Colonial mansion, in an ocean of grass,
windows aglow as I walk past.
funeral service now used of verandah,
but I hear music, not mournful stanza.
french doors open to a reminisce,
with boyhood heart, of vitreous.

Footfalls on parquet floors,
tux and gown past crown moulded doors.
captured ambiance of a setting sun,
shown from chandeliers highly hung,
day I was born, born the day of prom,
I smiled cordially, and my date fawned.

Girls betrothed by corsage on wrist,
rare french curls--a lunar eclipse.
bedraggled boys now dapper and genteel,
vest and bow-tie, a knightly feel.
chapperesses smiling at maidenly gait,
happy drowse in  mansion estate.

Cuff-links, silk gloves, nail polish of gloss,
beheld tonics and sweets, carefully aloft.
opening cord, an arrow from cupid's bow,
striking coquettes to their tippy toes.
they sprang to dance,I stepped back,
invisible in shadow with tux of black.

Shoulders, lake ripples easing to shore,
hips, gentle waves, right before they pour.
boys stiff, as if waists beheld sabers,
legs, sweeping brooms of on shore waiters.
"your too handsome to stay here unseen,"
said rivaling chaperess, past semblance of queen.

"You should dance ,"said glittered lips of pink,
bent like sparrow wings, during teacup drink.
privy to why in shadow I hid my blush,
her class my crush, that crushed me so much.

She strained me, even the shadows she gave,
black silk, stretching,--convex and concave.
crude metal and wood classroom seat,
clasped her waist of slender physique.
she was guarded by a window in curtain mail,
and tended to by servants of light and gale.
light loved her skin of Mediterranean sand,
and wind enthralled by each and every brown strand.

Light penetrated strands, blondly hot,
wind would blow, cooling pony tail off.
her shadow curtsied under my desk,
long legs danced in irritableness.
mourning class is abuzz with scent of prom,
flower not frost, rules the school's dawn.

I gave my consent, to an earlier invite,
then on, suitor blinded me with light.
and Great Gatsy, and looming prom night,
subjects of sparrow wings pressed tight.
" show of hands, who do not have a date?"
slender wrist arises, from an arm curvate.

alone, she shown that no one asked her,
this stone of Rome amongst boys of plaster.
hand fell with boy of teachers match,
wind shrouded her,from the window sash
rays gave discomfort,to gaze her way,
but I looked through burning ray--

To see a trace of a tear,in eyes ovate,
a goddess unsought, with sadful face.
I, poor, fatherless, could not possibly go,
to prom with princess of arched portico?
I could not interweave my hands to dance,
or know where I could place my glance.

Wind blew a scrap from her desk, indiscreet,
it was pierced by light at my feet.
"will" and "with" were dotted with a heart,
"prom" and "me" before most painful part.
my name in her beautiful free hand,
the color red from hearts inkstand.

(Class bell rings) I travel over star lit lawn,
the music gets louder as I return to prom,
eyes turn to cotton, in shadow as I ponder,
as pain was forgotten, I came upon her.
invisible hands, lifted my chin to a red shape,
our eyes met, her's smiling, mine agape.

Only a glass-maker could imagine my sight,
seeing hot curves form in dance floor light.
only a wax-wing could have rivaled her eyes,
waves gently broke to gown down her thighs.
"will you dance with me,"she softly entreated,
" I don't know how,"a coward repeated.

A princess which tournaments were held,
for which every timber of mansion were felled.
not for Rome the mansion's Corinthian column--
--for her--from quarry prom did befall them.
I could not tarnish this feminine form,
with my lineage in crown she adorned.

I turned from beauty, to dark acres tread,
under willow, I play the last thing she said--
my name--as I shunned from last chance,
now back under willow, cane marks my stance.
I have preserved her forever, shying fate,
even if it was with my own heart-break.

I still see her--in the most beautiful prom poses--
--still--as lights flicker out and a coffin closes.

The forest of legs swayed in the moving shadows beneath the chatter over head, each threatening to block our path and crush our attempt to get to the first fallen crisps of the party season, which as yet laid undisturbed.

We weaved and advanced as fast as their legs allowed, eager to scavenge the waiting bounty before they were trampled underfoot by the oblivious adults who were intent on a seasonal ritual of their own that went on high over our heads.

We emerged unscathed at the edge of the forest and raced across the open parquet to the cover of the drapped, white topped trestle tables catching our breaths and crunching our snatched crisps planning our next move toward the plateau above.

Our scout had reported rich pickings, but when we looked around, seeking signs of our brave advance party, we could find no trace beyond a half eaten volovant and what might have been regurgitated mushroom. We shook our heads in despair at their folly. Every kid knows to stick to crisps and to processed meats, avoiding anything that might contain vegetables. We saw an open French window just beyond the trestles and heard plaintive heaves that had a distinct 6 year old strain.

We checked each other's resolve and saw on each other's faces that we believed our mission was more important than any one stomach. With a maturity that would have surprised our parents, we pushed the plight of our friend to the back of our minds and focused on the task at hand.

We each reached up with practiced stealth, taking only a second to check the food on offer and with a speed bred into us by the curse of older siblings, we each grabbed our prize.

Acknowledging the hazards of the return journey we devoured the meat at hand and with hyena grins savoured our just rewards. While our fallen friend heaved once more, we saluted one another: the season had started better than any of us could have hoped.

Nancy is a new generation of computers programmed to respond biologically she has built-in human shortcomings including conflicted feelings uncertainty sense of soul pre-installed parts of her are dying she can feel it after elaborate shower focusing on specific body selections underarms feet ****** *** face allowing other anatomical regions to retain natural biotech oils lathering scalp with premiere restructuring shampoo conditioner she dries applies fastidious refined moisturizer emollients to forehead eyelids mouth neck areas vigorously massages special mousse treatment into brunette hair cut medium length brushes teeth rinses with spearmint mouthwash lightly rouges face with extra fine powder mist meticulously paints eyes lips with conventional colors finally adding distinctive subtle scents behind ears neck décolletage wrists thighs derriere toes tonight will be 2nd date with Rick handsome successful options trader who has no idea Nancy is extremely sophisticated complex doll meeting at catch.com on their 1st date Rick has too much to drink possibly owing to his nervousness or shyness around Nancy who possesses regal beauty bearing yet infectious smile laugh he spills 3rd drink then orders 4th drink Nancy becomes courteously standoffish

Bob’s LG electronic 27.5 cubic foot French door refrigerator’s water filter ice system located on door is malfunctioning spewing out brown fetid ice chips onto extremely intricate decorative parquet (palace style) floor consequently leaking into downstairs neighbors custom design ceiling dwelling to make matters worse Bob’s smart phone is on the blink his internet connection down due to unpredicted wild winds he is beside himself in isolated frustration compounding this calamity is foreboding realization Bob highly trained biotech computer programmer may have miscalculated tiny chip link inside Nancy’s cerebellum stem

as Nancy is about to open door for eagerly waiting Rick holding small gift box in hand with note that reads thank you for giving me a 2nd chance something quite irregular unforeseen pleasure fear motor impulse tenses snaps inside her head she reaches for door handle while other hand grasps butcher knife

In my dream,
drilling into the marrow
of my entire bone,
my real dream,
I'm walking up and down Beacon Hill
searching for a street sign --
namely MERCY STREET.
Not there.

I try the Back Bay.
Not there.
Not there.
And yet I know the number.
45 Mercy Street.
I know the stained-glass window
of the foyer,
the three flights of the house
with its parquet floors.
I know the furniture and
mother, grandmother, great-grandmother,
the servants.
I know the cupboard of Spode
the boat of ice, solid silver,
where the butter sits in neat squares
like strange giant's teeth
on the big mahogany table.
I know it well.
Not there.

Where did you go?
45 Mercy Street,
with great-grandmother
kneeling in her whale-bone corset
and praying gently but fiercely
to the wash basin,
at five A.M.
at noon
dozing in her wiggy rocker,
grandfather taking a nap in the pantry,
grandmother pushing the bell for the downstairs maid,
and Nana rocking Mother with an oversized flower
on her forehead to cover the curl
of when she was good and when she was...
And where she was begat
and in a generation
the third she will beget,
me,
with the stranger's seed blooming
into the flower called Horrid.

I walk in a yellow dress
and a white pocketbook stuffed with cigarettes,
enough pills, my wallet, my keys,
and being twenty-eight, or is it forty-five?
I walk. I walk.
I hold matches at street signs
for it is dark,
as dark as the leathery dead
and I have lost my green Ford,
my house in the suburbs,
two little kids
****** up like pollen by the bee in me
and a husband
who has wiped off his eyes
in order not to see my inside out
and I am walking and looking
and this is no dream
just my oily life
where the people are alibis
and the street is unfindable for an
entire lifetime.

Pull the shades down --
I don't care!
Bolt the door, mercy,
erase the number,
rip down the street sign,
what can it matter,
what can it matter to this cheapskate
who wants to own the past
that went out on a dead ship
and left me only with paper?

Not there.

I open my pocketbook,
as women do,
and fish swim back and forth
between the dollars and the lipstick.
I pick them out,
one by one
and throw them at the street signs,
and shoot my pocketbook
into the Charles River.
Next I pull the dream off
and slam into the cement wall
of the clumsy calendar
I live in,
my life,
and its hauled up
notebooks.

cross-over
behind the back
simple wrist flip
34 footer drops
and I sit in awe --
having witnessed
Showtime
Magic, Kareem, Worthy
Vs.
The Parquet floor
and Larry Bird….,
the bad boys,
and the Jordan era
(both incarnations),
big Timmy in San Antonio,
and Hakeem in Houston,
Shaq and Kobe,
Kobe and Gasol,
the reign of a new king
shinning like the sun in Miami...
they all sit back
like me
mouth open
feeling a state of awe
muthafukkin Stephe Curry
……hope homeboy stays healthy,
I like bearing witness to NBA godliness –

marvel at the complex-pattern
painting such a span of swirls
light-panels less than shimmer
in the afternoon shadows on the wooden kitchen-table
biggest fear - your leaving


1.
beautiful summer-days lost in your eyes
oblivion dances like a wily-***** at hypnotising fire-licks
from our languid-bed, I'd lazy-feed you lox-on-crackers
and everything you liked
heaven never had it so good

........................till

woke up and *you weren't there
where'd you go to?
no letter, no call.. for days


2.
to overcome this fear
I brought in a  b-i-g-g-e-r  one
that used to drive me to serious-pitfalls in the past

off to the exotic pet-shop, my toes marched me
and I got one - very toxic thing on legs
without a natural terrarium

once home, I set it free
I set free.... my biggest fear
        to blot out your absence
        to overcome your presence
        to forget you

it crawled around and made a home
while I hardly breathed nor slept
and moved about on ginger-steps


3.
I kept feeling strands of your hair
          in my sleep
          on my cheek
          inside my cry
and woke to moonlight bathed in sweat

I did not wash your pillow, after weeks now
I bury my face in olfactory-memory lingering
and pine for you, but I see your missing set of keys and..

/ scratch .. scratch /

I hear a sudden scurrying
heartbeat jumps out cage
eyeballs to the parquet-floor

nothing.


4.
I'm getting used to this new pet
and she doesn't mind my breathing
                    oh, I swear she's a brain-scanner
                    when she looks at me that way
                    like she can read me.. through and through

I dare not pet, I dare not touch... ohhhh no!
       I leave her the daily-bowl of delicious, fresh worms
       to find it empty in the evening
I guess, thanks for freedom.. of sorts

one day, I left the window open
as I jotted down some poignant thoughts
at my antique-escritoire
    espied her legs upon the solar-sill
    thought she'd be running... a leaver, too
but no..    
                 she was sunning all her legs awhile


5.
the season's changing.. leaves are falling
crackle of wind in the air

now, I'm making me some coffee in my silver whistle-***
hot, solo beverage to calm my settling-mind
when.. ping-ping.. comes a text
lo and behold....
it is you...

you!


6.
delirium / delirium /
(I'm on cloud-nine... you're coming home tonight..
                                      you love me so much, you say..
                                      made a mistake..
                                       you've got something big to share..

I've taken time to prepare a special-meal.. candles and all your faves
but must pop out quick to get some lox...)


I'm back now, got the stuff now
key in lock
but the door.. jammed by a weight.. of sorts
can't seem to push the ****-door open...
shoving hard, I see........







fear compounded by a minus
simply multiplied
disaster




S T - 4 dec 13

I conquered every feeiing that ever felt real to me and
knelt at the feet of statues looking for deliverance,

Blood on her wings but an angel flies in and sings to me,
I cling to the tin foil

In the tack room
satin and a whisper of whips.


I unclip from the apron and try to get a game on
But the statues refuse to okay my play.

and she walks like she's sinking
on the brink or is it me thinking it's her thinking it's me?

Montmartre
next stop Kama Sutra
all aboard
tickets please,
fasten your seat belt

It wasn't that at all
It just
felt like it.


But when you start to feel and cease to kneel it all becomes incredible,
I'm a thousand lira nearer to Pisa,
she's a lot closer to me.

hard-candy crunches between
chattering teeth--warm blue
drool pools down wet chin. wet skin
reeks of chlorine, and swimsuit
sticks to piggy thighs
and pancake chest. eyes
are everywhere: eyes to stare
and judge and mock
and compare. it’s unfair
how these other girls eat
chips and pizza yet
their bodies are set to be
nubile marble demigoddesses
living off six pomegranate seeds.
i am teenage Taweret.

the unforgiving spandex drips
upon the floor, as if i had peed. quick!
get a towel, you’re ruining the parquet!
leg bones, feet bones hit the floor,
followed by white waves of flesh, always late,
rebounding wetly. bones and fat.
soggy pig bones.

Billowed and pasted, rollicked and wasted,
the night takes hold and Samantha, you remember her,
she's smoking again. This is her last pack though.
Drinks poured. Drinks spilled. Kate and I are talking
like people with scheduled late afternoon love affairs. There's
a car alarm going off in the distance. I love this blouse. Is it new?
No. It looks new. I love your perfume. You aren't wearing any?
Must be a natural—and the first to arrive at the party, Chris and
Evan, they're the first to leave, and we listen intently as one, or maybe both, tumble down the stairs. There should be waivers for second floor
apartment parties. Kate, you deserve so—I know. I know. You've got this light. Jesus. I'm just saying. Is it radiant? Yes, it's radiant. And they're lighting their drinks on fire now in the kitchen, some concoction of amaretto and 151 and a kickback of Coors. The flames reflect in their eyes, their cheeks a soft amber, and most of them are smiling, not sincerely, but when was the last time you could give yourself over completely to joy? There's a siren in the distance. Someone says they're coming for us. I'm going to the bathroom. Do you need help? And there's this ceiling fan with LCD Christmas bulbs strung around the blades. A myriad of claustrophobic yellows and whites and blues. Have you seen that video of the ****** having a baby? And he brings it up on his phone. Someone says, Oh my god I love this song from the bathroom. I hadn't noticed the music before now. Drink this. What is it? You'll see. And Samantha she says she's got to step outside for a second. And someone drops a hookah coal on the beige carpet. There goes the deposit. There's incense. There's a Scentsy. There's Febreeze being sprayed liberally. Can you drive? Can you? Do you want to? You know? I've ate a lot today. The songs keep getting skipped. Parquet Courts, Michael Jackson, Lionel Richie, Chvrches, Miley Cyrus—wait, wait put on some SWIFTY. We're going to fire up in my closet if you want to join. It's a walk-in. Evan's back now. He kicks a mirrorball across the kitchen tile with Chris, who's also back now. Where's Samantha? She's smoking. She shouldn't be alone. You remember last—That won't happen again. I'm just saying. Well, you can stop saying. Sirens again. Closer. We're in the walk-in. Kate tugs on my sleeve. I take a pull off the bronze pinch hitter. Do little circles with my head. ****, she says. What? It all starts fading out, the rush of dark, the rush of light. Someone says trash can. Sirens. I'm just trying to—Shut up. I'm just trying to—Shut up.

She told me over dinner one evening
that I should switch to white wine—
less tannins and calories, she claimed.

I smiled and shook my head,
a vintage cabernet stubbornly clinging
to my bleached white teeth.

The next day I found a couple bottles
of chardonnay chilled in the fridge,
a note tethered to one’s neck:
Drink Me!

I did not.
Four months later,
we signed divorce papers;
she packed her things and left.

I drank the chardonnay that last night,
dizzied by the herringbone pattern
of the old parquet floor, and wondered
what would happen if I ate our frozen cake top.

The Lady Mary took to her bed
On the last of the mad March days,
She’d strained her constitution, she said
At that upstart, Shakespeare’s plays,
The ruffians at the Globe were known
To be often rotten with fleas,
‘I must have been bitten,’ Milady said
With her skirt drawn up to her knees.

The footman fastened a painted sign
‘No Visitors’ up at the door,
While one of the maids got down on her knees
And scrubbed at the parquet floor,
Milady took to her poster bed
By a window out to the square,
‘You’d best get down to the Fleet,’ she said,
‘Lord Orton is working there.’

The doctor came with his physic
Carried a nosegay close to his face,
The cane that he prodded Milady with
Would leave her with little grace,
‘The swellings down in Milady’s groin
Will have to be truly bled,
A mixture of clay and violets then
Applied to the sores,’ he said.

The mist swept in and the night came down
As the fever grew apace,
And dark black pustules grew and swarmed
At the Lady Mary’s face,
A shadow fell on the window pane
Of a man stood out in the square,
‘Who is that nightly visitant,
And what is he doing there?’

She couldn’t make out his features for
His hat was broad of brim,
Shading his face and hawk-like nose
Though he kept on looking in,
‘I have a terrible feeling that
I’ve seen that man before,
He’s come from the coffin-maker, and
He waits outside my door.’

She slipped off into unconsciousness
So the footman let him in,
To measure her with a piece of twine
From her head to below her shin,
They waited then for an hour or two
While the doctor had her bled,
She cried aloud at a fancied shroud
And she shrank from it, in dread.

Late on the second day she woke
Lord Orton at her side,
Holding a faded nosegay to
Protect him from his bride,
She heard the clatter of wheels pull up
Outside in the darkened court,
And cried, ‘My Lord, will you leave me now
That my time is running short?’

She lapsed back into a coma, but
She could feel the tremors start,
And something strange had begun to change
In the beating of her heart,
A rattle deep in her throat began
And resounded through her head,
Just as a voice, it seemed to her,
Called out, ‘Bring out your dead!’

David Lewis Paget

Delle volte mi concentro su particolari lontani e totalmente irrilevanti come la posizione delle dita delle mani appoggiate allo stipite della porta o su un bicchiere e io penso sfiorami sfiorami sfiorami.
mi ricordo casa di mia nonna, il suo parquet, la luce che enTrava dalle grandi finestre, tutta la lista di cose che mi era vietato toccare

When Alison left the bath to run
It ruined the parquet floor,
It spilled on out like a waterspout
And ran right under the door,
She’d gone back into the bedroom, so
The spill continued to run,
Across the landing and down the stair,
‘Now look what our daughter’s done!’

We couldn’t dry out the parquetry
It swelled, and loosened the glue,
Then bits would lift and would come adrift,
I didn’t know what to do.
Then Barbara said, ‘It’s coming up,
We shouldn’t have laid it down,
I’ll go and choose some ceramic tiles
At that tiling place in town.’

I said that I’d lay the tiles myself
But Barbara would insist,
‘We really need a professional
For a job as big as this.’
I shrugged, and let her get on with it
I never could win a trick,
So the tiler that she employed was one
Ahab Nathaniel Frick.

I’d seen this tiler about the town
All hunched, and wizened and old,
His wrinkled skin was like parchment in
Some leathery paperfold.
He wore a hat with a drooping brim
So the sun never touched his face,
A puff of wind would have blown him in
To leave not a hint, or trace.

‘Are you sure that he’s up to this,’ I said,
‘He isn’t the best of men,
He’ll probably get on his knees all right
But never get up again.’
But Barbara shushed me out of there
Was keeping me well at bay,
She wanted to prove what she could do
In laying the tiles her way.

I didn’t get in to see them then
‘Til the tiles were laid, with grout,
Nor see Nathaniel Frick again,
I supposed that he’d gone out.
I stood and stared at the new laid tiles,
Their pattern was in the floor,
And Barbara, waiting proudly said,
‘What are you staring for?’

‘There’s something a-swirl in those tiles,’ I said,
‘Some pattern you didn’t mean,
The way that he’s put them together, well
There’s a sense of something unclean!’
I said the tiles made an evil face
And showed her the curving jaw,
The squinting eyes that could hypnotise
And the cheeks, so sallow and raw.

She said that she couldn’t see it then,
That I must have twisted eyes,
I wasn’t wanting to hurt her so
I tried to sympathise,
But the monster’s face was set in space
And it wouldn’t go away,
I dreamt about that face by night
And I saw it, every day.

At night, the face seemed to snarl at me
When I passed it in the gloom,
And I worried that it was set right there
Outside our daughter’s room,
Then Barbara thought she heard a noise,
An intruder in the house,
And tipped me out of the bed to chase
The night intruder out.

The moans began in the early hours
And the groans came just at dawn,
Then Alison came into our room,
‘There’s a shadow on my wall!
A man with a broad-brimmed, floppy hat
And with squinting eyes that gleamed,’
I said, ‘That’s it,’ when she had a fit
And our darling daughter screamed!

I went on out to the lumber shed
And I brought a mattock in,
While Alison jumped in the double bed
As the tiles set up a din,
A wailing, groaning, squealing sound
That would raise the peaceful dead,
I raised the mattock and smashed the tiles
Just above the monster’s head.

The tiles rose up with a mighty roar
And shattered, scattered around,
As a shadow from underneath the floor
Rose up with a dreadful sound,
It hissed, and made for the stairway, leapt
And it almost made me sick,
For fleeing out of the open door
Was Ahab Nathaniel Frick!

David Lewis Paget

In another life,
I built several great palaces
by two hands,
brick unto brick,
until they sat
pristine and shining,
in their halcyon
newly millenial bliss

until the caretaker took ill,
and vanished.

so my great palaces stand, still
though in disrepair,
the whitest of elephants this side of le petit trianon.

their windows adorned with spider-leg-cracks,
vines twisting and caressing the parquet in replica Halls of Mirrors.
the royal apartments long ago looted,

pipes burst,
and a river flows into a third story drawing room.

the scratching of pencil on paper sounds like
how your nails scrape words over my dry
skin in the dim light. reminiscence is essential.
beyond the window grilles, there is
nothing but silence.

so i manifest noises by tapping
my feet against the smooth parquet or
by standing near clocks to hear their hands
tick away. it is more
comforting than it should be.

if you could feel my anxiety, or drink
in all my nervousness, then you would
understand— why i am always unsure.

i believed too much in gods and luck.
my spirit is limited in a case of
transparent hope,
tinted by whispers which haunt
me to no end.

and so tells the story of how i came
to stop believing.

- - -

temere -
they speak lightly,
their dulcet voices competing against the
melodious harmonies of soothing ballads –
parallel speeches,
repeated utterances of
love.

paliona –
people say repetition brings
mastery, perfection;
if these hackneyed statements were
germane to helpless endearment,
I would’ve taken the plummet;
a timid step off the edge of the concrete building
towards the gravel beneath.

nemesism –
yet too much of heaven is a sin,
smothered by the scent of lemongrass
dappled with the caresses of
ebony tresses;
your silhouette fades to nullity;
and I fall against the prickly surface
of gravel with the memories of
the raxeira drawn along the parquet floor;

your hand lying in mine.

Clad in plaid and leather, silver
drenched in blood
fingers gracefully extended
to pull the trigger,
jump the gun -

Back to back,
shoulder to shoulder,
hand-to-hand
combat
with each other, with the reaper

This ménage-à-trois
- brother - brother - Death -
encircled in an endless dance,
scowling like wolves,
gnashing blades like teeth,
growling like gunfire

one stretches his arm
and reaches into Hell
a sharp intake of breath, thick
like demonic blood -
his hand gripping the other one tight

by the shoulder -
handprint burnt into his flesh already
from decades of dance rehearsal,
always dancing, always getting tired -

the two as one
and the Holy Ghost of Death between,
this third, silent party
ever-observing, winding between their bodies,
slick and oily -
cunning Death is a slippery eel.

Cheek to cheek
their tears mingling
as they whisper the steps to each other,
useless reminders of
‘I’m sorry’
‘Goodbye’
‘I love you’
‘I can’t be without-’

and one! Death kicks his leg
a sharp stab to the chest,
the heart underneath slowing to the rhythm
of tango dying in the spotlight…

and two! one brother picks up the speed,
carries his partner through the routine,
an arm
elegantly draped around
a neck,
half-carried, half-dragged through this dance,
each foot-fall heavier than the one before,

and three… the violins stop screeching
their violent delight,
all eyes carefully trained on the dancers,
warm blood trickling between their lips,
barely touching,
hot breath visible in the cold black
surrounding their heads.

Death stares, shrouded in his coat.
The boys disheveled but him untouched,
a joyless grin on his pale lips,
thin brow dusted with
the sweat of exertion,
the fire in their lungs

lights a spark -

four! the violins pick up again
their strings wailing in excitement
as a hand descends from Heaven
the dancers looking up in awe,
lifting their faces to the single spotlight
illuminating their locked fingers,
rigid backs,
cheek to cheek still

and five, spinning them around
the hand makes all the blood undone
and heals their wounds
as Death lurks in the shadows, ready
to attack once more -


again - six, again - seven,
eight, nine!
their ribs broken and breath quivering,
hands still holding tight,
legs outstretched -

slowly kneeling in an embrace of pain…

pleading mouths -
‘Stay-
stay with me’
‘Please’
‘Tell me,
tell-
t-tell me it’s okay-’

But on ten, enter stage left
one who’s danced with Death half
an eternity-
he latches onto one brother,
forearm against forearm,
leaving him marked -

suddenly a new rivalry-
the dynamic changes swiftly now
and one brother, with his fists raised high,
Death wrapped around his torso,
he is poised to pounce -

ready to ****, now,
any second now,
come to Death, spin him ‘round,
lock eyes with the unthinkable-

eleven. And an arm extends -
in the flash of his own blade
Death falls to his knees,
soulless eyes glazed over, staring still,
the dancers fixed in their sight -

He goes down without applause -
the audience is shocked,
the dancers are shocked,
the violins stopped mid-stroke.

Twelve. A moment of silence for the death of Death.


A beat. And another.
The daring of a pumping heart.
Composure, posture, straightening backs,
hand in rough-skinned hand,
an air of grace and defiance
in their footwork,
set to finish this performance.

At thirteen the violins fall into
the final act -
the dancers spin and smile
painfully wide,
the audience screams and cheers,
wring their hands,
whistle like toreros

rousing Death, forgotten on the parquet,
from his curtain fall,
hands reaching, feeling into the warm
spotlight -
the spectators scream in horror,
the brothers, bowing, turn too late -

prelude -

one -

White noise is falling
from the treetops again.
I'm looking for a new apartment,
touring the giants
up and down 16th Street,
wondering if I'll cry here too
across the ancient parquet,
& who I'll bring home
to share coffee and deep jags
of insufficiency, feelings
I should not have shared.

Everything is eventually
unspoken, everything is.
Keep the heart off the sleeve
for a change. Hideaway
in the dull bronze candle
of winter city sunset,
gently tarnished with old snow.
Pause on the high Taft bridge,
despite the height,
and drop the heart away.

It's a lie,
I couldn't do it.
The heart sticks
in the hand.

please be still
let my heart be still
all these thoughts
just let them spill with the feelings
that bind me in chains
that unwind my brain
i could fall
fall for always
i can’t stand tall
stepping through ever more doorways
hula hoop headspins
level me again
and ******* what’s it all for
why do i keep at it anymore
yet another spin around
the parquet floor
losing more grip each time

You walk up the staircase
In a blue dress stained with violet
To a fountain with a phallus in the middle
You notice a bare parquet floor
In front of a famous painting with two pyramids
You go to the bathroom which
Divides the stick figures into genders
And you turn on the lone light bulb hanging from the ceiling
Afterwards you come to a fire,
The light bouncing off the stone floor
But you notice outside spotlights
So you walk down a long corridor
And leave by the exit sign door

M.B.


I threw my arms about those shoulders, glancing
at what emerged behind that back,
and saw a chair pusher slightly forward,
merging now with the lighted wall.
The lamp glared too bright to show
the shabby furniture to some advantage,
and that is why sofa of brown leather
shone a sort of yellow in a corner.
The table looked bare, the parquet glossy,
the stove quite dark, and in a dusty frame
a landscape did not stir. Only the sideboart
seemed to me to have some animation.
But a moth flitted round the room,
causing my arrested glance to shift;
and if at any time a ghost had lived here,
he now was gone, abandoning this house.

Joseph Brodsky

When setbacks happen,
I get on with life.
If I didn't make the cut,
I moved on;
Sometimes continuing along the same path,
With renewed determination;
Or, find a road less travelled.

                                       I crossed the parquet tiles,
                                       Before a thousand eyes;
                                       She gave a polite rejection,
                                       Her friend took great exception,
                                       Before taking my hand in her's.

There were numerous interviews,
When we two weren't the right fit.
I would move on,
Finally finding my hand and your glove were one.
There are no options, but to move on.

Then we got on.

Then she got on.

Then I got on...

Get on with your life

No problem.
Now, if I can only get along
With my life.

À Catulle Mendès


La petite marquise Osine est toute belle,

Elle pourrait aller grossir la ribambelle

Des folles de Watteau sous leur chapeau de fleurs

Et de soleil, mais comme on dit, elle aime ailleurs

Parisienne en tout, spirituelle et bonne

Et mauvaise à ne rien redouter de personne,

Avec cet air mi-faux qui fait que l'on vous croit,

C'est un ange fait pour le monde qu'elle voit,

Un ange blond, et même on dit qu'il a des ailes.


Vingt soupirants, brûlés du feu des meilleurs zèles

Avaient en vain quêté leur main à ses seize ans,

Quand le pauvre marquis, quittant ses paysans

Comme il avait quitté son escadron, vint faire

Escale au Jockey ; vous connaissez son affaire

Avec la grosse Emma de qui - l'eussions-nous cru ?

Le bon garçon était absolument féru,

Son désespoir après le départ de la grue,

Le duel avec Gontran, c'est vieux comme la rue ;

Bref il vit la petite un jour dans un salon,

S'en éprit tout d'un coup comme un fou ; même l'on

Dit qu'il en oublia si bien son infidèle

Qu'on le voyait le jour d'ensuite avec Adèle.

Temps et mœurs ! La petite (on sait tout aux Oiseaux)

Connaissait le roman du cher, et jusques aux

Moindres chapitres : elle en conçut de l'estime.

Aussi quand le marquis offrit sa légitime

Et sa main contre sa menotte, elle dit : Oui,

Avec un franc parler d'allégresse inouï.

Les parents, voyant sans horreur ce mariage

(Le marquis était riche et pouvait passer sage)

Signèrent au contrat avec laisser-aller.

Elle qui voyait là quelqu'un à consoler

Ouït la messe dans une ferveur profonde.


Elle le consola deux ans. Deux ans du monde !


Mais tout passe !

Si bien qu'un jour qu'elle attendait

Un autre et que cet autre atrocement tardait,

De dépit la voilà soudain qui s'agenouille

Devant l'image d'une Vierge à la quenouille

Qui se trouvait là, dans cette chambre en garni,

Demandant à Marie, en un trouble infini,

Pardon de son péché si grand, - si cher encore

Bien qu'elle croie au fond du cœur qu'elle l'abhorre.


Comme elle relevait son front d'entre ses mains

Elle vit Jésus-Christ avec les traits humains

Et les habits qu'il a dans les tableaux d'église.

Sévère, il regardait tristement la marquise.

La vision flottait blanche dans un jour bleu

Dont les ondes voilant l'apparence du lieu,

Semblaient envelopper d'une atmosphère élue

Osine qui tremblait d'extase irrésolue

Et qui balbutiait des exclamations.

Des accords assoupis de harpes de Sions

Célestes descendaient et montaient par la chambre

Et des parfums d'encens, de cinnamome et d'ambre

Fluaient, et le parquet retentissait des pas

Mystérieux de pieds que l'on ne voyait pas,

Tandis qu'autour c'était, en cadences soyeuses,

Un grand frémissement d'ailes mystérieuses

La marquise restait à genoux, attendant,

Toute admiration peureuse, cependant.


Et le Sauveur parla :

« Ma fille, le temps passe,

Et ce n'est pas toujours le moment de la grâce.

Profitez de cette heure, ou c'en est fait de vous. »


La vision cessa.

Oui certes, il est doux

Le roman d'un premier amant. L'âme s'essaie,

C'est un jeune coureur à la première haie.

C'est si mignard qu'on croit à peine que c'est mal.

Quelque chose d'étonnamment matutinal.

On sort du mariage habitueux. C'est comme

Qui dirait la lueur aurorale de l'homme

Et les baisers parmi cette fraîche clarté

Sonnent comme des cris d'alouette en été,

Ô le premier amant ! Souvenez-vous, mesdames !

Vagissant et timide élancement des âmes

Vers le fruit défendu qu'un soupir révéla...

Mais le second amant d'une femme, voilà !

On a tout su. La faute est bien délibérée

Et c'est bien un nouvel état que l'on se crée,

Un autre mariage à soi-même avoué.

Plus de retour possible au foyer bafoué.

Le mari, débonnaire ou non, fait bonne garde

Et dissimule mal. Déjà rit et bavarde

Le monde hostile et qui sévirait au besoin.

Ah, que l'aise de l'autre intrigue se fait **** !

Mais aussi cette fois comme on vit ; comme on aime,

Tout le cœur est éclos en une fleur suprême.

Ah, c'est bon ! Et l'on jette à ce feu tout remords,

On ne vit que pour lui, tous autres soins sont morts.

On est à lui, on n'est qu'à lui, c'est pour la vie,

Ce sera pour après la vie, et l'on défie

Les lois humaines et divines, car on est

Folle de corps et d'âme, et l'on ne reconnaît

Plus rien, et l'on ne sait plus rien, sinon qu'on l'aime !


Or cet amant était justement le deuxième

De la marquise, ce qui fait qu'un jour après,

- Ô sans malice et presque avec quelques regrets -

Elle le revoyait pour le revoir encore.

Quant au miracle, comme une odeur s'évapore,

Elle n'y pensa plus bientôt que vaguement.


Un matin, elle était dans son jardin charmant,

Un matin de printemps, un jardin de plaisance.

Les fleurs vraiment semblaient saluer sa présence,

Et frémissaient au vent léger, et s'inclinaient

Et les feuillages, verts tendrement, lui donnaient

L'aubade d'un timide et délicat ramage

Et les petits oiseaux, volant à son passage,

Pépiaient à plaisir dans l'air tout embaumé

Des feuilles, des bourgeons et des gommes de mai.

Elle pensait à lui ; sa vue errait, distraite,

À travers l'ombre jeune et la pompe discrète

D'un grand rosier bercé d'un mouvement câlin,

Quand elle vit Jésus en vêtements de lin

Qui marchait, écartant les branches de l'arbuste

Et la couvait d'un long regard triste. Et le Juste

Pleurait. Et tout en un instant s'évanouit.


Elle se recueillait.

Soudain un petit bruit

Se fit. On lui portait en secret une lettre,

Une lettre de lui, qui lui marquait peut-être

Un rendez-vous.


Elle ne put la déchirer.


. . . . . . . . . . . . . . . . . . . . . . . . . . . .


Marquis, pauvre marquis, qu'avez-vous à pleurer

Au chevet de ce lit de blanche mousseline ?

Elle est malade, bien malade.

« Sœur Aline,

A-t-elle un peu dormi ? »

- « Mal, monsieur le marquis. »

Et le marquis pleurait.

« Elle est ainsi depuis

Deux heures, somnolente et calme. Mais que dire

De la nuit ? Ah, monsieur le marquis, quel délire !

Elle vous appelait, vous demandait pardon

Sans cesse, encor, toujours, et tirait le cordon

De sa sonnette. »

Et le marquis frappait sa tête

De ses deux poings et, fou dans sa douleur muette

Marchait à grands pas sourds sur les tapis épais

(Dès qu'elle fut malade, elle n'eut pas de paix

Qu'elle n'eût avoué ses fautes au pauvre homme

Qui pardonna.) La sœur reprit pâle : « Elle eut comme

Un rêve, un rêve affreux. Elle voyait Jésus,

Terrible sur la nue et qui marchait dessus,

Un glaive dans la main droite, et de la main gauche

Qui ramait lentement comme une faux qui fauche,

Écartant sa prière, et passait furieux. »


. . . . . . . . . . . . . . . . . . . . . . . . . . . .


Un prêtre, saluant les assistants des yeux,

Entre.

Elle dort.

Ô ses paupières violettes !

Ô ses petites mains qui tremblent maigrelettes !

Ô tout son corps perdu dans les draps étouffants !


Regardez, elle meurt de la mort des enfants.

Et le prêtre anxieux, se penche à son oreille.

Elle s'agite un peu, la voilà qui s'éveille,

Elle voudrait parler, la voilà qui s'endort

Plus pâle.

Et le marquis : « Est-ce déjà la mort ? »

Et le docteur lui prend les deux mains, et sort vite.


On l'enterrait hier matin. Pauvre petite !

Dearest creature in creation
Studying English pronunciation,
   I will teach you in my verse
   Sounds like corpse, corps, horse and worse.

I will keep you, Susy, busy,
Make your head with heat grow dizzy;
   Tear in eye, your dress you'll tear;
   Queer, fair seer, hear my prayer.

Pray, console your loving poet,
Make my coat look new, dear, sew it!
   Just compare heart, hear and heard,
   Dies and diet, lord and word.

Sword and sward, retain and Britain
(Mind the latter how it's written).
   Made has not the sound of bade,
   Say-said, pay-paid, laid but plaid.

Now I surely will not plague you
With such words as vague and ague,
   But be careful how you speak,
   Say: gush, bush, steak, streak, break, bleak ,

Previous, precious, fuchsia, via
Recipe, pipe, studding-sail, choir;
   Woven, oven, how and low,
   Script, receipt, shoe, poem, toe.

Say, expecting fraud and trickery:
Daughter, laughter and Terpsichore,
   Branch, ranch, measles, topsails, aisles,
   Missiles, similes, reviles.

Wholly, holly, signal, signing,
Same, examining, but mining,
   Scholar, vicar, and cigar,
   Solar, mica, war and far.

From "desire": desirable-admirable from "admire",
Lumber, plumber, bier, but brier,
   Topsham, brougham, renown, but known,
   Knowledge, done, lone, gone, none, tone,

One, anemone, Balmoral,
Kitchen, lichen, laundry, laurel.
   Gertrude, German, wind and wind,
   Beau, kind, kindred, queue, mankind,

Tortoise, turquoise, chamois-leather,
Reading, Reading, heathen, heather.
   This phonetic labyrinth
   Gives moss, gross, brook, brooch, ninth, plinth.

Have you ever yet endeavoured
To pronounce revered and severed,
   Demon, lemon, ghoul, foul, soul,
   Peter, petrol and patrol?

Billet does not end like ballet;
Bouquet, wallet, mallet, chalet.
   Blood and flood are not like food,
   Nor is mould like should and would.

Banquet is not nearly parquet,
Which exactly rhymes with khaki.
   Discount, viscount, load and broad,
   Toward, to forward, to reward,

Ricocheted and crocheting, croquet?
Right! Your pronunciation's OK.
   Rounded, wounded, grieve and sieve,
   Friend and fiend, alive and live.

Is your r correct in higher?
Keats asserts it rhymes Thalia.
   Hugh, but hug, and hood, but hoot,
   Buoyant, minute, but minute.

Say abscission with precision,
Now: position and transition;
   Would it tally with my rhyme
   If I mentioned paradigm?

Twopence, threepence, tease are easy,
But cease, crease, grease and greasy?
   Cornice, nice, valise, revise,
   Rabies, but lullabies.

Of such puzzling words as nauseous,
Rhyming well with cautious, tortious,
   You'll envelop lists, I hope,
   In a linen envelope.

Would you like some more? You'll have it!
Affidavit, David, davit.
   To abjure, to perjure. Sheik
   Does not sound like Czech but ache.

Liberty, library, heave and heaven,
Rachel, loch, moustache, eleven.
   We say hallowed, but allowed,
   People, leopard, towed but vowed.

Mark the difference, moreover,
Between mover, plover, Dover.
   Leeches, breeches, wise, precise,
   Chalice, but police and lice,

Camel, constable, unstable,
Principle, disciple, label.
   Petal, penal, and canal,
   Wait, surmise, plait, promise, pal,

Suit, suite, ruin. Circuit, conduit
Rhyme with "shirk it" and "beyond it",
   But it is not hard to tell
   Why it's pall, mall, but Pall Mall.

Muscle, muscular, gaol, iron,
Timber, climber, bullion, lion,
   Worm and storm, chaise, chaos, chair,
   Senator, spectator, mayor,

Ivy, privy, famous; clamour
Has the a of drachm and hammer.
   *****, ***** and possess,
   Desert, but desert, address.

Golf, wolf, countenance, lieutenants
Hoist in lieu of flags left pennants.
   Courier, courtier, tomb, bomb, comb,
   Cow, but Cowper, some and home.

"Solder, soldier! Blood is thicker",
Quoth he, "than liqueur or liquor",
   Making, it is sad but true,
   In bravado, much ado.

Stranger does not rhyme with anger,
Neither does devour with clangour.
   Pilot, pivot, gaunt, but aunt,
   Font, front, wont, want, grand and grant.

Arsenic, specific, scenic,
Relic, rhetoric, hygienic.
   Gooseberry, goose, and close, but close,
   Paradise, rise, rose, and dose.

Say inveigh, neigh, but inveigle,
Make the latter rhyme with eagle.
   Mind! Meandering but mean,
   Valentine and magazine.

And I bet you, dear, a penny,
You say mani-(fold) like many,
   Which is wrong. Say rapier, pier,
   Tier (one who ties), but tier.

Arch, archangel; pray, does erring
Rhyme with herring or with stirring?
   Prison, bison, treasure trove,
   Treason, hover, cover, cove,

Perseverance, severance. Ribald
Rhymes (but piebald doesn't) with nibbled.
   Phaeton, paean, gnat, ghat, gnaw,
   Lien, psychic, shone, bone, pshaw.

Don't be down, my own, but rough it,
And distinguish buffet, buffet;
   Brood, stood, roof, rook, school, wool, boon,
   Worcester, Boleyn, to impugn.

Say in sounds correct and sterling
Hearse, hear, hearken, year and yearling.
   Evil, devil, mezzotint,
   Mind the z! (A gentle hint.)

Now you need not pay attention
To such sounds as I don't mention,
   Sounds like pores, pause, pours and paws,
   Rhyming with the pronoun yours;

Nor are proper names included,
Though I often heard, as you did,
   Funny rhymes to unicorn,
   Yes, you know them, Vaughan and Strachan.

No, my maiden, coy and comely,
I don't want to speak of Cholmondeley.
   No. Yet Froude compared with proud
   Is no better than McLeod.

But mind trivial and vial,
Tripod, menial, denial,
   Troll and trolley, realm and ream,
   Schedule, mischief, schism, and scheme.

Argil, gill, Argyll, gill. Surely
May be made to rhyme with Raleigh,
   But you're not supposed to say
   Piquet rhymes with sobriquet.

Had this invalid invalid
Worthless documents? How pallid,
   How uncouth he, couchant, looked,
   When for Portsmouth I had booked!

Zeus, Thebes, Thales, Aphrodite,
Paramour, enamoured, flighty,
   Episodes, antipodes,
   Acquiesce, and obsequies.

Please don't monkey with the geyser,
Don't peel 'taters with my razor,
   Rather say in accents pure:
   Nature, stature and mature.

Pious, impious, limb, climb, glumly,
Worsted, worsted, crumbly, dumbly,
   Conquer, conquest, vase, phase, fan,
   Wan, sedan and artisan.

The th will surely trouble you
More than r, ch or w.
   Say then these phonetic gems:
   Thomas, thyme, Theresa, Thames.

Thompson, Chatham, Waltham, Streatham,
There are more but I forget 'em-
   Wait! I've got it: Anthony,
   Lighten your anxiety.

The archaic word albeit
Does not rhyme with eight-you see it;
   With and forthwith, one has voice,
   One has not, you make your choice.

Shoes, goes, does *. Now first say: finger;
Then say: singer, ginger, linger.
   Real, zeal, mauve, gauze and gauge,
   Marriage, foliage, mirage, age,

Hero, heron, query, very,
Parry, tarry fury, bury,
   Dost, lost, post, and doth, cloth, loth,
   Job, Job, blossom, *****, oath.

Faugh, oppugnant, keen oppugners,
Bowing, bowing, banjo-tuners
   Holm you know, but noes, canoes,
   Puisne, truism, use, to use?

Though the difference seems little,
We say actual, but victual,
   Seat, sweat, chaste, caste, Leigh, eight, height,
   Put, nut, granite, and unite.

****** does not rhyme with deafer,
Feoffer does, and zephyr, heifer.
   Dull, bull, Geoffrey, George, ate, late,
   Hint, pint, senate, but sedate.

Gaelic, Arabic, pacific,
Science, conscience, scientific;
   Tour, but our, dour, succour, four,
   Gas, alas, and Arkansas.

Say manoeuvre, yacht and *****,
Next omit, which differs from it
   Bona fide, alibi
   Gyrate, dowry and awry.

Sea, idea, guinea, area,
Psalm, Maria, but malaria.
   Youth, south, southern, cleanse and clean,
   Doctrine, turpentine, marine.

Compare alien with Italian,
Dandelion with battalion,
   Rally with ally; yea, ye,
   Eye, I, ay, aye, whey, key, quay!

Say aver, but ever, fever,
Neither, leisure, skein, receiver.
   Never guess-it is not safe,
   We say calves, valves, half, but Ralf.

Starry, granary, canary,
Crevice, but device, and eyrie,
   Face, but preface, then grimace,
   Phlegm, phlegmatic, ***, glass, bass.

Bass, large, target, gin, give, verging,
Ought, oust, joust, and scour, but scourging;
   Ear, but earn; and ere and tear
   Do not rhyme with here but heir.

Mind the o of off and often
Which may be pronounced as orphan,
   With the sound of saw and sauce;
   Also soft, lost, cloth and cross.

Pudding, puddle, putting. Putting?
Yes: at golf it rhymes with shutting.
   Respite, spite, consent, resent.
   Liable, but Parliament.

Seven is right, but so is even,
Hyphen, roughen, nephew, Stephen,
   Monkey, donkey, clerk and ****,
   Asp, grasp, wasp, demesne, cork, work.

A of valour, vapid vapour,
S of news (compare newspaper),
   G of gibbet, gibbon, gist,
   I of antichrist and grist,

Differ like diverse and divers,
Rivers, strivers, shivers, fivers.
   Once, but *****, toll, doll, but roll,
   Polish, Polish, poll and poll.

Pronunciation-think of Psyche!-
Is a paling, stout and spiky.
   Won't it make you lose your wits
   Writing groats and saying "grits"?

It's a dark abyss or tunnel
Strewn with stones like rowlock, gunwale,
   Islington, and Isle of Wight,
   Housewife, verdict and indict.

Don't you think so, reader, rather,
Saying lather, bather, father?
   Finally, which rhymes with enough,
   Though, through, bough, cough, hough, sough, tough??

Hiccough has the sound of sup...
My advice is: GIVE IT UP!

Cloaked in my blankets,
I hear a fulmination of sounds.
The sounds of children weeping,
And of bombs capturing the ground.
I covered my ears and secured my eyes
Only to find that this time around,
These sounds were not inside my mind.

I released my uniformity of quilt,
And stared upon an empty shelf.
I imagined a place of prestige and luxury,
And the greedy percentage of interminable wealth.
I envisioned families with crystallized patios and polished rooftops
With clothing that glistens like gold and parquet floors that exert possessive pride.
Where a vast mass of appliances lie,
And sculptures of dinnerware are overflown.
But my eyes began to water when a flag was waved with an infinity sign,
And stacks of green paper were boastfully thrown.
And way far beneath their intangible table,
I began to feel a vibration of sounds.
The sounds of the powerless praying for just a couple of crumbs,
As the families fed their colossal crowns.

I awoke in a dream
and
       pushing away the covers
arose

The lights dazzled me
a bright shimmer of aurora
speckles of play

Footsteps light on the carpet
parquet leaping aside
slipping down the steps

and the outside
      grasping eternity
dimmed and paled

Morbid voices and
forgotten faces
but I cannot see––––––––

and murmurs to my peace
soft touches and
distant kisses

I awoke in my dreams
and
      pulling my lovers close
went back to sleep.

Breathing in the dark,
Chemicals cloudy
Aged and coloured,
By the breaking down
Of skin, soft tissues
And dreams.

Animals dream, too,
Here in tubular palaces
Captured and floating.
Each footfall vibrates
On singing parquet
And they stir,
Timed by my movement.

Breathing in the dark,
Heart settling to a rhythm
Swaying in time,
With these spells of ages
And a Blackbird caws
At the centre of my brain.

In dim-lit netherworld
Songbirds feast
On plastic berry Bacchanalia,
And the owl eyes a mouse
Who has yet to discover
His second death.

A fox cub
Curling infinitely about herself,
Shows a varnished bacon tongue.
Cutesy and hot-headed in her starring light.

And I…
I stand as still as they.
Suspended in this spirit lab.

A player just as beastly,
Mentally reanimating
Every twitching nose,
Lightless eye
And curious, scratching paw.

You danced on the parquet floor,
In my head after dinner,
In reality you just sat,
And talked until the slowing of the spinner

You were close enough for me to feel,
Your aura bouncing between our skin,
But not close enough to feel,
The feelings contained therein

The stars, have their shine,
Overshadowed by the streetlights,
The lorries and forklift trucks,
Have stopped their engines in the twilight,

The reverse signal blares into the morning,
It's going the reverse of time and this is our forewarning,
And I think about how last night,
Didn’t end how I imagined when I read the invite,

Because sure I had a good time,
But it all ended so abruptly when the bell chimed

And I’ve tied, up my shoes,
And I’m walking to the bus stop
Another day of work,
And my life is still a junk shop

And I sit here writing words,
In between calls about trees,
As the answer to my questions,
Floats somewhere outside in the breeze

Rolling down my sides, pools of sweat
cool earth welcomes my ear.

There, sweet breezes meet and save me
cheek on checkered parquet.

Muted paws startle and patter off
midnight swings its low call.

Can you see the stars through the ceiling?
only impossible dreamers do.

She is always there, like a subtle cocoon
ringing in the new, so easy.

They never elucidated on how heavy cases await
while you shift to art and music dies.

Platters on the way and milky mix, a messy spill
time to don a sombrero.

Let's drink to the future and pour me a glass
tiny toothpick draped in paper.

Hollow gifts and hard wages, a song for the mass
small coin for mules, clap for the fools.