I mashup me, myself, and thee: Part II

Excerpts from my poems about poets, poetry and the process of composition. In chronological order, from the earliest to the most recent.
---------------------------------------------------------­-----------------------------------------------------------------­----


The three poems went about their business,
Bringing heaven to earth,
FYI, even Angels can't be everywhere, so,
God invented poems to do his ***** work,
Cleansing souls.

They rode in~out of town on a prankster wave,
A cheering throng was not around,
But a singular poet saw, recorded the vision,
And thus, this nameless poet,
Below unmasked, unsealed,
Cleansed one more soul,
And that soul, this soul, as required,
Paid it forward.
~
Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed onto paper
And realized.

Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.
~
One day she intro'd me as her fav poet,
To which I acknowledged by addressing her as
My number one fan,
Which seems to have stuck,
so I acknowledge her as such,
And always add a polite, respectful, winking,
Yes ma'am!
~
Like this new day,
there are always
new poems

Like last night's sunset,
day's efforts reviewed,
a special light,
a yellowed marker,
highlighting a few deserving

Take them home,
kiss them goodnight,
rest them in the poetry file
that is no file,
but a large fabric box where
sewing tools once stored

How appropriate and
how happy that makes me.
~
Yo! Yo!
Remember your first real high,
That moment
No absolution, no return.
That moment
When you admitted, confessed,
to yourself:

I am
Forever forward,
A home-grown poet.
I am
Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both,
Addict and dealer
A ****** poet

Yo! Yo!
So you do recall,
The exact moment,
God-spark-within, ascendancy gained
You lost control,
Wept words instead of tears!
A ****** poet ******!

Yo! Yo!

Sophie's Choice.
You chose writing over breathing,
Worshiper of the purest pleaure,
******* in deep the smoke-high of
Head-nodding discontented contentment
Stealing anything you saw
For to satisfy the need, the craven
Craving.
****** poets!

Yo! Yo!

Don't you're ever sleep?
Hear that the city, the state,
Gonna methadone your kind
In a special program
Teach you only language to sign.
**** poets!

I am a ****** poet.

The first step taken.
Admission.
Poetry is my default rest position,

My drug of choice.
~
Have you noticed here

Each poet declaims his fellow
The better one, his teacher,
From whom they shall learn and gather up
Inspiration

Gonna run for Congress,
My first bill, Poetry-care,
Will make it a requirement that
All citizens must contribute,
Exchange once a day
To this peaceful place,
Even just a syllable, a single letter,

K?
~
Literally my eyes see words awaiting coordinating,
Poems flying by, needing plucking,
How a child eats his morning cereal,
His rituals informing, of the man yet to be,
How our bodies lay, hair unbrushed,
Tying us into a conjoined knot...

No matter that plain words are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say, about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?
~
The ice of poetry,
glassine smooth
but
charged hardness,
hits you, ****** you,
unexpected snowball in the face,

the fire of poetry,
cherished phrase, a patois,
comfort food when
whole winter skies
swallow you bleak

mutual contradictions of poetry
savaging the soothed ego,
revealing the raging id

what's in a word anyway?
~
Please Pop, pick wise,
the life and lies, the faces and disguises,
I will need employ to achieve success
in the eyes of my reading beholders,
who own the liens on my soul
because of the promises I believed,
when you sang me
glowing lullabies of my future days,
how everyone would love my stories,
my poems, someday...
~
Place your ****** hands upon thy chest.
Let them melt thru and come to rest,
Inside, the battle ongoing, under thy breast.
Watch, eyes open, knowing, fearful.
Swiftly, with no hesitation, from within,
Rip open your body, exhaling the best,
And the worst of what you got.

The cool air rushes in,
Stirring the inside stew of:
Infected grime, shameful desires,
Secrets that should not have been exposed,
The ***** stuff that you alone know exists.

Contact with the atmosphere makes
Self-pity dies, blue blood turn red,
The TNT tightness explodes,
Ashamed, you have only one escape hatch.

Now, you are ready to write.
~
My life is on the boring side,
So welcome gents to look inside,
The surfed sites, the emails, hardly slimy,
But stay the fk away from my poetry!

Tis obvious from your midnight editing,
That my wordily, working body has been discretely
Simonized,
My data,
Googlized,
My poems,
Scrutinized,
A comma, a colon, a verb, out of place, capsized,
Little threads kept in door jambs, their alteration,
Your snooping presence, a confirming revelation
~
Where I write, here, all comes so easy,
Every glance a poem formed,
Every phrase a title to a poem served,
Every conversation overheard and those wind-lifted brought,
A seed, a germ, a word~worm hooked to the pole crook of
My finger saying, see man, time to get more ink and paper,
Go and catch us a few poems for dinner

The snapper weakfish word colors are
Running past my-by the thousands,
We will need a basket to catch but a fraction
Of what you see, more than more enough to share,
Only Happy Poems for all

It is this rhyming way I view the wold,
That is my freedom, is my-present essence,
How the poems come, how thy flow,
Peaking, I cannot berate, rarely eat,
Sleep a thing of the past (as you be aware, beware)
There is poetry in simply everything.
~
But if my aura be a comfort insufficient,
Let this surprise poetic gift awaiting your arrival,
Give you rest, from crying surcease!

For when the who, the why of me interrogatory posed,
Describe me in a brevity I ne'er possessed, say:
He was just a poet, and I,
Just, his lover, number one fan.

This truth eternal, never to change.
~
But I am open to learning, the arduous task
Of raising a teenage daughter,
After I have my head examined

Though I am just a bunch of eclectic electrons,
I got powers a few, like making life's happiness
Hearted happier, encouraging your forays into
You-know-what,
And when tables turn, a hasty retreat you beat,
For imaginary cappuccinos and poems we will meet,
Comparing notes on who felt lousier when...

But what I can do 100% is assure you
There is no lone nor lonely daughter extant,
Your voice not just clear but soft-edged,
For I have poetically adopted you,
Here and now, assuming you sign on the
.............................................................­line
~
Take these words at plain face,
and look not askance
at this fair warning,
for I am but a tragic,
empty vessel for you to fill,
you are the raconteur,
me, just a  
poet poseur extraordinaire,
street urchin, word merchant,
all my verbally, wordly goods expropriated
from the wind,  where your scattered thoughts
lie about, carelessly,
unattended
~
Guiltless in life, we but survived,
Hurting no one, no thing,
Yet, here we lie, ignored, unattended,
Yet, you fail again to see our connection?
You do not recognize us?

We are the shells, the husks of you,
Your poems unread, you labors unpreserved,
All wasted, for unless they are read, they die,
As you will too.
Some fast, by water, some slower, time-eroded,
All, ended, by drowning in the Sea of Who Cares!
~
What sourced this elegiac distich,
Too many poets, fully disclosing their downbeat, aroma of defeat?

The world is in a **** mood, not one of us, got nothing
Good to say, seems that love storms ripping hearts
With no trace of mercy, the radio has elected nonstop
Taylor Swift and Jonas Bro's
Just to make the point!

It is so easy to feel ******,
When the sun is unshining, elegant distich, **** me.

Thinking back, getting a good idea,
Found some long necked Corona overlooked,
Turn on the tv, pretend I'm a real cowboy,
And for god's sake, shut down poetry,
Good Bye Poetry, for the rest of the day.
~
once upon a time,
a traffic light rainbow,
stopped n' go, was a word design,
demarcated visions of spun sugar,
bodegas sold me
magic beans by the pound,
masterminded into cups of delight,
treasury's bounty overflowed,
now, dregs drain, sink stained,
as are my writing utensils,
my ink stained, us-less, fingers

come visit me, unknown stranger,
let us exchange fluidity, barbs,
a contest of kissing, eye lashing
wit ands shared vision stashing,
and together, once more,
write with our feet,
while holding hands,
becoming once more
poets of the street.

Only, come quickly.
~

But reading thy cries, an exercise,
Teeth-gnashing frustration.
It brings no relief.

So sad girl,
Write till you are righted,
May be it will snow on July 4th,
And tho unnatural,
So is thy grief.

Nonetheless, write me write me all about it,
Right us,
For tho snow falls, its loveliness,
Makes the heart rise up in gladness!
~
She brings me coffee in bed.
I propose a violin accompaniment.
Some babka, with nice-crumbly-in-bed
Streusel topping,
A concerto we could make!

Her derision snorted so loud,
The mollusks on the beach
From their shells come out.

"Good luck with that,
Put that fantasy on
Your **** poetry site,
Cause that is the closest you will ever get!"
~
For she will be my heroine for all time,

These words to expand with rhyme and verse,
T'is a welcome task, one familiar, but anew,
Each dawn each dusk, a daily trust, a love poem diurnal-birthed,
As if god created the world, but left upon completion,
With a grievous thirst, a new notion, he did burst.

He created the Eighth Day, for celebration of his
Most cherished invention, the idea of love.
This is where, the secret writ Eleventh Commandment occurs,
Love thy Poetry Gods, Honor them with daily verbs.
~
Officer...you should see me gut a

Poem,

Slice its belly open,
Sometimes straight, sometimes Askew,
Feed the gulls them
****** insides on the dock, by-moonlight,
Can ya cut me some slack?

Mmm, I see here in your license,
You are a disabled guy,
A **** poet ******,
Who often does his best work
Legally all alone in the HOV lane,
So I'm gonna let you off this time
Just with a warning!
~
We can share words, we can grant tiny easements,
We can weep with you unseen tears,
We can etsy you little homemade gifts
Like this.

That you can take and keep, and break out in time of need knowing full well that these words will not spoil nor rancid turn, cannot be out grown,, or torn, or rent asunder in anyway for once they are shared
They are irrevocable.
~
When you write,
It as if you write upon our
One skin,
For I am your tablet,
Your sole/sol/soul composition.

So stop kissing me
and
Write upon us.
~
This will not be the hardest poem I e're wrote,
But if there is no inspiration
For you to smote,
And armpits refuse to provide perspiration,
To source juices for a new creation,
Try this trick,
I promise you
No one will lick your ice cream cone,
Nor mistake you for Leonard Cohen,
But when you are done,
You will be High Priest of
Hello Poetry for the rest of the day!
~
You think you can write?
Then employ  a word outside your comfort zone,
Go it alone,
And write four sentences that will make
The hopeful reader stand up and
you twice as much, and shout

Hallelujah
*******.

Work. Poetry is work. Hard work.
Don't fret. But, think on it. Have the sweetest dreams.
In the morning, when you but awake,
A poem will be aborning in thy mind,
And dare I say it, you will find a new freedom
In free verse.
(I know you will slip in a rhyme or two,
I can't help but do it too)
~
Had myself forgot,
That a poem needs a
Frame of jungle gym sounds,
An aural aura resonance unbound.
Purposed to make the heart lift
Your ears say:

Say what!

It needs a tune,
An internal music,
It needs a lilt!
A cadence, that both
Marches and swings,
Even when'd urgent dirge
grief pours forth.
~
This Sabbath day you fog-hide
Your gift of bay and beach
So quiet implore, beseech,
Keep the sailors safe,
And your poets saved.

I ask much.
But I ask for all of us,
There are so many such
That are booster-chair needy
That I am succumbed, overwhelmed,
Enormity fearsome needs help even from a deity.

Small words, big hopes.

If you cannot grant it,
Won't wait for intervention,
Do it myself, answer prayers one and all,
Best I can, starting now with this
Po-hymn.
~
I used to sleep
With pen and paper on my nighttime table.
Nowadays, my iPad tablet rests upon my chest,
Not only does it keep me warn,
It takes my poems from within, Fresh Direct,^
Edits, credits, and delivers them to your door,
While I'm still sleeping.

Which is why they come at all hours.
It is also why they call them,
Love's Labour's Lost saving devices.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
**So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse.

I am both: Addict and dealer, a ****** poet ******.

It should go without saying
that I go without paying
any attention to you

Your life is my strife,
existence a pun,
and makes you look like a fool.

So you eat lots of shrooms
and listen to Tool...
what do you think that makes you?

When deep is skin-deep,
and piercings eat you,
the tattoos will only accrue

To "tell your story,"
and Whaddup, homie?
until death parts you

From the *** you don't get
and the lies you believe
to sleep at night, ****** and blue

If you were a book,
there'd be lots of pictures
and captions that just read "Who?"

with a  cover to judge
and be pretty true
an accurate description of you.

The Night King Ego died...

The time, the place, the setting:

T'is some hour for sleep, prescribed,
For me, the reality of sleep, proscribed.

The strains of Bach's
Orchestral Suite No. 3 in D Major
Haunt.
Richard II's words
Give pause, precision refinement of my cause courant.

“No matter where; of comfort no man speak:
Let's talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the ***** of the earth”

Two am in New York, sleep,
As advertised,
Literally, a passing acquaintance,
Doesn't make it to
The side of the bed occupied by
100% of me.
Seems he went
From chimney to chimney
This past Sunday morn.
Not having a chimney,
He flue right over me.

No matter.
Company aplenty,
Ego and moi,
We, had a long talkie.
A bit of a wrestle, a staring contest
In a mirror, we watched ourselves,
In the pitch black
where clarity is perfect,
For nothing else exists,
But ego and me,
To distract us.

“I'll read enough
When I do see the very book indeed
Where all my sins are writ, and that's myself.
Give me that glass and therein will I read.
No deeper wrinkles yet? Hath sorrow struck
So many blows upon this face of mine
And made no deeper wounds?
O flattering glass,
Like to my followers in prosperity
Thou dost beguile me!”

Called my lawyer just now,
ordered her to commence
the divorce papers, serve them ASAP,
I need to rid myself of
My oldest nemesis, my oldest friend,
Mine vanity, my ego.

Let me explain
myself to myself.
You may tag along for the ride.

Writing is more important
than any of the individual
Five senses
That feed this addiction.
Without sound, sight, touch, smell and taste,
I can live quite well,
Thankee.

But ****** boy mind needs to write
Simple survival.
No write, no life.

But ****** bad boy ego is a curse,
A contaminate of each and every
Line, stanza,word and verse.

"Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour'd thus
Comes at the last and with a little pin”

At first, for an audience of three
I performed,
Me, myself and I.

But the suckiness creepeth in,
and etches my distorted face,
Salutations and gradations,
demanding confirmation
Of Shakespearen magnification.

Do you like me?
Do you love me?
****** all.

Curse ye King Ego and your vainglorious occupations,
Divorce me, from the sad isle of
Self
Self worth,
Pride, vanity insurance,
The most deadly of the seven
Deadly sins.

Ego desperate in kind responds:

"I live with bread like you, feel want,
Taste grief, need friends: subjected thus,
How can you say to me, I am a king?”

Slime and slippery, want is what you feel,
Taste grief, need friends,
Sly devil, you twist thy cunning tongue,
The reverse, your plain meaning!
You need nothing but subjects,
In earnest and forever praise,
Absent them, you mood and whine,
A pretender, a poseur, a drug addict cursed!

Let us purpose to dispose of thy spirit earthly,
Slow starvation too good for you,
Poison, arrows, the hilt of my blade,
The neck, thine bowel,
Let me embrace,
Prefer your steel hot or cold?

If we both must expire, then it be so, for
My honor taken, my life forsaken,
My poetry in disrepute,
Until that day when I write for me alone,
And ally my scripts, in coffin, with me interred.

"My dear, dear Lord,
The purest treasure mortal times afford
Is spotless reputation; that away
Men are but gilded loan or painted clay...
Mine honor is my life; both grow in one;
Take honor from me, and my life is done."

December 25 - 28, 2010


Stuck in Miami, Florida, because of bad weather in NYC.
Composed after reading the poetry of Campbell McGrath, who lives in Miami.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
­
electric pinpricks of
unfamiliar red and green lights,
bedroom traffic guidance
courtesy of a stranger's
tv and cable box,
an emblematic totem tonight,
of my physical dislocation,
reminders that I'm enslaved
by weather machinations.

I lay, resting uneasy,
in a strange bed,
one night too many,
snow storming in my head
snow storming up north aplenty,
a blizzard of ruminations are
my white coverlet,
while stuck in Miami.

faraway drifts have
force fed and freed
an imprisoned restlessness,
a multipurposed, slashing.

Miami midnight incision has
let out the bad humors,
let in an unfamiliar odor -
lechón asado,
which texts my Pharisee nostrils
in Cubano,
words muy ironico,
a single waking thought,
"who ya kidding?"

Everglades rain
imported from California,
recycles on rooftops,
thrumming a heart beating,
syncopated, watery refrain,
a regifted heavenly present.

the sound waves mark
as a barely undulating wave,
inside this super soaked brain,
that transforms wine into water
and scan lines into these letters,
"who ya kidding?"

all this exponential signage
of this NYC boy grousing, are his
defrocked muses annoying,
with a serenading blizzard
of one trick pony repetitions,
coronets trumpet his unmasking,
this essay, a revelation,
a product of their
harmonious discordancy.

a single note crowns his head
as he weeps whole food
organic, non-recyclable tears,
products of his new inquistional,
a self-inflicted interogatorial,
"who ya kidding?"

compiler of an
occasional talented catch phrase,
strung'em together like
cheap pearls,
pretensions of literary acumen
once populated his Id,
articles of spilled word *****,
but Florida rain has cleansed
his Northern haughty pretensions,
with an injection of truth serum,
a pharmaceutical wonder of
a local poison labeled,
"who ya kidding?"

A day laborer, nothing more,
rise up at five, brown bagged,
a client of Mammon's *****,
soul sagged, life hagged,
a sum of cultural cliches,
a cell phoned baby boomer,
a would be millennial,
constructed of paper mache,
who on occasion,
has been known to say,
"Let's play poetry today."

the poseur chokes
on this new poison,
delivered by unhappy stance
by the arrows of his
current misfortune
for he now suffers from
the deadly disease of
"compare and contrast."

a slim book of poems
of Campbell McGrath's
(his phraseology,
a veritable theology)
shoos the blues traveler,
over to a funhouse
where an honest magic mirror
cuts him down to size.

his poetic aspirations,
a residue of self-infatuation,
are summarily dismissed by
the truly gritty, quick justice
of a master poet's
"who ya kidding?"

so watch how a would-be
poet disappears,
in a barrage of bullets marked,
nevermore,
his dignity, more than hobbled,
his cheek, gone, gobbled,
his juice, a currency unaccepted,
his holiday present,
a ceasefire of conjugation,
a cornucopia of declinations

dare I ever write again?
who indeed, am I kidding,
other than myself?
I am an addict, not a poet.

To Sleep, Perchance to Dream

Let me explain.
This poem is about sleeping, dreaming,
the failure of my inadequacies in poetry to heal.

Three years after its birth, it is exactly what I am feeling this day.
It is long rambling and you won't stay for the whole movie.


~~~~~~~~~~~~~~~~~~~
Erudition is perdition,
dreaming in words, accursed,
death to the visionaries,
release from visitations
of over-staying, unwelcome guests,
Johnny Cash, Jesus,
Forefather Jacob, Bobby Dylan
and their whiny,
smug-smiled missives
on behalf of the
all knowing, dream invader powers,
who
just-happens-to-be-know-it-alls.

These guys,
sub rosa angels,
electioneering,
hand shaking  
you into dreams
that make you wonder              
unceasingly  

I have renounced chants n'
dreams that
wander                              
meaninglessly

so if there is no
repeal of the stupification
of the human condition,
just invent words that  fool
willful and mostly please
nobody

don't ask and don't tell,
then we can agree
that a life,
its peculiar
Hallmark Card of grief,
cannot be
disambiguated

yours is yours,
different from mine,
single poems cannot solve
multivariate equations,  
un-blow mind sensations
that circumnavigate my mind    
as I edge along the
borderline tween the
United States of self-realization,
and a State of Mexico
drug-induced, seductive and
self-administered pat down,
a colorless, tasteless, dreamless
evening in the company of
a rest-once-and-for-all,
sleeping pill

Repudiate yourself,  
privately you
hyperventilate,
but others willing to borrow
those surfeit of rapid
misunderstood breathes,
stored in brown paper bags,
that will be divided
most ingeniously by the
Misappropriation Committee
for wordy oxygen tanks,
desperate for refilling

Recant, Renege,
Renounce, Repeal,
Repudiate, Retract,
I herby foreswear
all previous poems, please
Return them

Back, send them,
so, I can end them,
desist any new arrival of vaniloquence,
direct 'em to  the trash box of inconsequence

My wrongful w-rightings
are now cashiered,
my cool is in mourning,
my plateau is flat but
upsided downded,
words drownded,
both sides now, spring silent

Tried to swim to safety,
to Spanish Harlem
but no hablo espanol,

In Miami, they done me in
for the crime of
insufficiently thin,

In Ghiradelli Square
they deemed me too blond
not 'ciscan enough
yet, in Frisco fairness,  
done deported me,
making me to choose
tween Los Angeles and/or
Orange County

So, poet poseur, where you gonna run too?

My better half sleeps,
my left half weeps,
so conditions normal.

Satan laughs,
offers me ***** or poetry,
knowing full well that having
foresworn, addictive wordmongering, liscentiousness
that a single letter
would stupor me into a
drunken poetry slam at
St. Paul's Church,
into Satan's collection box
of wordy sinners,
where lost souls, ex-poets,
prevaricate
vainly, in hopes
that anyone will let them
transubstantiate
in order to avoid their
expiration date
on Stub Hub

surrendered the master key,
turned in my ID badge,
opened inner sanctum no more,
poetry boy is ratiocinated,
peril dispatched, swear that I've
excommunicated the voices
determined to disintermediate

the compromise I've reached,
help is contraindicated,
ex-officio is my new grace state

please, devices decontaminate,
otherwise, poems disintegrate,
excoriate them, don't wait,
to disassociate'em, insufficient,
remove them from hard drives,
yank'em one and all!

let the diet begin,
no more food for thought,
no more dreams
wrought and recorded,
permit the ambient calm
of the still of the night
that engulfs,
to harmonize with the flatline
dreamless sleep that the
mind monitor machine
etchingly, quietly records

let hours of research
be rewarded,
by my imbibing the product of
laboratory pharmacological
fine tuning

***** S.,
what outrageous ego
let me suppose that in
mine own words,
I could improve upon
your lovelies,
with now bland homilies,
recitations of my anomalies

What id sexed my brain,
was I completely insane,
to imagine that I could
improve upon:

"and by a sleep to say we end
The heart-ache and the
thousand natural shocks
That flesh is heir to,
'tis a consummation
Devoutly to be wish'd.
To die, to sleep;
To sleep: perchance to dream:
ay, there's the rub"

Finished: Nov 27, 2010 4:44 AM

1.
there's a gun in your hand that doesn't belong there, a windmill where your heart should be
painting on the inside of someone else's skull screaming "i don't give a ****"
did your voice break? OH MY GOD YOU DISEASE
YOU GREAT UNDERESTIMATER, YOU FILTH
THIS IS WHAT HAPPENS WHEN YOU TURN A PERSON INTO A JACK-O-LANTERN
scooping out seeds for your masters degree
"new advances in science every day" can you smell the ink drying on the back of your wrist
ghost stories arent the same thing as ghosts
"why do hospitals think white is calming" and other laments
sorry, i mean bulletholes
sorry, i mean manmade caverns, tunnels built for metal to crawl its way out of membrane
question: what kind of science experiment requires a human corpse
answer:
answer:
answer:
you will never understand the answer to this question.you will never understand why someone stands up in their seat, screaming "i don't give a ****"
its raining outside.its raining outside.seven of your family members are lying in trash heaps,limbs discarded
and you don't know this yet
but it wasn't my fault.it wasn't me this time (stop looking at me like that
tail clenched tight between your teeth
you smell like a swamp,oh god)
choking to death on someone else's blood: typical.you're a cliche
this has happened before, hasn't it?we were murdered before,
but you don't remember that, or you do but youre pretending not to.tend to
your wounds, lick the blood.
papercuts are a gateway drug
you used to be something pretty.shiny and unkempt,
pretty and a ***** kinda clean:i wanna rip my own throat out
carve triangles in the pit of my stomach so
at least part of me will know how to smile.
clawing at yr eyes like itll make the flies go away
its in their nature
god,what kind of monster are you
what kind of beast.
everything you know up in flames:wither
do you know how fast human bodies decay?welcome to wormfood.welcome to paradise
coughing up tar and feathers "you came prepared"
for what?for an execution?happy doomsday
punch the wall.rub your knuckles.try again
make it bruise
****** and mangled, paint chips cutting off your circulation
YOU JUST NEVER KNOW WHEN TO QUIT DO YOU
youre so kind.thanks for everything,thanks for
the hollow chest,thanks for
****** fists
(you knew this would happen eventually
can you even take a punch?can you even take a punch?)
severed conscience, or whatever it was.
"No One Will Miss You Anyway"
is that what theyre saying?
your nailbeds are sticky
soda and something sweeter and dirt
you had so much to live for,until you didn't
(isnt that what they all say?god,youre such a cliche.)
found dead or dying,isnt that how it goes
no one just drowns
"we have reason to believe--"
you can hear every star dying,all at once
kneeling in front of a toilet that starting to look a lot like you
theres a gun in your lap and a bullet in your head and you dont know which one to trust
this isnt your fault.this isnt your fault.
clean yourself up,god youre disgusting.
how to say your name without choking on it
holding hands with a girl you never met
isnt this what its supposed to feel like?arent you supposed to feel full?
emptiness is your native language.the hollow space in your body echoes back at you
chimneysweep swallowing dust clouds,brushing their teeth with acid and magellanic galaxies
JUST STOP, SHUT YOUR MOUTH, GOD IM TIRED LISTENING TO THE SOUND OF YOUR SCREAMS
paranoia is smooth, blurry around the edges:
its not your fault you couldn't meet a deadline.

2.
war in your sheets and the soft folds of your belly
(and in the soles of your feet
i feel rough ground, rocks pricking into your skin
do you smell blood?)
not quite human, but vampires havent scared you for years
"**** me dry" can you taste it yet, can you feel the fear crawling up out of your stomach
your throat is so empty, a cavern without bats
stalactite secrecy pooling at your feet: this is what it feels like to be alone
sorry about the mess we made
sorry about the paint on the walls
scrubbing glitter into your arms,rubbing skin raw and red
arent you pretty? arent you pretty?
tombs cracking, mausoleums wishing for more graves to dig
havent you robbed enough for one lifetime
write eulogies for people who havent died yet,this is your calling
arent you pretty?
WHITE NOISE ON REPEAT, 10 HOURS
boxed wine stinking up the trunk of your car
(well,that and something else)
dont feel sorry for me darling
you say my name like it’s killing you,and maybe it is
thanks for the flowers and the card,what kind of greek tragedy is this
are you tired? are you tired?
what a spectacle
you,lying on a bed that doesnt belong to you,dying without permission(How Rude!)
dionysian struggle,and look,now the wine’s spilt over everything
i told you this would happen
what a pretty train wreck you are!2:30 am,still alive,
god youre bleeding on everything,how rude.how rude.
heart cut out and beating three thousand miles away under your mothers bed
oh,sweetheart
YOU KNEW IT WOULD END LIKE THIS,dissociating,can you feel the earth bend away from you?
what a demon
crust,mantle,core,screaming at the sight of you
when was the last time you believed in magic,hands on thighs
walls of the abandoned building screaming back in your face
(“i don’t give a ****” like someone can hear you
like someone cares enough to listen)
a broken Bic lighter/someone else’s EpiPen/a ****** handkerchief, shoved in the pocket of a jacket you dont remember buying.
wrapped up like holy things and you think maybe they were one time
“******* with no end” god youre so cool arent you?how edgy,how punk.how grotesque, the mess on your hands.
shouting your **** streak in the dead of night
is that supposed to impress us?are you putting on a show?Holy Prophet
here to forgive your sins
a woman sitting across from you is bleeding and you imagine swallowing her hands whole
“just let them win this time” how sweet of you,how kind!
this isnt my fault.this isnt my fault.
im just a corpse,remember?i hope you regret every part of this
i hope you choke on her fingers and i hope you die
MY GOD IT MAKES ME LAUGH
painted in the image of god:how funny.how sweet.what a nice thought
you called me a weapon like it was supposed to mean something
like it ever did

3.
mistaken king centuries old stepping on Holy feet
(can you see him?pressed up against the grass trying to disappear
god, what a ******* poseur)
frostbite kissing you,what a nice sentiment
crying with joy as it curls around you
“you just gotta be numb to it, you know?”
please marry me, oh god, i’m in love with you
my heart beats thirty feet out of my chest when im around you (that’s what love means, right)
you feel it ripping you apart,glory
smell stardust in the air and then stomp it out
it never mattered that much anyway,or at least that’s what
you tell yourself
you move like it’s your death wish, like “better here than somewhere else”, like
they taught you how to bleed in all
the right ways.on cue. on cue.
broken telephone wires/that Bic lighter, again/a pile of pumpkin seeds digging
into the palm of your hand
How To Cauterize An Open Wound
torn skin, and blood, and maybe some of your intestines, too
stick knives in your stomach(look, we match!)
there’s still a gun in your hand and it’s smoking and you don’t remember firing it (but that’s
okay, isn’t it? this has to be okay)
you built a shipyard in your ribcage,sent sailors off
to die in your throat
choking on a swarm of ******* bees
youre so cool arent you?youre so cool arent you?
you feel the ***** coming up ten years before it actually does, feel your stomach
bloating,the stench of it all
terrariums bleeding onto the streets, how ugly.what a putrid sight.
youre missing teeth,mouth gaping open
stubbed and ****** where nothing new ever grew in,
don’t know know that hate breeds hate
precious metals ooze off your tongue, join the parade! fall into
a stupor,
collect your wits and die,just die.
“i’m sorry for your loss” written on twenty different greeting cards, did you
think i wouldnt know it was you?
i bruise so easily and you know this, even with a gun breathing heavy against your ribcage.lace spiderwebs
around your neck and pull them tight this time
lighting fires with one hand,putting them out
with the other
YOU’RE SUCH A ******* MARTYR
YOU GRANDIOSE *******
your shoes are too tight, your toes are turning blue,
and i’m still in love with you even though
i don’t even know who you are anymore
god, im a cliche
does that make you happy?
god, i hope it does
you tell me, “poems are supposed to have a rhythm”
smiling like i just said something funny
i’m sorry about the dead flowers.im sorry about that night in the living room.
sorry for the things i said.
the feeling of being in motion/radiation vibrating across your tongue/a handful of snow
listen to the church choir singing--
in. out. dead. it wasnt your-slash-my fault
you say it outloud:
“your-slash-my”, the only way you can tether yourself
to something else.
someone is digging into the small of your back (ill
give you a hint:its me)
can you feel the talons? you take off your clothes, press
your body to the concrete
let the frost build on your spine,your fingers,your
legs
kiss the spool of ants where your ear used to be
swallow hard.
o, songbird! o, thrush!
the mellow winter calling (your mouth
curves around the word vociferous like you cant breathe without it--
this was always my favorite part)
“who told you the ending” and you say
god,  i just knew.
holy, holy, holy, swept off the palm of your hand like dust
rusty spoons and nails And Other Artifacts pooling at your feet
***** with revenge, or desire, or both.
[ SEVEN HOLLOW CHAPELS SINGING ABOUT LONELINESS ]
dont bury this too.not the bibelots, not the science experiments, not the smoking gun
carving itself into your palm
you will forget the ships on the horizon, the feel of someone else’s stomach beneath your hands, your tongue, your skin.
all these things, too: she said.

/the creeping shadow, attached to a closing door.

when i hear,
       the bourgeois
                              (and not the bohemian)
recitation
                                      of poetry...
   a bell in the church
                    of my cranium
starts ushering
   but the fewest of words
to suit simple sentence,
   much more grandiose
than the off-shoot
of the cartesian precipitation
   of thought bypassing
doubt in order to be a static: be -
as a precursor of being...
          i, monarch of the night -
ich, herrscher von die nacht...
      see...
  21st german...
        ****** for
                the eyes to see a prodding
tongue
rather than a trained monkey
of a tongue...
        potency on a canvas
                                of english.
i can already see them
coming for the poseur bohemians...
  which is just an extension
of the communist attack on
                              the bourgeois...
and to think...
       my poetics was born on
the roofs of a construction site...
scottish widows HQ... near st. paul's...
with an odd phonecall...
    a past lover...
       bemoaning the experience
of auditory hallucinations...
having made a haggis of
        m.d.m.a., l.s.d., marijuana...
and god knows what else...
         turns out i numbed what
                                       love i gave...
       der would imply a specific night...
from what i gather...
               and the earth cried: fowl!
   when cain, without abel,
   attempted, and later did:
        take his own life...
               not that i will...
         without prior to seeing
                the queen elizabeth zee zweite
funeral procession!
             who could be stupid enough...
to take their own life...
not wanting to die...
  just after they burry the lime and lemon
and rasberry icecream hue attired
colour of cotton lady?
you'd be mad to miss
                the new print on economic
toilet paper...
  with ol' charlie at the head
of titanic...
                   c'mon...
                       do your thing...
       but wait till this one mortality
                                       plays out...
and then: **** it! hey presto!
                          the wild west is here.
but "they" are coming for the poseur bohemians...
          the bourgeois' children...
i "know" it: i smell it...
                          i'm all pavlov about it.

Dedicated to you.
Fair Warning: a long road ahead*

MAJOR WARNING: Anything you say can and will be used...


Excited utterances,
Acerbic witticisms,
Utter stupidities,
Elegant inanities,
Can and assuredly will be used
Evidentially, eventually,
about you in the court of poetic justice,
as inspiration, original source material,
proofs of our collaboration
with the enemy,
whom Pogo fathomed long ago,
is us

A Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for future sketchers,
inspiration for future poets,
far, far better than me

this dishonorable, low repute,
poetic eavesdropper, poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible trash,
the trite and tragic,
the pith and prissy,
the calm and hissy,
all your lovely revelations
of human frailty and asininity, most
adorable

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charms de notre
humanity

Even your silences are
most curious fodder,  
the sighs you sigh so hard
and yet again, even harder,
unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant genetic,
absurdities

Rembrandt will honor us,
we, the Comedic Elders of the City,
paint us upright avec expressions
most suitably gravitas,
but see the poetic jester,
find him underneath the table,
in manner most levitas,
out-sticking his protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny

When I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars
dicker and obfusicate,
delve and explicate,
each turn of phrase,
write tomes on the catacombs,
where in jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes of our mutualism,
your edicts, pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  

You err most grievously,
if you relegate this note
to the dustbin of simple ditties.

Take these words at plain face,
and look not askance
at this fair warning,
for I am but a tragic,
empty vessel for you to fill,
you are the raconteur,
me, just a  
poet *poseur extraordinaire,
street urchin, word merchant,
all my verbally, wordly goods expropriated
from the wind,  where your scattered thoughts
lie about, carelessly,
unattended

Mock me not,
for anything you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived embarrassments

A fevered dream you might say,
rumors and excuses of
visions of drug induced haze?
a theorem most plausible,
but the redacted versions will not conceal
that all my words were Indo-rooted in
a dialect called,
collaborative

This I pen
as apology, thank you note,
written notice, subpoena served,
for as long as you emote,
my fingertips will gleefully record
with love abundant in their artful device,
your mutterings, putterings,
and in cahooting,
right here, shall be,
wrought and wrote,
treasured and kept

Autumn's eve, tinting leaves, the breeze creates a gentle hiss,
     A sun shining bright, wooded air
     that bites,
     Would meet to kiss, rebirthing night.
A hunter trawled through forest sprawled,
it flowed and rose before him,
     With him came prose he must
     prepose the winter snows that awaited,
     The winter snows, would end his hunt,
     and so off he set with a subtle grunt,
     To complete his latest autumn hunt,
     a stunt raught with err.

A fortnight prior, the hunter slept in a spire, a vision came as he did tire,
     A shimmering gold figure, whose shape
     bent and flickered,
     With haunting words it smiled and
     snickered;
     "On a jaunt to forest haunts, not an
     arrow shall be nocked--
           --lest all effort be for naught."
The hunter gave the lot no thought,
     An archer, he is, a prophet, he is not,
     And so was his steed set off on a trot--
           "--Lest all effort be for naught."

A hare was eyed, time now nigh, prey and predator had arrived,
     Hunter prepping a bow draw, as hare
     gingerly awed and gnawed,
     As hare gnawed, a warning walked, out
     to the hunter's mind,
     Reminding him, to his chagrin--
"Not an arrow shall be nocked," inside his mind it ticked and tocked,
     Words flicking like hands on clocks, the
     ticking clock, he cleared with knocks,
     And so he returned to his stalk, but once
     an arrow then did nock--
           --Alas, all effort was for naught.

The ground caved in, his head spins, as his punishment begins,
     Take from the forest, and the forest
     takes back,
     Our hunter grasped, as he fell to black,
     his dream was no dream, but real life,
     He strifed over omens, regret that stung
     like a knife,
     But descent had already begun, with
     darkness endlessly growing rife.
He had spent his whole life gloating,
     now he felt as though he's floating,
     floating deep to an abyss,--
     Nay, not safety, nay, much darker, nay,
     unnatural-- nay, remiss.

Body meets tension, and blood meets a flood,
     A splash, and a crash, as the hunter fell
     with a thud,
     He had berthed on a river, clothing and
     blood curdled with mud.
Awoken from slumber, skull pounding like thunder, his mind felt asunder,
     Rolling over a flower, he climbed
     from the river,
     Perverse cold forcing a shiver, as he
     looked to the sky, and began to quiver,
Onyx above, with a moon shining three, scouting around, he shan't find many a tree,
     Or any sign that from this hell, he'll be
     freed--
            --Lest he notice the shimmer,
              approaching with speed.

The shimmer approached, the hunter recognized he,
     The shape from the vision, that whom
     warned thee,
"I see that my warning, thou did not heed, now thou must travel, if thou wished to leave,"
     The words strengthened the thunder
     inside the head of our hunter,
     But then he spoke, with an intrigue of
     wonder,
"Where must I go, with my head pounding like thunder, and self so asunder?"
     The shimmer glared, its gilded eyes
     flared, freezing the hunter like snares,
"Voyage to the Druid, speak to thee, ask for relief, and thou shall be free, but when the deal has ended, have not a spare thought--
            --Lest all effort be for naught."

And so the hunter travelled endless night,
     Bulbous purple pods glowing on the
     ground, providing light,
     As giggles from around echoed, causing
     fright.
Our archer saw faeries, goblins and elves, hiding in the shadows, deep they'd delve,
     Child's fairytales, nay, did not match
     the whelm,
     He felt as if in his own mind he'd lost
     the helm,
     In the so unknown, yet familiar realm.
At last up ahead he saw a light, the shine of a lantern, a beacon in the night,

Ahead lie a hut, a small abode, he set for the door and trekked the road,
     He made it to the home, hoping for
     luck,
     He grabbed the doorknocker, adorned
     with a buck, and rapped three times,--
--"My door you've struck, and summoned me, state your name, or propose a plea."
     A frazzled voice from the other side, so
     quickly, the hunter knew he had little
     time,
     His thoughts, a clogged drain, but finally
     became fluid,--
            --"I, the hunter, wish to speak to the
              Druid!"

Inside the shack, the two had talked, after the knocked door was locked,
     The hunter had the holder chalked, the
     Druid she was, and so he hawked,
     Asking, pleading, and begging for help,
     until she finally talked,
"I can read your future, boy, I'll call upon my Tarot, but in exchange, when comes the First of Snows, you must not lie low."
     The hunter was perplexed, reluctantly
     he agreed not to cower,
     The Druid then laid out all three,--
            --The Fool, Eight Swords, The Tower.

"Before I explain the Tarot to you, I must ask a question too,"
     The Druid spoke with wretched ardor,
     But as she hissed, our hunter had to
     listen harder,
"Do you know, the shimmering glow? It's the one who shares your fate,
     But beware its trap, within a snap,--
            --You could both open the gate."

The Tarots meant only one thing each, Naive, Hopeless, Doomed,
     Shocked by landing on The Tower
     locked the hunter into gloom,
     Then the Druid had one last warning,
     a mourning that froze the room,
"You will find that Tower, boy, and you must hold our deal,
     Resort to zeal, and turn your heel,--
            --And The Tower will be your tomb."

The hunter tripped and left the Druid, rushing back on trail,
     His spirit felt as though a fawn, frail,
     and his path like a train, on rails,
     But he knew as the wind did gale, and
     freezing rain began to hail,--
            --Traveling the veil, he mustn't fail.
Then he sauntered off to wander, not a stretch away, he sensed a haunter,
     He saw a damsel, through rain's silky
     curtain,
     Looming, deep within the black, a
     vermin frame which flowed as glass,--
            --To persist, to leave, that which
              he must pass.

A serpent, it slithered, our hunter shivered,
     A feminine side revealed, as it got closer,
     a familiar poseur,
     Our hunter had to steel,
     But as the ghastly creature neared,
     his composure wept with yield.
Half-snake, half-woman, it spoke soft and slow,
     "You're brave to show, you're weak here,
     useless I'd say-- the Tarot told, I heard, I
     know!"
     As it spoke, its tail flickered, eyes alight
     with rosette glimmer,--
            --Our hunter knew, he'd met a
              trickster.

This snake, it claimed it was part of the hunter,
     Part of the hunter, surely a blunder, he
     was no viper,
     But the snake became hyper, its voice
     high like the shrill of a piper,
"I know you and you know me, but your feeble mind, it cannot see!
     I would say to look within, but you're
     powerless, you couldn't even begin!"
     The snake had spoke with a giggle and a
     grin, and quickly turned sour,--
            --"My name is not snake, please, call
              me Flower!"

Flower ended up a consort, nary a slithering foe to thwart,
     They'd walk and they'd chatter,
     The soothing rain's patter, appended by
     small creatures scatter,
     But before long, Flower had stopped,
     with something the matter,
"A mirage, I've sensed, do you feel it, the air ever so dense?"
     The thought forced the hunter to tense,
     he felt the air, ever so dense indeed,
     But Flower he could read, her face
     screamed with plead,

"The Tower, it's here. The one from the Tarot,"
     Flower spoke slow, speech reaching a
     crawl,
     "I can bring the Tower, it will use all of
     my power,
     But you must keep your deal, you
     mustn't cower!
     Within you will always be a friendly
     little Flower,"
Her tail flicked, she smiled, "Close your eyes, archer," and so our hunter did,
     Alas, when he opened his lids, his only
     ally was rid,--
           --A Flower replaced, by a tower.

He took a moment to reflect, upon the roads that he had trekked,
     The warm river, the safest he'd felt,
     before he was shook by a jolting, cold
     shiver,
     The druid, the scholar of fate, the
     friendly mystery from whom he hid,
     Yet Flower, the extension of him, a
     snake he'd judged and wished he'd
     forbid,
All assistance lost, warmth had turned to frost, as he looked to the tower, he did fraught, but he must begin,--
            --Lest all effort be for naught.

He entered the spire, and his soul felt dire,
     As he seeked up to see stairs seemingly
     spun by a spider,
     The climb felt wholly bleak, but he
     summited the peak,
To the top suite he'd sneak, and look in with a peek,
     To see a familiar physique, shimmering
     and sleek,
     As he scouted the room, lost in ornate
     mystique,
     His legs felt swiftly weak, a lavish floor
     creaked,--
            --And this piqued the figure,
              who began to speak.
    
"Thou hast found the Tower, the Druid, and the Flower. Yet the taste, it still seems sour?
     Worry not my hunter, ye need not scour,
     your hunt has reached its final hour."
     As peril did flow, our hunter did know,
     and reached for his sidearm,
     His trusted bow.
"Sheathe thy fury, and do not worry, just enjoy my show,
     Set down thy bow, and peer the window,
     But surely, thou already knows--
             --Thou hast reached the First of
              Snows."

The light had lingered into night, soil stifled by ivory plight,
     As the hunter twisted back, he heard a
     composed crack,
     The figure had snapped, and the walls,
     collapsed,
     Then they were out in the sleet, the
     frigid air a silky sheet,
The indigo sky danced like a marionette
of winter,
     A violet aurora, sliced through like a
     splinter,
     Iris flowers in the wind, shuddering
     with a shiver.

"Thou art getting what thou desired, dear hunter,
     Or doth thou wish to wait and wither?"
     The voice of the shimmer, it spoke with
     a chill,
     As if the snow had forced it to a shrill,
     The hunter felt a thrill, as in a glance,
     the shimmer's intentions would spill
     from its stance,
"Thou knew this would come, I know thou hast great skill,
     Alas, thou art a hunter, now come
     for the k*ll."

The hunter drew his bow, and an arrow he nocked,
     He could feel his heart ticking, counting
     down like a clock,
     The shimmer turned pink and purple,
     with eyes black, like a portal.
"I never craved to hurt thou, yet thou broke thy own law,"
     The shimmer had said, but yet it stood
     still in awe,
     The hunter thought he was ready, he
     locked on, then draw,--
          --Then he felt a pain, a thrash, and
            his heart began to thaw.

He looked down and saw crimson, a **** let loose velvet ribbon,
     He fell back to the snow, and as he
     gazed skyward,
     Up stepped a purple glow, to look at the
     hunter below,
Their eyes met, and at last, true nature would show,
     The hunter's woe, he'd finally know,--
          --Was the furthest thing from a foe.

Behind the figure a gateway, a gateway of silver,
     Then the figure turned grey, his
     shimmering grew dimmer,
     Defeat still boiled in the heart of the
     hunter,
     It was met with ease, and the two
     would melt and simmer,
"Our bond is obvious, certainly, dear hunter, just as our dreams melt in snow,--
           --My heart ignites, infernally."

It was then the hunter noticed the arrow,
     His shot had hit, but the shimmer shook
     it off, unevenly harrowed,
     Then the hunter's vision narrowed,
     and he realized his last arrow, he'd split,
"I didn't want thy death, or mine along with it,"
     It spoke as if for two, and open the gate
     flew,
     "We're connected, me and you, I need
     not be blunt,
     I loathe to see the river dry, alas, there's
     an end to every flow,
     But blood in the snow, under a
     violet glow,--
          --Befit to end our hunt."

close proximity word-compounds are sometimes the hardest to invert onto themselves, to craft a chiral pivot, notably due to the suffix-blindspot of the non-differentiated prefix antonym, even more so, when guarded by close proximity of words such as hubris / hiatus - esp. when was begins one's logical approach, inducing a misnomer tangle - due to the overtly laden verbum similis; and these little schematic squares of extremely confrontational, but also the more so extremely cohabitable ref. points, will always be harder to master, than say: a rigid rhyme schematic of a sonnet.

all this current talk of protecting free speech,
cf. with the writing i'll cite -
well, so much for a freedom that can
invite both the sophist and babbling of
slanging slurs -
      all in all, in defence of the "freedom" of
speech, is just as well, a: freedom for
idle talk - and if not idle talk, then simply
politicised intrigue, that once gained
the ears of salon ladies at liberty to an alt.
to ****** arousal.

and how did this come about?
   oh... well, what people talk about now,
is what people thought about in the 1920s
and the 1930s...
                  
as heidegger points out, regarding a herr
oswald spengler - der untergang das abendlandes
(1918 - 1922 vol. 1 & vol. 2 respectively):
the famous suggestion of a *decline of the west:
paragraph opening -
          why is herr spengler in noting
a decline? not because of the heroic optimists
being correct with regards to this apparent
decline - modernity as the unfathomable
stretch toward a status quo eternity -
and with darwinism, the theory of relativity,
the big bang, quantum physics -
there's about as much worth of a question-worthiness
these days, as there is a needle's worth
in a haystack of airy tumbleweed answer-unworthiness...
these former optimists of the decline
   have turned into ardent pessimists of
there even being a decline -
      
the oeuvre of psychology did the most damage
in the end -
   still mingling with an archaic sophistry of
astrology, tarot and the voting ballot -
       no shred of a doubt that we live in a one
way street of: answers & denials only, please,
questions & doubts, ooh noo noo noo!
         we do not live worthy of a question -
since by question we mean: ridicule being
the only appropriate answer deserved by
asking a question.
              
    it came with the change of hiatus between
   the two factions -
   once the optimists took to hubris -
                   the pessimists take to hiatus -
if we called them heroic optimists -
we now call them optimists in hubris -
  once we called them lunatic pessimists
and ultra-religious leash bearers -
     now we call them: young people who
forgot to take chances, risks, and thrills...
  cushion padded wet charcoals that
have as much potential to burn as -
                               a dolphin getting dry.

and aphorism 105 (VI) does just that,
   100 years ago by my circa approach -
'the west will not go down, primarily because
it is too weak for that, not because
it is still strong.'
  which is why i ask: is free speech anything
to defend these days, when free thought
echoes so many years later,
  and what is now considered "free" speech
is merely idle superstition regarding
a "revival", the last supposed push?

there's absolutely no honour in kicking
a maned dog,
                    and in that act: of kicking
a maned dog, or giving a bowlful of bones
for a toothless dog to nibble on
is just as well... might as well spoon out
the marrow and give the old hag of the west
a pâté to slurp...
        yes, orthographically speaking:
very pedantic of the french to bend the macron
into a circumflex -
sure, ain't pretty, but i can assure you:
i'll be technical;

what the west can be thankful of is that it's
the first culture in decline,
   and once a culture is in decline,
among so many others, the others follow suite -
like a spread of cancer,
or any other plague -
     it probably begins by the european
decadence in not respecting antibiotics -
  infesting themselves with superbugs -
or thereby managing to craft some sort of
immunity to them...
  and they say that ****** if baah baah baad...
big pharma never kills, does it?!

i'm still confused on a close proximity akin
to thesaurus logic of synonyms -
i.e. decline of the west = heroic optimists of the decline
        (it must surely happen!)
or is: decline of the west = pessimists on hiatus?
                  i.e. it will never happen!

ah! that's what it was: i was thinking of hiatus
but wrote hubris instead... d'uh dum dum...

  i.e. the roles have changed -
now the pessimists are engaged in hubris -
                      while the optimists are on a hiatus:
the whole - i told you so...
             the whole i told you so since the 1920s
is irrelevant these days,
   given the great america never again ended
at the beginning of the 21st century...
                    the monologue from the grand ***
degraded from the grand satan is hot puff and
cinnamon smoke...
          
       once more: what is relevant about what's
being said these days? as much as was a passing
observation in the 1920s?
          i hardly think so...
   the so-called freedom that only gravitates
to idle-chit-chat and poseur antics of bravado?

given that not much is questioned,
   and whatever is questioned has lost its allure
to be fresh, to be alarming,
   all the questions asked are plagiarisms,
a dead-end, in imagery: a library with only
one book in it (i mean, a library brimful with
books, but all these books are the same book);
which makes these times so
answer-unworthy - is that they come so
easily, and are usually borrowed from
the same anglophonic sets of ideas,
regurgitated chick food from the peckers of
their parental guardians.
            
         well, if you live in times when people
have that idiotic audacity to ask a question
like: what's the meaning of life,
  why are we here, how did we form, etc.:
   all these inessential "essence" questions -
          and about as many historicals gaps
of memory lapse as a drinking session with
oliver reed in between...
               the only question goes something
like this:
   and ? found myself walking around the house,
walking by a mirror, ? peered in,
   and without a narcissus to mind
to slowly build a curiosity that would turn
into self-love, ? exclaimed: !,
   after which ? steadied by pace of questioning
adding the much needed: ?!
                      
what's as good a questioning dynamic / schematic as
you're going to get, these days.

She was always saying she’d **** me,
Was violent in word and in act,
But a heart of gold, so her friends have told,
They say it as if it’s a fact.
But they’d never had to live with her,
And often, I think it’s true,
That you only know what’s in somebody’s soul
Whenever you have, or you do.

They thought her the life of the party,
All giggles and kicking up heels,
When we were alone, she’d curse and she’d moan,
Just ask me, I know how it feels.
She’d slander each friendship behind their back,
While they were left thinking it fine,
I didn’t care much for the friends she’d attack,
But then she’d get stuck into mine.

They’d not see her tempers and tantrums,
Weren’t there with her stamping her feet.
I’d heard it said she was good in bed,
She’d wrap herself up in a sheet.
She gave out that she was broadminded
Would flash both her cleavage and thighs,
But never at home, when we were alone,
She’d do it for all other guys.

I never could do a thing right for her
She held me in bitter contempt,
While I’d try to raise her, to lift and to praise her,
She’d just say that I was unkempt.
I took her one day for a picnic lunch,
We sat at the top of a cliff,
The weather was balmy, I thought it would calm me,
It did, but her manner was stiff.

She soon resurrected an argument
I thought that was over and done,
My mind was quite hazy, but she was stone crazy,
And soon she had started to run.
I stood at the edge of the towering cliff
With her charging at me, and how!
She came in a rush, but she missed in her push
Or I wouldn’t be writing this now.

David Lewis Paget

i simply exercised my vocabulary in tantra-yoga... you mistook poetry for its expression of freedom curtailed... and while i did my tantra-yoga bending and pointing at unseen geometries... you simply ran a 100 metre sprint, elongating the hyphen into a boa eating itself with avarice the pepper & salt.*

0i preferred the haggis / czarna kiszka
than my retrospective -
i'm doing mine early, for reasons not
necessarily true, or for that matter worthwhile...
but nonetheless assuring -
had i too the gift for painting,
and the nerve to keep a young girl captive
i'd too succumb to fathom a Grimm's tale...
live the secluded live, secluded to the point
of incubation - i'd lived it like an
Arctic explorer, by the fireplace
talking drunk tales of escaping polar bear
hunts - within a pentagram of limbs intact,
greasy Glasgow my farthest stone throw of heart...
furthest the Føroyar Øer - if only i kept my heart
as stern of the body to mind as the atom of ego
in my mind to be lost among the carousel
of weathered abstracts known
as the four winds and the thrice winding clockwork -
what abstractions to bear
from now on? a memorial service?
only in poseur marginalising tomorrow as only
a change of attire for today; so too the
semi-clad conservatives of supposed workmanship
English? takes two to a woad; whatever Argentinian
*** did to you in tango... takes two to a woad!
but there's you apish and impish entwined for
coerced blue of some other Newtonian prefect
of argument, when the painting screams far from
Norway the distinction between azure and
aquamarine is very far between
suggestion of marriage... i've ate my liver as if it were
a heart by drinking salute! to a marble stone all hopes
to have my life back! i mistook my liver for a heart!
i did that! you mistook more than i care to remember
having been forced a forgetting...
those 3 years in Edinburgh meant nothing... nothing!
spend them in South America, in Antarctica!
i will not swallow another breath with a vowel coupled
to a consonant.... until the remnants of me
believe the words: Europe united, only when Scotland
is free.

Oh You Grinchy Woman**

We wake and two poems are,
Birthed, hourly.

See back to back contributions to our nation:

Offshore Oil Exploration,
Fantasy.

Some formerly sweet,
Now a Grinchy Seuss complete,
Woman,
Has accused me of being an
Ex-poseur (expose-err? Exposé-her?)
Of our private life.
On some **** poetry site.

She would be
100% correct, **** right!

It is not my fault
If she dresses me in
Love and inspiration.

Don't you agree?

This ditty makes three.

It is safe to let it out,
Because she went off to yoga,
Wearing a little pout.

For which I say,
Thankee!

Ogdiddy Natsh

July 5th

I shivered in the quiet
Late winter evening
When some days feel like spring.
This was not a spring time poseur.
It was late winter
Through and through.
I wrapped my coat tighter
As I walked down the cracked sidewalk
In my old white chucks,
Jeans, and a lumpy blue sweater.

The church wasn't quiet
That Thursday evening
There was a fundraising dinner for missions
And we hadn't quite finished setting up.
The wealthy mingled
With the middle-class and the homeless.
No one knew or cared for the difference.
We were putting forks, and spoons, and knives
On the round tables
Together.

I followed the old lady in charge
As she told me to get this, get that,
Find something or another
In the chaotic decorating closet, 105.
Room one-oh-five.
That old lady is something else.
Short of stature,
But not lacking in attitude,
A penchant for wreaking havoc,
And one of the most wonderful people I know.

She was there, with her gray-blue eyes
And slow Southern drawl,
Talking to another lady.
Visibly uncomfortable,
Out of place.
Wiry black  hair,
Turning gray around her face,
Eyes fretful and brow
Creased with worry.

I hadn't seen her before.
Her name was written in
Scratchy script on a laniard
Which means that she is homeless.

I said hello, introduced myself,
And went about my work.
She worked alongside me,
As we were given tasks
In hasty preparation
For the dinner.

We worked in silence
For some time, not awkward,
Just busy.
She began to talk.
I wasn't paying close attention at first.
But I quickly realized she was telling me her story.

That's all we have, you know?
Our story is the only thing people can't take away.
They can't take away who we are,
In the narrow confines of our skull,
And whatever else there may be.

I had a hunch she was new to being homeless.
A hunch that she confirmed.
The seasoned and practiced have a look to them,
And the new have a look to them,
And you get accustomed to it
After some time.

Her husband abused her
And she couldn't take it anymore
She had two kids,
Both in a local high school.
I don't know where they are.
She doesn't know how she's going to pay for college
When she's out on the streets.
She doesn't know what to do
Where to go
How to work the system just to get by.

This is what I know:
These people I've come to love
Just want to be useful
To have a purpose.

We're all going to be big stars one day, right?
What about them?
We all want to change the world.
But we can't do it with our eyes only looking in the mirror
And our hearts cold.

We,
All of us.
Every single one of us.

Writ and posted here,  one year ago today, and one ego later, progress made...




The time, the place, the setting:

T'is some hour for sleep, prescribed,
For me, the reality of sleep, proscribed.

The strains of Bach's
Orchestral Suite No. 3 in D Major
Haunt.
Richard II's words
Give pause, precision refinement of my cause courant.

“No matter where; of comfort no man speak:
Let's talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the ***** of the earth”

Two am in New York, sleep,
As advertised,
Literally, a passing acquaintance,
Doesn't make it to
The side of the bed occupied by
100% of me.
Seems he went
From chimney to chimney
This past Sunday morn.
Not having a chimney,
He flue right over me.

No matter.
Company aplenty,
Ego and moi,
We, had a long talkie.
A bit of a wrestle, a staring contest
In a mirror, we watched ourselves,
In the pitch black
where clarity is perfect,
For nothing else exists,
But ego and me,
To distract us.

“I'll read enough
When I do see the very book indeed
Where all my sins are writ, and that's myself.
Give me that glass and therein will I read.
No deeper wrinkles yet? Hath sorrow struck
So many blows upon this face of mine
And made no deeper wounds?
O flattering glass,
Like to my followers in prosperity
Thou dost beguile me!”

Called my lawyer just now,
ordered her to commence
the divorce papers, serve them ASAP,
I need to rid myself of
My oldest nemesis, my oldest friend,
Mine vanity, my ego.

Let me explain
myself to myself.
You may tag along for the ride.

Writing is more important
than any of the individual
Five senses
That feed this addiction.
Without sound, sight, touch, smell and taste,
I can live quite well,
Thankee.

But ****** boy mind needs to write
Simple survival.
No write, no life.

But ****** bad boy ego is a curse,
A contaminate of each and every
Line, stanza,word and verse.

"Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour'd thus
Comes at the last and with a little pin”

At first, for an audience of three
I performed,
Me, myself and I.

But the suckiness creepeth in,
and etches my distorted face,
Salutations and gradations,
demanding confirmation
Of Shakespearen magnification.

Do you like me?
Do you love me?
****** all.

Curse ye King Ego and your vainglorious occupations,
Divorce me, from the sad isle of
Self
Self worth,
Pride, vanity insurance,
The most deadly of the seven
Deadly sins.

Ego desperate in kind responds:

"I live with bread like you, feel want,
Taste grief, need friends: subjected thus,
How can you say to me, I am a king?”

Slime and slippery, want is what you feel,
Taste grief, need friends,
Sly devil, you twist thy cunning tongue,
The reverse, your plain meaning!
You need nothing but subjects,
In earnest and forever praise,
Absent them, you mood and whine,
A pretender, a poseur, a drug addict cursed!

Let us purpose to dispose of thy spirit earthly,
Slow starvation too good for you,
Poison, arrows, the hilt of my blade,
The neck, thine bowel,
Let me embrace,
Prefer your steel hot or cold?

If we both must expire, then it be so, for
My honor taken, my life forsaken,
My poetry in disrepute,
Until that day when I write for me alone,
And ally my scripts, in coffin, with me interred.

*"My dear, dear Lord,
The purest treasure mortal times afford
Is spotless reputation; that away
Men are but gilded loan or painted clay...
Mine honor is my life; both grow in one;
Take honor from me, and my life is done."

bukowski socialized with
                                             sean penn and madonna
but he did not care for
                                             the material girl with her airs,
acting like a literary
                                             poseur, name dropping, chatting
about swinburne, like
                                             some patron at a bloomsbury
salon. she even asked
                                             him if he would appear
in her raunchy *** book
                                             but he refused. bukowski
would complain to sean    
                                             about madonna's phony
behavior and sean would
                                             get furious and defensive.
bukowski just laughed it
                                             off. he valued sean as a
friend and an artist but
                                             he had no time for
madonna playing hip,
                                             he said, she's not being real.
bukowski treasured his
                                             daughter, his wife, his cats,
classical music and his
                                             muse, his way with words,
characters, situations.
                                             he was a regular guy
and a gifted poet...
                                             and everyone called him hank.

—

neglect and respect do not rhyme,

{will grant you one,
will give you none.

will demand one,
will send you some.

you poets,
always thinking
you can get away
with murdering
the English language.

***** of assonance,
you do not fool me,
I’ve killed a thousand
men’s “original”rhymes,
while you’ve been
fast sleeping,
they’ve been
fast seeping.

I’ll give you no quarter,
won’t spare a lousy dime,
my spare change,
is poet-unaffordable,
cheap suited hucksters.

work and ****
do rhyme.  
you can be one,
if you do not
put in some.

work by day,
slave by night.

awake to the sun’s
inquiry, what have
you done for me
lately?

IF

all you have to show is this
scribbilus miscellaneous,
tear up your lice-ence,
poetic and DMV, you
ain’t going nowhere.

was branded by hot iron,
early on,
brandy channing.

your best nightmare,
guidance counselor,
extraordinaire,
great big fairie,
poseur, exposer,
m u r d e r e r
of awful poetry}

WHAT,  
what do you stand for?

~
There is no truth
That my name was Dr. Seuss
In a prior life

Signed
Ogdiddy Natsh
~
No matter that plain words
are my ordinary tools,
with them I shall
scribe the small,
cherish the little,
grab the middle,
simplicity my golden rule.

Write they say,
about what you know best
surely in the diurnal motions
the arc of daily commotion
do we not all excel?
~
me, just a poet poseur extraordinaire,
street urchin, word merchant,
all my verbally,
worldly goods expropriated
from the wind,
where your scattered thoughts
lie about, carelessly, unattended
~
Scout the competition.
Then,
Weep,
for you and I will never surpass
the poet giants who preceeded us,
and yet,
Laugh,
cause they thought the same as well
--
So I spend my cold, hard time
laying down cold hard verse,
can't stop, cause
it's my daddy's dying curse
~
Addict and dealer,
a ****** poet ******

Platitudinous, pusillanimous,
Pulchritudinous, posterior
Poseur, postulating pus bag
Posing as plenipotentatious
President POTUS, posturesome
Proudly putting paws on *******
Publicly preposterous woosie
Pretending propriety: a putz.

Eternal egregious eccentricity,
Endless empathy-less publicity,
Effectively inbalming ethnicity
Eviscerates any essential nobility
Excluding even existential energies
Of expectations of excellence
Instead enacting evolution-free
Economical inimical extortion.

Hourly horror holler hate,
Both houses holding hotheads
And hundreds of houris
Honoring honor-free hopes
Hesitation-free horrible haste
Hosing hope and helpmeets
Who have inherited helplessness
From heartless halfwit hoydens.

Boisterous ***** and boors
Beat beauty and belief badly
But beg and bawl for bounty
Bathing in bastardy and blood
But beyond bowing to betters
Banquets and bowers of berks
Badly bent beyond blessing,
They’re best boxed for burying.

With the days that pass by
Along with the moments we hope to leave behind
Come the lingering feeling
Of what should have clearly been

As the contingency gets scanty
And the feelings, grievous and empty
Even with desperate cries for help
Why do I stay incurably unheard?

I extend my arms and try
Try as I might to fly
For when they say follow your heart
It’s with you I want to start

Yet my hearing must be impaired
'Cause it hears your voice that says we'll not end
Tell me how could I not hold on to these words
When in my heart they broke through, heard

As we dare and lose a zillion times
As our laughs retrogress to cries
As the hugs turn into meters apart
Does the end really need to be that we depart?

Then here I hope that all the pain leads us farther
That the past was nothing but a mere poseur
'Cause when we again find one another
It’s up to the flame we cannot smother

Here is total nonsense in a verse,
It's about the scourge of the burbs,
A silly tale of Lady Bonkerley,
A femme always dressed in Regency,
Draping clothes her poseur finery,
And her boyfriend, a bossy bully,
They pranced around so merrily,
But wait, they were mere fictionaries,
I guess that's why we're writers, you and me,
It's all in our  heads, you see,
Lady Bonkerley was only imaginary!