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This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Big Virge Oct 2014
Folks It Is A ... " Fine Line " ... !!!
That ... CLEARLY DEFINES ...
The Road That I Walk ...
With Words That I Rhyme ...

Cos' Words That I Talk May See Me In Court ... !!!
WITHOUT Sean Or ... " Just Cause " ... !!!

Because of YES THEM Those In Governments ...
And Those Who They Send ...
To Enforce ... POOR Judgements ... !!!!!

But Of Course They'll Contend ...
That My Wordplay ... OFFENDS ...
And May Well STIR UP TROUBLE ...
And Cause .... " VIOLENCE " .... !!!!!

But It's Okay For THEM To Say What They Like ... !???!
And Declare Their War Fights As Forms of Defence ...
When Plans They Design Keep Causing PROBLEMS ... !!?!!

Well It Doesn't Seem Like Their Actions Are Right ... !?!
When Every News Night The Things In Our Sight ...
KEEP Showing Us VISIONS of People Who ... DIE ... !!!!!

Now That's A Fine Line I Have Re-Designed ...
From Princes' Great Song The ... " Sign 'o' The Times " ... !!!

So Don't Get Me Wrong My Lines Are Refined ...
And Clearly BELONG Where Fine Lines RECLINE ... !!!

Each Line That I Write Proves My Mind Is Inclined ...
To Write About Crimes Affecting Our lives ....

And It Is A Fine Line That Helps Me To FIND ...
A Way To  Express My Anger And Stress ...
About How We TRY To Do What Is RIGHT ... !!!!

But What Does This Mean ... ?!?
In A World So ... UNCLEAN ... !!!!!

What Do We Stand For ... ?
When Going To ... WAR ... !?!

We Should Take A .................
.............................................

...... Pause ..............

And THINK of Our Cause ...
Is Making Blood POUR ....
What We're Really Here For ... ?!!!?

If You're Thinking ... YES ...
Are You .... REALLY SURE .... ???

How Would You Feel ... ?
If The Blood Poured Was ... YOURS ... !!!

Or Someone YOU LOVED ... !!!
And REALLY ... CARED FOR ... !!!!!!

Well As These Lines State ...

It Is A Thin Line Between YES ...
...... " Love and Hate " ......

But Hating For REAL ...
WON'T Help Us ... Relate ... !!!

These Days It's Quite CLEAR The Dangers of FEAR ... !!!!!
But That's Nothing New The Past's Given Clues ...
of How IGNORANCE Fuels Individuals To USE ...
Torture And Abuse Through Crews Filled With FOOLS ...
Who THINK ... Hatred IS COOL ... !!!!?!!!!

Well Hatred Profiled ...
Does NOT Lead To Smiles ...

It Leads To A Place ...
That's NOT Quite So Great ...
And Leads Us Through Leaders ...
Who Like To .... DICTATE ....

Like Those Around NOW .... !!!
Who Want To CLAMP DOWN ...
On People Like Me ....
Whose Wordplay's So Neat ...

That .... Our Poetry ....
Gives Policemen A Beat ...
That Makes Them ... RETREAT ... !!!!!

See What I Mean ... !!!

My Poetry Seams Are Suitably Clean ...
And Walk A Fine Line of Quality Rhymes ...
That ... BYPASS Extremes ... !!!

Because They're Inclined To UNIFY Minds ....
See That's How I'd Like My Wordplay DEFINED ... !!!

Speaking Your Mind Should NOT BE A Crime ... !!!
UNLESS What You Say Divides And Spreads HATE ... !!!

I'd Rather Spread LOVE ...
Through Kisses And Hugs ... !!!
While Most Now Indulge ...
In Acting Like THUGS ...
And Taking HARD DRUGS ...
When They've Had Quite ENOUGH ... !!!!!

People Like THESE ...
Make Me Want To CUSS ... !!!!!!!

But These Days I'm TRYING ...
To ... Rise uP ABOVE ....
These ... Wannabee Thugs ... !!!

Who Spread Talk of Dying ...
Cos' Their Words NEED ... !!!

....... " REFINING " ....... !!!!!!

Things You Put Out ...
Come Back Son DON'T DOUBT ... !!!!!

Now That's A ... FINE LINE ...
That's Got ... LOTS of CLOUT ... !!!
So Think CAREFULLY ... !!!
BEFORE ... Running Your Mouth ... !!!!!

Fine Lines That I Write of Upsetting Designs ...
Are NOT To Start Fights So REMEMBER That Line ... !!!

They May Cause Offence ...
And May Cause Arguments ...
But USE .... COMMON SENSE ...
And REJECT ... VIOLENCE ... !!!

Keep A Cool Head ...
Like Des Dekker Said ... !!!!!

Then Pick Up A PEN ...
Rather Than Make Attempts ...
To Bring Me DISTRESS .... !!!!!!!
Cos' You Want To SUPPRESS
A View I've Expressed ...
That's Left You ... UPSET ... !!!!!

THAT Message Is SENT ...
To Those ... JEALOUS Gents ...
Who Think They're The BEST ...
At Writing Fine Lines ...
With Words That They Rhyme ... !!!

Well CLEARLY They're BLIND ... !!!
And ... OUT of Their Mind ... !!!!!!
To Think That Their Rhymes ...
Are ... BETTER Than MINE ...  ?!?

Those Causing Us STRESS ...
Are Those In GOVERNMENTS ... !!!

They PLAN To DIVIDE ...
NOT See Us ... " UNITE " ... !!!!!

THINK About That ...
Before Starting FIGHTS ... !!!!!

Black On Black Crime ...
Has Been ... LONG DESIGNED ...

Don't You  Think It's Time ...  ?!?
We Start To Fight THEM ... ?!?!?
And Their BOGUS Systems ... !!!

That's Where I Will END This Simple Poem ...  

Cos' ...

Words In Those Lines ...
May Cause Me PROBLEMS ... !!!!!

Even Though Their JUST Rhymes
That Flow And DEFINE ...
How The Words I Transcribe ...

REALLY WALK ...

.... " A Fine Line " ....
An early foray into rhyming, that delves into a number of interesting subjects ......
Big Virge Mar 2017
I ... REALLY LOVE ... *** ...
ESPECIALLY with ... My New girlfriend ... !!!

I Love ... women ...
but really can't be doing ....
with ... Arguments ... !!!

That's why ... My ... " Pen " ...
is my ... New girlfriend ...

We make ... " Love " ...
and Love the touch ...
of pen to page ....

When we ... Engage ...
It feels just like ...
A ... ****** High ...

NO ... NOT That Way ... !!!
You've got a ... SICK BRAIN ... !!!!!

There's Nothing ... quite like
**** ... Feminine Thighs ... !!!
but ... after *** ...
and ... Cigarettes ...

Some girls give ... STRESS ...
to their ... boyfriends ... !!! ...

That's why I like ...
to ... sit and write ...

Because ........

I Don't get stressed ...
by my ... New Girlfriend ...

Her name ... is ... " Pen " ...

NOT ... Penny ...
or ... Penelope ... !!!

Should I ...
say it again ... ?

My ... " Pen " ... is now
My New ... girlfriend ...
and YES ... we have ...
INCREDIBLE ... *** ... !!!!!!

The kind of ***
WITHOUT ... the stress ...
of ...... *** ......
or other types of ... STD's ... !!!!!

*** like this ...
is ... TRULY ... Bliss ... !!!

NO Condoms ...
and NO ... Colons ... !!!!!!!!!

Except ... for those ...
that fit in ... Prose ...

So ... NO ******* ...
and NO ... Mistakes ... !!!

Helping us to ... avoid ...
Long Term ... Headaches ... !!!

But ... EVEN If ...
by chance ... they do ...

Trust in this ... !!!

They're just ... " Removed " ...
Without ... tissues ... !!!

Or ... with trips ...
to ... " THOSE " ... Clinics ... !!!!!

If ... During ...
or ... because of ... *** ...
We make a ... Mistake ...

NO ... Pregnancy tests ... !!!
or ... Arguments ...

Our friend ... " Tipp-Ex " ...
is our ... " Best Mate " ...
Just like ... THAT ...
Mistake ... ERASED ... !!!!!!!!!!

I'm telling you ... Straight ...
Our *** is ... GREAT ... !!! ...

I think that ... Pen's ...
My New ... " Soulmate " ... !!!!!

She's ... " Tall and slim " ...
and at a ... " Whim " ...
Can change the colour ...
of her ... Skin ...

And ............... If I think ...
She's a bit .... " TOO BIG " ... !!!

She Doesn't ... fume ...
if she gets ... Ditched ...
for ... Another Pen ...
I choose to ... " Pick " ...

This simply is ...
The way of things ...
in our ... *** Relationship ...

" IT'S ... ONLY *** ! "

is what she says .........

but makes sure that ...
it's NEVER ... Bad ...
when she's attached ...
to my ... " Notepad " ... !!!!!!

She's ... QUALITY ... man ... !!!!!
and i'm ... SO GLAD ...
that she ... " Found Me " ...
Through ... " Poetry " ...

She told me ....

" Virge, I love your rap ... !!! "

but then ... Of course ...
I answered back ...

"Come on now Pen,
It's not just rap !
Don't get it confused
like certain crews !
This is something
Beautiful !
What we do,
leaves people moved,
just like you,
whenever you choose,
to *** it up,
in my front room !!!"

She simply said,

"Big Virge that's true !
How about this view ?
Your way with words
makes our love work !"

I'm ... Telling You ...... !!!

She's a ... SPECIAL ... girl ...
who makes me feel ...
On ... TOP OF THE WORLD ... !!!!!

She loves me with ...
Her heart ... FREELY ... !!!!!

and chooses to ....
Just .... let me be ........

Until it's time ...
to just ... recline ...
and let our souls ...
Make Love ... through scrolls ...

It's MORE THAN ... *** ...
when this .... Unfolds ......................

NO GIRL ... provides ...
Such ... " Loving " ... vibes ...
WITHOUT ... " Conditions " ...

That's ... THE CRIME ... !!!!!

Whenever I write ...
It's a ... JOYOUS ... Ride ... !!!

Even when ...
My Anger ... finds ...
A place within ....

" Poetic " ... lines ...

But ... EVEN ... then ...
" My Pen " ... Still Shines ... !!!!!

and let's me know ...

" Hey Virge it's fine
I'll Love You til',
the day you die !"

She is ..."  My LIGHT " ...
and my ... SUNSHINE ... !!!!!
and is ... " The Love " ...
that ... FILLS ... My Life ... !!!!!!

When I just .......... sit ...........
and HOLD ........ " My Pen " .......

She ALWAYS sends ...
My brain ... these scripts ...
that ... in the end ...
are ... Celestial Gifts ... !!!!!!!!!!

Negative ... or ... Positive
The balance reached ....

REJECTS ... needless
........... Vanity .........

but Welcomes ... MORE ...
.......... Humility ..........

That;s why ... The *** ...
is ... SO **** GOOD ... !!!!!

because ... My Pen ....
will NOT BE .... " Pulled " ...
Away from ... ME ...
for Cars ... Babies ...
or .... BIG MONEY .... !!!

She just ... " LOVES ME " ...
Through ... " Poetry " ...

Like My Mother ...
did ... DAILY ...

From ... UP ABOVE ...
These days ... My Mum's ...
STILL LOVING ... Me ...
Through ... " My Pen " ...

UNCONDITIONALLY ... !!!!!!

So ... NO WOMEN ...
NO ... Arguments ...

Just .....

Me and ... " My Pen " ...
as .... " ****** Friends " ...

Until ... I FIND ...
within ... " This World " ...

A Truly ... **** ...
SPECIAL Girl ...

Who ... in the end ...
when we're in ... Bed ...

Makes me ... " Feel " ...
just like ... " My Pen " ...

and makes these words ...
run through ... " My Head " ...

Because of her ... WOW ...

I Really ... Love *** ... !!!!!!!!!
As far from *** as you could imagine, but my love for this art is expressed in this piece
Crinoline filaments
Rolling over and over
Mid-flight the ochre velvet ribbons sailed to the left
Instead of to the right
Two feet retreating
But with one shoe on

Memory returns
For a few seconds of
the calamity
At that private house in Paris
She’d tumbled down the central staircase
Sailing with legs overhead
until she stopped miraculously with her ***
at the shining leather toes of the footman.
He kept his head up.
She wore a beautiful dress.
Her hair was quite precise and she hoped that that would be a sufficient enough apology towards an empty silence.

But this isn’t that.
I shoved her.
And she went willingly. They all do.
We’re roughly a group of fifty-three.

Gathering in the last few years
Whispering over drinks
of tumors
And vascular difficulties
Of pills and appointments and forgetfulness
They never mentioned that
In those climate controlled rooms with
Blackboards covered in Latin and Trigonometry
Of the body’s failure.
Now there’s no longer any mention made of the kids
or whether or not that husband was worth the bother

Did we notice atop
The balance beam not a peep was mentioned
About the moment when you can no longer walk or stand?
That the brain asks please but the body will not comply?
How cool the marbled floor feels against your cheek while you lay for hours in your own feces?
One can rest comfortably knowing at long last that that wallpaper was the right choice.
Kept one really engaged while waiting and waiting for someone.
And that is just the beginning, right?

Perhaps some assumed that the end would come with a daily circle reviewing the contents of their chamber ***
Grimacing and worn
While they recline in white nightclothes
Something akin to what they saw on the BBC

Perhaps a startled disquiet at the rebuke of their intent and gamely stares from a premiere specialist in Switzerland
an expert in alternative therapies
for what someone dared call
terminal
Anyway, this is quicker.

So we’ve come together
As sisters
And when the time is right I get the call
We go onto the roof
There’s an elevator now because
Otherwise that wouldn’t work
And one by one
In small batches
They are dispatched
It doesn’t take as long as you would think
We are confident and have agency
We were taught that we could do anything
And they are right.

The ones with a lot of metal can be a bit tricky
They have balance issues
But are always chic and always polite
There was a time when we were forced to be together when we clearly did not want to.
We never thought as one.
Some families are better than others.
But everything is different now

One day it will be my turn and
I wonder who will deliver me?
And what shall I wear?
Will I try to see where I’m going or will I rest comfortably in my finale.

I adore the way the wind catches the cloth.
How the crystalline beads are removed around the neck and handed over
so as not to add to any distraction
Or delay
The pinky coral mouthed “Thank you” and
And the sweet eyes that once were bright and shining say their
Goodbyes
Rippling
twirling
looping
interweaving
cascading
Down.
Nigel Morgan Oct 2012
The courtesan and poet Zuo Fen had two cats Xe Ming and Xi Ming. Living in her distant court with only her maid Hu Yin, her cats were often her closest companions and, like herself, of a crepuscular nature.
      It was the very depths of winter and the first moon of the Solstice had risen. The old year had nearly passed.
      The day itself was almost over. Most of the inner courts retired before the new day began (at about 11.0pm), but not Zuo Fen. She summoned her maid to dress her in her winter furs, gathered her cats on a long chain leash, and walked out into the Haulin Gardens.
      These large and semi-wild gardens were adjacent to the walls of her personal court. The father of the present Emperor had created there a forest once stocked with game, a lake to the brim with carp and rich in waterfowl, and a series of tall structures surrounded by a moat from which astronomers were able to observe the firmament.
      Emperor Wu liked to think of Zuo Fen walking at night in his father’s park, though he rarely saw her there. He knew that she valued that time alone to prepare herself for his visits, visits that rarely occurred until the Tiger hours between 3.0am and 6.0am when his goat-drawn carriage would find its way to her court unbidden. She herself would welcome him with steaming chai and sometimes a new rhapsody. They would recline on her bed and discuss the content and significance of certain writings they knew and loved. Discussion sometimes became an elaborate game when a favoured Classical text would be taken as the starting point for an exchange of quotation. Gradually quotation would be displaced by subtle invention and Zuo Fen would find the Emperor manoeuvring her into making declarations of a passionate or ****** nature.
       It seemed her very voice captivated him and despite herself and her inclinations they would join as lovers with an intensity of purpose, a great tenderness, and deep joy. He would rest his head inside her cloak and allow her lips to caress his ears with tales of river and mountain, descriptions of the flights of birds and the opening of flowers. He spoke to her ******* of the rising moon, its myriad reflections on the waters of Ling Lake, and of its trees whose winter branches caressed the cold surface.

Whilst Zuo Fen walked in the midnight park with her cats she reflected on an afternoon of frustration. She had attempted to assemble a new poem for her Lord.  Despite being himself an accomplished poet and having an extraordinary memory for Classical verse, the Emperor retained a penchant for stories about Mei-Lim, a young Suchan girl dragged from her family to serve as a courtesan at his court.
      Zuo Fen had invented this girl to articulate some of her own expressions of homesickness, despair, periods of constant tearfulness, and abject loneliness. Such things seemed to touch something in the Emperor. It was as though he enjoyed wallowing in these descriptions and his favourite A Rhapsody on Being far from Home he loved to hear from the poet’s own lips, again and again. Zuo Fen felt she was tempting providence not to compose something new, before being ordered to do so.
      As she struggled through the afternoon to inject some fresh and meaningful content into a story already milked dry Zuo Fen became aware of her cats. Xi Ming lay languorously across her folded feet. Xe Ming perched like an immutable porcelain figure on a stool beside her low writing table.
Zuo Fen often consulted her cats. ‘Xi Ming, will my Lord like this stanza?’

“The stones that ring out from your pony’s hooves
announce your path through the cloud forest”


She would always wait patiently for Xi Ming’s reply, playing a game with her imagination to extract an answer from the cinnamon scented air of her winter chamber.
      ‘He will think his pony’s hooves will flash with sparks kindling the fire of his passion as he prepares to meet his beloved’.
      ‘Oh such a wise cat, Xi Ming’, and she would press his warm body further into her lap. But today, as she imagined this dialogue, a second voice appeared in her thoughts.
      ‘Gracious Lady, your Xe Ming knows his under-standing is poor, his education weak, but surely this image, taken as it is from the poet Lu Ji, suggests how unlikely it would be for the spark of love and passion to take hold without nurture and care, impossible on a hard journey’.
       This was unprecedented. What had brought such a response from her imagination? And before she could elicit an answer it was as though Xe Ming spoke with these words of Confucius.

“Do not be concerned about others not appreciating you, be concerned about you not appreciating others”

Being the very sensible woman she was, Zuo Fen dismissed such admonition (from a cat) and called for tea.

Later as she walked her beauties by the frozen lake, the golden carp nosing around just beneath the ice, she recalled the moment and wondered. A thought came to her  . . .
       She would petition Xe Ming’s help to write a new rhapsody, perhaps titled Rhapsody on the Thought of Separation.

Both Zuo Fen’s cats came from her parental home in Lingzhi. They were large, big-***** mountain cats; strong animals with bear-like paws, short whiskered and big eared. Their coats were a glassy grey, the hairs tipped with a sprinkling of white giving the fur an impression of being wet with dew or caught by a brief shower.
       When she thought of her esteemed father, the Imperial Archivist, there was always a cat somewhere; in his study at home, in the official archives where he worked. There was always a cat close at hand, listening?
       What texts did her father know by heart that she did not know? What about the Lu Yu – the Confucian text book of advice and etiquette for court officials. She had never bothered to learn it, even read it seemed unnecessary, but through her brother Zuo Si she knew something of its contents and purpose.

Confucius was once asked what were the qualifications of public office. ‘Revere the five forms of goodness and abandon the four vices and you can qualify for public office’.
       For the life of her Zuo Fen could not remember these five forms of goodness (although she could make a stab at guessing them). As for those vices? No, she was without an idea. If she had ever known, their detail had totally passed from her memory.
       Settled once again in her chamber she called Hu Yin and asked her to remove Xi Ming for the night. She had three hours or so before the Emperor might appear. There was time.
        Xe Ming was by nature a distant cat, aloof, never seeking affection. He would look the other way if regarded, pace to the corner of a room if spoken to. In summer he would hide himself in the deep undergrowth of Zuo Fen’s garden.
       Tonight Zuo Fen picked him up and placed him on her left shoulder. She walked around her room stroking him gently with her small strong fingers, so different from the manicured talons of her colleagues in the Purple Palace. Embroidery, of which she was an accomplished exponent, was impossible with long nails.
       From her scroll cupboard she selected her brother’s annotated copy of the Lun Yu, placing it unrolled on her desk. It would be those questions from the disciple Tzu Chang, she thought, so the final chapters perhaps. She sat down carefully on the thick fleece and Mongolian rug in front of her desk letting Xe Ming spill over her arms into a space beside her.
       This was strange indeed. As she sat beside Xe Ming in the light of the butter lamps holding his flickering gaze it was as though a veil began to lift between them.
       ‘At last you understand’, a voice appeared to whisper,’ after all this time you have realised . . .’
      Zuo Fen lost track of time. The cat was completely motionless. She could hear Hu Yin snoring lightly next door, no doubt glad to have Xi Ming beside her on her mat.
      ‘Xe Ming’, she said softly, ‘today I heard you quote from Confucius’.
      The cat remained inscrutable, completely still.
      ‘I think you may be able to help me write a new poem for my Lord. Heaven knows I need something or he will tire of me and this court will cease to enjoy his favour’.
      ‘Xe Ming, I have to test you. I think you can ‘speak’ to me, but I need to learn to talk to you’.
      ‘Tzu Chang once asked Confucius what were the qualifications needed for public office? Confucius said, I believe, that there were five forms of goodness to revere, and four vices to abandon’.
       ‘Can you tell me what they are?’
      Xe Ming turned his back on Zuo Fen and stepped gently away from the table and into a dark and distant corner of the chamber.
      ‘The gentle man is generous but not extravagant, works without complaint, has desires without being greedy, is at peace, but not arrogant, and commands respect but not fear’.
      Zuo Fen felt her breathing come short and fast. This voice inside her; richly-texture, male, so close it could be from a lover at the epicentre of a passionate entanglement; it caressed her.
      She heard herself say aloud, ‘and the four vices’.
      ‘To cause a death or imprisonment without teaching can be called cruelty; to judge results without prerequisites can be called tyranny; to impose deadlines on improper orders can be thievery; and when giving in the procedure of receipt and disbursement, to stint can be called officious’.
       Xe Ming then appeared out of the darkness and came and sat in the folds of her night cloak, between her legs. She stroked his glistening fur.
       Zuo Fen didn’t need to consult the Lu Yu on her desk. She knew this was unnecessary. She got to her feet and stepped through the curtains into an antechamber to relieve herself.
       When she returned Xe Ming had assumed his porcelain figure pose. So she gathered a fresh scroll, her writing brushes, her inks, her wax stamps, and wrote:

‘I was born in a humble, isolated, thatched house,
and was never well versed in writing.
I never saw the marvellous pictures of books,
nor had I heard of the classics of earlier sages.
I am dimwitted, humble and ignorant . . ‘


As she stopped to consider the next chain of characters she saw in her mind’s eye the Purple Palace, the palace of the concubines of the Emperor. Sitting next to the Purple Chamber there was a large grey cat, its fur sprinkled with tiny flecks of white looking as though the animal had been caught in a shower of rain.
       Zuo Fen turned from her script to see where Xe Ming had got to, but he had gone. She knew however that he would always be there. Wherever her imagination took her, she could seek out this cat and the words would flow.

Before returning to her new text Zuo Fen thought she might remind herself of Liu Xie’s words on the form of the Rhapsody. If Emperor Wu appeared later she would quote it (to his astonishment) from The Literary Mind and the Carving of Dragons.

*The rhapsody derives from poetry,
A fork in the road, a different line of development;
It describes objects, pictures and their appearance,
With a brilliance akin to sculpture and painting.
What is clogged and confined it invariably opens up;
It depicts the commonplace with unbounded charm;
But the goal of the form is of beauty well ordered,
Words retained for their loveliness when weeds have been cut away.
Sam Hawkins Apr 2013
What we have named Fire Escape
(an ordered, angular tangle of ladders and rail)
had made picture geometries in my west window
well-framed and flat--set foreground and background
in two dimensions, as the sun hid,
and my round eye opened.

What we have named Fire Escape
was flaked-paint brown orange, as if
first it had been born of a flame
and then had taken up living as metal--
tempered itself into usefulness,
which I should trust now, in case of the yelling
and the engines.

What we have named Fire Escape
was happy Jungle Jim or Jungle for Jane
for the sparrows I saw this morning
which flitted and wildly played
within, rising up
arched and back again.

Made of the square pairs of ladder rungs--
a tunnel entrance or ducking posts,
or highway bridges to clear;
the birds like small plane, daredevil pilots
each following each, going under.
No sparrow would ever crash.

And what is this I remember now?
How one bird eased its engine and perched there to stay?
As if to offer me, with a little turn of head gesture--
a thank you, for the bread I'd left on the sill? Or to say  
I'd better shut the curtain and make my exit?

Either prideful guess gets me nowhere fast.
Failed even is speaking in any sparrow languages
from my recline stuffed chair; again, but now imagined,
to draw beady eyes to fix on me, telling me much less.

That morning, with the very last sparrow gone,
I remember that nothing in my sight moved,
save an American flag at a distance in the wind,
with its one red-white striped wing
waving toward the cold north,
as the white church spire,
framed in open quadrilaterals,
held its position.
written and posted a few hours before the Boston Marathon Bombing, Monday April 15th, 2013
O, for that warning voice, which he, who saw
The Apocalypse, heard cry in Heaven aloud,
Then when the Dragon, put to second rout,
Came furious down to be revenged on men,
Woe to the inhabitants on earth! that now,
While time was, our first parents had been warned
The coming of their secret foe, and ’scaped,
Haply so ’scaped his mortal snare:  For now
Satan, now first inflamed with rage, came down,
The tempter ere the accuser of mankind,
To wreak on innocent frail Man his loss
Of that first battle, and his flight to Hell:
Yet, not rejoicing in his speed, though bold
Far off and fearless, nor with cause to boast,
Begins his dire attempt; which nigh the birth
Now rolling boils in his tumultuous breast,
And like a devilish engine back recoils
Upon himself; horrour and doubt distract
His troubled thoughts, and from the bottom stir
The Hell within him; for within him Hell
He brings, and round about him, nor from Hell
One step, no more than from himself, can fly
By change of place:  Now conscience wakes despair,
That slumbered; wakes the bitter memory
Of what he was, what is, and what must be
Worse; of worse deeds worse sufferings must ensue.
Sometimes towards Eden, which now in his view
Lay pleasant, his grieved look he fixes sad;
Sometimes towards Heaven, and the full-blazing sun,
Which now sat high in his meridian tower:
Then, much revolving, thus in sighs began.
O thou, that, with surpassing glory crowned,
Lookest from thy sole dominion like the God
Of this new world; at whose sight all the stars
Hide their diminished heads; to thee I call,
But with no friendly voice, and add thy name,
Of Sun! to tell thee how I hate thy beams,
That bring to my remembrance from what state
I fell, how glorious once above thy sphere;
Till pride and worse ambition threw me down
Warring in Heaven against Heaven’s matchless King:
Ah, wherefore! he deserved no such return
From me, whom he created what I was
In that bright eminence, and with his good
Upbraided none; nor was his service hard.
What could be less than to afford him praise,
The easiest recompence, and pay him thanks,
How due! yet all his good proved ill in me,
And wrought but malice; lifted up so high
I sdeined subjection, and thought one step higher
Would set me highest, and in a moment quit
The debt immense of endless gratitude,
So burdensome still paying, still to owe,
Forgetful what from him I still received,
And understood not that a grateful mind
By owing owes not, but still pays, at once
Indebted and discharged; what burden then
O, had his powerful destiny ordained
Me some inferiour Angel, I had stood
Then happy; no unbounded hope had raised
Ambition!  Yet why not some other Power
As great might have aspired, and me, though mean,
Drawn to his part; but other Powers as great
Fell not, but stand unshaken, from within
Or from without, to all temptations armed.
Hadst thou the same free will and power to stand?
Thou hadst: whom hast thou then or what to accuse,
But Heaven’s free love dealt equally to all?
Be then his love accursed, since love or hate,
To me alike, it deals eternal woe.
Nay, cursed be thou; since against his thy will
Chose freely what it now so justly rues.
Me miserable! which way shall I fly
Infinite wrath, and infinite despair?
Which way I fly is Hell; myself am Hell;
And, in the lowest deep, a lower deep
Still threatening to devour me opens wide,
To which the Hell I suffer seems a Heaven.
O, then, at last relent:  Is there no place
Left for repentance, none for pardon left?
None left but by submission; and that word
Disdain forbids me, and my dread of shame
Among the Spirits beneath, whom I seduced
With other promises and other vaunts
Than to submit, boasting I could subdue
The Omnipotent.  Ay me! they little know
How dearly I abide that boast so vain,
Under what torments inwardly I groan,
While they adore me on the throne of Hell.
With diadem and scepter high advanced,
The lower still I fall, only supreme
In misery:  Such joy ambition finds.
But say I could repent, and could obtain,
By act of grace, my former state; how soon
Would highth recall high thoughts, how soon unsay
What feigned submission swore?  Ease would recant
Vows made in pain, as violent and void.
For never can true reconcilement grow,
Where wounds of deadly hate have pierced so deep:
Which would but lead me to a worse relapse
And heavier fall:  so should I purchase dear
Short intermission bought with double smart.
This knows my Punisher; therefore as far
From granting he, as I from begging, peace;
All hope excluded thus, behold, in stead
Mankind created, and for him this world.
So farewell, hope; and with hope farewell, fear;
Farewell, remorse! all good to me is lost;
Evil, be thou my good; by thee at least
Divided empire with Heaven’s King I hold,
By thee, and more than half perhaps will reign;
As Man ere long, and this new world, shall know.
Thus while he spake, each passion dimmed his face
Thrice changed with pale, ire, envy, and despair;
Which marred his borrowed visage, and betrayed
Him counterfeit, if any eye beheld.
For heavenly minds from such distempers foul
Are ever clear.  Whereof he soon aware,
Each perturbation smoothed with outward calm,
Artificer of fraud; and was the first
That practised falsehood under saintly show,
Deep malice to conceal, couched with revenge:
Yet not enough had practised to deceive
Uriel once warned; whose eye pursued him down
The way he went, and on the Assyrian mount
Saw him disfigured, more than could befall
Spirit of happy sort; his gestures fierce
He marked and mad demeanour, then alone,
As he supposed, all unobserved, unseen.
So on he fares, and to the border comes
Of Eden, where delicious Paradise,
Now nearer, crowns with her enclosure green,
As with a rural mound, the champaign head
Of a steep wilderness, whose hairy sides
Access denied; and overhead upgrew
Insuperable height of loftiest shade,
Cedar, and pine, and fir, and branching palm,
A sylvan scene, and, as the ranks ascend,
Shade above shade, a woody theatre
Of stateliest view. Yet higher than their tops
The verdurous wall of Paradise upsprung;                        

Which to our general sire gave prospect large
Into his nether empire neighbouring round.
And higher than that wall a circling row
Of goodliest trees, loaden with fairest fruit,
Blossoms and fruits at once of golden hue,
Appeared, with gay enamelled colours mixed:
On which the sun more glad impressed his beams
Than in fair evening cloud, or humid bow,
When God hath showered the earth; so lovely seemed
That landskip:  And of pure now purer air
Meets his approach, and to the heart inspires
Vernal delight and joy, able to drive
All sadness but despair:  Now gentle gales,
Fanning their odoriferous wings, dispense
Native perfumes, and whisper whence they stole
Those balmy spoils.  As when to them who fail
Beyond the Cape of Hope, and now are past
Mozambick, off at sea north-east winds blow
Sabean odours from the spicy shore
Of Araby the blest; with such delay
Well pleased they slack their course, and many a league
Cheered with the grateful smell old Ocean smiles:
So entertained those odorous sweets the Fiend,
Who came their bane; though with them better pleased
Than Asmodeus with the fishy fume
That drove him, though enamoured, from the spouse
Of Tobit’s son, and with a vengeance sent
From Media post to Egypt, there fast bound.
Now to the ascent of that steep savage hill
Satan had journeyed on, pensive and slow;
But further way found none, so thick entwined,
As one continued brake, the undergrowth
Of shrubs and tangling bushes had perplexed
All path of man or beast that passed that way.
One gate there only was, and that looked east
On the other side: which when the arch-felon saw,
Due entrance he disdained; and, in contempt,
At one flight bound high over-leaped all bound
Of hill or highest wall, and sheer within
Lights on his feet.  As when a prowling wolf,
Whom hunger drives to seek new haunt for prey,
Watching where shepherds pen their flocks at eve
In hurdled cotes amid the field secure,
Leaps o’er the fence with ease into the fold:
Or as a thief, bent to unhoard the cash
Of some rich burgher, whose substantial doors,
Cross-barred and bolted fast, fear no assault,
In at the window climbs, or o’er the tiles:
So clomb this first grand thief into God’s fold;
So since into his church lewd hirelings climb.
Thence up he flew, and on the tree of life,
The middle tree and highest there that grew,
Sat like a cormorant; yet not true life
Thereby regained, but sat devising death
To them who lived; nor on the virtue thought
Of that life-giving plant, but only used
For prospect, what well used had been the pledge
Of immortality.  So little knows
Any, but God alone, to value right
The good before him, but perverts best things
To worst abuse, or to their meanest use.
Beneath him with new wonder now he views,
To all delight of human sense exposed,
In narrow room, Nature’s whole wealth, yea more,
A Heaven on Earth:  For blissful Paradise
Of God the garden was, by him in the east
Of Eden planted; Eden stretched her line
From Auran eastward to the royal towers
Of great Seleucia, built by Grecian kings,
Of where the sons of Eden long before
Dwelt in Telassar:  In this pleasant soil
His far more pleasant garden God ordained;
Out of the fertile ground he caused to grow
All trees of noblest kind for sight, smell, taste;
And all amid them stood the tree of life,
High eminent, blooming ambrosial fruit
Of vegetable gold; and next to life,
Our death, the tree of knowledge, grew fast by,
Knowledge of good bought dear by knowing ill.
Southward through Eden went a river large,
Nor changed his course, but through the shaggy hill
Passed underneath ingulfed; for God had thrown
That mountain as his garden-mould high raised
Upon the rapid current, which, through veins
Of porous earth with kindly thirst up-drawn,
Rose a fresh fountain, and with many a rill
Watered the garden; thence united fell
Down the steep glade, and met the nether flood,
Which from his darksome passage now appears,
And now, divided into four main streams,
Runs diverse, wandering many a famous realm
And country, whereof here needs no account;
But rather to tell how, if Art could tell,
How from that sapphire fount the crisped brooks,
Rolling on orient pearl and sands of gold,
With mazy errour under pendant shades
Ran nectar, visiting each plant, and fed
Flowers worthy of Paradise, which not nice Art
In beds and curious knots, but Nature boon
Poured forth profuse on hill, and dale, and plain,
Both where the morning sun first warmly smote
The open field, and where the unpierced shade
Imbrowned the noontide bowers:  Thus was this place
A happy rural seat of various view;
Groves whose rich trees wept odorous gums and balm,
Others whose fruit, burnished with golden rind,
Hung amiable, Hesperian fables true,
If true, here only, and of delicious taste:
Betwixt them lawns, or level downs, and flocks
Grazing the tender herb, were interposed,
Or palmy hillock; or the flowery lap
Of some irriguous valley spread her store,
Flowers of all hue, and without thorn the rose:
Another side, umbrageous grots and caves
Of cool recess, o’er which the mantling vine
Lays forth her purple grape, and gently creeps
Luxuriant; mean while murmuring waters fall
Down the ***** hills, dispersed, or in a lake,
That to the fringed bank with myrtle crowned
Her crystal mirrour holds, unite their streams.
The birds their quire apply; airs, vernal airs,
Breathing the smell of field and grove, attune
The trembling leaves, while universal Pan,
Knit with the Graces and the Hours in dance,
Led on the eternal Spring.  Not that fair field
Of Enna, where Proserpine gathering flowers,
Herself a fairer flower by gloomy Dis
Was gathered, which cost Ceres all that pain
To seek her through the world; nor that sweet grove
Of Daphne by Orontes, and the inspired
Castalian spring, might with this Paradise
Of Eden strive; nor that Nyseian isle
Girt with the river Triton, where old Cham,
Whom Gentiles Ammon call and Libyan Jove,
Hid Amalthea, and her florid son
Young Bacchus, from his stepdame Rhea’s eye;
Nor where Abassin kings their issue guard,
Mount Amara, though this by some supposed
True Paradise under the Ethiop line
By Nilus’ head, enclosed with shining rock,
A whole day’s journey high, but wide remote
From this Assyrian garden, where the Fiend
Saw, undelighted, all delight, all kind
Of living creatures, new to sight, and strange
Two of far nobler shape, ***** and tall,
Godlike *****, with native honour clad
In naked majesty seemed lords of all:
And worthy seemed; for in their looks divine
The image of their glorious Maker shone,
Truth, wisdom, sanctitude severe and pure,
(Severe, but in true filial freedom placed,)
Whence true authority in men; though both
Not equal, as their *** not equal seemed;
For contemplation he and valour formed;
For softness she and sweet attractive grace;
He for God only, she for God in him:
His fair large front and eye sublime declared
Absolute rule; and hyacinthine locks
Round from his parted forelock manly hung
Clustering, but not beneath his shoulders broad:
She, as a veil, down to the slender waist
Her unadorned golden tresses wore
Dishevelled, but in wanton ringlets waved
As the vine curls her tendrils, which implied
Subjection, but required with gentle sway,
And by her yielded, by him best received,
Yielded with coy submission, modest pride,
And sweet, reluctant, amorous delay.
Nor those mysterious parts were then concealed;
Then was not guilty shame, dishonest shame
Of nature’s works, honour dishonourable,
Sin-bred, how have ye troubled all mankind
With shows instead, mere shows of seeming pure,
And banished from man’s life his happiest life,
Simplicity and spotless innocence!
So passed they naked on, nor shunned the sight
Of God or Angel; for they thought no ill:
So hand in hand they passed, the loveliest pair,
That ever since in love’s embraces met;
Adam the goodliest man of men since born
His sons, the fairest of her daughters Eve.
Under a tuft of shade that on a green
Stood whispering soft, by a fresh fountain side
They sat them down; and, after no more toil
Of their sweet gardening labour than sufficed
To recommend cool Zephyr, and made ease
More easy, wholesome thirst and appetite
More grateful, to their supper-fruits they fell,
Nectarine fruits which the compliant boughs
Yielded them, side-long as they sat recline
On the soft downy bank damasked with flowers:
The savoury pulp they chew, and in the rind,
Still as they thirsted, scoop the brimming stream;
Nor gentle purpose, nor endearing smiles
Wanted, nor youthful dalliance, as beseems
Fair couple, linked in happy nuptial league,
Alone as they.  About them frisking played
All beasts of the earth, since wild, and of all chase
In wood or wilderness, forest or den;
Sporting the lion ramped, and in his paw
Dandled the kid; bears, tigers, ounces, pards,
Gambolled before them; the unwieldy elephant,
To make them mirth, used all his might, and wreathed
His?kithetmroboscis; close the serpent sly,
Insinuating, wove with Gordian twine
His braided train, and of his fatal guile
Gave proof unheeded; others on the grass
Couched, and now filled with pasture gazing sat,
Or bedward ruminating; for the sun,
Declined, was hasting now with prone career
To the ocean isles, and in the ascending scale
Of Heaven the stars that usher evening rose:
When Satan still in gaze, as first he stood,
Scarce thus at length failed speech recovered sad.
O Hell! what do mine eyes with grief behold!
Into our room of bliss thus high advanced
Creatures of other mould, earth-born perhaps,
Not Spirits, yet to heavenly Spirits bright
Little inferiour; whom my thoughts pursue
Keith J Collard May 2013
Lounge on Willow bough,
golden savannah below,
and savannah in her hair,
feet swinging in air.
fractioned light from above,
sky seeps 'tween leafy green,
as the eyes of my love,
no 'squito can be seen,
from dragon fly hard at flap,
beautiful wings,
as long lashes of her bat,

I rest on rough bark,
and she rests on my heart,
in the mansion they dine,
but  no where else I want to be,
then on a lover's recline in the Willow Tree.
The end of the affair is always death.
She's my workshop. Slippery eye,
out of the tribe of myself my breath
finds you gone. I horrify
those who stand by. I am fed.
At night, alone, I marry the bed.

Finger to finger, now she's mine.
She's not too far. She's my encounter.
I beat her like a bell. I recline
in the bower where you used to mount her.
You borrowed me on the flowered spread.
At night, alone, I marry the bed.

Take for instance this night, my love,
that every single couple puts together
with a joint overturning, beneath, above,
the abundant two on sponge and feather,
kneeling and pushing, head to head.
At night, alone, I marry the bed.

I break out of my body this way,
an annoying miracle. Could I
put the dream market on display?
I am spread out. I crucify.
My little plum is what you said.
At night, alone, I marry the bed.

Then my black-eyed rival came.
The lady of water, rising on the beach,
a piano at her fingertips, shame
on her lips and a flute's speech.
And I was the knock-kneed broom instead.
At night, alone, I marry the bed.

She took you the way a women takes
a bargain dress off the rack
and I broke the way a stone breaks.
I give back your books and fishing tack.
Today's paper says that you are wed.
At night, alone, I marry the bed.

The boys and girls are one tonight.
They unbutton blouses. They unzip flies.
They take off shoes. They turn off the light.
The glimmering creatures are full of lies.
They are eating each other. They are overfed.
At night, alone, I marry the bed.
Donald Guy Nov 2012
The blood comes dilute, as if to refute
What is, or was ever at all
To challenge the must,
The is and the thus
The ever, the will, and the Fall

The Winter, the Spring, the Summer that brings
A freedom, an illusion anew
A time to recline--in dreams and unwind
The idea that you can, that you will

The will, O the will, O the untempered can
Of worms which one opens and finds
Full to the brim, before and again
"Reality"" which tries to unbid

The self from the mind
The meaning from line
The reason from rhyme
And the is from all time

Separates Us: from passion
From Trust.
From belief in ourselves
From love
From true wealth

From magic. From tragic
At least in true measure
Dulling the pain,
But denying the pleasure

The Roar and the Ring
A Hell of a Thing
To make the time pass or
To fill up Your Glass.

~D.B. Guy
August 15, 2011 12:11AM PDT
Palo Alto.
PART I

’Tis the middle of night by the castle clock
And the owls have awakened the crowing ****;
Tu-whit!—Tu-whoo!
And hark, again! the crowing ****,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she—
Beautiful exceedingly!

‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’

The lady strange made answer meet,
And her voice was faint and sweet:—
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’

Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’

She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the ****** all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.

Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff *****?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’

‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered—’Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ’she were!’

But soon, with altered voice, said she—
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine—
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’

Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue—
‘Alas!’ said she, ‘this ghastly ride—
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ‘’T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.

And thus the lofty lady spake—
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’

Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!—
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:

‘In the touch of this ***** there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale—
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is—
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.

PART II

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!

And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke—a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’

And Christabel awoke and spied
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving *******.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again—
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that ***** old,
Again she felt that ***** cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comfort
Nat Lipstadt Aug 2018
a poem I didn’t plan: but a foot upon my shoulder
gave me no choice

if perfection came along regularly
we would not take note of this August Sunday

the breeze looks steady, blowing a firm few knots
making the waves rulers of the bay
without the necessity of troublesome whitecap shoutouts,
the sailboats muttering ‘thankee’

the kids dock jumping into the water so warm
they shiver running in the chill of a warm summer day, 
 to home, where they do the coverup thing
with hoodies and their Great Aunts white haired cozy blankets
which appear in untold numbers,
one for everyone and don’t drip the cherry frozen sticks
stains from your tongue and lips!

the sun temp modulated and moderate, a summer kiss farewell,
after weekend of thunderstorms and house shakings, it is sad for now
we recount the costly lost days unretrievable and
sky watching
for  naught

the waters inviting again come walk-upon me Island Poet,
to  see my new sea bottom treasures that the heavens,
abetted by foolish men and children
have added to my storehouses of grains and pains

decline and recline for
Oh! have I not got one more weekend, to
close out that Melville tale^
and that is something one need not rush to complete

let me clarify -
!I am a Summer Man!^^
and the summers sunsetting
is a ring around my chest that sings ever louder
nearer my god than thee;
now at the age where one only counts down to zero at double time
marching, eye straight

in this place where we - god and me -
have sung and battled together
like good friend and peer,^^^
college roommate permanent enemies,
he keeps his teary rains in abeyance to remind
that the coming of his schooner is
inevitable and to pack my poems in
plastic for the journey
finale

Oh! how can perfect be so saddening but it is...

my perfection days are minimizing and should not complain
for wrote many poems to day, unable to refuse my traveling muses
who summer with me, one upon each shoulder
until god kicks them off, with a bossy look of
he’s more mine than yours

to make sure his presence acknowledged he
makes Pandora play Billie Holiday singing:
“I'll be seeing you
In every lovely summer's day
In everything that's light and gay
I'll always think of you that way

I'll find you in the morning sun
And when the night is new
I'll be looking at the moon
But I'll be seeing you”


subtle, right?

but who am I to complain
the razor thin difference tween
blessings and curses so thin
sometimes are they not the same thing

ne sont-ils pas les mêmes?


an unplanned poem
naturally

part of the plan
Sienna Luna Jan 2016
Going to sleep
is the best thing
a person can do.
After a long day of work
just slip under the covers
clean, wrinkled, soft and daring
the night a comfortable pillow
in which to rest sleepy tired eyes
while finishing a dystopian sci-fi movie
taking place in the desert.
Furiosa takes the night
across her shoulders
black engine grease smeared
across her forehead as Mad Max
rides shotgun
before the heat consumes them.
Enjoying every sand crusted
machine cranked thrusted
water tank bomb shell.
She is the best kind of heroine
taking complete control
of the current situation.
But sometimes there’s a break
when the dusk becomes depth
merging into the white halo of moon
slivered like a cut thumbnail
just hanging there, lifeless.
And this is when
the truth becomes
completely apparent.
Resting one’s body
after a tough week
of physical and emotional sickness
becomes first priority
where relaxation nods its weary head
to slumber under a pile of blankets.
poeticalamity Mar 2014
Lying beneath trees in the heat of the day cannot possibly be compared to any other pastime: to watch the light toy with the leaves, shining bright and brighter in the ever-changing gaps in the leaves turned dark by the shadow. The interplay between the light and the leaves in ever-ongoing banter and they hate to quit their game when the sun moves too far beneath the horizon for the light to reach above the boughs and must return to its source. The wind plays a part in the sport as well, when it rustles the leaves and causes a sparkle in the variance of illumination. Tortoiseshell patterns scatter along your  limbs and features and tumble off the cliffs of your sides into the grass you recline on. The filter of light casts playful interlocking patterns of light and dark impossible to decode without the proper encryption, forever lasting while the world speeds past their lazy game.
Kewayne Wadley Jun 2018
Some fears are simple.
Others are not.
Joy murmurs above.
We crave patience.
Twisting the top off each other's head.
Who first insults permission.
Applying our hands as cups.
No longer dull to the vapor of how we feel.
We recline in long verse.
Spudders of interruption.
The rush of anticipation.
Pressed against the couch.
Some fears are simple.
Others are not.
Opening up to you without cease.
Frequent sips of red wine.
Tilting you over filling my cup.
Eager to sip in weighed sway.
I hear and smile.
Feeling the effects.
How you laugh.
How you smile.
It's funny how time flies.
Leaves in Spring.
Blown away, scrunched up in the crinkle of your dress.
Rustic brown & red accented in black.
Some fears are simple.
Others are not.
There's no alternative.
I'm an alcoholic.
Pursuing sip after sip.
Civil in how we converse.
Neighboring bold taste
Alex Apples Jun 2014
breaking ice in my mineral water
lime spritzing the air and
dripping down my fingertips
as i twist it and sip its tang
hot sunlight radiating on my
body until the sweat glistens
at even the slightest movement
the rustle of well-worn pages
his sharp Adam's apple
rolls ever so slightly with a swallow
of the sparkling glass
the bubbles, like tiny diamonds
the hiss of the sprinkler next door
and the squealing chortles
of the neighbor kids running in it
chocolate melting on my tongue
chair squeaking when I recline

Happy is as happy does, but
I'm thankful happy's mine.
Francie Lynch Feb 2019
How will we progress today?

Will we risk life attending Mosque,
Or have an affair with our spouse's boss?

Will we take the dog out for a walk,
Step on a landmine, use plastic straws?

Perhaps we'll play with our kids today,
Or call Amber Alert, wait scared, and pray?

Will we defy authority with a righteous tone,
Or leave our tail tucked, like a dog with his bone?

Will we gauge goods today for our Vegan menu,
Or show a distention as millions today do?

Will we drive around town for cheaper gas,
Or choose our pickings from picked-over trash?

Do you sling eggs and sausage for sub-minimum wages,
Or attend a visitation in a tortured MADD rage?

Will you tee off at eight, or do a spin class,
Or sit solitary watching the hourglass?

Did we place our script at the shiny drugstore,
Or wade across water to Jordan's fair shore?

Will we question the teacher at our kid's school,
Or play Avatar falling off our bar stool?

Did you set a reminder on your AI phone
For chicken delivery to your suburban home?

Will you lift copper tubing from construction sites,
Proclaiming your station in life gives you right?

Do I recline in my La-Z-Boy for a nap with a book,
Or teach someone to live with a line and a hook?

Will you take out your family,
Are you last on your list,
Will you reciprocate a handshake
Or raise a gloved fist?

Our words can't bind all our wounds,
Few are born with silver spoons,
We're not wrapped in silk cocoons.
A metamorphosis is coming
To this world of gloom,
A rousing group flight,
And it can't come too soon.
And I never even mentioned diseases.
Nigel Morgan Jan 2013
The sun rises tentatively through the forest heights behind the palace. In the pre-dawn light Jia Li has secured water and fuel for her visitors and despite the attentions of the pack horse men, who have returned from an evening at her village the worse for drink, she settles to feed her infant child. Meng Ning enters to seek her counsel. She already guesses his intentions and answers his brief questions with confidence. She knows the route to the Red Slate Path, perhaps four li distant. The path is clear, though little used. It is not a place those of her village visit, though she has learnt that the path itself defies nature’s attempts to cover its existence.
    Zuo Fen is standing on the terrace as Meng Ning returns to the Emperor’s Hall. She has slept deeply, is refreshed after a period of meditation and, despite the cold, has been washed and massaged by her maid. She appears dressed for walking, her boots, fur cloak and hat in purposeful combination. As she surveys the lake flocks of wild geese and duck chatter and squabble as they float on the surface. There are some experimental flights, pairs of duck taking off to fly in wide arcs only to return to the same stretch of water from where they rose in tandem. Soon the geese will leave to fly across the forests and moorland for distant harvested fields where they will spend the day foraging. Meng Ning points to a distant peninsula jutting out from the northern shore of the lake. Behind it, he says, lies the cove of the Red Slate Path. Perhaps there they will be able to understand more keenly the why of this mystery.

‘At such a distance,’ says Zuo Fen, ‘the detail of a boat would be quite lost. I imagine the peninsula acting like a pointing finger to its floating form. There is already fashioning within me a possible story that might explain this mystery.’

She smiles warmly at Meng Ning who bows his head rather than stare into her jade green eyes. She moves closer to his standing posture, taking his left hand secure but tense against the balustrade of the veranda. Lowering one leg before the other she slowly kneels, removing her hat, loosening her fur cloak that now spreads itself of its own accord beside and behind her. With both hands behind her neck she lifts her long hair found to parted and tied in simple peasant fashion. Raising her hands to full-stretch her sleeping hair warm from the bare skin of her back slowly cascades forward and across each of her ******* to curl like two cats in the bowl of her robe.

‘Mei Lim is with Jia Li’, Zuo Fen says curiously and with a voice Meng Ning has not encountered before. ‘I fell to sleep dreaming of your kind presence and the joy of being touched and kissed.’ He cannot see her face as she speaks, only the quivering fall of her hair across her kneeling body. ‘I awoke feeling your breath on my cheek and so brought your limbs to entwine with my own.’ He now senses the delicate unguents of her body; they compass him about, his hand falls from the balustrade to touch her hair.

Finding her right ear his fingers describe its shape, its sculptured relief of folded forms and crevices. He is becoming faint with something outside passion that requires him to go beyond her ear and flow of hair about his fingers. He unties his cloak, letting it drop behind him. He removes his boots and outer garments. She follows his example. He moves to her side, adopts the position of the swallow resting on the wind. They face one another.  To the accompaniment of their breathing, her hands begin a dance in the space between their lower limbs as though they are birds turning and falling in flight. Unlike the courtesans he sees at court her nails are short, her fingers long. Then, it is as though her hand holds a brush forming characters and she begins to write on his body with short deft movements this way that way describing her flight of passion. Some intuition tells him to allow this, and not to seek repricocity, as it seems from her breathing that these very actions give her the greatest delight, bring her to the edge of the first coitus. Eyes closed, he moves his nose into a glancing embrace with her own, feeling there a semblance of perspiration, that tell-tale sign of a woman’s readiness for the deeper embrace. She responds to this with sighs and swift movements of rapture that envelope him, and now, as she quickly brings her limbs into a right conjunction, he places one hand beneath her, the other to recline her body gently to the floor, her cloak becoming a pillow for her head.
    He now looks directly at her, her face expressionless as though all thought and feeling has entered her body in preparation to receive his own. She does not blink. There is a moment of great stillness, a great wave of calm breaks, moves forward and pulls back – and again, again. In an instant he will enter her Jade Gate to caress and kiss and move where only his Lord has visited. He knows that once there he will seal his own fate . . .
     It is the talk of poets that women are often at their most sensitive to love’s attention in the morning hours, and that this was, for so many reasons, the most impractical of times for men. Zuo Fen herself had written fu poems that took the reader to the most intimate moments of a concubine’s experience in the morning hours, those times when alone the body gathers to itself its essential nature, and is often caressed with the woman’s own hand and thoughts. To understand such circumstance, to hold its sweetness as an abiding taste during the formalities of the day, only to release its flavour in the pleasure hours of the night, was a manly attribute, said to be treasured, indeed honoured by women.
      When Meng Ning withdrew Zuo Fen lay for some while letting the unaccustomed circumstance and its location only gradually allow a return to conscious and present thoughts. She pictured now her journey to the Red Slate Path, Jia Li, her baby on her back, striding beside Meng Ning, then herself and finally Mei Lim - who would have entreated her mistress to be allowed to accompany her. There was the glade, a small bowl in the hillside where it was just possible to see a small cave from which, glistening, the broken patterns of the slate path fell after half a li into the lake. She would investigate the cave. She would walk to the water’s edge, where the trees stepped into and reached over the lake to lay a carpet of fallen leaves. Then to see the path gradually, gradually disappear into the depths.
    Whilst Zuo Fen, with her eyes closed, projected her thoughts forward in time, with accustomed tact Mei Lim left those accouterments a woman needs after the attentions of a lover. She feared for the young man, though she knew her Lord prized too much his Lady of The Purple Chamber to effect jealousy or display anger.
    As the sun cleared away the thin cloud and approached its zenith the company broached the crest of the hill above the glade. It was, Zuo Fen had to admit, just as she had imagined lying prone and in disarray in the Emperor’s hall. In silence, and in the company of her imagination, she now paced from cave to path to water, and standing at the very edge of the lake’s bank focused her mind to envisage the events of twenty years past.
     It was as though a rhapsody was already formed. She found herself recounting the tale in her world of characters where there is only present time. She felt her hand describe them with the flow of her brush, heard the sound of its movement across the thick parchment. She was slow to notice that Meng Ning had disrobed and was entering the water. Without a word she watched him move through the carpet of floating leaves, some sticking to his nakedness, and onwards, slowly, following the submerged path until his torso then only his shoulders were visible. She then knew what he hoped to find, even after the passage of so many years.

She saw it all, suddenly. The sorcerer Yang Mo and the Emperor’s second wife descending the Red Slate Path as a cavalcade of fire and smoke, loud flashes of light, noises of brass and clashing metal enveloped the glade and the boat itself. The watching company witnessed for a moment the couple disappear under the waters only for their collective sight to be shrouded in a climaxed confusion of the sorcerer’s devices and effects.

When, finally the smoke cleared, the boat and the lovers had vanished.

Zuo Fen watched Meng Ning disappear from view. She imagined him, as the pearl fishers she had heard tell of, diving down to the depths, holding his breath to seek what might remain of the illusory boat. But time passed beyond the possibility of what she knew could be endured by human-kind. The surface of the water remained unbroken. The division of open water made by Meng Ning in breaking apart the carpet of floating leaves was already reforming itself.
   Removing her cloak and her boots, and unpinning her hair, Zuo Fen stepped into the water. A memory floated towards her of bathing in the lake near to her summer retreat. Water held no fear for her, only now the cold consumed her. Her loosed hair, and her elaborate untied robe settled on the water’s surface: to surround her like a lily pad, she the budding flower at its centre. She felt her feet still firmly on the Red Slate Path, her chin now resting on the water’s surface. Whatever had happened to Meng Ning she knew her action to be compliant. She had immersed herself with the very element that had brought him either death or, as she knew in her heart, a most honorable escape.
O lachrymarum fons, tenero sacros
  Ducentium ortus ex animo; quater
    Felix! in imo qui scatentem
      Pectore te, pia Nympha, sensit.

               GRAY, ‘Alcaic Fragment’.

   When Friendship or Love
   Our sympathies move;
When Truth, in a glance, should appear,
   The lips may beguile,
   With a dimple or smile,
But the test of affection’s a Tear.

   Too oft is a smile
   But the hypocrite’s wile,
To mask detestation, or fear;
   Give me the soft sigh,
   Whilst the soul-telling eye
Is dimm’d, for a time, with a Tear.

   Mild Charity’s glow,
   To us mortals below,
Shows the soul from barbarity clear;
   Compassion will melt,
   Where this virtue is felt,
And its dew is diffused in a Tear.

   The man, doom’d to sail
   With the blast of the gale,
Through billows Atlantic to steer,
   As he bends o’er the wave
   Which may soon be his grave,
The green sparkles bright with a Tear.

   The Soldier braves death
   For a fanciful wreath
In Glory’s romantic career;
   But he raises the foe
   When in battle laid low,
And bathes every wound with a Tear.

   If, with high-bounding pride,
   He return to his bride!
Renouncing the gore-crimson’d spear;
   All his toils are repaid
   When, embracing the maid,
From her eyelid he kisses the Tear.

   Sweet scene of my youth!
   Seat of Friendship and Truth,
Where Love chas’d each fast-fleeting year;
   Loth to leave thee, I mourn’d,
   For a last look I turn’d,
But thy spire was scarce seen through a Tear.

   Though my vows I can pour,
   To my Mary no more,
My Mary, to Love once so dear,
  In the shade of her bow’r,
  I remember the hour,
She rewarded those vows with a Tear.

   By another possest,
   May she live ever blest!
Her name still my heart must revere:
   With a sigh I resign,
   What I once thought was mine,
And forgive her deceit with a Tear.

   Ye friends of my heart,
   Ere from you I depart,
This hope to my breast is most near:
   If again we shall meet,
   In this rural retreat,
May we meet, as we part, with a Tear.

   When my soul wings her flight
   To the regions of night,
And my corse shall recline on its bier;
  As ye pass by the tomb,
  Where my ashes consume,
Oh! moisten their dust with a Tear.

  May no marble bestow
  The splendour of woe,
Which the children of Vanity rear;
  No fiction of fame
  Shall blazon my name,
All I ask, all I wish, is a Tear.
Tammy M Darby Feb 2016
May the Angel of sadness recline on your shoulder
The face betrayed grow larger and ever bolder
The pain of age creep into your bones
While the ghost that haunts you
Sing her sorrowful song

Casting anguish and silver star dust into angry winds
Let that paid for in blood begin
No path to follow
No sanctuary in which to hide
In the desperate stillness of the night

It shall be as the as the dark words were spoken
The curse of life
The gift of hatred
The token

May the Angel of regret wear now the wedding band
The cold demon of revenge caress your wretched hand
These gifts are given deliberately with spite
It awaits you
The desperate stillness of the night

This poem is copyrighted and stored in author base. All material subject to Copyright Infringement laws
Section 512(c)(3) of the U.S. Copyright
Act, 17 U.S.C. S512(c)(3), Tammy M Darby  2/25/2016
Rod E Kok Jun 2014
Breathe.
Warm caress against your skin,
tendrils of love embrace you.
Playful whispers and
whimsical sighs take us
on a journey of
love.
A breath of passion
enriches our lives
as we breathe in unison,
keeping cadence with the sounds
of nature.
We are surrounded by life,
by love,
by desire...
our flame adds to summer's
heat.
Relax, my love.
I will encircle you with
a rapture which takes your breath away.
Remember, my love...
exhale. Let stress and pain
emit from your body as my adoration
holds you.
Recline in the arms of
my devotion
and remember to
breathe.
Written under the impression that the author would soon die.


Adieu, thou Hill! where early joy
  Spread roses o’er my brow;
Where Science seeks each loitering boy
  With knowledge to endow.
Adieu, my youthful friends or foes,
Partners of former bliss or woes;
  No more through Ida’s paths we stray;
Soon must I share the gloomy cell,
Whose ever-slumbering inmates dwell
  Unconscious of the day.
Adieu, ye hoary Regal Fanes,
  Ye spires of Granta’s vale,
Where Learning robed in sable reigns.
  And Melancholy pale.
Ye comrades of the jovial hour,
Ye tenants of the classic bower,
On Cama’s verdant margin plac’d,
Adieu! while memory still is mine,
For offerings on Oblivion’s shrine,
These scenes must be effac’d.

Adieu, ye mountains of the clime
Where grew my youthful years;
Where Loch na Garr in snows sublime
His giant summit rears.
Why did my childhood wander forth
From you, ye regions of the North,
With sons of Pride to roam?
Why did I quit my Highland cave,
Marr’s dusky heath, and Dee’s clear wave,
To seek a Sotheron home?

Hall of my Sires! a long farewell—
Yet why to thee adieu?
Thy vaults will echo back my knell,
Thy towers my tomb will view:
The faltering tongue which sung thy fall,
And former glories of thy Hall,
Forgets its wonted simple note—
But yet the Lyre retains the strings,
And sometimes, on æolian wings,
In dying strains may float.

Fields, which surround yon rustic cot,
  While yet I linger here,
Adieu! you are not now forgot,
  To retrospection dear.
Streamlet! along whose rippling surge
My youthful limbs were wont to urge,
  At noontide heat, their pliant course;
Plunging with ardour from the shore,
Thy springs will lave these limbs no more,
  Deprived of active force.

And shall I here forget the scene,
  Still nearest to my breast?
Rocks rise and rivers roll between
  The spot which passion blest;
Yet Mary, all thy beauties seem
Fresh as in Love’s bewitching dream,
  To me in smiles display’d;
Till slow disease resigns his prey
To Death, the parent of decay,
  Thine image cannot fade.

And thou, my Friend! whose gentle love
  Yet thrills my *****’s chords,
How much thy friendship was above
  Description’s power of words!
Still near my breast thy gift I wear
Which sparkled once with Feeling’s tear,
  Of Love the pure, the sacred gem:
Our souls were equal, and our lot
In that dear moment quite forgot;
  Let Pride alone condemn!

All, all is dark and cheerless now!
  No smile of Love’s deceit
Can warm my veins with wonted glow,
  Can bid Life’s pulses beat:
Not e’en the hope of future fame
Can wake my faint, exhausted frame,
  Or crown with fancied wreaths my head.
Mine is a short inglorious race,—
To humble in the dust my face,
  And mingle with the dead.

Oh Fame! thou goddess of my heart;
  On him who gains thy praise,
Pointless must fall the Spectre’s dart,
  Consumed in Glory’s blaze;
But me she beckons from the earth,
My name obscure, unmark’d my birth,
  My life a short and ****** dream:
Lost in the dull, ignoble crowd,
My hopes recline within a shroud,
  My fate is Lethe’s stream.

When I repose beneath the sod,
  Unheeded in the clay,
Where once my playful footsteps trod,
  Where now my head must lay,
The meed of Pity will be shed
In dew-drops o’er my narrow bed,
  By nightly skies, and storms alone;
No mortal eye will deign to steep
With tears the dark sepulchral deep
  Which hides a name unknown.

Forget this world, my restless sprite,
  Turn, turn thy thoughts to Heaven:
There must thou soon direct thy flight,
  If errors are forgiven.
To bigots and to sects unknown,
Bow down beneath the Almighty’s Throne;
  To Him address thy trembling prayer:
He, who is merciful and just,
Will not reject a child of dust,
  Although His meanest care.

Father of Light! to Thee I call;
  My soul is dark within:
Thou who canst mark the sparrow’s fall,
  Avert the death of sin.
Thou, who canst guide the wandering star
Who calm’st the elemental war,
  Whose mantle is yon boundless sky,
My thoughts, my words, my crimes forgive;
And, since I soon must cease to live,
  Instruct me how to die.
A big clock stood tall in the center of a park
With long hands and wood that was carved with much care
The carvings so detailed yet adding a spark
To the trees that surrounded it's great wood frame there

I noticed and awed at the effort at work
For it's hands seemed to reach out to the skies as they search
And i noticed that the hands were all lined in thick gold
The beauty mesmerizing although it was old

As i came up closer to view the great clock
I noticed a problem which came as a shock
The hands were not moving as they lay still and bear
What a shame as this clock was a beauty standing there

But when i looked down to the base of the clock
I could see a gold glimmer as if writing were there
So with curiosity springing in me i immediately flocked
To it's base were i then read aloud with much flair

"Time is but a moment in the span of a life
And a second only the beginning of a minutes ending strike
And forever only the equal to an eternity's one night
So with care every second use wisely for might
As a second is as precious as a minute of time"

As i read out the words more than once in my mind,
And still trying to grasp what intentions did write
A footstep so faint yet my ears could not lie
Approaching me softly ever slowly behind

And turning around an old man met my eye
A man full of years many a season he did mark
His hair white as snow and his face worn and dry
A worried and troubled reflection from his empty glassy eyes

He then said "The big clock's tick
Many a day i privileged saw
The chime of that bell thick
When a child i would awe
Those days were my young years
My body then strong
A lad who with honest fear
Was taught right and the wrong

My parents had raised me
As best as they could
Love, respect and show kindness
Were the things that were good

Back then i despised men who i'd see in our town
How they ruined their lives so freely
It made me shiver, made me frown

I would then tell myself
That i'd never drink or smoke
Vices would not be on my shelf
That my life was no joke

The years went by and i was eighteen
A boy fresh out of school
The excitement of college awaiting
Freedom from home seemed so cool

So i packed my bags and clothes
And bade my parents goodbye
I was now alone to roam the roads
So excited i felt i could fly

So i then got settled in the big city
And studied my wanted degree
First year passed yet oh so quickly
Time passed with the feeling "im free"

I headed straight home on vacation
My family i now longed to see
And spent those days in anticipation
What could next year have in store for me

Vacation ended even more quickly
I almost couldn't leave
But determined to push through this so sickly
My degree ever my goal to achieve

I then met one lad jason
A schoolmate of the same age
Although he from the city's inner mason
Was someone i readily engaged

He then became my room mate
And that is when it began
Jason was different a drinker
My sleep oft disturbed i did hate

Although he tried to lure me
To try even just one
Yet i so promptly rejected
As my conscience no evil had done

I was taught that evil be feared
But then doubtfull thoughts filled my small mind
Had my parents been too strict and weird?
Was there danger i curiously whined


So i thought and i thought and decided
It won't hurt it's just once i confided

So i drank my first beer
And i puffed my first smoke
Then i tried my first stronger drink
This is great though i thought
Not too bad i revoked
As my conscience now beginning to shrink

So i added another exemption
Saying just a little more's fine
Till the alcohol turned into drugs and addiction
I was now pushing it to the line

I would mock at the holy scriptures
And curse God when drunken or high
I would sometimes try and picture
How cruel my family's lies

A year passing by i still loved it
I free and now unrefined
But my vices eventually my health hit
I  was forced then to pause and recline

My body was racked with a fever
And i bound to the bed where i lay
I was sick and now not a believer
I'd forgotten how to pray

My life continued on this way
For years with no restraint
My friends all left but didn't say
Their reason or complaint

I went into depression
My pain and guilt remorse
I needed intervention
Twas time i changed my course

And as i in my darkest hour
Was sinking in despair
My heart's once fresh and lively flowers
Now crushed down burnt and bear

And as i lay in bed that night
For the first time in 3 years
I prayed dear lord please save my life
This pushed me into tears

And while i now was sleeping
I dreamt about that clock
And God as i was still there weeping
Approached me and we talked

He said that life is fragile
That time is not a joke
And day by day time's counting down
Convicted i awoke

And then God said to me what if he
For one day made time still
And on that day i would be free
To clean my life and will

Right then the clock stopped ticking
 Long hands eleven lay
I shocked jumped up heart beating
But i just didn't know what to say

Then HE said my child this is your chance now
To redo the wrongs you've done
And the chance now to change as you have vowed
Will soon be late my son

Live your life while imparting life giving
Love to all the poor one's who need love
With your hands now undo evil's giving
And remind of their Father's great love

Feed the poor and be eyes to the blind one
Give your strength to the crippled and the old
Bring the dying man good news of salvation, my son
For in heaven he shall walk streets of gold

As the time will soon end now forever
And your chance for redemption no more
It's the time now for sins to be severed
As heaven's gates soon open their door
Once the clock is at twelve you will know that,
Tis the end and we're now going home

As his words hit my heart i then waited
I would check how much time i had now
But as i fixed my eyes it all slowly faded
And my bed was what pressed on my brow

I awoke realising that i was sleeping
And the dream was my life counting down
And the more that my sins i'm committing
All the more my head won't wear that crown

See the clock was not there just to tell time
But to also guide ones on their way
Like the man who was lost and ran out of line
The clock was placed there as a sign

Today is the day that we must choose
If today is the day that we will start
To change our life and become true
And learn from our mistakes but move on and do our part

And you keep saying to yourself "ah yes tomorrow"
But again you commit the same wrong
We never know how many more days can be borrowed
As the clock keeps its ticking all along
This poem was inspired by my own life experience...
Paul Holmes Jan 2012
There is a hollow in her hand
That needs to be filled with mine…

A beach of powder white sand
Where we cheerfully recline…

There are two lovely lips
Aching for a tender kiss…

A cliff top where the wind whips
Up a bracing breeze, sheer bliss…

Warm tints nestle within her hair
And seemingly skip with pleasure…

A buttercup meadow so rare
Where we picnic at our leisure…

Right in the centre of her chest
Her heart beats a rhythm sublime…

Wherever we are, that place is the best
As long as I’m with her each time….
Cné Aug 2019
~
It lays silkenly sweet against
sun kissed skin
tiny straps, perhaps strapless
delicate linen softly draped
tender tiny tucks and nips
delicious bows tied at nape

It cascades around curvy hips
‘round a waterfall that slightly drips
sprightly colors all wink as
they whisper and swish
full of giddy and laughter, they flirt
away gloom, rain and mist

Teasing touches wraps around thighs
dancing daisies pause as I walk by
serenely skirt and brush past
with a soft wispy cushion sway
plump full, recline, pause to chat
on a sultry summer’s day

~
Nishu Mathur Oct 2016
If trees be poems by the earth
In avid joy I read each one
Florets writ in fragrant verse
Inked with beams of the morning sun
In shade, a fruit, a whiff of air
I rest beneath wide branches spread
A cavort of emerald canopy
Bestows comfort upon my breath
I lean against the bark, recline
And think of how it stands in time

Through tunneled years it's stoic trunk
Stands proud against frost and rain
Drops it's leaves to nakedness
Till spring dresses in green again  
On but an arm, the  koel sings
'Tis home to birds that weave a nest
Haven to sojourners ache
Clasp around, hold close to breast
I trace the names of love engraved
Now forgot; asleep in graves

On felled bark my soul I pen
On papyrus the past I feel
The murmured songs of sentiments
In susurrus as branches kneel.
Nymphs would hide or fairies entreat
With fireflies in silver light
Creatures tip toe on their feet
Lithe, in the darkness of the night
In engraved lines meaning I see
What better song, what poetree?



Trees are poems that the earth writes upon the sky -  Gibran
Tom Blake May 2017
Let me repose
For a while
Beside
Your
Calm self.
You
See,
I
Am
The opposite,
I
Need
Composed.

Beside you I recline
Beside you I unwind
Settle with time...

YOU
Listen ,
You care
You
Hold me,
Stroke my hair, say, "There!"

This life
You know
At times, gives me the shakes.
The
Things that go on
Get
A bit too much to take.
Think
I'm going to break,
Shatter
Into space.

Then...
I think
Of you...

I come to you...and,

Beside
YOU
I recline,
Beside
YOU
I
Unwind...

Settle...

With
TIME.
Andre Collier Sep 2012
I've abandoned a withered state, fumbling
Toward your ecstasy - opening windows to
A brave new world: What a scene to behold!
My heart has calmed consuming life’s tonic -
I'm filled with attraction, alike an alchemist
disposition to discover their personal legend
How far, do thoughts travel? Become aware,
we’ve covered only but a few hours of sleep
The vicissitudes of motion - by faith we move
At luminal speed, ’til visions dawn and we’re
Before a sky clearing moon
Shall we recline in that loft above?
While it be suspended in the fetal position?
Or tarry until morn’ when reflections are reborn
From spurts of spontaneity, to cycles of growth  
Apprehending blessings so as to appreciate the
distance of our obstacles
For camaraderie's had since severed –  
And authenticity perfidiously pilfered –
And liars became prosecutors of liars
Pregnant with delusions of grandeur
Freedom is the temporal prison for
Revolutionaries wails of conditions
Psalms of sentimentalism provoke
An emotional tug of war, conscripting
another soldier of love – wearing a fig
Leaf of inhibition and foul remains of
passed transgressions...
Where to turn to when you’re cold?
Intransigent echoes give no warmth
I’ve fallen into the (d)earth of sanity
Erstwhile
        Fumbling
                   Toward
                          Ecstasy
Lee Turpin Oct 2014
what kind of movement was it?
that brought the head to the knees
a curled spiraling whimper
unhitched to the winds round the room?
what kind of act,
blue through and through
could topple such bonds that were deeper?

what were the thoughts
that built up like bricks
due each meiotic mutation?
what brute could so brash
dried out heavy headed
to full careless crush
the gentlest swath
her two hands ?

where went the time
day by day through each slot
like coins I collected
each morning each night,
pearl afternoons

the glint off your brow,
the stoop of your chest the
scoop of your back-blades,
more leaves of memory
now slipped out by the breeze through my mind with a cry,
theived hollow,
out the window and gone

where now is the murmur of glow
with thunder softened out through the trees
electrons spinning the push of your atoms to mine
where now the wordlessness,
you with me?
boo, heartbreak.
Universal Thrum Oct 2013
To ask you questions would be a sacred honor bestowed by the almighty King
In your presence my spirit rises like rainfall to be reunited with heavenly splendor
On this earthly plane, should our eyes ever again meet, gazes gliding into beloved depths,
pools of blue jungle oasis...lighting curiosity aflame with a way of cool delicacy,
a generous smile and grace

Oh, smite me now so that never again may I know another feeling than serendipitous bliss
Smite me again so that I may be twice smitten, and again and again -
Till every rule is broken and only we remain,
climbing every sensual step upward on the path into ecstatic delight,
Living as if born naked into a cold wind dancing...

This thing we are, creatures of tomorrow..
always hoping to seize the moment plainly emerging before us...as if in a dream...
awakened by the startling realization that reality is created by creators -
those brave souls willing to bleed to sing their song, to share a moment,
making the listener hear and understand -
those lovers of the trial coming through the fire with their hearts exploding,
confirming their existence as more than echoes in the night
The rest only watch as wishful children on a stream side bank,
following leaves swept away by the currents,
so too are our destinies like hidden springs
pushed forward by the force of our wills,
watched by these eyes of Man.

For you, whole egoic worlds shall crumble - come crashing,
magnetized by the Muse's universal command to Love and Be Loved
and in the debris of the old world shall come soaring a roaring pyre to light the velvet corridor to which a tired soul may recline,
easing into the wild nature of passion
with a carnal zest for climatic enlightenment.

Imagine a world ruled by passionate love
The focused heat injected into the heart,
striking the core of being with a burning coal,
defying the seemingly possible constraints of material nature, transforming into the world's most super symmetrical diamond, refracting God's pure light,
shining spectrum bending color into the mortal world,
an unanswerable riddle, the asking itself being the pleasure,
outrunning the crystallization of routine,
for ever-setting suns painting distant horizons,
as the sky welcomes our daily wonder.
Declin James Feb 2010
30 seconds.
The translucent window of dreams gets blown open by the quivering baseline, that echo’s throughout this Technicolor city. The distant horizon of reality, depression and cracked council estate morals are long forgotten. The piercing taste of alcohol stings the back of my neck but melts my stomach and helps free the tormented thoughts that plague an overworked mind. Smoke another joint, dance another dance; my feet emulate feelings that cannot be described. ***** sits heavy in my mind, delaying my reactions and isolating my judgment. An old friend who takes the **** dances pasts with a former lover that once kept my heart safely locked up beside hers. Even though the blood of that love dried months ago, the scars are still visible beneath my skin and they scream across my truthful eyes. I decide to let myself drop further into the ever deepening baseline of the city; I feel my eyes plummet into the empty space of my head. The beat of my heart has been removed and replaced by the pulsing nerve of the city. The blinding lights dazzle my imagination and urge me to forget the grey concrete that surrounds this city, the music pumps and drives life’s blood around my clogged veins and the vibrations shake my fragile frame.

I pull another slightly crushed cigarette to my cracked lips, and let the cold night begin the battle against the warm tobacco that flows into my once pure lungs. Poisonous substances help me feel the sweet taste of life, of love, of music. Realism is forgotten about, the boundaries of life are melting in the bottom of a pit somewhere, let them dissolve and never return. Sober problems twist their ankles and fall into the **** soaked gutter, whilst I let myself drown in a moment of sweet nothing. There is no time to be thinking about girls or love, there is no time for idle conversation under the glare of the moon. For a brief moment I watch packs of men move like wolfs circling on the innocence of girls, buy them another drink, crush them another pill. I stumble back into this disillusioned factory that was once a foundation of an honest wage and the reliable structure of a family dinner. Now it is falling to pieces, unable to cope with this tormenting beat that is shaking through my body.  This place is like a time warp, hours feel like minutes yet seconds feel like days.

The first step is admitting defeat; the second is allowing the ******* to begin. I allow the liquor to not only caress but baptize my tongue. I am a puppet to the baseline, a slave being held by strings that are attached to the stars. These stars rise higher than any city skyline can imagine they refuse to be beaten by man; they stay a part of our superstition, a character in our dreams.  In the corners of intoxication the weak fall, unable to cope with the choice of freedom. They recline into a murky puddle of sweat and fear. Their eyes vibrate subconsciously and their legs twitch to the ever changing beat. For me there is no murky puddle, I am lost at sea rolling between the waves, letting the current take me where it pleases. The breeze caresses my consciousness and tickles my sedation.

Without hesitation my feet start moving again, finding a groove that my mind didn’t even know existed, I feel myself slip into a new unknown level, finally even the strings attached to the stars snap from the tension. My mind is free; it is no longer a hundred mile-an-hour switchboard that is overrun by lights and flashes. Frozen fireworks that were once subdued by the oppression of reality, become lukewarm and vibrate on the verge of ecstasy, I feel them take off into the night, one after another, throwing images into the dark sky. Like 1940 they blitz the city and people run for cover shouting screaming for their loved ones.  Yet the nightly residence of this factory remain unworried and free. We are the last of the human race not to flee into our suburbia homes, so listen to this erratic baseline and forget about the yellow hooded figures that patrol the streets, let the night lurch you into a sudden paradox where nobody belongs yet everybody searches for. This is true euphoria.
palladia Dec 2013
some information cannot be found – you can only originate it. facts are often recycled in attempt to clear a logjam that has prevented us from finding ourselves. when i look at the billions of directions my life could have taken, you have to admit we're a very tough bunch, because, who else would have tagged along at this point? we're a recipe for disaster, but that's alright, because we already racked everything. we're bottlenecked. we're deadlocked in ourselves, and there's no way out.

strength cannot be given – it is only self-acquired. we can think of ourselves as vessels of change, but it won't be gifted to you. it has to be done by yourself. it's a real grabber. and once we take it to heart, it works.

axiology—the study of judgments. choice is so vital in postmodern culture, there's a whole branch of study attributed to it. should i take this opportunity, or should i decline it for another? should i rear success with my horns, or wait ecstatically for it to poke me? should i recline, take an easy ride, or work for it? – no matter which outcome, you're still going down the drain because you haven't established the most important part (yet).

i am struggling to understand economics, as well as applied mathematics. wall street certainly does not hang easy for me, but there is more to discuss than stocks and bonds. society has put us in stocks and keeps us in ******* – that’s wall street for you! there are still certain mysteries, such as you cannot put a negative number inside a radical. and all parabolas will have a reflecting twin, no matter how you look at it.

i fell asleep to a black and white movie, and it was still playing when i awoke. however it was in colour. i rubbed my eyes and sat there dazed until i concluded i was dreaming in colour. i woke up again and it was over. now i think that i watch the same movie, but colourized in my dreams, and that i can dream reality, while that reality is a dream within itself.

much reflection has been cast upon theoretical and unchallenged interest in scholars, for example. some presume we can only perceive one – ten-thousands of the universe but of course this can never be proven along with life's destiny and life's purpose, and indubitably, life's meaning. much dark and invisible matter perhaps comprise the rest, but the threads of an unroped cosmos are far from being knitted. can you prove your eternal existence by way of religiosity or science? Jesus rose on the third day and so did the interstellar medium situated in the midheaven. i sleep with a book of philosophy under my pillow, and i'm not in the least ashamed. Alexander the Great slept with a copy of the Iliad, and Mary Shelley, her late husband’s heart. at least philosophy doesn’t stain.

total uproar soars through the galaxy when i begin to think. the terror strikes, and i cower discrediting the truth. my trine is Jupiter, Saturn, and the sun. i’m an Aries, like the one of Judea. constant virtue is what i can believe but i speak in the revolutionary sense. i can enhance my life as long as i am able to try. there is always room to improve a man and i attest to that.

a literary device isn't useful at all until applied in context. an ambition isn't fully good until it is launched. Newton was right, after all. a body is motion will stay in motion until acted upon by an outside force. you are an artist as long as you keep your creative process going until somebody threatens you. then you hide. you establish a force field, which protects you, and you trudge on, because all that matters is your art, in the end. it's everything.

think... Ω-style. one day lofty things won't take pleasure looking at you, because you’ll be confronting them head-first. machtprobe, a german word for showdown. like the one you'll be taking with yourself if you don't buckle down and unravel your weaknesses.

this morning i woke up and stared at myself in the mirror. i was depressed at the condition of my life and my position in the world. my reflection stared back and held up its ******* at me, saying "what are you going to do about it?" not knowing how to answer, i fumbled around possible responses, but it kept going, "it's not that simple, isn't it? life can be tricky when you've got no motivation. it leaves you in a rut until one morning you wake up, depressed about the condition of your life and your position in the world and your mirror's reflection holds up that *******, insuring you're completely aware of the awaiting consequences." it finally shut up and i stood there contemplating its message. "how bad do you want this?" were its last words i heard before i knew that 'initiative' was the one i would soon fall in love with and meet at the chapel to wed.

"either you take it all the way, or you're gonna go astray." it's either one or another, a choice that we have to make. and i don't my reflection to pose a threat to my self-esteem again, so i'm gonna take it all the way...because really. how bad do i want this?

i don't want to have a shoot out with myself again. so when you ask, i'll just tell you algol sent me.
I've been fostering this one for a long time: my ruminations that I've collected over the past year. It's a mini-autobiography of my life over the past year and what I hope to change in the future. It's those New's Years resolutions we keep for about a week and then banish until December 31 the next year. And now I'm taking a stand again and want to reclaim myself from the miserable ruts I fall into. So, it's more of a personal poem, as a sort of get up and go for the future of myself and my art. And I cannot fall back. Think: "how bad do you want this?"

This poem is written in anti-traditional form: no rhyme, meter, lines, or verses. It's more of an essay, because I am especially fond of writing them, when the topic is left up to the author to describe.
David W Jones Dec 2013
The end of our journey
on the horizon's center;
the last stop to this asylum
in the midst of winter.

Darlings of destitution painting
****** distractions on the latex;
the essence of ambition covered
within the toxic keepsakes.

Cold doors keeping out
the warmth of affections;
our bodies wrapped tightly
within the canvas of preconceptions.

The thumping of our minds
beneath the crumpling distress;
ideas illuminating our perilous
potential.  ****** beads of sweat falling
into the darkness.

Crazy notions spewing
all over the floor; the
filthy piles of wasted
time is growing.

Insanity within this circle
of trust; our dreams mislead us.
No windows to expose the sun as
we recline towards amnesia.
Goodbye 2013...

— The End —