by simply watching 'don't call me crazy'
with regards to mental health... a bbc3 documentary.

i find a few pointers, apart from the fact that i've learned
English to a standard that i could
be misjudged as a native, what with african psychiatrists
   and the history of England as  a postcolonial nation...
     the problems of premature depression
and other divergences from the "norm"
  (or is that a tu-dum tss... "the norm"?
i never know how to tell the joke a proper
way, so many jokes are mothered
by punctuation, i don't know
how many there are that aren't) -
so aside from that... the fact that i'm
faking being British... if you have any grievances
against me: you'd better me Ukranian
or Lithuanian... otherwise? *******.
yes, i know the Poles did terrible things,
Vlad wasn't the only person ready to
do sadistic **** on people by impaling them
on sharpened-wooden poles...
   and you thought the crucifix was bad...
but oh look... the artists inserted a peddle-stool
so he could stand while on the cross...
rather than actually: hang from it.
talk about a woman faking an ******.
then again: he was all kissy-kissy with
a centurion having cured the ravaging libido
of his "demon possessed" daughter who
had a hot bagel flirt under her skirt for him...
or as i say: **** a prostitutes
           **** for an extra ten quid: the sigma
of how many ***** that thing has seen
turns your tongue into a dagger...
that's where i have seen my salvation:
   not in the eucharist or degrading symbols
of a godly stature.
       no, the point is:
this misapprehension of where the origin of
thinking resides...
  the true materialists posit the origin of thought
in the brain... but, honey-bee, the brain
is preoccupied with its materialistic responsibilities...
to shoot adrenaline when bungee jumping...
why think it isn't already preoccupied with anything
but thought? the brain doesn't think
no more than the heart might... or your *******
wetted or your phallus becoming *****...
there's no point in ascribing thought to the brain,
even if you abstract the source of thinking
toward the brain as a *mind,
     the suggestion parallels what the brain does,
and what the brain isn't...
   as with the notion of god...
          ridiculous for most people:
or also ridiculous when man is taught to stress
his "individuality"...
                               both seem on equal footing
to be considered phantoms, but the individual is
more of a phantom than god...
                             and as Diogenes of Sinope found out:
you'll find god and the Archimedean eureka
quicker than finding an honest man -
who takes a candle at noon into a market square?
     ah: that famous lunacy...
but in the beginning the word was with god,
       yes, because when we started we only said ooh ooh!
and made those frightening monkey faces to
war off evil spirits and the Arabic third eye, evil.
   Darwinism created historical fiction...
           a bit like science fiction, but instead of looking
forward, historical fiction is looking back,
toward a time when people struggled against
the elements, and had no sense of having to think
given their actual pentagram equilibrium was tuned
into what was around them...
                   the senses could never deviate from
the world of shouting down a cave and hearing echo,
it's only when thought emerged and conceived words
   that the dubiousness of simple musing:
chicken or egg first? created auxiliary sense perceptions...
   we have left the sensual world...
           for we have "enriched" our lives with
thinking, the byproduct of which is what scared me
about this bbc3 documentary... that all mental
illness stems from allow thought to automate itself...
      in other words having no moral compass...
in other words: not having read a single book
   and learned a process of equating thinking with
narrating... as a sensible option to what others tend
to do (the innovators), and allow narration to be a void...
into which they pour all their thinking to
fill that void... with, say, Thomas Edison and the lightbulb...
Isaac Newton and gravity...
it's just scary that people can allow automated thinking,
     made even more evident that counters
the punitive transgender pronoun scenario
   that only focuses on the pronouns: he, it, she.
these youngsters in the documentary are dealing with
submitting to a pronoun focus of: i, it, you.
                      in some vague sense of a religiosity,
that they cannot allow cogito ergo sum into their minds,
a possessiveness of body, that later translates
into an identification with the mind: which is -
well, if you're going to posit the origin of thinking
in your brain, which isn't even there - you mind
as well posit the mind, seeing how the soul
is argued against primarily through our mortal condition.
   is the eye the window to the soul?
  and the brain merely a paraphrasing of that statement?
perhaps...
              but i wouldn't be too worried
             as Walter Benjamin was about art in the age
of mechanical reproduction... i'd be worried
that art is bound to the morgue of psychiatric institutions...
that art is not a term that suggest the origins of
   such ailments:
due the original lack of it in such places:
  but that that it was never there... and that finding
art can be therapeutic is why art can be scolded
               and establishment art is nothing more
than the pinnacle of us, having abused words,
waging fewer and fewer words, can't produce
    a work of beauty... merely a work that occupies
a space.
                art = space...
          that's the statement these days...
being oversaturated with scientific assurances has created
this insurgence of over-competence or making
art not art in a sense timelessness, as in Dante's
comedy isn't equal to space,
            but that it's equal to timelessness...
    or a statue by Donatello...
                          these days art = space...
because it's not going to be timeless... it was once
the iconoclasm in metaphor of: the lion of Judea...
          Lucifer as the morning star...
                         it will not be timeless because it
has been reduced to the establishment's aesthetic
of tracey emins' unmade bed... or
       damien hirst's the physical impossibility
of death in the mind of someone living -
i never said these things aren't art... some people
said cubism would never be art compared to
surrealism... but shove a triangle into Pythagoras'
head and you get some sort of mathematics...
              it's based on that principle...
what wouldn't work in the case of hirst would be
to put a cancerous tumour into a plastic cage...
people would associate it as some sort of atomist
representation of a nanometre worth's of some
larger thing... i do appreciate the fact that big
art works... it needs so much face to embody
the fact that you are to think about it...
                         and not to have a **** over it:
it's art that's anti-arousal and more and more
and more about how to juxtapose it in your mind,
always to abstract the brain as the mind
   and to never appreciate the idea of having
to source thinking as solely endemic to the brain...
the brain is busy, the heart is busy...
            we have perpetuated an outer-body
experience throughout our time since the time when
we first acquired the phonos of thought...
                 and it is a peculiar "sound", thought...
a dance memorable to actually having a hope in
possessing a soul... even after all sturdy things
shrink into the obsolete, and even vegetable.
but the piece i'm referring to?
     kinda paradoxical... given that a shark would
probably eat you... but then again counter-paradoxical
given the fact that most shark-attacks
     make the shark refrain from eating you,
but merely nibbling on you and leaving you alive
albeit nibbled on... maned... with scars...
so i get the part where the shark is in fact:
an impossible death to conceive... only for the lucky few.
  apart from the fact that the shark is caged
like a prehistoric mosquito lodged in amber...
              woodland gold, amber...
  that's the literal interpretation...
                                 but it's still a moving piece,
modern art isn't crap at all... it's just something you
don't get an ******* over...
            take any still life and apply a cognitively
based chemical reaction: stimulate a narrative...
in that famous phrasing, connect the: dot dot dot(s).
    become, in that almost ridiculous sense:
     a Sherlock Holmes... but all that died was about
a minute's worth of your attention...
this is what's fuelling revising a need for television,
big static things... my personal favourite?
that Tate Modern installation by richard holt -
hand on heart: about 3 times...
              i felt like a mosquito drawn into that:
ah the bright shiny light... 180º and a glass ceiling...
that's all it was...
                   art in the age of mechanical reproduction
has to almost ridicule man, or at least ridicule
the idea that he can become an individual,
    as was the ridicule of man that he could become
a god...
               sooner or later any attempt at individualism
becomes trendy, vogue, and magnetises and
monetises a need to mimic, replicate... one punk today:
20,000 punks tomorrow...
       /
           but that sort of mincing is mostly associated
by the bewilderment of our own success...
                           it's almost like a we're engaging with
a sabotage process: deliberately trying to undermine
ourselves by staging a variety of "anti-social" endeavours
we promised ourselves upon a belief in the "individual"...
      modern pieces of art debunk that myth,
it's that modern art pieces require so much space that
gave them the most adaptation prowess over, say,
a puritan's concept of art, as in a Turner painting...
           classical art can be put into a Florentine market
square and be passed by quiet casually,
because it provides an assurance - it forbids engaging
in an iconoclastic vigil, it's an assurance of the past
and how golden it was... but a modern sculpture
in a busy place where many people congregate
without first allowing it the asylum of an art gallery
and people will treat it as a chance to hone on it,
vandalise it, or steal it and sell it from scrap metal...
       modern art requires an asylum to be accepted,
an art gallery is an asylum where people with
good intentions enter and leave appreciating something
that, to the pleb, would get a rotten egg thrown at it.
    and as with regards to how i phrased something
earlier? how philosophy talks of the logos
     that doesn't see the phonos: or the dichotomy
between actual sound, and sound ascribed a
optically-phonetic disparity encryption:
deepened by a self-styled aesthetic of the "ruling elites"...
          and in the beginning the word was with god...
we're merely licking the toes of such a possibility...
         and just you try to bypass the orthodoxy of
encoding sounds with queer spelling...
                     you, in a sense, learn two-languages
with every single one you learn...
   how to say it and how to write it...
                              and then there the how you hear it
and how sometimes you hear different lyrics to
the ones sang...
                         a bit like the Chinese,
who, upon reading the English translation were
bothersome to get rich quickly after seeing
too many matchsticks in ideogram translated as merely
Li Po; i'd too go bananas and become frustrated
and retaliated by getting to Einsteinian grips with
the mathematical alphabet that bore Li Po... i.e. 1, 0
through to 9.
      ah yes... philosophy that doesn't appreciate
grammatical words, or in that sense credible for a biologist
not necessitating a genus to ease any argument,
to actually further it... or to play ping-pong...
   grammatical words are equivalent to the subconscious
given we tend to write some a sense of fluidity...
the unconscious? schematics akin to triangles...
  "images" or rather shapes...
                             beginning with Δ: isosceles...
later varied to the Γ triangle of Pythagoras...
          and as far as we got, a respectability to
not conjure up a square as worthy of encoding a sound...
nearest being the H... and that turned out to
be much ha ha ha.
                   still... i can't come to grips with these teenagers
in the bbc3 documentary talking about
automated thinking! i'm not denying it, i'm not
doubting it... it's just a question:
          how could such a pronoun muddle come about
that you discourage ownership of all your mental
activity? and instead leave a rampant kindred of an
abandoned snail's shell body to wreck havoc?
   it's almost like a a want to refuse to use words...
or encode words... rarely are people told
that the eyes are used as encoding organs...
                   but that the tongue knows no filters...
what the eye ingests... the tongue sometimes can't
digest... and vice-versus... that what the eyes digest
the tongue can't ingest: hence the rebellion
against contrary political ambitions -
   the ears? well: the ears are allocated the heart as
a partner... the tongue and eyes are entwined...
but the ears are allocated the heart...
                     you tend to feel words more than
hear them... because by the time the tongue
represses combining itself with the eyes to
that elevation of thought... your body becomes
autocratically synchronised to a sort of music
of heightened of unanimous response...
             well, it's not exactly a fetish watching such
documentaries.. iconoclasm in metaphor...
  i swear i wrote this before... how philosophy avoids
grammatical genuses... and how all too
ambivalent poetically equivalent nouns and verbs
are to hide our imperfections that precipitate from
art... iconoclasm / anamorphosis in metaphors...
                         camaïeu in allegory...
                   divisionism in pun...
                                       chiaroscuro in imagery...
gestural abstraction in onomatopoeia...
                     just some examples, and none necessarily
     convincing - as ever... this is my excuse
for i am always bound to say language is Alcatraz
   and my escape from Alcatraz is bound to metaphors,
fo

for any of my work to have any meaning, i can only suggested browsing Empedocles (of Acragas), in saying that, i suggest the name, primarily it's a form of philosophy, written in poetic form... in that it exhausts the need for poetic technique: i.e., there's more to see, than actually hear.

- just like i don't understand people who fake doing the maestro whenever they listen to classical music, in the same vein: your greengroccer... your plumber... your electricians.... god forbid you t.v. guy....  don't translate that oddity in, modern music and imitating drummers... i get air guitar, i get air maestro... no one really bother the drumming brigade, when i listen to classical music, i am looking for a maestro, when i listen to contemporary music i, want a drummer, bad; ****! St. Thomas' gospel is becoming real... like i really, really, need a *** change.... never mind the 50cl of whiskey waiting for me, or sasha foxxx's eyes... the job? hammer in a thousand nails... industrialise ***, what do you get? a **** economy... why would god enter the equation if all the problems are theological self-made-heresy? it's not even that *** sells, and god gives gives rise to stampedes... what with the Koran and oil, are we counting to state the same arithmetic... i mean: the industrialisation of ***... nothing that hurts, nothing but a quip... that sorta of definition belongs in China or India with a billion participants... what we have is a case of mouthing off the competitors, when you're actually chihuahua in the Sahara of expectation.... i'm as mad as the numbers say i am... personal stories are non-essential.... i included mine for added effect... or a presumtpion that i might: acknowledged as having said anything in total....counter to english existentialism, so wholly preoccpupied with zoos and biology as the only scientific resource... i can't agree to it making sense, in the standard item-basis-list of following-up an argument... that dire, fake or indeed couch-sloth desert-prune is only half of *σ... i mean there's a tendency of a natural disparity, to ensure a dialectical health of any if all argument... σ = per se... it's because there no single, identifiable argument, the one current is a vogue argument, in the realm of zeitgeist parameters... it's not the only one... the world will move on... it's only that at the zenith of civilisation, we are only bound to industrialise ***, and art is, as according to W. Benjamin, in a state of: ditto, in the age of machanical, reproduction... easier said than... and so done... i feel the anaesthetic needle doing the suggested thing, of numbing me... it's not when art is given onto this Moloch-like altar... it's when *** is industrially-scaled to require cinema... and the quickie-dip of dimension having repertoire in threes... i have no care to ensure there's a narrative and a frenzy... i just care to say: there's a narrative, and a frenzy.... that one has no insurance, and that the other has all the resources that would otherwise invole a familial life... which now, evidently, is prone to same-*** affiliations than compliment-*** affiliations... meaning less art from the **** realm, and more art from the hetero or h-quasi realm (origin ****)... you need to talk about the cushions, if you're going to sleep in the bed, ****'s sake! -

to really live by the "rules" of existentialism,
to live an existential doctrine,
is to really: live an uneventful life,
or should i say: rather ordinary?
  well... i wouldn't go as far as saying it
might be boring, just... un-spectacular.

and all it takes it five beers and, oh, about
6 miles of wet wintry cement,
   and o.t.t.'s album blumenkraft,
with the crescendo song: billy the kid strikes back...

walk 6 or 7 miles in winter
and you come back into a warm abode
and you have skeleton hands...
numb from the cold...
but in england winter is different
than on the continent...
a wet winter (which is very english)
is worse than a dry winter (which is
continental)...
  as honesty goes... -18C in a dry winter
is probably not as bad as -1C in a wet
winter...
    so there's me, completely
****-faced watching the t.v. series
this is us, and one of the characters is
a black kid that gets adopted by
a white family when
    one of the triplets of the white family
dies in child-birth,
and he finds his biological father...
and also a mid-life crisis:
white folks told me to excell,
so he does,
   black daddy was a poet and played
the piano...
and he experiences a mild
schizophrenia... see, it's not a scary word,
i mean: without the extreme symptoms...
   a split-mind...
thankfully i cushioned mine on bilingualism...
and i have been ever since: bilingual -
nothing to be proud of,
   after all: there's the genius polymath...
but it's not about that: it's about winter...
winters in england are so different to
winters on the continent...
the grey skies? oh, that's here all year...
    talk about being a weather man
in Saudi Arabia, most of them moved to England:
where the action is...
          
but really, i can't imagine why existentialism
as a movement, culminated in the zenith
it achieved (precursor movement?
phenomenology)
        oh yah yah: were nieche, very Kensington,
very, Chiswick...

but to really appreciate an existentialist
dogma, a truly uneventful life...
   and given that existentialism in the French
vein akin to Kant but not so much Heidegger
lends itself to the cartesian maxim...
well... that's because it kinda has to,
but not really...

  Kant took out i think and merely focused on that,
his biography goes along the lines of:
a ritual walker, stayed in one place,
    a rook of the clock, i couldn't exactly call him
a pawn... nonetheless...
             a very uneventful life...
why? thought.
    
    what's the most interesting thing i've done today?
i thought, or, i had a thought (a / the article scissors
cutting off the -ism)...
and that's about it...
    had a thought...
                   i hit the gong that thus translates into
the post ergo / therefore of i am,
   and then i realised: i wasn't motivated enough
by my thought: to do much!
              
historically speaking, my writing can only be placed
into a dynamic of being called post-existentialism,
it's not boasting, it's just a plain fact,
   like Monday will be St. Valentine's day, 2017...
and some men collect stamps,
   and some men like fishing,
    and some men have the habit of writing about
things that are, a bit like Avogardo's constant,
meaning they'd love to speak about these things
over, and over again, and never get bored of them,
or for that matter: start families.

strange how it works, have it all...
       or have none of it, to later only have that one
vector that's opposite of mortal, ******...
        or have both, in a way,
and be later traced to some Shakespearean controversy
about a mistaken identity...
well... there's that too.

that must be it, existentialism, and the most,
ordinary life...
         pause for what, akin to something else i wrote
about beginning the thought catching
up to the walk a few days earlier which began
with z and i and diacritical marks,
how northern slavs wouldn't necessarily disrespect
the already present diacritical mark
on the ι (iota), i.e. regarding acute z (ź),
and how if z & i appear together, i.e.
    z and immediately after it, i... you don't bother
writing an acute version of z,
   as a southern slav (balkan) might,
with his caron (ž)...

or a bit like stating the old chestnut of universals
vs. particulars...
   well... they can say what they like about
the cheapness of writing in this medium
but there is nothing so gut-wrenching as a deleted
passage, that will never return...
    immediate heartache... there on the screen,
the computer decides to "have a mind of its own"
moment by either your carelessness
          or the computer's defects and: ****!
gone, a shift+ and suddenly... writing while not
looking at the keyboard, as you do... ****!
gone... gone baby... gone...
    and if that's not analogy of: a lesson
in placing your hands correctly onto the computer
does me: you're looking at the keyboard
and not at the screen...

  how about writing with my eyes closed?
  haven't seen anyone attempt that...

here goes:

    and with that i give you hades...

not bad, i should try it more often... it's not believable
because it's actually correct and has no mistakes....
*******.

alternative? and with that i give you sheol...
   still the same... double *******.

((   ((
    
and that's all it takes... the part where you let go,
because you have to:
  the regret can be there, but soon has to
be overruled...
   it mattered at the zenith of logic,
it was really there, for such a brief moment,
i could call it a study in how you can ****
a very lucid moment, and then have to "resort",
but, rather: merely accepting it as having no place
in the overall composition...
    so to the windowsill, finishing off
blackbeard (whiskey and coca cola and
a cigarette)... changing the aura from
o.t.t.'s album taken home from the "marathon"
(yes, the prime existential tool is the transcendence
of synonyms, encouraging misnomers
or: how to not build dams, or become custard
beavers, looking for words...
    the river, every time, always looking at a river...
the sea and the people and time...
   rivers occupy an infinite concept of space
and the change within such a Thermopylae,
as it might give you indigestion,
or the highest serving rank of memory...
the sea and the people don't scare me,
and it's hardly a thing of admiration...
its just a sight of pulverisation, a headache...
the river, the solitude, and the fact that local
newspapers have adverts of only lonely women...
sure, read a national newspaper and there
are women seeking men, women seeking women,
men seeking women, men seeking men...
but look at a local, a local newspaper: only women
advertising themselves for candles and firecrackers...
it seams men were always programmed (a priori)
        into the gravitas of solitude...
what i really meant to say: existentialistic writings
can appear foreboding with the ditto...
with the perception that there's this ulterior,
dark-seeded motive...
      i just thought about bypassing the thesaurus,
like some writers do,
    you can spot it when they do,
a word they looked up from their labour
of lumberjacking the keyboard
sticks out like a modern statue, or a broken finger,
a word: right off the pages of a thesaurus...
   i just mean that there's nothing sinister enclosed in
the said "brackets"...  there's nothing additional about it,
but as narratives go... you sometimes want to bypass
Sherlock Holmes and write a synonym-antonym,
you want to bypass the thesaurus, content with your
own vocab riches, but too "lazy" / engrossed in
what's actually coming...
say, that interlude, a cigarette, finishing off the whiskey,
with the glass freezing and having a layer of ice
around it... and: why i'll never be part of the nirvana's
or the doors' cult...
     pearl jam's indifference, from their second album.

so it's sometimes thereuputic letting go,
  after all, no one built a house on the summit of Everest,
if i wrote something of such clarifying quality,
and lost it... i can only apply an imagery of having seen it,
the best i can suggest that i wrote something
akin to 1 + 1 = 2, and then accidently deleted it...
and that's the sad part,
universals as vowels, particulars like consonants,
    even numbers akin to 2 and odd numbers akin to 1
(divided into decimals, or the wormhole of 0.123456 etc.) -
it was a beautiful sight, and then, again: ****!
gone... like a magician doing a trick
   and then... the sadness of having lost the technique
to recreate it...
well, the best i can do to recreate it is based
on a short argument...
   if universals and particulars (relying on the fact
that both have a plural form,
  i.e. so not 1 in 1, but the many of 1,
   and akin to: the 1 in many, and the many in many,
and the 1 in 1 / focus, something identifiable) -
or loosely universals like vowels, and particulars like consonants,
but given the two experience diacritical distinction /
additions... i could best remember what i wrote
as: 1 e.g. particular, if divided: fractions, and after
fractions: decimals...
                2 e.g. universal, if divided: whole numbers,
and after whole numbers fractions, and later decimals...
   so on and so forth with 3 (particular), 4 (universal),
     5 (p.), 6 (u.)...
                 a bit like having your own telescope
and microscope, just looking at what we make silence
of, our two ways of encoding what could have,
or should have been said, that was nonetheless said,
transcending our contemporaries as, what can only
be described as... an echo, lost in the caves of aeons...

this promenade begun with something to z & i...
or z, i, ι, ź and ž (what a nice pentagram,
i was watching the six nation's match
between wales and england,
and lo! behold... a goat at the fore!
  mind you, i took a cigarette break when they scored
their two tries).
Cardiff? yeah, been there once...
         Poland v Wales qualifying match,
donning a polish football shirt, got approached
by two young welsh girls saying: your team is ****...
started giving it the local... how fast they ran away...
and they say we laugh more than we cry,
   and i could be the one to snigger a sly laugh at
that memory, but cinema memory says to me:
time to usher in the reverse-psychology,
calling white black, and laughter crying...
        or as i like to call it, the paradox marriage
that has, literally not tentacle hold on the world,
   the bilingual marriage,
             lodged deep inside my head,
most recognisable by my theory study of diacritical
marks, or actually having noticed them,
and having no real, authentic accent to remind me
that i belong in either geography...
         whether from beginning, or toward an end...
some call it acting, some call it faking,
  i call it: just what i was given, or, more precisely:
what i earned... and that was to no good use...
        unless... this is the best expression of what the foundations
look like.

what was i thinking of? ah!

   it just involved the σ                       ς roundabout...
the aesthetic variation for one,
but on another investigation, well, sigma, total, sum,
and how be obey it like a golden ratio or pi,
   it's just auto-suggestive of how we are never truly
synchronised in our arguments...
   but, "paradoxically", or should i say: by a miracle,
make up the greatest potent to have an argument...
  we can never truly really synchronises ourselves
to fill the boots of expressing an utopian dream,
otherwise we wouldn't dream... period...
  so bye bye Freud and that method of escapism...
     we already ensured that, if they be our creation,
the gods are already at war with the Titans...
      i'll actually acknowledge that in an age of
pop philosophy in that Greece was, a place of allowing
a fertility of thought and later popularising it
(we don't live in times where there's a fertility consecrated
on the altar of thought, or what philosophy is, thinking per se /
for itself... innovators! scientists! up-starts!
or as some might say, the other pronoun battle,
the one without genitals involved,
as could only be sooner said:
  per se, or per per...
                       in in...
nothing sexualised... it's only that there's a limit in pronouns,
per se / in itself must come across the muddle
regarding the moment when people lose their
identity and begin their life with: ? thought
rather than i think,
       i can't place it anywhere else than inside my head,
better there than in the genitals,
   or wasn't Jesus circumcised and the zeitgeist
of St. Thomas' gospel and the transgender movment?
    the church is old, and counter-authoritarian,
it's just a tired institution, so it has no actual authenticity
over the current changes in society,
    might as well call onto Islam to move the chess pieces...
or that's what i'm currently seeing...
   i was just thinking about a logical limit in language,
e.g. timbaland's song the way i are...
   there really is a logical limit on how far you can
suddenly just forget grammar...
            so why begin with per se?
                 at best described as a cogitans (

What you can’t tell by looking at me…
is that i wish you could see what i see
but because you don’t you go ahead and without thinking twice,
you point the finger of judgement at me
and through your eyes you think of me as a criminal, illegal, poor
you don’t even question what is deeper inside besides the color of my skin

I wish you could see how much this hurts me
because maybe this isn’t your fault
that you were brought up to see corruption, drugs, violence
but listen to me, and trust me that there is another world out there
one story, one you have yet to hear
and i hope you find some way to appreciate it
until you feel the pain from our struggle
to make you think any different.
make you think I am not less than you

There are so many things you cannot see
this is my culture, soy hispana y orgullosa
and these are my people
my people, who are more than you think they are
for they are doctors, innovators, mathematicians, even scientists
you see, there are many things you have not seen, this is only the beginning

My people struggle for strength
nunca te dejes vencer, porque el triunfo puede estar de la esquina as my mother tells me
because pride is what keeps our will to fight going
it is what makes us want to make a change, una cambio
change your perception from rapists, homeless and corrupt
to normal everyday people
….
i hope one day you are able to see past the color of my skin
and to accept what is there
to know that we are not criminals, or crazed animals than what you set us out to be
no, we are more than that
we are human beings… just like you

Farce!
False!
Fantasy maybe. Even still,
It’s far from fact.
Fiction!
I've seen more accurate depictions
Of Love
In abstract pictures.
At least it’s fierce colors
Show so form of passion
Fashion!
Artistic? It can be
But this is trendy
It'll fade as a
Fad!
True art is timeless
Truth? It can be
But this is candy
Not fruit
This is pop
Not soul
Technically it’s music
Because of it’s movement
But this needed no muse
Only tech
No chords
Piano or vocal
Only vocoder!
Inhumane, alien maybe.
But even the Vulcan
Shows some form of fire  
Folktale!
Fog!
The misleading smoke
Shows no water
In the vicinity
Only industry
The only esteem
In this engine
Is steam
Gas.
The closest thing
To nothing
Fodder!
Deflowered. Devoured
By self-expression
Selfish innovators imitating life
Forgetting to live it.
****!

I scribble on
With a half lobotomy;
A radar seeking Hell by looking up
And another dictionary
From another time and place;
An alternate timeline
Reaching right and left
As well as fore and aft;
The beard of a ******
And naïveté too;
Undiscovered depths of emotional manipulation
Unseeing, unthinking,
A new old structural familiarity
To abduct and probe
The time-honored, vacuum-sealed
Ineptitude of ideology
Whose meat is sweet
But suits the skeletons of standardized educational theories
Like a pair of jeans at age eleven that you expect to grow into;
In hope of justifying
Overuse of monetary resource
For the sake of bonus states of mind;
Scouring the depths of discarded everything
With hooks catching on to all the similarly forgotten names
Who live in fear of obscurity
Clinging, not unlike insects
To their sixteenth minute of fame;
Finding in myself no way but out
To understand that which lives inside;
With disregard for any thread which weaves past me and takes no hold,
And loathing for the ones that do but unravel before the eyes;
Lightheaded, ending any sense of continuity
When, prostrate in the comfort of another tapestry
I stand abruptly, let my dreams be drained from me through tendrils
Like the passing of a temporal existence;
Drinking in the dust and glue of crowded bookshops
In fear of losing inspiration
To the insatiable jaws of my consumerist natural state;
Rummaging in a bargain bin
In search of someone to tell me, “Stop!"
With heads in clouds and bodies in ice trays,
Stealing lines of logic and lyric,
Throwing down and hacking into
Elemental bits which fit into my own vernacular
Sacrificing beauty for originality and vice versa;
Choosing idols idly with the tides
Of knowledge and of art
Rising and falling without fail
Never apparent and never blurred by motion;
Searching for a style like an odd-numbered jean size;
Finding greater inspiration in waves of unopened mysteries;
Following examples laid by unsuccessful fictions;
Learning ethics only from the prologues of ****** novels,
Unsuspecting victims snuffed in interesting and lurid ways;
Letting technological distraction detract from the projections of psychological complexity
Which I, from atop the high horse of my own pretensions
Pretended to embrace;
Committing massive acts of thievery, fraud, and infinite lethargy
For the sake of juvenile, illegitimate art forms;
Seeking other seekers who exist autonomously
For the sake of personal independent credibility;
Leading unsuspecting, overreaching, overeating, understanding, undemanding,
Too forgiving, not forgetting,
Victims of domestic warfare
To a loveless watery grave
For the sake of my own loneliness;
Patronizing every segregated buffet
With courage enough only for a small taste of everything;
With the flavors of the day swirling around
For me to shoot them down
And pin their carcasses to elementary school walls
And Mormon tool sheds
And nature centers
And all the forgotten places of summers past
In the hope of rediscovering
Some old buried treasure
Be it wondrous or worthless;
With the uneasy insincerity of a rodent who pretends to understand a city;
With adopted methods
And repeated thoughts
And ideas which came to me in waking dreams of my own retirement;
Sharing, for a captive audience,
The formidable giants which
Inform our common denominator
Searching through myself for only the most indecipherable
With the fear of being understood
And the fear of being ridiculed
And pretensions of some preternatural predetermination for greatness;
With acceptance of predisposition for obscurity,
The cost of the inundation of the new airwaves.
The series of tubes that feed us intravenously
With information, information, information,
Having killed God and left material validation in His wake;
It could be that new gods are born in the minds of the innovators,
Those wonderfully wealthy
Whose social structuralism
Was a beacon to us all;
In the darkness of an architectural anomaly
Where lights extinguish as my body lies dormant
Alone and abandoned
Only by my own subversion;
Confined ever to a convolution of passages
While above me all my peers still carry on;
Overstaying welcomes
And letting emotionality
Color conversation
A sicklier green,
A green of a tree only just sprouted,
A green of a new recruit,
A green of an inexperienced schoolboy
Faced with the daunting and timeless act
Of copulation;
Somehow taking in the sights and sounds and smells
Of advanced mathematics
Even occupied, as I am,
With explaining my actions
Most eloquently;
Devoting myself to another cause,
Another, another, another
Always relaxing my grip by losing focus;
Desperately hoping not to let my fellow travelers
Lose their innocence
While I reluctantly, dogmatically
Keep mine on a leash;
Always keenly aware
Of the universe of worlds
Beyond my control,
And even my understanding;
On the increasingly frequent
Intrusions of risk
Into my significant reality
And the iota of explainable truth which guides the motion of my body but most frequently my mind;
Questioning the meaning of all words
Without thought or coordination;
Considering another restful journey
To clear my mind of human language
And in its place acquire thoughts and emotions from the street;
Without foreseeable direction,
Malice aforethought
Or noticeable signs of critical reaction
Giving birth to litter
Forgetting articles
And floating my sense of time up the Ganges;
Taking only seconds to counter the possibility of
Accepting more responsibility for myself;
Complicating matters with an interesting or bitter goodbye.

Tell the truth about the way we loved.
Savagely
Fervidly
Passionately
Wildy
We burned down the walls of our own bedroom
We gave the stars a show
The shore something to grab hold of...
We were endless
Brilliant in our together
Innovators in our type of beautiful.
We inspired...
Men to love women whose mind's were worth
kneeling for,
And women who loved men with respect worth
submitting to...
Tell them how we loved
Tell them
Their was love
in the  way our feet moved
in relation to the other
The way our eyes danced through
all of these people
Till their was something worth settling on...
For me it was you...
For you it will forever be me...
I will tell them...
because sometimes the things that burn
the brightest tend to leave one breathless...
In a world so self contained...
We could not burn down these walls for our beautiful...

Raise your hand* if
your confidence is reaching its limit
Well let me tell you,
don't dare believe it for a minute

A poet stands at the center
of circles of illusions
Sparked by the fire within
and burnin' institutions

They write about the current state
as far as they can see it,
as well as personal doubts
claimin' that they can feel it

Don't hand your savings over,
'cause now you pay it forward,
but life won't pay you back,

So what you say to that?

"I say we're bein' controlled
by such an evil system;
a metal contract was forced
on lost and bleedin' victims."

"I don't agree with you, man.
We're where we need to be.
With very little control,
we risk to eat for free!"

We risk to eat for free?

"Food's a commodity!
And with overpopulation,
I say this honestly!"

"Don't mean to interrupt;
your notion of depravity
appears dumbfounded and
far from grounded by gravity."

"I say this world belongs
to kings and innovators;
hope of the people is thrown
to the incinerator."

"We're seeking liberators
mightier than the sword.
We work to buy them a pen -
weapons we can afford."

"And when their eyes are wide open
I think that writers see
the world not for what it is,
rather what it could be."

"Yeah! They're talkin' for us metaphorically,
imaginin' utopias for you and me,
questions answered rhetorically."

The world is yours**
and no one else's,
so live to give it more time
through love and being selfless.

sometimes a private message on the sly
outlasts a poem,
i'm no quack - my prescription list
if a bunch of theories,
i can't the Hippocratic oath even if i wanted to,
which also means a theory here,
or a theory there can't hurt -
it's levitating as a chanced choice of consideration,
in terms such stated, there are
the questions of consolidating the problem
socrates faced as to how confront a unity
of particulars and universals -
well, a mathematical impression
with the prime expression of division would be
a start, a comprehension of units
akin to millimetre, centimetre and mile
would be due a referencing to.

i hardly know what to call the cartesian
subsequence equation -
sartre tried to invert it -
let's say that thinking is an *essence
and being is existence -
drag in newton's causality and einstein's
lack of causality - i do believe
descartes is pivotal in terms of causality
and what existentialism suggested
via sarte: that existence precedes essence
or vice versa - causality i should think -
but if the itemisation of space
as divided enduring placebos of millimetre
and centimetre with each point
as the Freudian id to divide is loosely estimated -
i understand Sartre's argument when
being a revisionist via Descartes -
existence does indeed precede essence -
you learn from your mistakes -
first can existence example itself
before thought (essence) begins its learning process -
indeed it can't be otherwise, intuition
does exist to a cloning zenith reached by animals
who're only vociferous via the medium
of onomatopoeia - ferrous sounds -
but among men there are more enzyme-related
processes to create the Enlightenment from
the Renaissance - the latter an artistic progress
the former the scientific -
study chemistry or physics and philosophy becomes
a playground - biology for some reason
has too many octopus tentacles attached to
obvious things - mutations of Chernobyl to mind -
and history, **** sake's the stone age and the
17th century will deviate far between on the spectrum
of analysis - there is much more bureaucracy from
the 17th century than crude cave drawings from the stone
age - i'm hardly saying it's not plausible
but the time-scale leveraged with boiling a cup of tea
is the worst kinds of distraction - scout's honour,
cross my heart and count to 20 in under 10 seconds.
anyway, for the majority, people are hardly
innovators, a few can claim to be a pure res cogitans
(a thinking thing), since such a being would require
an id scale of division, not necessarily a scale of division
akin to the majority of people, with their
9 to 5 working days, monday through to sunday,
january through to december -
with the latter list of exemplification we're talking
about a res narro / a narrative thing - alt. include
res transloquor (a thing talking over -
a loss of etiquette when talking over older people)
etc. -
           since i find that thinking is primarily
about innovative feats - but most of the time what we
call thinking is actually narration -
a book never written, an idea never materialised -
and the existence of the Buddhist "mindfulness" /
simply not thinking, a full cartesian sum embodiment,
akin to driving a car, a bike, whatever you like.
or i could have written about the news review
articles from sunday: the boo! that's Broadmoor,
the lush living conditions in blocks 2 & 5
and the squalor in blocks 1 & 6...
names include the murderers:
jonathan lowe (aged 52) writing a letter about
the Ritz hotel like conditions in 1898,
croquet and cricket, tea weak beer and gambling,
tobacco luxury and servants via the lesser
fortunate inmates,
william chester minor's addition to the inaugural
edition of the oxford english dictionary (ex-military
surgeon he was),
chippendale bookcases, bathed once a week,
shaved three times a week,
(now you can understand my fascination with
Ezra Pound) - thomas harry a would be assassin
of the p.m. Gladstone of 1893 walking about
the asylum gardens mentioning Gladstone's
last plea with a smile akin to the eager buds of
may appealing to harry's sense of "remorse",
a dutchman who attacked his wife with a mallet
pleading to renter the lunatics' Ritz circa 1895 -
a jack the ripper suspect amongst them -
dr. richard brayn hardly ***** burroughs' dr. benway -
a madman had never so much luck under **** brayn -
but the less fortunate remarked:
'my name is T Perkins, i have been murdered here,
by those that know not what they do,
because they have ether in their heads!'
i'd guess ammonia to add to such a confession,
or skunk ***** to mind the least.
thomas cutbrush was the ripper suspect.
jimmy saville wetted his ***** in the female wards...
can't complain with ******* adolescent girls
why complain about ******* crazed chicks -
Michael Meyers in the room? i thought so,
democracy is the ideal export, people know
jack the ******* by compliments from the toilet's
perfumery as described: strawberry scented,
mm hmm - Kentucky tattooed on my left buttock's
cheek. but boo! a.k.a. Broadmoor is closing,
pristine lunatics on the street - mind you
in the news review they had an article about
seymour hersh - what he called
dum-dum and darth vader of the galactic empire
surround fashion trends of 9 / 11...
joy uu bushy and st. francis cheney -
prior to this poem looking at russian sables in
fur farms going berserker over the size of the cages,
a lynx rummaging in a theory of geometry
walking out lemniscate treading on its own faeces,
and i felt good for the jews
not wearing leather on Yom Kippur -
in their orthodox black attire walking into a
synagogue wearing trainers -
yep, lived next to a synagogue for several years,
a flat above an estate agents...
but of course weddings and mazel tov a rekindled
happy event!
scurrying like rats in an area not allowing pride -
apologies for the comparison,
but Gants Hill wasn't exactly Golders Green,
well the Hanukkha did stand proud at the roundabout,
but then the social project took over
and subsequent evictions proceeded -
Bangladesh came over - and half of Pakistan.

Barack Obama, first US President of African origin.
Langston Hughes, earliest innovators of then-new literary jazz
                                     poetry.
Angela Davis, African American political activist, and author
Coretta Scott King, author, activist, and civil rights leader
Katherine Johnson, African-American mathematician

Anita Baker, African American singer-songwriter
Muhammed Ali, African American professional boxer and activist
Erykah Badu, African American singer-songwriter activist
Rosa Parks, the mother of the freedom movement and civil rights
Ida B Wells, African-American journalist and feminist
Colin Powell, statesman and retired four-star general in US Army
Al Sharpton, civil rights activist and Baptist minister
N*elson Mandela, South African anti-apartheid revolutionary
                                   political leader

Anigh, is the darkling of the effrontery eagle, effaced, replaced; it's worship towards the devil. Gallons of blood, used as cover, ash and mud; defiling of ****** mother's. Gallizing men drowned in sweetness of drunkened friends. Gamins created by cankered loot, oil fills the pockets; diamonds make slaves to. Gangrels run kingdom's from their ancestral hand-me-downs, gaolers imprison innocents, whilst thy rulers throw ****** for babes at compounds. Innovators; mocking God's name. Mixing men with robotics, keeping the pure obscured, locking animals in a cage. Inorbing creation with cameras as eyes, like rats they scurry, hide; when the truth is knocking. Like a drunkard; This circular hell shalt rock as a ship, many planet's art approaching, none help shalt thou get.

©Brandon nagley
©lonesome poet's poetry
©prophetic poetry.

Word meanings:
Anigh: near.
Darkling: growing darkness.
effrontery: shameless.
Eagle: the united states.
Effaced: erased, forgotten.
Gallizing: add water plus sugar to make stronger wine from grape juice.
Gamins: neglected boy left to the streets.
Gangrel: vagrant, loose built person.
Gaoler: jailer.
Whilst:while.
Thy:your.
Inorb: encircle, surround.
Circular hell: earth.
Art:are.

Under the unforgiving summer sun, their small, winged bodies hover from one flowering plant to another, working tirelessly in the sweltering heat as we laze in the shade...

Their work is endless, the product harvested in minutes. Smoked into a stupor while we steal their treasures, and if some of them die, so be it...

Melissa, Queen of Bees,
revered before by human royalty and great innovators,

Melissa, Queen of Bees,
who connects life and death,
whose children killed the demon Arunasura in India,
and were prophets to the gods in Greece and Rome.

Melissa, Queen of Bees,
her bees fell from the sun in Egypt,
aided the first living man in Uganda,
and created man from the back of a mantis in the Kalahari Desert.

Melissa, Queen of Bees,
her children are the origin of magic in Eastern Europe,
a source of fertility and a connection to nature in North America,
and fierce, terrifying warriors in the South.

Melissa, Queen of Bees,
the Great Mother,
the root of being,
the bridge to the afterlife,
we owe her children our lives,
the least we can do is spare them their's.

I dream of* lovers
who fascinate me to no end,
veering the course of their affection
from something they understand exists,
to something they fear to understand

I dream of hearts
yearning for their better halves,
as they seep deeper into the chasms
that engulf their intimacy within

I dream of sinners
who wish to speak of sin;
rather the innocence of deviance
and its naiveté when it comes
to matters of the heart

I dream of writers
who bleed from their pens
as they wholeheartedly express their emotions
and aspire to quell the heartache
that they endure every day

I dream of innovators
who wish to present upon their peers
the next invention selected
to represent the advent of a better tomorrow

I dream of tears.
I dream of tears....

Why? What sorcery forces one
to shed so many
that they leak past
the prisms of known consciousness
and into the peaceful slumber
that comforts aching minds?

I apologize.

Now you know of the dread, sorrow,
and sheer wonder that comes
when I dream of earthly elements
begging for peace.

I dream because I am a coward.
I apologize for *dreaming.

Some say that giving us freedom was a mistake

Whites, cameras, action!

Blacks are discriminated for a “whiter” satisfaction

We’re in the media, and we pretend it doesn’t hurt

But you have to admit it kinda sticks when the black guy dies first

How much positivity is connected to us on television

African American innovators still get no recognition

Instead follow that Kobe, or Tiger into the eye of media slander

That’s because even if it’s negative attention we choose to accept it

We run with it, have fun with it

Quite frankly, we should be done with it

There’s a reason why we as black people have such negative reception

When the results of our conflicts usually end with transgression

How often do you see

A black man on T.V.

Without a gun, drugs, or a crime scene he must flee

That’s not what I want our people to be identified with

But that’s not going to change until we stop accepting it

We aren’t unified as a people

Half of us recognize and sound up the movement

While the other half is content with only the other half doin’ it

Until we are unified as a whole no change will be made

We know this

Some of us just choose to stay the same

There are hardly any writers, freaks or conscious investigators for the living. Some one to shed light on the current affairs of  this nation, this Earth, this universe. Not these local heroes either, and not these reptiles behind computers. But some one who can bring us back to simpler modes of information distribution, like a news paper dropped off at every door step, run by revolutionaries and wonder fanatics who think and feel broadly, who don't give in completely to greed or materialism. Emotional wrecks who don't lead any one type of party, who are not interested in leading but, those of whom listen and replay. And, if they do or don't succeed in their studies so be it. We all have our duties in life, there will be another pack of poets right behind them, innovators. You gotta give something up some time, walk away a better individual for it, I think too.
A lot of deep sea divers out there, blind, not sure how to fallow the line back to the boat, scared they might run out of air soon, and they will. I've seen it happen to some good sailors.

How do we gauge freedom, what's right, who is right and why so many ******* questions...(?) At this moment in history we have a few choices and a few rules that must be risen high, on a flag post some where in the middle of this country, big enough so the whole world can see it up there, along with a new flag, too.
It reads, "Don't disrupt or hurt earthly habitats, inhabitants, or insult anyone because of their race, class, gender or religion.
Challenge, feud and collaborate. Don't freak out when ideas appose your own, letting your eyes become red and swollen.
Killing is out - unless it's killing yourself, or harming your own body. It's your body you don't want you want with it, (We just hope it doesn't come to such brutal measures).
Any harm done to another means that you will forced into rehabilitation - you will mediate, talk with counselors, learn to survive in nature, grow your own food, and if necessary be shown opportunity.
If you're a true ******* of ******, we don't have time for you, you are out of here." Some times some people can not be helped.

Is freedom something you would classify as having the ability to assemble your own conclusions? Does your reality in comparison to others appear stronger and less misguided because of the inherent morals, such as right and wrong? Is life a constant battle with others because of their ignorance, and can you find peace in your free-ness with out feeling like you've served justice upon them?

Next II

Some commonly ignored, also opposed at times, ancient mythologies like native american wisdom or south american indigenous ritual have been shattered by historians and scientists alike. Those who believe logic and reasoning are platters on a academic menu best served soon before they've assembled . All the while their dishes in abundance, rotten, sitting on the table surrounded by skeleton men, whose hearts where gray and dusty, dried up like prunes long before they had kicked the spit bucket. They wanted to build realities from recycled evangelical European patriarchal war mongers instead of clutching in the next hand research that exceeds simple Darwinian thought or archaeological speculation, to discover what lay behind our skin and deep within the hallows of consciousness.

"Let's reinvent the gods, all the myths
                        of the ages
Celebrate symbols from deep elder forests
[Have you forgotten the lessons
                        of the ancient war]

We need great golden compilations"

                                                             - J. Morrison

We do need great golden compilations. We've got to accrue volumes of books, music, obscurantist theory, and quantum exploration. We have to reflect, speculate and hover over the body in sagacious transcendentalism,  gag our selves until we feel unsettling and alive. Purge the mind of blackened clogs preventing a courtesy flush, headlong in a spiral, in the spirit of invention.

There are answers and then, there are replies. How do we reply to our own answers

Concise, smooth
... in the mind's motor
Change the gears
... in the mind's motor.
Smooth transition
Up & Down
Forward & Reverse
The clutch
is not the crutch
the crucifix logo
on the bonnet
covering the forehead.

Pain on the dashboard
Diviners, decals or designators
Inflictors, innovators or inflexions
Pain on the Dashboard
Ignition, perception, cognition
waits for the turn key
in the soft tissue starter motor.

Turning indicators
flicker flash
amber red
there is no green.
Headlamps a dull glow
in the white hot agony
of the parking lot.
Robyn Youl.

young, so full of youth,
filled to the brim with
*** and desire and the
quest for flesh,

we are living the lives they
write about

we the young, so full of
uncontained emotion, so
happy to be alive and yet
not even realizing it, we
talk of suicide but never
believe it exists

we are perfect in our
decided ignorance of
our imperfections

(it gives us strength like
nobody knows)

-

spreading across the globe,
to China, Europe, and the
Southern Lands, our disease
is no plague

to the youth of the enslaved
places, to the poor countries,
and those shackled in the old
traditions:

we give to you our itch,
our burn, our aching and
hurting that drives us to
go out and do what needs
to be done

we give to you a reason
to make things better

(just as we give ourselves)

we are the reason
the earth still spins

we are the drive
behind every new
empire

we are the innovators
and the diviners

the makers of tools
and seekers of
riches

the creators of gods
and the gods
themselves

we, so young, so full
of energy and zeal and
lust, we the ones who
create and destroy, we
who so thoughtlessly
hurtle the human race
forward

we take ourselves to bed
each night, not wondering
with whom we sleep or
where we will awake;

knowing only that adventure
is worth having in itself.

that the morning is our treasure
and the new day is more fulfilling  
than any golden trinket in the
tombs of the old kings

this we sleep with, smiling,  
dreaming of the wild chances
we are challenged to tame

-

so young, so full of youth,
filled to the brim with ***
and desire and the thirst for
a definition in this grey and
blotted world

we awake each day
and drearily attack our
lives

we the pioneers, the philosophers,
and historians

humanity cannot live without us
(and I mean to say they have no
choice)

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Cry out to the Fathers,
the Innovators,
and the Sinners!
The Creators of a modern day catastrophe,
and the Saviors of a nation once free.

I’m from black umbrellas, and two piece pant suits
From ***** snow, and cars, and trains
From lying on a Persian rug
That smells like Starbucks in the morning and leather at night

I’m from sparkly gum on sidewalks, buttercup taxis
Lion King on Broadway, ballets, beautiful
From the land of street vendors, with 2 for $5 and best you’ll ever see
From the noises at night that rocked me to sleep

I’m from summer waterskiing and jellyfish stings
From revenge battles with a barbeque skewer
From Tom’s grilled cheese cut diagonally like I like it
And floury cakes that turned the whole kitchen white

I’m from pesky deer ticks tucked behind my ear
Because I lied too long beside the lavender bushes
I’m from the old weeping willow that cried every day
That cried harder than me the day we left

I’m from those random memories that make me smile
The bunny I never got because I couldn’t water tomatoes
The duo stroller we had because I didn’t walk fast enough for my mom. The Bus Stop café every day because mom doesn’t cook in the morning

I’m from the Big Apple, the city that never sleeps
Born and raised in a heterogeneous blend of innovators
I’m from the fleeting recollections that make up my past
The metropolitan palace of memories that houses my childhood

There is something incredibly comforting
and incredibly American
about sending a man to the moon
the science and math
the innovators and hard working
pull yourself up by your boot straps
Americans
named John and Bob
who come home after a long day
have a beer
and sit on their porch in a suburb
Something desolate and empty about the moon
alone and quite, completely silent
and the unknown
the fear that those up in space must have felt
how did they feel when they kissed their families goodbye
not knowing if they were going to see them again
uncertainty uncertainty uncertainty

I think I have come up with a solution
to the dilemma I described in another recent poem.
It is a path I always knew was available to me
but I did not know how to start upon it.
I am happy that it has remained open.

What is knowledge if it is not acted upon?
I will now reveal my most painful thought,
the burden I have been ******* about,
because we need to do something about it.
not just sit idly by as it destroys everything we know.

My secret is a spoiler.
The spoiler.
The ultimate spoiler.
The end of the universe.
"the heat death of the universe"
google it, and see.

This is really hard for me, saying this,
especially knowing that someone really cool may read it
and suffer as I have.
Please don't let it get you down.
although, I'm sure you won't.

But I have written so much already
and I haven't given what the title has promised.
The Solution is to construct a foundation
upon which future generations
of scientists,
inventors,
innovators,
and all of humankind
can build upon
so as to not only avert this terrible disaster
but to delve ever deeper into the vast reality we are born to

The sheep minded
Elevate ignorance
To celebrate
Their own mundaneness

Claim this enslavement
Is natural
That the moral
Shun the strays
Who walk in
Diverging ways

Cling to status symbols
And fashion trends

Their mind bends
To fit their servile situation

Praising the nation
Instead of humanity

Consumers not real creators
Products not innovators

Digesting stupidity
And spitting the same
Uniformed madness
Right back at me
And that is why
I love working nights

That was my pen, before.
Lapped up every last drop of ink hungrily
And spewed them all out in just the right
Shape, the right amount, for the right meaning,
Blowing life into its royal blue color recipe
To craft breathing alphabets that animated
Into words that I remember
Were mischievous, but adorable babies:
They used to talk, walk, play, cry and sleep;
Oh, they used to live on their vast white landscape,
Reviving my memories with their
Own connotation- my innovators.

But my pen is a teenager: unpredictable and moody,
It now creates stubborn, sterile letters that just want to besiege
The tip, clog right there and not drop out.
Even if I ****** it awake now, my pen would just puke some
Little droplets shaped like letters that would
Blot the paper ugly, or, the words would exit deformed, like
Their genes had gotten affected by a nuclear bomb.

Oh, what have I done to enrage you, my love?
Did I over-feed you, or under-appreciate you
That your self-esteem decided to turn upon me,
Or become so dependent on you that my mind has dulled
Its imaginations far too dry now,
For you to shape them well?

My verses now wilt and die,
New lands in the paper just get wasted, alarming me
For land is a limited resource in my house, the earth.
But land is not the ultimate problem,
For there are a thousand landscapes I could pull out of my imagination;
Only if my pen would love me once more
And reproduce my ink faithfully,
I could be a writer again.

Some people wake up every morning
Fill their mug with strong black coffee
And commute to work
At work they slave away for the dollar
That never seems to truly satisfy
The hungry greed growing within them

They once were children
Who said they would be
firemen,
teachers,
artists,
pirates,
astronauts,
authors,
innova­tors and world-changers
When they grew up

On Fridays after work
Sometimes these people
Go out for a drink
After a few beers
One of them opens up to the fellow
coworker they are sitting next to:
"Oh," they'd say
"I have dreams of sailing away
I can't wait for the day
That I am able to break free from
the monotony and mediocrity
and pursue my purpose,
and my dreams"

"What noble ambitions you have"
The fellow coworker will respond
"But what are your plans to make this so?"

The dreamer will answer
"I don't know
All I do know is
That most people
Stay stuck in conformity
And then there are some who
follow their dreams."

"Go write a poem."
They tell me to pour my emotions out of the conversation,
and into a container they can silently curse and admire.
I'll gladly oblige their feeble minds
because after all, I'm only writing a poem.

"Go write a poem."
They tell me with a smile as if it should sting
because they believe poetry is fruitless and less fulfilling
than the insults they try to shoot like arrows
but why is it that they always seem to miss the mark?

"Go write a poem."
They are just so much better than the silence they receive,
they say, "It is what it is, so go do what you do and make art out of it,"
my brain explodes with the roars of lions, sirens, wrecking *****, marching bands,
because poets understand that it never just is what it is.

"Go write a poem."
Because we poets are angsty souls who cannot express
thoughts with words out loud- and stand up for ourselves,
we lack tact and function beyond writ and stage,
but what they fail to realize that a poet is never just a poet.

We are the creators of their entertainment (Shakespeare)
We are the innovators that fuel the beginnings of artistic thought (Rilke)
We are the warriors that fight for their civil rights (Angelou)
We are the martyrs that immortalize originality (Wilde)
We are the ones who make those powerful statements that those folks love to quote and label their photos with-
so the next time they tell me
"Go write a poem."
I'll make sure they hear the explosion.

If there's anything I've learned in the past year, it's that Normal people don't change. Normal people don't change. But then there's Abnormal people. The movers, the thinkers, the innovators, the shifters. They, unlike Normal people, see what they can become and change their lives firsthand. Normal people don't. They wallow and swallow, playing the victim to Life. False positivity crushes the Normal mind. Isn't it wonderful, being Abnormal?

i have found myself in a club. not established out of intent, but the tugs of the earth and its circumstance have strung us together. we found ourselves, brows beaded with sweat and hands bloodied and calloused. we did not mean to form, but we were meant to. to meet each other’s exhausted eyes, glazed over with indifference from the constant prejudice of cards dealt, and no words were spoken. none were needed. we met each other’s eyes and we knew that finally we had found someone.

we are the conquerers of the forgotten. we are the collectors of broken glass and innovators of redemption. we are artists of absurdity. failure is face all to familiar. but we are not bitter. failure is the reminder of the ultimate goal.

this was not of intent, but what beautiful people.

Watch out for the agenda
And the political crew
Lets just say they represent
SATANS Zoo
Wake up because we ******* galore
To many youngin' hittin' floor
Minds gone society gone
Guns is blown
Another body in the funeral home
They say color dont matter ?
But all i see is red
Once the flesh is cut we emotionally shattered
the world is bruised n battered
See the picture i lainted better
Than Van Gogh
But too many innovators entice
To the dough
O yea watch back cuz they quick to glue
Stick minorities to crimes
Thats not related to you
So cool demons surrounding n houndin'
Me how could this be?
If this is a holy society?
Popes are molesters churches are imitators
Of God how odd is that ?
Pack a gat in my 82 cadillac
Big grill spinnin smalls wheels vogues appeal
O so real
Ya know cant play a fake cant shake
The pain i hear the thunder clouds of pain
It's too.much of us livin' in vain
Now what im seyin' the strain
Its like that now

peep the game
like that now
get the humps up out ya back
yea i still embrace the gat
cuz the city ******
so i gotta get witty nitty in the gritty
i seen a starvin babe leechin'
on his mommas *******
but she half dead babe cryin'
look into her eyes and
you can tell she was a ******
**** how could this be
its my society
givin' drugs to the community
cant escape the rain
or the pain
just a little **** on my brain
coca leafs to puff on
henney and the boones farm
dont sway from the good
stay close to the hood
even though we got good times n bad times
kickin' dope rhymes
no punchlines
just sayin' whats on my mind
i wish i could bless the world
really doe
not have to front a show
just get some dough
that boy jesus
lived thirty three in a half years
aint neva have a job
just twelves homies
rollin' through the breeze
rocks cryin' water turns into red wine and
miracles happen in mysterious ways
still hopin' for better days
radiate my soul
chillin' unda the sun beam rays
feel me????

I want to write a song for this city
Sing it to my family, they’d understand why I left them
Sing it to the natives, and they’d roll their eyes
Sing it to the brownstones, and they’d echo heavy replies
Sing it to the innovators, and they’d see the cloth they hem
Sing it to myself, and I’d realize I live the life I dreamt

I want to write a song for this city
As many have before
Because I walk the same cobbled streets
As mythic tales of yore