There is something discombobulating about feeling a shudder and a tilt, the models in front of you apparently moving slowly sideways, as the stand with your show seat starts to move in circles.

At the same time, the models at the Céline show seemed to be going off in all directions. Popping in and out of the black holes of space were models - young or older - wearing a smart green masculine trouser suit, a striped shirt, a white belted raincoat, something furry and - unexpectedly - a tunic and trousers printed with black wheels and checks skittering before your eyes.

All this and the bodies and arms of shadowy people behind the plastic backdrop. I rushed backstage to try to make sense of the show chaos (sorry: artistic intrigue), but designer Phoebe Philo did not want to talk when I asked her the point of her dramatic presentation of her Autumn/Winter 2017 collection.

"Just ideas coming together with lots of ideas," said the designer. "Just lots and lots of ideas and how they impact each other."

Around me, Phoebe's team were hugging and sobbing and clutching each other, as if this show were their last. Overview notes provided by the public relations people seemed even more confusing, apart from telling me that the installation (that required more electric cables and wires than I have ever seen above a fashion runway) was by French artist Philippe Parreno.

''The Céline AW17 collection explored Phoebe Philo's storytelling design process of how a collection is created and the notion of how changes result in impact," read the statement. "Further, the collection relates closely to the interconnected nature of women's lives and possibilities for women."

Before I read this, I had thought of Phoebe as the English designer who has her children running around backstage and who made practical but classy clothes for today's woman. She threw into the mix a few charming pieces like the fluffy flat sandals that have been picked up by other designers across the world.

With all that on offer, why did the new Céline collection have to complicate things so much?

Take away the moving seats and impossible-to-follow criss-cross of the models and there was the Céline look that any woman would crave: the bold, floor-length tailored coat; a tuxedo with its hemline sweeping right down to the ankle. The tailoring looked bigger, oversized even, which is in tune with the Eighties-style square shoulders that we have seen elsewhere this season.

Phoebe seemed to be offering a hardened version of the serenity she once found in streamlined clothes. An example of the new severity would be a plain, long sleeved dress with a hemline at mid-calf. Its softer side was a blue shirt elongated to the ankle and worn with trousers.

Ultimately, Phoebe offers 21st century elegance with the smooth lines disrupted by a tangle of fringe at the hem or what appeared to be a big blanket over one arm.

I received an overall impression of longer - to the ankle - length, a sense of sobriety and a few fanciful things for evening. What I missed in the hurdy-gurdy of the presentation, is, as yet, unknown.

With exquisite workmanship and Victoriana melded with pop, Pierpaolo Piccioli had a new vision of romance for the digital era.

Prudishness and pop - can the two really meld together? Yes! If the Victorian-style cape is in a vivid, sugary, postmodern pink and the dress underneath a colourful geometric pattern, recalling the Memphis era.

At Valentino, the 1880s met the 1980s with sensational results as designer Pierpaolo Piccioli dismissed the feminist vibe that has reverberated through the Autumn/Winter 2017 season yet created a collection that was respectful to and joyful for, women.

Just looking at the designer's four moodboards was a history lesson, as Pierpaolo whizzed me through dark Victorian carved birds, bright Memphis furniture, coral with a religious connection to Medusa - so much from the past crammed into one collection.

Yet on the runway, the result was far from overloaded, as the history of coral was subsumed into the necklaces all the models wore and the deflated Victorian silhouette - long and high waisted, but slim where a crinoline once was, seemed perfectly acceptable as a romantic vision of the 21st century.

"I wanted to add deepness and romanticism to the modernity of the shapes, so these are absolutely items that you can wear separately - a white shirt or the skirt with your own sweater," said Pierpaolo. "I think fashion is made for dreams, but sometimes you want a dream that is daywear."

The Valentino studios are at the heart of the matter, apparently finding it as easy to toss off a tailored coat with a mid-calf hemline nudging Victoriana bootees, as it is to make a soft, light dress to flow underneath. The detail and delicacy of the dresses seemed like an extension of the haute couture, but the designer was eager to point out that the clothes came from the Italian factory dedicated to Valentino.

Whether it is so easy visually to mix a sorbet pink top with tiny ruffles down the arms that flowed into a cherry ripe panelled skirt, the result was surprisingly calm. Even the dresses patterned with Memphis pop blended in with the plainer, pleated versions. And just when you thought that the show's high romance was over blown, the designer would slip in a black top over a pair of sloppy velvet trousers or calm a Memphis patterned dress with a tailored coat. A severe black jacket could be worn with anything already in the closet from an LBD to blue jeans. Like the tailored coats, it kept ripe femininity in check.

"For me it is important to keep the lightness, otherwise it doesn’t feel confident and if you don’t feel that you don’t feel beautiful," said Pierpaolo. "I think if you feel confident you can even be able to show your sensibility and really feel stronger."

However you rated the clothes - too fancy, too froufrou, too historical - there is no denying that Pierpaolo has created a vision that is respectful to women and which makes them feel beautiful. In a churning political universe, Valentino offers a small, still voice of calm.

Demna Gvasalia revisited Cristóbal’s silhouettes with surges of modern colour, print and volume.

Balenciaga haute couture has been revived for the first time since Cristóbal himself closed the house nearly half a century ago. The last nine outfits shown by creative director Demna Gvasalia, on the huge carpet patterned with the word 'Balenciaga,' had their roots in the legacy of grandeur left by the noble Spanish-born couturier, who died in 1972.

Demna, who started in fashion by building street-smart, unadorned clothes, deliberately named just Vetements (the French word for clothing), has turned towards the grandeur of the original designs that are part of the Balenciaga legacy.

“I thought 100 years was a good reason to make couture available again,” said Demna backstage. “We're not going to do a couture line or show during couture, but these pieces will be made to order – basically for people who want to buy a couture dress from Balenciaga.”

The grand offerings – the polka dot dress with bustle back, the layers of dark pink taffeta, and a slim black gown, all with large back bows, were not the only historic links. The show opened with tailored coats which were worn with a drape over the left shoulder, reminiscent of the way that the models of an earlier era would walk with their heads up, shoulders rounded and stomachs sunk in.

“I studied how the pieces are worn and I found these images from old mood boards of Cristóbal where women are standing with their coats like this,” the designer explained. “The idea was to bring this kind of elegance, the gesture of wearing those pieces, but take it into a kind of cool and make it more modern. You can also wear it in a normal way, but it is constructed so that one part is larger and then you can also pin it up. And this is what you see basically in all these books.”

Demna's way of rethinking with his brain what he had seen with his eyes is exceptional – and the reason why he seems able to update the house as if he were growing new shoots from existing roots.

The arrival of vivid colour signalled a change of pace, as every figure stood out in the farthest reach of the enormous sports stadium. The hosiery especially perhaps, in grass green, and cut-away waistcoats like harnesses in pastel colours, took the image of Balenciaga back to the early days of Nicolas Ghesquière and his futuristic period at the house.

Demna is also drawn by the flowers that were a part of the Cristóbal Balenciaga look; by showing a patterned skirt with big, bold, brightly coloured sweaters, he gave print a modern feel.

The show was not perfect. Mini dresses in the floral patterns and bright hose looked out of place. But the overall effect was precise but theatrical, with the couture creating a dramatic ending.

Choosing Demna may have been a gamble by François-Henri Pinault, CEO of Kering, the luxury group that owns Balenciaga. But the designer has turned out to be able to answer fashion's most difficult challenge: finding the balance between old and new, tipped towards the future.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/****-formal-dresses

Summer Finn is the charming, elusive love interest of protagonist Tom Hansen in 500 Days of Summer. From her playful personality to her cutesy hair ribbons, actress Zooey Deschanel's 500 Days of Summer style is irresistible. IMO, the overall look of her character is not a far cry from Jess Day's style (the leading lady of New Girl, also played by Deschanel). However, Jess' style is on the kooky side of whimsical while Summer's errs on the feminine side.

Summer's style could be described as girly, quirky, and ethereal. The ethereal factor probably has more to do with her attitude and personality, as she tends to keep Joseph Gordon-Levitt's character Tom at arm's length. (I know, who in their right mind would do that?)

The baby blue clothing that she wears throughout the movie also reflects this sentiment, since blue is regularly associated with sadness. It is almost as though Tom knows subconsciously that his relationship with Summer will not end well. This makes perfect sense in filmography terms because the movie is shot in a non-linear narrative. Right at the start, the narrator even informs the audience, "This is a story of boy meets girl but you should know up front, this is not a love story."

So here's how to channel Summer Finn's charmingly tempting style, because looking like a modern day femme fatale is one of my personal favorite things.

1. The Summery Tea Dress

Channel Summer's vintage style of decades past by with a lovely, feminine tea dress. Summer's has cute, capped sleeves, a magical swirly pattern, and it appears semi-sheer (adding a touch of naughtiness to her outfit). Whichever style you choose, make it a modest length with flirty details, whether that be sheer material or cheeky cut outs.

With its sheer sleeves, cutesy Peter Pan collar, and adorable buttons, this darling pale blue dress is just the ticket and is available in sizes S to 4X.

2. The Cat Eye Makeup

Cat-eye makeup gives off a vintage vibe while also adding a sassy feel to your beauty look. To tone down the sass and keep it less Catwoman and more Brigitte Bardot, keep the rest of your look super natural. Think dewy skin and rosy cheeks.

This vegan eyeliner has a super thin brush so you can create your cat-eye flick with ease. If you're feeling funky, you can even pick an alternative color such as white or purple to really make a statement.

3. The Alternative Workwear

Summer proves that workwear needn't be boring. Put a youthful spin on the classic, white shirt by wearing a sleeveless style and pairing it with high-waisted, tailored trousers.

This classic white shirt is a style steal and can be paired with a multitude of garments. It'll make choosing your work outfit much easier when you're bleary eyed and you've not yet had your morning coffee.If you wish to wear a more feminine style and channel Summer's gleefully girlish side, then why not wear a mini dress? As long as it's tailored in some way (like Summer's stiff short sleeves) and sports a formal flourish (like the lace hemline of her dress) then you should totally be able to get away with wearing it for work. If in doubt, throw on a blazer. Blazers make any outfit look formal.

This pencil skirt dress with its stripe detailing and capped sleeves is sure to have you looking like the best dressed in the office.

4. Up Your Hair Accessory Game

Ms. Finn is often seen sporting some kind of adorable hair accessory. She changes it up from powder blue ribbons to strappy, modern headbands to suit her different ensembles. A ribbon worn as a bow in your hair has connotations of Sandy from Grease and in turn adds a youthful naivety to your outfit.

If you're short for time on a morning, throw your hair into a high ponytail and clip this cute bow into your barnet for instant vintage vibes.

A strappy headband is nostalgic of retro Alice bands. However, the straps keep it modern and elegant. IMO, Summer has nailed hair accessories. She wears the pretty bow in her free time and the grown up headband at the office.

I could totally imagine Summer wearing this simple yet feminine headband. Plus, the pearl design will add an air of sophistication to your outfit, helping you to appear oh so ladylike and mature.

5. The Off-The-Shoulder Chiffon Dress

Seen in a completely different look, Ms. Finn looks stunning in an off-the-shoulder chiffon gown that juxtaposes hilariously with the "*****" game she plays with Tom. To me, the décolletage is one of the most sensual parts of a woman's body and exposing it can sometimes feel sexier than showing off your cleavage or wearing a tight dress. The addition of the chiffon plays on Summer's ethereal, magical side and she reminds me of A Midsummer Night's Dream characters. The key to this look is picking a flowing, fairy-like gown.

read more:www.marieaustralia.com/cocktail-dresses

www.marieaustralia.com/short-formal-dresses

It was her grandmother’s,
on her step-mother’s side,
not really a relative at all.
A hideous thing, it was,
crudely constructed yards
of yellowing ivory, with
giant creampuff shoulders
and a scratchy hemline.
The bodice was decorated,
sprinkled with dull gems,
crusty pearls.
The veil was, by far,
the worst offender.
A gauze with blotchy
brown stains, misshapen
holes, gnawed by rats.
She bit her lip as her step-
mother wrinkled her brow,
poking at the skirt, the train,
hoping it would burst like an
odd bubble or
mushroom at
any moment.

Etch my name, in thy heart, dear
Caressing in quiet love !
The melody overflowing mine,
Attune your anklets in its rhythm, fine.
Encage my humming bird,
With love and care, in your
Castle’s courtyard.
Don’t forget to tie my band,
To your bangles of gold.
Honour a place in you hairdo
A forgotten flower from my vine.
A shy mark of pious vermilion,
Let, in my memory, add,
To the elegance of your hairline.
Adorn the delights of my mind
With your fragrance.
****** my avid life and death,
In your perfectly magnificent stance!

Etch my name, in thy heart, dear
Caressing in quiet love !
The melody overflowing mine,
Attune your anklets in its rhythm, fine.
Encage my humming bird,
With love and care, in your
Castle’s courtyard.
Don’t forget to tie my band,
To your bangles of gold.
Honour a place in you hairdo
A forgotten flower from my vine.
A shy mark of pious vermilion,
Let, in my memory, add,
To the elegance of your hairline.
Adorn the delights of my mind
With your fragrance.
****** my avid life and death,
In your perfectly magnificent stance!

Mind your manners
Mind how you speak
Mind the hemline of your dress,
         and the curves of your *******
Mind your business
Mind your make-up
Mind your desires
Mind your men,
                 because don’t you know that
                 ‘behind every great man lies a woman’?
Mind your mind,
          for your thoughts even,
                  are too risky for our youth
Mind your Truth
Mind your Self
Mind your entire beautiful Being,
           but please
                   for the love of God,
don’t mind this when we’re in bed

--PY

Your cruel crimson lips
Blood dripping from your finger tips
My love a shattered work of art
The result of my broken heart

Splatters of scarlet hope
Mark the sheets where we eloped
My love a discarded virginity
The result of my mistaken affinity

Garnet was the decadent shade
Of the dress that veiled my vestal glade
My love a slippery hemline
The result of my relentless pine

The rusty curls on your head
Delivered me willingly into the bed
My love a handful of tangled hair
The result of my wanton affair

The flowers he sent were red
Reluctantly, I told him you were dead
My love a half-hearted lie
The result of my wandering eye

A ring offered, of ruby and gold
Silver is better, but I was sold
My love a rehearsed song
The result of my doing wrong

A burgundy kiss for a charming knight
A wedding of chastity white
My love a perfected role
The result of my injured soul

An artificial cherry-flavored *******
Sloppy second copulation
My love a feigned first
The result of my unquenched thirst

The sheet is stained with merlot
Out with the trash, then he will never know
My love a memorized line
The result of my spilled debaucherous wine.

Blow, Lyceum grasses, blow,
From coiled lips of your wolf-god Apollo
Whose dawn-padded paws to starprints roam
This temple-tribute to thought-illumined roads.  

Blow, Lyceum grasses, blow
Of wave upon wave of your brushings-by,
From staff to sandal-fall to cloak hemline,
For rhapsodes, your song-odyssey to sew.

The Greeks built the sun,
Upon scaffolding~acrobaticon~  
With pear-skinned lightness to glow,
Or like leavened bread from the woodburning stove.

Blow, Lyceum grasses, blow,
The sun lies old on its famine-cracked pillow,
In spittle of gold and yellowed phosphorous,
With the gods past-blown to ruin.

On really good days
I'll leave a crisp five
In the back pocket
Of my ratty blue jeans.

That way when my future self
Feels as fragile as spun sugar
But tastes like burned bitterness
And needs to shake herself awake
Drag herself from chore to chore,
Convince herself that collapsing isn’t a cure,
[Though doesn’t the cold tiled floor feel refreshing?]
She’ll only have clothed in comfort:

         Her baggy gray sweatshirt,
         Consuming her body whole,  
         Making her shapeless,
         So maybe she can shape shift,
         Into a bird or a bat or a pterodactyl,
         And make the most of her new wingspan,
         Flying further from her fractured reality,
         Into a fabulously far-fetched fantasy.

        Her ratty blue jeans haphazardly thrown on,
        So worn that there are holes in the knees,
        Frayed hemline attesting to the tired trampling,
        But when she tries to shove a ***** tissue,
        Into the back pocket hoping it’s mere placement,
        Is enough to leave the memory behind her,
        She’ll stumble upon a long forgotten monetary love note.

Yes, you do love yourself,
Yes, I know it’s rough now,
In fact, I guessed it way back when,
But life is just a series of juxtapositions,
And maybe you’re in a hole dug so deep,
That you’ve burrowed out into China,
And now look, really look,
You’ve got a world of exploring to do!
But if you’re not yet strong enough to
Climb the Great Wall,
Don’t you worry,
Building endurance takes some time,
But until then,
Here’s a crisp five,
Go buy a Kit-Kat,
A can of Sprite,
And a cheap horror flick,
And never forget,
I always love you.

Have you noticed the old pagan gods
are in fashion this year?
It's like that hemline thing,
a rising economy
raises all skirts.

her grandmother’s hand feels like an overripe peach and there’s not much behind her glossy eyes. the nursing home smells like disinfectant and the powdery smell of old women. jane tucks her feet under her chair as she watches the vacant stare on her grandmother’s face and wonders if her grandmother will notice when she stops coming. the soft buzz of television and the chatter of nurses feels very far away and the room feels too big for the two of them. jane’s grandmother raised her when her own parents were too drunk or coked up to remember they had even had a daughter and her first, second, third stroke had left her soft and empty. jane kisses her forehead, leaving a strawberry-colored mark on her grandmother’s pale skin and she slips a paperweight from the nurse’s desk into the pocket of her dress

the coat is heavy and camel-colored and hangs off jane’s small figure, nearly obscuring her. the collar nestles under her ears and she’s warm, even in the chill of the dusty second-hand shop down the street, with the watery-eyed cashier who watches her suspiciously and waits for his cigarette break. the weight is comforting and she hugs it in closer to her before removing it and stroking the shiny polyester lining. jane waits a few minutes before she pulls out a bundle of carefully stacked bills and quietly buys the overcoat without making eye contact.

at home, jane’s neat handwriting fills the last page of the journal she’s been keeping for the past few months. from her desk drawer she pulls two more of the same. the details of her life coat the pages and it occurs to her how small, how ordered, how utterly unremarkable her days have been. this elicits no real emotion and jane pours herself a half glass of wine and lies on the couch, fully clothed, and breathes so slowly her chest hardly moves. she wonders if it will hurt.

she places the coat on her neatly-made bed and stands in front of her bathroom mirror. her hair is long enough to touch the waistband of her skirt and it tangles over her shoulders and back like a mass of seaweed before she gathers it into a ponytail and snips it off, just beneath her ears. there’s nearly ten inches of her soft hair in her fist and in the mirror jane looks sharper and meaner than before. she takes the same scissors and cuts a slit in the hem of the coat and drops the hair into the space between the lining and the thick wool. next falls the paperweight, the journals, a bottle of pills she will no longer take twice daily. the coat is sewn up with small, neat stitches.

down the road from the home is a wide stretch of anemic sand and silvery water. the breeze off the ocean tugs and twists the coat like the hands of insistent children yet jane walks solidly on, feeling more opaque than she has in years. the rocks along the beach are smooth and slightly warm from the sun and she slips the most beautiful into her pockets as she nears the sleepy waves of the shore. jane never stops walking. her shoes are the first to become soaked but soon the water infiltrates her hemline, her waist, her chest, her neck. the short strands of her once flowing hair float momentarily before the water slips over her head like a sheet. jane’s body does not float, does not struggle, does not resurface.

I shut my bedroom door
now engulfed by the bindings of paper and pen
and I roll my chair to grey desk
stacked high with Dickinson, Bronte's three, and Alvarez
I pull out my writing tools and begin to contemplate
ideas that dare not be discussed in the public of society
Why is it that God must be a man and
What make the human taught ideal of modesty such a binding force
flow through my brain and I breath again
without measure or discernment I am free
in my freedom i think
back to the conversation my mother and I held this morning
A girl had stood in our line of view her hemline resting mid-thigh
My mother had turned to me
"Ellis look at that girl! I can see her ******!" face aghast
I nodded
"It is disgusting that girls these days dress so provocatively!
Thank God I have a modest girl!"
I nodded again
and I thanked God.
     -Modesty Is A Human Construct

I. Solitary Men
GOD: "I am."
MOSES: "Me too."
SOCRATES: "So what?"
ALEXANDER: "What's next?"
CAESAR: "Why not?"
JESUS: "Watch this!"
MUHAMMAD: "Watch this, or else."
SHAKESPEARE: "Dream."
NAPOLEON: "Out of my way."
WASHINGTON: "On my signal and forward."
LINCOLN: "On my example."
******: "Love is cowardice."
FDR: "Justice finds a way."
GHANDI: "This is how."
KENNEDY: "Turn the page."
KING: "Wake up and believe …


                                                 II. The Lost
I saw the best minds of my generation caged by the fears of their parents, organized for meaninglessness, and watching too much ****.
I saw you all around me kneeling to the angry God of television, and I knelt down with you.  
I saw the flames of our shared future burning down The Church, we held hands and danced around it, spun the bottle, and finally told the truth.
I saw myself lost and lonely among you, excusing myself for a cigarette.
I saw the aisles of the shopping center as the gateways to our dreams.
I saw twelve airplanes on the horizon, the disciples of a new race.
I saw the boys and girls of my generation staring at screens learning always learning that the world isn’t real.
I saw the sun rise like ribbons to burn The Poet. Sad, she laid her eyes upon the rocks, let the river flow and finally felt the wet climbing up from her knees.
I saw you Little Girl, the night you found me, and took me out into the trees.

I heard you say, “Brave Boy, this is a good day but we'll find better days than these.”
I heard a Man sing about a thousand tongues broken, a newborn baby with wild wolves around it, and a mystery *****. He asked me "how does it feel?"
  
I heard The Nun shouting the slogans we are afraid to write on signs.
I heard Caesar shouting from the other side of the Rubicon.  I was late and he wasn’t pleased.
I heard the sound of Your Daughter ******* to the rumble of the unswept highway, the trucks the men the steel on steel, the knife, the lime, the tequila, and two sweat wet pillows.
I heard The Preacher in a lab coat and a **** star that was preaching the income gap.  Both conversations were boring.
I heard The Radio play Mozart to the smell of burning wood.
I heard The Night fall down.

I met the Devil by The Lake and I laughed my *** off as he pontificated on his role in History. We tied the rope swing on a rotten limb and swung out high above the clear blue water, let go,  and fell in deep.
I met The Martyr that is trying to **** me.  He was such a sweet old man, so wise, so kind, his hand trembled involuntarily as he squeezed off a round.
I met The Politician that represents the deepest recesses of my conscience, and he ****** me just how I like it, but just a little different every time.
I met The Warrior at sunrise, chose a weapon, and died fighting for land that would never be mine.
I met The Lover on her barstool, laughed at her jokes, typed in her number, and strolled home smiling at the strangeness of her mind.
I met The Leader under his podium where he was hiding watching shoes.  He assured me everything i could see from there was part of a larger plan.
I met The Follower on an airplane.  We shared are snacks and watched the window, and discussed the name’s of strangers we wanted to be.
I charmed a Dancing Princess, laid her out like Ophelia in the river, bought her Mom a fancy car.
I scared The Fish out of the pond with a Mardi Gras mask and a six pack of beer.  They walked out of the water and hitch hiked to the nearest theater.
I lied to The Farmer when I told him I smelled rain.
I told the truth to The Doctor.  He just shook his head and made me wait.
I interviewed The Emperor on his way home from the office.  He squinted at me through the smoke and asked what I knew about moral philosophy.
I answered The Judge’s questions.  He asked about the birds above and the blood dripping from my eye, he asked what the final equation was, and whether I wanted to die.  I remained silent.
I forgot that Life is fragile, but wasn’t made to pay the price.
I learned that sooner or later God will **** us all, but I touched **** and *** with soul.

I stole privilege from the Gods of Mercy.
I gave The Girl a flower I picked along the way.
I burned the statue, but I saved the books.
I built a slick Death Temple for the ghosts of hermits and Marines.
I danced knowing I would never remember.

I lay down determined to forget it all, and rise the next day baptized sparkling clean, a child of forgotten violence, a leader of forgotten men.
I bought the last secret, and I bought the last machine too.
I sold the secret to the enemy so I could buy their loyalty.
I saved the Old Man from himself, all his frightening well learned ways, and I carried him up the mountain, and left him warming by the fire.
I killed The Child just because she was barking at the moon.
I was an animal lost on a race track.
I was like a little boy lost, like my world could not be yours.

I saw blood smeared on the mirror of the penthouse bathroom and I heard a child scream, the help won't be here until Tuesday, we need the number for Mr. Clean.
I saw a college girl hitch hiking up I95, she was sad about her boyfriend, but she walked and walked and found another world.
I fell in love with a *****, and she fell in love with me back, and we held hands by the River and laughed about the Sorcerer who snored in his sleep.
I ran from the apartment, found a bar with a backyard, and disappeared into the New York City night, got lost in the subway and emerged street side less whole, more lonely, more aware, less alone.
I bargained with The Queen Of Hearts, but she would not bargain back. She just took my belt and shoelaces and assigned me a number.
I sweat through my dreams so I hung my shirt to dry above the Boardwalk in the morning, as shade for passers by.  I sat down to watch them walk, feel the sadness in their eyes.
I felt the breeze bang up against my brain like ice cream on the sand.  I groaned, vomited, put on my sunglasses, and took a stutter step no one could see.

I saw a wedding dress on the Internet balanced on a beam.  The hemline was appropriate.
I saw your husband on Facebook.  I didn’t like what I saw.
I asked Darwin to guess what exactly is in my pants.  He said he had never studied human beings.
I asked Darcy what was in her glass, she said she didn’t know but I could taste.
I asked Georgie if it was such a great idea to drop acid before he played football, he grinned and shook my hand.
I told Bobby his sneaker was untied, but he said the getaway went well.
I told Jerry I’d like to soothe his soul, but he said he does all the soothing now.
I told Mickey I was on my way, tumbling like a dry cycle that rips the chord, humming like a drunken hummingbird.
I took the shortcut all the way downtown to the black end of the street, strutted shyly to the corner of the bar, ordered expensive whiskey with three cubes of ice, sipped it slyly, pulled my piece, and shot that dumb ******* in the face.
There is no Love in an empty room, just like there is no God in space.
There is only your senses, what you hide beneath, your luck, and the path you make.
Death and Salvation have always been the same, do the math and take a drink. Whoever is coming is angry, and She is coming sooner than we think.
I hid in my car in a parking lot on a rainy afternoon, closed my eyes and thought of her, the way she thought, and moved, and laughed.
I lit a cigarette and laughed to myself, “things can’t really be this bad.”

The Sun, The Moon, The Stars, The Snake seem to be part of the same thing.
But The River answers with a song about the tricks of destiny.
Dear God, I will never bow to thee until you get on your knees for me.
My hands are rough my feet are tired my Soul is full of hatred for The Sun.
When You turn around and see nothing there you will know that I am done.

                                       III. The Saint In The City
Hello America,
I think I'll try to burn the candle down.
I know you know my story
We share our secret shames and glories,
I am the Saint In The City.
I am a river of tears.
I am the questions of a clown.

Save my seat sweet thing,
You know I shall return.
The first cut is the deepest,
The second night is the sweetest,
But the third time you see my face,
I'll try to love again ...

Police told me,
They're looking out for my best interest,
Just what might I remember?
What can I reassemble?
Why can't you fix your broken mind with your broken mind?
Please answer true or false.

I put the gloves on,
Drove up through the North Country hills,
Took a left on I90 west towards The Plains,
Crossed the Mississippi before I could explain,
Why I was running away, or how intend to pay,
I got one last joke left, it better ****.

Hamlet laughed hysterically
At the prisoners working in the fields.
He said, “The weight the sword wields,
Weighs the same before the flesh yields.
Like the stars that burn bright in your coldest nights.
They were dead 'for thine eyes were a babes."

I stepped outside the bar,
And met a lady, made a deal on her Mercedes,
The brakes were ruined, but the tires were new.
If they force you to live like an outlaw,
You better make them pay for it.
You better keep it like a secret,
Now that its you verse the machines.

But I'll tell you what I know young ladies,
I'll walk you past the dark end of the road,
We'll be bouncing like bunnies rejoicing for air,
Working for a living, living on prayers.

I couldn't answer what the old man asked,
I guess that was his point.
He asked for water from the nursing home sink,

I went out for air air after I passed him the joint ...

I am the deer
Large shimmering eyes and slender limbs
A fawn with spots still on
Like the baby’s breath of the meadow in which I lay
Mocha fur shining in the morning sunlight
Face wet with dew from the chill of night

I am the deer
Mangled on the side of the road
Intestines on display for the vultures above
Legs twisted into a sick jigsaw puzzle
Killed by the man who worries about the machine
And drives away with apathy unwavering

I am the woman
Long, toned legs
Striding down a city sidewalk, wind in her hair
A statue, a monolith, an icon
Like a being carved from polished marble from the raw earth
A face of beauty incarnate

I am the woman
A dismembered body with DNA foreign to herself
Lying in a lake, the soil, a vat of oil
The threads of clothing cut too short like Fate’s own hemline
Killed by the man and his ego who worries if blood washes out
And walks away with apathy unwavering

It is a tragedy as old as time
That Mother Nature birthed daughters

I saw the best minds of my generation caged by the fears of their parents, organized for meaninglessness, and watching too much ****.

I saw you all around me kneeling to the angry God of television, and I knelt down with you.  

I saw the flames of our shared future burning down The Church, we held hands and danced around it, spun the bottle, and finally told the truth.

I saw myself lost and lonely among you, excusing myself for a cigarette.

I saw the aisles of the shopping center as the gateways to our dreams.

I saw twelve airplanes on the horizon, the disciples of a new race.

I saw little boys and girls staring at screens learning always learning that the world isn’t real.

I saw the sun rise like ribbons to burn The Poet.  She was sad and she laid her eyes upon the rocks and let the river flow until she finally felt the wet climbing up from her knees.

I saw you Little Girl, the night you found me, and took me out into the trees.

I heard you say, “Brave Boy, this is a good day but we'll find better days than these.”

I heard a Man sing about a thousand tongues broken, a newborn baby with wild wolves around it, and a mystery *****. He asked me "how do you feel?”

I heard a lullaby at sunset about rebel soldiers on the move.

I heard The Nun shouting the slogans we are afraid to write on signs.

I heard Caesar speaking from the other side of the Rubicon.  I was late and he wasn’t pleased.

I heard the sound of A Daughter ******* to the rumble of the unswept highway, the trucks the men the steel on steel, the knife, the lime, the tequila, and two sweat wet pillows

I met The Preacher in a lab coat and a **** star that was preaching the income gap.  Both conversations were boring.

I heard The Radio play Mozart to the smell of burning wood.

I heard The Night fall down.
I met the Devil by The Lake and I laughed my *** off as he pontificated on his role in History.  We tied the rope swing on a rotten limb and swung out high above the clear blue water, let go,  and fell in deep.

I met The Martyr that is trying to **** me.  He was such a sweet old man, so wise, so kind, his hand trembled involuntarily as he squeezed off a round.

I met The Politician that represents the deepest recesses of my conscience, and he ****** me just how I like it, but just a little different every time.

I met The Warrior at sunrise, chose a weapon, and died fighting for land that would never be mine.

I met The Lover on her barstool, laughed at her jokes, typed in her number, and strolled home smiling at the strangeness of her mind.

I met The Leader under his podium where he was hiding watching shoes.  He assured me everything i could see from there was part of a larger plan.

I met The Follower on an airplane.  We shared are snacks and watched the window, and discussed the name’s of strangers we wanted to be.

I charmed a Dancing Princess, laid her out like Ophelia in the river, bought her Mom a fancy car.

I scared The Fish out of the pond with a Mardi Gras mask and a six pack of beer.  They walked out of the water and hitch hiked to the nearest theater.

I lied to The Farmer when I told him I smelled rain.

I told the truth to The Doctor.  He just shook his head and made me wait.

I interviewed The Emperor on his way home from the office.  He squinted at me through the smoke and asked what I knew about moral philosophy.

I answered The Judge’s questions.  He asked about the birds above and the blood dripping from my eye, he asked what the final equation was, and whether I wanted to die.  I remained silent.

I forgot that Life is fragile, but wasn’t made to pay the price.

I learned that sooner or later God will **** us all, but I touched **** and *** with soul.

I stole privilege from the Gods of Mercy.

I gave The Girl a flower I picked along the way.

I burned the statue, but I saved the books.

I built a slick Death Temple for the ghosts of hermits and Marines.

I danced knowing I would never remember.

I lay down determined to forget it all, and rise the next day baptized sparkling clean, a child of forgotten violence, a leader of forgotten men.

I bought the last secret, and I bought the last machine too.

I sold the secret to the enemy so I could buy their loyalty.

I saved the Old Man from himself, all his frightening well learned ways, and I carried him up the mountain, and left him warming by the fire.

I killed The Child just because he was barking at the moon.

I was an animal lost on a race track.

I felt like a little boy lost, like my world could not be yours.

I saw blood smeared on the mirror of the penthouse bathroom and I heard a child scream, the help won't be here until Tuesday, we need the number for Mr. Clean.

I saw a college girl hitch hiking up I95, she was sad about her boyfriend, but she walked and walked and found another world.

I fell in love with a *****, and she fell in love with me back, and we held hands by the River and laughed about the Sorcerer who snored in his sleep.

I ran from the apartment, found a bar with a backyard, and disappeared into the New York City night, got lost in the subway and emerged street side less whole, more lonely, more aware, less alone.

I bargained with The Queen Of Hearts, but she would not bargain back. She just took my belt and shoelaces and assigned me a number.

I sweat through my dreams so I hung my shirt to dry above the Boardwalk in the morning, as shade for passers by.  I sat down to watch them walk, feel the sadness in their eyes.

I felt the breeze bang up against my brain like ice cream on the sand.  I groaned, vomited, put on my sunglasses, and took a stutter step no one could see.

I saw a wedding dress on the Internet balanced on a beam.  The hemline was appropriate.

I saw your husband on Facebook.  I didn’t like what I saw.

I asked Darwin to guess what exactly is in my pants.  He said he had never studied human beings.

I asked Darcy what was in her glass, she said she didn’t know but I could taste.

I asked Georgie if it was such a great idea to drop acid before he played football, he grinned and shook my hand.

I told Bobby his sneaker was untied, but he said the getaway went well.

I told Jerry I’d like to soothe his soul, but he said he does all the soothing now.

I told Mickey I was on my way, tumbling like a dry cycle that rips the chord, humming like a drunken hummingbird.

I took the shortcut all the way downtown to the black end of the street, strutted shyly to the corner of the bar, ordered expensive whiskey with three cubes of ice, sipped it slyly, pulled my piece, and shot that dumb ******* in the face.

There is no Love in an empty room, just like there is no God in space.

There is only your senses, what you hide beneath, your luck, and the path you make.

Death and Salvation have always been the same, do the math and take a drink.

Whoever is coming is angry, and She is coming sooner than we think.

I hid in my car in a parking lot on a rainy afternoon, closed my eyes and thought of her, the way she thought, and moved, and laughed.

Lit a cigarette and laughed to myself, “things can’t really be this bad.”

The Sun, The Moon, The Stars, The Snake seem to be part of the same thing.

But The River answers with a song about the tricks of destiny.

Dear God, I will never bow to thee until you get on your knees for me.

My hands are rough my feet are tired my Soul is full of hatred for The Sun.

When You turn around and see nothing there you will know that I am done.

I dreamt of travel disruption last night
and haven’t woken up since; know that though,
a whole ****** of crows hidden along
the hemline of a coat was not the
reason I was late, nor were black stamps spat
out through mirrored windows, panes unmoored from
frames in the wake of two late goodbyes: one
said at a check-in desk disguised as point
A; the second, central, wrapped around an
orbit of children where they now lay.

This news- again, it is news- is an air-
bag of ears, of interviews, listening
so we don't have to, colouring pallor
in post so the ghosts of aftermath do
not go unnoticed when we believe it
may not of have happened.

I'm going to buy out the sky right of
tragedy and skywrite,
                                     vandals of companionship are not tolerated below this message, or above.

Eve convinced Adam
to eat forbidden fruit
in the Garden of Eden

Helen of Troy's face
launch'd a thousand ships,
her lips instigating warfare

Sumptuous curvatures of
women's hips and bossom
lure honorable men to disgrace

How dare that trollop
where a pair of trousers
accentuating her buttocks!

The micro-hemline
corralled a wandering eye
to the elegant calve muscle

The female figure is
warmth and seduction,
yet devilish and misleading

History and myth
reaffirming sweet satisfaction,
but reeking of disaster

I have never been a fan of the way jeans hug too tightly. The fat on my body has always found a way to spill over the button or stretch the seams until they are near ripping. The way we have constructed things to hold in what we cannot or do not wish to see astounds me. Jeans are like the confinements of connection where one person connecting with another person is like two legs joined only briefly at the hemline. I am a truth too hard to swallow, the type that cannot wallow in confinement. I do not know bounds; I have never been good at colouring within the lines.  Where we know we can only hold so much before breaking, we constantly seem to be biting off more than we can chew and filling the jeans more tightly than we mean to. I am constantly spilling over the edge with anticipated words and phrases that are often too much of a burden. I am stuffing and stuffing and stuffing that leg full with promises I can only keep within the boundaries set by the fabric of your blue jeans.

If you're the kind of girl that boys want to shout smiles at on the street
Nod politely and return an upwards glancs
Don't release the keys because his words wraped you up in a poem
A haiku, a hymn, a wispered promise
Do not confuse a welcome back from heaven touch
For a foreign enemy of your hemline
Take his compliment and move on
You are not a treasure
Not his treasure
You're a pretty ashtray to someone who lost his sanctity 6 blocks back

My neighbor’s live oak is a modest tree;
She stands now in March
Fully leaved in a brown fur coat,
Waiting patiently for sap to rise
And push new leaves
To hide our eyes.

I have watched her now
Six short years,
Every year the same.

A chaste three feet of trunk exposed,
Her hemline proves her to be the
Modest Canadienne.

Her crisp brown cloak
Rises to the tip
Of her leafy beret
As she stands prim and straight.

My shameless ash trees
Shed their clothes and stand
Naked in October winds,
Brittle in January,
Lifeless in March,
Grudgingly putting forth
A summer supply of leafery
Long enough to prove
Existence.

But she, the oak across the street,
Is beautiful and coy,
Covered in rich deep greens
Or solemn browns
With hardly a day between
Her changing.

yet you don't seem to see
all that grazes your cheek
and tugs at the hemline of your shirt

it's not as simple as raising lids
you must permit the same small hand that nudged your shoulder
to crack open your ribcage and scavenge
around, to tangle arteries and nerves
into a yarn ball to bat this way and that
and you may find it incredibly insolent, but this uncouth kitten
is to be caressed and nurtured
for he will be the one to lead you
towards all that Is

I don't have enough peace of mind because I know that people I love and so many more have been ***** or assaulted.

9. I don't have enough time to tell you why **** culture perpetuates that my hemline means I'm asking for it.

8. I don't have enough ignorance to somehow accept and laugh at a **** joke.

7. I don't have enough tolerance for "we were wasted" and "she didn't say no".

6. I don't have enough audacity to ask people what they were wearing, if they were sober, if they had yelled for help, if they had said no when they were attacked. A victim is a victim.

5. I don't have enough strength to give to people who have been hurt like this- all the strength in the world sometimes is not enough.

4. I don't have enough comfort for people who have been hurt like this- how do you comfort someone who has been hurt in such a demeaning, invasive way? Is there comfort at all?

3. I don't have enough voice from my lungs to yell about why we need to teach our sons and daughters about what it means to consent, what it means to respect another human.

2. I don't have enough support for the people that come forward, yet I also don't have enough sympathy for the people that are too petrified.

1. I don't have enough words for how much my heart aches for survivors, and how much hope I have for the people out there who persevere and overcome what has happened to them.

For every reason I gave, I also know a person who has been assaulted or *****. Try to give me 10 reasons why I shouldn't put up a fight against **** and **** culture, against respecting others, against people who attack others. Try to give me 10 reasons why I shouldn't speak on behalf of people who sometimes spoke but were not heard by a blatant disregarding partner, stranger, neighbor, relative, parent, sibling, best friend, co worker, acquaintance. Try giving your 10 reasons to the 10 girls I know and then the 10 girls and even guys they know. Try telling a survivor that they asked for it, they wanted it, they should get over it, they should dress differently, they should let it go.

*I do not have enough fingers to count off the people I know that have been ***** or assaulted but I have enough humanity in me to fight the people that made me start counting in the first place.

I live in a body that’s no longer mine
You shouldn’t stress, you look fine
Friends tell me from time to time
I add to my water half a lime
I look for weight busters online
My hips still choke my waistline
It costs me a pretty dime
every day when I’m on lunchtime
Riding farther from my knees is my hemline
Surely there’s another way to cloud nine?

Letting go
letting go now
lettingggggggg
Oh
not now there's a programme on
and I'm hooked up to the wires.

She fires my imagination and
it wounds me,
glad she's not a good shot,
but no one gets off scot free
and she fires another fantasy
to capture me.

Someone took a bite when my eyes
were on Eve
who can it be?
there's only Adam and he's
plays innocently.

can you see the joins or
any marks on the hemline?
is it Eden or time to move on?

Well
it's frightening when the hounds
are snapping at your heels
and the kids are yapping thirteen
to the dozen.

I'm just a lightweight
carrying freight
in danger of falling.
who's there to save me?
save me
and
I'm in the dark.

A child walks along with black veils
covered all his little fingers
with the noise of a child, it plays along
the hemline of so many
meadows of his home where he belongs;
But in truth, it is they who
doesn’t want you to see
the filthy grime that blankets the Earth;
He'd sit on logs as pulpits listen
to the sermon of rights and wrongs
It's starting to be his favorite song
how life goes on
nothing seems to matter in his little life
put your veil back on the man cried out
but who can help but peek when you hear torture?
the screams of suffering and agony
that you are told to ignore.
I feel sorry for this little boy;
In his darken hours
he found power to say no more of his
Fathers words of pains
as he walked away with that look on his face
find God he cries out,
His name is Jehovah and he makes way
even for a lost child like me
they are among us the dandelions of thorns.

- Judy Emery © 2004
The Queen Of Darken Dreams Poetic Lilly Emery

Dreaming in the closet and I will have the same as you. You must know I feel you.
As all and before. Come hither. Bring your noose and the last dress we sold our skins for.
Cheap witness, plagiarize our scars and pass them onto former lovers.
The newest additions run no deeper than the stories of your hide resting in his closest.
And how funny it is.

My dreams and my silences against your pleasings and your oiled canvas.
May you rub your nose open.
Your skin will fall.

"Please no more. Leave me with the husks of before."

Listen. And your age will weep it's loss.
Your strings are knotted. Just above the hemline, your goddesses crumble.

I try to struggle.
I try the dance with any devil present.
Believe that you will remember.

And I try so hard.

So sleep and dream.

Maybe an equal amount make it out alive.

"Bring me love. "

The plush of my ***** waist and thighs attempt to pop every hemline and button in my wardrobe
My body is to Wholesome my flesh is too engulfing
and for this I roll over each elastic and my thighs Bust from my stockings
and my love handles and stomach squeeze over my waistline
and my back and my ******* make Pillsbury roll bra straps
and it looks like there's so much extra meat in too small a sausage tube
and it looks like I just kept blowing into the balloon
and I don't feel too big and I don't feel like my clothes are too small
and my body just doesn't fit in them the way they used to
I feel like how beautiful must I be to have this much extra to give that my stockings can't even hold the juice of my thighs
and my pants spill over with so much good batter
and my back rolls like Silk have the luxury of keeping my back from being straight like a board

for I do not know what I would do with a smaller body
if I could feel my leg bones and see my ribs if there was a gap in between my thighs if my hips protruded taking my pants along with them if my collars made soup bowls.
I dread what I would do with such a hard body how would such hard edges fill out these worshiping stockings

Should I be afraid that I no longer feel?

That I stare death in the eyes, hold hands with

Pain, kiss fear on the cheek and embrace heart

Break like it is the one thing that holds my

Worn being together, desperately clutching

At the frayed stitches of my body and

Fervently keeps the hemline of my soul intact

Like the nightmares of this universe are what

Keeps me whole, keeps me from crumbling entirely

Because my heart knows no better than pain

Because I have never known a world without

Agony and grief, and mellowed screams and

Lullabies of sobs and birdsongs of quiet pain

Because my fields are infertile without grief,

Because my skies are starless without heartbreak,

Because my soul is void without my scars that

Scream. They scream the stories that ignite

the raging wildfire behind my damp oak eyes

Each word, on each page, of each blood stained,

tragedy, pull the threads of my being into a living,

Fighting, person. There is beauty in melancholy,

Tears that birth sunflowers that blossom without sun

Light, that glares through the cracks of my heart,

Without a match to light it. Only silent, sobering

Pride, that I have made it to today. That I have seethed

Through the stab wounds and gunshots and blistering

Burns of unspeakable pain, and I have survived with

Grace, with a smile that embraces the worn corners of

This earth, and with a heart that leaves love wherever I go.

Trying to bring the change
with bleeding silver.

As it is/was, this world.
You may not agree to it.

The release of tension
from the cupped eyes? Will not
alter the secret deal.

There at the hemline,
bodies were scattered, slain
after the trespass.

The royal coin, flexes
its muscle. It will talk
through the muzzles.

Poorest of poor will become free.