"harlequin" poems
.
In a costume of conflicting emotion,
of crossing diamondic colour,
with regal posture in grief,
the Harlequin and the King,
a display of opposites
creating a composite being,
that eases her body
gently into the waiting water,
to float away serene,
on her journey to the nether.
Midnight blue and emerald green,
the regalia of ermine,
both ostentatious and humble,
robeing the aspects,
understated in crowning splendour,
the gentleman King bows,
and the Harlequin laughs,
the bi-polar reaction
to the tragedy of misfortune,
with a sting in the myth-tale.
With the dark hues of mourning,
a legend passes on her way,
across the streams of time,
on a voyage to discover herself,
carrying her Harlequin in a purse,
holding her King to her breast,
owning them both in her heart,
the medicine wheel spins,
knowing the grapes of wrath
yield the wine of spite.
The motley speckles of attire,
a starry parody of night skies,
lighting the decorated funeral barge,
gliding along the rivers of space,
worn with the mantle of sorrow,
and it sails into the sunset,
as the Harlequin and King observe,
the mandala turns,
the bier of the Queen departing,
bears their sadness forth.
The Harlequin laughs and laughs 'til he cries,
his heart grows cold, then withers and dies,
whilst the King, statuesque, memoirs his life,
lamenting the legend of a Queen, his wife.
© Pagan Paul (24/07/18)
Jul 25, 2018
Jul 25, 2018 at 5:51 AM UTC
Flora and Fauna, the sisters of Season
Of Spring and of Summer
Allow now our drummer
To drum out the beat
For the feet of the sisters
To glide and to creep
Like the encroaching sleep
Which may perch on your shoulder if we cannot keep you awake
And on the edge of your seat, sir.
Now the former, sweet Flora, will finger the flute
While the other continues to glide and to slide
Like a sequined Venetian harlequin bride;
And now Fauna will mimic the movements of bird and of beast
As she graces the work of our landscape artiste
And all is completely unfeasible
Completely lacks reason
We guarantee.
Presently
In the eye of the beholder
Sweet Flora seemingly draws from the aether a lyre
And with flourishing fingers she plucks from the heavens
A song of the seasons, a pagan ode to Pan!
Behold! No aid of hoops, no strings
The vestal-virgin-harlot sisters sing
Of beautiful Persephone
And with unseen damselfly wings
Ascend from mediocrity
All melody forgotten
All the drums create cacophony
And you will find serenity in chaotic monotony
Now let this climaxing crescendo banish all your sorrowing!
No more that light; no more that sacred realm
Life’s door was dappled gloam; now all is black.
A man of wax with saintly, hollow eyes
Devoid of sin, devoid of love and light
That golden room is lost – you can’t turn back.
Now love has lost its lustre - lust lost joy
And coy eyes turn to watch the empty man
Struck by eternal beauty, and condemned
To haunt the broken world of mortal men;
And shrilling wind caresses empty hand.
Jul 2, 2012
Jul 2, 2012 at 12:01 PM UTC
embedded in the most tenebrous corner of my mind,
harlequin memories of serendipity,
dripping like bittersweet wine,
tantalize me,
begriming what was once an unsoiled canvas.
engulfed in my despondency,
I repose homely
until my mind's taste-buds
savor the saccharine flavors
of its own derisive thoughts.
aroused to say the least,
my mind's libido is now being satisfied.
I lie here,
welcoming all that my thoughts and epiphanies have to offer.
I am unable to disclose what's bestowed to me
but that's irrelevant.
My mind is here...
and open
and anticipating
the pleasing rush
of these thoughts that venture through my head.
The pleasure is overwhelming,
forcing my chakras open
as my ajna awakens from its long slumber.
I crave this foreplay
and I plead with the universe
to make it never-ending
but it seems my cries fall upon deaf ears
and I'm left open-minded
and unfinished.
Mar 13, 2015
Mar 13, 2015 at 1:06 AM UTC
Harlequin queen
she looks like a dream
if you count nightmares
as pleasant things
She comes around at midnight
because that's where she reigns
she's got memories in her pockets
from picking all the brains
She'll eat your beating heart
with a pulsing cherry on top
and when she's finished with the rest of you
she'll smack her crimson lips with a pop
Sep 22, 2014
Sep 22, 2014 at 1:08 AM UTC
I last saw her in Santiago
******* drunkenly in a Sub urban taverna
parading conceited pride in a twisted union
with that ******** heinous maniacal harlequin
each in vainglorious throes of their imagined septic mindfuck
Debauch celebration of collaboration of succubus and incubus
Some days she is saying Haloa in Hawaii
adorned as Sainti Maria the ***** now as Madonna
spewing words like a dove acting like a Nun in a Convent
the fiendess with two faces hiding her ****** like the ace in lace
the malignant serpent crawling in the duality of her neurosis
I last saw her in Santiago
In a sanctity of the poisoned insecures with exiguous minds
consumed with flaming fears she begs acceptance for inclusion
******* for percieved reflected glory from her fathers' jailers
The subjugated souls of chai wallah lives on in grandchildren
So when Santi Maria flirts from honey to beehive
Ready to ***** and part thighs and brain for minor pointing gun
Feel sorry for a damaged child devoid of a prime core never made
only obeisance to past rulers whose discarded cast-offs she wears
Her poems enchants but its virulent tools she takes in her body
I last saw her in Santiago
A slaved two-faced pretender who sings like a nightingale
In sub urban dives she postrates to friendly pats and gropes
Melting creeps and hot tigers begging subs for a heady drink
Brilliant yet blindsided to **** on knees as her children will too
Copyright@LaurenceA20thSept2018Allrightsreserved.
Sep 21, 2018
Sep 21, 2018 at 9:03 PM UTC
How long will our bewildered heirs
marooned in possessions not theirs
puzzle at disposing of these three
cunning feignings of hard candy in glass-
the striped little pillowlike mock-sweets,
the flared end-twists as of transparent paper?
No clue will be attached, no trace
of the sunny day of their purchase,
at a glittering shop a few doors
up from Harry's Bar, a disappointing place
for all its testaments from Hemingway.
The Grand Canal was also aglitter
while the lesser canals lay in the shade
like snakes, flicking wet tongues
and gliding to green rendezvous.
The immaculate salesgirl, in her aloof
Italian succulence, sized us up,
a middle-aged American couple,
as unserious shoppers who,
still half jet-lagged, would cling to their lire
in the face of any enchanted vase
or ethereal wineglass that might shatter
in the luggage going home.
Yet we wanted something, something small ....
This? No ... How much is ten thousand? Dizzy,
at last we decided. She wrapped
the three glass candies, the cheapest
items in the shop, with a showy care
worthy of crown jewels-tissue,
tape, and tissue again sprang up
beneath her blood-red fingernails,
plus a jack-in-the-box-shaped paper bag
adorned with harlequin lozenges, sad
though she surely was, on her feet waiting
all day for a wild rich Arab, a compulsive Japanese.
Grazie, signor ... grazie, signora ... ciao.
Nor will our thing-weary heirs decipher
the little repair, the reattached triangle
of glass from the paper-imitating end-twist,
its mending a labor of love in the cellar,
by winter light, by the man of the house,
mixing transparent epoxy and rigging
a clever small clamp as if to keep
intact the time that we, alive,
had spent in the feathery bed
at the Europa e Regina.
4.5k
I slept with her, my rapacious pen, took me in quiet vengeance in
full on conjugation
raken and taken, me,
her overlording me now, her authorship, so long held
in my maledom abeyance,
a kept imprisonment, unleashing at last, a tongue lashing~leashing,
de-spite my un-desirous craven lying supplications,
excuses of innocence and accident, coincidence and conflation,
ashes, ashes, denials incinerated, all fall down
she wrote/stabbed upon my heartless chest,
in the cheap crudités colors of a prisoner’s inking,
“user of words mine, all mine”
gathered up my innards of loose words,
speculative notes & titles yet to be,
born and kept hid in password protected silent back labor files,
now hers, leaving me sputtering, unable to create,
a homeless mute citizen, possession-less,
helplessly hoping her hovering harlequin might relent,
without any shelter, even a glimmering, a single aleph or bet
she celebratory cackled and clawed,
professed her reclamation ownership of all my poems predecessors,
zola j’accusing that I, ripped from her forcibly,
with no granted permission, her womanly touché of my scribing,
warning of no more global warming for my unprivileged hands,
daren’t try for pretenses of stolen legal guardianship,
warning of a new, forced caining inscription,
a tattooing of “thief” upon my 5 knuckled right ******
“plagiarist” boldly inked in back & blue upon my left palm
I, predator,
she, victim,
of my now self-professed, admitted confess,
she, my single victim,
of a decade long serializing criminal coverup
her parting poem a threatening,
herein issued in this very verse,
damning all who would falsely credit themselves,
to suffer shame and an unimaginable curse,
this, the newborn eleventh of ten commandments
parting, she kissing my lips, even my emptied apertures,
with warning bitings,
she knew all my
my numerous noms de guerre,
no dead scrolls caves to hid in, and to be discovered some future day,
and if ever marked as copyrighted,
’twas no tunneling escape,
the exposed truth to be over-stamped
upon all, upon each, in every language,
”copied right from the tongue of a woman!”
and she would be wright...
May 23, 2019
May 23, 2019 at 10:10 AM UTC
There's spring and there's summer, there's all that's in between
no listless skies of anodyne; now nature flaunts and preens
What beauty fills the hungry eye 'neath a sky of blue, serene
verdant vales soaked in sun, awash in palettes of green
There are pastels that awaken and deep shades that passion brews
created hues that trickle...sprinkled with 'chartreuse'
There's the green of 'asparagus' and that of 'artichokes'
Of 'forest', 'ferns' , of 'moss', a brush of different strokes
Fragrant plants of 'mint', then 'myrtle' and 'green tea'
'Emerald', 'jade' or 'harlequin' and 'malachites' that be
Off creamy shells, just 'pistachio', 'green apples', then of 'pines'
It lies too in 'sap' and 'teal', in 'avocados' and tangy 'lime'
There's green of the 'mantis', in 'jungle', 'hunters' and 'shamrock'
The lithe 'parakeet' fluttering and the lazy sanguine 'croc'
In blessed 'basil', ' pickle', in 'pear', 'olives' in 'bottle green'
'Gourds' and 'peas' that farmers grow in cultivars pristine
'Tis there in 'aqua' and 'seaweed', in the ripple of 'sea green' waves
In 'turtles', 'sea foam', 'anemone' and a 'tropical glistening lake'
From 'laurel green' to an 'army green' , in 'sage' ( a shade of grey )
The color of 'grass' , the murky 'swamp' , hues in array
There's 'neon' and an 'Indian green', a 'Persian' one to mystify
A 'midnight green' to bright 'fluorescent', oh, for green rainbows in the eye
Mar 19, 2017
Mar 19, 2017 at 10:30 AM UTC
Where are our clowns
With baggy waist-coats
Filled with promises;
Clowns wearing
Borrowed crowns.
One plucks a rose
In his white garden,
To pin on his lapel;
He's a squirter
And it shows.
One's in the square
With large red shoes
Putting on a show.
But feet don't fit,
Soon he'll trip
With tongue-in-cheek ego.
One has rhine-red ruffs
Around her neck,
Her GNP
Surpasses debt;
Her audience finds
They too get wet.
A three-ringed circus
We're wise to regret.
One in the Yuan
Has a red nose on,
A harlequin clown
Asleep in red dawn.
But tweak his nose
And the tent comes down
On the Big Top Shows.
Mar 6, 2015
Mar 6, 2015 at 8:53 AM UTC
.
*Gaze ye not
'pon the misfortune
of the Harlequin,
his dead eyes
will see nothing
of your heart.
Pity ye not
the clown 'pon
his misery bed
of Narcissus petals.
Emotion has thieved
its own fortune,
carrying the weight
of bitter experience.
The furnace, long cold.
Never the embers
glow in his soul,
trapped in a world
when life cares not,
nor matters to the afflicted,
who is mocked
by thy Gaze.*
© Pagan Paul (11/11/18)
Nov 13, 2018
Nov 13, 2018 at 1:02 PM UTC
~
*In her sulking-place
alone and naked
framed in soft sepia
—the vintage, harlequin hue
at this supposed faded hour
she sits looking back on memory
she sits and stares
into the boudoir mirror
at herself
at her embonpoint
yes, at these *******
—at their landscape
how they fall
(like Niagara)
where they point
(like a compass)
what they tell (so fondly)
when pressed together
about their time
—their work and play
towers on the precipice
of judgment
both callous and
uncharitable
if the mirror
truly be her reflection
her vision is turned around
as illusion
—a study of tonality and tolerance
for one's own flesh
the room
an invitation
or perhaps
a lockaway
where she even keeps secrets
from herself*
~
Apr 26, 2021
Apr 26, 2021 at 10:37 AM UTC
I sink, my feet slowly becoming part of the earth softened under the heat of my body and a shy sun rolling evenly on horizon. Lazy sun slowly extends his arms stiff from winter reluctance and expanding them into a hug. I see green meadows, still poor with colors, pale spring messengers and Harlequin's face in the glass reflection. Eyes full of ice slowly melting, just as piles of snow hidden in the spring shadows. I sink deeper into the trap of needs. My hands have become bare spring branches and wait for your smile to bloom touches. Delicate greenish flowers and young leaves will slowly wake up your eyes from the winter gloom, gentle kisses will tickle your throat and nostrils. My hands are empowered, illusive fingers gliding over your breast. I feel the beauty of the Snowdrop and already lured with memories of Violets. You open slowly like a red Tulip. Tulips are too simple for you. I see beauty of Cyclamen bathed in dew of hidden alley and I think only of sweet kisses you give. As I dive in you the Earth is not just a lump of mud in the universe and the water is not just a matter which makes it blue. While tears running down your cheeks you say they have decided themselves to come and not knowing why. Then, I stand little before you. The boy filled with dreams. Then I stand bigger than the Earth before you as you are more than water.
Mar 13, 2013
Mar 13, 2013 at 6:55 PM UTC
With the box lid closed
It's dark inside,
There are no colours
We can't abide.
But a golden sliver of light seeps in,
To expose the colours there within.
We see red when enraged,
And scarlet dancers crowd our stage;
A red-blooded male brags virility
Through rose-coloured glasses of masculinity.
Some grow green with envy,
Reveal they're yellow in enmity,
Are blue when feeling empathy,
Turn blue holding out for sympathy,
Are tickled pink with comedy,
And white as a sheet with tragedy,
Or brown-nosed with syncophany.
If your yellow-bellied you may run,
And green-gilled after Jamaican ***
Write purple prose when versifying,
Ashen coloured when you're dying.
True colours show outside the box,
Use grey cells to colour unorthodox.
Our true colours are harlequin,
That fade to black at our end.
Jul 5, 2015
Jul 5, 2015 at 3:51 PM UTC
stand(ing) here alone in the dark
like a head of tack pirouetting away
to no music - only acrid scruple
of this being with and not being with,
one is always alone.
space occupies the potteries in
the garden as a steady arm of light
stills in its mouth, a flowering dark.
it is only 3 o'clock in the morning
and the heat clambers the wall of
the vacuously atrabilious moment
of just plainly existing. the slender
harlequin of moon, like an old lover
having its own way with me, a child's
yelp coming home — the hermetic
air crushing the light, slivering it
revealing all the ensconced phantasms
too commonplace like a fork in the road
that i know, or the wayward metropolitan
that teems with a concatenation of roads
and gutters bilious with the squall of day.
a figure moves entering a warm miasma,
receiving the star of aloneness,
vacillating between
place and placelessness
telling this originary of repossessing
the moon with a hand in my hand,
pressing a question of where
have you been all the raging while.
Oct 8, 2015
Oct 8, 2015 at 3:52 PM UTC
A birthday party,
I turn as I lift this velvet curtain
unveil this night for you,
Sixty circus freaks unravel down the hill
like a coloured handkerchief
of liquid laughter,
all singing the circus theme.
The only tears are drawn on
and the smiles cut up to the ears,
a tap dance in a bathroom,
manic movements,
a tumble back up the hill.
Cherry liquor is juggled, smuggled around the room
to a clown sporting harlequin pantaloons.
I laugh, drink, talk,
like a mime I copy the idea of human.
A sudden disconnection of sometimes weirdness envelops,
I become an audience member,
able only to watch the show,
a speechless mime with my face in shadow.
A desire to shout into empty biscuit barrel silences
I test ringmaster reactions,
to get back in I perform in a freak show.
But my eyes catch eyes, a timed grasping on a social trapeze,
we swing above a net of old ties.
Jun 12, 2010
Jun 12, 2010 at 3:54 PM UTC
The cobwebs were hanging in the corners of the room.
While I'll confess I was lost within the masquerade,
of a dance full with the intent of death;
swirling till we sung with how to die alone.
In our ballroom, is what I need;
Step by step; unassumingly.
I'll wait for you there, locked in our rhythm.
I'll wait for you there, till time stands still.
And on death row, I will continue on with a smile.
My mask molding into my face-
Like the harlequin, dancing endless steps-
slipping down the path of the pagan.
I will pray to the god's and anyone listening.
To return me to my heavens.
To a place, I'll recall;
wasn't I just there---
In our ballroom, is what I need;
Step by step; unassumingly.
I'll wait for you there, locked in our rhythm.
I'll wait for you there, till time stands still.
And on I dance, until the days were done.
And then, there I sat with regrets...
Cobwebs hanging over shattered glass.
All the things I've never achieved...
For all I've done, for all I've been.
In dreams until my death, I wonder on.
Feb 11, 2013
Feb 11, 2013 at 1:43 PM UTC
* *A tear is shed
For those who are blind to the beauty of this world
Who can only feast on sarcasm, writhing in irony
* *It soon evaporates.
Pictures of a future dressed in ribbons and lace, cast off and burned
Pictures of the future carrying disdainful dystopia, infamous for invalids
Hung to admire in sublime distaste by those that seek knowledge
And see the repetitious antiquities of time that come to pass
But others care not for plans and the imminent
Those that keep to the light of the gas
And carry the past to the present
Hoping for trends to try again, reliving what they had never lived
Laconic and loquacious in emotions and words
Against the gossip, but paradoxically
Pushing for the creation of their “ritualistic social Golgotha”.
Those who abuse the glory of their munificent, malicious mentality
Pathetically unable to procure authentic happiness
A tear is shed.
Inside the recesses of the soul where emotions dare not dwell.
It too evaporates.
Trapped in fear and the “cliched harlequin speech of suicide”
Begging for the masses to cast them out and find each other
A tear is shed.
Never seen but felt as it evaporates.
Felt by those who envelop themselves inside themselves
Those who plagiarize their sick self-conscious souls
Those who bring about the very misfortune they strive to devour
Those who are effortlessly envied as they exploit their habitual recreations
By those who wouldn’t dream of falsified euphoria
Those who bastardise and deface the name of creative individualism
As waters of the soul are purged and discarded
They are felt by those
And are quickly washed away in doubt and regret
Keeping to the light of the gas, dangerous and warm
Feb 25, 2013
Feb 25, 2013 at 10:48 PM UTC
"io sol uno."
-Dante, Purgatorio
There I was,
the comic-tragic star of my own motion-picture,
bold beneath the springtime Italian sun hung high
--a heavenly fixture,
illuminating the gold-leaf enframed frescoes in
kaleidoscopes of colours,
baking dry the pigeon droppings upon the flagstones
they smothered,
where I, in all my self-serving recreation,
posed proudly in a costume of my own creation,
an operatic villain clad in a billowy blouse of black,
the Campanile Tower like a sentinel behind my back,
as movie cameras panned and zoomed,
paparazzi photographers capturing me
and freezing me,
in all my wicked, medieval glory,
floating and gloating in the dank aroma of the Venetian seas,
*"I'm the shining star!
--Look at me, look at me!"*
-the super-special star I always knew I'd be,
a painted parody,
a harlequin of displaced passions
for all to laugh at and see,
before slipping silently
into the ornate basilica,
dim and dark as night,
thanking Mother Mary (for nothing) as I sparked
a votive candle's light,
not really sure or caring
where my life would lead,
just as long as the Azure Queen
shed Her Grace on me,
me,
me,
...until I fell
and fell
to the mockery of a home
I made in Hell,
hard and forever and fast,
the only fool left alone in my solo cast,
adrift with no direction,
****** and lost,
me and my frivolous theatre,
squandered an an extravagant cost.
_____________
"io sol uno" means, "I, myself, alone."
This poem is a true-life story.
__________
See the Piazza San Marco, Venice, Italy:
http://www.carfree.com/design/pix/sqlg110venice_piazza-san-marco.jpg
Sep 13, 2010
Sep 13, 2010 at 11:01 AM UTC
In a land-mass mural hung high over my
(Smaller, Statelier) existence -
One boy, permeated in a maple-flavored monotony - one boy, half-asleep in harlequin headaches and half-assed homework - one boy, munching on metaphorical muffins - one boy -
COUNTDOWN: 5 , 4 , 3 , 2 , 1
BREAKDOWN: B , E , N , N , Y
(Where am I?)
Between bridges burned with cigarette butts, within ***** all-night diners and pieced (or pierced) together by solemn, salt-encrusted shadows
(I could come to you, you could come to me)
(Petit a petit, l'oiseau fait son nid)
Track my tiny rabbit feet through location services and ten-second hints
(Instagram my dead body)
Sep 18, 2013
Sep 18, 2013 at 5:20 PM UTC
For those among us who lived by the rules,
Lived frugal lives of pubis-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dogtag,
Or a dog, a colossal beast of a pet,
A humongus Harlequin Dane dog to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes.
Our boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.
We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo,” they will sigh.
What more could you want in retirement?
You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
Jun 1, 2014
Jun 1, 2014 at 10:22 AM UTC
With every beckoning move
My power self destructed
I stood among the audience
With no outrageous opinions
I performed as a harlequin
Trying to dulcify my motives
My torn pockets spilling sand
The baptism of fire
They said they were comrades
But at that moment
They enunciated
My defeat
Strenuously.
I'm tired of seeing the wall break
My cigarette stained hands yearn for demise
Feb 9, 2014
Feb 9, 2014 at 8:43 AM UTC
your symptoms are mine. we attach dead cells to living gods, you and i.
Golgotha spawn, writhe in leather trousers
to harlequin the marrow of our dire pipes !
to leap and jeer in tandem
that's how love does the impossible
with your mundane.
we are the abattoir of our stoic cow
your symptoms are mine. i see how you might think me mad; you not i.
but this is the dream fleck of your unkissed
a sweltering bloat of frozen hope
flogging the wolf in a gleam
of campfire exodus
and dust.
your nexus is the heart of the most free, a slim gorge of Krakens
yawning fresh hell and fjords of unconquerable silence.
yours is the tomb I am used too.
where we resurrect
we die laughing.
Oct 17, 2012
Oct 17, 2012 at 11:37 AM UTC
Moths—they are nearly all comprised of the same tender characteristics: empty colors that've somehow been ****** away like the nectar they digest, fuzzy abdomens that crumble within the softest pinch, and powder encrusted wingspans that fray with countless beatings from the wind. I have come to recognize that there are people like Her who dwindle within themselves among all of us, unheard; enthralled by color that doesn't exist to the naked eye, but rather to an imaginative mind and a battered soul. She is The Moth Girl and she, too is the epitome of simpler things. With Her fair skin and enchanting, grey eyes that **** you in with a single glance; lips so chapped and brittle that they're nearly as drained of pigment as the rest of her. I've decided that She is the reason oblivion hasn't doomed us all and obliterated our world to dust. I've imagined Her as oblivion itself, annihilating other galaxies and collecting the discolored soot from each explosion to sift it over the wings of every moth that has ever been criticized. With this, I have concluded that every moth must be a victim.
⠀
But, if given the chance, would they transfigure?
⠀
I've undergone the thrill of witnessing these moths revolutionize into harlequin humming birds that thrive at Her will. Wings that were once littered with dust are now far too rapid and swift for manifestation. The Moth Girl — She remains a flower of a woman, though now She is sprouting with petals that burst with color; filled with nectar sweeter than She. They are all rich with vibrancy.
⠀
With it, they have concluded that it's not much different being evocative.
⠀
After everything, I have decided that they were blooming with color all along, and it was the rest of us that simply couldn't see it.
Jan 30, 2017
Jan 30, 2017 at 3:48 PM UTC
Pinnocchio and the Queen!
Puppet image, sorrowful,
Rouge dusted sparkles bless his cheeks,
Such childlike image, as cheery angel,
Gay, misled by teen fantasy,
Hair coiffured not a whisper out of place,
In faded denim hot pants,
Appears out of place,
Parading as a shop mannequin,
Like a tiny harlequin,
Lust for some emotion,
Advertising wares for sale, in aim of a promotion,
A sad commodity,
Full of ****** satisfaction,
Young men, old men , suited men and booted men,
Seeking cutie prey,
Maybe,Streets paved in gold,
Fools gold in the truth was found,
Impure truth was the only thing he ever bought!
Prince Albert,although not his **** in truth,
Instead pond life **** took on the role, with cruel control,
Lives in land where tragic lies, and sorrow becomes magnified,
The shards of all, is ****** fantasies.
As an immigrant to land of city lights,
I see through windows fogged by city smoke!
Visualising through caring eyes,
What I see appalls me deep within,
Tears my soul to tears!
By ladylivvi1
© 2013 ladylivvi1 (All rights reserved)
Dec 22, 2013
Dec 22, 2013 at 5:08 PM UTC