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Mateuš Conrad Feb 2017
anyone can be a dritte ***** fetishist... anyone! say one word in german, and the left will deem you adequate for a fist, rather than a lip... or at least that's how speaking german words, with their compound-anti-hyphen "getting together" looks like... the French utilise diacritical marks intended as syllable incissors: but frequently utilise them, unless you're Lacan and say: transcend them... i.e. move them to the side... ensuring that a monopoly on literacy is kept... the only remnants of Saxon in Anglo-Saxon is enclosed in chemical nouns.... the rarity of actually using a hyphen, you literally over-use in everyday sprechen... talk a word of deutsche and you're 1 centimetre away from saluting and to a hymn stating a sieg heil! Germany is originally community building, English, for all it's **** antics, isn't... Germany can have the concept of a zeitgeist tomorrow... German society is as thick as *****... Germans best represent *****... i never lived there, but i have enough instruments to see it... they have a tendency to disregard the individual when the mass is threatened... the Englsih? they don't have that tendecy... they are more into einsgeist than anything else... they are the single ethnic group that cherishes iconoclasm above anything else... i spent 3 weeks in Poland: how many times did i hear the word selfie used? not once, zilch... 0. i know that English is a lingua franca of modern times, but it's so easy to speak, given the fact that so many people speak, that i feel horrid using it... i want it to remain small, the tinniest of tiny in its post-imperial structure... comedy-hysterics prone... debating the question: why are Scots in the Houses of Westminster? making adequate demands? the English will never experience a zeitgiest... they're living in one at the moment, but given the disparity of accents: they''ll never accept it... which is why, whenever i travel to Poland, i have a luxury suite in how i deciphered diacritcal marks... i can't be recognised as a foreigner... but of course the gnat questions in Essex (England) given my Germanic physiogomy... it's self-evident... but why didn't god die in Auschwitz? i believe it to be akin to Jesus having no inkling into the struggle contesting the need to build pyramids... unlike the need for what later became a misinterpretations of Conquistadors seeing the Aztec similitude of Egypt... i.e. the scaffolds... capital punishment... ******* didn't get it... now the entire continent is overrun with them asking for the some obscure demand for a Juan buying them the next round of drinks... the English will never create a zeitgeist... my fascination with the dritte ***** is simply that: to see a zeitgeist... a complete and utter obedient ethnicity... a singular testmanet of a volk... Jews i too could praise, but they're too scattered, too "english" i.e. too individualistic, too disguised... i see them re-owning Israel a bit like some fetish ***** with latex and gimp... what i want to see is the volk, from the mistakes sentenced in Versailles... i want to simply see the volk... well... no can do... i can't see it, history says... it's a natural fetish of history students... American protests don't really do it for me... there's no omni-cohesion akin to a *****-like appropriation of the leader *****... that's the closest i'll ever get with getting to see a theocracy, minus the idiosyncratic psychosis... clear geometry! lines! shapes! regiments! i'm so tempted by it that i can't but lead my narrative with it! the English will never understand this concept... they're too idiosyncratic in their approach... they all think they're unique... or as that motto in school hanged over me echoed, it hanged there in the air like a guillotine, some anonymous dictator spoke to us: you're different... just like everybody else! it was never a concern for keeping a place of origin as ostriches might... ther was always that moral "obligation" surfacing from Hong Kong and king kong... and Timbuktu... which is why i said ω = oo and a pair of ****, or a bottom... and o = +h... or a breath central yielding to an islam of yhwh... versus the need for a macron over the omicron... and indeed the umlaut above the o merely invoked the siamese cut-off of e, so a tongue-curler... but the seeing the volk! we all go mad after a while... i can't see the years according to Adoolf as something worth a romance... it has all the traits of a noumenon about it... but you know why i write this? my grandfather remembers ᛋᛋ-men kleiden im schwarz in my home-town, just before the Russian army came with their youths who preferred to sleep with the animals in equivalent of Bethlehem grottos... he remembered the ᛋᛋ-men, not as kleiden im schwarz: but as.... herrbittebonbon... or should i punctuate that: herr! bitte bonbon! some have a fancy on remembering the romance of the Warsaw Uprising of '44... my only clue into the reality of world war ii was once said by my grandfather... and they gave him sweets... so that he ran home and had to put his hands under the tap, because the sweets were so glue-like, that only water could tear them apart in order that he might clasp something else... it's sad in a way: i ahve no memorial to go to... no need to express a pride... merely fragrant my vocab with a german word or two... to indeed see: that there must have been something human in that ******* embryo at some point... something counter Versailles... i can't feel being touchy about these neurotic spreading their opinions as if their opinions are above the facts that history dictates... and personal memories, however many generations apart... but at least kept... if my grandfather remembers ᛋᛋ-men being herrbittebonbon... i can only wish to have an unlimited amount of ****... given my libido... and the complexity of modern women demanding as they demand: the restrained man, the man not willing to explore easing ******* by having *** while she's in the cyclone... oh well.... thumbs up!

well... looking at it now, i can only see left-politics
without an economic model... or what happened when
communsim was undermined: my grandfather,
a communist party member has a state pension....
so it's not like he's on a 0-hour contract...
   what's missing with the current left-leaning
politics? an economic model...
the left has no economic policy in the west...
it was been weeded out, what with the original
model asserting Marx and Dickens' Oliver Twist
tragedy... the left has absolutely no
economic model, which makes for crude politics:
   once upon a time the workers
in eastern europe celebrated workers
day... and you had absolutely
no protest: i.e. not engagement in
Hegelian dialectics...
    minus: is there really a theological
dialectic? i'm not so sure
given that atheism is populist
in motto, and anti-centrist
and giving up the individual so easily...
i don't trust it...
       so i don't really
respect it, however many intellectuals
take to the pulpit...
   i too ordain myself with a strict rigour
of "religious" akin dynamics:
i drink to excess, daily...
   well... wouldn't you:
given too many wanted you dead...
you'd start to imitate them
and take gambles at your own life,
finally! **** me! they suddenly disappear,
those same people who wanted you dead!
****! gone... blah blah and pa pa much
later...
                i still think i'm more useful
rhyming snipptes i call poetry
and necessarily not rhyme: because i don't
like orthodoxy, whether church or
poetry bound... because it just seems
too much like ping-pong after a while...
   i never knew why rhyme needed rubric, strict,
only identifiable by rhyme...
  never knew why that was the case...
i always thought: impromptu against rhyme...
                  but i'll give Islam
one thing that overpowers the rest...
the fact that "saints'" heads are on fire...
rather than encapsulated in halos...
       i see the item: halo like
the fact that left politics is needy in a care for
anything but a rebellion against an economy...
left-wing politics have no economy to support...
you can't teach people communism
     without being left out in the cold
without Marshall Plan antics of benefits
and left with an idea of Marx...
            the shadow of Hegel looms too heavily
over the attempts...
  the shadow of Hegel is too thick
and coercing... to do otherwise...
                 leftist politics is without an economy:
therefore they have to imitate
  far-right tendencies...
  they have to employ damage...
well: this is coming from someone who's grandfather
was a communist party member...
                        i can't see the left....
i can't see a purpose: an economy as a wanking
hippy commune? really? is that all?
                     smashed windows, is that all?
i always liked the fact that Islamic saints
had their heads set alight... on fire my son,
on fire...
   no halo, akin to the current leftist attempt
at dialectics: by halo i mean: membrane,
i mean: the untouchables... meaning pristine ego...
if only the Sunnis allowed the artists of Persia
to come to their calling, to ease the strain
imposed by Muhammad...
but now... well: if writing is supposedly "holy"
what will the Sunnis ever make
of the iconoclasm of words in adverts?
nothing... are we being temped with a warring spirit,
are we? aren't we?!
   who's waking up the populists?!
you really want germans on the warring path?
of course... let me tell you how *william burroughs

noted the creation of the schutzstaffel
as over-heard:
pet a kitten for month... then gauge its eyes out.
oh i have no care for a romance:
i'm seeing Paris contained in an envelope
citing the address: Hades... arise!
it's not the same Paris i remember, not the Paris
of 2004 or 2005...
       it's really a case of playing with
    an elastic band.... you pull it, stretch it...
but finally it snaps! and yes...
we'll be drinking schnapps in Libya at some point...
i'm thinking: what will ever make a man
relieve himself of using a hammer and a nail
as a carpenter, and take to a machine gun?
there must be an enzyme-point that just festers
in its ability to give momentum...
there must be... perhaps when being global merchants
leaves people too ordained to wait for death
that they start seeking it in the ***** of Mars?
   when utopia nears and merely breathes into
man's ear, and says no word, unlike a god:
that the fatality dynamo begins...
    akin to the fateful comparison of Damocles -
dangling, but at the same time: tickling... teasing...
isn't the Islamic world merely agitating?
  trying to move the Christian world from
fully engrossing the "protestant"-liberal
easy adaptation working from unearthing
the nag hammadi library?
              well... the left is without an economic
model... so it's politics is what it is:
    the original intention of Hegel:
        outlines of the philosophy of right -
what's the genesis of Marx... funny enough
the book is merely a collection of notes on lectures...
      there no thesis involved...
nothing as grand as what could stand alone
akin to the phenomenology of spirit -
they're just notes... just like i'm reading heidegger's
ponderings ii - vi... notes... half-baked scripts...
   so my post-communist inheritence...
just when inflation gripped Polish economy...
and we had the Kantian idea reaching pulpit
1000000zł, i.e. so many denials of a stable 1...
    thus the inner working of modern capitalism...
how certain things are really worth
nothing, as such: £0.000001 -
i can only guess to state, the only class of people
able to experience this counter-inflation    
in western societies are "artists"...
    or artists, in the context of a harold norse
autobiography: memoirs of a ******* angel;
i.e. getting published, giving ****...      
   it would have been easier under Stalin or ******...
at least the chance of martydom
and the holy ghost of censorship...
  at least it would have made sense then...
but the concept of counter-inflation isn't that alien...
it exists for a reason to suggest:
we really don't need so many contestants
in an x-factor show... we don't need so many
artists... counter-inflation is at work already...
   the same sort of inflation that worked its way
to ensure plumbers and carpenters, roofers
from eastern europe at the end of communism
were necessarily exported into western europe...
given the communist work ethic...
    hence the power of money, so inhuman and
akin to an elemental force that man
can contain with pocket-money as a child,
but as a man, can't contain neither forest fire
or tsunami, so too money: with the economic crisis...
money overpowers man, akin to the elements...
the same inflation in poland at work
to shift people is apparent now, but as counter-inflation...
because England can't be known as a nation
of singers... but of nurses and carpenters and
   shopkeepers, hence the counter-inflation:
when a song on Spotify is worth £0.000001 per streaming...
an immigrant plumber from eastern europe is
worth 1000000zł... or how the coordinate (0, 0)
cancels out... and we're left with what's later just
a pedantic fact stated by someone like me: a zzzzzzzz
coordinate...
            we can't control money no more than
we can control seas...
   could we ever not dream of being given enough
money to then not waste them on pointless urges
akin to a lottery win and the easy way, via no
business or syndicate?
   really? there's a reason we live in a time
that's necessarily soulless...
   i can't give it a piquant phrase (only a phrase
as germans put it, chemically, hydrocarbon spelling
akin to zeitgeist - spirit of the times,
and there's nothing holy about it...
   it just moves to the next generation,
and the next poker hand... so **** that trinity
um... person?) - it gets ***** with fashion...
   or as i see it: cannibalism of 20th century trends
as the neo-original basis of fashion in the 21st beginning...
this is the one time i'll get to coin a phrase,
i.e. pick up a penny from the street pavement...
   counter-inflation brought it about...
rather than a zeitgeist where we can share afflictions
and, perhaps succumb to empathy early on...
nein... none of that... let's see what we really see it as:
ebenegeist - or? the levelling spirit...
         ebene-    (level)... ah... even better!
   stufegeist... you hear it all the time!
                         buying a house and getting onto
the property ladder!
                                    stufegeist -
           always that tease, always that ******* carrot
and that donkey... well... that's one way to get
motivational... invert the inflation of Zimbabwe...
  ensure people stop dreaming,
   make a plumber worth £0.000001 in Zimbabwe
and £1000000 in England...
      likewise make an "artist" worth
   £0.000001 per poem / song / painting...
  and likewise make him worth £1000000
in Zimbabwe as a "good" person...
  well... by now completely mentally ill...
   but hey! it's money! look at money like you might
look at water or fire or earth... and it's not
exactly a Monday's edition of the Financial Times...
mind you: given that we're so "advanced",
and given how old the concept of money is...
   is it really not as primitive as it really is
in what it makes people do?
   oh sure, because i'm so not used to it:
i'd rather be paid with the currency of peanuts!
                but then my love for the art is greater
than my ability to buy a brand new kettle...
or a doormat... so... what's the word... m'eh?
Thousand minstrels woke within me,
"Our music's in the hills; "—
Gayest pictures rose to win me,
Leopard-colored rills.
Up!—If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;—
Up!—where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an aërial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,—
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.—
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,—
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;—
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dulness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,—
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone—
Each can only take his own.
Let him heed who can and will,—
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,—
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,—
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,—
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,—
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;—
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;—
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,—
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,—
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile *****
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,—
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime *****,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,—
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,—
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
Seán Mac Falls Jun 2013
She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.
In Irish mythology, Niamh ( "bright" or "radiant". Niav, Neve, Neave, Neeve and Nieve ) was a goddess, the daughter of the god of the sea ( Manannán mac Lir ) and one of the queens of Tír na nÓg, the land of eternal youth. She was the lover of the poet-hero Oisín.
Terry O'Leary Dec 2013
Flings and wings and rings rejected…
Cupid’s arrows fly deflected…
“It clearly is too late” she signed, “to love, adore or pay me mind”

Penciled lines drew cruel conclusions
mocking mirror’s cracked illusions…
Sometimes, in time, I hang awhile, reflected in her parting smile

Drifting wan, below unheeding
worried, wounded suns a’ bleeding…
Struck dumb by night, no way to say “Let’s sound the stars another way”

Shaking sands frame distant smokestacks,
shanty towns, forsaken oak shacks…
Pursuing dusk, collapsed and dyed, the docile dolphin deftly stride
beyond behind the ebbing tide, towards One-Way Ships of sunken pride


Gypsy dreamer in denial…
Sleep and slumber standing trial…
I never really ever slept inside the cryptic walls she kept

Martian moons provoke the oceans…
Strange enchantments stir the potions…
The mutant molten purple skies ignite subconscious fireflies

Voiceless echoes feigning laughter…
Crushing quiet screaming after…
Vague vagaries pretend to sleep, my conscience crumbles in a heap

Startled stars at dawn are slacking…
Still her tempest sail is tacking…
In fractured dreams sere silhouettes blow foghorns, trumpets, clarinets…
Discarded glowing cigarettes tinge One-Way Ships with pale regrets


Cold cathedral clocks upended…
Frozen second hands suspended…
Beneath the gauze of time I try to while away somewhere nearby

Ticking-tocking time’s a’ tolling…
Cruel eternity’s cajoling…
The future, tattered, calls bereft, with nothing but her shadows left

Brigantines skim gated grottos…
Distant divas voice vibratos…
Though eons pass, then intermix, I’m trapped ’tween time’s untallied ticks

Conquered candles flicker faintly…
Braided tresses quiver quaintly…
Demystified, untamed in time, her face is traced in puppet mime…
Amorphous tongues of jangled rhyme hail One-Way Ships that glide sublime


Bolts of lightning flash unkindly…
******, alone, I huddle blindly…
I drain another dram and bray “she’s far too far too far away”

Twisted waterwheels a’ thirsting…
Flaming flower buds a’ bursting…
Adrift, I stagger far below their unchained magic rainbow glow

White crowned wave crests break unbounded…
Shackled seashore sands lie pounded…
Unleashed, beyond the bridled world, her silver sails, cut loose, unfurled

Captive bluebirds nest in baskets…
Morning glories cover caskets…
Wee ballerinas swirl and spin while giant jokers smirk and grin
and, wasted, I withdraw within carved One-Way Ships in flasks of gin


Hungary hounds harangue the highlands,
howl at skies and desert islands…
Below, unfettered carbon crows conceal the parting path she chose

Lighthouse lamps and lanterns lolling…
Mute abandoned fleets are calling…
The shallow shadowed portholes vaunt dim traces of the past that haunt

Curved magnetic curtained faces
yearn contorted brief embraces…
Her fairy-tale like tattoo touch was serpentine but soft as such

Coffee cups and spoons corroding…
Mystic tea leaves, visions boding…
A cabaret calls, standing bare, beneath a splintered footloose stair,
vain vapors drape her vacant chair in One-Way Ships beyond repair


Splattered days are dripping dreary…
Shattered nights are wearing weary…
Without her footfall at my side I steal away within to hide

Fancies flame, persist to flaunt her…
Wanton whispers hiss I want her…
Hyenas, haggard, held at bay, still gnaw on bones of yesterday

Graveled graveyards grey and ghastly…
Apparitions pacing past me…
The answers to my whys and sighs have veiled her limpid pale blue eyes

Lurid figments storm the valleys
****** the helms of spectral galleys…
The coughing phantoms at the wheel, they make it all seem so unreal…
Rebounding cracks of thunder’s peal, shake One-Way Ships while seagulls squeal


Yesterday’s unsung, unspoken…
Bygone paths fold, draped and broken…
The weary winds of winter cling to voiceless nightingales and sting

Desert blossoms growing colder…
Drifting sand dunes pause, enfold her…
An arctic kiss and blush revealed forbidden pipe dreams flung afield

Weeping willows’ wilting snow drops
drip on tips of tiny toe tops…
Their opal fires bleed and fade while suns explode in icy jade

Jagged hours hangin’ heavy…
Footsteps pace the barren levee…
While pros and cons and kings debate, acclaim and blame and fame equate
the ruin’s remnants left to fate with One-Way Ships that fail to wait


Blazing blades of love surrender…
Memories and thoughts transcend her…
The Persian gazer’s crystal shows I’ve truly lost my ruby rose

Buried deep in evening’s embers
dust forgets what flesh remembers…
The bitter taste of farewell’s haste has laid the ****** skies to waste

Ruffled ravaged ravens ranting…
Churlish ancient churchmen chanting
resounding what she told me true “There’s nothing more that you can do”

Trial adjourned by judge and jury…
Freed, she flees, absolved of worry…
Remaining runes and relics burn to feed the ashes of the urn…
Six seers, wiser, soon discern the One-Way Ships of no return
“It is the voice of years, that are gone! they roll before me, with
  all their deeds.”

  Ossian.


NEWSTEAD! fast-falling, once-resplendent dome!
Religion’s shrine! repentant HENRY’S pride!
Of Warriors, Monks, and Dames the cloister’d tomb,
Whose pensive shades around thy ruins glide,

Hail to thy pile! more honour’d in thy fall,
  Than modern mansions, in their pillar’d state;
Proudly majestic frowns thy vaulted hall,
  Scowling defiance on the blasts of fate.

No mail-clad Serfs, obedient to their Lord,
  In grim array, the crimson cross demand;
Or gay assemble round the festive board,
  Their chief’s retainers, an immortal band.

Else might inspiring Fancy’s magic eye
  Retrace their progress, through the lapse of time;
Marking each ardent youth, ordain’d to die,
  A votive pilgrim, in Judea’s clime.

But not from thee, dark pile! departs the Chief;
  His feudal realm in other regions lay:
In thee the wounded conscience courts relief,
  Retiring from the garish blaze of day.

Yes! in thy gloomy cells and shades profound,
  The monk abjur’d a world, he ne’er could view;
Or blood-stain’d Guilt repenting, solace found,
  Or Innocence, from stern Oppression, flew.

A Monarch bade thee from that wild arise,
  Where Sherwood’s outlaws, once, were wont to prowl;
And Superstition’s crimes, of various dyes,
  Sought shelter in the Priest’s protecting cowl.

Where, now, the grass exhales a murky dew,
  The humid pall of life-extinguish’d clay,
In sainted fame, the sacred Fathers grew,
  Nor raised their pious voices, but to pray.

Where, now, the bats their wavering wings extend,
  Soon as the gloaming spreads her waning shade;
The choir did, oft, their mingling vespers blend,
  Or matin orisons to Mary paid.

Years roll on years; to ages, ages yield;
  Abbots to Abbots, in a line, succeed:
Religion’s charter, their protecting shield,
  Till royal sacrilege their doom decreed.

One holy HENRY rear’d the Gothic walls,
  And bade the pious inmates rest in peace;
Another HENRY the kind gift recalls,
  And bids devotion’s hallow’d echoes cease.

Vain is each threat, or supplicating prayer;
  He drives them exiles from their blest abode,
To roam a dreary world, in deep despair—
  No friend, no home, no refuge, but their God.

Hark! how the hall, resounding to the strain,
  Shakes with the martial music’s novel din!
The heralds of a warrior’s haughty reign,
  High crested banners wave thy walls within.

Of changing sentinels the distant hum,
  The mirth of feasts, the clang of burnish’d arms,
The braying trumpet, and the hoarser drum,
  Unite in concert with increas’d alarms.

An abbey once, a regal fortress now,
  Encircled by insulting rebel powers;
War’s dread machines o’erhang thy threat’ning brow,
  And dart destruction, in sulphureous showers.

Ah! vain defence! the hostile traitor’s siege,
  Though oft repuls’d, by guile o’ercomes the brave;
His thronging foes oppress the faithful Liege,
  Rebellion’s reeking standards o’er him wave.

Not unaveng’d the raging Baron yields;
  The blood of traitors smears the purple plain;
Unconquer’d still, his falchion there he wields,
  And days of glory, yet, for him remain.

Still, in that hour, the warrior wish’d to strew
  Self-gather’d laurels on a self-sought grave;
But Charles’ protecting genius hither flew,
  The monarch’s friend, the monarch’s hope, to save.

Trembling, she ******’d him from th’ unequal strife,
  In other fields the torrent to repel;
For nobler combats, here, reserv’d his life,
  To lead the band, where godlike FALKLAND fell.

From thee, poor pile! to lawless plunder given,
  While dying groans their painful requiem sound,
Far different incense, now, ascends to Heaven,
  Such victims wallow on the gory ground.

There many a pale and ruthless Robber’s corse,
  Noisome and ghast, defiles thy sacred sod;
O’er mingling man, and horse commix’d with horse,
  Corruption’s heap, the savage spoilers trod.

Graves, long with rank and sighing weeds o’erspread,
  Ransack’d resign, perforce, their mortal mould:
From ruffian fangs, escape not e’en the dead,
  Racked from repose, in search for buried gold.

Hush’d is the harp, unstrung the warlike lyre,
  The minstrel’s palsied hand reclines in death;
No more he strikes the quivering chords with fire,
  Or sings the glories of the martial wreath.

At length the sated murderers, gorged with prey,
  Retire: the clamour of the fight is o’er;
Silence again resumes her awful sway,
  And sable Horror guards the massy door.

Here, Desolation holds her dreary court:
  What satellites declare her dismal reign!
Shrieking their dirge, ill-omen’d birds resort,
  To flit their vigils, in the hoary fane.

Soon a new Morn’s restoring beams dispel
  The clouds of Anarchy from Britain’s skies;
The fierce Usurper seeks his native hell,
  And Nature triumphs, as the Tyrant dies.

With storms she welcomes his expiring groans;
  Whirlwinds, responsive, greet his labouring breath;
Earth shudders, as her caves receive his bones,
  Loathing the offering of so dark a death.

The legal Ruler now resumes the helm,
  He guides through gentle seas, the prow of state;
Hope cheers, with wonted smiles, the peaceful realm,
  And heals the bleeding wounds of wearied Hate.

The gloomy tenants, Newstead! of thy cells,
  Howling, resign their violated nest;
Again, the Master on his tenure dwells,
  Enjoy’d, from absence, with enraptured zest.

Vassals, within thy hospitable pale,
  Loudly carousing, bless their Lord’s return;
Culture, again, adorns the gladdening vale,
  And matrons, once lamenting, cease to mourn.

A thousand songs, on tuneful echo, float,
  Unwonted foliage mantles o’er the trees;
And, hark! the horns proclaim a mellow note,
  The hunters’ cry hangs lengthening on the breeze.

Beneath their coursers’ hoofs the valleys shake;
  What fears! what anxious hopes! attend the chase!
The dying stag seeks refuge in the lake;
  Exulting shouts announce the finish’d race.

Ah happy days! too happy to endure!
  Such simple sports our plain forefathers knew:
No splendid vices glitter’d to allure;
  Their joys were many, as their cares were few.

From these descending, Sons to Sires succeed;
  Time steals along, and Death uprears his dart;
Another Chief impels the foaming steed,
  Another Crowd pursue the panting hart.

Newstead! what saddening change of scene is thine!
  Thy yawning arch betokens slow decay;
The last and youngest of a noble line,
  Now holds thy mouldering turrets in his sway.

Deserted now, he scans thy gray worn towers;
  Thy vaults, where dead of feudal ages sleep;
Thy cloisters, pervious to the wintry showers;
  These, these he views, and views them but to weep.

Yet are his tears no emblem of regret:
  Cherish’d Affection only bids them flow;
Pride, Hope, and Love, forbid him to forget,
  But warm his *****, with impassion’d glow.

Yet he prefers thee, to the gilded domes,
  Or gewgaw grottos, of the vainly great;
Yet lingers ’mid thy damp and mossy tombs,
  Nor breathes a murmur ‘gainst the will of Fate.

Haply thy sun, emerging, yet, may shine,
  Thee to irradiate with meridian ray;
Hours, splendid as the past, may still be thine,
  And bless thy future, as thy former day.
A map of every country known,
With not a foot to call his own.
A list of folks that kicked a dust
On this poor globe, from Ptol. the First;
He hopes,-- indeed it is but fair,--
Some day to get a corner there.
A group of all the British kings,
Fair emblem! on a packthread swings.
The Fathers, ranged in goodly row,
A decent, venerable show,
Writ a great while ago, they tell us,
And many an inch o'ertop their fellows.
A Juvenal to hunt for mottos;
And Ovid's tales of nymphs and grottos.
The meek-robed lawyers all in white;
Pure as the lamb,-- at least, to sight.
A shelf of bottles, jar and phial,
By which the rogues he can defy all,--
All filled with lightning keen and genuine, 20 And many a little imp he'll pen you in;
Which, like Le Sage's sprite, let out,
Among the neighbours makes a rout;
Brings down the lightning on their houses,
And kills their geese, and frights their spouses.
A rare thermometer, by which
He settles, to the nicest pitch,
The just degrees of heat, to raise
Sermons, or politics, or plays.
Papers and books, a strange mixed olio,
From shilling touch to pompous folio;
Answer, remark, reply, rejoinder,
Fresh from the mint, all stamped and coined here;
Like new-made glass, set by to cool,
Before it bears the workman's tool.
A blotted proof-sheet, wet from Bowling.
--'How can a man his anger hold in?'--
Forgotten rimes, and college themes,
Worm-eaten plans, and embryo schemes;--
A mass of heterogeneous matter,
A chaos dark, no land nor water;--
New books, like new-born infants, stand,
Waiting the printer's clothing hand;--
Others, a mottly ragged brood,
Their limbs unfashioned all, and rude,
Like Cadmus' half-formed men appear;
One rears a helm, one lifts a spear,
And feet were lopped and fingers torn
Before their fellow limbs were born;
A leg began to kick and sprawl
Before the head was seen at all,
Which quiet as a mushroom lay
Till crumbling hillocks gave it way;
And all, like controversial writing,
Were born with teeth, and sprung up fighting.

'But what is this,' I hear you cry,
'Which saucily provokes my eye?'--
A thing unknown, without a name,
Born of the air and doomed to flame.
Seán Mac Falls Mar 2013
She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.
In Irish mythology, Niamh ( "bright" or "radiant". Niav, Neve, Neave, Neeve and Nieve ) was a goddess, the daughter of the god of the sea ( Manannán mac Lir ) and one of the queens of Tír na nÓg, the land of eternal youth. She was the lover of the poet-hero Oisín.
Seán Mac Falls Oct 2013
She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.
In Irish mythology, Niamh ( "bright" or "radiant". Niav, Neve, Neave, Neeve and Nieve ) was a goddess, the daughter of the god of the sea ( Manannán mac Lir ) and one of the queens of Tír na nÓg, the land of eternal youth. She was the lover of the poet-hero Oisín.
Aparna Ganguli Dec 2011
The Magical Date
Last nite was a celebration!
And before it all begun
He held me by my hand so close
We were off to leprechaun land!

The naughty elf with his impish pranks
His sinful teases and wanton ways
His playful gestures, fractious delights
He rushed me off to his wilful fays

We found ourselves in a Keatsian bower
In 'embalmed darkness', '**** 'white hawthorns'
It was fragrant with the jasmine veils
That covered the roof of rosy thorns

we laughed and sang old happy numbers
we talked our hearts out gleefully
After aeons of blue moon we'd finally met
A magical date it had to be!

And so when i looked up to his eyes
It held mine in a purple gaze
In a trice of a second he was off with me
Speeding through the verduous maze

Help! i cried but held on tight
Our windswept hair, our amorous plight
His fervour, vigor, force and power
Was all i felt that wondrous night

Elf or gnome, genie or sprite
A naughty brownie or the nisse vampire
Bogie, goblin, fairy, nymph
He carried me through the forests dire...

So just wen I can close my eyes
Just when i feel im missing him
He's there as he says hes there with me
Off we go into the woodlands dim

We dance a waltz, a salsa true
A foxtrot, a ballet in embrace tight
In white moonshine, in purple rain
When dewdrops catch the morning light.

And then again with every dawn
The magic wanes, the elf resigns
To mossy groves and sylvan lands
And the elfin grottos of my mind.
Seán Mac Falls Oct 2012
She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.
In Irish mythology, Niamh ( "bright" or "radiant". Niav, Neve, Neave, Neeve and Nieve ) was a goddess, the daughter of the god of the sea ( Manannán mac Lir ) and one of the queens of Tír na nÓg, the land of eternal youth. She was the lover of the poet-hero Oisín.
JoJo Nguyen Jun 2022
Howling bird in cage
Blackish crow in rage

Odin's eyes scan
All-father sees fan

Stylized violence
Rapes with diligence

Half-breeds born
Poseidon shorn?

Roman Hercules
Or Greek Theseus?

Our grottos of painted *****
Wombs for hero cornicopia

It makes sense
but doesn't rhyme
Seán Mac Falls Jun 2014
She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.
In Irish mythology, Niamh ( "bright" or "radiant". Niav, Neve, Neave, Neeve and Nieve ) was a goddess, the daughter of the god of the sea
( Manannán mac Lir ) and one of the queens of Tír na nÓg, the land of eternal youth. She was the lover of the poet-hero Oisín.
David Jul 2015
It's never quite as romantic as they make it out to be.
These trips to France
or Spain
or Germany.
To the misty mountains of Iceland,
the wine-toasting grottos of Italy.

The romance comes about a half-hour before sun rise.
Catching, counting
and losing count
of the stars you see in her eyes.
In those sincere sighs
that come after the heartfelt goodbyes
and the soft smiles in those happy hellos:
Those are the ones
that let you know.

Romance is not a place:
It's a person.
And when you find them,
hold them close
and never let go.
Or you'll be destined to dwell on the past
and to dream only of tomorrow.
With a head full of regret
and a heart full of sorrow.

Don't let it happen to you
like it happened to me.
Hold her close, for heaven's sake:
Or lost
you will forever be.
Dylan Mar 2023
Winter rain dissolves the snow
and reveals a hidden green.
Scant lamplight dots the darkness
where homesick phantoms wander
beyond the hemlock screen.

Winter nights put arms around
the shrunken hours of day.
Branches lay cloaked in icy beads
as the moon seldom peers
from the frozen curtain of gray.

Winter birds sleep in mossy grottos
while their cousins make for the sea.
One day I'll be moved by vernal blaze
but until then I'll just let the clouds cry for me.
zebra Sep 2020
princess blood cult
throne of tethers
rumor's of frazzle drip murders
and blood spatters
on a bed of grinning hooks

X
marks the *******
she bled they fed
in love in bed

torn dress and flutter ******
form her squandered torso
as bare feet dangled
while skies shrieked knotted eyes
watching her get it hard

wet **** drunk
she tumbled
in this little black house of madness
****** her in a sack of sins
while **** buckarooed  
in a wood shed paradise

welcoming death by sexicide
she backstroked head over heels
exposed
flirting in the graveyard hacked and black

beckoning orchards that
caressed her by squirming *****

she adored the mole that snuggled her
while thighs shuddered with anticipation
hurricane tongued
she licked grinning *****
for pudenda's pillow
shimmed black light disco daggers
down her lips
to ****
to thighs
to drooling
raw lips

her ****
like a shucked oyster

whimpering disciple
of enticing wounds
bloom in gloom
she tasted like taffy panicked *******

erotomaniac
from head
to lips
to feet
chanting squeals
of infernal opera
in the throws of blood *******
and weeping barbarous 
stammer
beezel blaba blaba
Beelzebub

her body stained labyrinth floors
in soiled cathedrals of desire
while growing phantasm babies
he whispered death music
in grottos of legs over head
that made her hotter than
boiled fish eyes

chopped her in two
she  squirmed
shivering inkblots of madness
cu cu cu cu cu cu
*******

swing the scythe
and
get the knife
she shrilled

pump the ****
split the bone
smudge the lips
spit and blood
moon eyes turn blood gauze
and heads swivels hula

the **** yields
a spooled mouth contortion

her *** crack
a smile of accomplishment
and tormented ballet feet
stretched tickle toes
for heavens edge

she panted rolling away dark air
in an uneasy creeping
and widened thighs
she lost her head
like a chopped carrot
for the miracle of oblivion

you could hear the last thump
falling as silence falls

she spread like bat a wing umbrella
Vlarken Hvyrmtor Jul 2015
The moon hangs above me
beclouded

A pupil behind a milky cataract

He knows night's words

When he tells me them my
eyes roll to whites

My succubus drapes herself
over me

Her snakehair is such a mess

They tell me love's words while
biting at her *******

That woman is there in the
window again
black backlit cutout

by yellow light so nicely framed

She dances without moving

I throw a rock at her window,
and she stays motionless

I flee terrified

The winter forest draws snug
its blanket
snow unspoiled by track or trail

My breath is smoke on the air

The wastelands burn about me
bergs of ***** bone

They tell me of secret grottos
in cool underground
wherein water
drip
drip
drips
onto tombstones forever muted

My longing lips crack and bleed
My sunblind eyes drift skyward

I scream for the vulture
my friend
to fly me down there
Seán Mac Falls Nov 2014
She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.
In Irish mythology, Niamh ( "bright" or "radiant". Niav, Neve, Neave, Neeve and Nieve ) was a goddess, the daughter of the god of the sea
( Manannán mac Lir ) and one of the queens of Tír na nÓg, the land of eternal youth. She was the lover of the poet-hero Oisín.
Seán Mac Falls Jul 2015
.
She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.
In Irish mythology, Niamh ( "bright" or "radiant". Niav, Neve, Neave, Neeve and Nieve ) was a goddess, the daughter of the god of the sea ( Manannán mac Lir ) and one of the queens of Tír na nÓg, the land of eternal youth. She was the lover of the poet-hero Oisín.
Mateuš Conrad May 2016
Aztec pyramids, it's all a great misunderstanding,
there's no tip on them they're flat at the top,
meaning there's a court being held,
i've read the modern European interpretation,
about how the Aztecs sacrificed people to their gods...
i think they got it all wrong, they're not exactly
the Giza grottos of ****** Pharaohs,
to me they represent buildings where capital
punishment took place, they were the Aztec world
scaffolds, honest, i can't believe the Aztecs thought
up astronomy and convened to sacrifice people
for a blood libel to get a good yield of crops...
western culture and astrology ring a bell?
sites of capital punishment... ripped a heart out
like the viking blood eagle and said:
could you love this heart / breathe in the same
elevator as this person? a resounding no from
the crowd below... if astrology / the horoscope is
still a practice in western society i can't believe
thee vogue interpretation of the Aztec practice of
sacrifice to the gods... esp. when you have a crucifix
with you as the sole justifiable sacrifice... bull-*******-****
(imagine the Kama Sutra off that...)
Aztec pyramids made more sense than their counterparts
the Egyptian tombs (yet again imagine
building skyscrapers with only one room in it),
the flat on the top meaning something was being convened,
something was being discussed, fear mechanism,
not a site of of sacrifice, but a site of capital punishment;
i've no proof (obviously), but i'm keeping my sanity
with what i just wrote.

Tarah has been working in Tesco as a cashier for 3 years,
i meet her every Monday, Friday, Saturday,
i'm actually a customer with a name rather than
a Tesco clubcard, less Auschwitz in the sphere of
what the corporations represent -
my grandfather went to Auschwitz twice,
second time he did a democratic poll,
he said 'i've been here once, second time i'll pass
and wait outside', a few joined him...
i'm not going, forget, no, no, no! i'm going to watch
a few horror movies instead, no fun thank you -
pharmacological diversions i mind, i don't need to
see any ovens other the ones were they bake pizzas
rather than cigarette ash.
so Tarah the cashier is this chubby (i like the sound
of the word, bubbly does her no justice) asian woman,
married, i'm guessing in her late 30s,
raven hair as is usual for blue indians (east, india)
and a nice auburn skin, so i compliment her:
'you're looking great tonight, sleepy but glowing',
then ask her how long she worked here, 3 years say
replies... what about the veterans?
20 YEARS she says... both our eyes widen with
goosebumps at the prospect -
and mind you, here's a little something you won't
here often...
                     you the English, skin heads and whatnot
"pigs", they use the word ****,
it's described as offensive, don't know why don't ask me
why, but here's something you missed,
the English are lazy with language sometimes,
****- is indeed their lazied sunday afternoon version
of Pakistani... stop being an *asian dub foundation

l'oréal advert careful for a psychological manicure, *****,
look at it, properly, and i'm not joking:
don't (do not), won't (will not), it's (it is)... ****-
(indeed just to make it obvious the hyphen is used)
is their shortening... can i also say pope Jean-Paul 2nd
dispersed the Poles? now that's offensive:
i end up saying Paul-leash to differentiate
pine scented polish. the plum bruise i just mentioned?
asian dub foundation's song oil from the album
tank... although i prefer la haine.
Caroline Shank Aug 2021
That was a different dream, not the one last night where you couldn't
get the door unlocked.  The other
dream was when we walked east
on Capitol Dr. toward the water.

We explored the caves,
the hidden grottos of Lake
Michigan.  We walked so far with
torn experience and
unforgiven memories.  The sky
dimmed in the late afternoon.
We tried to reach each other
in the fading red moments before
awakening.

Last night you couldn't get to me.
The locks were made up of the
Crucifixion and a nun kneeled
before me.  You were frocked
out in gray and threw kisses.

We woke in the same bed where
you vanished quietly to your
whispers of regret.
I remain unseen and unloved.
A torrent of feeling sprang from my
soft and sorry, lonely gray bed.

Caroline Shank
SUNDARAM SARMA Sep 2021
Italy's Capri admirably fits the bill as an enchanted island,
Nestled in the Bay of Naples, it's apt to call it wonderland,
It is famous as a coastal resort and a celebrated beauty spot,
Little wonder of it being touristy and a location often sought

The isle is seriously beautiful, sans any blemish in its splendor,
So little room for any shortcoming, chances of which are slender,
Breathtaking views from any angle makes Capri appear so scenic,
Futile to draw comparison to any other isle that is so panoramic

Capri is known as the isle of the sirens in Greek mythology,
It has very little to do though with any aspect of theology,
Long considered a preserve of celebrities and the super-rich,
The small precipitous island is a must-visit travel agent's sales pitch

Accessible only by ferry or hydrofoil from Naples and its surrounds,
The idyllic isle with sheer cliffs and dazzling seascapes visually astounds,
Steep cliffs rise majestically from an almost impossibly blue sea,
That the isle has that tangible deluxe feel, is for all to see

The island has a mythical charm with its jaw-dropping natural beauty,
Stunning landscapes from rocky caves to the horizon's edge lend to the popularity,
Shimmering sea views, secluded grottos lure visitors in droves to be on board,
Amazing cuisine, world-class shopping are bells and whistles; lest you get bored

Blue Grotto is an oceanic cave at the water's edge with an opening to the sea,
Optical effects created by sunlight bouncing on the cave walls, is a sight to see,
Water lit turquoise hues from below, by the sun, creates a magical atmosphere,
Shimmering cobalt-blue light images beckons us to a virtual optical stratosphere

Through the water on the floor of the cave, Roman remains are clearly visible,
Supposedly used as a bathing place by Emperor Tiberius, a reason nigh plausible,
This lagoon was probably a Roman villa with statues decorating the whole floor,
Other entrances to the grotto were created to improve irrigation, per Greek folklore

Capri's standout are three rocky peaks emerging from the azure blue water,
Called the Faraglioni, the limestone stacks are discernible to any spotter,
Formed by erosion, separated by water thro' collapse of solid land mass,
Emerging as steep rocks rising out of the sea, surprisingly not as a morass

La Piazzetta, aka chiazza, is a bustling diminutive square in the heart of Capri,
Table settings of the handful of cafes are meant for one to be carefree,
The colorful clock tower chimes every quarter hour throughout the day,
With thronging crowds at all times, little surprise why the place holds sway

Post ferry drop-off at Marina Grande, a road trip from Capri to Anacapri is a must,
Brace yourselves for a 3-km. stretch of hairpin bends en route in the mini bus,
On the slopes of Mount Solaro and at a higher elevation than Capri,
The more authentic side of the island and less crowded, is Anacapri

Piazza Vittoria in Anacapri town is the bustling bus stop square where one alights,
Sauntering thro' colorful bougainvillea, geranium festooned lanes is sheer delight,
Behold a mix of Neapolitan tailor shops, artisan shoemakers and souvenir shops,
Enjoy the aerial whiff of the town's lemon groves pervading everywhere, nonstop

Museum of Villa San Michele is a building articulating at various levels,
Ancient artifacts, Roman paving, marble columns are sights that revel,
An elevated garden with granite Sphinx and Greek tomb is a perfect setting,
For a sweeping view of the Bay of Naples below, that looks so enchanting

Continuing downhill, the Church of Santa Sofia is the pride of the town,
The adjoining Piazza Armando Diaz bustling with activity is a place of its own,
Locals chatting and reading newspapers presents such a wonderful sight,
Seated on hand painted majolica benches, as if conveying life is so bright

A visit to Capri is incomplete without tasting the famed Caprese salad,
The taste is so exquisite that one tends to break into a ballad,
Tomatoes, milky mozzarella, aromatic basil leaves are the sole ingredients,
A drizzle of sharply flavored olive oil does little to serve as an impediment

Restaurants abound the lanes with crowds' incessant chatter,
Panino Caprese being made in a jiffy is no laughing matter,
So popular is the salad that it can be found on every menu,
Strolling along past excited visitors, makes for the perfect milieu

It is with a heavy heart that you ferry back to mainland at the trip's end,
While enjoying the panoramic stunning views again, as if there's no end,
It is not without reason that Capri's famed "cliff beauty" is so majestic,
The only describable feeling of the experience is that it is "ecstatic"!
Travel poetry
sparklysnowflake Jan 2019
i want blue eyes
glistening like moon ripples on
mirrored lakes

i want blue eyes
burning like sapphire flames
in the furnace of half-baked
dreams

blue eyes
that churn glittering snow
and overflow
overshadow

blue eyes
like
liquified winter skies
dripping, seeping sorrow
wings of iridescent dragonflies
fountains in secret grottos

blue eyes
like yours
lost
            in their own ocean labyrinths
            in thought
            in other dimensions
where brown eyes
            cannot follow

sometimes i think
that maybe
if my eyes were blue
too
maybe you would

take me with you


            take me with you
AU
I'm dripping into sorrow

Like raindrops into a pothole

I can't outrun what I've borrowed

There's no profit in tomorrow

I claim there's no dependence/dependants until there's none left in the bottle

I get less than what I earn so that the slugs can keep their grottos
I remember writing this on a rainy day in the Sam's Club parking lot probably in 2012
Marshal Gebbie Apr 2020
Magic memories, Sweet, of you
Who swam with me in oceans, blue.
Swam in deep green grottos warm
Where minnows, brightly painted, swarmed.
We plunged down, deep, to coral beds
To sway with tidal seaweed, red
And conger eels’ ferocious teethed
Now bared… then recoiled back to reef.
Squads of barracuda dashed
Around us, close, in silver flash,
Threatening with long gnashing teeth
Invoking stone cold fear, bequeathed.
Yet hovering, in deep crystal clear
Enraptured and entranced, endeared,
As giant kelp in columns, swayed
And stingrays in battalions, played.
Long grey shark then menaced bye
Ogling us with plate sized eye.
Time, I thought, to swim for shore
Where hot white sands… enticed us more.

M.
Great Barrier Reef
January 1968
Moonsocket Feb 2017
I've done strange things for the sake of rings spun around solar systems

Myself I seek for a silent leap into a fantastic fracture

No world need convince me that these cracks completed spill serendipity

I separate them neatly when they start breathing scenes best left for a blind patronage

Perhaps your malfunction is a product of something more sinister

A human condition decides on renditions torn from a black white horror show

Freezer burn for our nutrition when the world insists on absurdists amplified

Our sincerity is matched only by electricity extinguished for better imagining

Ghosts consider our progression like hindsight heros

Decadent glee when a plastic choked sea swoons from hurricane hijinks

Paranoid pirates tuck treasure into garbage heap grottos the size of Texas

No map for a wealths navigation

Buried beneath distraction contraptions and know how hardware

No connection like the steadfast junctions that perpetuate envy

Skies cease their indifferent observation and decide on surrender

A wooden giant crumbles while the modern slowly assembles

The vanity runs like storm stained dancers

pooling politely for easy consumption

Scoop the slips and magnify some misconceptions

Sometimes normalcy negates these more formidable formalities
SUNDARAM SARMA Oct 2021
It is not without reason that Italy is a tourist haven,
If you missed a tourist spot, you could be forgiven,
Numerous scenic eye-catching locales are so much fun,
Its as if the country exists for more hearts to be won

The toe of Italy's boot-shaped peninsula in extreme south is the region of Calabria,
Herein, perched above the Tyrrhenian Sea, is the pretty town of Tropea,
Located on a reef, Tropea has all the trappings of a rocky balcony,
That it is a most sought-after holiday destination, is not just baloney

Tropea is a mythical seaside resort, with stunning fantastic beaches aplenty,
It's coastline, known as 'Coast of the Gods', appears to stretch to eternity,
Between dramatic cliffs and golden sandy beaches & edged by translucent sea,
The glittering water with gentle waves is picture-perfect as it can possibly be

With endless cobbled streets, Tropea is a puzzle of cafes, bars & piazzas; spectacular sunsets aside,
Piazza Ercole is the central square most lively and vibrant with impressive buildings on all sides,
Corso Vittorio Emmanuale is a long street teeming with tourists enjoying beer, coffee or gelato,
People lazily wander up and down the road throughout the day, though with lack of gusto

The classic postcard shot of Tropea is the iconic Santa Maria dell'Isola monastery,
Perched atop a cliff, the church with it's pristine façade is a classic example of imagery,
Surrounded by beautiful gardens, the panoramic view of rugged coastline and beaches is breathtaking,
Endless clicking of selfies and group photos with the sanctuary backdrop, is for memoirs in the making

The Historic Center of pedestrian-only narrow winding streets and lanes is a medieval maze,
Old patrician houses and palazzi painted in pastel colors present a pleasant sight to gaze,
Restaurants, pizzerias, cafes, gelaterie, artisan shops flanking the streets add to the local mileu,
One senses adventurous excitement in the air when delving into history without much ado

Tropea is the only place in the world that produces red onions that are sweet,
Attributed to the soil and climate, the delicate mild flavor makes it a delectable treat,
Seeing them hanging at vegetable stands and stacked by the roadside makes it memorable,
From salads to jarred marmalades, local restaurants prepare them in every way imaginable

Eating tartufo in Tropea is a must-have unique experience for the traveling hedonistic epicurean,
Dual ice cream flavors molded around frozen fruit and coated with cocoa powder, make up the tasty union,
Served in frozen solid form, rich melted chocolate spills from the center when you dive in with a spoon,
A no-bake dessert recipe with numerous combinations of fruit and ice cream flavors, that makes one swoon

Vacations in Italy are never complete without the sweet tooth experience of the famed gelato,
Gelatarias abound in Tropea dishing out a variety of flavors waiting to be savored on-the-go,
Gelatos are frozen desserts of Italian origin that are sans eggs, having more milk and less cream,
From chocolatey to fruity to nutty and everything in-between, every flavor is a scream

Tropea's dramatic cliffs provide a perfect backdrop for the gorgeous sunsets in the evening,
Crowds make a beeline for the chic cafes on the town's edge to enjoy vantage viewing,
The occasional purple hue of the sea on some days makes for a great visual treat,
The sun setting over the Tyrrhenian vibrant red-orange fiery sky makes it impossible to retreat

Tropea's azure blue sea and white sand beaches are an ideal setting to relax the mind,
Cliffs, coves, grottos and dramatic rock formations dot the long coastline,
Visitors rent umbrellas, enjoy the sun and take a dip in the sparkling Caribbean-like water,
Blissfully relaxing while soaking in nature's wonder, oblivious of trivialities that don't matter

Emotions engulf you when it comes to the end of the stay,
You fervently wish that you could just stay for another day,
But the thought of other travel adventures waiting to be explored,
Makes you realize that there is seldom a moment to be bored
zebra Jan 2022
Aside from my love of women who own their sexuality and being the spawn of the solar phallus dragon and ***** **** of fire, you know mom and dad, let's face it a lot of people are pent up about ***, so anything illuminating on the subject and its various forms, perspectives, sensual aspects and subculture is nothing but a good thing unless of course you are a die-hard *****.

Broadly speaking marrieds and long-term couples grow bored with each other, and singles very often go without *** or even being touched for extended periods of time. In both cases it ***** and not in a good way. Many singles remain fixated on the idea of finding that special person to alleviate their sense of loneliness and many if not most marrieds remain starved for a bit of novelty and are understandably afraid to transgress for fear of the jealousy and pain of betrayal with the loneliness and insecurity it often brings. Of course, there are some who work hard to disown their sexuality all together as a solution.  I see this as a kind ****** & emotional suicide, a moral masochism if religiously motivated and crime against the self.  There is in fact very few of us who manage to find a way to have it all and have it that way most or all of the time. In other words, the entirety of our society has a baked in structure that creates a sense of pervasive despair about ****** desire, not to mention the immense suffering that comes with loving and not being loved back.

Speaking of moral masochism, I find it ironic that the clergy who are sworn to celibacy and outwardly kowtow to the most rigid repressive codes of behavior have been and remain appalling in their rampant *******.

Perhaps whats left is to be driven into a labyrinth of hermetically sealed shadows that incubate a kind of sensual theater of transgression and taboo where simply everything goes.
Well, this writer has lived in those shadows like many others and consequently decided to explore those dark corners both in relationships, and those interior grottos of self through mental construct phantasmagorias and the language of poetry to spotlight this web of pathogens built into the very scaffolding of our psyches and culture.
As a poet I dont want to mimic the ruling culture. I want poetry to be like good ***, as in novel or intimate or perverse or underground like a creepy girl with a little blood on her pigtails in a fluttering dress with great legs just asking for it.
Poetry in its frail orbit is often only seen through the lens of genteel romance, social justice, of documentary, of collective resistance, or perhaps the propaganda of some other public iconography, a kind of literary imperialism in its lock step with the prevailing dogma trend lines while *** remains oddly off the radar? How could that be with so many barking and yelping genitalia, talk about repression.
Is the poetic form collapsing like a drooping mouth from too much pretentious baroque gentility in mildewed assure skies and verdant fields? Has Pandora been dethroned, and stripped of her gloomy yet torrid box of troves?
No folks shes under our bed's, in our brains and DNA disturbing us while we try to avoid her primal groans, groans mind you that manifest in the shadows and then erupt into arguments, tears and the rip apart lives.   

The reason I write about *** is I'm in search of a sacred space where language serves the psyche without artifice, and that makes plain the difference between the conservative public conversation and true innerness of the intersectional shadow lands of self towards a better way to live.
Ericson Willians Jan 2017
Deep within shadowy grottos,
I've been chased by her presence.
Unable to escape from below,
I've been faced by my penance,

My penance for letting her ****,
**** in the name of acceptance.

She wanted desperately to be accepted,
But The Haunter would never let her.
She could not run from her dreams,
So she fought to be intercepted,

Intercepted by her own insidious instinct,
By her own ghoulishly foul instinct.

Now I wake up with scars every night,
For her knives always find their way.
Now I'm chased with scars every night,
For her knives always want to pay,

To pay me for letting her ****,
To thank me in the name of acceptance.

Now I'm the one who can't run,
From myself and herself in my dreams,
For she's always watching me run,
In the dark and in silence of dreams,

In the dark of my own violent torment,
For giving her my loving acceptance.

Written by Ericson Willians.
Written by Ericson Willians.
Civet Wright Jan 2018
All the grotesque grottos sing
From the South to East of salt salt sea
I am a Hawk with my own soul see
Spatial Hawker Janitor Tamer thither me
Dawning bell glitching summon dample fy
Pro tuning aging murky compunctious twittering
Accursed blues strobing my army my mae ***** and
Set them free
Rodent Civet made Echo solidly
David Jun 2015
It's never quite a romantic as they make it out to be.
These trips to france
spain
or germany.
To the misty mountains of iceland,
the wine toasting grottos of italy.

The romance comes about a half-hour before sun rise.
Catching, counting
and losing count
of the stars you see in her eyes.
The sincere sighs
that come after the heartfelt goodbyes.

Romance is not a place:
It's a person.
And when you find them,
hold them close
and never let go.
Or you'll be destined to dwell on the past
and to dream only of tomorrow.
With a head full of regret
and a heart full of sorrow.

Don't let it happen to you
like it happened to me.
Hold her close, for heaven's sake
Open up
so she can see.

Or lost
you will forever be.
Yenson Sep 2020
Ave Maria sings to the league of the sad poets
in sonnets dire and proses fermenting sorrows
entombed in grottos lamenting doom in winglets
penning sightlessly visions of tears of their tomorrows

Ave Maria sings for the merchants profitless
hawking words snatched in minds fragmentary
in waning senses poets of doom chime in distress
wordsmiths lacking finesse or light for turds they carry

Ave Maria sings at joyous vespers and early morn
for the gifted imbued with words of lifting praises
to glorious skies to petals sunny smiles nowt to mourn
heralding vows of blessings joys and living the soul rises
in our world of wonder magnificence there's more for us won

— The End —