i just remembered when it all began to fall apart i was in mid-thirties weary of taking advantage of women i wanted to change grow become better person more compassionate find loving respectful relationship maybe marriage i knew i needed to step away stop

chicago 1985 Odysseus is a stranger to himself living someone else’s life does he really want what Mom Dad Chris want? is he lying to everyone else or himself? he snorts another line of ******* moves on to next girl in dizzy way he is having time of his life so much occasion to waste doors to open slam rooms to pass through “In the room the women come and go, talking of Michelangelo, and time yet for a hundred indecisions, and for a hundred visions and revisions” thank you t.s. elliott his ****** liaisons carry on from several weeks to several months begin with him adoring some girl or she adoring him little fires that burn themselves out for his part infidelity is rarely in question instead typically he or she feels let down by some personal response or character trait and simply stops calling in actuality no girl ever bothers to stick around they follow his lead and evaporate his mind draws a blank he wonders what do girls want? Deep inside he knows nothing in life is greater than the love of a woman he would have liked all those girls to be just one girl but she is missing where is she? occasionally he will run into one of his ex-lovers on street she wears an expression that hints why didn’t you phone me back? why did you stop calling? he suspects she is playing victim in self-satisfying charade in fact Odysseus crosses into new territory it is difficult to go back he hones his edge no longer is he wonder-stuck child possessed by curiosity for girls he requires **** and kink longer buildups then urgent bursts of effort drawn out climaxes nameless girl wearing tight jeans cowboy boots braids whom he meets in drake hotel elevator pushes stop button she ***** him off he has **** *** with tan-skinned french-canadian female tourist in telephone booth on north avenue gorgeous longhaired creole girl from new orleans ***** him on fire escape stairs **** *** with skinny punk girl in dark alley dutch foreign exchange student gives him ******* between parked cars on clark street weird awkward *** with goth girl in graveyard ****** by older blond woman who positioning herself underneath table in ritzy restaurant he has *** with chatty college sorority girl in jet lavatory he goes down on nerd girl wearing thick glasses in criticism section of depaul’s library he gets ****** ****** by perfect stranger in lake michigan each evening before he goes out prowling he looks in mirror wonders what strange female he will have *** with tonight it always surprises him what a person might not admit to or accept but allow or give in to if the right moment or if the right person is there not that he is particularly the right person rather he stumbles onto an astonishing streak there is the paris/milantokyo fashion model with stylish french haircut who possesses astonishing beauty perfect ***** and haughty temper after night of too many ***** martinis and ******* she announces “you and your friends are going nowhere  you’re all second-rate artist losers! and your cousin and his group are obnoxious *******” she flips him the finger then shoves him he shoves back resulting in dual arrests and domestic violence charges there is the tall blond stripper who totally fulfills his ****** desires once she lets him insert garden hose up her **** laughs uproariously as stream of water shoots out on another occasion she requests he *** in her *** he begins to believe he will marry her she insists she is too low class for his family one night she drunkenly hurls champagne bottle gives him black eye drives away crashes her car there is blue-eyed sweetheart with divine ****** loving touch who after months of sleeping with Odysseus confesses she is ******* some other guy and swears she will be faithful in the future she begs for his forgiveness as he loses it pushes her out door throwing her clothes after her one girl lights candles gives him full body massage ******* another girl holds him tight cries pushes him away one girl writes confessions with permanent markers on walls of closet another girl slaps him yells why? why why why! one girl runs to toilet pukes passes out on floor another girl sits up all night talking teasing never relieving him another girl falls asleep snores while he is in conversation one girl makes fun of small left ******* later gossips to her girlfriends he meets girl who will do anything except allow him to enter her ****** he meets girl who is professional escort she offers to do him for free she has lots of toys videos he declines they mess around she gets him off with ******* he meets girl whose ***** hair grows to mid-thigh she incessantly calls for her dog Bertram! he meets girl who shivers moans furiously cries laughs when he climaxes he meets girl with self-inflicted scars on arms legs who only wants it up her **** he meets girl who likes gagging deep-******* him to skull-**** her harder the better he meets girl whose ******* are so fierce she loses complete control drenching him sheets with her fluids excrement he meets girl who wants ******* squeezed so tightly he fears he will draw blood he meets girl who likes to talk ***** slaps his face as he is reaching ****** he meets girl with gargantuan ***** ******* as large as thumb she gurgles hot breaths later tries to steal string of beads he meets girl who enjoys lactating on his thighs while she gives him head he meets girl who knows how to contract vaginal muscles so tightly all he does is sustain ******* inside her in order to reach ****** he meets girl who pees tiny squirts while he penetrates her **** she laughs wildly he meets girl with furry mound who requests he **** on her as she masturbates he declines she reproaches him accusing you’re not nearly as freethinking as you pretend to be in fact you’re full of ****! he meets girl who wants him to act out **** they struggle he meets girl who desires to be ******* whipped he is not into inflicting pain he meets large strong girl who forces him he never tells anyone about incident he becomes mindful many females are more depraved than him women remain puzzle to Odysseus he is repeatedly astounded shocked can never predict about girl what her ******* ****** will look like whether she has eager *** or what are her secret desires he is explorer women are vast mystery he wonders are females as sexually driven as males? are they as vulnerable? is their **** like tiny *****? he speculates if completely unknown attractive woman walks up to any average man grabs his crotch many possibly most men will willingly allow it are women that weak? more than anything what most excites Odysseus is female lust handjobs are test of adequacy distinguishing character having masturbated thousands of times he thrills in having girl do it he delights in watching her arousal just staring at his ******* is captivated by method of her fingers hands revitalized by degree of her determination throughout he needs to ****** her ******* ****** *** titillated as she licks lips after swallowing ***** he realizes if he were female he would be total nymphomaniac yet he finds it difficult to imagine desiring men are all so like him women are so strange fascinatingly different he craves their otherness Odysseus loves women more than they love themselves smell sight of them sends him into frenzy problem is he fears their power over him

it’s been 25 years since those days i live alone for many years in tucson arizona have not been with a woman for long long time last relationship 2001 with crack ***** i hang my head cry wish for love wonder do i deserve to be loved pray to be forgiven

SAPPHO'S POEMS FOR ATTIS AND ANACTORIA

Most of Sappho's poems are fragments but the first poem below, variously titled "The Anactoria Poem, " "Helen's Eidolon" and "Some People Say" is largely intact. Was Sappho the author of the world's first 'make love, not war' poem?

Some People Say
Sappho, fragment 16 (Lobel-Page 16 / Voigt 16)
loose translation/interpretation by Michael R. Burch

Warriors on rearing chargers,
columns of infantry,
fleets of warships:
some call these the dark earth's redeeming visions.
But I say—
the one I desire.

Nor am I unique,
since she who so vastly surpassed all mortals in beauty
—Helen—
seduced by Aphrodite, led astray by desire,
departed for distant Troy,
abandoned her celebrated husband,
turned her back on her parents and child!

Her story reminds me of Anactoria,
who has also departed,
and whose lively dancing and lovely face
I would rather see than all the horsemen and war-chariots of the Lydians,
or their columns of infantry parading in flashing armor.



Ode to Anactoria or Ode to Attis
Sappho, fragment 94 (Lobel-Page 94 / Voigt 94)
loose translation/interpretation by Michael R. Burch

So my Attis has not returned
and thus, let the truth be said,
I wish I were dead...

'Honestly, I just want to die! '
Attis sighed,
shedding heartfelt tears,
inconsolably sad
when she
left me.

'How deeply we have loved,
we two,
Sappho!
Oh,
I really don't want to go! '

I answered her tenderly,
'Go as you must
and be happy,
trust-
ing your remembrance of me,
for you know how much
I loved you.

And if you begin to forget,
please try to recall
all
the heavenly emotions we felt
as with many wreathes of violets,
roses and crocuses
you sat beside me
adorning your delicate neck.

Once garlands had been fashioned of many woven flowers,
with much expensive myrrh
we anointed our bodies like royalty
on soft couches,
then my tender caresses
fulfilled your desire...'

Unfortunately, fragment 94 has several gaps and I have tried to imagine what Sappho might have been saying.



The following are Sappho's poems for Attis or Atthis...

Sappho, fragment 49 (Lobel-Page 49 / Voigt 49)
loose translation/interpretation by Michael R. Burch

1.
I loved you, Attis, long ago...
even when you seemed a graceless child.

2.
I fell in love with you, Attis, long ago...
You seemed immature to me then, and not all that graceful.

(Source: Hephaestion, Plutarch and others.)



Sappho, fragment 131 (Lobel-Page 131 / Voigt 130)
loose translation/interpretation by Michael R. Burch

You reject me, Attis,
as if you find me distasteful,
flitting off to Andrómeda...


Sappho, fragment 96 (Lobel-Page 96.1-22 / Voigt 96 / Diehl 98)
loose translation/interpretation by Michael R. Burch

Attis, our beloved, dwells in distant Sardis, but her thoughts often return here, to our island, and how we honored her like a goddess, and how she loved to hear us singing her praises. Now she surpasses all Sardinian women, as, after sunset the rosy-fingered moon outshines the surrounding stars, illuminating salt seas and meadows alike. Thus the dew sparkles, the rose revives, and the tender chervil and sweetclover blossom. Now oftentimes when our beloved goes wandering abroad, she is reminded of our gentle Attis; then her heart assaults her tender breast with its painful pangs and she cries aloud for us to console her. Truly, we understand all too well the distress she feels, because Night, the many-eared, calls to us from across the dividing sea. But to go there is not easy, nor to rival a goddess in her loveliness.



Ode to Anactoria
Sappho, fragment 31 (Lobel-Page 31 / Voigt 31)
loose translation/interpretation by Michael R. Burch

How can I compete with that ****** man
who fancies himself one of the gods,
impressing you with his 'eloquence' …
when just the thought of sitting in your radiant presence,
of hearing your lovely voice and lively laughter,
sets my heart hammering at my breast?
Hell, when I catch just a quick glimpse of you,
I'm left speechless, tongue-tied,
and immediately a blush like a delicate flame reddens my skin.
Then my vision dims with tears,
my ears ring,
I sweat profusely,
and every muscle in my body trembles.
When the blood finally settles,
I grow paler than summer grass,
till in my exhausted madness,
I'm as limp as the dead.
And yet I must risk all, being bereft without you...



Ode to Anactoria
Sappho, fragment 31 (Lobel-Page 31 / Voigt 31)
loose translation/interpretation by Michael R. Burch

To me that boy seems
blessed by the gods
because he sits beside you,
basking in your brilliant presence.
My heart races at the sound of your voice!
Your laughter? ―bright water, dislodging pebbles
in a chaotic vortex. I can't catch my breath!
My heart bucks in my ribs. I can't breathe. I can't speak.
My ******* glow with intense heat;
desire's blush-inducing fires redden my flesh.
My ears seem hollow; they ring emptily.
My tongue is broken and cleaves to its roof.
I sweat profusely. I shiver.
Suddenly, I grow pale
and feel only a second short of dying.
And yet I must endure, somehow,
despite my poverty.



The following poems by Sappho may have been addressed to Attis or Anactoria, or written with them in mind…

Sappho, fragment 22 (Lobel-Page 22 / Diehl 33,36)
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Sappho, fragment 34 (Lobel-Page 34 / Voigt 34)
loose translation/interpretation by Michael R. Burch

Awed by the Moon's splendor,
the stars covered their undistinguished faces.
Even so, we.



Sappho, fragment 39
loose translation/interpretation by Michael R. Burch

We're merely mortal women,
it's true;
the Goddesses have no rivals
but You.



Sappho, fragment 5
loose translation/interpretation by Michael R. Burch

We're eclipsed here by your presence—
you outshine all the ladies of Lydia
as the bright-haloed moon outsplendors the stars.

I suspect the fragment above is about Anactoria, since Sappho associates Anactoria with Lydia in fragment 16.



Sappho, fragment 2 (Lobel-Page 2.1A)
loose translation/interpretation by Michael R. Burch

Leaving your heavenly summit,
I submit
to the mountain,
then plummet.

Sappho associates her lovers with higher elevations: the moon, stars, mountain peaks.



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

May the gods prolong the night
—yes, let it last forever! —
as long as you sleep in my sight.



Sappho, fragment 102 (Lobel-Page 102 / Voigt 102)
loose translation/interpretation by Michael R. Burch

Mother, how can I weave,
so overwhelmed by love?



Sappho, fragment 147 (Lobel-Page 147 / *** 30)
loose translation/interpretation by Michael R. Burch

Someone, somewhere
will remember us,
I swear!

'From Dio Chrysostom, who, writing about A.D.100, remarks that this is said 'with perfect beauty.''―Edwin Marion ***



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

I lust!
I crave!
**** me!



Sappho, fragment 11 (*** 109)
loose translation/interpretation by Michael R. Burch

You inflame me!



Sappho, fragment 36 (Lobel-Page 36 / *** 24 & 25)
loose translation/interpretation by Michael R. Burch

1.
I yearn for―I burn for―the one I miss!

2.
While you learn,
I burn.

3.
While you discern your will,
I burn still.

According to Edwin Marion ***, this fragment is from the Etymologicum Magnum.



Sappho, fragment 155
loose translation/interpretation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!

Pollux wrote: 'Sappho used the word beudos for a woman's dress, a kimbericon, a kind of short transparent frock.'



Sappho, fragment 156
loose translation/interpretation by Michael R. Burch

She keeps her scents
in a dressing-case.
And her sense?
In some undiscoverable place.

Phrynichus wrote: 'Sappho calls a woman's dressing-case, where she keeps her scents and such things, grute.'



Sappho, fragment 47 (Lobel-Page 47 / Voigt 47)
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains,
uprooting oaks.

The poem above is my favorite Sappho epigram. The metaphor of Eros (****** desire)  harrowing mountain slopes, leveling oaks and leaving them desolate, is really something―truly powerful and evocative. According to Edwin Marion ***, this Sapphic epigram was 'Quoted by Maximus Tyrius about 150 B.C. He speaks of Socrates exciting Phaedus to madness, when he speaks of love.'



Sappho, fragment 130 (Lobel-Page 130 / Voigt 130)
loose translation/interpretation by Michael R. Burch

Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.



Sappho, unnumbered fragment
loose translation/interpretation by Michael R. Burch

What cannot be swept
aside
must be wept.



Sappho, fragment 138 (Lobel-Page 138)
loose translation/interpretation by Michael R. Burch

1.
Darling, let me see your face;
unleash your eyes' grace.

2.
Turn to me, favor me
with your eyes' indulgence.

3.
Look me in the face,
smile,
reveal your eyes' grace...

4.
Turn to me, favor me
with your eyes' acceptance.

5.
Darling, let me see your smiling face;
favor me again with your eyes' grace.



Sappho, fragment 38 (Incertum 25, *** 36)
loose translation/interpretation by Michael R. Burch

I flutter
after you
like a chick after its mother...

From the 'Etymologicum Magnum' according to Edwin Marion ***.



In the following poem Sappho asks Aphrodite to "persuade" someone to fall in love with her. The poem strikes me as a sort of love charm or enchantment…

Hymn to Aphrodite (Lobel-Page 1)
by Sappho
loose translation/interpretation by Michael R. Burch

Immortal Aphrodite, throned in splendor!
Wile-weaving daughter of Zeus, enchantress and beguiler!
I implore you, dread mistress, discipline me no longer
with such vigor!

But come to me once again in kindness,
heeding my prayers, as you did so graciously before;
O, come Divine One, descend once more
from heaven's golden dominions!

Then with your chariot yoked to love's
white consecrated doves,
their multitudinous pinions aflutter,
you came gliding from heaven's shining heights,
to this dark gutter.

Swiftly they came and vanished, leaving you,
O my Goddess, smiling, your face eternally beautiful,
asking me what unfathomable longing compelled me
to cry out.

Asking me what I sought in my bewildered desire.
Asking, 'Who has harmed you, why are you so alarmed,
my poor Sappho? Whom should Persuasion
summon here? '

'Although today she flees love, soon she will pursue you;
spurning love's gifts, soon she shall give them;
tomorrow she will woo you,
however unwillingly! '

Come to me now, O most Holy Aphrodite!
Free me now from my heavy heartache and anguish!
Graciously grant me all I request!
Be once again my ally and protector!

'Hymn to Aphrodite' is the only poem by Sappho of ****** to survive in its entirety. The poem survived intact because it was quoted in full by Dionysus, a Roman orator, in his 'On Literary Composition, ' published around 30 B.C. A number of Sappho's poems mention or are addressed to Aphrodite, the Greek goddess of love. It is believed that Sappho may have belonged to a cult that worshiped Aphrodite with songs and poetry. If so, 'Hymn to Aphrodite' may have been composed for performance within the cult. However, we have few verifiable details about the 'real' Sappho, and much conjecture based on fragments of her poetry and what other people said about her, in many cases centuries after her death. We do know, however, that she was held in very high regard. For instance, when Sappho visited Syracuse the residents were so honored they erected a statue to commemorate the occasion! During Sappho's lifetime, coins of ****** were minted with her image. Furthermore, Sappho was called 'the Tenth Muse' and the other nine were goddesses. Here is another translation of the same poem...



Hymn to Aphrodite
by Sappho
loose translation/interpretation by Michael R. Burch

Rainbow-appareled, immortal-throned Aphrodite,
daughter of Zeus, wile-weaver, I beseech you: Hail!
Spare me your reproaches and chastisements.
Do not punish, dire Lady, my penitent soul!
But come now, descend, favor me with your presence.
Please hear my voice now beseeching, however unclear or afar,
your own dear voice, which is Olympus's essence —
golden, wherever you are...
Begging you to harness your sun-chariot's chargers —
those swift doves now winging you above the black earth,
till their white pinions whirring bring you down to me from heaven
through earth's middle air...
Suddenly they arrived, and you, O my Blessed One,
smiling with your immortal countenance,
asked what hurt me, and for what reason
I cried out...
And what did I want to happen most
in my crazed heart? 'Whom then shall Persuasion
bring to you, my dearest? Who,
Sappho, hurts you? "
"For if she flees, soon will she follow;
and if she does not accept gifts, soon she will give them;
and if she does not love, soon she will love
despite herself! '
Come to me now, relieve my harsh worries,
free me heart from its anguish,
and once again be
my battle-ally!



Sappho, fragment 113
loose translation/interpretation by Michael R. Burch

No droning bee,
nor even the bearer of honey
for me!


Sappho, fragment 113
loose translation/interpretation by Michael R. Burch

Neither the honey
nor the bee
for me!



Sappho, fragment 52
loose translation/interpretation by Michael R. Burch

The moon has long since set;
The Pleiades are gone;
Now half the night is spent,
Yet here I lie ... alone.



Sappho, fragment 2 (Lobel-Page 2 / Voigt 2)
loose translation/interpretation by Michael R. Burch

Come, Cypris, from Crete
to meet me at this holy temple
where a lovely grove of apple awaits our presence
bowering altars
  fuming with frankincense.

Here brisk waters babble beneath apple branches,
the grounds are overshadowed by roses,
and through the flickering leaves
  enchantments shimmer.

Here the horses will nibble flowers
as we gorge on apples
and the breezes blow
  honey-sweet with nectar ...

Here, Cypris, we will gather up garlands,
pour the nectar gracefully into golden cups
and with gladness
  commence our festivities.


Sappho, fragment 58 (Lobel-Page 58)
loose translation/interpretation by Michael R. Burch

Virgins, be zealous for the violet-scented Muses' lovely gifts
and those of the melodious lyre ...
but my once-supple skin sags now;
my arthritic bones creak;
my ravenblack hair's turned white;
my lighthearted heart's grown heavy;
my knees buckle;
my feet, once fleet as fawns, fail the dance.
I often bemoan my fate ... but what's the use?
Not to grow old is, of course, not an option.

I am reminded of Tithonus, adored by Dawn with her arms full of roses,
who, overwhelmed by love, carried him off beyond death's dark dominion.
Handsome for a day, but soon withered with age,
he became an object of pity to his ageless wife.



Sappho, fragment 132 (Lobel-Page 132)
loose translation/interpretation by Michael R. Burch

1.
I have a delightful daughter
fairer than the fairest flowers, Cleis,
whom I cherish more than all Lydia and lovely ******.

2.
I have a lovely daughter
with a face like the fairest flowers,
my beloved Cleis …

It bears noting that Sappho mentions her daughter and brothers, but not her husband. We do not know if this means she was unmarried, because so many of her verses have been lost.



Sappho, fragment 131 (Lobel-Page 131)
loose translations/interpretations by Michael R. Burch

1.
You reject me, Attis,
as if you find me distasteful,
flitting off to Andromeda ...

2.
Attis, you forsake me
and flit off to Andromeda ...



Sappho, fragment 140 (Lobel-Page 140)
loose translation/interpretation by Michael R. Burch

He is dying, Cytherea, the delicate Adonis.
What shall we lovers do?
Rip off your clothes, bare your ******* and abuse them!



Sappho, fragment 36
loose translation/interpretation by Michael R. Burch

Vain woman, foolish thing!
Do you base your worth on a ring?



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

May the gods prolong the night
—yes, let it last forever!—
as long as you sleep in my sight.



... a sweet-voiced maiden ...
—Sappho, fragment 153, loose translation/interpretation by Michael R. Burch

I have the most childlike heart ...
—Sappho, fragment 120, loose translation/interpretation by Michael R. Burch

There was no dance,
no sacred dalliance,
from which we were absent.
—Sappho, fragment 19, loose translation/interpretation by Michael R. Burch

I love the sensual
as I love the sun’s ecstatic brilliance.
—Sappho, fragment 9, loose translation/interpretation by Michael R. Burch

I love the sensual
as I love the sun’s splendor.
—Sappho, fragment 9, loose translation/interpretation by Michael R. Burch

You anointed yourself
with most exquisite perfume.
—Sappho, fragment 19, loose translation/interpretation by Michael R. Burch

Awed by the moon’s splendor,
stars covered their undistinguished faces.
Even so, we.
—Sappho, fragment 34, loose translation/interpretation by Michael R. Burch

Sappho, fragment 138, loose translations/interpretations by Michael R. Burch

1.
Darling, let me see your face;
unleash your eyes' grace.

2.
Turn to me, favor me
with your eyes' indulgence.

3.
Look me in the face,
           smile,
reveal your eyes' grace ...

4.
Turn to me,
favor me
with your eyes’ indulgence

Those I most charm
do me the most harm.
—Sappho, fragment 12, loose translation/interpretation by Michael R. Burch

Those I charm the most
do me the most harm.
—Sappho, fragment 12, loose translation/interpretation by Michael R. Burch

Midnight.
The hours drone on
as I moan here, alone.
—Sappho, fragment 52, loose translation/interpretation by Michael R. Burch

Once again I dive into this fathomless ocean,
intoxicated by lust.
—Sappho, after Anacreon, loose translation/interpretation by Michael R. Burch

Did this epigram perhaps inspire the legend that Sappho leapt into the sea to her doom, over her despair for her love for the ferryman Phaon? See the following poem ...

The Legend of Sappho and Phaon, after Menander
loose translation/interpretation by Michael R. Burch

Some say Sappho was an ardent maiden
goaded by wild emotion
to fling herself from the white-frothed rocks of Leukas
into this raging ocean
for love of Phaon ...

but others reject that premise
and say it was Aphrodite, for love of Adonis.

In Menander's play The Leukadia he refers to a legend that Sappho flung herself from the White Rock of Leukas in pursuit of Phaon. We owe the preservation of those verses to Strabo, who cited them. Phaon appears in works by Ovid, Lucian and Aelian. He is also mentioned by Plautus in Miles Gloriosus as being one of only two men in the whole world, who "ever had the luck to be so passionately loved by a woman."

Sappho, fragment 24, loose translations/interpretations by Michael R. Burch

1a.
Dear, don't you remember how, in days long gone,
we did such things, being young?

1b.
Dear, don't you remember, in days long gone,
how we did such things, being young?

2.
Don't you remember, in days bygone,
how we did such things, being young?

3.
Remember? In our youth
we too did such reckless things.

Sappho, fragment 154, loose translations/interpretations by Michael R. Burch

1.
The moon rose and we women
thronged it like an altar.

2.
Maidens throng
at the altar of Love
all night long.


Even as their hearts froze,
their feathers molted.
—Sappho, fragment 42, loose translation/interpretation by Michael R. Burch

Your voice beguiles me.
Your laughter lifts my heart’s wings.
If I listen to you, even for a moment, I am left speechless.
—Sappho, fragment 31, loose translation/interpretation by Michael R. Burch

Sappho, fragment 57
loose translation/interpretation by Michael R. Burch

1a.
That country ***** bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!

1b.
That country ***** bewitches your heart?
Hell, her most beguiling art
is hiking her dress
to reveal her ankles' nakedness!

2.
That hayseed ****
bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!

3.
That rustic girl bewitches your heart?
Hell, her most beguiling art's
hiking the hem of her dress
to ****** you with her ankles' nakedness!

Keywords/Tags: Sappho, ******, Greek, translation, epigram, epigrams, love, ***, desire, passion, lust

Venus, when her son was lost,
Cried him up and down the coast,
In hamlets, palaces, and parks,
And told the truant by his marks,
Golden curls, and quiver, and bow;—
This befell long ago.
Time and tide are strangely changed,
Men and manners much deranged;
None will now find Cupid latent
By this foolish antique patent.
He came late along the waste,
Shod like a traveller for haste,
With malice dared me to proclaim him,
That the maids and boys might name him.

Boy no more, he wears all coats,
Frocks, and blouses, capes, capôtes,
He bears no bow, or quiver, or wand,
Nor chaplet on his head or hand:
Leave his weeds and heed his eyes,
All the rest he can disguise.
In the pit of his eyes a spark
Would bring back day if it were dark,
And,—if I tell you all my thought,
Though I comprehend it not,—
In those unfathomable orbs
Every function he absorbs;
He doth eat, and drink, and fish, and shoot,
And write, and reason, and compute,
And ride, and run, and have, and hold,
And whine, and flatter, and regret,
And kiss, and couple, and beget,
By those roving eye-***** bold;
Undaunted are their courages,
Right Cossacks in their forages;
Fleeter they than any creature,
They are his steeds and not his feature,
Inquisitive, and fierce, and fasting,
Restless, predatory, hasting,—
And they pounce on other eyes,
As lions on their prey;
And round their circles is writ,
Plainer than the day,
Underneath, within, above,
Love, love, love, love.
He lives in his eyes,
There doth digest, and work, and spin,
And buy, and sell, and lose, and win;
He rolls them with delighted motion,
Joy-tides swell their mimic ocean.
Yet holds he them with tortest rein,
That they may seize and entertain
The glance that to their glance opposes,
Like fiery honey ****** from roses.

He palmistry can understand,
Imbibing virtue by his hand
As if it were a living root;
The pulse of hands will make him mute;
With all his force he gathers balms
Into those wise thrilling palms.

Cupid is a casuist,
A mystic, and a cabalist,
Can your lurking Thought surprise,
And interpret your device;
Mainly versed in occult science,
In magic, and in clairvoyance.
Oft he keeps his fine ear strained,
And reason on her tiptoe pained,
For aery intelligence,
And for strange coincidence.
But it touches his quick heart
When Fate by omens takes his part,
And chance-dropt hints from Nature's sphere
Deeply soothe his anxious ear.

Heralds high before him run,
He has ushers many a one,
Spreads his welcome where he goes,
And touches all things with his rose.
All things wait for and divine him,—
How shall I dare to malign him,
Or accuse the god of sport?—
I must end my true report,
Painting him from head to foot,
In as far as I took note,
Trusting well the matchless power
Of this young-eyed emperor
Will clear his fame from every cloud,
With the bards, and with the crowd.

He is wilful, mutable,
Shy, untamed, inscrutable,
Swifter-fashioned than the fairies,
Substance mixed of pure contraries,
His vice some elder virtue's token,
And his good is evil spoken.
Failing sometimes of his own,
He is headstrong and alone;
He affects the wood and wild,
Like a flower-hunting child,
Buries himself in summer waves,
In trees, with beasts, in mines, and caves,
Loves nature like a horned cow,
Bird, or deer, or cariboo.

Shun him, nymphs, on the fleet horses!
He has a total world of wit,
O how wise are his discourses!
But he is the arch-hypocrite,
And through all science and all art,
Seeks alone his counterpart.
He is a Pundit of the east,
He is an augur and a priest,
And his soul will melt in prayer,
But word and wisdom are a snare;
Corrupted by the present toy,
He follows joy, and only joy.

There is no mask but he will wear,
He invented oaths to swear,
He paints, he carves, he chants, he prays,
And holds all stars in his embrace,
Godlike, —but 'tis for his fine pelf,
The social quintessence of self.
Well, said I, he is hypocrite,
And folly the end of his subtle wit,
He takes a sovran privilege
Not allowed to any liege,
For he does go behind all law,
And right into himself does draw,
For he is sovranly allied.
Heaven's oldest blood flows in his side,
And interchangeably at one
With every king on every throne,
That no God dare say him nay,
Or see the fault, or seen betray;
He has the Muses by the heart,
And the Parcæ all are of his part.

His many signs cannot be told,
He has not one mode, but manifold,
Many fashions and addresses,
Piques, reproaches, hurts, caresses,
Action, service, badinage,
He will preach like a friar,
And jump like Harlequin,
He will read like a crier,
And fight like a Paladin.
Boundless is his memory,
Plans immense his term prolong,
He is not of counted age,
Meaning always to be young.
And his wish is intimacy,
Intimater intimacy,
And a stricter privacy,
The impossible shall yet be done,
And being two shall still be one.
As the wave breaks to foam on shelves,
Then runs into a wave again,
So lovers melt their sundered selves,
Yet melted would be twain.

I have a friend who still believes in heaven.
Not a stupid person, yet with all she knows, she literally talks to God.
She thinks someone listens in heaven.
On earth she's unusually competent.
Brave too, able to face unpleasantness.

We found a caterpillar dying in the dirt, greedy ants crawling over it.
I'm always moved by disaster, always eager to oppose vitality
But timid also, quick to shut my eyes.
Whereas my friend was able to watch, to let events play out
According to nature.  For my sake she intervened
Brushing a few ants off the torn thing, and set it down
Across the road.

My friend says I shut my eyes to God, that nothing else explains
My aversion to reality.  She says I'm like the child who
Buries her head in the pillow
So as not to see, the child who tells herself
That light causes sadness-
My friend is like the mother. Patient, urging me
To wake up an adult like herself, a courageous person-

In my dreams, my friend reproaches me.  We're walking
On the same road, except it's winter now;
She's telling me that when you love the world you hear celestial music:
Look up, she says. When I look up, nothing.
Only clouds, snow, a white business in the trees
Like brides leaping to a great height-
Then I'm afraid for her; I see her
Caught in a net deliberately cast over the earth-

In reality, we sit by the side of the road, watching the sun set;
From time to time, the silence pierced by a birdcall.
It's this moment we're trying to explain, the fact
That we're at ease with death, with solitude.
My friend draws a circle in the dirt; inside, the caterpillar doesn't move.
She's always trying to make something whole, something beautiful, an image
Capable of life apart from her.
We're very quiet. It's peaceful sitting here, not speaking, The composition
Fixed, the road turning suddenly dark, the air
Going cool, here and there the rocks shining and glittering-
It's this stillness we both love.
The love of form is a love of endings.

Be my baby canopy,
cover me in emerald joy
in gales and gusts, sprays of rain,
Be the shield I shan't employ.

By the seaside running out
of staggered breath, though you know
how cherry my cheeks do get;
hurry, kiss them while they glow.

Be the leaves upon my arms
Flutter, whisper, rustle down
Till all I am is but a noun
held in your mouth, your throaty charm.

Brave the hurricanes with me,
I'll be the one who will not fly,
You'll be the baby's lullaby,
above the rain, so anchoring.

Watch the window, hear it creak
above the pitter patter plain,
bathe in the sorrow of the rain,
come up cleaner, with a squeak.

Be the breath upon the hearth
breathe deeply so your lungs are warm,
feel orange among the grungy storm;
grow a greenhouse in your heart.

Follow me out to the Mar,
walking down into the deep end
and down reproaches Heaven will send;
the solemn tear drops of a star.

Up we go, and all around,
Spin with me, collapse and cry,
Until the clouds do say 'Goodbye',
All we hear are hearts that pound.

In the aftermath, it shines,
Angelic pools, a chorus clear,
The silver light plays softly here
like no one once had shed a tear.
Now my heart chokes water, dear,
So hold your pluviophile near.

Certainly our city with its byres of poverty down to
The river's edge, its cathedral, its engines, its dogs;
Here is the cosmopolitan cooking
And the light alloys and the glass.

Built by the conscience-stricken, the weapon-making,
By us. Wild rumours woo and terrify the crowd,
Woo us. Betrayers thunder at, blackmail
Us. But where now are They.

Who without reproaches showed us what our vanity
has chosen,
Who pursued understanding with patience like a ***,
had unlearnt
Our hatred and towards the really better
World had turned their face?

Who knows? The peaked and violent faces are exalted,
The feverish prejudiced lives do not care, and lost
Their voice in the flutter of bunting, the glittering
Brass of our great retreat,

And the malice of death. For the wicked card is dealt and
The sinister tall-hatted botanist stoops at the spring
With his insignificant phial and looses
The plague on the ignorant town.

Under their shadows the pitiful subalterns are sleeping;
The moon is usual; the necessary lovers touch;
The river is alone and the trampled flower;
And through years of absolute cold

The planets rush towards Lyra in a lion's charge. Can
Hate so securely bind? Are they dead here? Yes.
And the wish to wound has the power. And tomorrow
Comes. It's a world. It's a way.

Our love is so special,There is just none like ours...
what we hold is a truth; others can only hope for it
You sleep with me always.... each and every night..
you're always so quiet, hold no reproaches... make no remaks.
That's why I love you and no one could love you more than I...
You are my only treasure, my love for you has no measure

Sometimes when I come home drunk with anguish
you let me come close to you ......we kiss and embrace softly
But you fall fast asleep... and you dont feel a thing...
I Still hold you close to me... and sleep with you tightly
But later when I awake... you are no longer with me..
And only my pillow is there
Sometimes when I see you...... so quiet and lonely...
That's when I break down... and become like any other...
I wanna cry out to you My Love I want to beg you
" please come back to me"
my whole breath and soul is meant just to keep loving you...
But my time keeps passing my cries and pains forgotten...
Like the wind they keep blowing.... forever lost and stolen..

That's why when I come home......drunk with anguish
you let me come close to you ......we kiss embrace softly
But you fall fast asleep..... and you dont feel a thing...!

I Still hold you close to me and sleep with you tightly..!
But later when I awake you are no longer with me..
All am left with is just my pillow
Forever only my pillow

This is neither history nor theology;
this is Romance:

                                       A Liturgy for the Emperor

In memory of
Patrick Joseph Donovan,
Stratiotis

Processional

How, then, will we find death?  With rifle in hand,
Perhaps, or flowing with the warm, worn prayers
That slip with beads through one's fingers and soul.
Rifle or Rosary, either will do.
One's death might rise in the boldness of youth,
Or in the wearied wisdom of old age,
In wild combat against ancient evils,
Or softly, while planting a red-apple tree
For grandchildren to summer-celebrate,
In wild red martyrdom, or obscure white.

The nights still whisper how the Emperor fell,
Fell with a faithful few upon the walls,
The old land walls of Constantinople.
But we are not to speak of martyrs whose
Transcendent beauty reproaches our times,
Our drifting dark age, drab, dreary, and dim
Our tomb-like lives cluttered with small darkness,
Our talk all common, colourless, and cold:
The thoughts assigned programmed into our souls,
Daymares programmed into us for our good,
Pitiful, pattering, prosthetic prose,
Cacophonies of casual cruelties --
No brave iambic lines for golden dreams.

But dare we also whisper truths, and speak
Of what a wind-wild people once we were,
And we will want our syllables to sing
In honour of the Martyr-Emperor
And those who followed him into his death,
And in this knowing of him we can live
Among those souls who are forever young.

Introit

In Nomine Partis, et Filli, et Spiritus Sancti

We will go to the Altar of God
To God, Who gives joy to our youth
We will go to the Altar of God
We will go to Byzantium

Kyrie

Lord have mercy -- when the shadows surround us
Christ have mercy -- when we forget the Three Romes
Lord have mercy -- when we forget You

Gloria

Glory to God in the highest
And peace to His Byzantine people
And all His peoples
Lord God, Heavenly King
who once blessed us with Emperors
Send us another
Send Your waiting people their Emperor

The First Reading

As Constantine his walls he watched, he wept,
Lost in the Gethsemane of his soul
His tears they fell upon the ancient bricks
Warm with centuries of sun, saintliness,
And the passions of a glorious race

The City!  Long reigning on the Golden Horn
The Summer Country of our childhood dreams
There playing, praying, working, selling, and,
Yes, sinning too.  Passionate *Romanoi --
What a magnificent people we were.

(fast)

When armies marched to the Byzantine beat
Sophia ruled from her Byzantine seat  
When Byzantine sails sheltered Odysseus' sea
The wave-roads of trade were open and free  
When Romanoi feasted, blood mixed with wine
Daggers drawn over a dancing concubine
A newer Helen who provoked desire,
She seared men's eyes with her own Greek Fire
When Blues and Greens howled in the Hippodrome --
Such rowdy citizens in Second Rome! --
Then even Emperors in purple shoes
Feared stoning by Greens or hanging by Blues
The rough, loud democracy of the street --
Mobs also marched to the Byzantine beat

The Second Reading

(slowly)

But –

Above all rose Justinian's gem
The holy place where God called us to Him
The Mother Church of dawn-lit Christendom
Sophia -- the Queen of Byzantium
Where Patriarch, patrician, people, and priest
Gave worship.  Then the greatest and the least
Abandoned sin to hear the sweet bells ring,
Stood penitent before our God, our King:
In consecrated hands, through wine and bread

Christos Pantocrater fed us Himself

And then all hearts were cleansed, all souls were fed

(Very slowly)

But centuries passed, and this City of God
Heart of the Empire, became the Empire,
As lands and peoples were lost forever
to the creeping new age.  When Constantine,
The last Constantine, was called to the Throne,
All that was left was The City herself,
The Morea, and islands, and memories.
The fleet whose sails had shaded the Inner Sea
Was but a few hopeless hulks in the Horn

From the dust, dark shadows metastasized,
Shadows who stole and slew their way to power
And swept the land bare of free folk and fields
And more and more the shadows grasped and held,
A dead world of slaves whose backs were bloodied
Beneath the whips of masters, slaves whose eyes
Were cast carefully, cautiously to the ground
Lest demeanour manly and bearing proud
Attract the executioners' busy blades.

Finally, after devouring lands and souls,
The shadows coveted Constantinople,
The Red-Apple Tree where continents meet,
The City they could never build for themselves
And nothing stood between them and their lust
But one bold man: Constantine Dragases.
The faithful few who stood the walls with him,
Gathered around proud, stubborn Constantine:
Workers and monks and nuns, beggars, merchants,
Proud, arrogant Byzantines, and the few
Wild Latins From the barbarian West
Whose Greek was in their hearts, not on their lips,
Who gave their loyalty late to their liege lord,
The Emperor, who could have safely lain
A shadow's golden-caged slave, obedient,
Well-fed, well-bedded from the shadows'
Catalogues of pretty girls and prettier boys,
A memory of what had been a man.

But Constantine stood proudly on his walls,
Defiantly, bravely, sadly there on
His crumbling ancient walls, and gave his faith
To God and the City, to his people,
Even to the faithless ones, even to his death.

And others came, From Rome and Spain and France,
From Germany, and even from the Turks,
Brave, lonely men with reasons of their own
For ending their lives there on the Land Walls.

But they were not enough.  And late that night,
After the last Mass in Hagia Sophia,
The Emperor knew that his was the blood,
The blood of sacrifice that would be shed
In remembrance of ****** Golgotha,
For the people he was given to rule,
For the people for whom he chose to die,
Sheltering, protecting, until his end.


A Gospel

No angel appeared to the Emperor,
No voice of God from a burning bush
He parted himself from his followers
And for a few minutes grieved alone

And this was given Constantine to know:

The eternal Constantinople is
Never to be lost, never defeated --
In every Christian flows Dragases' blood
Every village is the Holy City
Every church is Hagia Sophia
Every prayer is a Mass for the Emperor
Every children's foot-race the Hippodrome
Every poor family's poor supper
A banquet under the Red-Apple Tree.
Constantinople will live forever.
Know that, and, laughing, give your last earth-hour,
And your joyful eternity, to God.

Credo

We believe in God's holy empire too,
Byzantium, eternally golden
The Red-Apple Tree in the eastern sun
The City that echoes with laughing light
Through memory and history and beyond.
We believe in God and His Emperor,
And we believe that in the absence of
The Emperor, even then we must be
The Emperor's subjects, stubborn and true,
Wherever God has chosen to send us.
We then must rule our passions and our hearts,
Tend our gardens as if they were Eden --
Because they are -- and care for our children
As if angels were visiting tonight,
Until our God restores our Emperor,
Restores His City where the Earth-halves meet,
And finally, some day, some happy day,
Returns Himself to sit and rule enthroned
In His Three Romes, and in Jerusalem.


Communion

Constantine shook himself, and gave commands,
Commending all to duty and to God.
Above him the dome of Hagia Sophia
Glowed eerily on that last, wild night
While lightning slashed among the sliding clouds
Byzantium rose again for one glorious hour
And the world marveled that such things could be,
That Christ and Rome and Constantinople
Could be found in one man at the end of an age.

Blood, *****, screams, and death;
blood, *****, death
Blood, *****, screams, and death;
blood, *****, screams
Blood, *****, screams, and death;
blood, *****, death
Blood, *****, screams, and death;
blood, *****, screams
The glory is that there is no glory.
Chaos.  Horror.  Stench.  Sweat.  Pain.  *****.  Death.
Hi­s -- His -- body broken again for us.

On that dark morning of a dark new age,
Constantine turned and faced its slithering shadows
With a Byzantine end to his ruler's art,
With the peace of Christ and a hero's heart.

DISMISSAL

The Mass is ended.  Byzantium is ended.  
Escape, if you can -- make Byzantium live.
Escape to live in some peace, if you can.
Escape in peace to love and serve in exile.
Escape in peace to love and serve the Lord.

"O Lord save Thy people and bless Thine inheritance;
And to Thy Faithful king grant victory over the barbarians.
And by the power of Thy Cross, protect all those who follow  
          Thee"1

Not an End at All

1Troparion for the Sunday of the Elevation of the Cross, Divine Prayers and Serves of the Catholic Orthodox Church of Christ, copyright 1938.

Many thanks to Mr. Tod Mixson and others of St. Michael's Orthodox Church for assistance at many points, both liturgical and artistic, to Dr. Dan Bailey, of happy memory, and Dr. John Dahmus of Stephen F. Austin State University.

With stifled tightened lips
we swap an icy bitter silence

Oh! could I hope the wise and pure in heart
Might hear my song without a frown, nor deem
My voice unworthy of the theme it tries,--
I would take up the hymn to Death, and say
To the grim power, The world hath slandered thee
And mocked thee. On thy dim and shadowy brow
They place an iron crown, and call thee king
Of terrors, and the spoiler of the world,
Deadly assassin, that strik'st down the fair,
The loved, the good--that breath'st upon the lights
Of virtue set along the vale of life,
And they go out in darkness. I am come,
Not with reproaches, not with cries and prayers,
Such as have stormed thy stern insensible ear
From the beginning. I am come to speak
Thy praises. True it is, that I have wept
Thy conquests, and may weep them yet again:
And thou from some I love wilt take a life
Dear to me as my own. Yet while the spell
Is on my spirit, and I talk with thee
In sight of all thy trophies, face to face,
Meet is it that my voice should utter forth

Thy nobler triumphs: I will teach the world
To thank thee.--Who are thine accusers?--Who?
The living!--they who never felt thy power,
And know thee not. The curses of the wretch
Whose crimes are ripe, his sufferings when thy hand
Is on him, and the hour he dreads is come,
Are writ among thy praises. But the good--
Does he whom thy kind hand dismissed to peace,
Upbraid the gentle violence that took off
His fetters, and unbarred his prison cell?
Raise then the Hymn to Death. Deliverer!
God hath anointed thee to free the oppressed
And crush the oppressor. When the armed chief,
The conqueror of nations, walks the world,
And it is changed beneath his feet, and all
Its kingdoms melt into one mighty realm--
Thou, while his head is loftiest, and his heart
Blasphemes, imagining his own right hand
Almighty, sett'st upon him thy stern grasp,
And the strong links of that tremendous chain
That bound mankind are crumbled; thou dost break
Sceptre and crown, and beat his throne to dust.
Then the earth shouts with gladness, and her tribes
Gather within their ancient bounds again.
Else had the mighty of the olden time,
******, Sesostris, or the youth who feigned
His birth from Lybian Ammon, smote even now
The nations with a rod of iron, and driven
Their chariot o'er our necks. Thou dost avenge,
In thy good time, the wrongs of those who know

No other friend. Nor dost thou interpose
Only to lay the sufferer asleep,
Where he who made him wretched troubles not
His rest--thou dost strike down his tyrant too.
Oh, there is joy when hands that held the scourge
Drop lifeless, and the pitiless heart is cold.
Thou too dost purge from earth its horrible
And old idolatries; from the proud fanes
Each to his grave their priests go out, till none
Is left to teach their worship; then the fires
Of sacrifice are chilled, and the green moss
O'ercreeps their altars; the fallen images
Cumber the weedy courts, and for loud hymns,
Chanted by kneeling crowds, the chiding winds
Shriek in the solitary aisles. When he
Who gives his life to guilt, and laughs at all
The laws that God or man has made, and round
Hedges his seat with power, and shines in wealth,--
Lifts up his atheist front to scoff at Heaven,
And celebrates his shame in open day,
Thou, in the pride of all his crimes, cutt'st off
The horrible example. Touched by thine,
The extortioner's hard hand foregoes the gold
Wrong from the o'er-worn poor. The perjurer,
Whose tongue was lithe, e'en now, and voluble
Against his neighbour's life, and he who laughed
And leaped for joy to see a spotless fame
Blasted before his own foul calumnies,
Are smit with deadly silence. He, who sold
His conscience to preserve a worthless life,

Even while he hugs himself on his escape,
Trembles, as, doubly terrible, at length,
Thy steps o'ertake him, and there is no time
For parley--nor will bribes unclench thy grasp.
Oft, too, dost thou reform thy victim, long
Ere his last hour. And when the reveller,
Mad in the chase of pleasure, stretches on,
And strains each nerve, and clears the path of life
Like wind, thou point'st him to the dreadful goal,
And shak'st thy hour-glass in his reeling eye,
And check'st him in mid course. Thy skeleton hand
Shows to the faint of spirit the right path,
And he is warned, and fears to step aside.
Thou sett'st between the ruffian and his crime
Thy ghastly countenance, and his slack hand
Drops the drawn knife. But, oh, most fearfully
Dost thou show forth Heaven's justice, when thy shafts
Drink up the ebbing spirit--then the hard
Of heart and violent of hand restores
The treasure to the friendless wretch he wronged.
Then from the writhing ***** thou dost pluck
The guilty secret; lips, for ages sealed,
Are faithless to the dreadful trust at length,
And give it up; the felon's latest breath
Absolves the innocent man who bears his crime;
The slanderer, horror smitten, and in tears,
Recalls the deadly obloquy he forged
To work his brother's ruin. Thou dost make
Thy penitent victim utter to the air
The dark conspiracy that strikes at life,

And aims to whelm the laws; ere yet the hour
Is come, and the dread sign of ****** given.
Thus, from the first of time, hast thou been found
On virtue's side; the wicked, but for thee,
Had been too strong for the good; the great of earth
Had crushed the weak for ever. Schooled in guile
For ages, while each passing year had brought
Its baneful lesson, they had filled the world
With their abominations; while its tribes,
Trodden to earth, imbruted, and despoiled,
Had knelt to them in worship; sacrifice
Had smoked on many an altar, temple roofs
Had echoed with the blasphemous prayer and hymn:
But thou, the great reformer of the world,
Tak'st off the sons of violence and fraud
In their green pupilage, their lore half learned--
Ere guilt has quite o'errun the simple heart
God gave them at their birth, and blotted out
His image. Thou dost mark them, flushed with hope,
As on the threshold of their vast designs
Doubtful and loose they stand, and strik'st them down.

Alas, I little thought that the stern power
Whose fearful praise I sung, would try me thus
Before the strain was ended. It must cease--
For he is in his grave who taught my youth
The art of verse, and in the bud of life
Offered me to the muses. Oh, cut off
Untimely! when thy reason in its strength,
Ripened by years of toil and studious search

And watch of Nature's silent lessons, taught
Thy hand to practise best the lenient art
To which thou gavest thy laborious days.
And, last, thy life. And, therefore, when the earth
Received thee, tears were in unyielding eyes
And on hard cheeks, and they who deemed thy skill
Delayed their death-hour, shuddered and turned pale
When thou wert gone. This faltering verse, which thou
Shalt not, as wont, o'erlook, is all I have
To offer at thy grave--this--and the hope
To copy thy example, and to leave
A name of which the wretched shall not think
As of an enemy's, whom they forgive
As all forgive the dead. Rest, therefore, thou
Whose early guidance trained my infant steps--
Rest, in the ***** of God, till the brief sleep
Of death is over, and a happier life
Shall dawn to waken thine insensible dust.
Now thou art not--and yet the men whose guilt
Has wearied Heaven for vengeance--he who bears
False witness--he who takes the orphan's bread,
And robs the widow--he who spreads abroad
Polluted hands in mockery of prayer,
Are left to cumber earth. Shuddering I look
On what is written, yet I blot not out
The desultory numbers--let them stand.
The record of an idle revery.

Chamomile lines
In a cup filled with sorrow
As they swirl, rise and burst your eyes burn on.
Ice-blue, yet warm
As the morning in winter
Feels like I'm breathing dragons and walking through fields of silver.
Spider web catches
The rays of the sun
Rising on the horizon, is it called a horizon because of the rising?
Hawks drop and whirl
It's all so romantic
And it makes me feel sick to my stomach because I'm just a wandering girl...

You're a beast in the den
You're a wolf in the lair
You're the wood for my fire
You're the breeze in my hair

But I never asked for a den
And I wanted the lair for myself
And my fire should be burning with coal not wood.

And the breeze in my hair? Well that's just annoying
The affection you lavish on me feels like cloying
Reproaches from some kind of horrible clown
All lathered and slathered in wet eiderdown
It's leering towards me, its horrible face
Lifts into a smile, an ugly grimace

And I realise suddenly
That my mind is painting grotesque scenes
Over the beauty of the one that I love

But then how do I stop it?
How do I stop it?
How do I stop it?

You make me feel putrid
We laughed when he said that
Yet love lies niggling at my insides like a blister
That I don't want
And yet it's mine
Mine
All mine
And I want to keep it
Forever.

This truth came borne with bier and pall,
  I felt it, when I sorrow'd most,
  'Tis better to have loved and lost,
Than never to have loved at all--

O true in word, and tried in deed,
  Demanding, so to bring relief
  To this which is our common grief,
What kind of life is that I lead;

And whether trust in things above
  Be dimm'd of sorrow, or sustain'd;
  And whether love for him have drain'd
My capabilities of love;

Your words have virtue such as draws
  A faithful answer from the breast,
  Thro' light reproaches, half exprest,
And loyal unto kindly laws.

My blood an even tenor kept,
  Till on mine ear this message falls,
  That in Vienna's fatal walls
God's finger touch'd him, and he slept.

The great Intelligences fair
  That range above our mortal state,
  In circle round the blessed gate,
Received and gave him welcome there;

And led him thro' the blissful climes,
  And show'd him in the fountain fresh
  All knowledge that the sons of flesh
Shall gather in the cycled times.

But I remained, whose hopes were dim,
  Whose life, whose thoughts were little worth,
  To wander on a darkened earth,
Where all things round me breathed of him.

O friendship, equal poised control,
  O heart, with kindliest motion warm,
  O sacred essence, other form,
O solemn ghost, O crowned soul!

Yet none could better know than I,
  How much of act at human hands
  The sense of human will demands
By which we dare to live or die.

Whatever way my days decline,
  I felt and feel, tho' left alone,
  His being working in mine own,
The footsteps of his life in mine;

A life that all the Muses decked
  With gifts of grace, that might express
  All comprehensive tenderness,
All-subtilising intellect:

And so my passion hath not swerved
  To works of weakness, but I find
  An image comforting the mind,
And in my grief a strength reserved.

Likewise the imaginative woe,
  That loved to handle spiritual strife,
  Diffused the shock thro' all my life,
But in the present broke the blow.

My pulses therefore beat again
  For other friends that once I met;
  Nor can it suit me to forget
The mighty hopes that make us men.

I woo your love: I count it crime
  To mourn for any overmuch;
  I, the divided half of such
A friendship as had master'd Time;

Which masters Time indeed, and is
  Eternal, separate from fears:
  The all-assuming months and years
Can take no part away from this:

But Summer on the steaming floods,
  And Spring that swells the narrow brooks,
  And Autumn, with a noise of rooks,
That gather in the waning woods,

And every pulse of wind and wave
  Recalls, in change of light or gloom,
  My old affection of the tomb,
And my prime passion in the grave:

My old affection of the tomb,
  A part of stillness, yearns to speak:
  'Arise, and get thee forth and seek
A friendship for the years to come.

'I watch thee from the quiet shore;
  Thy spirit up to mine can reach;
  But in dear words of human speech
We two communicate no more.'

And I, 'Can clouds of nature stain
  The starry clearness of the free?
  How is it? Canst thou feel for me
Some painless sympathy with pain?'

And lightly does the whisper fall;
  ''Tis hard for thee to fathom this;
  I triumph in conclusive bliss,
And that serene result of all.'

So hold I commerce with the dead;
  Or so methinks the dead would say;
  Or so shall grief with symbols play
And pining life be fancy-fed.

Now looking to some settled end,
  That these things pass, and I shall prove
  A meeting somewhere, love with love,
I crave your pardon, O my friend;

If not so fresh, with love as true,
  I, clasping brother-hands aver
  I could not, if I would, transfer
The whole I felt for him to you.

For which be they that hold apart
  The promise of the golden hours?
  First love, first friendship, equal powers,
That marry with the ****** heart.

Still mine, that cannot but deplore,
  That beats within a lonely place,
  That yet remembers his embrace,
But at his footstep leaps no more,

My heart, tho' widow'd, may not rest
  Quite in the love of what is gone,
  But seeks to beat in time with one
That warms another living breast.

Ah, take the imperfect gift I bring,
  Knowing the primrose yet is dear,
  The primrose of the later year,
As not unlike to that of Spring.

The shadows sit,
under the words, to torture,
to bring,
perse memories.

A downfall,
precedes,
before the crash of
existence.

Ah, you know,
what makes your saints
blue? The sematic shooting
stars?

The anxiety was,
how to stop thinking
of becoming,
a vigilante.

The mid-night raid
was most unsuccessful attempt
to ****.

with each passing day, I understand less and less, for
who could ever claim to know it all, yet, the simplicity
of our base-ic basest instincts makes evil so easily attractive,
that now, I forgive almost nothing, anyone for the cruelty
inherent in on the surfacial skin of our normalcy, so easily,
revealed, and reveled in, wrecks me, and the poetry
sparks are not doused, but wick and ember shriveled

oh the irony, that foolish me should write of the
commandment to love just as the world displays
old levels of hate historically deep… .I am hated,
to many who would know me only as Jew,
and this refresher course in my brain, reminds me,
that love thy neighbor as thyself, can morph into a
generational opposite, that my former degree of comfort,
beliefs, was only skin deep…and Tolstoy was a naïf, a romantic,
a royal, who hoped for the best in each man, and that
cannot ne achieved for hate is so easy digestible, so sweet a treat
for humans, who desire no compass other than simple baseness
to know which direction to take….

————————————————————————————-
”There can be only one permanent revolution—a moral one; the regeneration of the inner man. How is this revolution to take place? Nobody knows how it will take place in humanity, but every man feels it clearly in himself. And yet in our world everybody thinks of changing humanity, and nobody thinks of changing himself."

Tolstoy

”To perform evil deeds a person must discover “a justification for his actions,” so that he can regard stealing, humiliating and killing as good. “Macbeth’s self-justifications were feeble,” and so conscience restrained him. He had no ideology, Solzhenitsyn observes, nothing like “anti-imperialism” or “decolonization” to allay pangs of guilt. Solzhenitsyn concludes: “Ideology—that is what gives evil-doing its long-sought justification and gives the evil-doer the necessary steadfastness and determination . . . so that he won’t hear reproaches and curses but receive praise and honors.”

**Solzhenitsyn

"Write?
Why would anyone read what I have to say?
What do I have to say?
Right?"

Wrong.

Write.

Write now.
Write long and hard
Think less about the effects
Talk less, walk more
Think more while you walk
Write more than you might
Talk only once it's written
And in the end
You may have penned
A book.

Look, it's not so much more difficult than that
And yes, there could then follow the drawn out process
Of approaching and preparing
Of reproaches and the potential for disparaging comments
No-one will understand you
Or your highly sensitive self.
It will all feel so much like too much
Until you're suddenly quite sure
Authordom is not for you
And you'll turn to leave
By the door which you hesitated to come in by

Shy and disbelieving
Except in your failings and faults
It's a shame you hadn't realised sooner, you think,
That your future as a checkout assistant
Was much more in-line with your ability
And in actual fact you could be
Much more happy
With a simple life -
Why! You'll be a wife!
And have kids and do dishes
And there'll be no more wishes
For fulfilling dreams and desires
At last, you will sigh with relief,
The future's set out
You can hang up your hat
Without too many hang-ups.

You're smiling inside at the thought
Of the life you'll lead almost entirely
In a cottage by the sea
Apron on, looking out of the window
At chickens and hills and the sky;
You'll be happiest baking a cake
Kids roaming free
Dogs by the fire
Husband a farmer (or maybe an artist?)
You'll start making a plan of your kitchen

When....
Mid-turn from the door
The miracle you wanted will occur
And you'll find yourself
3 months down the line
Feeling fine and confident
Hardback in hand
Almost unable to understand
What you were so worried about
Not a doubt in your mind any more
Sure you're sure!
What could be any clearer?
It's obvious all will be well
Can't you tell?

Then they'll ask you the question you'd love to avoid
'Any plans for another?'
And your stomach will leap through your mouth
Land on their paper-backed table
Leave you unable to breathe
Let alone speak
Weakly you'll smile
Wondering
While eyes search your face for an answer
How to place yourself back at the start
Of this endless adventure
With linguistic art

It will always begin again
Every success is impending return
To an uncertain situ
That will sit you back down
With a full head of nothing
And a full empty page
Of promises wishing to be filled
With the words that you feel
You've been told to say
That won’t go away

The most fascinating desires and activities
are often times prohibited,
they demand us to love, to procreate and
then, detach us from this thought,
a need which we occult bellow a
tender, gruesome shade of indignity.
They demand us to work, and gladly we do it,
we are unsatisfied, yet no effort so far has succeeded
and not submitting to the voice is appropriate so long as
you remain unnoticed.
For then you'll be dragged into their cages of insolence,
Are not all but one single being?
How many degrees and efforts are required to rule over
another one's heart?
The heart is its own,
it knows better than anyone else
the solemn, perpetual voice,
amongst the others, escaping breathlessly,
uttering madness.
Yet, after the world has sunken into
a frigid state,
it is there - beating;
even if you try to silence it,
its presence prolongs.
No one is capable of ruling over a mind or heart,
or whatever terminology pleases you,
so long as it is that pure grasp of
eternity's profound breath under your caved chest,
that feeling, that very one,
the one that holds the truths and passings
of existence, yet it remains silent.
Though undecipherable, it is understood,
It is felt.
It does not follow the reproaches of
the mind, for rather,
it governs it,
and entices it in such way,
that it allows it to be free,
the latter speaks a language of its own.

My dear damsel of glaciers and scuttling roaches

In Andean splendor you startle my heart.

Still seeking a summit, your coldness reproaches;

So little I know you – in whole or in part.

Now that winter recedes as the springtime encroaches

Envision a greening of sorcery’s art.

Lighten up, dark enchantress of icy approaches;

I hope and I pray global warming may start…

Does another bad sonnet addressed to her highness

Allow for a thaw to begin in her soul?

Get over your winter of taciturn shyness!

Or is frozen entombment your element, witch?

This old necrophile waits for a smile (or a twitch).

Hell, I’d marry your corpse – but mere friendship’s my goal.

Alone. Between lonely hearts
understanding misunderstood others
with attention, my password
the master key in my genes

Kicking I already did it
not yet capable of anything else
as a baby, as a grownup
no one should unlearn it

no one should claim it
when he feels hurt
by hurt people, wronged
by the world

of sham adults
Come, I'm coming, just swallow
your reproaches
for a kiss

And would it have been better, after all,
after these months full of suggestions
leading all ways to find the one
that would
perhaps
point to a chance
for change in stasis,
running the risk it be
revealed as but another dry oasis
adding to those we left behind?

Would it have been less painful
to postpone, again, the action,
have suffering continue as before
when it appears to have become a habit,
but does not seem, for that,
less of a pain that daily tears your heart?

How to improve the second-best solution,
feeling the best is out of reach for now?
How not to hurt the other,
driven to take the first step
out of tune
in the prevailing dance of possibilities
that threatens to go round and round again?

How to let temporary logic
rule over whispering love,
how to ignore my pain
that looks at me out of your eyes
in shock and disbelief?

How to explain
that I do love you even more, not less -
when your blank look cuts me
in half and lets me know that you
believe old fears have now come true?

So, would it have been better,
after all,
after the pain, the hard words
and the crying, the mutual reproaches,

to have left things unsaid, untouched
and stumbling as they were?

I do not know.

If it turn out
this change was for the worse
and not the better,
I will have learned
maybe you, too
and we can take our steps
into our futures
sadder and wiser
   for all the years
   spent separately
   together

          * *

Oh sweet bird who grants
my dreams, I pray to you
for sweet guidance.
Instill strength, where my memory
proves weak. May my memories
be vivid, and hang thick
where the reproaches of time
may deter them.

“…or if we must be wakeful, cheerful…”
-from St. Thomas More’s evening prayer in A Man for all Seasons

Soft, healing sleep now rolls away, away
One’s senses flicker unreliably
The electronic weather panel glows
The CPAP whispers a leaking-air hissssssss

Awake. And why? The day was cruel enough
And now the night reproaches with things done
And things not done, all mixed in raw reproach
Life-choices laughing, mocking, taunting

Perhaps sleepless Macbeth can tell us why
With mirth displaced, all through these haunted hours

サタン:

and you will know me...
by my reproaches...
my ridicule...

my condescending humour
fabric of riddle...
you will claim to know me
for my love for
the mediocre...
you will come to love me
for my adventure into
your unwillingness...
to.. seize tthe prospect
of... this little adventure we
are demanded to share...
between all.. that's time:
before us!

for as much as i love you...
i'l be the first: to thrist
having to... disgruntle you:
in relation to me...
in relation to that...
awe inspiring! grace!
in who's presence all democracies of men:
decry themselves...
and all return to
the cauldron of:

                  beginning with the heave
of the pyramid...
saved by the sunrise and the song of birds...
can i at least: be... deemed...
a... welcome surprise?
let me just check...
   haven't i been subjected to...
a case... of... identifying wrong...
of a stolen identity?

if i have been...
let the ravens rain down fire: with their
croaking!

The ribbon is cut
The die is cast
The cement is dry
Yet nothing lasts
The brazen rewarded
The hero a fool
All reason outdated
New fury the tool

A journey presented
Your ship to go far
With doldrums eclipsed
By the light of new stars
The lands will seem foreign
The people most strange
But they’ll smile as you pass
And call you by name
You run and you run
And you run from it all
With no map to guide you
The albatross calls
And then sweet intention
Returns from respite
Rephrasing the unmentioned
Where maybe you might
In fear of the tonic
All healing disdained
Right, left-side disjointed
The cork from the drain
The covers pull back
Your bones are now bare
The tiller is slack
And there’s nobody there
So you take to the helm
Hands firmly in place
And you care not a whit
If it’s all empty space
As a raven is perched
On the yardarm so high
A land bird that lurches
Cawing all truth a lie
And you wonder then maybe
Have you wandered too far
As you ladle the future
From a long empty jar
The wind starts to move
A gift from the moon
What’s whole has been halved
And the sun almost noon
The rigging is creaking
The mast ever tall
The wind has died down
With no new ports of call
The feeling still burns
In the fire within
To find that one thing
That unfound—to you sings
The ocean is flat
The seas become calm
The seasons repeat
From reflection embalmed
The night sky is clearest
The darkest the days
The winds have escaped you
Adrift you now stay
But then just a wisp
Of a breeze on your cheek
Portends of a magic
And the vision you seek
It strengthens and gushes
Throughout all the night
As the red sky last evening
Had hinted it might
As the headsails go up
The big linen comes down
And you climb up the mast
Stepping over a frown
The creak of the lapstrake
Splashes over the bow
The present’s in sight
Incarnate right now
You look down on a lifetime
In this moment of joy
As the smell of the brine
Covers anything coy
And an Island approaches
From the mist up ahead
As the stillness reproaches
And retreats to its bed
The wonder returns
All speculation begins
Of the magic you’ll find
In this newness again
At the top of a mountain
Strange trees then appear
In a shape that’s uncertain
Neither familiar nor clear

The closer you get
The more they seem to move
As their shapes become giant
And your hopes then behoove
Now anchored offshore
With the dinghy in place
You can see them more clearly
Each shape and each face
Like monolithic Gods
They reign high on the hill
Looking down on who enter
With a warning that’s shrill
But where are the people
The Island is bare
Just giant stone carvings
That linger and stare
As you land on the beach
The ground starts to shake
And from deep in your heart
The primordial aches
The mountain then trembles
All paths become closed
With the thunder a warning
Any trespasser knows
As you run to the dinghy
Its been stolen and gone
And your ship is now missing
In its place just a song
Calling out in those words
That you already know….

“A price not paid dearly
     is only for show”

You turn back to the mountain
And in an explosion of light
You’re lifted up to the heavens
Spun around in a fright
Then shooting straight downward
Toward the mountain below
With force you are planted
Along monument row
And now that you’ve joined them
All questions abide
The distance and separation
In heaven collide….

“Can I leave, am I destined
   to be left here entombed ?”

And in language you recognize
You hear back so soon
From those pillars immortal
Voices start to be heard
Your welcome now total
Reborn in their words

“You can leave if you want to
  the choice is now yours
  but this mountain goes
  with you
  all places defer
  you’ve reached
  through the mystery
  you’ve passed your own test
  the tonic’s within you
   —the raven has fled”

(Villanova Pennsylvania: July, 2013)

The ribbon is cut
The die is cast
The cement is dry
Yet nothing lasts
The brazen rewarded
The hero a fool
All reason outdated
New fury the tool

A journey presented
Your ship to go far
With doldrums eclipsed
By the light of new stars
The lands will seem foreign
The people most strange
But they’ll smile as you pass
And call you by name
You run and you run
And you run from it all
With no map to guide you
The albatross calls
And then sweet intention
Returns from respite
Rephrasing the unmentioned
Where maybe you might
In fear of the tonic
All healing disdained
Right, left-side disjointed
The cork from the drain
The covers pull back
Your bones are now bare
The tiller is slack
And there’s nobody there
So you take to the helm
Hands firmly in place
And you care not a whit
If it’s all empty space
As a raven is perched
On the yardarm so high
A land bird that lurches
Cawing all truth a lie
And you wonder then maybe
Have you wandered too far
As you ladle the future
From a long empty jar
The wind starts to move
A gift from the moon
What’s whole has been halved
And the sun almost noon
The rigging is creaking
The mast ever tall
The wind has died down
With no new ports of call
The feeling still burns
In the fire within
To find that one thing
That unfound—to you sings
The ocean is flat
The seas become calm
The seasons repeat
From reflection embalmed
The night sky is clearest
The darkest the days
The winds have escaped you
Adrift you now stay
But then just a wisp
Of a breeze on your cheek
Portends of a magic
And the vision you seek
It strengthens and gushes
Throughout all the night
As the red sky last evening
Had hinted it might
As the headsails go up
The big linen comes down
And you climb up the mast
Stepping over a frown
The creak of the lapstrake
Splashes over the bow
The present’s in sight
Incarnate right now
You look down on a lifetime
In this moment of joy
As the smell of the brine
Covers anything coy
And an Island approaches
From the mist up ahead
As the stillness reproaches
And retreats to its bed
The wonder returns
All speculation begins
Of the magic you’ll find
In this newness again
At the top of a mountain
Strange trees then appear
In a shape that’s uncertain
Neither familiar nor clear
The closer you get
The more they seem to move
As their shapes become giant
And your hopes then behoove
Now anchored offshore
With the dinghy in place
You can see them more clearly
Each shape and each face
Like monolithic Gods
They reign high on the hill
Looking down on who enter
With a warning that’s shrill
But where are the people
The Island is bare
Just giant stone carvings
That linger and stare
As you land on the beach
The ground starts to shake
And from deep in your heart
The primordial aches
The mountain then trembles
All paths become closed
With the thunder a warning
Any trespasser knows
As you run to the dinghy
Its been stolen and gone
And your ship is now missing
In its place just a song
Calling out in those words
That you already know….

“A price not paid dearly
     is only for show”

You turn back to the mountain
And in an explosion of light
You’re lifted up to the heavens
Spun around in a fright
Then shooting straight downward
Toward the mountain below
With force you are planted
Along monument row
And now that you’ve joined them
All questions abide
The distance and separation
In heaven collide….

“Can I leave, am I destined
   to be left here entombed ?”

And in language you recognize
You hear back so soon
From those pillars immortal
Voices start to be heard
Your welcome now total
Reborn in their words

“You can leave if you want to
  the choice is now yours
  but this mountain goes
  with you
  all places defer
  you’ve reached
  through the mystery
  you’ve passed your own test
  the tonic’s within you
   —the raven has fled”

(Villanova Pennsylvania: July, 2013)

I will not say
that my life was a shipwreck,
because I never forget to bring a pious tribute,
I'm always humming, even in the lifeboat,
singing in sad verses, but with so much fervor;
that for your rose I wanted to go back,
but the door was already closed.
And your pictures...
I put them in a scrapbook,
hoping not to seek love in reproaches,
in indifference, and I am able to make
my kind of review of life,
which in appearance should be clear,
without any minimal error,
wanting to be the only ambassador
of your heart and your body.

I will not say
that my shy eyes have also loved your eyes
from the first day of the spring when we met,
that through red roses and blooming bushes
secrets were lost in the air,
winking from the back of some delicate leaves,
and I saw two fireflies dancing,
trying to apologize for spreading the love
among the hopeless,
those who were rolling their tears of rain
in their exuberance,
softened by the perfume of the night
until it cracked for a new day,
with cheery souls,
wanting to make innocent jokes.

I will not say
that my elegant, velvety hand,
with tanned skin now, like bitter chocolate
cracks its unhappiness like a too heavy satchel,
and leaves it as a warranty in the desert of monotony,
that my hair was like the feathers of a croaking raven,
but invisible spiders put their laces around my eyes,
while I had my lips whispering your name, sighing forever,  
loaded with a tone of sincere, tender syllables.

But I'm gonna tell you
I've been snoozing in the abyss of love
and this caused us a temporary blindness
in the heart and reason,
and without wanting,
two tears that have been restrained for so long,
one of yours, one of mine,
made our souls united,
and we thought we were able to go both further,
not knowing whether, how, when, where
to play one last card.