pearl ibis

cloistered wings

withdrawn

in elegant embrace


pearl ibis

in my heart

chiffon

refined in lace


pearl ibis

stately

in the dawn

elemental grace


pearl ibis

bristle whiskers

painted in wavy sun

softly singing swan

A pair of crows streaks the skyline. I watch their graceful flight above bare treetops, concrete, and steel constructions, on a backdrop of exhaust fumes.

One crow alights after the other; their claws grip the bars of the signal tower a few feet away from where I wait for the next bus home. I wonder if they built their nest on that giant, manmade constellation of angles . . . From there they would have an exceptional view of the surrounding area, and few predators would dare to go up there.

"I found a dead crow, tangled in a wrought iron gate, once." His voice taps inside the nerve hollows of my mind, and I am unsure if the loud, clicking noises coming from the crows, and the perfectly synchronised squeaking of the bus' brakes, amplify or dampen his tone.

The bus driver greets with his usual, "Hello, Sweetie." I want him to be the bus driver, instead. He would never be late, he said. He wouldn't make me wait for what sometimes seems like an eternity. I mumble an almost-civil reply, biting back tears as I stumble forward against the pull of the engine to flop down on the nearest seat. I avoid eye contact with the other commuters; my gaze fixed to their reflections on the windowpane -- doppelgängers obscuring my vision -- a zeitgeist of movements . . . "Don't look at the window, look through it, silly . . . and don't miss me, I am just far away . . ." I always miss him more when he says that.

The coral trees are in full bloom, adding robust warmth to the faint copper glow of the winter sunset. Are their flowers the same vermilion colour as the 'fire tree' in his garden? Above the coral trees, I spot a pair of magnificent wings: a sacred ibis . . .

Fly south with me, Sacred Ibis. You are a goddess. White wings, neatly trimmed with a pearly black hem . . . when will you come down again, so I can show him what Isis really looks like? I won't be able to capture your image in flight, although he would love to see you like this -- spread-eagle . . .

The Ibis remains within view until we reach the nature reserve at the foot of the mountain. Here, the road forks into choices; I have but one -- keep left. The driver has a heavy foot and the next stop is mine. I get up from my seat and stumble down the narrow aisle towards the nearest exit, my hand tightening around a canary-yellow handlebar as I brace myself for the ****.

The hydraulic hiss of the opened doors spit at my heels. I leap from the bus, onto the pavement; my feet meet the concrete -- a long, silver-grey slab, slapped onto dry, red clay -- with a thud, dust settles on my coat in a whirlwind of the bus' departure.

Pigeons. Too many to count. They line the flat roofs of smog-stained, one- and two-storey buildings. Could they be soldiers? "No, my Love. Doves and pigeons are peacekeepers . . . and there is war in the Gaza Strip . . ." Yes, but what about the buildings? I walk on, thinking about the mourning dove he nursed; the one that followed his smoke rings . . .

We found an abandoned laughing dove squab last summer -- he, or she, made it. Sam was hand-reared, survived, and flew away on one of those bright summer's afternoons . . .

At the corner, I wait for the dust to settle further and the traffic light to turn green -- there are always those who don't need saving.

Turn right.

The Chinese maples are bare. Their deep-red autumn leaves have returned to the earth for redemption.

An Egyptian goose honks, calling his mate from the top of the church tower on the other side of the road. Perhaps, after so many chance encounters, he recognises me while he spreads his wings, flapping them slowly, without rising from his position, in what I imagine is a display of empathy.

I notice that I'm standing on the same patch of lawn where I found the barn owl's feather, months ago. Owl feathers ought to be kept in the dark, away from the day birds'. . . In the distance; I see the grove of pagoda trees that lead the way home -- beacons, providers and protectors. I follow. 

An assortment of feathers, haphazardly stuck into the wooden frame of the French doors, welcomes us home; fragments of unlocking and entering are placed on the dining table where we do everything.

Textbooks, dictionaries, software manuals, bird guides, the salt- and peppershakers -- guano has lost its value; it's all pink, organic Himalayan crystal salt, now. My children's empty cereal bowls were left on the table in the morning rush; they remind me of the years we have to catch up to -- I dissolve gunpowder pillulets under my tongue: Homeopathic medicine for this virus.

Balance -- like the flamingo, or the blue crane in the bird-guide-photos. On one leg, I reach for the light switch . . .

He glows in the weak ambiance -- electric bulbs cast a sepia vignette that invokes the scent of burning rose petals -- something akin to the gestalt of Rama, or a Buddha in blue . . .

Supper is a bland affair; I think of the Krishna temple I haven't visited in over a decade. How do they do it? Serve such exquisite meals on donations (feed the masses and the masses will feed you) . . .

Dishwater drips from my hands and runs down the inside of my arms as I absent-mindedly reach for the crow's feather, hidden in between the wrought iron candleholders on top of the grocery cupboard -- a gift or a donation?
 
I have donated my life to causes and movements, as a bird gifts its feathers to the earth, and to feather collectors, but will it be enough to sustain our future?

 

Aug/Sept 2014

Dear Friends, kindly read the Foot Notes at the end for
better appreciation. I tried to convey some interesting
information in my verses for my few interested readers!
Thanks, -Raj

THE STORY OF ALPHABETS:
PART ONE

INTRODUCTION
Alphabets are the noblest and the greatest of
inventions of our civilization,
For transmitting human thoughts and concepts
through visible notations!
In the olden days those magical symbols and
signs,
Could be written and understood only by the
priests and scribes !
But with the invention of printing, literacy began
to spread, * (see notes below.)
When people began to read and write with standard
Alphabets!
The 26 English letters with which we read and express
ourselves so easily and well,
Has a legendary and checkered past, and an unique
Story to tell !

FROM PICTOGRAM TO WRITTEN SCRIPTS :
The story of writing can be traced back to over
thousands of years you see ,
From pictogram to ideograms and various cuneiform
scripts!
From the ancient Sumerians and the Egyptians, to
the Semitic tribes;
Up to the Phoenicians, the Greeks, right up to the
Roman times !
Till the Latin script got refined into modern alphabets,
And with 26 letters our literary aspirations were met !

PICTOGRAM & IDEOGRAMS :
Ancient pictogram and symbols were painted and
carved on rock walls and caves, -
But speech sounds and letters remained unrelated !
Followed by the ideographic, logographic, and the
syllabic stages ,
Evolving into written alphabets through these different
phases!
Ideograms expressed an idea through visual or graphic
symbols,
Giving rise to Chinese script without alphabets, but
with only ideographic symbols! @(notes below)
The Sumerian cuneiform and Egyptian hieroglyphs
were the oldest of these,
Let me now tell you something about the Sumerian
script !

CUNEIFORM WRITING :
On that land between the two rivers the Tigris and
the Euphrates,
Which the Greek’s called ‘Mesopotamia’,
Rose the earliest of ancient civilizations called
Sumeria!
Those Sumerians used a stylus, - the head of a
squared-off reed ,
To inscribe wedge shaped angular symbols on
clay tablets - for their accounting needs!
These tablets could be dried in the sun to form
hardened scripts ,
And also recycled if necessary, giving birth to the
Cuneiform Script!
The earliest clay tablets date back to 3500 BC ;
While archeologists and linguists could detect
and see ,
That with modifications over the centuries this
script was also used, -
By the Akkadians , Elamites , the Hittites and the
Uratians ;
And scholars say that it was the forerunner of the
hieroglyphs of those ancient Egyptians!
The earliest clay tablets found in Mesopotamia,
Indicate accounting of barley crops by the Sangu
of Sumeria!
Sangu was the Chief Official of their Holy Temples ,
Who recorded all temple wealth on clay tablets, –
with cuneiform symbols !
Herodotus the Greek historian tells us a story ,
About a letter sent by the Scythians to the Persian King
during the days of Scythian glory!
This letter contained symbols of a bird, a mouse,
a frog, and five arrows;
When translated it read: “Can you fly like a bird, hide
in the ground like a mouse, leap through the swamps
like a frog? If not, do not go to war with us, -
We shall overwhelm you with our arrows!”

EGYPTIAN HIEROGLYPHS :
Hieroglyph comes from a Greek word meaning
‘sacred inscriptions’ ,
Consisting of a large variety of images representing
sounds, as well as ideas and actions !
The images were depicted in rows or columns , -
oriented from right to left ,
And the signs were positioned as if looking towards
the beginning of the text!
They were used from end of Prehistory to 396 AD,
And the last text was written on the walls of the
Temple of Isis, on the Island of Philae !
The oldest one dates back to 3100 BC, - inside the
Temple of Ramesses II at Abydos ,
Where Thoth the ibis-headed God, - patron Deity
of Writing and Scribes is seen ,
Holding a scribal palette in one hand and in the
other a stylus of reed ;
And King Ramesses II holding up a water *** , -
To assist the great Thoth, their Writing God !

HIERATIC, DEMOTIC & COPTIC SCRIPTS :
The hieroglyphics were used for many varied
situations; -
Written on temple walls, statues , tombs , papyrus ,
and as monumental inscriptions !
Through its 3000 year’s long history it developed
into three other written scripts; -
The Hieratic, the Demotic and the Coptic, as
reformed hieroglyphic scripts !
Hieratic script was simplified with a more cursive
form ,
Could be drawn more quickly as over the years it
also reformed !
Though used in administrative and business text ,
Also found its way into literature and religious texts!
Around 600 BC it was supplanted by the most cursive
of all scripts,
Herodotus called it ‘Popular’ so it became a ‘Demotic’
script, meaning 'popular' !
Unlike the Hieratic, which on papyrus with a stylus
and ink was written ,
This 'popular' one could be engraved, and also hand
written, -
On a hard surface, and on papyrus by the ancient
Egyptians !
This script was found in the middle section of the
famous Rosetta Stone, $ = (see notes below)
Which for centuries held the secrets of the Hieroglyphic
Code alone !
And finally, during the 4th century AD, when Egyptian
was written with Greek alphabets,
We arrive at the last stage of the Egyptian language;
Which came to be know as the Coptic Script, with the
adoption of the Greek alphabets.
During the 2nd and 3rd centuries AD , Coptic became
the pre-Christian Egyptian language.
However, after the conquest of Egypt by the Muslims
in 642 AD,
Arabic became the main language of Egypt gradually.

A PAUSE & A BREAK :
It is interesting to note that all these ancient scripts ,
Inscribed on rocks , or written on papyrus or
engraved on wooden strips ;
Were written from right to left, with only consonants ,
Without any punctuations or any break!
Till centuries later, due to the innovative Greeks, -
Vowels got introduced to shape up the Alphabets!
Here friends I pause to take a break .
In my Part Two I shall tell you about those Semitic
Scripts ,
About those seafaring Phoenicians who preceded
the Romans and the Greeks;
Those worthy forefathers of the Latin alphabets ,
Which gave birth to ‘English’ with its Anglo-Saxon-
Germanic roots ,
Happily blending with some French vocabulary, -
Making English as unique as it possibly could !
-by Raj Nandy

FOOT NOTES : -
Friends, I tried to keep it as simple as possible for my readers;
adding Notes as explanations & for all knowledge seekers!
= Johannes Gutenberg in 1440 set up the first Printing Press in
Europe. William Caxton in 1476 set up the first printing press in
Westminster, England, he was the first English retailer of books!
* = Lascaux cave paintings of animals in SW France are 16,000
years old! Similar types also found in Spain and Africa!
= Pictogram date from the earliest cave paintings; represents
concrete nouns. Some civilizations like the North American Indians never
ventured beyond pictogram stage! Ideograms – the next stage, represents an abstract idea and verb also.
The Egyptian word-sign showing image of an Eye +a Bee+ a leaf = meant ‘I Believe’, i.e. Pictogram & Ideogram combined ! Since they did not write verbs, we do not know how they pronounced it!
Logograph = each written sign represents an actual word & Not sound of the word!
A tree is shown by the image of a single tree. A single logogram could be used by a plurality of languages to represent words with similar meanings.
After 3000 yrs of use, a large no. of symbols & the chasm between oral & written script made the Hieroglyphs obsolete!
The Semitic people tried to improvise a better script with limited consonant signs only!
@ = The Chinese use a combination of pictogram & ideograms along with complex symbols, but with only through association of spoken words; instead of alphabets!
$= Rosetta Stone, discovered by the soldiers of Napoleon in 1799 in Rosetta. The hieroglyphics on the stone was inscribed in 196 BC in the Ptolemaic Era. The French scholar Jean Champollion deciphered the script, and thereby solved the mystery of Egyptian Hieroglyphics for the world! .
* ALL COPY RIGHTS RESERVED BY RAJ NANDY

The willow tree was huge as I sat under it. Morning doves were skittering across the water.
Big willow trees hung over the water like a plump elderly lady bent over a beloved cat. The Sun was just starting to come up.
My brother looked beautiful under the willow tree, I wished I could be more like him. He stared at me; I noticed the perfect way his lips were shaped. My lips are nowhere near that pretty.
I knew how lucky I was to have him.
I secretly called him my goddess because he was so beautiful.
Wet hot tears ran down my cheeks. I couldn’t help it, everything was so overwhelming. This is the best feeling in the world.
Being in the most wonderful place, the wind blowing through my hair, with the most wonderful brother in the world.
“For heavens sake what’s the matter!”
I didn’t know how to answer that.
“It’s so pretty” I finally told him. “So pretty, pretty, pretty” I muttered to myself.

He would never understand.

the river flows as
living memory

the birds of the
Nile are its
knowing eyes

fly catchers
ply the rich
delta
probing
sediments
of sand
washed
from
distant
Nubian
mountains
eons
ago

layers of
recollection
go fathoms
deep

shrieking
gulls
plumb the
mud flats
with heroic
persistence
as they did
when the
first rafts
drifted out
of the
Great Rift
ferrying
civilizations
forebears
to the
opening chapters
of world history

the first
seafarers
competed with
greedy spoonbills
to navigate
porous
papyrus
crafts
through
the narrow
channels
of the
Damietta,
transporting
ideas, skills
and goods
to build an
emerging
world

mallards
troll the
same
gentile
eddies that
goaded the
Mother of
All Waters
to float the
basket cradling
Yahweh’s
infant prophet
Musa, into the
loving arms
of Bithiah
who nurtured
the vanquisher
of Osiris’
galleries of
Gods

a litany
of conquests
rolled on the
silver waves
of this river

conquerors
maneuvered
the truculent
currents
like sharp
eyed hawks
skimming the
pliant waters
with well
extended
razor quick
talons
picking the
Nile’s bounty
clean

this fertile
delta remembers
more than
6,000 seasons
of harvests

the
cycles of time
has produced
seasons of plenteous
abundance and
desperate privation
all cleverly exploited
by generations of
fearless herons
who wrangled
the demons
of hardship
to route the
dread of hunger
expelling despair
from the Egyptian
DNA, etching
a new hieroglyph
of freedom onto
survivors hearts

the Niles
sorrows
and glories
perpetually
wash this
magnanimous
delta
surely as
the gentle
wakes
of feluccas
continue
to lap its
shore

the marshes
have not withered

the verdant
reeds prosper

flamingos find
the water
rich in fish

in due
season
the red
lotus will
paint
the arcuate
alluvial
fans in
scarlet
autumnal
hues

In the
Valley of
the Kings
the shadows
of migratory
flocks mark
the foundation
stones of the
pyramids
as they did
when slaves
pushed them
into place

the eternal
lines of
pharaohs
rule has fallen,
their gods
imprisoned
in hieroglyphs
adorning their
royal tombs
on display
in the worlds
museums

the weathered
pyramids continue
to crumble

the face of
the sphinx
withers away

torrents of
blood flowed
in this rivers
currents, now
strained clear
by the reeds
anchoring
its banks

the fleeting
rule of regimes
are pictured
as momentary
reflections
skimming along
the ripppling
water; the
rise and fall
of rulers is
captured like
the shifting hues
sunrises and
sunsets bespeak
upon the waters

the ascending
waves of
the Sacred Ibis
dance atop
the Nile’s gray
waters; the
river jumps
to life as the
graceful wings
take flight
to foreign
destinations;
expecting
to return
again as
the cycles
of seasons
round once
more

as the Nile flows
its memory deepens
the eyes of the birds
watch and remember


Music Selection:
Gary Bartz, I've Known Rivers

Oakland
3/31/12
jbm

(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.

King and Queen of the Pelicans we;
No other Birds so grand we see!
None but we have feet like fins!
With lovely leathery throats and chins!
    Ploffskin, Pluffskin, Pelican jee!
    We think no Birds so happy as we!
    Plumpskin, Ploshkin, Pelican jill!
    We think so then, and we thought so still!

We live on the Nile. The Nile we love.
By night we sleep on the cliffs above;
By day we fish, and at eve we stand
On long bare islands of yellow sand.
And when the sun sinks slowly down
And the great rock walls grow dark and brown,
Where the purple river rolls fast and dim
And the Ivory Ibis starlike skim,
Wing to wing we dance around,--
Stamping our feet with a flumpy sound,--
Opening our mouths as Pelicans ought,
And this is the song we nighly snort;--
    Ploffskin, Pluffskin, Pelican jee!
    We think no Birds so happy as we!
    Plumpskin, Ploshkin, Pelican jill!
    We think so then, and we thought so still!

Last year came out our daughter, Dell;
And all the Birds received her well.
To do her honour, a feast we made
For every bird that can swim or wade.
Herons and Gulls, and Cormorants black,
Cranes, and flamingoes with scarlet back,
Plovers and Storks, and Geese in clouds,
Swans and Dilberry Ducks in crowds.
Thousands of Birds in wondrous flight!
They ate and drank and danced all night,
And echoing back from the rocks you heard
Multitude-echoes from Bird to bird,--
    Ploffskin, Pluffskin, Pelican jee!
    We think no Birds so happy as we!
    Plumpskin, Ploshkin, Pelican jill!
    We think so then, and we thought so still!

Yes, they came; and among the rest,
The King of the Cranes all grandly dressed.
Such a lovely tail! Its feathers float
between the ends of his blue dress-coat;
With pea-green trowsers all so neat,
And a delicate frill to hide his feet,--
(For though no one speaks of it, every one knows,
He has got no webs between his toes!)

As soon as he saw our Daughter Dell,
In violent love that Crane King fell,--
On seeing her waddling form so fair,
With a wreath of shrimps in her short white hair.
And before the end of the next long day,
Our Dell had given her heart away;
For the King of the Cranes had won that heart,
With a Crocodile's egg and a large fish-****.
She vowed to marry the King of the Cranes,
Leaving the Nile for stranges plains;
And away they flew in a gathering crowd
Of endless birds in a lengthening cloud.
    Ploffskin, Pluffskin, Pelican jee!
    We think no Birds so happy as we!
    Plumpskin, Ploshkin, Pelican jill!
    We think so then, and we thought so still!

And far away in the twilight sky,
We heard them singing a lessening cry,--
Farther and farther till out of sight,
And we stood alone in thesilent night!
Often since, in the nights of June,
We sit on the sand and watch the moon;--
She has gone to the great Gromboolian plain,
And we probably never shall meet again!
Oft, in the long still nights of June,
We sit on the rocks and watch the moon;--
----She dwells by the streams of the Chankly Bore,
And we probably never shall see her more.
    Ploffskin, Pluffskin, Pelican jee!
    We think no Birds so happy as we!
    Plumpskin, Ploshkin, Pelican jill!
    We think so then, and we thought so still!

Eternity is closed !
- come back another day with
flower smears for eyes and sincere
passion on your
palms          (weathered)

I need another Russian Doll -
Princess to frequent curtains
fashioned from fire & lead
equaling out to crimson folds
which mysteriously call to
the mystical hierarchies of
imagination

Silent requirements signal beneath the steps
which welcome
one (a stranger/
an Ibis-Beak cane & dark coat
stamped with August rain)

They arrive unexpectedly, as if to play the game
of cliches, they carry promises fashioned in foreign ports
tapping my knee
instead of my shoulder
having only known or recognized
entombment
                               (there is no hyperbole which lacks within
                                Nature's haunted heavens)

My strange visitor leaves / glass umbrella
in hand / to privacy / our brief interaction begins & ends with simple eager undertakings implemented
in the afterword  

What is in another's contemplation of me?
whiling in manifest Theosophy -

- Thought form -
Primal child-rage / whisp of violet smoke &
inksplotches abolished, mutually panting.
Our decorated
four-legged hunter
has arisen and impatiently
craves for the Earth to partner at last with
the Sun

..The Sun a blazing dime
I can smell crispness
in the air

Aquiver mellifluous ineffable hiraeth nefarious somnambulist epoch sonorous serendipitous limerence bombinate luminescence ethereal illicit petrichor iridescent supine aurora solitude syzygy phosphenes oblivion ephemeral incandescence denouement vellichor eloquence defenestration Sondra effervescence cromulent cellar-door debridement

Illustrator icon verdant cerulean aeneous  albicant amaranthine azuline argent chartreuse damask ferruginous  haematic  hyacinthine ibis ochre primrose russet sanguineous virescent mystborn transcendence

In a hammock
On the eve of final exams
There is a scent of caffeine coursed bodies pacing
the distances of Starbucks and the library,
an unusual sight at eleven at night

There is peace
In the fraternity- I think begins with a Sigma-
running around playing a vicious thirty person game of tag
Yeah, I witnessed that wipeout and it was hilarious

There is heat condensed around the height of brains
Struggling to realize dreams that require
Busy work man! It's just like six hours of nonstop busy work
The guy on the bench behind me whined out cooling breath of brown leaves

There is energy in the fractal jungle above
The towering umbrellas of Palm trees which grant me the magic of hovering
I see through waving leaves Orion's Belt.
The light pollution overpowers his body but
he reminds me that there is more in the astral world

Ibis scour the ground
Some would read the tea leaves
that bravest of birds has crossed my path
And I will survive the tests that I allow to define possibilities in life

There is closure to my left
Two girls in a hammock, bodies combined like a turtle in a shell
Only they know what goes on inside,
and all I witness is the harmony that the trials that students go through that unites

it's inherent ontology, it's not even necessary to process inherited ontology; inherited ontology can be riddled and lost to abstraction like the invention of crosswords as antidote to the drilling-in of the Bible... but inherent ontology? inherent is a tautological invitation to italicise the word ontology - tautology anti synonym - the doubly stressed, point origin secured, but from two adjacent / adjective angles - well, might as well be a compound, the adjacent-adjective, when language meets math and math meets.... d'uh... or simply arithmetic, because that's how it's easily translated, arithmetic is grey people and math the rich... language the poets and grammar the farts.*

a shortened critique of pure reason -
                                                               ­   a) based on phenomena
                    (things most likely talked about)
and
                                            b) based of noumenna
                                        (things least likely talked about)....
i.e.                    a) and the ego implant,
and                                                     ­ b) the god implant -
likewise the zealots on either side,
bleep bleep beep r r e r s.... and muslims...
i forgot to mention that Kant forgot
to mention the trigonometric foundations
as justifying owning a villa or whatnot,
the same foundations of having
the implant ego secured and willed
are the same parameters of the
implant god secured and thought
the point being dynamic parallelism,
mid-way between cosine and sine
rigid fluctuation tangents occur,
the ridiculous abbreviations, the p.s., and ibis.;
you're basically born with ego
or you're born with god -
there's no woof woof Pavlov chime chime in between -
ring-a-ding-ding-surprise?
there's no side-winding to create cinema -
being born with ego is explained clearly, coerced
with monetary affairs;
being born with god is explained "clearly", coerced
with murderers, lastly -
no psychological theory will box-me-in
given the lost tribalism and the usage of
the trans-valuation of the synonym of thing -
with money came slang - and all thorough evils,
with slang, synonyms, antonyms, critique of vocab.,
Arizona in the ******* Amazon -
i'm basically saying what Kant said:
god isn't uncool or whatever atheism tends to forget,
it's an implant of functioning, we can't rid it
by argument, and we certainly can't accept it
by prayer - unless we're dumb enough to do either
for worth of understanding tornadoes;
because that's were Seymour Hoffman started for me,
filming Twister.

ONE
Adam and Eve were born of flesh,
and woke from sleep, when God addressed
them both.
"Here is the world - unsoiled, unstained
(The sheet of the sea hides her breast and her veins.)
The time is uncertain; the end is ordained
and when it is finished, begin it again."

They saw God, saw
Lucifer, saw the tree:
felt oppressed. The world
was young but the book had
been opened. All stories conclude
in words and in gestures, wild and crude.
(They left heaven, fled to
the ambergris ocean, the
silk hills.)

TWO
Mad, they went to Egypt, built
Cairo in the delta where
her legs met, Thebes where
her eyes beat on the cataract
made cities on
her body on
credit, faith, and lust.
Until the groaning hungry ibis
and the famine drove them out.

THREE
From Egypt to Rome,
Adam to Caesar,
In Pliny's manuscript, Adam said:
"Here is Rome
a senate in your sympathy
an orphanage in your heart.
Come to his flat avenue, can't you
feel how far I've walked, on every flagstone?
Witness beaten sandals, frayed thongs;
feel your posture sag? I want to rest,
and I want you to help. I sat on the banks
of the Tiber; has Rome washed into my lap?
The streets are the furrows of my skin.

She said:
"I like a fire at my fingertips, not
bellowed to me under the floor."
Rome fell to that barbarian.

PAX ROMANA
God reminded them again.
Adam said:
"The knowledge is good, but it isn't a cure
for an Eden that seems so unlike the brochure."
He pulled back the skin of earth, and found,
a beating heart beneath the ground.
He knew, for once, the world would die.

IV
They went to ***** London, unhappy with
the lot of Rome. Amid the stench of a filthy Thames,
his blood ran with offal, with hate,
leached from the baiting pit, and she
did, too, in the ugly city,
from Knightsbridge to the sea.
They fought like monsters, fought a curse
that God foresaw, and they rehearsed.
An ugly city, from Knightsbridge to the sea,
and full of bitter folk.

V
Such is the end, a world
embalmed in salt and sand,
the leaves burned away; no cities
only orphaned tenderness under
ruined arches and aquaducts, wishing ill
but wanting that world returned,
and crying, yes, but knowing still,
their end was near; for all they yearned.

We have read this story cover to cover;
let Eve close the book, and pray in her sleep while
Adam dusts his hands,
and God begins anew.

It's funny how many people
will gather around
just to see one man on a building.

They don’t even know me
I barely even know me.

I’ve seen the gate but I've
never entered it;
never could find the **** key.

It's sick really,
they’re not here
because they care
they don’t even know who I am.

They just want to
partake in ritual sacrifice.

I’ll die like a Viking
a heroic death in combat.
I’ll be caught by Valkyries.

My body will be
of fire
and I will steal their children’s innocence.

They can shield their eyes,
but I’ll
scar the Earth,
I’ll
paint her red.

A mural with my brain.

And they can see everything that’s inside.

I’ll break the **** door
right off its hinges.
You can’t make people care,
but you can force them to see.


It's cold up here,
and the city is beautiful:
constructs of man
breaking the sky.

And me, in her.

At least the wind
is on my side,
the defiled king left to die
in a labyrinth of stone.

The sewers as my
burial crypt,
rats and snakes
******* my blood.

But the remnants of a soul
long forgot
still feeds the mouths that
rely on the few with food.

Their stomachs ache and
their hearts pound to
the beat of one drum.
A drum that beckons me to the edge.


Who am I to starve the hungry?


They don’t need a break,
they need to push harder.
I planted the trees.
I planted the oak
and I killed the yew.

I’ve tasted its arils
and made peace with the Ibis
that guided me here.
And as it watches me
with craned neck,
and bent beak

I leave my throne
and descend to water those
whose shade I will never sit beneath.

I have entered the house of water six legions deep.  Once a canopy of creativity held me.  The crown I wore was a set of stars unseen.  The fragmented emotions have crystallized upon the tabernacle of David's house.

I look deeply to see the snow capped mountains of attainment are behind me.  I have placed the world at my feet as the ibis called to the water.  The stars glisten with secrets held quietly waiting for man to explore.  The wind blows and the bell tolls for those with supreme spinning joy which is the life of us all.

Deep from memory and heaven smiles across the miles from those who have gone before?  I know the nurturer of me was the greatest gift received deep within the focused dreams.

The colors of late September
talking and falling again
announcing each other like
gulls for bread
remind me that I've listened

yet every day is black and black
the mask's unsettling sweat builds and
underneaths a frowning girl
settling into it

yes darling, I see the blue
I see the coins stored under my lips
haven't paid off and
you've painted nothing to hide the holes
i'd ask for your hand in this and squint
but you, you must not have heard it

and here i've been
as cooperative as ants /
as sad as fate
with hands as red as the ibis
falling tired and certainly
tired of falling

Static enough to wane,
my iotas oscillate out
as the last
eye
shuts to dusk.

Dew through a pellucid mind
collected in what was my body's basin;
This whispering pool
contriving my new face.

Where countenance radiates concentrically
Up, up into the Ibis'  spacial noise
coalescing Tefnut's will and mine
to ecstasy
as rain.

Trace my love in the half-shell curve of a woman’s back,
Like the naked wetland of Egypt, ibis-nest of the Nile delta.
Lovely woman, throw your arm back like a tethered cord,
To this sledge-mason for your pyramids, this falcon-doting ward
Of your gold capstones, all-seeing eyes over the west-bank shore.

Love, our days of polished limestone are wind-scoured,
Left like a pile of petrified fruit from figs and bottle gourds.
Love, always forget, now the sand has filtered into my pores
And cascades into the empty shell of my quarried heart.

Exténué de nuit
Rompu par le sommeil
Comment ouvrir les yeux
Réveil-matin.
Le corps fuit dans les draps mystérieux du rêve
Toute la fatigue du monde
Le regret du roman de l'ombre
Le songe
où je mordais Pastèque interrompue
Mille raisons de faire le sourd
La pendule annonce le jour d'une voix blanche
Deuil d'enfant paresser encore
Lycéen j'avais le dimanche
comme un ballon dans les deux mains
Le jour du cirque et des amis
Les amis
Des pommes des pêches
sous leurs casquettes genre anglais
Mollets nus et nos lavalières
Au printemps
On voit des lavoirs sur la Seine
des baleines couleur de nuée
L'hiver
On souffle en l'air Buée
À qui en fera le plus
Pivoine de Mars Camarades
Vos cache-nez volent au vent
par élégance
L'âge ingrat sortes de mascarades
Drôles de voix hors des faux-cols
On rit trop fort pour être gais
Je me sens gauche rouge Craintes
Mes manches courtes
Toutes les femmes sont trop peintes
et portent des jupons trop propres
CHAMBRES GARNIES

Quand y va-t-on

HOTEL MEUBLÉ
Boutonné jusqu'au menton
J'essaierai à la mi-carême
Aux vacances de Pâques
on balance encore
Les jours semblent longs et si pâles
Il vaut mieux attendre l'été
les grandes chaleurs
la paille des granges
le pré libre et large
au bout de l'année scolaire
la campagne en marge du temps
les costumes de toile clairs
On me donnerait dix-sept ans
Avec mon canotier
mon auréole
Elle tombe et roule
sur le plancher des stations balnéaires
Le sable qu'on boit dans la brise
Eau-de-vie à paillettes d'or
La saison me grise.
Mais surtout
Ce qui va droit au cœur
Ce qui parle.
La mer
La perfidie amère des marées
Les cheveux longs du flot
Les algues s'enroulent au bras du nageur
Parfois la vague
Musique du sol et de l'eau
me soulève comme une plume
En haut
L'écume danse le soleil
Alors
l'émoi me prend par la taille
Descente à pic
Jusqu'à l'orteil
un frisson court Oiseau des îles
Le désir me perd par les membres
Tout retourne à son élément
Mensonge
Ici le dormeur fait gémir le sommier
Les cartes brouillées
Les cartes d'images

Dans le Hall de la galerie des Machines les mains
fardées pour l'amour les mannequins passent d'un air
prétentieux comme pendant un steeple-chase Les
pianos de l'Æolian Company assurent le succès de la
fête Les mendiants apportent tout leur or pour assister
au spectacle On a dépensé sans compter et personne
ne songe plus au lendemain Personne excepté l'ibis
lumineux suspendu par erreur au plafond en guise de
lustre

La lumière tombe d'aplomb sur les paupières
Dans la chambre nue à dessein
DEBOUT
L'ombre recule et le dessin du papier
sur les murs
se met à grimacer des visages bourgeois
La vie
le repas froid commence
Le plus dur  les pieds sur les planches
et la glace renvoie une figure longue

Un miracle d'éponge et de bleu de lessive
La cuvette et le jour
Ellipse
qu'on ferme d'une main malhabile
Les objets de toilette
Je ne sais plus leur noms
trop tendres à mes lèvres
Le *** à eau si lourd
La houppe charmante
Le prestige inouï de l'alcool de menthe
Le souffle odorant de l'amour
Le miroir ce matin me résume le monde
Pièce ébauchée
Le regard monte
et suit le geste des bras qui s'achève en linge
en pitié
Mon portrait me fixe et dit Songe
sans en mourir au gagne-pain
au travail tout le long du jour
L'habitude
Le pli pris
L'habit gris
Servitude
Une fois par hasard
regarde le soleil en face
Fais crouler les murs les devoirs
Que sais-tu si j'envie être libre et sans place
simple reflet peint sur le verre
Donc écris
À l'étude
Faux Latude
Et souris

que les châles
les yeux morts
les fards pâles
et les corps
n'appartiennent
qu'aux riches
Le tapis déchiré par endroits
Le plafond trop voisin
Que la vie est étroite
Tout de même j'en ai assez
Sortira-t-on  Je suis à bout
Casser cet univers sur le genou ployé
Bois sec dont on ferait des flammes singulières
Ah taper sur la table à midi
que le vin se renverse
qu'il submerge
les hommes à la mâchoire carrée
marteaux pilons
Alors se lèveront les poneys
les jeunes gens
en bande par la main par les villes
en promenade
pour chanter
à bride abattue à gorge déployée
comme un drapeau
la beauté la seule vertu
qui tende encore ses mains pures.

Shall I paint you a picture through words
Your heart the canvas, my pen the brush
Can you see the Buffalo herds
The wide fields and foliage lush

Trees full of scarlet ibis birds
Mangrove roots drinking water
A portrait made from so few words
Poetry my true alma mater

Watercolor verse stain the page
As landscapes take shape and form
This style of art all the rage
Where wanderlust is born

My love must be a kite run
Tight wrung ribbons
Separate the knots in my knees
Knots from wine
She moves about the kitchen flicking flames off candles
That wine at the table at which I sit is a good wine

I think of the troubles of writing at a screen
I'll consider the problem of writing in a notebook
When I find that **** notebook.

Speaking honestly to a tray of napkins
They can't help the Merlot that's polishing the table
Dark wood is well stained. She asks if I
Remember the small room wine fests in my dorm
My sheets came home from college dotted purple
I remember.

Lurking in the shadows
These thoughts free themselves
Releasing the inescapable passion of a zealot unheard for centuries
Now, in this miniature pressing of keys a wire company will see every idea that spills out of me
The pigs
I hope they come to my door wearing black.

Honey, your hot, don't get mad,
She appears out of the smells
I'm drunk, not mad, I'm spilling the Merlot
We have more, dear.

I love that woman right there and none other

Lets jump out the window and roll through the grass
Come on child, cant you see we got cliffs to catch.  
**** on up your hind legs and lets get to moving.
Don't you know its half past seven and the turn tables grooving

I like that, she says, reminds me of the pictures of you as a boy

I turn to thank her but I can't find her
She dissolves into the smells of the kitchen
And plus, I'm gone.

What is human nature unless covered by an aesthetic, who am I, if not an imposer?
What poet is this, if not the first?

A line of a poem is a poem in itself
I'll regret this next week

But, sand over rock will polish something smooth
In a thousand years, no regret
A mesa stands grounded
In an ocean of wind

Herring cries
Through the morning leaves
What makes them mourning?
They're just a different shade green.

I like that too, she says to me

An Ibis will wind through a pond
But is it just his wake we see, or can
We really spot that bird?

water flows & flows & splutters
through a weir & a pipe on the sand
with rampant ibis & seagulls with
chips from the hands of children
an iconic beach disappoints in the flesh
the south end where nobody covers
that much skin as there's not lots
to hide while they flaunt & smoke & blister
under sun & ice-cream melts
as the waves roll & roll

Speak slow
with savoured words
these soft yearnings.

Speak soft
of things never spoken.
For words scare
the ibis and carrion crow
which circle and caw
above this simple bed.

Where we lie simply, and roll simply
amongst the long curling legs
that rise above like ivory eyed pedestals
of things beautiful and true.

And yet, this simple bed
will not hold these simple bodies-
beautiful and broken.
And the sanctity of words unspoken
held us by it's token
as we passed into the night
with all we left unspoken.

So speak slow
As we pass into the night.
So speak soft
Under moon burnt light-
But speak! Ye poets,
Ye swine, Ye ****!
Speak and be heard
before the burning sun
with voice, and pen
and scorching scent!
Or suffer the sleep
and endless repent.

Je veille, unique sentinelle
De ce grand palais dévasté,
Dans la solitude éternelle,
En face de l'immensité.

A l'horizon que rien ne borne,
Stérile, muet, infini,
Le désert sous le soleil morne,
Déroule son linceul jauni.

Au-dessus de la terre nue,
Le ciel, autre désert d'azur,
Où jamais ne flotte une nue,
S'étale implacablement pur.

Le Nil, dont l'eau morte s'étame
D'une pellicule de plomb,
Luit, ridé par l'hippopotame,
Sous un jour mat tombant d'aplomb ;

Et les crocodiles rapaces,
Sur le sable en feu des îlots,
Demi-cuits dans leurs carapaces,
Se pâment avec des sanglots.

Immobile sur son pied grêle,
L'ibis, le bec dans son jabot,
Déchiffre au bout de quelque stèle
Le cartouche sacré de Thot.

L'hyène rit, le chacal miaule,
Et, traçant des cercles dans l'air,
L'épervier affamé piaule,
Noire virgule du ciel clair.

Mais ces bruits de la solitude
Sont couverts par le bâillement
Des sphinx, lassés de l'attitude
Qu'ils gardent immuablement.

Produit des blancs reflets du sable
Et du soleil toujours brillant,
Nul ennui ne t'est comparable,
Spleen lumineux de l'Orient !

C'est toi qui faisais crier : Grâce !
A la satiété des rois
Tombant vaincus sur leur terrasse,
Et tu m'écrases de ton poids.

Ici jamais le vent n'essuie
Une larme à l'oeil sec des cieux.
Et le temps fatigué s'appuie
Sur les palais silencieux.

Pas un accident ne dérange
La face de l'éternité ;
L'Égypte, en ce monde où tout change,
Trône sur l'immobilité.

Pour compagnons et pour amies,
Quand l'ennui me prend par accès,
J'ai les fellahs et les momies
Contemporaines de Rhamsès ;

Je regarde un pilier qui penche,
Un vieux colosse sans profil
Et les canges à voile blanche
Montant ou descendant le Nil.

Que je voudrais comme mon frère,
Dans ce grand Paris transporté,
Auprès de lui, pour me distraire,
Sur une place être planté !

Là-bas, il voit à ses sculptures
S'arrêter un peuple vivant,
Hiératiques écritures,
Que l'idée épelle en rêvant.

Les fontaines juxtaposées
Sur la poudre de son granit
Jettent leurs brumes irisées ;
Il est vermeil, il rajeunit !

Des veines roses de Syène
Comme moi cependant il sort,
Mais je reste à ma place ancienne,
Il est vivant et je suis mort !

uninvited GUESTS linkedin as the themes of mein kampf.

Despite countless factorial permutations
& combinations, this cyber surfer
avails left and right alm
seeking succor Out Of Human *******
invisibles shackles bind head,
shoulders, knees and toes
mom mee **** sic cured courtesy grim reaper,
boot metastatic cervical/ovarian
carcinoma snatched such balm
when tethered in utero umbilical connection,
etched bromide, which hankering calm
embryonic sensation this corporeal being lacks

constantly subjected to exams
from the brutal school of hard knocks,
which I bewail sets back and glom
mine aim to revel in blissful contentment
but circumstances decrees otherwise
cursing this chap tubby haunted
by veritable elfin grotto dwelling phantoms
hovering over sweet clover - dials a mirage
yes...iris sieve blurbs from gals and guys numb
burred in the billions,
that span the World Wide Web, and exude

premature ejaculatory ecstasy, puzzled if fie
totally tubular trod a tedious trek
along the boulevard of broken dreams,
what happenstance oft finds thyself to flail
amidst difficulty to maximize
optimal opportunities searching for Holy Grail
or whatever constitutes such lofty
personal objective, perchance being hale
and hearty of body, mind and spirit
spurs the furies of fate tut test this primate

while he aims to gallop with mighty industrial
vim and vigor leaving a virtual soundcloud
of dust, though mindfulness helps
to pass go, and chance avoid jail
time, then maybe monopolized feedback offered
to this toothless married quasi herbivore
enjoying poetry stone soup, yet also subsisting
on supplementary vitamin packed glue tin free
NON GMO fruity tall tales for a male
thirty six years shy sans Bing a centenarian,

which span of life best cut short with a nail
(possibly nine inches) hammered into
faux coffin, cuz this imp doth turn pale
at the prospect to fill up a space of land
best utilized by birds - such as quail
Mongoose, or ibis (though aye ne'er saw
one), where cremated ashes sail
across some verdant plain under
cerulean skies putting to rest every travail,
which thoughts of dem eyes spells

relief since potential homelessness,
pennilessness, and wretchedness,
the main impetus explaining
this rambling, shambling, and troubling spiel
the warp and woof ova gauzy veil
imperceptibly looms closer upon
turrets of my digital sea faring gunwale
and thus desperation finds
pleading for monetary
and  spiritual salvation.

Before mine danse
macabre doppelganger draws dagger
punctures the skein tight
as a yank key notched belt
housed within mine impenetrable
hermetically sealed invisible bubble
drapes with blackened Hades
hued habiliment therein dwelt
sinister saboteur mastermind
marauder of the Hubble

tattooing and piercing fiery
oculus rift presence unseen but felt
demands sacrifice to traverse
river Styx with unadulterated gelt,
which known phantasmagorical double
diabolical self amidst aftermath
from Armageddon rubble
astride charred global
ruins entire civilization melt
planetary paroxysm prognosticated

by Maya sages with 11th hour stubble
birthed Darth Vader nemesis
with evil upon earth he did pelt
annihilating, decimating, and hashtagging mankind,
the derelict species that fueled trouble
hence evil twin appointed
apocalyptic malevolence spelt
desiccation, humiliation, and laceration
upon once verdant veldt
with mass crematorium
desecration left horrific blistering welt.

Countdown to **** sapiens extinction
predicted millenniums in past
never occurred as predicted on December 21
two thousand and twelve after common era,
whereby catastrophic spark
detonating inferno incinerating blast
eradicating extant flora
and fauna bereft sans hegira
with no means to interrupt
the die since the dawn of civilization cast.

Impossible mission to escape ominous
predetermined fate of human rat race,
nor turn back hands of time
with origin of species on clock face
thus ticking closer to hour of doomsday
without faith to brace
allowing, enabling and providing Gaia
to redeem terrestrial space
vestiges of teeming billions
soon erased criminal minds without a trace
forcefully relinquishing simians
planetary stranglehold amazing grace
proffering tabula rasa
for another dominant species
to claim the place.

Sirens promulgate emergency
toward impending inescapable cataclysm
yet no place to run or hide lest
one boards a rocket light-years away
which makes suspense thrillers
birthed by countless dystopian authors
enviable plot to keep
total Earth's destruction at bay.

Matthew Scott Harris,
a lifetime America Online
Meme bur hastens to convey dire
crisis sparking to offer electric nom de plume
duyeer93, a papa who did sire
deux darling daughters,
yet for ages hive stung
with hurt early, whence fatherhood did fire
meow n childhood's end fostering people
strangers even fork
getting this communication,

per S0S sprinkled with auk shucks corny,
Egret - letting opportunities take flight aspire
now pleasures soft as gossamer feather bedding
down play hardened angst
riddled psyche, where ire
Ronny gully stubbornly thrives
amidst adversity as father time spins gyre
row scope at greased lightning speed,
intimating with dead reckoning to hire
grim reaper, who **** patient

as Job, and exemplary at ridding mire
and muck bogs down this dada robbing
existence with joie de vivre, where funeral pyre
doth flickr-beckoning GoDaddy, cuz
Juno I haint gonna hear angelic choir
or equivalent enlightenment re:
home sweet home, this atheist doggedly tire
so haim trying keep sea legs
one step ahead of tipping point
envision self pitched into abyss -
thus end of poetic wire.

tripping in a cemetary
having almost conversations
with ducks.

these ducks are somethin else
i tell you what.

all i have is water.
and here comes mr.iguana.

OH NO!!
ibis dont mind,
and i might be getting carried away by ants right now.

gotta go.

I used to play hide and seek in your trunk
and watch as the wind makes your leaves jump

You always gave me air to breathe
Always been my place of peace
You always gave animals warm shelter
And gave bees your flower's sweet nectar

But alas, people did not see your gifts
For they cut you down and throw you over death's cliffs

As more and more of you disappear
the warming of the earth is getting more severe
What once was green is now all brown
There is no more fresh air, all life is starting to drown

Fire engulfs and takes your life
As politicians continue to speak words of strife
What once was green is now all black and red
Where there was once life, now everything is dead

No more deer, foxes, lizards, or birds moving
Scientists continue to keep proving
that this issue is real and it is serious
But everyone continues to be actless

In the ocean's forest, the green is turning brown as well
As acid in the water reduces the shells
Animals now eat plastic
instead of what is supposed to be their diet

Species of animals are disappearing one by one
As we pick them off with spears, traps, and guns

Now look what we have done to our only home
Now our children have nowhere else to roam
The ocean now is filled with plastic
The air they breathe will make them sick

They will never know what an elephant is
Or ever see the beautiful bird called the crested ibis
They will never see the rhino with its beautiful horn
because they have all died off, and none could be born

Now children who play hide and seek no longer have a place to hide
If we don't do something soon,
to the earth we can only say goodbye

a flight of ibis
landed on the river's edge
to forage for frogs

Sur cette place je m'ennuie,
Obélisque dépareillé ;
Neige, givre, bruine et pluie
Glacent mon flanc déjà rouillé ;

Et ma vieille aiguille, rougie
Aux fournaises d'un ciel de feu,
Prend des pâleurs de nostalgie
Dans cet air qui n'est jamais bleu.

Devant les colosses moroses
Et les pylônes de Luxor,
Près de mon frère aux teintes roses
Que ne suis-je debout encor,

Plongeant dans l'azur immuable
Mon pyramidion vermeil
Et de mon ombre, sur le sable,
Écrivant les pas du soleil !

Rhamsès, un jour mon bloc superbe,
Où l'éternité s'ébréchait,
Roula fauché comme un brin d'herbe,
Et Paris s'en fit un hochet.

La sentinelle granitique,
Gardienne des énormités,
Se dresse entre un faux temple antique
Et la chambre des députés.

Sur l'échafaud de Louis seize,
Monolithe au sens aboli,
On a mis mon secret, qui pèse
Le poids de cinq mille ans d'oubli.

Les moineaux francs souillent ma tête,
Où s'abattaient dans leur essor
L'ibis rose et le gypaëte
Au blanc plumage, aux serres d'or.

La Seine, noir égout des rues,
Fleuve immonde fait de ruisseaux,
Salit mon pied, que dans ses crues
Baisait le Nil, père des eaux,

Le Nil, géant à barbe blanche
Coiffé de lotus et de joncs,
Versant de son urne qui penche
Des crocodiles pour goujons !

Les chars d'or étoilés de nacre
Des grands pharaons d'autrefois
Rasaient mon bloc heurté du fiacre
Emportant le dernier des rois.

Jadis, devant ma pierre antique,
Le pschent au front, les prêtres saints
Promenaient la bari mystique
Aux emblèmes dorés et peints ;

Mais aujourd'hui, pilier profane
Entre deux fontaines campé,
Je vois passer la courtisane
Se renversant dans son coupé.

Je vois, de janvier à décembre,
La procession des bourgeois,
Les Solons qui vont à la chambre,
Et les Arthurs qui vont au bois.

Oh ! dans cent ans quels laids squelettes
Fera ce peuple impie et fou,
Qui se couche sans bandelettes
Dans des cercueils que ferme un clou,

Et n'a pas même d'hypogées
A l'abri des corruptions,
Dortoirs où, par siècles rangées,
Plongent les générations !

Sol sacré des hiéroglyphes
Et des secrets sacerdotaux,
Où les sphinx s'aiguisent les griffes
Sur les angles des piédestaux ;

Où sous le pied sonne la crypte,
Où l'épervier couve son nid,
Je te pleure, ô ma vieille Égypte,
Avec des larmes de granit !

Long time ago
A single sin rotted her karma
She had stolen her sister's most loveable item
A long angelic white dress.

In the silverness of moonlight
One dress would become scarlet red
She walked steadily towards her
With only anger shining through her michievious eyes

Now humming like a scarlet ibis
she weaping hapilly
walks towards her pray
knowing that the dress will always be scarlet

Six of us here
in the bland and zinc-white
waiting room, small
machine on the floor
burning the air
with brown noise.
We're nominally here
for group therapy,
but in truth we prefer
to ritually founder
in great excesses of civility.

The therapists all but plead
for us to say right upfront
exactly what we don't like
about each other.
That's uncomfortable,
and each of us toys with the idea
before securing the old masks.

My own mask isn't the Venetian
kind, or the grotesque
Twilight Zone voodoo variety,
but the clear hospital type,
used to inhale great lungs of ether.

Sometimes sincerity creeps
from the gaps,
sometimes I do my best
to collapse into this checkered chair,
close my eyes and hide
in the sound of my blood.
It sounds surprisingly like
the brown noise machine.

I'm up against it.
I'm not getting younger,
and these feel like last chances
to learn to be, in a way
where I don't end up
shut away, eating myself alive,
riddled with depression
and loneliness and long black
strings of guilt that resonate
like a tritoning cello.

The thought carries:
The six of us
are an atonal sextet
of numbness and refusal,
dread, attraction, the works.
Around us, the whole room
is phthalocyanine green,
blue shade.
Therapist's preference,
probably calming,
soft music in the eye,
and it almost works.

But instead I am lost
in new haircuts,
in leggings ripped
behind the knee,
in the way a lamp
hunches over like an ibis.

Anything to avoid it,
anything not to admit it,
admit that despite years of this,
years of looking out
the high window into
the red riot of Farragut Square,
years of forcing myself
to say terrible
and incriminating things
while rain and snow
attacked the window,
I am still sick with feelings
where I must belong to someone,
must be deeply known,
or else I've never been
anything at all.

and generation of heat in particular
cuz yours truly
spoiled with trappings
of Western Civilization.

How ideal I imagine
to dwell in a self sufficient domicile,
where thrum of the central heater...
automatically activated
upon advent of twilight,
or self adjusted/regulated
based on outside temperature
since writer of these words
thankfully linkedin to PECO grid,
(counts CAP and LIHEAP programs

for low income earners a dogsend),
subsequently scribe of Schwenksville
not resident within "smart home",
nevertheless manually pressing button
invites emulation of
Donald Trump zippered smile,
when mechanisms set in motion
to spark convection currents
warming cockles and muscles
versus skin feeling cold and clammy.

One anonymous **** sapien appreciates
basking, and luxuriating,
within climate controlled environment,
whether bone chilling
deep freeze when/where old man winter
furiously blows frigid air
into lovely bones of mine
sets indentured jaws chattering,
as on this dreary
and rainy April 30th, 2023,
or contrarily when sweltering
hazy, humid and hot
dawg days of summer
necessitates setting air conditioner
at refreshing sixty six degrees fahrenheit.

I could never survive
alone in the wilderness,
which dependence on creature comforts
inured me since birth,
but all the more power to people
(such as **** Proenneke
pronounced pren-icky)
who lived off the grid,
and minimize their carbon footprint.

Truth be told, a non impactful lifestyle
tantalizes, teases, titillates...
yours truly, a garden variety generic human
dependent I vow woolly admit
on consonant contrivances
and conveniences conditioned
courtesy capitalistic consumeristic credo
decrying his dependence
upon flow of electrons,
whereby flip of switch
(rather than fight)
when systems of a down fully functional

instantaneously allows, enables,
and provides electricity
with absolute zero ability
to stave off blackout
attributed to sudden disruption
regarding power outage
linkedin with severe
kickstarted meteorological phenomena
or terroristic machinations
(possibly even homegrown unrest)
worst case scenario signaling the end
of the webbed wide world

reducing to rubble
(think being bombed
back into stone age)
annihilating comp fur table trappings
of twenty first century civilization
forcing survivors to learn basic skills
cooperation, integration, proletarian
and utilitarian virtues
altruistic, democratic, humanistic,
mechanistic, and socratic zest
begotten, distilled, and forged
nsync with opposable thumb.

Angst crimps existence
generating dystopian thoughts
despite countless factorial permutations,
differentiations and combinations,
this cyber surfer avails two alms
boot Grinchian genes snatched such balms
when tethered in utero umbilical connection,
etched bromide, which hankering calms
embryonic sensation this corporeal being lacks
constantly subjected to exams
from the school of hard knocks,
which I bewail sets back and gloms

mine aim to revel in blissful contentment
but circumstances decreed otherwise
cursing this chap tubby haunted
exhibited by sweaty soles of feet and palms
by veritable elfin grotto dwelling phantoms
hovering over sweet clover dials a mirage
where dreams comprise psychedelic qualms
yes...Iris sieve blurbs from gals and guys
that spans the world wide web, and exude
premature ejaculatory ecstasy, puzzled if fie
totally tubular trod a tedious trek
along the boulevard of broken dreams.

What happenstance oft finds thyself to flail
amidst difficulty to maximize
optimal opportunities
searching for Holy Grail
or whatever constitutes such lofty
personal objective, perchance being hale
and hearty of body, mind and spirit
spurs the furies of fate tut test this primate
while he aims to gallop with mighty industrial
vim and vigor leaving a virtual cloud

of dust, though mindfulness helps
to pass go, and chance avoid jail
time, then maybe monopolized
feedback offered and accepted
to this married caucasian
nasty and shortish brute
with one percent Neanderthal
toothless though I possess gumption
pseudo quasi-vegetarian
enjoying poetry stone soup,

yet also subsisting
on supplementary vitamin
and mineral packed glue tin free
NON GMO fruity tall tales for a male
thirty six years shy sans bing a centenarian,
which span of life best cut short
acquiring tetanus courtesy
rusty nine inch nail
hammered into faux coffin,
cuz this impossible mission

(aery faced nincompoop) doth turn pale
at the prospect to fill up a space of land
best utilized by twittering
and tweeting birds - such as quail
mongoose, or ibis (though aye ne'er saw
one), where cremated ashes sail
across some verdant plain under
cerulean skies putting to rest every travail,
which thoughts of dem eyes spells
the main impetus explaining

this rambling spiel
warp and woof ova gauzy veil
imperceptibly looms closer upon
turrets of my digital sea faring gunwale
unwittingly capsized courtesy
Moby **** sized whale,
and thus desperation
finds me pleading for salvation
while swinging from vestigial yellowtail.