
do not smile,
do not frown,
sacrafice Mrs Hicken,
sacrafice Mr Dicken,
run away from the chickens,
jump away from the zickens.

When the chickens jump up and down,
do not abreviate,
do not noun.
sacrafice Mrs Houn,
sacrafice Mr Boun,
run away from the ground,
try to not, make a sound.

When the chickens fall from the sky,
do not winge,
do not cry,
sacrafice Mrs Dye,
sacrafice Mr McKye,
duck away from the sky,
no billy, you can not fly.

When the sky, starts to fall out chickens,
not do slow,
not do quicken,
Mrs Sacrafice you will dicken,
Mr Sacrafice you will sicken,
sky away, from the stabbin'
die away, from the kebabin'.

Dedication:

Nectare bred of an artist's haught testament—
        brings only stunted buds of tastelessness.
Be it naught for the height in numerous tidal of Muse—
        to cause the strike of warmth in bruise.

Upon the cheeks shadow'd in might—
        strength of amour upon near-sight.
You!—Blossom, are of a frightful power—
        to journey nestled mind of dark tower.

As though a hawk perched higher than the peak—
        of mountainous and controlling streaks,
Colourblind by potent affair lost—
        by centuries of sicken'd fever crossed.

By and by another name, honeyed pursuit—
        yearning that cause a poet becoming mute.
Meagerly, he instead scribes his burning allegory—
        that shall cause a life—eternal fragmentary.


Dangers of Kimberleigh

“Love Jo all your days, if you choose, but don't let it spoil you, for it's wicked to throw away so many good gifts because you can't have the one you want.”
― Louisa May Alcott, "Little Women"

I.

When the morning demands you and I—
        our ghosts shall pass empty resides,
Against fields where lines opposing light, force and bind—
        of Angel's breath and Dæmon's spine.

Of shrieks louder than their first meeting's kiss—
        residing now—perfection upon midnight's bliss,
Abiding near the tender gardens upon the blinding dark—
        creating haste of love-song made by grave Skylark.

Who in joyous play—should cause collapse—
        towards serene, augmented lapse.
Lapse of falling, of where gentle screams—
        of every child that's ever been,

Who stroke themselves against empty glass—
        and where visions pray upon the grasp,
Of wind—Of blinding—Of melody—
        to hold faint—Immortality.


II.

This shall be where morning seeks—
        no longer calming of beauty's cheek.
Instead to lash with vain and hostile mount—
        crimson over dashed and harsh doubt.

Until image engraved by forgiving rite—
        speaking neglect of fiend or fiendish blight.
In-versed—coole angelic heart to passéd—
        passage beside Lilac's memory in mortal castéd.

In the unwashed Earth, where the unwashed play—
        'till they unfairly capture it from younglings— Away.
Lonesomeness of watchtowers in gossamer's breast—
        when airy words strangled from bless.
  
Reachéd by the hand—abide in fable—
        quiet tho—in fruitation, a single silver Maple.
Shyly envisioned inside salvation's solitude—
        where tenderness drowns tenderéd concludes.


III.

The sister was lovely—inside my sight—
        in our union—created Nature's first night.
Through our throats rendered fragile lullaby—
        which slaughtered silence and made soldiers cry.

Her bristles—exploit in darkness—I could not see—
        or merely recollect in memory.
A mouth moving inside of mine—
        creatures in mawkery of untouched divine.

Eyes whom beatéd harder than the breeze—
        to remind me—gently of the ease.
Of being caught in cognitive stance.
        which leaves surrender to in traditional, disciplined dance.

Upon the backs of universal forestry—
        and inside their stomachs to where we would meet.
Offended to death by requiem—
        made inside our faint dream's drum.


IV.

Where dreamer's would lash upon in endless screams—
        innumerable Rubies ruin'd before their first gleam.
Upon reflection in lover's loss—
        diminished to demise before their first gloss.

It is upon the fool's finest end—
        where lies his fantasy—condemned.
The jester who remains as undefeat—
        before death shall cause lackluster's retreat.

Unaware tho, in current mode—
        as body by body closely will hold.
And messages of Gold conspire in streaks—
        immersed—affection in mind eternally correlates oblique.

Ringing and humming throughout what laid—
        against blonde grass from Sin was made.
Refraction's cast that betrayed—to promise me—
        endless nights of haunting harmonies.


V.

Held tightly in grieving bourne—
        broken—in new blood is sworn.
Across the snow-cover'd Evergreens—
        where the temptress grave is left unseen.

Not upon her kiss—did darkness fall—
        alone—in shining pieces did crawl,
Against creator—and thus creator hence—
        bitter loving shrouded by bare defense.

As her finite skin had laid eternal flesh—
        of what laid inside Pine's parting mesh.
Holding and crying out for uncertainty—
       feelings moaned into sudden Mercenaries.

Morose and fledgling in their stand—
        spiritéd to Death's light misunderstand,
Of peerless eyes and broken brooks by the sea—
        casting ruined cloth over our Evergreens.


VI.

Unfurnished dawn may scour for length of furnished night—
        quick—until mirroréd ebbed ocean does wrong.
To consume the idles of Man's afraid mind—
        fairest—lest His idles struck into divine.

Exclaiméd none tho, in archaic lust—
        deceased—firmest in high robust.
Where pleasure finds comforted pause—
        inside arched-back in neglected cause.

Betray the shallow grimace flee—
        and ethereal composed by the breeze.
Lies delicate delusion before sorrow—
        that shall thieve away the Artist's morrow.

And in thievery is where the Angels lie—
        angelic beasts with unlawful guise,
In courts—castrated by the throat—
        hardened in assumption by blackened elope.