Hello Poetry
Submit your work and get some sparkles! Create free account
"overconfidence" poems
she asks at last, is this one for me “of course it is, was waiting for visualizing the Oh, when I heard you stumbled into it” she then confesses, she has a “tendency to stumble” without an explanation her answer is in her manner subtle, that instantly invigorates, so decidedly her style, her answer, raising more questions, defeating the illusion of anybody masculine overconfidence of the challenger she puts the ”oy” in coy, deflating my upper-handed attitude, with an answer tantalizing and hinting, so simple, it explains everything and nothing it seems that when she stumbles, it’s me that actually, “all fall down” ah woman, when you best me, it brings forth the best and adds an “a” in this poetic beast, two play fighting cubs nipping each other. the in us gaming in this wordplay game, so exciting, her subtle reasoning teasing results in a man as a happy sore loser*
0
Oct 3, 2018
Oct 3, 2018 at 5:16 PM UTC
a tendency to stumble
Yes I know it's your first language, But don't let overconfidence get in, And never let it bring you negatives.
0
Mar 11, 2015
Mar 11, 2015 at 12:58 AM UTC
Punjabi
and she is like a painting, the colors of her soul infuse the dark world around her. Flowers grow at the sound of her laugh, for that's all the warmth they need. Her smile radiates across the room, a light that invites and guides those who are lost. She lives, not with an overconfidence in herself, but with an understanding that her beauty is up to interpretation. She is able to admire the other paintings in the gallery, but still knows she has something beautiful to offer. She is just herself, and she is like a painting.
0
Sep 16, 2021
Sep 16, 2021 at 2:09 PM UTC
Surrealism
Sometimes I think I’m crumbling from the inside out. I can feel a parasite knawing at the coffin encasing my soul and exposing the pretense of overconfidence for what it truly is- dust. There was a time when a smile from a man on the street made me feel special. Now it tenses my muscles and knocks on the bedroom door of fight and flight. If it came down to it, I know that acceptance would win. I once saw a TV special about how coffins are becoming larger and larger because of obesity. When I was eleven, my brain was overweight with the awareness of the novel I would write and the ballet company I would star in. Lately, the obesity of my dreams is directly related to the size of the graveyard residing in my brain like an icy sea frozen mid-breath. My best friend hurts herself because she doesn't think she’s pretty. I renounced my faith a long time ago, but I always pray that she won’t be among the one in four women who are ***** because a man told them they were pretty. The leering, drunken man outside the movie theater built my coffin. The disease of his hand stroking my shoulder put out the fire in my brain like malaria kills 1.2 million people each year. Like the 1,871 American women who were sexually assaulted today. My skin still crawls where he touched me and my mind still recoils when I catch myself wondering if my oversized sweater and Converse sneakers were too provocative.
0
Apr 20, 2014
Apr 20, 2014 at 1:12 AM UTC
Dust
The sound of small plastic wheels On the ridged metal lip of an escalator Bookends each trip between home and birthplace. The first two uptempo, eager To race to the smell of marble and leather, Perfectly cooked fish and pastries with blueberries The next two, piano, as I cross back, Result of exhaustion, arms full of clothes and sorting small bottles into bags. But on exit Not due to vents, air conditioning, or the sensory assault of shopping under halogens, Home smells of rust. Of dirt and smoke - burnt. Home smells more damaged and ****** up than its neighbour And it's apt position on the map Behind our back Peering over the shoulder of the small ursa, overbearing and controlling. But it's not the smell of burning petrol and tissue in glass, Nor riot shields and plastic armour, And only slightly of over emphasis on Northern Irish poetry during exams. It's the stench of friendships, bouquet of break-ups, Awkwardness and overconfidence, Fake tanning and too much tea. And like bonfires and cigarette smoke, Burnt wood and tobacco embers, It's the one perfume I can't get out of my clothes.
0
Sep 15, 2011
Sep 15, 2011 at 9:25 PM UTC
Burnt.
i’ve been photoshopping old memories in attempts to bring back color to over-faded, twice-forgotten black-and-whites tried dodge and burn but that’s too close to what happened you dodged so i burned like a stack of photographs and albums in a house fire started by christmas lights maybe if i crop myself out you’ll turn bright again until your whole face washes out and i can feel like you’re a stranger again replace all your blues with harsh reds and sharpen all of my blurred edges for a while things felt like polaroids, instant results but then i realized that i was just wasting film by taking one photo per roll at a time i was ruining prints of thirty five other potential moments we were never digital but we were only ever digitalized, conversations only spent on snapchat and half-second smiles in hallways i’ll layer all of our photographs because we sure as hell never had layers then your smile is the same in every single one of them, but my expression is always off and my eyes are never quite the same level of jaded somewhere along the line i’ve realized that no photographic evidence was ever taken of our life i’m just looking at bad sketches with too many filters i don’t even remember the sound of your voice i’m writing poetry about strangers again, people who have never existed outside of my head maybe that’s just a bad coping mechanism, pretending that you’re just pretend but i’ve been struggling with hallucinations lately because photographs and light and sound is so **** easy to bend into whatever shapes you want memories to take i haven’t trusted myself for three years now and i’m not about to start overconfidence leads to the edges of cliffs and i’m all too familiar with the steep drop of the ravine when did photographs of you become a foreign language to me? when did i stop recognizing either of us? why can’t i look myself in the eye anymore? photoshop steals the life from my laptop battery and reminiscing on things that may or may not have actually happened steals energy from me so i’ll try to see if we can forcefully power down this crooked old machine unplug me i don’t want these memories saved anymore delete everything delete everything unplug me delete me delete me
0
Aug 9, 2016
Aug 9, 2016 at 12:51 AM UTC
photoshop
i’ve been photoshopping old memories in attempts to bring back color to over-faded, twice-forgotten black-and-whites tried dodge and burn but that’s too close to what happened you dodged so i burned like a stack of photographs and albums in a house fire started by christmas lights maybe if i crop myself out you’ll turn bright again until your whole face washes out and i can feel like you’re a stranger again replace all your blues with harsh reds and sharpen all of my blurred edges for a while things felt like polaroids, instant results but then i realized that i was just wasting film by taking one photo per roll at a time i was ruining prints of thirty five other potential moments we were never digital but we were only ever digitalized, conversations only spent on snapchat and half-second smiles in hallways i’ll layer all of our photographs because we sure as hell never had layers then your smile is the same in every single one of them, but my expression is always off and my eyes are never quite the same level of jaded somewhere along the line i’ve realized that no photographic evidence was ever taken of our life i’m just looking at bad sketches with too many filters i don’t even remember the sound of your voice i’m writing poetry about strangers again, people who have never existed outside of my head maybe that’s just a bad coping mechanism, pretending that you’re just pretend but i’ve been struggling with hallucinations lately because photographs and light and sound is so **** easy to bend into whatever shapes you want memories to take i haven’t trusted myself for three years now and i’m not about to start overconfidence leads to the edges of cliffs and i’m all too familiar with the steep drop of the ravine when did photographs of you become a foreign language to me? when did i stop recognizing either of us? why can’t i look myself in the eye anymore? photoshop steals the life from my laptop battery and reminiscing on things that may or may not have actually happened steals energy from me so i’ll try to see if we can forcefully power down this crooked old machine unplug me i don’t want these memories saved anymore delete everything delete everything unplug me delete me delete me
Continue reading...
39
We laugh at him, My friends and I, In our bubble of teenage invincibility We laugh at him, Skinny and ungainly, In shirts one-half size too big and Kakis  that were probably $10 at Meijer's. We laugh at him, Hair carefully gelled and combed to cover the Bald spot where too many nights of Indecision and loss have rubbed it clean. We laugh, his awkwardness fueling our Shameful antics, Shrinking him until he appears no more Than an irritating fly with Strangely sad eyes and   32 years of small-town memories not Validated, Never appreciated. We laugh at his first-time fumbling and confusion, Not knowing how to handle us, In our smug overconfidence and Judgement like one thousand pins, How to reach beyond our stubbornness To teach us something worthwhile, Something beyond the plan. He sits like an origami bird that was made Without instructions, Perched on the corners of old desks, In storage rooms of old textbooks, Wrinkled and refolded. Yet his sad eyes and open vault of memories makes him Stronger, stranger, than I, we, have ever seen in the Four walls of our learning. Favorite books and winged metaphors Fly Next to seeds of joy and a father's death, Twenty-two pieces of musical Coping That we laugh at, That we see as a pitiful attempt at rejoining life, That we scorn With our teenage invincibility. It's alright. We know the value of less than nothing- Our judgment means nothing. His too-big shirts And lyrical memory will Exist To anchor a life Far after we have left, Lost, Wandering.
0
Jun 7, 2014
Jun 7, 2014 at 12:45 PM UTC
Teenage Invincibility
We laugh at him, My friends and I, In our bubble of teenage invincibility We laugh at him, Skinny and ungainly, In shirts one-half size too big and Kakis  that were probably $10 at Meijer's. We laugh at him, Hair carefully gelled and combed to cover the Bald spot where too many nights of Indecision and loss have rubbed it clean. We laugh, his awkwardness fueling our Shameful antics, Shrinking him until he appears no more Than an irritating fly with Strangely sad eyes and   32 years of small-town memories not Validated, Never appreciated. We laugh at his first-time fumbling and confusion, Not knowing how to handle us, In our smug overconfidence and Judgement like one thousand pins, How to reach beyond our stubbornness To teach us something worthwhile, Something beyond the plan. He sits like an origami bird that was made Without instructions, Perched on the corners of old desks, In storage rooms of old textbooks, Wrinkled and refolded. Yet his sad eyes and open vault of memories makes him Stronger, stranger, than I, we, have ever seen in the Four walls of our learning. Favorite books and winged metaphors Fly Next to seeds of joy and a father's death, Twenty-two pieces of musical Coping That we laugh at, That we see as a pitiful attempt at rejoining life, That we scorn With our teenage invincibility. It's alright. We know the value of less than nothing- Our judgment means nothing. His too-big shirts And lyrical memory will Exist To anchor a life Far after we have left, Lost, Wandering.
Continue reading...
53
A machine cannot fix itself. It needs a mechanic, a tech, an expert- an intellectual with the drive to learn, an idiot with overconfidence and a streak of luck. To be rewired. To be rearranged. To be powered off. To be plugged in. To be refilled. To be cleaned. To be fixed. A machine must be maintained by someone else. I am not a machine. So why do I expect others to heal me?
0
Sep 7, 2025
Sep 7, 2025 at 8:38 PM UTC
Maintenance Required
Nick warned me of my overconfidence as I said the words "Pass me your panic, Matthieu, that's what I'm here for" Apparently I was calling on too much from the Frenchman More than Nick believed me capable of bearing But his words were too late to spur any moment of deliberation -not that consideration would ever cross my mind In just a few sentences exchanged between us alone I spotted a glimpse of something in Matthieu's eyes Naturally, I pulled at the gleaming thread, the traces unravelling within my hands But the shimmer I saw, was merely a reflection What i held was cold, a lump of misery and surrender This man had given in to a sadness so toxic it had nestled itself into his very core And I took it Telling him to relax for this night, i have your back But, Nick was right in his warnings, this burden is the heaviest I've yet carried Though, I can bear it, and I choose to wear it This is my duty, Matthieu, and yours is another You are meant for light, heart and joy Keep walking to your destiny, the happy man.
0
Aug 14, 2013
Aug 14, 2013 at 3:58 PM UTC
Untitled
Overconfidence is the killer of soul
0
May 19, 2019
May 19, 2019 at 3:00 AM UTC
Untitled
Art is working within a frame. Knowing and exploring that frame, using contrast, drawing attention across the field. It’s an extension of language. Which is metaphor. The default art of language is the frame we operate from within. The words we collect along the way, to place along the veritable canvas of open air. You need the frame to create context, but it’s also limiting. And it’s only when we understand where our context collides with other broader or more pervasive contexts that we can reconstruct our frame. Transcend it, and paint a newer, more comprehensive picture within a newer, more robust, frame. So how big should your canvas be. Smaller frames require concision. Bigger frames allow more expansive exploration. One would think, by those descriptions alone that a larger canvas is better, but it also requires more discipline. We can easily lose ourselves in the expanse and be left with nothing but irreducible chaos. Jungle. Space. Ocean. Not because these expanses are truly irreducible, but because we haven’t developed enough to place any kind of conceptual frame around them. We can’t place them into a useful metaphorical context, besides pointing into the void and reveling in its mystery.  Dreaming up monsters or messiahs that only reflect our fears and ignorance. But this isn’t a canvas it’s a concept  and it’s hopefully a clear description of why overconfidence in our understanding can lead us to creating a frame larger than we can effectively navigate. Painting ourselves into the void, swallowed by reflections of our own shortcomings. It’s not pessimism. Each person is a natural artist gifted with the capacity for communication and supreme adaptation. Very fortuitous developments compared to say; ******* ants out of a tunnel with an incredibly well adapted snout, or establishing mate worthy dominance by bludgeoning a competing male with large outcroppings of bone. Music, written word, spoken language these are the result of our creativity. Our propensity to shift the scope of our picture. Capture understanding from depth by reducing it. Language only has the frames we construct within it. We must place the borders around our picture somewhere, and playing within each arbitrary space is what creativity is. The self limited but transcendental use of ones space or time.
0
Jan 17, 2020
Jan 17, 2020 at 8:01 PM UTC
Notes on art.
Art is working within a frame. Knowing and exploring that frame, using contrast, drawing attention across the field. It’s an extension of language. Which is metaphor. The default art of language is the frame we operate from within. The words we collect along the way, to place along the veritable canvas of open air. You need the frame to create context, but it’s also limiting. And it’s only when we understand where our context collides with other broader or more pervasive contexts that we can reconstruct our frame. Transcend it, and paint a newer, more comprehensive picture within a newer, more robust, frame. So how big should your canvas be. Smaller frames require concision. Bigger frames allow more expansive exploration. One would think, by those descriptions alone that a larger canvas is better, but it also requires more discipline. We can easily lose ourselves in the expanse and be left with nothing but irreducible chaos. Jungle. Space. Ocean. Not because these expanses are truly irreducible, but because we haven’t developed enough to place any kind of conceptual frame around them. We can’t place them into a useful metaphorical context, besides pointing into the void and reveling in its mystery.  Dreaming up monsters or messiahs that only reflect our fears and ignorance. But this isn’t a canvas it’s a concept  and it’s hopefully a clear description of why overconfidence in our understanding can lead us to creating a frame larger than we can effectively navigate. Painting ourselves into the void, swallowed by reflections of our own shortcomings. It’s not pessimism. Each person is a natural artist gifted with the capacity for communication and supreme adaptation. Very fortuitous developments compared to say; ******* ants out of a tunnel with an incredibly well adapted snout, or establishing mate worthy dominance by bludgeoning a competing male with large outcroppings of bone. Music, written word, spoken language these are the result of our creativity. Our propensity to shift the scope of our picture. Capture understanding from depth by reducing it. Language only has the frames we construct within it. We must place the borders around our picture somewhere, and playing within each arbitrary space is what creativity is. The self limited but transcendental use of ones space or time.
Continue reading...
9
Today, I am the antithesis of beauty. I rot at the roots of my hair and I reek of falsified overconfidence. Today, I have no right answers. I stumble over feelings, cling heavy on each word and fall face first in explanations no one needed. Today, I walk like lumber. I am doubtful of my passions and my body and my stride. Today, I am the antithesis of beauty, I deserve to be alone. I think back so painfully on how light my body traveled, simple traipsing passes of sidewalk lines and inclines I simply mastered. Today, I stare my own eyes down— How dare you ever think you had a right to smile? I have to have a **** that everyone can see, I am a desolate piece of half-self someone alone amongst the sea Of perfect people and lovely lives. I spew forth all full of frothing lies to make it seem as though I do not hate the face I gaze with. Today, I am the antithesis of beauty And I cannot escape my own painful accusations.
0
Oct 30, 2019
Oct 30, 2019 at 1:58 PM UTC
Today, I am the Antithesis of Beauty
Savor the taste ... Enter the gates of Join the ranks of the ....... Pompous ....... Middle of the roaders ..... Deceived, in belief They're only one lane away from the fast lane........ Those Who's..... Overconfidence Overrides intuition and intelligence....... Magically makes them boss and authority   ..tragically..... Living so fast is like Jane climbing the corporate latter each rung shes traveling faster    ....... Can't see what's shes passing...by..... Biologically inside ..... Burning with desire    she..... Can't deny ............. She can't suppress....... Or quench ..... A yearning for uncomplicated simple and pure love ........ ........ Meanwhile ........ Primitive....... And true ...... Lost link wipes the tears from his eyes conjures a smile and a reassuring wave.. ... Saying I'm proud of you.... Him love you unconditionaly... Him wait here for her . ... Tarzan love only .... Jane.....stay right here by the highway Tarzan ...Jane soul mate.... wait..... Right here...... Beats by dre......turnt up all the way .......sipping half caff. Double chia tee latte....... Silver two door Mercedes-Benz at 147 ..... Gucci ,pradda...... Louis Vuitton, With her Versace sunglasses... On      ........ Sheeeeeee   doesn't see Her one true love ........ Drives right by ....... Tarzan waves .......left in the dust ........ Can't see Jane's ...... Gone....... The jungles silent tonight.... Mourning the love that should have been ....... ....... I don't want be any part of that....... *** are we doin here With only one life ....... ?
0
Apr 22, 2023
Apr 22, 2023 at 4:09 PM UTC
Suc
Savor the taste ... Enter the gates of Join the ranks of the ....... Pompous ....... Middle of the roaders ..... Deceived, in belief They're only one lane away from the fast lane........ Those Who's..... Overconfidence Overrides intuition and intelligence....... Magically makes them boss and authority   ..tragically..... Living so fast is like Jane climbing the corporate latter each rung shes traveling faster    ....... Can't see what's shes passing...by..... Biologically inside ..... Burning with desire    she..... Can't deny ............. She can't suppress....... Or quench ..... A yearning for uncomplicated simple and pure love ........ ........ Meanwhile ........ Primitive....... And true ...... Lost link wipes the tears from his eyes conjures a smile and a reassuring wave.. ... Saying I'm proud of you.... Him love you unconditionaly... Him wait here for her . ... Tarzan love only .... Jane.....stay right here by the highway Tarzan ...Jane soul mate.... wait..... Right here...... Beats by dre......turnt up all the way .......sipping half caff. Double chia tee latte....... Silver two door Mercedes-Benz at 147 ..... Gucci ,pradda...... Louis Vuitton, With her Versace sunglasses... On      ........ Sheeeeeee   doesn't see Her one true love ........ Drives right by ....... Tarzan waves .......left in the dust ........ Can't see Jane's ...... Gone....... The jungles silent tonight.... Mourning the love that should have been ....... ....... I don't want be any part of that....... *** are we doin here With only one life ....... ?
Continue reading...
58
Hubris (from ancient Greek ὕβρις) describes a personality quality of extreme or foolish pride or dangerous overconfidence, often in combination with arrogance.                            ~~~ on the subject of paper thin strings i'm tied, we're tied, you're tired of being tied up to posts made out of stainless, painless steel. ironically trying to sing your problems to the ashtray, unironically trying to run, run, run away... this post weighs me down spins me around a thousand million times until we forget that we've been dancing by ourselves for quite a while, because there's never been another princess like me except she wears the same crown every other princess does, and she still sits at the bottom of the stairs and cries every night; no white unicorn, no black dove. but to all the princesses that wear top hats or silken kitten ears you too are paper thin and water thick. our strings are all the same: Zeus himself saw to them being made of underfed dreams, un-photosynthetic flowers that grew out of expectations in some genie's head. so, where's your conclusion? we all suffer from hubris. we all survived the tsunami just to die in the ship wreckage and suffocate in the debris. we're all weak, and meekly making our ways along               these stupid paper thin strings attached to a post made out of               stainless, painless steel
0
Mar 4, 2018
Mar 4, 2018 at 4:19 AM UTC
on the subject of hubris
Deservance is a concept made by fools whom are plagued with jealousy and overconfidence.
0
Aug 15, 2019
Aug 15, 2019 at 10:01 PM UTC
Deservance as a concept.