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RAJ NANDY Apr 2015
Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,

are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(
’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(
’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(
Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(
Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(
Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an
DCM Feb 2016
I was is in second grade when Emily told me "if you where born a few years back you'd be a slave"
As if I hadn't looked in the mirror latley.
Oh how it felt to be the only brown girl in a white school
Minority
Misinterpretation.
A maybe
Is what I was
An outcast

4th grade
I visit my father and his family
My grandmother and aunt whisper,"Gringa" laugh laugh "Sangrona" laugh laugh
My mother hispanic and my father Mexican

6th grade
My best friend is disgusted because I define as Mexican yet can't seem to speak perfect Spanish

9th grade
I learned that bi racially I am a mut,
As if I don't have enough labels already

I must prove to my friends I am white, yet hispanic to my family
My second aunts snicker at my broken Spanish
No need to gain their validity
They can't believe my mother raised me away from their culture
Despair fills their eyes as labels blur mine
Must I prove myself every time?

What if I'm not either or?
Nor a mix
Nor white
Nor hispanic
Nor mexican
Nor latina
Nor bi racial
Nor sangrona

I don't seek your validation but your understanding

I'm not a unique exhibit


Only a 16 year old girl dealing with teenage drama and high school studies
A dreamer at heart
An artist who loves to show it

I have a name
I'm more than my skin color
Or that of my mother's & father's.

If I'm ever asked to prove myself
I will answer with only
"I am already proven
Kara Rose Trojan May 2015
Au(Or)al Tune
When (O)ppo(u)rtun(e)ity knocks –
            Ah, pour that tune into me
               n(O)t
just write or speak
            but
                        /zIg:zAg/
            gut--
                        --teral mut--
            --ter yarns
                        With
Mouth-churn--
--ing-beat-lick--          
                        --ings.


Half-grown seedling ([her]bal:e(X)ssen(10)ces)
                                    into sm(O)ke
adolescent (O)re worn from being p(o)(o)r—
                      it was nE(X)CESSary for:
battles
birds
beats
b(O)(O)ks
bottles
bucks
b(O)nes
boys
bei­ng(bad)


sm(O)ke-rings w(ear)y with surr(end)er      
      stripped
            v(O)wel
                    for
                       v(O)wel
thr(OU)gh the yawn: (O)nly
            “(O)h.”

             (O)h
              … foll(O)ws

                        the
You’re w(or)th-knowing-ONLY-(O)nce
            type of l(i)ke.
VERSE/VERSUS: the
You’re-w(or)th-knowing-AT:LEAST-(O)nce
            type of l(i)ke
VERSE/VERSUS:
                        for (u)s

it’s the worst type of verse
                        when it’s
            them:VERSUS:us
                     (verses)

likewise -- (O)r worse --
it should really be about//
      a bad in (u)s: Y(O)U:ME


(O)h after a
                        kn(O)ck
(O)h after a
                        t(u)ne:://
(end)-verse
for worse – it’s an
(end)-versus-us
                        type of verse.


(O)ppo(u)rtun(e)ity
            pouring
            ringing e(X)cesses
like
                     ear-worms to
                     hear words to
                     heat hearts.

Ah::rest that mouth-verse onto me.
            (restful//fluster)
Ah::rest that mouth
            (silent//listen)
soulless gall(O)w r(u)ng
lipless v(O)wel sl(u)ng
            like
ARTS::between::STARS
            then
VOICES RANT ON::into::CONVERSATION
            then
PAYMENT RECEIVED::yet::EVERY CENT       PAID ME

worst-verse:
           Y(O)u//like hanging
                        your dipTH(O)NGS
on (O)pportun(e)ity’s d(O)(O)r
            like
                        sm(O)ke-rings
            like
                        being(bad)
            like
                        Y(O)U:ME
            like
                        (O)h. n(O).

(end)-verse:
worst-verse:
            L(I)ttle.Kn(O)wn.V(O)wel::
            n(O)(O)se big for (u)s

            ALL.
Sam Hamilton Jan 2014
I saw the smooth hands of children grow calloused,
sanded by the empty hopes
that the cold has whittled down and sharpened into crucifixion nails.  
Dragging their feet through broken glass and street waste, one shoe one sock,
I thought they were just urban children, or the ones
in malaria countries. But I see them stagger now, older, defeated
baring their bodies and chewing on their brains, teaching the little ones
how to polish shoes and hide in alleys that smell like **** and assault.
That one looks like me, his guardian about my size, so I pull my coat closer.
I recognize him from school in the smell of unwashed hair and the gurgle of
A self-digesting gut, nothing to soak up the acid that burns his throat.

I watched the world ******* them into hunched shoulders and boney legs
that have forgotten how to hug and run, trapping them in a constant state of shuffling
to the music of moans and cries for help. They come together in an urchin clan underneath bridges and on the exit ramps of highways.
Prophets of the future clutching at signs about war and veterans, the bad economy and the children they can’t feed.
Ten dollars to the one with the mut. Offer him a smoke.

Politicians act like clean-up crews, counting them like statistics;
This one is gone, the one on Brown street died,
We got rid of the one looking for cans in the student neighborhood.

Charity elevates them into a an opportunity—
A little money to the unfortunate is like bleach for your soul. Just enough
to get the smell of affair out of your hair, or to clean up the poison in your veins.
God helps the outcasts; five dollars ought to do it.

I shudder at our similarities. Brown hair, brown eyes, smart.
His sign ignores no rules of grammar and deserve credit for its precise calligraphy,
The dog at his side is ***** and worn like the stuffed toy
I covet from the nights in my crib—the same. He is a victim of people, I am a victim of people
Both someone’s child, both like dogs.
I watch as he turns into a younger man, and then an old man, and then a woman,
A child with no shoes and crucified hands, the boy in my class with eyes that devour.

I walk home, wondering what kind of charity will save me from myself.
And that is the problem.
neth jones Mar 13
my mouth hung like an overwhelmed option                        
             i swivel at the window facing
            and stay out the entire day      in this one gawked position
  amazing heat      and an ugg shy of thought                          
    withdrawn     in a mut of mental paralysis
                               by an alcoholic system
                                       on a day off

the day dunks into the eve before i shift any movement
    having sifted the ull                                       
i mix a jar of *** and orange juice
  in the open fridge door
29/08/23

an age dying filter feeder
unk-ing out of brain
Ashlagh Naighlim Jul 2010
Pe cand noaptea se lasa si nimanui nu-i pasa,
Pe cand ceata-ndeasa si acum far-de-prefata,
Pe cand lumina piere si se lasa cu durere,
Masca eu o pui deoparte si ma definesc aparte.

Caci ma vezi ziua schimbator,pe emotii trecator,mijlocitor
Sad sau merg,vorbesc sau tac,dar sunt tot un...liliac.
Caci doar eu ma inteleg si fluier mut,caut coleg...
Dar de unde sa gasesc,noaptea zbor,ziua zabovesc.

Stau si plang,stele de stele,indurerat,companie-mi tin doar ele.
Luna nu o mai suport,imi strica lumea ce mi-o port...
Indoliat mereu,dar nu se vede,caci doliu-mi tot...cine ma crede?
Nimeni,caci imi scriu doar mie;Sa ma cunosti?!...e Blasfemie.

Hai sa-ncerc sa ma arat...usor,sa nu dau indarat.
Schimbat in singur,deci cu timpu,trecutau anii,schimband grupu,
Cutand mereu fata far-de-zar,siguranta pura,dar e in zadar;
vesnic adaptiv,renuntator,am invatat constant *** e sa mor.

Trecutau anii,evoluand,am luat cu mine tot,furand,culegand.
Tarziu mi-am dat seama *** de izbutesc...In invizibil eu traiesc
Domino eu mesteresc si involuntar,mereu,eu il pornesc;
Toate piesele-mi cad in sac,se evapora...plang si tac
Munca,alinare o secunda,dau masca jos,da sa se-ascunda
Urlu,magai,simt,gandesc si mereu ma pacalesc.

Cautand mereu ambrosie,dar nectaru tot ma chinuie...
Trec prin sange si prin sentiment cu idealu-mi stimulent
Dau de-o ea si dau de mine,dara EA nu da sa vie...

Va ascult *** reprosati,radeti,inghiontiti,bucurosi sau suparati,
Calcati pe voi,calcati pe mine,ignorati si totusi tine...
Gasiti refugiu-n contradictii,fugiti de voi,va luati de dictii
Si astfel tot ma atacati,priviti spre mine indignati...

De ce? eu pur "sange" m-am nascut,fara frica si nu m-a durut
Ati venit,m-ati "educat",fara mila si regret,tot voi m-ati conturat.
Sad in fata voastra-acum,reprosati,ma indemnati pe alt drum.
Ce vina am eu ca v-am ascultat?,fac ce stiu,ce ma-ti invatat.

M-am luptat,m-am ridicat,de unde voi m-ati aruncat,
Si cu aripi noi noute,diferite,...dar dragute...
Am decis sa nu v-ascult,sa fac ce stiu,tot mai mult
Si astfel ne-am departajat,in voi si eu,...TERIFIANT!

V-ati semnat propriu testament,sa va dau iubire vehement,
Va dau tot ce batjocoriti,va dau ce nu vreti pana muriti,
Dar cu timpul s-a schimbat,ati invatat,ati evoluat...
Tot,tot,tot,ce eu am dat,miseilor,ati manipulat...

Am luptat,am incercat,ce simt,pe  voi e insemnat,
Tatuaj fara de voie,nevazut,scris cu lamaie;
Caci il vad,il desclusesc,in oglinda eu privesc
Intorsi pe dos pana la moarte,va citesc ca pe o carte.

Am trecut incet,incet,printre voi,plin de regret...
Sa va iubeasca Dumnezeu,caci in lumea me-as doar eu.
Emotiv,departajat,scriu in stele-ndoliat...
Preamarind singuratatea,cunoscand nici-cand dreptatea!

Greu de inteles,desprins,incalcit parca-n adins.
Zbor acum si scriu departe,bucurand scantei de soapte.
Sad in somn,visez pucioasa,tremur vesnic dupa raza.
Si tipand pe ploaia deasa,ma asez usor,...mi-e greata.
Paige Hatcher Jan 2012
Though I wear no crown of decadent jewels pressed down around my brow,
It can be said that I am beautiful.
Needing no assistance from a mask of make-up and every hair doing as it pleases,
I am told that I am beautiful.
Without the burden of corsets, push-ups and garters; no cocktail dress draping my shoulders,
I look in the mirror and am satisfied.
I wear blue jeans, t-shirts and tank tops; tennis shoes, flip-flops and high-tops,
And still my legs are long and lean; my shape curvy and full.
And while I walk by, a southern sway in my step, you know you take more than a cursory glance.
I have attitude, and bluntness inherited from my line of honest folk.
I am country. I am bold. I am ruthless.
I am simple in the way that diamonds are simply compressed carbon.
I am beautiful in the way that only a southern girl can be.
I am a huntress with my 243 across my lap in a camo blind.
I am an actress as I smile and say “Bless your heart.”
I am a lover if there ever was one.
I am a fighter when the chips are down.
I am my father’s nightmare and my mother’s dream.
See me with my mut from the pound that’s better trained than your frou-frou, AKC registered pom-poo.
Join me as I sing the hymns my granny sang with the same tone and inflection.
I am educated with my poor country grammar I use only to spite those who think I’m ignorant.
I know more about tracking a blood trail than I do about propriety,
But I’m studied in the art of being couth.
My southern charm is mixed with brazen straight forwardness.
I am proud. I am American. I am beautiful.
mEb Dec 2010
Uncelestial anxious oppugners', critics on their own

Wangling little dysceptic inklings';

Havesting in my throbbing head

I urch and search resolution

An escape of palputations

I skirm in sleep mode like earth-worms in the ground

The rings around their bellies; a suffocating mark of identity

Slime and ****, I mope like the straying mut

My growling topsy-turvy gut, off shut;

Claiming demands so supple

A nimbled and unfleshly sensation, I feel light to the touch

Splotchy clod's that lurch my lungs

Short breath that ache and lunge through ribs

Where they've sprung sprighly from their cage, they trick me, they're fibs

Leaches latching on to skin suckeling blood from an anemic

thin too thin, light headed again

Personification galvanizing so astute

my anxiety has eatin it's way to brood
Sabah Thaziri Jul 2014
Das Leben ist eine weite Reise, so sagt man,
eine weite Reise über das Meer,
ein Anstieg bis auf hohe Berge,
ein Hinabsteigen bis ins tiefe Tal.
Das Leben ist eine Reise, so sagt man,
eine Reise ohne Wiederkehr,
die jeden Tag nur vorwärts schreitet,
bis zum letzten Lebensziel.
Das Leben ist eine Reise, so sagt man,
die einen Anfang kennt und auch ein Ende,
voll Gefahren und auch vielen Mühen,
mit guten und mit schlechten Wegen.
Das Leben ist eine Reise, das weißt du,
deine Reisen, die du unternehmen musst,
die allein dir aufgetragen ist
und die nur du zu Ende bringst.
Dein Leben ist deine Reise, das weißt du,
mit vielen Stationen von Anfang an,
sie alle kennst du und sie prägen dich,
was aber kommen wird, ist noch verborgen.
Dein Leben ist eine Reise, das weißt du,
mit vielen Windungen hin zum letzten Ziel,
geh nur mit Mut und Zuversicht,
blick doch nach vorn bei jedem Schritt.
Das Leben ist eine Reise, das ist dir und mir bekannt,
ich wünsche dir, dass du das Ziel erreichst
und dass dein Weg geleitet sei
von treuem Schutz und Segen.
-unbekannt-
Lawless Jan 2013
10/14/11*
Instead of treating me nicely
like i’m your innocent puppy dog,
you brush my fur backwards
and then don’t smooth it back.
why the **** won’t you smooth it back?
you inconsiderate *******…
because i can’t reach it.
that’s like trying to **** your own ****.
it doesn’t work.
you need someone else’s help.
so, i need you to fix my fur
and pet me nicely
like your princess puppy dog.
there you go.
that’s nice.
but i’d never actually say that to you.
dogs can’t talk.
and i guess i’m a mut(e).
Lucy Tonic Nov 2011
Is it dawn or dusk
I can't tell
But I feel competent
I know what lies ahead

Cocktail parties
And bar-stool nights
It's no longer Main Street
It's the Nile

When the amulet of ringlets
From my eyeball glass
Makes me tumble evermore
Into the damp, dark streets

Another binge
Another ******
Another lavish fee
For yet another shoddy ghost

But it eases my loneliness
Boosts my confidence
Entices my fantasy bone
Relaxes my harried soul

Got to purge this moral anemia
Splurge on all academia
Just to feel the surge
That makes the brain waves flow

But this merry go round and round
Don't stop when the music does
My rock bottom is an ocean
Swirling to the siren's call

I've tried everything
Under the sun
But neuroses can't be cured
When you're under someone's thumb

I put it all on the shelf
Hid the corkscrew and the belt
Just to gnash it open with my fangs
Releasing all those hunger pangs

Cause I can't live for laundry lint
Or wait for the big accident
I know better than to read a tragedy
When my palette's clean

Spirits in this glass
Help me rid those in my life
I've got reasons of the flesh
But mostly of the mind

Took so many blows from the outside
I'm poor at heart
I'm dominated by
The lack of vine inside

I need to stimulate my senses
To simulate my defenses
Swimming with the sharks
Against these high tides

Don't want to be nobody's public charge
My reprieve came early
My sentence fastened like a bag of bricks
My caretaker's not waiting by the pearly gates

So just let me be insulated
Let me keep warm
Ignore those violet stains on my shirt
Ignore this violent strain in my voice

Undernourished an inhuman
They all want revelation with good endings
But when it's 4AM, every hour of every day
You start to hold tight to these newborn dreams

So easily familiar, so wretchedly out of reach
Praying for bonanza or ultimate decay
You can't settle for anything else
So you rather hold your breath and wait

The mouse and the bat
Protruding through that hole in the wall
It's always little animals
No dinosaurs

I keep snapping my fingers
Making signs of a deluded cross
Cause I ain't got no gravy train
And I ain't got no St. Helen

Guess I'll remain on the porch
Travel through the marshes of the storm
Asked for blood to transform my fears
But they gave me Mut's duped and heavy tears

They all want heaven on a stick
A cornucopia of tricks
I'm just trying to survive
The next twenty minutes

It's always
"Did she jump or was she pushed?"
But no one really cares
It's a cold case for the books

In the dark night of the soul
You're just a relic to behold
Stuck in the bell jar
Like an innocent monster

The world's on crack
And it's not all it's cracked up to be
So I'll wallow in my 96 proof blood
This straight Apple Jack's the only savior I see
(It's all a royal harem's conspiracy)
Lil' Tarzan Dec 2016
Squeals cry out as the ax smashes her guts

Dog barks loudly in multiple fears.

The man shouts, "Shut up you little mut!"

Her last breaths are heard as her eyes form crystal tears

A week later passes, the man notices his dog no longer runs

A month passes, his dog skips meals

"Papa, we must take Enzo to the vet!"cries ones of his sons

"It is obvious your dog is mourning from a loss and is suffering from PTSD" the veterinarian reveals  

The worried man looks away in guilt

He quivers to continue the dialogue

Tears shed down his face as he remembers gripping the tilt

"They were best friends. Oceana and the dog. At times she surprised me for a pig how she could outsmart a dog."

A year later...

"Come along Enzo and Denver, supper's ready!"

The new piglet of the family snorts happily as the dog and his new best friend munch on their meal

"You did the right thing Papa." as his son yawns grasping his teddy

The former farmer kisses his son goodnight as he goes back to work
on his new zeal

A sign written, "Animals have a heart and soul just like humans. End all animal abuse for their kingdom is just as precious as ours."
dafne Nov 2013
I dont know
Who I am
And if I lost myself
In the recourring events.
I'm somehow
a blurred fingerprint
out of millions
On a telephone screen
Or a mut on the the street
(Unable to be defined as a certain breed)
Or a speck of dust on a window pane
Observing everyone.  
Its like floating in an endless turquoise ocean
distancing from the people on shore
While they couldnt care less
or even notice
they just keep playing
their games and staring into the sun
until its too late.
This poem came out of no where...
Cats eyes line the meanders, drifting off right, wondering left.
Clutching fog lamps, casting back a luminous dot to dot;
morse code decorated trenches: cracks in the trails ahead.

White noise peters in as waves crack the shore,
salt water droplets - tortoise and hare; that game

you played as a kid willing the underdog to win.

The dogs on his back in the backseat, legs in the air.

Underneath him the blanket you wore the first time

we jumped from the pier to the sea, a pair of young fools

romantically free, not strung to the walls of marital tension,

mortgage loans, pensions pressing the wind out your lungs

and life out your heart; the bond we shared has drifted apart.

Crash on the land, the pounding waves;
gush of the tides shivers down your braids.
One hand on the wheel, one hand on yours


you take it away as we brush past the moors.
Rumble over rubble, our suspension knocks
wooden slats creek as we speed past the docks.

Turn to me teary eyed nostalgia, I swerve between the bench
and the toll booth, two dodgy dogs notice running and flailing,

as the last fence approaches. The tiniest movement, a twitch

of the wrist could take a toll on our carriage of bliss.

The carnage we left, lit from the west
your glistening pupils and rain soaked vest

tinted gold from the sunlight and pink



from the sky. The clouds above part as prepared,
those adulterous pedigrees, tore our peace treaty
your cuffed hand reaches over muffled screeches

that beloved mut in-the-back, most bedraggled
of creatures howls as you pull the hand break
twist the wheel our tires carve etches.

At the end of the structure, we howl with the dog,
and the tyre with all the punctualness rendered

functionless with two deep punctures
hisses and sinks with much of a muchness.
anastasiad Jun 2016
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Laser Cutter
5tar Jul 2011
I GOT a dog and the dumb dog drown;
And I think it drowned its not breathing;
SO, why did it not swim for? It was brown,
With a leather lead it was always eating;
These little white socks! Why did you drown-
Not like I need you, dumb dog! Why?
You lived on your own on the balcony,
Why silly mut! You coulda lived with me?
I tickled your ears and under your belly;
Why not live loudly, barking cats up trees?
This is a translation of John Keats song.

I HAD a dove and the sweet dove died;
And I have thought it died of grieving:
O, what could it grieve for? It was tied,
With a silken thread of my own hand's weaving;
Sweet little red feet! Why did you die-
Why would you leave me, sweet dove! Why?
You liv'd all alone on the forest-tree,
Why pretty thing! Could you not live with me?
I kiss'e you oft and gave you white peas;
Why not live sweetly, as in the green trees?
så mange mennesker

            der går med smerter

indeni eller udenpå; overset eller identitetsdannende


      skævheder, sammenkrøllethed, bider det i sig



            indelukkethed, folk som er låst fast, har givet op på en drøm

en rusten forventning

         til hvad livet nu vil bringe en


  livet vil noget andet med en, tag imod **** på **** sammen, stå fast

         en stille hjerteskærende eksistens, siger ikke meget men hvis nu

man tager sig tid,
    studerer,     bemærker,     dykker ned


               står smerten     klart     frem


       modsatretteder længsler; det nemme
og det, man virkelig vil


                       sikkert eller spændende? livet er kompromiløst og man          
      kan    ikke    få det hele


                   en ømhed, noget småt men betydningsbærende  


                                    hvor så du dig selv være nu?           ikke her, ikke med


      de mennesker,     ikke som den jeg er blevet



    jeg håber aldrig, at det bliver mig med skår i hjertet på så mut en facon
skylandskab; en person med begge ben på jorden, frostudsigt, overstået oplevelse, forvildet hjemve, ufatteligt fænomen, forvasket følelse, lavthængende skyer, vinterstemning, en håbefuld pessimist, indirekte rettelse, kultur-clash, udmattende velvillighed, brat slutning, frustrerende kultur, klarsindet stress, overdreven pædagogik, uvelkommen tåge, mut venlighed, sprogbarriere, menneske-mur, vendekåbe-mentalitet, uventet følelsesløshed, pludseligt perspektiv, typisk kommentar, sikkerhedsorienteret mentalitet, velkendt landskab, nyopdagede fremmede, utroligt solskin, uoplagt inspiration, rodet tilstedeværelse,
Sid Lollan Sep 2017
this always happens:
sitting at tombstone
desk—blood clots from hours in this twobuck
torture-chair;
4AM? can barely read
my own thoughts,
neatly arranged,
painstakingly painted a
cross ether
glare of the computer screen.
Seven stanzas devolved
from the act
ual epiphany
of the p o e m;
chest tight,stomach churning acid from
cheap *** cheap cigarettes and cheap
grass rolled up in
99 cent Dutchmaster cigars—
Forgot to eat, forgot to hydrate, forgot to remember
the truth i was trying to forget
—forgot the point i was struggling to articulate;
Did i have a point?
I’m beginning to note tiny
Beings of Light
out’ve the corner of buzzing eyes,
all too familiar friends
friends of fiends, vampire junkies,
raving mad x-politicians,
and nocturnal suicide poets—
who after failing to get laid
in college bars
and drinking too much, too many boring conversations
with dull goons;
Get home, pour another glass,
cigarette      to dry lip     in perpetuum; beatiful Miles,
Porgy and Bess, sit down to
computer and write p o e t r y
not prose,
not prose—Man’s revelation of
histories to come, histories manifest.
not prose which brings Man’s higher-self
        into the great
        Universe-at-Large
but p o e t r y, pretentious,
narcissistic, self-important,
which alienates man from his tools of realities;
enemy of machine—but Man is machine;
no poetry is Man!
no poetry is animal,
primal, instinctive;

Well, **** me, half
way thru another cigar,
“maybe i’m not learned enough
to write a story, a **** good one at that…a novel
i’d say
-good luck you simple sloth…How
could you? just a regular self-loathing chimp
who writes — p o e t r y.”
really pondering
hard; thinking: i can’t be [that] dumb,
i'll admit what i don’t know,
(but Hell, least i’m smarter than the next guy, the
       next guy, the next guy…til the next guy makes
me a **** fool; time to relocate and read some books.)

return my eyes to the computer screen,
re read what,
an hour ago,
i was, prematurely awarding myself the pulitzer prize for
as i see it now: pure
*******.
Devil’s attorney
slinking on slouched and grim drunken shoulder,
“hmm…and you say this is your forte?…
I wouldn’t kid yourself…kid.”



Warnings
in grave visions
of a desperate worm of a man
hunched at resin-stained desktop, scribbling away
His fancifull abstractions, broken man— Mad
and scared; shriveled,
scarred by regret—
Thought he was a talker;
witty, true like Bukowski,
        or Heron;
Fresh,
inventive as cummings
        or essential as Pound.
Simple
and brilliantly smooth
        as W.C.A  or W.C.W.
elegant, smart
and far-reaching as Eliot,
        or the Old Romantics;
could have sworn his musings
Rapturous! no Thoreau, he,
        nor as damaged as Poe be
under the Impression
He could stitch his Soul
into the seams of American Divine, direct such
spirits into p o e t r y as ***** ol Ginsberg did
so bravely, beautifully
as
Wherefore art
thou loving father? in Heavens is Walt
Whitman—
He
sure was;
He
was sure,
******* sure he
possessed a nugget of gold, mined
          from inside each of these masterful
Mountains. panned entire sunsoaked cordillera;
yet
each night
would ‘finish’ a
p o e m,
clock out, tho
always would feel, incomplete,
nevermind how many p o e m s he wrote
hundreds, maybe thousands of
bottomless wells
        of words;
Great Idea! Necessary Idea,
take action, he, in prose,
a form of action the action of wit,
to give human
body to formless, ex-humed soul—
Give soul to formless body of philosophy by god!

alas,
the schmuck
never
witty never
potent enough to pen a real
mother-****** of a story,
certainly
never could imbue a plot
with significance, endow with subtext
or builda character out of his p o e t r y,
        Then give it the legs to run for two-
         hundred pages—
He had the ****, just
not the ***** of it-all…
toiled, silly
in his nebulous, castrated,
dimlit room—swelling
whiskey or gin
cigarette glued to his dry lips, attempting
to romance the grey gods so
that thay mey spit mustard-seed
onto humbled holy head—
pray that it may grow, Flower
to full Bloom
even without
ever learning
his Biology.
…never
realizing what he had there—right
in front of him. Poor *******.
-Dumb. he was.
Cursed to be a P O E T.
and doomed to fail as one.




I hate the sound of the Sunrise
when i’ve been up, writing all night; it’s
an alarm like bones in a blender
thru an endless
waking dreamscape;
Sitting, thinking loosely,
wildly, loose-
change two-cent thoughts—
This
this is when regulatory bodies
are disabled, de
funded; radioactive runoff (operational hazards)
contaminates
pure streams;
...random billboard pop
t-r-a-s-h drift in
and out of mind(probably from
        the endless drone of those same 3 chords in
any store or restaurant you enter. How about some Classical?
        Math: the food ain’t rot ‘em enough, let’s assault
   their other senses of taste. Quick. while
        we’ve got them swine trapped!)
politcal memes, halftruths and
newsday buzzwords flash, bright and
silly then recede into obscurity;
only to discover, the next morning,
their greasy finger-prints
given gimcrack shine to deeppurple dawn
Gibberish. trife piffle. bunkum and balderdash,
gobbledygook, mumbojumbo jackshit slangspit
hogwash, ** lotta raspyutintutyncomman nonsensses hoosis mut nowago sayawahhesay too dum for dada…
My
yawns
are now childish giggling;
My concentrated writings. none of it makes any sense to me.
Searching for a distraction
To regain my focus, composure…
biting
nails, tapping Art Blakey grooves on tired desk,
inspecting burning cigarette, forensically.
Oh—
look around for my cat, come here, co
me here kitty. (ah yea, comforted
by familiar purring, a hum from under the bed;

-Close my eyes,
to centralize
to meditate
to ***** out
inanimate,moving parts
to put finger
to pulse of programmed nub;
to create value
for a dying currency of language;
to whisper sweet nothings
in the ears of tender muses
and meaty hookers.
-At this juncture:
reconciled
where the finish line is
strung,
how it appears to me…only snag:
by the time i get here—none
of these
nothing have no meaning
writing,this,that? what? be
low my paygrade *******;
Let stew; sleepy,
delirious, suicidal, anxious, sorta
*****, deadly confident;
Let stew...
…then it hit me like a Point of Intoxication!
brilliantly constructed
Words,
words hanging,
hanging
like a,
Renaissance-style portrait
above a fireplace in an enlightened *****-den,
    -for a moment, seen clearly thru parting
    of deadeye yellowsmoke sea.
Maladroit,
hallucinatory, went to type,
thought better,
no doubt would ****** such
sudden genius,
fumbled for recorder, gotcha
click:
closed my eyes oncemore
to review this epiphany, to record it.
relayed, recited
like a prayer;
perfectly—this must be what the body
of Christ feels like…
when done, i, exhausted,
smiled like a son a *****
how fine
that P O E M is gonna look,
when written
down all nice and neatly.
it was close(but i knew i'd pull
something revelatory out’ve
my ***.)
satisfied,
if my pants weren’t dry
i'd swear i came.

...the following afternoon,
Upon waking, coffee, cigarette, news
in the background,
grab the recorder to listen to this opus;
well,



**** ME!
if
i didn’t make sure there was any space left
on the ****** thing!
bye bye my petty kubla khan
Smart Boy.

ah well...
it’s just
P O E T R Y ya know.
Julia Anniina Jul 2016
Pouta oli lientynyt harmaaksi liejuksi ojanpohjille ja taivas ryöpytti vettä kaksi harmaata viikkoa putkeen
Ripustin matot kuivumaan parvekkeelle tuolien selkänojille mutta mun pesukone taisi olla jotenkin rikki kun ne kastelivat lattian likomäräksi yön aikana
Vähän niin kuin skidinä kun halusin täyttää koko pesuhuoneen vedellä ja ihmettelin kun vanhemmat ei antaneet
Eikä nuo olleet mitään takaumia siitä kun mut pistettiin soittamaan hätänumeroon kun ne halusivat työnnellä toisiaan portaista alas
Musta olisi vaan ollut tosi kätevää jos meillä olisi aina ollut uimahalli käytettävissä
PB Ward Feb 2015
Get up, change the feel
Explore a world, quite not real
Encapsulate who you what
Let free, the purebred mut

Cliché, name of the game
The fray, seems always the same
Drowned in light, halted in time
What is yours, not truly mine

Run the reel
Change the feel
Cast a shadow, reveal your range
Believe it's time, to feel the change
Daylight 4U2C Apr 2015
She never let the sun go down
Her eyes were almonds in the spring.
Her arms were always by her side,
And when we sang her arms would swing.
But by night her lips were flamming,
A fire burnt so cold,
Her dreams were utmost frightening,
And her stories,
Not mine to be told.
She paced through life like a diamond,
Roughed out to the perfect cut.
She didn't look down,
For she felt that the ground,
would soil her back to a mut.
I held her hand for a moment,
And she smiled,
So I released.
She didn't want my help,
Just knowing I was there was all she'd need,
But then she soon fell low,
Down through the ice, water; snow.
She fell beyond my grasp,
Her smile forever last.
She walked a path on her own,
I learned I must let go.
Its every nightmare I know,
When you bargain "no",
But there they go.
Off on the path that alone she paved
..and alone she swore she'd trough.
brandon nagley Jul 2015
Exquisite inferno grip,
Canst thou holdeth mine hand and bringeth me adjacent to thine legs...
To locketh ring finger's
Connecting brain's.........
I shalt awaiteth as a ghost to his lost widow....
I'll bury mine head
Beneathe thy pillow
Longing back for thy affections....
Spiritual ressurection.....
As thine genious psyche is turned on just from me hiding.....
Though thou shalt let me out
A mut from his crate,
We shalt be sedated on fine date
Drunken by allegiance not in hallucinogenic form
But in authenticity's greatest law....
brandon nagley Jul 2015
Spurious microbes in green tank's maketh blunder's by the inch, The mut eateth their own secretion, whilst frustration of the crowd groweth hungry for martial law take-down. Strayed away by liver decay, consevator to their likeness awaits them, yet they just debate him as some unknown source....The war-torn aeroplanes art diverted by their own bucolic, idealistic and yet sadistic ways........ They play political course action.. As Lucifer is their stand in man....


©Brandon nagley
©Lonesome poet's poetry
brandon nagley May 2015
Woe to you, unfaithful witness, did not even Enoch portray your endings? Falsehood friending's shall overtake homes of love...
Look above,
Oh shalllow man, doth thou not knowest the one who holds thy keys to hell and the grave? Continue in thine way brutest of beasts...
For weeping, and gnashing of teeth shall uproot you.Gomorrha once again...
Media trends, you live and compass by, for thy universe is in parrel you mut of dirtied hands...
Seven golden candle sticks do palm in his hands, as your temperature shall arise!!
Humanities own suicide...
Thine estate's shall fail, skin turned pale by your own nuclear fusion, dust bowl intrusion.
Filthy rags shall be your soup bowl, while the homeless you give no home, haveth thou not heard of charity? What disparity!
Clouds you are without the rain, your the salt of the earth, yet why art thou unsalted? For don't you know your savour isn't there?
Murderer's, complainers, do you seek thine own lusts? For repentance is a must, when the fire's down below!
Howl and moan you speaker's of evil dignity, for thy pride and thou pity shall you muster up in confidence, all countenance..
You mock, though doth not receive, bury your own for you shall grieve,
Your own futuristic nightmare of course!!!!
Jay M Nov 2019
A wing
Carved of wood
An inch in length
Painted black
With red and blue details
Swirls and dots

Bought at a beach
From a street vendor
Selling hand-carved trinkets
Bought by her parents
When they were together
Before their child knew of their disagreements
Before chaos entered

The last good thing
Embedded in that little trinket
That little wooden Pegasus

The girl decides
Then places it in a box
Upon a soft blue cloth
The box; black with fern patterns

"This,"
Decided the girl,
"Shall go to the best thing in my life."
So
She prepared the gift
For her love

Meeting with him
Talking, spending time,
Then him having to return home
Seeing the girl in a few days
Forgot the gift with the girl
The child promising to bring it with her to him

Leaving it where she would remember
The girl goes to carry out her day
Forgetting it
Until she looked out her window
Seeing the remains of the gift scattered
Shredded outside her window
In pieces in her backyard
Her dog standing over them
Wagging his tail

Shock and disbelieving
The girl runs out to the remains
Trembling as she picked up the pieces
Relieved at finding the gift itself intact
The only thing ruined being the box
Once so beautiful
Now ugly shreds

Returning indoors
The little wooden pegasus wing in hand
She wept, her tears falling to the floor
For the last good from her childhood
Was almost ripped away from her

This last good
She wished to give to her love
As a symbol of trust and unity
To show her affection
Yet
It was so close
So nearly stripped from her
Almost swallowed by the jaws of a mut

- Jay M
November 23rd, 2019
This is true...I have no more words than those you see above...
Souleater Dec 2017
Das Land verbreitet Hass Tiraden,
Jetzt ist der Zeitpunkt, stellt euch auf die Barrikaden
kämpft für euer Glück
ihr bekommt es nicht einfach so zurück...
Es ist klar das es nicht einfach wird!
Habt keine Angst und zeigt euren Mut, tut nicht so als ob ihr nichts hört
ansonsten sehen wir alle Blut
wenn ihr jetzt nichts tut,
schürt ihr nur weiter die Glut...

Die Welt ist eins
Donald Trump nicht nur deins!
Ist Freiheit nichts wert ?
Ist das der Grund warum jeder weiter fährt ?
Wollen wir uns wirklich selbst zerstören?
Es ist an der Zeit zuzuhören!

Wie konnten wir es nur soweit kommen lassen ?
Wir haben doch keinen Grund zum hassen...

Nach all den Jahren nichts gelernt aus unseren Fehlern
die Friedhöfe werden voll sein mit Gräbern...

Macht und Gier, das ist es worum es geht
eigentlich verwunderlich das sich die Welt noch dreht
es gibt genug Grausamkeit auf dieser Erde,
der Grund warum ich nicht aufgeben werde.
Denkt nach was wir erreichen können wenn wir frei von Vorurteilen sind
Freiheit zu spüren klingt unglaublich, wie das Wunder von Kind
The Mellon Sep 2016
Alternate persona
Smart for someone
"Spitting Fire"
But can't even light a match

Swipe
Swipe
Snap

Your chance just broke
An unfufulling fire
To couple with your unfufulling verse

If a battle of blades you desire
Then don't worry about your precious little knife
It won't be dented as it will never touch mine
My sword will split you
Head to toe

Let me build up some lyrical ammo
Throw on some camo
I'll lyrical burry you in snow
In the spring food for crow
Just, so you know

Ain't no "bandersnatch" gonna scare this country kid away
I'll take your mythical mut
Hunt it
**** it
Gut it
Deep-fry it
Serve with some pork gravy
And a some iced tea

So maybe you should call off your dog
Before it ends up on the dinning room table with my family saying our pre dinner prayers to God.
See Anonymous Freak for our poetic shenanigans of a war.
Alexander Feb 2021
"Today's a hot one that's for sure!"
Sunny out here in the miami sun,
I've been working in my grandmother's yard since 9a.m.
I sat down for a moment to have a cigarette when I get a call,
"Are you go to head to the protests?"

"If there's one happening I'm there."

"Theres 5,  I found happening now."

"Send me the locations I'm heading out now to get my gear!"

Moments later im speeding down a freeway wondering where I left my bullet proof vest and plates, im going about, 96,
Windows down, and the wind was hot.
Not many cars on i75, I hit the exit and I dont think I slowed down at all, it was a blind race to the finish a blurry fast flurry,for the flag and camouflage.

Thinking back on it now I could tell you I new it was going to be bad, not for me, for the police.

All the small chatter I had heard led me to believe there was going to be a big march in miami and ft Lauderdale,  so I was in a hurry,
The cops in those areas had hardly any experience in protesters so I new there was something bad coming on.

My last protest there were thousands of us as we led the million mask marrch for anonymous, before that was bulldozers used with swat and feds during occupy miami.

So I was ready for anything
But this seemed different.

The caller was nervous when giving me that information asif they were calling me as the backup.
And so when I got home i went right to my wall and grabbed my guy fawks mask from my other protests, it was cracked, painted with a tribal design that was stained with my blood from my last protest, I brought my smoke bombs my knife and a vest under camo with a flag, from  anonymous walk on wall street, and lastly a medic kit.

I got in my car and drove to ft Lauderdale, it wasnt until I hit the downtown area that I could smell that burnt sulphur sent and then I could taste it,                          


Cs-gass.

As I rounded the corner I was met with rubber bullets and as I heard the pings across my car I turned around,
Getting a call "they got cleared out from the area and were heading to miami", so I drove straight there.

The drive between was blurry,
Mut when I got to the tower across from bayside I could already see people running,
I drove blocks away and headed into a deeper area, park my car there incase of a situation occurring for a fast exit.

As I made my way back I could already see smoke, i come to a bride with a group of protesters as more gass is dispersed,  I run from it with them towards a larger group as the smoke grows seeing who I was looking for,
I kept running and I came to a underpass where there was a police car in flames,
I kept moving to meet my associate.

We spoke briefly but I found out the team we were with was fallen hurt and arrested some before today but we only met during these occasions.

We used our medkits and got to quick work of those we came across,

It wasnt long before we realized we weren't supplied enough to keep going and so we moved around trying to keep the peace and prevent more chaos before we finally departed.

I remember that night well because day 2 would've much worse or much better only the morning would tell, but after what we saw we decided to pretend we weren't even there. < we were identified anyway later that week by others from day 1>
Xyns Jun 2018
Eyes wide shut in a poppy seed slump
Slow motion moves my blood as it pumps
Cold and coping with pale powder bumps
I find my crutch in a poppy seed slump

Dumb and numb, opioid ****
Laying limp in a rut


*** on the run, opioid rust
Praying lips of a mut


Dumb and numb, opioid rust

Cheap opioid ****
brandon nagley Jun 2015
Oh man
Oh saddened man

Calleth thy wife a *****!?
When she is thy wife!!
Calleth her thine slave
Tell her she doth nothing right
Thou slappeth her
To gain full control
**** gets thy kicks doth thou?
Technology got thee hooked
As thou sayeth (,,oh welllll)
Make her a bruting beast
Telleth her to cook thy feast
As other women thou shalt talk to
Late at night!!!!
Doth that seem right oh man????
Giveth her a rose
When thou has cheated on her
Try calling her a rose
Even better
Thine amour
Telleth her thou wilt leave her
If thou canst control
Tell of murdering her
When she finds out thou art a mut, pig and dog!!!
Oh yes
And before thy wedding
Why did thyself except that bachelor party????
Because the other dogs pushed thou to do it?
Or thine own decision?
What in the world was thou thinking
To see and look at and probably cheat with these women who doth not love thou....!!!!
As on both ends
Women do the same thing
They cheat
Haveth a fling
Before their big vows
What a vow that is eh Lovers!!!!!
Man thou hast lost thyself
Women thou hath lost one another...

For truth yes is harsh
Yet harshly needs to be spoken..
Souleater Feb 2018
Hoffnung hintern Berg vergraben
hörst um dich herum tausend stimmen die etwas sagen

Jeden Tag fröhlich pfeifend losmaschiert
im trott drin, den Schmerz mit einem Lächeln kaschiert
Der Rückweg zeigte jeden Tag das Ergebnis
war meistens für mich ein traurig Erlebnis

Stumm mit leisen Tränen
der Körper ausgelaugt
kaum zu sehen, nur am gähnen
war tapfer daheim,
zeigte keinem mein trauriges dasein

Wenn ich rede, wird es schlimmer,
da standen sie mir drohend gegenüber, die Gewinner
mit ihrem breiten Lächeln geschmückt
waren von meinem leid mehr als nur entzückt
Genießten die Macht die sie umgab,
immer wieder aufs Neue, jeden verdammten Tag
Seele brutal zerschlagen
nicht nur die Taten, auch das was sie zu mir sagten
ohne Rücksicht auf die Auswirkungen die kommen werden,
hatte mir in der Zeit mal vorgestellt wie es wäre zu sterben
keinen mut mehr zu haben,
sich unter seinem eigenen wert zu vergraben ...
neth jones Nov 2018
8
I expand my view
outward
through pinhole

Creature extends
and carries intension

Carrion makes contact
and speaks a creative

Opportunity
and Mut gives aid to another

Feind conducts its business and makes its bed
adults it's day and doings
toward the better

The Beast minds the gap

It notes its own breathing

Human operates into ease
NOTES / EXPERIMENTAL
#8
Marie Nov 2020
Ich zünde für dein Wohlergehn,
das Licht der Liebe an
Mit deinem Herzen wirst du sehn
wie hell es leuchten kann

Es dringt durch alle Poren
bis in die letzte Zelle
Du bist wie neu geboren
durch diese Lichterquelle

Mit unverzagtem Mut
und unbeugsamer Kraft
steigst du aus dieser Glut
voll purem Lebenssaft

Streckst deine Flügel aus
und schüttelst alle Sorgen
ins Dunkel weit hinaus
fühlst dich im Licht geborgen
Es wird dich immer schützen
vor großer Not und Pein
oder
zumindest stützen
sollt’s doch mal anders sein

— The End —