Submit your work, meet writers and drop the ads. Become a member
love is a pose of power
power is a pose of power
power poses power
love poses love
a pose of thinking is a pose of power
a pose of thinking is a pose of love
thinking is a pose of thinking

thinking is a pose of memory
memory poses memory
thinking poses thinking
memory is a pose of power
memory is a pose of love
memory is a pose of memory
love escape love

love escape a pose of love
love poses its escape
escape poses love
escape poses escape to its love
thinking escape thinking
power escape power
power poses love
my writing is called philosophical writing. i only uses middle ages words,words liked gracious,extravaganza,etc… this poem is about a thinking is a thinking of pose,power,and love. i don’t add capitalization’s on my writing.
Left Foot Poet May 2018
human revelations in our sleep poses

she sleeps with both arms back, murmuring,
  flung over her hearing head,
as if she is surrendering

nightly

me slip away for a few, only to find  
her left hand ****** by her arm crook'd,
fit to her temple, as if to bear the weighty weight
of a heavy head plein des thoughts, dream-mares, tales and talks,
too dense to contemplate
without assistance,
armed support to hold on, hold up,
fighting/ accepting as a unwanted outcomes
or retrying old misdeeds
(no, no, oops, that’s me)

stirring,
she swift motions/crisscrosses her arms into an X,
a human parts tiara atop, on blond tresses, that fully messes
any remaining daytime efforts and her nighttime wild dancing^

no one reveals me,
none inform on me what positions
my containership adapts, adopts when my woke-guards
are dismissed/released and
lay unprepared to disguise my innermosts exposures

ow, early am resting comfortable with a six poem-pack of
slept hours on my tool belt,
so far this weekend one shot fired before the day officially
is belle rung and these poses thoughts
are upon what my eyes alight

can’t decide if knowing how I dance in the bed at night,
reflationary, deflationary, worth fact facing,
for this is no secret

my sleep hours are colored,
admixture of moving pictures,
punctuated with
stills of past and future,
the poses
of how to greet, were greeted,
withstood upheld ran from wept, murdered,
faced up, faced down, go unrecorded
and the
poems residuals
and the
poem prophesying-
both!

fearful confessions for acts
committed and foretold


Decision: I don’t want to know
7/20/18 7:08am

^(tango-ing with both, familiar and the unexpected men
who are she-allowed to lead for few minutes,
her cover up pose
expertly rigidly flexible, but her head thrown back to say
this is how far you will be allotted, allowed to dance/take me)
Bo Burnham Nov 2015
On the third of June, at a minute past two,
where once was a person, a flower now grew.

Five daisies arranged on a large outdoor stage
in front of a ten-acre pasture of sage.

In a changing room, a lily poses.
At the DMV, rows of roses.

The world was much crueler an hour ago.
I'm glad someone decided to give flowers a go.
Zeeb Jul 2015
Hotrod
Verse I

Wrenches clanging, knuckles banging
A drop of blood the young man spilt
A new part here, and old part… there
A hotrod had been built!
A patchwork, mechanical, quilt

Feeling good.  Head under a raised hood, hands occupied, the job nearing completion.  Sometimes the good feelings would dissipate though, as quickly as they came, as he cursed himself for stripping a bolt, or cursed someone else for selling him the wrong part, or the engineer whose design goals obviously did not consider “remove and replace”.
He cursed the “gorilla” that never heard of a torque-wrench, the glowing particle of **** that popped on to the top of his head as he welded, the metal chip he flushed from his eye, and even himself for the burn he received by impatiently touching something too soon after grinding. 
 He, and his type, cursed a lot, but mostly to their selves as they battled-on with things oily, hot, bolted, welded, and rusty – in cramped spaces. One day it was choice words for an “easy-out” that broke off next to a broken drill bit that had broken off in a broken bolt, that was being drilled for an easy-out. 
  Despite the swearing, the good and special feelings would always return, generally of a magnitude that exceeded the physical pain and mental frustration of the day, by a large margin.  
Certifiably obsessive, the young man continued to toil dutifully, soulfully, occasionally gleefully, sometimes even expertly, in his most loved and familiar place, his sanctuary, laboratory… the family garage.

And tomorrow would be the day.
With hard learned, hard earned expertise and confidence - in this special small place, a supremely happy and excited young man commanded his creation to life.

Threw a toggle, pressed a switch
Woke up the neighbors with that *******

The heart of his machine was a stroked Chevy engine that everyone had just grown sick hearing about.  Even the local machine shop to which the boy nervously entrusted his most prized possession had had enough.  “Sir, I don’t want to seem disrespectful, but from what I’ve read in Hot Rod Magazine, you might be suggesting a clearance too tight for forged pistons…” then it would be something else the next day.  
One must always speak politely to the machinist, and even though he always had, the usual allotment of contradictions and arguments afforded to each customer had long run out – and although the shop owner took a special liking to the boy because, as he liked to say, “he reminds me of me”, well, that man was done too.  But in the end, the mill was dead-on.  Of course from the start, the shop knew it would be; that’s almost always the case; it’s how they stay in business - simply doing good work.  Bad shops fall out quickly, but this place had the look of times gone by.  Good times. 
 Old porcelain signs, here and there were to be found, all original to the shop and revered by the older workers in honored nostalgia.  The younger workers get it too; they can tell from the co-workers they respect and learn from, there is something special about this past.  One sign advertises Carter Carburetors and the artwork depicts “three deuces”, model 97’s, sitting proudly atop a flathead engine, all speeding along in a red, open roadster.  Its occupants, a blond haired boy with slight freckles (driver), and a brunette girl passenger, bright white blouse, full and buttoned low. They are in the wind-blown cool, their excited expressions proclaim… "we have escaped and are free!" (and all you need is a Carter, or three).  How uniquely American.

The seasoned old engine block the boy entrusted to the shop cost him $120-even from the boneyard.  Not a bad deal for a good high-nickel content block that had never had its first 0.030”overbore.  In the shop, it was cleaned, checked for cracks by "magnafluxing", measured and re-measured, inspected and re-inspected.  It was shaped and cut in a special way that would allow the stroker crankshaft, that was to be the special part of this build, to have all the clearance it would need.  The engine block was fitted with temporary stress plates that mimic the presence of cylinder heads,  then the cylinders were bored to “first oversize”,  providing fresh metal for new piston rings to work against.  New bearings were installed everywhere bearings are required.  Parts were smoothed here and there.  Some surfaces were roughened just so, to allow new parts to “work-into each other” when things are finally brought together.  All of this was done with a level of precision and attention far, far greater than the old “4- bolt” had ever received at the factory on its way to a life of labor in the ¾ ton work van from which it came, and for which it had served so dutifully.  They called this painstaking dedication to precision measurement and fit, to hitting all specifications on the mark, “blueprinting”, and it would continue throughout the entire build of this engine.  The boy remained worried, but the shop had done it a million times.

After machining, the block was filled with new and strong parts that cost the young man everything he had.   Parts selected with the greatest of effort, decision, and debate.   You can compromise on paint and live with some rust,  he would say, wait for good tires, but never scrimp on the engine.  Right on.  Someone taught the boy right, regardless of whether or not he fully understood the importance of the words he parroted.  His accurate proclamation  also provided ample excuse for the rough, unfinished, underfunded look of the rest of his machine.  But it was just a look, his car was, in fact, “right”.   And its power plant?  Well the machine shop had talked their customer into letting them do the final engine assembly - even cut their price to do it.  To make that go down easy, they asked to have two of their shop decals affixed to the rod on race-days.  The young man thought that was a fair deal, but the shop was really just looking out for the boy, with their herring of sorts.  
The mill in its final form was the proper balance of performance and durability; and with its camshaft so carefully selected, the engine's “personality” was perfectly matched to the work at hand.   It would produce adequate torque in the low RPM range to get whole rig moving quickly, yet deliver enough horsepower near and at red-line to pile on the MPH, fast.  No longer a polite-natured workhorse, this engine, this engine is impatient now.  High compression, a rapid, choppy idle - it seems to be biting at the bit to be released.  On command, it gulps its mixture and screams angrily, and often those standing around have a reflexive jump - the louder, the better - the more angry, the better.  If it hurts your ears, that’s a good feeling.  If its bark startles, that’s a good startle.  A cacophony?  No, the “music” of controlled explosions, capable of thrusting everything and everyone attached, forward, impolitely, on a rapid run to the freedom so well depicted in the ad.  

This is the addictive sound and feel that has appealed to a certain type of person since engines replaced horses, and why?  A surrogate voice for those who are otherwise quiet?  A visceral celebration of accomplishment?    Who cares.  Shift once, then again - speed quickly makes its appearance.  It appears as a loud, rushing wind and a visually striking, unnatural view of the surrounding scenery.  At some point, in the sane, it triggers a natural response - better slow down.    

He uncorked the headers, bought gasoline, dropped her in gear, tore off to the scene
Camaros and Mustangs, an old ‘55
Obediently lined-up, to get skinned alive!

Verse II (1st person)

I drove past the banner that said “Welcome race fans” took a new route, behind the grandstands
And through my chipped window, I thought I could see
Some of the racers were laughing at me

I guess rust and primer are not to their taste
But I put my bucks mister in the right place

I chugged/popped past cars that dealers had sold
Swung into a spot, next to something old

Emerging with interest from under his hood
My neighbor said two words, he said, “sounds good”

The Nova I parked next to was “classic rodding” in its outward appearance.  The much overused “primer paint job”.  The hood and front fenders a fiberglass clamshell, pinned affair.  Dice hanging from the mirror paid homage to days its driver never knew, but wished he had.  He removed them before he drove, always.

If you know how to peel the onion, secrets are revealed.  Wilwood brake calipers can be a dead giveaway. Someone needs serious stopping power - maybe.  Generally, owners who have sprung the bucks for this type gear let the calipers show off in bright red, to make a statement, and sometimes, these days, it’s just a fashion statement.  Expensive calipers, as eye candy, seem to be all the rage.  What is true, however, is very few guys spend big money on brakes only to render them inglorious and seemingly common with a shot of silver paint from a rattle can - and the owner of this half fiberglass racer that poses as a street car had done just that.  I'll glean two things from this observation. One, he needs those heavy brakes because he’s fast, and two, hiding them fits his style.  
Really, the message to be found in the silver paint, so cleverly applied to make your eyes simply slide across on their way to more interesting things, was “sleeper”.   And sleeper really means, he’s one of those guys with a score to settle - with everyone perhaps.   The list of “real parts” grew, if you knew where to look.  Looking was something I had unofficial permission to do since my rod was undergoing a similar scrutiny.  
“Stroked?”, I asked.  That’s something you can’t see from the outside. “ No”, my racer friend replied.  
“Hundred shot?”  (If engines have their language, so do the people who love them).   Despite the owner’s great efforts to conceal braided fuel and nitrous lines, electrical solenoids and switches, I spied his system.  The chunks of aluminum posing as ordinary spacers under his two Holly's were anything but.   “No”, was his one-word reply to my 100- shot question.  I tried again; “Your nitrous system is cleanly installed, how much are you spraying?”  “Two hundred fifty” in two stages, he said.  That’s more like it, I thought, and I then figured, he too had budgeted well for the machine shop – if not, he was gambling in a game that if lost, would soon fly parts in all directions.   Based on the overall neat work on display, I believed his build was up to the punishment planned. 
  I knew exactly what this tight-lipped guy was about, seeing someone very familiar in him as it were, and that made the “sounds good” complement I received upon my arrival all the more valuable.  I liked my neighbor.  And I liked the fact of our scratch-built rods having found each other - and I looked forward to us both dusting off the factory jobs.  It was going to be a good day.

The voice on the loudspeaker tells us we’re up.

Pre-staged, staged, then given the green
The line becomes blurred between man and machine

Bones become linkage
Muscle, spring
Fear, excitement

Time distorts ….
Color disappears …
Vision narrows…
Noise ---  becomes music
Speed, satisfaction

End
its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of IPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coiff
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

Music Selection
Steve Miller,
Livin in the USA


2/7/11
Oakland
jbm
(WIP)
Àŧùl Apr 2013
Come to a garden of roses with me,
Serene it is fuller with roses to see,
They are here,
For you & me,
But just to see.

We shall not try to pluck any roses,
For the thorns dissuade any poses,
They are here,
For you & me,
But just to see.

We can't sit guarding the flowers,
Very busy in our mini lives we're,
They are here,
For you & me,
But just to see.

I'll set-up a flaming ring of fire,
Seeking fine protection for them,
They are here,
For you & me,
But just to see.


Let's care for the roses as if our,
As if our little & young children,
They are here,
For you & me,
But just to see.

To help us get them blue & red,
Give them all suitable nutrition,
They are here,
For you & me,
But just to see.

Their presence is eye-pleasing,
We let them be in our garden,
They are here,
For you & me,
But just to see.
***************************************
My HP Poem #178
© Atul Kaushal
How do you taste a woman?
Do you let your breath
Take over her skin
Or do you,
Gently
Uncover
Her treacherous,
Deceitful, delightful touch?

Do you take her sight for granted,
As if it was yours to own,
As if she would
Never vanish,
Or do you know
She's nothing more
Than a chimera on a wall,
Than Clotho's spinning thread
In an ancient story of forgiveness...

Do you trust her soft and humid body,
Like a silky cloth soaked in
Spicy peppermint oil,
Or do you fear
Her lips
As if they'll
Harm the pulse
Of your easily grown
Desire for all that she has enchanted?

Do you let her fingers linger
Somewhere in between
The locks of hair,
As they were
Her only to poses,
And make them come alive
Like serpents shadows on a desert's moonlight?

All in all, a woman cannot be
Taken for granted,
As she isn't there
Only because
You see her
Near.
No.
A woman is
A passing shadow
For your mesmerized vision.

A woman is that summer rain
On your heated body,
Or that devastating
Storm on a
Moroccan
Desert.
She is both
Dust and wind,
Love and hatred,
Hope and despair.
She is nothing more
Than clear, cold water.

So drink the woman
As you taste
Water
Turned
Into good wine
And tell me, stranger...
How do you taste a woman?
thank you for all your comments and likes. never thought that this poem would be so appreciated. thank you again and again.
its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of iPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coif
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

You Tube Music Video:
Black Eyed Peas
Joints and Jam

2/7/11
Oakland
jbm
(WIP)
Allen Wilbert Nov 2013
Gangsta

I'm the gangsta who can rap,
give me **** and on your face I'll crap.
I'm the gangsta who is white,
you all know my rhymes are tight.
I'm the gangsta who calls the shots,
inside my head are tiny blood clots.
I'm the gangsta who will kick your ***,
show me respect, or I'll take you to class.
I'm the gangsta who does no wrong,
only the good stuff, goes into my big ****.
I'm the gangsta who needs no gun,
carrying a pen is much more fun.
I'm the gangsta loved by all,
black people call me the chosen cue ball.
I'm the gangsta who needs no posse,
hating people who are to **** bossy.
I'm the gangsta who poses no threat,
always broke and knee deep in debt.
I'm the gangsta who likes living,
never forgets, but sometimes forgiving.
I'm the gangsta who doesn't care,
walking around in my stained underwear.
I'm the gangsta who can't sing,
but if I bite, it will sting.
I'm the gangsta like no other,
if you don't believe, just ask my mother.
Joseph Valle Aug 2012
A man poses at a dimly lit table,
a light hangs directly overhead
with a cobweb ribbon-wrapped around
the steel wire escaping the ceiling.
An inverted roulette table,
a man betting against the house:
It is always this way.
Light flickers, flipped on,
and off, and on,
without a switch
with which to assert control.
He is alone in the squeaking chair,
sipping tea and dipping his crumb-covered
hands into the napkin-covered basket
of water crackers and salted peanuts.

Sitting, he poses for practice, but for now,
he practices for no one.
The house is empty.
In the back of his mind, there is no worry
of what one will find upon entering
the kitchen: A scarecrow at a table,
full of straw and teeth dulled down
from night grinding,
sitting in, what could be mistaken
as, a pensive position.

The scavenger hand makes him look wanting.
It's partner is propped on chin,
accompanied by his half-sculpted smile
and the dark-light contrast of his hair and eyes
with yellow shining off of his two front teeth.
The color is not the fault of stumbling home
too late to care for the mouth, but of the old
incandescent staring him down
and the obsessively clean, marble surface
at which he puckers his face.

A tapping in the hall stirs his bones
and his body darts up.
A crow, it seems, with small grey beak
has wandered in from the overgrown fields,
the fields that haven't been tended to
since this boy began taking himself too seriously.
The both of them with stilts for legs
and no breeze of running feet
from scream to sway the pair of pairs.
Their eyes connect and neither moves.
Who should place the first bet,
black or red,
and who will set the ball in motion?

The light goes off.
Denoument is a bad time
for a bulb to die.
As calm as a hand
with razorblade against skin,
the scarecrow sits down once again
and poses.
The bird observes his motion,
calls, and waits,
but the man moves no more,
overjoyed with an invisible audience,
a full stomach.
Ye learnèd sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyèd in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh *****-hed,
Go to the bowre of my belovèd love,
My truest turtle dove;
Bid her awake; for ***** is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wishèd day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.

Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.

Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T’ awayt the comming of your joyous make,
And hearken to the birds love-learnèd song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.

My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmèd were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.

Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.

Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confusèd noyce,
As if it were one voyce,
*****, iö *****, *****, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they *****, ***** sing,
That al the woods them answer, and theyr eccho ring.

Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a ****** best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crownèd with a girland greene,
Seeme lyke some mayden Queene.
Her modest eyes, abashèd to behold
So many gazers as on her do stare,
Upon the lowly ground affixèd are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.

Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?

But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealèd pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.

Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th’ Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th’ high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.

Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th’ Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governèd with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.

Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And ***** also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.

Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordainèd was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.

Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyrèd steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!

Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.

Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
And all my cares, which cruell Love collected,
Hast sumd in one, and cancellèd for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.

Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceivèd dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damnèd ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th’ unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.

But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
The whiles an hundred little wingèd loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.

Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t’effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.

And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often callèd art
Of women in their smart;
Eternally bind thou this lovely band,
And all thy blessings unto us impart.
And thou, glad
Clay Feet Jan 2015
Lovely mornings, evenings, nights our hearts took flight
Laughing ceased as sighs increased.

Wafts of sensual sweet smells rose.
Bodies, curved in writhing poses glowed.

Cares lost in arousing touch, lingering fingers longed for
Secrets, shared in sacred sighs and wanton lies.

Arching union quivered and quaked.

I whispered then and will again
Stilettos are not made for walking,

Their soul purpose, freeing our rising desires,
Feeding rapturous tinglings of sensual ecstasy.
Edited 02/01/2015
Allen Wilbert Nov 2013
Gangsta

I'm the gangsta who can rap,
give me **** and on your face I'll crap.
I'm the gangsta who is white,
you all know my rhymes are tight.
I'm the gangsta who calls the shots,
inside my head are tiny blood clots.
I'm the gangsta who will kick your ***,
show me respect, or I'll take you to class.
I'm the gangsta who does no wrong,
only the good stuff, goes into my big ****.
I'm the gangsta who needs no gun,
carrying a pen is much more fun.
I'm the gangsta loved by all,
black people call me the chosen cue ball.
I'm the gangsta who needs no posse,
hating people who are to **** bossy.
I'm the gangsta who poses no threat,
always broke and knee deep in debt.
I'm the gangsta who likes living,
never forgets, but sometimes forgiving.
I'm the gangsta who doesn't care,
walking around in my stained underwear.
I'm the gangsta who can't sing,
but if I bite, it will sting.
I'm the gangsta like no other,
if you don't believe, just ask my mother.
Keith J Collard Aug 2012
Colonial mansion, in an ocean of grass,
windows aglow as I walk past.
funeral service now used of verandah,
but I hear music, not mournful stanza.
french doors open to a reminisce,
with boyhood heart, of vitreous.

Footfalls on parquet floors,
tux and gown past crown moulded doors.
captured ambiance of a setting sun,
shown from chandeliers highly hung,
day I was born, born the day of prom,
I smiled cordially, and my date fawned.

Girls betrothed by corsage on wrist,
rare french curls--a lunar eclipse.
bedraggled boys now dapper and genteel,
vest and bow-tie, a knightly feel.
chapperesses smiling at maidenly gait,
happy drowse in  mansion estate.

Cuff-links, silk gloves, nail polish of gloss,
beheld tonics and sweets, carefully aloft.
opening cord, an arrow from cupid's bow,
striking coquettes to their tippy toes.
they sprang to dance,I stepped back,
invisible in shadow with tux of black.

Shoulders, lake ripples easing to shore,
hips, gentle waves, right before they pour.
boys stiff, as if waists beheld sabers,
legs, sweeping brooms of on shore waiters.
"your too handsome to stay here unseen,"
said rivaling chaperess, past semblance of queen.

"You should dance ,"said glittered lips of pink,
bent like sparrow wings, during teacup drink.
privy to why in shadow I hid my blush,
her class my crush, that crushed me so much.

She strained me, even the shadows she gave,
black silk, stretching,--convex and concave.
crude metal and wood classroom seat,
clasped her waist of slender physique.
she was guarded by a window in curtain mail,
and tended to by servants of light and gale.
light loved her skin of Mediterranean sand,
and wind enthralled by each and every brown strand.

Light penetrated strands, blondly hot,
wind would blow, cooling pony tail off.
her shadow curtsied under my desk,
long legs danced in irritableness.
mourning class is abuzz with scent of prom,
flower not frost, rules the school's dawn.

I gave my consent, to an earlier invite,
then on, suitor blinded me with light.
and Great Gatsy, and looming prom night,
subjects of sparrow wings pressed tight.
" show of hands, who do not have a date?"
slender wrist arises, from an arm curvate.

alone, she shown that no one asked her,
this stone of Rome amongst boys of plaster.
hand fell with boy of teachers match,
wind shrouded her,from the window sash
rays gave discomfort,to gaze her way,
but I looked through burning ray--

To see a trace of a tear,in eyes ovate,
a goddess unsought, with sadful face.
I, poor, fatherless, could not possibly go,
to prom with princess of arched portico?
I could not interweave my hands to dance,
or know where I could place my glance.

Wind blew a scrap from her desk, indiscreet,
it was pierced by light at my feet.
"will" and "with" were dotted with a heart,
"prom" and "me" before most painful part.
my name in her beautiful free hand,
the color red from hearts inkstand.

(Class bell rings) I travel over star lit lawn,
the music gets louder as I return to prom,
eyes turn to cotton, in shadow as I ponder,
as pain was forgotten, I came upon her.
invisible hands, lifted my chin to a red shape,
our eyes met, her's smiling, mine agape.

Only a glass-maker could imagine my sight,
seeing hot curves form in dance floor light.
only a wax-wing could have rivaled her eyes,
waves gently broke to gown down her thighs.
"will you dance with me,"she softly entreated,
" I don't know how,"a coward repeated.

A princess which tournaments were held,
for which every timber of mansion were felled.
not for Rome the mansion's Corinthian column--
--for her--from quarry prom did befall them.
I could not tarnish this feminine form,
with my lineage in crown she adorned.

I turned from beauty, to dark acres tread,
under willow, I play the last thing she said--
my name--as I shunned from last chance,
now back under willow, cane marks my stance.
I have preserved her forever, shying fate,
even if it was with my own heart-break.

I still see her--in the most beautiful prom poses--
--still--as lights flicker out and a coffin closes.
Rondu McPhee Aug 2010
I look out the window--an endless sky. The clouds are like nothing else--bold explosions and everywhere in the sky, infinite, above and still in time and space--Madness and Horror are said to have their own faces and names. Can't Beauty? Beauty has its own life--not a distinctive face, not a concrete identity--Beauty is breathing, standing, growing above us--the Clouds. I know that it's a bit foggy, I know what is actual is only actual for the one time and standing moment that it is there--maybe the Clouds move, travel, fade--but they never leave us. They're long, still and colossal enough to be viewed, admired, stricken, crushed beneath. I'm on a bus, travelling through San Francisco--a mystery on its own, mad like a spiral or giant--one with a heart and soul that is difficult to pinpoint and seemingly jolting, constantly moving throughout--down streets, through alleys, intensifying in the dazzling Golden Gate Bridge and boundary-less San Francisco Bay--a testament Olympian and profoundly simple, such a straightforward bridge with so many possibilities and tragedies. It's my destination, too.

I go to the Podesta Baldocchi--a flower shop, quaint, small, almost non-existent in the vertigo of San Francisco, but immortalized in another Vertigo--and inspiring search and enigma on its own--the vision of James Stewart chasing hills, corners, all the trails and paths for Beauty--a Beauty with two feet, a name, experiences--Beauty named Kim Novak. He follows Her, from the shores to the grave--She, praying at a cemetery, a faded figure in grief, He, watching obsessively like a predator--He finds Her on the cold shores, of the endless, alien seas--along the Golden Gate Bridge--on the verge of jumping. He saves Her, a metamorphosis of prey and personal freedom is triggered.

That's one of the many beautiful passages of Vertigo that I remember--passion, memory, disappearance, insanity, aggression. "Here I was born, and here I died", says the woman, named Madeline--a fatal, empowering woman of Beauty and melancholy, complex and deceiving. Chris Marker saw this too--a reservoir of thought from his Sans Soleil--the movie, the moment in time where memory and the Great Enigmas had finally been touched by skin and light. February, 1983.

Memory works that way.

That is one of the things I love most; memory. Memory is fading and escaping from me. I look down at my wrinkled hands--grief and nothing else--losing myself. I step onto the cliff where Madeline, where Grace stood. The sea is a rapture. Endless, everywhere, surrounding me from all corners--dozens of people have taken their life here. They jump from the bridge, they slip into the water and drown. Their entire breakdown and loneliness and humanity is silenced and stated in a small slip into the bay, or a thin, white splash--a miniature, but Greater Fall--beneath the bridge in all its magnificence and profundity, beneath the clouds, a silent act of Tragedy and Horror with a face, surrounded and drowned in Beauty and Rapture--breathtaking and cruel.

I am tired and lifeless. I can't stand it. I remember all the beaches, skies, nights, visions of the sun and daughters I've seen in my life, all the smiles I've faked, breaths I took--I hadn't thought of this until the nineties or so, in my wrinkled, tired years. I was remembering Marie--my only girlfriend and wife one I had met in the 40's--compassionate, dangerous, magnificent she was, like Madeline. Perfection and grace and danger. I had grown, loved, lived, watched everything and took every step with her--before she had died in 1989. She was my only care, my only love. I couldn't grip myself then. I hear my parents speaking, my mum and dad--dead now--my children, beautiful things--I couldn't keep them. I couldn't. I couldn't, their eyes porcelain--I went insane over all of it, a time to foggy to look back on. Time is the same stretch, place is the same and distilled--but memory is everywhere--one thing I love and can't stand.

And now I am here. The beauty is pastoral, distant, glowing and also deadly--like cloudy figures of steel and glass, concrete with fountains and blood in the shape of landscapes and towers--branches, cold, in a lonely place, fading from truth and Truth, identity and Greater Life--a thousand misty passions and poses stretched and scattered. I'm hopeless, I'm lonely, I'm cold. I'm wary, tired, confused with nothing left in me. I'm leaving, Reconciling beneath, below, and everywhere around Beauty.

I understand any doubts. I cannot take my nerves or my senses. They've failed, broken down on me--I've lost myself, very permanently this time.

I fall. I see nothing, feel everything crushing, me lying in the crystal bay--it fades. I can't see. I can't speak--I can't love, embrace, understand--I open my eyes, dizzy and faded, in a house, a rather cluttered, yet homely one. I believe I am small, looking up to my great pale towering mother, breats and lips and glowing limpid eyes... a fireplace, some warmth, some haze and some tears of joy. It is falling apart, where I am, but it is of embracing memory. I'm being looked and smiled at. I don't know where this is.

I close my eyes, I stand and open them seven years later. Cold water at my feet and sand--I look around to see a beach, stretched infinitely--past boundaries or understanding. The sea is dizzying. I look up to see that Beauty--still standing, moving across and thinning--that Beauty is sunless. Nothing but Clouds--an illusion, foggy and slippery of sorts--impossible and unbearable to experience. I stumble.

I look up, and there's now a ceiling--tall, blazing gold, marmalade and kaleidoscope--everything is blurring and melting. I'm in a hallway, with parents--a father and mother, loving, caring and safe; the only thing in front of me is a painting, swirled and swerved shore to thunder and graceful and passionate so distant--Holy, Andalusian girls from a Utamaro madman; thinly, finely lined, velvet in color and delicacy, colliding and cracked in shape, memory or sense. The painting falls, crashes, and the ceiling falls and opens to voices and laughs. I stumble, tremble, get knocked staggering, look down the hallway. It's crashing to black--I stumble to anyone; my father, the mad size of him, I rush and cling still around his arms--a shadow--then his terrible branches rising, fading, and everywhere--complete pitch black--coming for me? Far and off and a way a place cold and a lone in the Fall long and thundering--rippled--moving--then white--then clearly.

My next vision I can comprehend without running terrified is in Japan. It's 1964, I am 25. A television set, murky like playing out my dazed oxygen-starved hallucinatory real-fake mindbursting memories. Headlines, people, looking down at me. I can feel my knees again, and my heart. It's the Year of the Dragon, I'm nervous uncontrollably. Night after night, each one passing by as I blink, walking, everything changing, changing from me, I can feel. Or maybe I can't. I keep my eyes open, and don't lose my breath, hiding in rooms and feeling and apart torn so vast. I look at my surroundings--I don't know where I am--I think in my last passage? passed on through a thousand miles and faces and every conscious and spirit. My last one. I can't hide, though. I'm dying, my last breath and vision being me fading through time--such a quick thing--spinning and burying the Earth As I Have Watched It Through The Years in snow and rain and static and the Dead--I can only stare at the streets. I'm with my girlfriend Marie, it's November 28th, 1975.

She says to me, "What's wrong? You're on the balcony alone. You've been there for hours."

Marie, hold on tight, please. I'm lonely, terrified, frightened--I made a mistake, life is coming and going with all radiance and fleeting and darkness and closing doors. I've witnessed my birthday from another room. I've thought of my life again. I've seen it, distorted, everywhere, in colors and in heaps of broken fragments, images and ruins. I need your help--

"Nothing, just enjoying the city. It's beautiful," I say. It's nightfall, blinding rain, in Paris. That's where we spent our vacation, me and Marie. I love her; she'll be gone the next morning.

Then I go back. Different times, warm times, times like beauty and solid, everything going racing and wayward that I can't see a color and then white then eyes pale and hyacinths all over the place--I see Marie in the distance, oh Yes like poised like drips like canvas all around surround floating laying, kissing me, the Day I'd wrapped gently around her now I can see it like a reflection, and O I can't take it--that very last look, her face vivid--and I can't look back and I can't look down or up--just her face, lovely, wrapping more and Closer and oh Yes all around me and my mouth is going insane so tired and limpid losing words and tract and

And I can see you so lovely so gracefully and yes I will kiss you and gently cradling and your skin like rose and blossoms with the smooth touch from an Eve in flesh shrouded red and raw and when I feel anything else running through my veins like clockwork oh Yes it blazes all lovely like a reflection and the last lonely place left to fade to is only the Clouds and Sea and oh yes with all the magic of the Rite of Spring and the fogs and streaks of August O but then now I see I see O Lord I see the one-thousand-one dead poses and faces like this marie not the one I know but her Beauty erased a lying a loft a living Girl a shape a branch and yet still loving in her stone face-without-a-face so Anonymous so Kiss Me Deadly leave me taking me sprawling around me creeping crouching touching growing up my skin and veins and conscious watching all the artifice leave me and all colors and thought coming up lashing melting seething roiling yes oh yes just like a reverie like genuine insanity haunting and boiling like sweet crazed Narcissus in all the Moorish vines so thorny so lost so complicated and savage rose gardens is all one can see like solid waves--in the distance, the bold-coifed Wooden Duke, the blue Queen, away from the warped, whirling war scape outside and cold and I'm taken back a bit now bundled away from all the rows and thorny laces of buildings among buildings way in the distance out the window like crooked Van Gogh details and the noir jagged edges and tete-a-tete feeling of Life and Hope that the neons floating down streets give you when all seeping and spraying in your eyes and O the tangled webs and thorns and spiders of the panes and glass and shards and sharp'n'smooth curls and spiraling rings of it all and O the strewn of flesh like insect and myth and negative space and city all coated and sprawled I'm going to explode and I look up to see every bit of sand, waves, bold lines and streaks above and beyond me, all those curves and rods very dizzying and all beating and throbbing like mad and my vision went like some frothing beast held and dissected under light and shape oh Yes I say and I tell you while being dragged through all the Andalusian flowers and raindrops beside and above me and the Universe and the Love that could've been it's all above me too like a rose growing and blossoming with all the melting grace of a Holy girl oh Yes I say and state as clear again so rapturously like a living poem and as I leave everyone and leave this illusion I can sigh and pause and oh my goodness it's all spinning and apart and transcendent like the first Clouds and Grace above a monochromatic world--a speck--Nothing in its embrace--I stop, gaze with the recollection of every gesture of love and love's death in my life--I'm somewhere, everywhere, from the cosmos to the sea--and the ****** comes before me--Marie, Marie--and I burst and split like dust--she speaks to me. She listens, she hears, the only thing, milky, porcelain eyes and skin like nothing else--I ask her where I am. She opens her mouth, bestridden and humbled like a shadow or a monument. Glowing like birth, she told me--solemn, silent, fuzzy--she told me that I'm dying. "Life is slipping--all of you, your raw hands, your face, your memory--everything is slipping, gently. You're being erased from the world, experienced, dismaying--you're far from it."

I asked, "Where?"

She stared, bled, disappeared into thin air and continued, "I always get lost, thinking or looking into the sea or sky. Infinite, lovely. It never ends. Never, ever ends. I look at it and cannot help but forget about every bit of land, forget any shore, stone, or war, or the clearest whisper--because it fades away from me, so clearly, and I can't help but stare down the endless waves and curls, because they go on forever. They're everything. They're all mist and unbearable, simple and Everything--I think you're at the end of Everything."

My last Beauty.
April doesnt hurt here
Like it does in New England
The ground
Vast and brown
Surrounds dry towns
Located in the dust
Of the coming locust
Live for survival, not for 'kicks'
Be a bangtail describer,
like of shrouded traveler
in Textile tenement & the birds fighting in yr ears-like Burroughs exact to describe & gettin $
The Angry Hunger
(hunger is anger)
who fears the
hungry feareth
the angry)
And so I came home
To Golden far away
Twas on the horizon
Every blessed day
As we rolled And we rolled
From Donner tragic Pass
Thru April in Nevada And out Salt City Way Into the dry Nebraskas And sad Wyomings Where young girls And pretty lover boys
With Mickey Mantle eyes
Wander under moons
Sawing in lost cradle
And Judge O Fasterc
Passes whiggling by To ask of young love: ,,Was it the same wind Of April Plains eve that ruffled the dress
Of my lost love
Louanna
In the Western
Far off night
Lost as the whistle
Of the passing Train
Everywhere West
Roams moaning
The deep basso
- Vom! Vom!
- Was it the same love
Notified my bones As mortify yrs now
Children of the soft
Wyoming April night?
Couldna been!
But was! But was!'
And on the prairie
The wildflower blows
In the night For bees & birds And sleeping hidden Animals of life.
The Chicago
Spitters in the spotty street
Cheap beans, loop, Girls made eyes at me And I had 35 Cents in my jeans -
Then Toledo
Springtime starry
Lover night Of hot rod boys And cool girls A wandering
A wandering
In search of April pain A plash of rain
Will not dispel This fumigatin hell Of lover lane This park of roses Blue as bees
In former airy poses
In aerial O Way hoses
No tamarand And figancine Can the musterand Be less kind
Sol -
Sol -
Bring forth yr Ah Sunflower - Ah me Montana
Phosphorescent Rose
And bridge in
fairly land
I'd understand it all -
Ryan Unger Jun 2015
“Life was easier when I was young.” Was what my grandma used to say,
“We didn’t have all the problems that people have today.
All of this technology, it helps clutter our mind,
Without it we’d be much less stressed I think that you would find.”

I never used to understand how she could think that’s true,
It’s obvious computers have made life easier for me and you!
Just look around at all the incredible things available to man,
The most powerful technology that can fit in the palm of your hand!

We have Email, and iPods, and TV you can record!
We have every kind of website to peruse if you’re bored!
We have Netflix, and GPS, and don’t forget Smartphones,
And we can do all our shopping with a mouse click in our homes!

Things have gotten so convenient that it’s so hard for me to know,
How somebody could think life was easier many years ago.
But as I grow older, I now slowly begin to see,
The difficulties that were also invented along with technology.

We now have cybercrime, which poses a very real threat,
Credit card information gets stolen and you can be crippled with debt.
And all your personal information sits vulnerable on your home computer,
Hackers can easily break in and take it like a cybernetic looter.

There are too many channels on TV you feel like your mind could drown,
And people in the ‘50’s never had their DVR break down.

People had only one phone at home; no cellphones at all;
Nowadays, I hate that anyone at any time can give my cellphone a call.
We have an entire of world of problems that we never had before,
And with the pace that society is moving they’re impossible to ignore.

As I get older, all this convenience slowly seems less grand,
And when I think of what my grandma said, I finally understand.
Speak African child, speak. for you poses a  mouth that heals nations. It is in thine voice in the vibrations of thy mouth that remedies are provided to our ailments.

speak African child, speak. speak against the calamities that befall your land. speak against that hand that he dare raises against your bare skin. speak against the blood of your brothers spilled to please others.

Speak for  Africa that is one and united, Africa that does not know of any racial divides. Africa that knows no skin colour. speak African child speak. for you are the voice of liberation. speak  for your voice are the echoes of our ancestors.

child labour, human trafficking, child *******, school violence, femicides, suicides. and you say you see this not.  African child where is your voice in all of this. doesn't that skin, that accent and ***** hair mark you as of African descent.

Speak African child speak for you bare the answers to our questions, you bare the sole of our history.
palladia Jun 2013
awkward is a promiscuous word. it flirts unintentionally. it seduces mentally. but most of all it's so disruptionally absurd even the first-come-first-serve basis comes 15 feet behind the typical quota. but it really isn't that serious. it would be awkward plus if i wasn't active right now. does that sound appealing to anyone? well it better. i'm no vanguard when it comes to distribution of emotions. they'll be distributed equally, thank you, and don't worry about getting more 'cause they'll be pieced out safe and fair. lord jesus, we need some sorrow-getter-overs in here! i'm always telling those who ask me for advice to relinquish the suffering and let the good times roll. not that it'll save their hides, i snicker mimically and divert the attention to something inappropriately interesting, like a ***** bumper sticker or a animal corpse on the side of the road. and you are gonna turn into one if you don't stop that crying! man i need some fresh air and i'm not talking about the innocent kind. it's more of the obvious, over-cynical cyanide-soaked air that formaldehyde would blush over. there are two r's in sorrow because the s and the o and w need to be capsized into one rowboat. i never thought i would compromise intimacy with loudspeaker attention-grabbers and then the sailboat does a belly-flop and lands head first in the witches' cauldron. which is like Hamlet's, but a lot less systematic and bunches more pagan. it's synthetically miserable but enigmatically moral. dance of the morals is another program i like. it has to do with the regard of selfish hope and loose pragmatism. pagan! ****** i know it's pagan but it's pigheaded trash like that which gets stuck in the garbage disposal ever so often and we don't have no time to clean it out. i use a fish net that once occupied a corner near the stove which had the net chewed through by ***** rats that inhabit the lower quarters of the bathhaus. it's nothing significant really but more or less a principle in not making leftovers from the unknown trashpile near the barn. attention: entrance alert. "too bad for" who cares. i'm sick of this. "too bad for". that's all said? "let's chat a lot" what? i thought maureen was coming over at 7? who left the cat out again--the dog's gonna have a field day playing cops and robbers, and there are always reallive guns. and i'm stuck back at square/ground one/zero figuring out how i'm gonna get the next day's meal without having to cut off my head or make the microsoft paper clip icon appear with those embarrassing clips telling you how you should appear to your boss on your first interview. and find out that he's a man after all. and ultimately regret what you said every two minutes. wish i had contributed crescents more to the goodness, and not brush over like a stuckist's paintbrush. he's actually using blood instead of acrylics- that's when i get running. wish i hadn't have done that. wish i hadn't. we "hadn't" too much, you know? i wish we had to have "hadn't" before it hadn't have been created. still my emotions are sold and i've cast a mold far too ugly to be a stupid cupid. can we get on with the show, please? no thank i've had enough cranberry pie for right now, maybe buttercup the parrot can have the rest? the cat hates water. then why is he swimming in the dog dish? i'm not complaining, just hesitating to say how i feel when i want it. yeah, i know you're looking at me make a sucker outta myself on your camera. all those poses weren't hard to accomplish but you aggrandize the bad and disregard that i actually have good talent after all. crazy 8s. thought i'd never compromise. thought i'd never make a sport out of tantalizing the shopkeeper's parakeet. yeah, they're playing that game everyone calls a bore cuz it is one. why not roast a marshmallow then find a salamander caught between the chocolate and the *******. and we can't have them crackers anyways cuz there's got gluten in them. can we take a walk, i have something to tell you? i have to tell you about my personal life. i don't care if you're bored. darwin was never bored, fyi. i don't want to hear your juvenile complaints anymore. you're always telling me your problems but you never let me talk. but why would you care? and no way am i gonna share? not there. still. you're still not coming around cuz you're crying and i can't take it anymore. stop the tears, i already told you just take another pill and you'll relax. your life can stop in a heartbeat because some freak told you to stop ******* with the power outlet and make an attempt on making it right. how am i gonna make it right? seems good to me to get up and go and never return. seems right to let it all hang lose and think of excuses as a way to win some money. i'm not the principle breadwinner around here, but i'd bake enough bread to feed an army if i had to. a whole cohort of emotional bigots who don't care anything about their stupid, money-******* societies. it's leveled to the drain again, yeah i know you don't understand. i'm done asking. please? do it for me? don't you know i'm hurting myself because... i'm not listening. don't you want to know i'm cutting my flesh because... i have to water the garden. oh dear what was that? whew! almost another collision with a bee. whew--another close one. what about the spiders in the cabbage bed? what why didn't you tell me? yeah, the cabbage patch has produced more memories than heads, and no not those types of heads. a mashup of what i hate most and what i hate least scourged outta me in a whirl. she's going to take a walk. the radio's on and it's hot in here. those maudy days of summer, but i love every shred of them like i do a coat in the winter. the radio's playing my song: doomsday magnificat! i like leather and metal combinations that are sold in a 60s oz town. you can tie and whip me if you conscience can, but not now. it's another adage gone to the birds. oh no the shopkeeper's parrot is out again and i didn't do it! how come i'm blamed for things i don't do? get over it. another fact of life. another testimonial head my way. dodge! that was a flying saucer that almost razed your head. you wouldn't care though because enough has happened today to make your head spin even faster than it already is. and they're real-live which makes me keeping fumbling my too-short curls disintegrated by sheer chauvinism and belated princeness. that's alright. i know how you feel. i know how the world feels because i am the world. and the world is my canvas. and i may dictate what you are allowed and i may waver onto what laws of principalities are shooting up everywhere, but it's okay 'cause there's a lot more to shoot than good time. and those wacked people can form an alliance and take down the stronghold because in reality, you know that you are wacked yourself to say that. i'm sorry you did. the world will keep spinning, snipers will keep killing, conservatives will keep protesting, parents will keep levitating, children will keep withholding, the days will keep heating, the pool will be more refreshing, and yeah mrs. renttib is still coming over. the world is new. and i am young. but we will all stay safe and good in this empyrean. because and i created it. and i established the surveillance cameras, which are everywhere, but don't feel pressed. yes, i'll forever watch your every move, and even though you've done good, i'll still send you to hell. because you belong there. you may begin now. make your tread strong yet gentle. it's not my expense, the water is cooler out here,
                                                                ­                             anyways.
i've had a rotten day, but i wasn't involved, rather- others force it upon me, for condolence's sake.

ah, you've got plenty to be thankful about so why bother complaining? i often try to analyze this, because my life isn't perfect and i'm often ****** into an uncomfortable state, even when i had nothing to do with it. this was written during (+ after) a family argument about help and those who shouldn't help us, and telling others first, and letting everyone know. i think it's better to keep it to yourself or see a psychologist than starting a whole mess like this again. i know people hate that i don't like opening up and sharing but i'm doing it for the good of everyone. i'm the breadwinner of myself; others will only make me file more tax returns, it seems! so i'm upset and nervous and kind of scared. i want to explore it in a different angle and if i have to be crass and confrontational to do it, i say "full speed ahead!"
Northern Poet Sep 2019
My timeline is filled
With self indulgent selfies
Searching for gratification
And self satisfaction
Need to get an instant reaction
Some social media traction
There's no time for distraction
From this digital attraction
You can't get enough
Of the interaction
1,000 poses in your camera roll
Narcissists are taking control

It doesn't matter
What the time
Come wind, rain
Snow or shine
Just make sure
You look devine
Lick your lips
You're looking fine
Flip the camera
And strike a pose
Making sure
Everybody knows
Here's your next
Digital daily dose
Does it really matter
Which ******* filter you chose?
I feel like I've lost my soul
Narcissists are taking control

The bathroom
Is the perfect spot
Take your picture
Before you Photoshop
Bunny ears
And a rainbow smile
Frogs legs
And a crocodile
Snapping away
Well all the while
You could have been
Down the Curry Mile
Instead you're out there
On your own
Sat at home
On your ******* phone
Sharing pictures
With people you don't know
You'll end up on the ******* dole
Narcissists are taking control

1,000 poses in your camera roll
Mirror selfies
And online trolls
Constantly searching
To find your soul
There's no way out
Of this black hole
Just one more post
On your way home
Narcissists are taking control
PaperclipPoems Feb 2016
She dances,
Alone.
In such grace and poise
Positioned in between the tallest buildings
And she poses
For the camera
The bright flashes

Or on stage
In the spotlight
Twirling and twisting
Not a hair out of place
Not a step out of line
Not a breath unplanned

Trained to be accurate
Self destructing, but so well collected
The most beautiful dancer the world has ever seen.
Think May 2014
I want to travel the world . Travel the lands without mysterious waves and hidden shakes . Greet a person with a smile and share each other lessons  about life. I want touch feel a mystic river and uncover a hidden truth within me . Breath airs of free warfare .  No anarchy, no kings , no leaders to tell you where you must eat. People always search for power but not I . I search kin ,chakra a energy that I already poses. I feel the world it's full of bad energy . It sadden me. The wisdom of mother-nature is dying with city clouds.
The greed of money spins the world now - Rosendo Dominguez thoughts
Why
city of flips May 2018
please be impatient with me for I am Female, Age 19   Please be impatient with me.  Three quarters woman in a body, a quartered quartet.  The crying viola, off tempo, present but unavailable.  The boys want me. The men, more, more.  The women most of all.  The American Girl dolls on the shelf dusty, witnesses to all my demander’s impatience to take, to own, possess & desire my poses all to pleasure them, wanting  many morsos (small bites).  
Then, when discarded, my body reeks of
con-f u s i o n.  A perfect conjugation,  an imperfect conjunction;  Conning my mind into letting my body be-fused.  

The dolls weep real tears in the city of my mind;  flipping out, they too, are impatient with me, and flip me off for they have no good words to express their utter chagrin.
Paul Hansford Aug 2016
(Pompeii/Florence, 1997)

Vulcan was real, alive as you were,
you and your language, long dead now.
Your town was prosperous, with its paved streets,
bars, bath-houses, brothels,
mosaics, painted walls, graffiti.
Your domestic gods too were real to you;
they had saved you before,
and when the superhuman hammer blows shook
your houses, you repaired them,
decorated in greater splendour,
erected a temple to your protectors.
But Vulcan was not appeased - years are not long
to the lord of earth and fire.
This time he struck swiftly, sending you death
from his mountain, overwhelming you
as you ran. Your garden
gave you no protection,
hot fumes choked you,
hot ash surrounded you,
sealed in your tomb as you died.

The ones who excavated your town
marvelled at its completeness,
and in the ash that filled your garden
they found hollows.
Filling the hollows with plaster,
they found . . .  not you,
but echoes of yourselves,
like statues in a museum.

We came to see you, and after that
to the Academy, standing in awe
at David's perfect marble humanity.
But we were troubled by the others,
the uncompleted ones, the Prisoners,
their twisted limbs, hidden faces,
frozen in the act of emerging
from the stone, recalling too painfully
in their unfinished creation
your own agonised poses
as you died.
"I had seen birth and death,
  but had thought they were different."

.
The quotation at the end is from Eliot's Journey of the Magi - see my collection "My Favourite Poetry".
For photos see - www.amusingplanet.com/2011/04/garden-of-fugitives-fossilized-victims.html
and - www.accademia.org/explore-museum/artworks/michelangelos-prisoners-slaves/
Allen Robinson Oct 2016
Raised to believe what you are told
sometimes they didn't get it right
Beneath the muck and mire reveal
true to life issues with consequences
Fact checks confirm what we all know
however the need to triple check remains
The CORE VALUES we poses make us
who we are and build our character
Days by day we seek to stay connected
to friends, business colleagues & family
Have we lost touch with the personal
affect of shaking hands and saying hello?
Face to face and not only by computer screen,
fax or twitter.  Keeping it real and honest,
telling it strait with confidence every time
Deep within my core, I value; GOD, family,
good friends, hard work, peace and love.
Just my thoughts of the moment
Mike Fashé Oct 2013
Sunset of Apollo
Rises upon the goddess of the moon
Graceful
Love of all
Drifting by the lake
The soul,
Once a fulfillment
Of delicate
Symmetrical
Structures that held
A deity together
The spiritual duality  
The love,
Flourishing through
The celestial azure
Between veils
Of Embers
Spreading like haze
Upon tranquil blaze
Soothing by the arctic breeze
Textural glaciers
Like indigo crystals
Seas of endless art
To pass on
To what feels like a dream
The life,
That felt incredible
Amity between
Forces that were inseparable
The hand
Upon the soil
Of the crimson stone
To feel rhythm of the velvet heart
An ocean that spreads
Scarlet sheets
Nourishing the seeds
Becoming the verdant children
With halos of blissful pigments
Into a mixture of tears
Blessed by mother Gaia
Blossoming for all to see…

Every layer that covers the sky
Beneath the end of every lullaby
Holds a gift
That lies and says goodbye
Driven & deprived to be nocturnal
Sleepless nights Cursed in vain
Any man to have you…
Thorns of pain that feels eternal
Magnificently a breath taker by divine  
Hallucination of the fibbed eye
To tell such lies
You were created by Aphrodite
Crafted by serenades
Beauty carved by the finest blade
Hazel diamond shades
It’s often said, weakness for elegant grace
Drives the loveliest man insane
Reminiscing in the hollow mind
Echoes from the cryptic name
I close my eyes
To hear the melody of the rain
Indulging in each drop that makes a note
Forming an orchestral perception of a dream
Recollection of memories…
Gentle flowing through the entrance of the stream
Anything for one more glimpse…
Lamenting the past
Voices
As I wake
Wrapped upon the cloak of the sea
Glancing at the beautiful moon
Spiraling my soul around her celestial body
As if I Projected
From the stars to the ocean
Reflection of my Luná
I hear the symphony
She sings
Calmly and peacefully
As I daze away
Float away
Losing grip of the moon
I pray
Just to stay…

Lonesome heart
That walks the fields of heaven
Arise upon accession
Through the meadows
With no aggression
Pleasant aura
Sphere that shines down before me
The stream
From the vessel
Aqua that is the key
That carries life
The dust & bones
Becoming false love that turns into stone
My failure for another
Misunderstood compassion
Misconception for love is lost
Despite of my action
Empty like deep space
Searching from dream & reality
For the sweetest taste
Asking questions from the wise Oracle
Will my heart ever find a mate?

Eden
My home
My soul
I don’t feel whole…
Harps of the angel
Tones played
Ever so gentle
Like a gust of euphoric fragrances
Scenting the air
As if the wind could
Recite poems
As marvelous as
Jade stones
Upon golden thrones
Visions of sunset mountains
Portraits of ocean blue fountains
Parallel between the Elysium fields & Sorrow acres
Blocked by shields of prayers
  Empyrean
The land
Of ecstasy & enlightenment
As I grasp a breath of air
I close my eyes
A vineyard of pleasures
And grassy lands that seek adventures
With bouquets of red wine roses, but with
Thorns that end sentiments
And decomposes
Gazing one poses
Forbidden until time fades…
Grab both your hands
Maybe the next lifetime
Where daylight shows its beautiful anthem

Never in all the life times had I lived
For this aesthetic moment
It’s a beauty of torment
A commitment of energy
Time and century
From one past to present
The future flourishes
From the tiniest grain
That grows life
To where our souls might cross one day
In the sphere
Of Gaia
Green plants from the beautiful ground
Blue skies
Surrounded by the beautiful white angel
Look after her soul
Protect her from who they once stole
Care for her
For she brings heart & soul
As the story goes,  
  The weak & the needy
Dream for no blackheart
Shot by the arrow that purges
Life
Love each other
Never fall apart

As Apollo sun sets
Silhouettes of the appealing moon
Dream I’ll soon
To what becomes
A forest of past memories
Sketches of my truly dearest
Along the midnight blue river
An ensemble of creatures
That roams and creates pieces
Played to unburden the soul
As I lay beside the oldest tree
To watch the night sky
Fireflies’ prance
The beautiful moon
Amusement to the eyes  
To stare upon this
Enchanted aspect
Of green nightly shine among the forest
Amber glowing
Shaded night
To see it
Would be a lie…
Privileged to have created a night
A sea of enjoyment
From the one dream
Failure to grasp beauty
Until now
As if kismet intended to be…
Love each day
As if it’s your last
For one day
Maybe we could lie in the grass
Consume life
For all it’s glory
One day will write a story
If not now
Then a lifetime is worth waiting
FYI: If you don't understand my poem then just take a guess at it. My writing revolves around symbolism and I like to keep the meaning to myself because guessing is more fun :) Interpret your own meaning!  

It's been forever since I posted a poem here. School is drag lol I hope to post more writing here when I'm not busy. Did a version 2.0 of my favorite poem (recycled some old stuff in it) I'll add more stuff later, but for now enjoy what I have!
Andrea May 2016
threading the thin line of uncertainty,

you had told my closest guy friend ****, i think i'm falling for her.

and later you would pinpoint that one moment, that one moment we realize we adore a person,

as the slightest second you were staring at your lock screen, which was my photo.

it had been a collage of me doing wacky poses in eighth grade,

a photograph i had posted on twitter as some sort of throwback thursday.

unbeknownst to me, you had saved it to your phone,

setting it as your lock screen and showing it to me the next day mainly to spite me.

over the next few weeks, you would save the photos i'd post or send you,

and set it as your wallpapers,

and come up with some witty one-liner to annoy me with.

and you'd tell me months on about that time you went to unlock your phone, stopping to smile at my old photo in all its chubby cheeks and corny poses glory,

only to realize,

****.

i have never been more thankful for throwback thursdays.
zebra Jul 2016
I never ****
no
never go
against the will
of another

I am interested
in a certain
kind of dark angel

I have always dreamed
of dying
with my lover
inside of me
she coos
I am excited
by the danger
of dark alleys
hunt me sick boy
through dim city nights

her feet
sweeten the earth
with desire
corpuscular
with sparks
that ignite
the moon

who finds lifes
meaning on her knees
as if in prayer
for ****** intensity
no matter the cost
a sweet fat snail
wanting to be cooked
in butter

her deity
the solar phallus
she its supplicant
her **** dampened
in devotion
aching to be
mortally un wound
by an artist
of the despicable
her *** an
unguarded pearl
waring tiger pants

a true *******
she is my beloved
***** princess
lover of the venomous
revels in her abasement
a spilled bottle of perfume

inspired enigma
runs into a blades
like an embrace
searching for
plastic bags
poison
a razor
any thing that helps
that may take her
to a sapphire tunnel
of effulgent light

*** toys for
bad boys and girls
she says
inserting
hells kitchen utensils
jewels of ******
blood plush theater
now on a stained
linoleum floor
her perfect feet
wet
from onerous self hurting
a gory performance
exquisite poses
of impossible
tarnished yogas
as she stares into oblivion
**** soaking
desires rushing poem
of blood

she murmurs
with sweet kisses and *****
undo me slow
come on baby
thrilling her
like a steaming
Lilly pond bayou
of gators and snakes
that consume each other
for horror and sustenance
like the universe
she is a snake eating her self

tremulous with heat
at the thought
of her own demise
ready to caress
to **** in silky *****
and bleed puddles
until finally succumbing
to inescapable
dark water labyrinths
deaths embrace
tsunamis
flooding
*******

the blade sinking into my body
my **** a bond fire
for cruelty and adoration
a good flogging
to soften sir
decapitate
with a knife
something dull please

a headless woman
in flames
gently sways her hips
then crumbles
like a barren echo

your invited
to my carnation
of ruination
by hellish insertions

oh pain
pleasures food

she wiggles
like a modern dance
Aphrodite

sir please
a ligature and feral kisses
my throat begging
slowly squeeze
the life out of me
her mouth gapes
eyes bulge
with a
hideous blackened
stare
staring staring staring
blink-less

another calls
make my body
your ammo dump
filled with lead
small handgun.
several non fatal shots
lets do it in the bath tub
in the stomach
before the finishers
I do like my body to be used
before and after death
make it sacred
**** whats left
use my mouth hard
or turn me to ash
A poetic drama (One Scene)

( Egypt’s parliamentary farce)

(The spokesperson on the presidium strikes the table with a wooden hammer and asks for order. Participants become quiet.
Raise your hands and reflect your views on today’s point of argument— The Grand Ethiopian Renaissance Dam (GERD ) on Blue Nile. Various people representatives raise hands,
The spokesman says let us start with Mr. Hydrologist over there.)

Egypt’s globally
Topmost voluminous
Underground
Reserve of water
We could use later.
So via our media outlets
It is better
We dupe
The global community with
Much-touted chatter
“To Egyptians
Demand of water
To cater
Blue Nile is
A life and
Death matter!
As thicker than blood
Is water! ”

Of course,
From the Mediterranean
Or Red Sea
We could extract, desalinate
And use water,
But why should
We talk about that?
We better
Ask on Blue Nile
A farfetched exclusive right.

Though hydropower dam
Has no significant harm
We shall flout it
In a way it runs
Out of charm.
As  the Nobel peace winner
Premier  Abiy Ahmed put it
"Almost all Egyptians
Enjoy the supply of electricity,
While over half of Ethiopians
Are thirsty of such necessity.

Tragically, to date
Using a lamp
Covers most of Ethiopia's map.

For the rational,
It is a source of worry
Innumerable Ethiopian mothers
Still on their backs carry
Backbreaking firewood
So that go to school
Their children could.
What we say
Is if you  are remiss to help
don't stand on our way
While we're flapping wings
From fettering poverty
To break away!"


Also via a conduit
Diverting Blue Nile
Across the Sahara desert
A financial return
Egypt could get
That delights its heart.
The water from
Upstream countries
We do not buy
But paradoxically sell it
We shouldn’t why?

Like Israel
Using drip irrigation
Must not
Draw our attention.
We shall be extravagant
For Blue Nile’s water
Is abundant.
Unchecked lavishly
It must flow!
Pertaining to that
We have to remain adamant.

Also, the
Silt accumulation
In Aswan dam
Could be disastrous
The outcome,
Yet we have
To cry foul
This challenge-averting
GERD must not soon
Generate region-
much-needed power!

Though it is 50 % of the
Annual trans boundary
Water outflow
Other water-generating countries
Are willing to let go
Unwilling anything below,
Kind Ethiopia ventures
Holding only 13% of
The yearly flow to follow,
However, ingratitude
Must feature our attitude.
This may
Provoke a  dismay
But attention
We shall not pay.

(A tumultuous applause shook the parliament. Once more the spokesman asks for order. Then he invites a former diplomat saying “ it is your turn.”)

Once, by famine hit
When Ethiopia   asked
“Help me not why?”,
While others extended help,
Mocking, we did turn
A blind eye.

As our former bent
Whenever Ethiopia
Seeks  grant
From international
Development Institutions
On grounds of
Fighting poverty and drought,
Greasing palms  
We shall bring
Ethiopia’s plans to harness
Blue Nile to naught!
Use we shall
Many a phony diplomat
With a tongue of honey
And a heart of gall.

Tact we do not lack
So cautiously,
Our sanctimonious mask
Our targets
May not hack,
All out
We shall engage in
Self-selling talk!

From all things that fall
In the technical matrices
We shall make a sham politics.

(He sits enjoying a standing ovation. The spokesman invites a representative with a military background.)

We shall blow our
Trumpet in the air
“In lieu of
The reasonable 3 years,
Cooperatively,
From 4 to 6 years
To fill the dam
If Ethiopians dare,
War on it
We shall declare!
Barefacedly claiming
Fifteen to 20 years
Is what is fair!

In such infeasible way
Before it sees the day’s light
GERD will suffer blight.”

(He hiccups and continues)

“With a bellicose bent
To remind ourselves
Deliberately we shall fail
So many times Ethiopia
Chased out every
Egypt’s invading army
Between its legs
Shoveled its tail.
(Ex. Isma'il Pasha/ 1874 –1876
Gundet &Gura March 7–9, 1876)
But why should we care
Arsenal support
Hypocrites, who want to exploit
In the Middle East
Egypt’s political purport,
Will bring to our port.
The current catchphrase
"I can't breathe"
Demonstrates hypocrites'
Justice has no teeth!

We shall
Continue to brag
About GERD’s full actualization
Foot to drag.
I’m afraid
If we strike GERD,
On Aswan dam
Ethiopia will certainly inflict
A similar harm.
Its infantry
Acid-tested hero
Within finger-counted days
Will march into Cairo.

Its top official or
One from its mob
Cold blow up in Egypt a bomb.

We have to understand
As its former PM
Meles put it
“It is not
Its football squad
Ethiopia will deploy
On the terrain rough
When the going
Gets tough!”

We shouldn't worry
We have no history
Of battle front victory.
Poking our nose here and there
(Sudan, Somalia, Yemen,
Libiya, Palestine, Israel)
We shall make political trouble
As we are averse to self
-politics burgeoning dabble.

(He sat after enjoying a heartwarming laughter from the audience. The spokesman himself could not help unzipping his lips and invites a hoary headed historian.)

Subjects of colonization
It is our
Historic right
For the hanging-over
Mentality of predators
To fight
“Gobbling down
All resources
Is our right!”
We shall espouse
Unjust and inequitable deal
“Ethiopia fairly
GERD must not fill!”
We must gamble
Regarding the water division
There has to be a deal
That serves our colonial
Legacy a sign and seal.

There is nothing we hate
Than the following sentiment
Pan Africanists activate.
"We have to get
Behind our back
Days dark!"

(He sits accompanied by an affirmative nods. The spokesman invited Miss Environmentalist "it is your turn." "Thank you for the opportunity,"  she said and  standing she scanned the congregants
before speaking)

In parrying evaporation
GRERD being built in a gorge
Than Aswan Dam
In the desert
Draws better attention.
Though logical,
This we do not wish to hear
So we shall turn a deaf ear
Saying
“Your nuisance
We no longer bear!”

Of course
To avoid siltation
In GERD
Also to ensure
The continuous flow of water
Towards Green development
Ethiopia is making an unprecedented &
Unflagging movement.

Yes , Yes
Green development
Draws rain
Though that is
To our gain
From expressing
Appreciation to
Ethiopia’s timely move
We shall refrain.

From the voice of
Sagacious leaders of
Africa
It is better
To heed a hypocrite
From America;
That could not be a shame
In the political game.

(She takes a seat enjoying a high five. The spokesman invites a parliamentarian who is a member of the Arab league.)

As Sudan poses
A rational gait
Its voice has weight.
Our sugar-coated talk
It may not buy
Hence, the fuel-intoxicated
Gluttonous Arab League
Its voice
Needs to raise high.
White supremacists
Must try hard
To sweet talk Sudan
To our side.
Otherwise
Creating political heat
In to two its people
We have to split
To unseat
Its incumbent president
Popular support that ride.
This  insidious tide
From Sudanese mob
We have to hide!

We have a toy League
That doesn’t ask itself
“ Why
War-fleeing Arabs ,
Shunned by Arabs,
Seek a safe haven
Under Ethiopia’s sky?
Why  of all
In Prophet Mohammed's eyes
Ethiopia stands tall?”
That no one could deny
But we must
Neither wonder  nor ponder
“Why
For own advantage
Arabs-eating-Arabs
That commit  
Political suicide
Could not
Stand by
The reasonable
Ones’ side?”

Creating this and  
That pretext
We shall derail
The all-out task
To bring GERD’s to end,
At long last
To make it
As good as dead.

Why should we care?
If Ethiopia or the region is
Thirsty of hydropower
In so far as
Our conceited
Pride remains
In glory tower.


Moreover if soured
Pushed to the end or angry
Reflect  we must not
Ethiopians could tame
Its this or that tributary.

(When a wealthy merchant raised his hand the spokesman gave him a green light to speak.)

Pampering with money
Fifth columnists cruel
Let us keep on using
In Ethiopia
As runs the adage
Divide and rule,
Along ethnic
And religious lines
To  drive a wedge
So that Ethiopians will not
Come to the same page,
While turmoil in their country
Opts to rage.

We could ignore the fact
Ethiopians soon display
Unity and solidarity
When threatened gets
Nation’s  sovereignty.
In Ethio-Somali war
Ethiopians Karamara’s Victory
Talks loud such history.

I'm afraid
Our  divisive action could
Bring together Ethiopians,
Be it on left or right end,
Their sovereignty to defend.


Robbed of
Their alluvial soil
By a prodigal river
Ethiopia’s  farmers
Undergo a hard toil
If we are asked for that
Compensation to pay
“No!”
We  have  to say.

Note that
Using industrialization
Like Japan
Develop we can
Than irrigating  
A- scorching-sun
-smoldered land
Full of sand.

As the  jealously insane
What should worry Egypt
Must not  be what  it could lose
But  Ethiopia gain.
What I fear
In the diplomatic arena
With GERD Ethiopia
Will come forth
Shifting gear.
When Ethiopians' development
Proceeds apace
Ethiopia could Egypt displace.
So on its development
We  have to pose a roadblock
Or a spoke.
.

(This much  farce is enough for today .Parliament is dismissed says the spokesman.)////////
Science-based approach visa-vis politics- based approach. Colonial legacy has no room in the 21th century
Àŧùl Jul 2015
Oh how she poses perfectly,
Carrying her persona beautifully,
Entice me her looks so elegantly.
My HP Poem #889
©Atul Kaushal
Jayanta Apr 2014
I was on the way to find out my destination,
It was a rugged terrain without shed of trees on the road side,
Burning Sun shine on the top of my head and
Stony patches below my foot,
On a junction of the two roads,
You came out!
With …..
“Generous green of forest in our face,
Deepest blue of ocean in your eyes,
Melodious wind of mountain valley on your hair and
Splendid light of the don on your smile”,
As if this new path after this junction
going to lead me to the nature’s own womb.
Conversely, when we face each other you asked
‘Who I am?’ and ‘where I am going to?’
I was surprised; no one poses such questions to me on this long walk,
But I have already comes a crossed the Security man with gun in their hand,
The Beggar with stony beggaring plate in their hand,
The Food vendors with hot food in their basket,
The Knowledge tycoon with bag of books on their shoulder,
The Political guardian with embryonic power in their muscle,
No one asked any thing!
Not even look at me!
Probably for them either ‘I was insignificant or invisible!’
But your questions,
Compel me to think about my identity,
I don’t have a search engine,
to take help  from  the world wide web of identity,
So, when observing you with sensors of Imagination, Emotion and Cognition,
I found my lost identity in you,
As your child everything rooted in you,
Than I started to walk with you
Just to get the aspiration of living planet and
To protect you from the spite of ownerships, rationality, consumerism,
and demonstrationist humanity.
But after a while,
Every one started to pose question,
“Who I am?”
“Why I am walking with you?”
“How I get the right to do so?”
Than I replied my scruples enlighten me to do so!
No one understands ‘what I replied?’
Now the Political guardian of the society starts a campaign,  
The knowledge baron prepared software for this operation,
The beggar and food vendor distributing the literature with illustrative interpretation,
That…..  
“People like me are threat to the society”!
“This is an evil force of our society”!
Tomorrow…..
The security man going to declare a ‘decree’ on
Emotion, Conscience, Humanity and Love.  □□
shaqila Dec 2013
Asians are identical; we all look the same to Western people
2. Asians have small eyes, sometimes a monolid and wear glasses
3. Asians have straight black hair
4. Asians are short, petite, whatever you want to call it
5. Asian women have small curves
6. Asian mums nag about posture
7. Asian parents want their daughters to dress conservatively and ladylike which means hair tied back and skirts to at least the knees
8. Asian mums thinks beauty items are unneccessary, saying "Stop wasting your time and money trying to look pretty and get studying!"
9. Asians have no fashion sense. A dress with runners? Sure. Crocs? Why not, they're comfortable.
10. Asians parents think fifteen is too young for a girl to be wearing high heels
11. Asian parents hate unnatural changes to appearance with exception to double eyelid surgery and tattooed eyebrows
12. Asian names are unpleasant when translated into English e.g. **, ****
13. Asian surnames have little variety
14. Asian eat rice every day because it is considered the meal i.e. side dishes doesn't make an adequate dinner
15. Asians eat strange things like duck, chicken feet and shark fin.
16. Asians love bubble tea
17. Asians find no shame in slurping
18. Asians must get A+ grades because A = average, B = bad, C = crap, D = Disowned, F = ******
19. Asians are maths brainiacs
20. Asians cannot speak engrish
21. Tutoring because 6 hours of school is for lazy people
22. Asians think holidays are the opportunity to get ahead of others in school
23. Everyday conversation includes "Have you studied yet?"
24. Asians should learn the piano or violin and preferably to concert level
25. Doctor is the best aspiration
26. If it's not a birthday party, there is little reason to go out when that time can be spent studying or practicing an instrument  
27. Asians enjoy Kpop and Jpop even when they don't understand the language
28. Asians take luvos and sticky photos with cute aegyo poses
29. Asian parents hope their daughters will not let any boy touch their hand, just like in Asian dramas
30. Asian parents ban girls from sleepovers, parties at night and outings with boys
31. Asian parents think their kids shouldn't date until university and even then, is still too young
32. Asians talk very loudly
33. Asian parents wake up the household with loud noises such as vacuuming or turning up the tv
34. Asian parents talk for far too long when they meet other Asian parents
35. Asian parents love to compare their children against other children
36. Every conversation with parents turn out to be a life lesson
37. Asians are stingy and will always hunt for money that's owed to them
38. Asians believe there is never a time when they should pay optional fees or full price for a commercial item
39. Asians are terrible drivers
40. Asians have some sort of kung fu power
41. Old Asians get together and learn tai chi
42. Asians wear slippers inside the house
43. Tigerbalm is their secret weapon
44. Asians have a piano in their living room
45. Asians go to an Asian language school
46. Asian mums tattoo their eyebrows
47. Asians use these emoticons: ^^, ><, O.O, T_T etc.
48. Asians use "la~" in instant messenging
49. Asians sing kareoke
Cam May 2018
Every year is the same,
same people,
same places,
same time,
same faces.
They bring me their labeled tickets,
the same ugly tan-colored, black-inked tickets.
Bent and smudged as if it went through their wash.
No time for conversation,
not even small talk,
only the same old.... hello.
They sit, they smile, they leave.
They sit,
on that same old boring brown box,
"Feet placed where the red exes are please."
You think they'd already know that by now.
They smile,
tilting their head to the right,
their eyes looking directly at the lens,
looking as if they were hypnotized.
They leave,  
the camera flashes bringing them back to realization,
they release their breath,  
"Goodbye!" They say,
"Have a nice day!" They say.
Who I wanted to be is who I am not today,
who I wanted to be is not where society has placed me,
who I wanted to be is what society calls a joke,
who I wanted to be is free.
A photographer.
Not here working for life touch taking pictures of the same bland faces,
I imagined myself... flying,
Like a bird traveling around the world,
Capturing every moment I see,
Where the natural light glistens across the landscape,
where i can direct the poses of my subject.
But instead,
i'm stuck here taking pictures for life touch
of the same people,
at the same places,
of the same faces.
this is my first time posting a poem.
i do not work for life touch.
a soliloquy is an act of speaking one's thoughts aloud when by oneself or regardless of any hearers, especially by a character in a play.
(so im acting as if i were working for life-touch but i really wanted to be my own free photographer).
-cam
Jayce Apr 2016
What I want to know is why?
Why am I told to remember the tragedy of 9/11, but when I bring up the tragedy of my people once enslaved, I am told that it was years ago and I should “get over it”?
Why when I make a joke at a Caucasian friend’s expense does his face grow disgusted and he spats the word racist at me, then turns around and make a joke at a black man’s expense and expects me to laugh?
Why am I told that I am “boring” or that “no one likes being around an angry black woman” when I rise up to speak about the obstacles all people of color face in the modern society?
Why is it that my Caucasian friends are allowed to rely stories of being called racist with voices grim and shocked, but if I ask, “Well, were you being racist?” they look at me as if I’ve offended them?
Why is it a normal thing for people of color to rise and speak about their experiences of being a minority, only to have a Caucasian person slap a metaphorical hand over their mouth by saying, “You’re not the only one who’s experienced racism”?
Why as a child growing up was I taught by society that darker skin was less desirable, that if I was dark I shouldn’t wear pastel bright colors, that my blackness isn’t worshipped, but now in modern day society I am forced to watch Caucasians wear weave, get braids, do things they consider “being black” and have praise rain down on them?
Why should I have to listen to my Caucasian friends use the word “*****” as if their ancestors didn’t pronounce the word the same way someone would call a dog a mutt?
Why when I asked my Caucasian friend to explain why her crush wasn’t her type, she mentioned his blackness not as a worry that someone might not agree, or because years ago it wouldn’t be allowed, or as a concern that the way the modern world seems to be against him, but as if his blackness deemed him less dateable?
Why?
Terry Collett Apr 2012
Lisbeth stands watching
The artist as he prepares
To sketch. Her elder sisters
Stand in shadows whispering.
Her younger sister plays
With her doll on the floor.
Their father said to do as
The artist instructed and
Don’t misbehave or be rude.
The artist stares hard his
Dark eyes searching their
Every move and expression
And body gesture. The elder
Girls mutter in shadows
Their hands over their mouths
Their blue eyes like shallow
Pools. Ready? The artist
Asks putting charcoal to
Paper his fingers blackening.
Lisbeth says just as we are?
The artist nods. His grim
Features express do not disturb.
The youngest sister plays
Ignoring the artist her eyes set
On the game at hand. The girls
In shadow turn their profiles
Set to mystery their hands on
Their abdomens like guardians
Of virtue. Lisbeth wonders as
She watches the artist’s stiff
Moustache and beard the slow
Movement of his mouth as he
Mouths words and stares hard.
The last artist employed some
Year before younger and less
Brutal in expression and manner
Had drawn them each in private
Rooms and set them down on couch
Or bed and kept their images inside
His head. He was dismissed and the
Drawings destroyed and nothing said.
Lisbeth had thought it just a game
Something done as lover might in
Private corners or lonely spots on
Quiet nights. The artist sketches.
His blackened fingers move and
Made their mark. Their images
Captured. The scene set. One sister
In the shadows yawns the other
Stares in still contempt. Lisbeth
Poses as young girls do. Nothing
To show of interest and nothing
Hid no secret self no other you.
That’s it the artist says we’ll begin
The painting another day maybe
Next week if all is well. The girls
In shadow look away and resume
Their secret games. Lisbeth studies
The artist’s blackened fingers as
He rolls the charcoal sketch and
Puts away. He gazes at her standing
By herself a glimpse of smile and
Glimmer in her eyes like small fires.
He closes the tired lids of eyes
And smoulders down his old desires.
Blue Nile echo from shore to shore,
"Poverty in Ethiopia is no more!"

Above all,
From a precipice
To a valley when you majestically fall,
Thunderous over
The damp dell, mountain gorge when you roll,
As usual
With green, yellow and red
Rainbow arched,
Tell Ethiopia loud-
"You children thee very much adore,
A lip service they now abhor!
‘Blue Nile has no lodging,
Yet it loafs a log hauling.' "

Blue Nile, about your deeds to talk
Breathtaking, you served well
The industry without smoke,
But now you have an extra work!
Far
   And
       Wide
Ethiopia will be electrified,
With Blue Nile,
               Gebe,
                    Tekeze... at hand!
Every nook and cranny will get light,
When efforts Ethiopians unite!

The future will be bright,
When a tamed Blue Nile ceases
Unchecked to roar past
Without a respite.

No energy source runs waste
Nor any Plant will suffer a blackout!

Lo and behold Blue Nile will be subdued
For riparian countries' good!

To contribute a brick,
Ethiopians twice you shouldn't think.
Farmers have mounted on a peaceful battle,
To cover the catchment with a green mantle,
To make terrace
On each mountain
Take every pain.
To afforest the depleted f o r e s t!
Thus washing on its sway,
Blue Nile conspires no more
To carry alluvial soil away.

Here of course it is good to recall
The message of Emperor Twedrose.
"Dear guests you are
Amidst people hospitable
Welcome, welcome
Feel at home!
Roam throughout
Abyssinia you might,
On its grandeur your eyes
You can feast.
The vast array of
Mouthwatering dish,
The country parades
You could relish.

In case you wish
For an adventure,
Still Ethiopia
Is a mosaic of culture!

Of course
It will grab your attention,
Ethiopia's being
A cradle of mankind
And ancient civilization.

You will see
To its music titillating,
Comes close nothing!
Moreover fails not
To draw your attention,
The affection
Among people hailing from
Different ethnic groups and religion.
But you can't transport a speck of dust,
Alighted or pasted on your shoe by accident!
So to get an exit,
Shake off your shoe and wash your feet!"

Giving to every dust attention
It is possible to ward off
The problem of siltation.
Besides don't you think
The forests serve a carbon sink?

Blue Nile echo from shore to shore
"Poverty in Ethiopia is no more!"

As though Abyssinia,
Africa's water tower
Is a weakling with no power,
On every news hour,
Portraying Ethiopia
A development backwater,
Also scornfully on a dictionary
Painting its people thirsty and hungry
Have no grounds any!
From a rain fed agriculture
Head on
Making a paradigm shift,
Irrigation when Ethiopia further adopt,
The vicious cycle of drought,
Which poses a threat
To its development,
Will give way to a bumper harvest,
Once more rendering Ethiopia
A cornucopia.

Ethiopians be not cool,
Be not cool
Resources to pool!

Lo and behold Blue Nile will be subdued
For riparian countries' good!

Yet, yet hanging up together
Be high on the alert
Any aggressor to deter!
Many are
Who wear a frowning face,
When development
In Ethiopia picks pace!

Keep open your eyes,
Keep open your eyes
At all time, all space
Where infrastructures
Are put in place.

To the helm of development
Ethiopia will soon catapult,
When its children
In full harness their resources put.
So cognizant of this fact,
Ethiopians allow not
The grass to grow under your feet.
Don't wait
Behind the campaign
To throw your full weight!

For work, roll up your sleeve
Ready for ‘The Renaissance Dam'
Your sweat
B
L
O
O
D
And life to give.
March out for prosperity
In Ethiopia to thrive,
What we need have
Is a bond-cohesive
A

B-O-N-Decisive.
Go all out, go all out,
Us, lucky we have to count
For seizing such a ripe moment.

Blue Nile echo from shore
"Poverty in Ethiopia is no more!"

Come-on let us not beg to differ,
Of course we could concur,
For all of us will agree,
Our pet dream is to see,
Ethiopia industrialized
Completely transformed!

Laying the foundation,
Where on takes off
The future generation,
Is what begs for
Central attention.

Why, Why and Why,
With our hands
Tucked in our pockets,
You and I
Remain standers by?
Also why
Simply watch the clouds
Glide across the sky?
Must we indeed,
Sowing a discord seed
Allow our rivers run wild,
Turning a blind eye to our need.

Wiseacres, though
You may not be on the same page,
Between stakeholders
Don't drive a wedge,
The government proves out
Out to fulfil its pledge.
In life it is not hard
To get sceptics,
Dear leaders talk your walk
Walking your talk!
Prove sceptics wrong
Letting them witness
The actualization
Of the dam agog.

Tax payers, if you have
A tax arrear
See it finds its ways to
The government's coffer.

Taxes being
A development backbone
Must be mysterious to none.

Target also rent seekers
That drive spokes
In to development wheels!
The environment smart Great Ethiopian Renaissance dam that holds promise for regional growth and green resilient economy.Ethiopians are constructing it by themselves with out any aid.
Nat Lipstadt Apr 2016
~took a walk in the city today,
and this happened in the O'Henry traditional way~


the blind man crossing E. 15th,
does not look, nor does he care,
all foes on-coming,
come hither, he dares

his light is red,
yet his cane extended,
he click clacks steadily ahead,
unaware and unbeknownst,
his new step by step sidekick,
Sheriff Natty,
is writing an air poem to a
taxi driver with his
shotgun *******,
a NY gesture of
welcoming *******...

a green light means passage
is a taxi's right,
but my left shoe firm
attached to his bumper,
plus multiple looks mine,
any of which could ****,
his argumentation poses
do somewhat chill...

the sheriff of the city, his motto,
sic transit finger gloria

~

among the sadder sights
of city life
is contrast...

the dark-only coolness
of an Irish bar,
on a bright spring day
when life and love
is bud sprouting
while old white men,
on single soiled solitary stools,
their colored cheeks green
from the reflection of
TV emerald diamond fields,
sipping many pre-game $3
Guinness draughts

around the second inning,
they switch, onto
boilermakers to make
the languid afternoon stretch on,
this I know for sure,
for in the large gilded mirror
behind the bar,
see the barkeep's back asking me,
"what will it be for you
this fine spring day?"


~


next to the bar, in the corner market,
an old man's hands tremble in an old man's way,
in a way I only know thru his testimony,
as he does his daily self-feeding,
his wallet removed, fumbling for two
single soiled solitary one dollar bills.

the shopkeeper's fingers
beat the counter impatiently,
the old man's beer brown bagged,
transport ready, though the old one
rather be next door,
the extra Dollar saved causes
a last minute delay, shaky fingers,
asking for an extra purchase,
a small can of dog food please,
so he can watch the game at home
and share the same meal
with the man's real and best,
and only true spring weather friend

~

the mayor proclaimed as a matter of
public safety, public decorum,
a pack of three or more woman
wearing all black Lululemon athletic wear,
were now banned from being outside after nightfall

later this night, in Carl Schurz Park,
many vamp(ire) voices were heard
singing the lyrics to
"i want to do bad things to you,"
but they staked him only
to a free color reeducation

~

these takes I witnessed,
all or some,
these tales I took
some or all,
from beneath my skin,
where city streets grit
injected beneath my skin
came with the title,
City Boy,
and honored me
with its O'Henry life and lore,
and the vision to believe what is
in my bloodstream
just another true tale of life in Manhattan.com~
published her 4/14/14
judy smith Jul 2015
The superstar opted for a rather daring look and took a photograph in a bathroom mirror for fans.

Madonna seems to be taking style tips from Kim Kardashian these days by falling in love with a very **** pair of boots.

The 56-year-old star continued to prove she won't be getting a blue rinse anytime soon or covering up with saggy jumpers as she flaunted her figure in a selfie.


Posing in front of a mirror in a black leotard and black knee-high lace-up boots, she wrote on Instagram: "Nothing Glamorous about this bathroom but these Gucci Boots are Eeeeevrythang! #rebelhearttour."

She can be seen in the pic without any make-up on looking slightly tired while rocking a wavy blonde hairstyle and wearing black fishnet stockings.

Meanwhile, Madonna recently claimed she will continue making music until she dies because she is so "inspired" to keep working, just like Picasso, who died in 1973.

She said: "I like to compare myself to other kinds of artists like Picasso. He kept painting and painting until the day he died. Why? Because I guess he felt inspired to do so. Life inspired him, so he had to keep expressing himself, and that's how I feel."

The Living For Love hitmaker - who released her latest album Rebel Heart earlier this year - continued to say she doesn't think her creative streak will ever fade because she always wants to inspire others.

She explained: "I don't think there's a time, a date, an expiration date for being creative. I think you go until you don't have any more to say."

The music icon will kick off her Rebel Heart Tour on September 9 in Montreal, Canada and said she has spent "weeks and weeks" choosing a set list because she has so many well known hits to choose from.

She added: "The theme I really truly explore in this show more than anything is love and romance. I want people to walk out like they're feeling inspired and like they've seen something they've never seen before (and) felt something they've never felt before.

"I realize I have 32 years of other songs, so I have to pick and choose. I sit there for weeks and weeks and weeks trying to figure out which of my old catalog I want to do.

"It's a puzzle that we have to put together 'cause thematically the songs -- the old and the new -- they have to go together; sonically they have to go together."

read more:www.marieaustralia.com/red-carpet-celebrity-dresses

www.marieaustralia.com/princess-formal-dresses
Oh, ye little kitty-girl, kitty-girl, kitty-girl,
Oh, ye little kitty-girl, why do ye purr?
Ye, champagne and roses,
A bag full of poses,
Oh, ye little kitty-girl, that's why you purr!

Oh, ye little kitty-girl, kitty-girl, kitty-girl,
Oh, ye little kitty-girl, why do ye purr?
From London to Denver,
you're glowing my ember,
Oh, ye little kitty-girl, that's why you purr!

Oh, ye little kitty-girl, kitty-girl, kitty-girl,
Oh, ye little kitty-girl, why do ye purr?
I know that you're fluffy,
You're cute and you're puffy
Oh, ye little kitty-girl, that's why you purr!

Oh, ye little kitty-girl, kitty-girl, kitty-girl,
Oh, ye little kitty-girl, why do ye purr?
The sun is a-shining,
The silver a-lining,
Oh, ye little kitty-girl, that's why you purr!

Oh, ye little kitty-girl, kitty-girl, kitty-girl,  
Oh, ye little kitty-girl, why do ye purr?
The moon is a-gleaming
For you I’m now dreaming,
Oh, ye little kitty-girl, that's why you purr!

Oh, ye little kitty-girl, kitty-girl, kitty-girl,  
Oh, ye little kitty-girl, why do ye purr?
So, come ye, and take me
For you will not fake me,
Oh, ye little kitty-girl, that's why you purr!

Oh, ye little kitty-girl, kitty-girl, kitty-girl,
Oh, ye little kitty-girl, why do ye purr?
I love you, my kitten,
So put on your mitten,
Oh, ye little kitty-girl, that's why you purr!
The melody used for the poem was from an Austrian folk song, called "Oh, du lieber Augustin", presumably composed by a Viennese balladeer named Marx Augustin in 1679, though written documents date back to about 1800. The folk songs "The More We Get Together" and "Fat Turkeys" were all based on this song.

— The End —