They’d never got on before the dance
And they certainly wouldn’t now,
For Geoffrey Raise had showered praise
On the Fireman’s girl, somehow,
And she, Charlene, was impressed, it seems
With the Engine driver’s call,
And changed her date, though it seemed too late
To the Fireman, at the ball.

They stood on the plate of the Duke of Kent
With the fireman raising steam,
Shovelling coal to the firebox
In a movement swift and clean,
He scattered the coals on the glowing bed
With a practised twist of his wrist,
While the driver kept his eyes ahead
As the steam built up, and hissed.

‘Why did you jump on Charlene then,’
Said the Fireman, Henry Rice,
During a break, his back was bent
With sweat, but his eyes were ice,
‘I don’t have to answer to you,’ said Raise,
‘Charlene was anyone’s girl,
I liked the way that she held herself
And she sure knew how to twirl.’

The train pulled out of the station with
A puff and a cloud of steam,
And clattered along the track from Klifft
On its way to Essingdean,
Pulling a dozen coaches and
A Guards van at the rear,
And a hundred and twenty passengers
At the high time of the year.

‘What would you say if I did to you
What you did to me, back then,
Cutting in on your date that night,
What was her name, that Gwen?’
‘She wouldn’t have looked at you,’ said Raise,
As he pulled the chord to toot,
‘And as far as your feelings go, old chum,
I really don’t give a hoot.’

The train was rocketing down the line,
And flew past the water tower,
While Raise had opened the ***** right up
To give the Express more power,
The gauge was inching at sixty five
As they flew past Barton Dale,
While Rice was shovelling coal once more
Though his face was pinched and pale.

He took Raise down with the shovel as
They raced through Weston Town,
Who lay, half stunned on the footplate
Hanging off and looking down.
He kicked on out at the Fireman with
His size twelve steel-capped boots,
Who reached and hung on the chord that gave
The Duke of Kent its *****.

The train was racking up seventy five
As they kicked and punched and swore
Totally out of control it passed
The Halt at Elsinore,
They narrowly missed a rumbling freight
As the points took it aside,
While Raise had yelled, ‘You can go to hell,
But control your wounded pride.’

The Fireman opened the firebox
Spraying hot coals on the plate,
‘Now dance again as you danced Charlene,
If you think that you’re oh so great.’
‘Just let me get to my feet,’ said Raise
‘Or you’re going to wreck the train.’
‘It might be time,’ said the Fireman,
‘For your life to fill with pain.’

They hit the buffers at Essingdean
And the engine left the track,
It leapt up over the platform as
The roof ripped off the stack.
Raise was told when they went to court
That he’d never be re-hired,
And Rice, for want of the girl he sought,
The Fireman was fired.

David Lewis Paget

‘This is a pleasure. A composer in our midst, and you’re seeing Plas Brondanw at its June best.’ Amabel strides across the lawn from house to the table Sally has laid for tea. Tea for three in the almost shade of the vast plain tree, and nearly the height of the house. Look up into its branches. It is convalescing after major surgery, ropes and bindings still in place.
 
Yes, I am certainly seeing this Welsh manor house, the home of the William-Ellis family for four hundred years, on a day of days. The mountains that ring this estate seem to take the sky blue into themselves. They look almost fragile in the heat.
 
‘Nigel, you’re here?’ Clough appears next. He sounds surprised, as though the journey across Snowdonia was trepidatious adventure. ‘Of course you are, and on this glorious day. Glorious, glorious. You’ve walked up from below perhaps? Of course, of course. Did you detour to the ruin? You must. We’ll walk down after tea.’
 
And he flicks the tails of his russet brown frock coat behind him and sits on the marble bench beside Amabel. She is a little frail at 85, but the twinkling eyes hardly leave my face. Clough is checking the garden for birds. A yellowhammer swoops up from the lower garden and is gone. He gestures as though miming its flight. There are curious bird-like calls from the house. Amabel turns house-ward.
 
‘Our parrots,’ she says with a girlish smile.
 
‘Your letter was so sweet you know.’ She continues. ‘Fancy composing a piece about our village. We’ve had a film, that TV series, so many books, and now music. So exciting. And when do we hear this?’
 
I explain that the BBC will be filming and recording next month, but tomorrow David will appear with his double bass, a cameraman and a sound recordist to ‘do’ the cadenzas in some of the more intriguing locations. And he will come here to see how it sounds in the ‘vale’.
 
‘Are we doing luncheon for the BBC men? They are all men I suppose? When we were on Gardeners’ World it was all gals with clipboards and dark glasses, and it was raining for heaven’s sake. They had no idea about the right shoes, except that Alys person who interviewed me and was so lovely about the topiary and the fireman’s room. Now she wore a sensible skirt and the kind of sandals I wear in the garden. Of course we had to go to Mary’s house to see the thing as you know Clough won’t have a television in the house.’
 
‘I loath the sound of it from a distance. There’s nothing worse that hearing disembodied voices and music. Why do they have to put music with everything? I won’t go near a shop if there’s that canned music about.’
 
‘But surely it was TV’s The Prisoner that put the place on the map,’ I venture to suggest.
 
‘Oh yes, yes, but the mess, and all those Japanese descending on us with questions we simply couldn’t answer. I have to this day no i------de-------a-------‘, he stretches this word like a piece of elastic as far as it might go before breaking in two, ‘ simply no I------de------a------ what the whole thing was about.’ He pauses to take a tea cup freshly poured by Amabel. ‘Patrick was a dear though, and stayed with us of course. He loved the light of the place and would get up before dawn to watch the sun rise over the mountains at the back of us.’
 
‘But I digress. Music, music, yes music . . . ‘ Amabel takes his lead
 
‘We’ve had concerts before at P. outside in the formal gardens by AJ’s studio.’ She has placed her hands on her green velvet skirt and leans forward purposefully. ‘He had musicians about all the time and used to play the piano himself vigorously in the early hours of the morning. Showing off to those models that used to appear. I remember walking past his studio early one morning and there he was asleep on the floor with two of them . . .’
 
Clough smiles and laughs, laughs and smiles at a memory from the late 1920s.
 
‘Everyone thought we were completely mad to do the village.’ He leans back against the gentle curve of the balustrade, and closes his eyes for a moment. ‘Completely mad.’
 
It’s cool under the tree, but where the sunlight strays through my hand seems to gather freckles by the minute. I am enjoying the second slice of Mary’s Bara Brith. ‘It’s the marmalade,’ says Amabel, realising my delight in the texture and taste, ‘Clough brought the recipe back from Ceylon and I’ve taught all my cooks to make it. Of course, Mary isn’t a cook, she’s everything. A wonder, but you’ll discover this later at dinner. You are staying? And you’re going to play too?’
 
I’m certainly going to play in the drawing room studio on the third floor. It’s distractingly full of paintings by ‘friends’ – Duncan Grant, Mondrian, Augustus John, Patrick Heron, Winifred Nicholson (she so loved the garden but would bring that awful Raine woman with her). There’s  Clough’s architectural watercolours (now collectors want these things I used to wiz off for clients – stupid prices – just wish I’d kept more behind before giving them to the AA – (The Architectural Association ed.) And so many books, first editions everywhere. Photographs of Amabel’s flying saucer investigations occupy a shelf along with her many books on fairy tales and four novels, a batch of biographies and pictures of the two girls Susan and Charlotte as teenagers. Susan’s pottery features prominently. There’s a Panda skin from Luchan under the piano.
 
These two eighty somethings have been working since 8.0am. ‘We don’t bother with lunch.’ Amabel is reviewing the latest Ursula le Guin. ‘I stayed with her in Oregon last May. A lovely little house by the sea. Such a darling, and what a gardener! She creates all the ideas for her books in her garden. I so wish I could, but there’s just too much to distract me. Gardening is a serious business because although Jane comes over from Corrieg and says no to this and no to that and I have to stand my corner,  I have to concentrate and go to my books. Did you know the RHS voted this one of the ten most significant gardens in the UK? But look, there’s no one here today except you!’
 
No one but me. And tea is over. ‘A little rest before your endeavours perhaps,’ says Clough, probably anxious to get back to letter to Kenzo Piano.
 
‘Now let’s go and say hello to the fireman,’ says Amabel who takes my arm. And so we walk through the topiary to her favourite ‘room’,  a water feature with the fireman on his column (mid pond). ‘In memory of the great fire, ‘ she says. ‘He keeps a keen eye on the building now.’ He is a two-foot cherub with a hose and wearing a fireman’s helmet.
 
The pond reflects the column and the fireman looks down on us as we gaze into the pool. ‘Health, ‘ she says, ‘We keep a keen eye on it.’
 
The parrots are singing wildly. I didn’t realise they sang. I thought they squawked.
 
‘Will they sing when I play?’ I ask.
 
‘Undoubtedly,’ Amabel says with her girlish smile and squeezes my arm.

Flicker Shimmer Glow

The brightest star can shine even with thick black velvet draped over it.  
Quartz, lime and salt crystals formed a glass ball.
The dark womb held me, warm and soft.  
My mom called my cries when I was born the most sorrowful sound she had ever heard.  
She said she’d never heard a baby make a sound like that.    
I’d open my eyes in low light until the world’s light healed rather than hurt.  
The summer before eighth grade, July 1992,
I watched a shooting star burn by at 100,000 miles per hour as I stood on the balcony  
while my family celebrated my birthday inside.  
It made it into the earth’s atmosphere
but it didn’t look like it was coming down;
I know it didn’t hit the ground but it burned something in the time it was here.  
The glass ball of my life cracked inside.  
Light reflected off the salt crystal cracks.  
I saw the beauty of the light within.  
Nacre from my shell kept those cracks from getting worse,
a wild pearl as defense mechanism.  
In 2001, I quit my job after they melted and poured tar all over my life.  
All summer literature class bathtubs filled with rose hip oil cleaned the tar.  
That fall logic and epistemology classes spewed black ink all over my philosophy
written over ten years then.  
Tar turned to asphalt when I met someone from my old job for a drink in November
and it paved a road for my life that went to the hospital I was in that December
where it sealed the roof on my life
when I was almost murdered there
and in February after meeting her for another drink.  
They lit a fire at the top of the glacier and pushed the burning pile of black coal off the edge,
burnt red, looking like flames falling into the valley.  
While that blazed the side of the cliff something lit an incandescent light.  
The electricity from the metal lightbulb ***** went through wires and heated the filament between until it glowed.  
I began putting more work into emotional balance from things I learned at AA meetings.  
In Spring 2003, the damage that the doctors at the hospital in 2001 had done
made it harder for light to reflect from the cracks in the glass ball.
I’d been eating healthy and trying to get regular exercises since 1994
but in Spring 2003 I began swimming for an hour every morning .  
The water washed the pollution from the burning coals off
And then I escaped in July.  
I moved to London to study English Language and Linguistics.  
I would’ve studied English Language and Literature.  
I did well until Spring 2004 when I thought I was being stalked.  
I thought I was manic.  
I thought I was being stalked.  
I went home and didn’t go back for my exams after spring holiday.  
Because I felt traumatized and couldn’t write poetry anymore,
I used black ink to write my notes for my book on trauma and the Russian Revolution.
I started teaching myself German.  
I stayed healthy.  
In 2005, my parents went to visit my mom’s family in Malaysia for two weeks.
I thought I was being stalked.  
I knew I wasn’t manic.  
I thought I was being stalked.  
I told my parents when they came home.  
They thought I was manic.  
I showed them the shoe prints in the snow of different sizes from the woods to the windows.  
They thought I was manic.  
I was outside of my comfort zone.  
I moved to California. I found light.  
I made light,
the light reflected off the salt crystals I used to heal the violence inflicted on me from then on.  
The light turned the traffic lights to not just green from red
but amber and blue.  
The light turned the car signals left and right.  
The light reflected off of salt crystals, light emitting diodes,
electrical energy turned directly to light,
electroluminescence.  
The electrical currents flowed through,
illuminating.  
Alone in the world, I moved to California in July 2005
but in August  I called the person I escaped in 2003,
the sulfur and nitrogen that I hated.  
He didn’t think I was manic but I never said anything.
I never told him why I asked him to move out to California.  
When his coal seemed like only pollution,
I asked him to leave.  
He threatened me.  
I called the authorities.  
They left me there.
He laughed.  
Then the violence came.  
****:  stabbed and punched, my ****** bruised, purple and swollen.  
The light barely reflected from the glass ball wIth cracks through all the acid rain, smoke and haze.
It would take me half an hour to get my body to do what my mind told it to after.  
My dad told me my mom had her cancer removed.
The next day, the coal said if I wanted him to leave he’d leave.  
I booked his ticket.
I drove him to the airport.  
Black clouds gushed the night before for the first time in months,
the sky clear after the rain.  
He was gone and I was free,
melted glass, heated up and poured—
looked like fire,
looked like the Snow Moon in February
with Mercury in the morning sky.  
I worked through ****.  
I worked to overcome trauma.  
Electricity between touch and love caused acid rain, smoke, haze, and mercury
to light the discharge lamps, streetlights and parking lot lights.
Then I changed the direction of the light waves.  
Like lead glass breaks up the light,
lead from the coal, cleaned and replaced by potassium,
glass cut clearly, refracting the light,
electrolytes,
electrical signals lit through my body,
thick black velvet drapes gone.  





















Lava

I think that someone wrote into some palm leaf a manuscript, a gift, a contract.  
After my parents wedding, while they were still in India,
they found out that my dad’s father and my mom’s grandfather worked for kings administering temples and collecting money for their king from the farmers that worked the rice paddies each king owned.  They both left their homes before they left for college.  
My dad, a son of a brahmin’s son,
grew up in his grandmother’s house.  
His mother was not a Brahmin.  
My mother grew up in Malaysia where she saw the children from the rubber plantation
when she walked to school.  
She doesn’t say what caste she is.  
He went to his father’s house, then college.  
He worked, then went to England, then Canada.  
She went to India then Canada.  
They moved to the United States around Christmas 1978
with my brother while she was pregnant with me.  
My father signed a contract with my mother.  
My parents took ashes and formed rock,
the residue left in brass pots in India,
the rocks, so hot, they turned back to lava miles away before turning back to ash again,
then back to rock,
the lava from a super volcano,
the ash purple and red.  


















Circles on a Moss Covered Volcano

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My mom was born on the grass
on a lawn
in a moss covered canyon at the top of a volcanic island.  
My grandfather lived in Malaysia before the Japanese occupied.  
When the volcano erupted,
the lava dried at the ocean into black sand.  
The British allied with the Communist Party of Malaysia—
after they organized.  
After the Americans defeated the Japanese at Pearl Harbor,
the British took over Malaysia again.  
They kept different groups apart claiming they were helping them.  
The black sand had smooth pebbles and sharp rocks.  
Ethnic Malay farmers lived in Kampongs, villages.  
Indians lived on plantations.  
The Chinese lived in towns and urban areas.  
Ethnic Malays wanted independence.
In 1946, after strikes, demonstrations, and boycotts
the British agreed to work with them.  
The predominantly Chinese Communist Party of Malaysia went underground,
guerrilla warfare against the British,
claiming their fight was for independence.  
For the British, that emergency required vast powers
of arrest, detention without trial and deportation to defeat terrorism.  
The Emergency became less unpopular as the terrorism became worse.  
The British were the iron that brought oxygen through my mom’s body.  
She loved riding on her father’s motorcycle with him
by the plantations,
through the Kampongs
and to the city, half an hour away.  
The British left Malaysia independent in 1957
with Malaysian nationalists holding most state and federal government offices.  
As the black sand stretches towards the ocean,
it becomes big stones of dried lava, flat and smooth.  

My mom thought her father and her uncle were subservient to the British.  
She thought all things, all people were equal.  
When her father died when she was 16, 1965,
they moved to India,
my mother,
a foreigner in India, though she’s Indian.  
She loved rock and roll and mini skirts
and didn’t speak the local language.  
On the dried black lava,
it can be hard to know the molten lava flickers underneath there.  
Before the Korean War,
though Britain and the United States wanted
an aggressive resolution
condemning North Korea,
they were happy
that India supported a draft resolution
condemning North Korea
for breach of the peace.  
During the Korean War,
India, supported by Third World and other Commonwealth nations,
opposed United States’ proposals.
They were able to change the U.S. resolution
to include the proposals they wanted
and helped end the war.  
China wanted the respect of Third World nations
and saw the United States as imperialist.  
China thought India was a threat to the Third World
by taking aid from the United States and the Soviets.  
Pakistan could help with that and a seat at the United Nations.  
China wanted Taiwan’s seat at the UN.
My mother went to live with her uncle,
a communist negotiator for a corporation,
in India.  
A poet,
he threw parties and invited other artists, musicians and writers.  
I have the same brown hyperpigmentation at my joints that he had.  
During the day, only the steam from the hot lava can be seen.  
In 1965, Pakistani forces went into Jammu and Kashmir with China’s support.  
China threatened India after India sent its troops in.  
Then they threatened again before sending their troops to the Indian border.  
The United States stopped aid to Pakistan and India.
Pakistan agreed to the UN ceasefire agreement.  
Pakistan helped China get a seat at the UN
and tried to keep the west from escalating in Vietnam.  
The smoldering sound of the lava sizzles underneath the dried lava.  
When West Pakistan refused to allow East Pakistan independence,
violence between Bengalis and Biharis developed into upheaval.  
Bengalis moved to India
and India went into East Pakistan.  
Pakistan surrendered in December 1971.  
East Pakistan became independent Bangladesh

The warm light of the melted lava radiates underneath but burns.  
In 1974, India tested the Smiling Buddha,
a nuclear bomb.  
After Indira Gandhi’s conviction for election fraud in 1973,
Marxist Professor Narayan called for total revolution
and students protested all over India.  
With food shortages, inflation and regional disputes
like Sikh separatists training in Pakistan for an independent Punjab,
peasants and laborers joined the protests.  
Railway strikes stopped the economy.  
In 1975, Indira Gandhi, the Iron Lady,
declared an Emergency,
imprisoning political opponents, restricting freedoms and restricting the press,
claiming threats to national security
because the war with Pakistan had just ended.  
The federal government took over Kerala’s communist dominated government and others.  

My mom could’ve been a dandelion, but she’s more like thistle.  
She has the center that dries and flutters in the wind,
beautiful and silky,
spiny and prickly,
but still fluffy, downy,
A daisy.
They say thistle saved Scotland from the Norse.  
Magma from the volcano explodes
and the streams of magma fly into the air.  
In the late 60s,
the civil rights movement rose
against the state in Northern Ireland
for depriving Catholics
of influence and opportunity.
The Northern Irish police,
Protestant and unionist, anti-catholic,
responded violently to the protests and it got worse.  
In 1969, the British placed Arthur Young,
who had worked at the Federation of Malaya
at the time of their Emergency
at the head of the British military in Northern Ireland.
The British military took control over the police,
a counter insurgency rather than a police force,
crowd control, house searches, interrogation, and street patrols,
use of force against suspects and uncooperative citizens.  
Political crimes were tolerated by Protestants but not Catholics.  
The lava burns the rock off the edge of the volcano.  

On January 30, 1972, ****** Sunday,  
British Army policing killed 13 unarmed protesters
fighting for their rights over their neighborhood,
protesting the internment of suspected nationalists.
That led to protests across Ireland.  
When banana leaves are warmed,
oil from the banana leaves flavors the food.  
My dad flew from Canada to India in February 1972.  
On February 4, my dad met my mom.  
On February 11, 1972,
my dad married my mom.  
They went to Canada,
a quartz singing bowl and a wooden mallet wrapped in suede.  
The rock goes down with the lava, breaking through the rocks as it goes down.  
In March 1972, the British government took over
because they considered the Royal Ulster Police and the Ulster Special Constabulary
to be causing most of the violence.  
The lava blocks and reroutes streams,
melts snow and ice,
flooding.  
Days later, there’s still smoke, red.  
My mom could wear the clothes she liked
without being judged
with my dad in Canada.  
She didn’t like asking my dad for money.
My dad, the copper helping my mother use that iron,
wanted her to go to college and finish her bachelors degree.
She got a job.  
In 1976, the police took over again in Northern Ireland
but they were a paramilitary force—
armored SUVs, bullet proof jackets, combat ready
with the largest computerized surveillance system in the UK,
high powered weapons,
trained in counter insurgency.  
Many people were murdered by the police
and few were held accountable.  
Most of the murdered people were not involved in violence or crime.  
People were arrested under special emergency powers
for interrogation and intelligence gathering.  
People tried were tried in non-jury courts.  
My mom learned Malayalam in India
but didn’t speak well until living with my dad.  
She also learned to cook after getting married.  
Her mother sent her recipes; my dad cooked for her—
turmeric, cumin, coriander, cayenne and green chiles.  
Having lived in different countries,
my mom’s food was exposed to many cultures,
Chinese and French.
Ground rock, minerals and glass
covered the ground
from the ash plume.  
She liked working.  

A volcano erupted for 192 years,
an ice age,
disordered ices, deformed under pressure
and ordered ice crystals, brittle in the ice core records.  
My mother liked working.  
Though Khomeini was in exile by the 1970s in Iran,
more people, working and poor,
turned to him and the ****-i-Ulama for help.
My mom didn’t want kids though my dad did.
She agreed and in 1978 my brother was born.
Iran modernized but agriculture and industry changed so quickly.  
In January 1978, students protested—
censorship, surveillance, harassment, illegal detention and torture.  
Young people and the unemployed joined.  
My parents moved to the United States in December 1978.  
The regime used a lot of violence against the protesters,
and in September 1978 declared martial law in Iran.  
Troops were shooting demonstrators.
In January 1979, the Shah and his family fled.  
On February 11, 1979, my parents’ anniversary,
the Iranian army declared neutrality.  
I was born in July 1979.
The chromium in emeralds and rubies colors them.
My brother was born in May and I was born in July.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.  





Warm Light Shatters

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My dad was born on a large flat rock on the edge of the top
of a hill,
Molasses, sweet and dark, the potent flavor dominates,
His father, the son of a Brahmin,
His mother from a lower caste.
His father’s family wouldn’t touch him,
He grew up in his mother’s mother’s house on a farm.  
I have the same brown hyperpigmentation spot on my right hand that he has.

In 1901, D’Arcy bought a 60 year concession for oil exploration In Iran.
The Iranian government extended it for another 32 years in 1933.
At that time oil was Iran’s “main source of income.”
In 1917’s Balfour Declaration, the British government proclaimed that they favored a national home for the Jews in Palestine and their “best endeavors to facilitate the achievement” of that.

The British police were in charge of policing in the mandate of Palestine.  A lot of the policemen they hired were people who had served in the British army before, during the Irish War for Independence.  
The army tried to stop how violent the police were, police used torture and brutality, some that had been used during the Irish War for Independence, like having prisoners tied to armored cars and locomotives and razing the homes of people in prison or people they thought were related to people thought to be rebels.
The police hired Arab police and Jewish police for lower level policing,
Making local people part of the management.
“Let Arab police beat up Arabs and Jewish police beat up Jews.”

The lava blocks and reroutes streams, melts snow and ice, flooding.
In 1922, there were 83,000 Jews, 71,000 Christians, and 589,000 Muslims.
The League If Nations endorsed the British Mandate.
During an emergency, in the 1930s, British regulations allowed collective punishment, punishing villages for incidents.
Local officers in riots often deserted and also shared intelligence with their own people.
The police often stole, destroyed property, tortured and killed people.  
Arab revolts sapped the police power over Palestinians by 1939.

My father’s mother was from a matrilineal family.
My dad remembers tall men lining up on pay day to respectfully wait for her, 5 feet tall.  
She married again after her husband died.
A manager from a tile factory,
He spoke English so he supervised finances and correspondence.
My dad, a sunflower, loved her: she scared all the workers but exuded warmth to the people she loved.

Obsidian shields people from negative energy.
David Cargill founded the Burmah Oil Co. in 1886.
If there were problems with oil exploration in Burma and Indian government licenses, Persian oil would protect the company.  
In July 1906, many European oil companies, BP, Royal Dutch Shell and others, allied to protect against the American oil company, Standard Oil.
D’Arcy needed money because “Persian oil took three times as long to come on stream as anticipated.”
Burmah Oil Co. began the Anglo-Persian Oil Co. as a subsidiary.
Ninety-seven percent of British Petroleum was owned by Burmah Oil Co.
By 1914, the British government owned 51% of the Anglo-Persian Oil Co.  
Anglo-Persian acquired independence from Burmah Oil and Royal Dutch Shell with two million pounds from the British government.

The lava burns the rock off the edge of the volcano.
In 1942, after the Japanese took Burma,
the British destroyed their refineries before leaving.
The United Nations had to find other sources of oil.
In 1943, Japan built the Burma-Thailand Railroad with forced labor from the Malay peninsula who were mostly from the rubber plantations.

The rock goes down with the lava, breaking through the rocks as it goes down.
In 1945. Japan destroyed their refineries before leaving Burma.
Cargill, Watson and Whigham were on the Burmah Oil Co. Board and then the Anglo Iranian Oil Co. Board.  

In 1936 Palestine, boycotts, work stoppages, and violence against British police officials and soldiers compelled the government to appoint an investigatory commission.  
Leaders of Egypt, Trans Jordan, Syria and Iraq helped end the work stoppages.
The British government had the Peel Commission read letters, memoranda, and petitions and speak with British officials, Jews and Arabs.  
The Commission didn’t believe that Arabs and Jews could live together in a single Jewish state.
Because of administrative and financial difficulties the Colonial Secretary stated that to split Palestine into Arab and Jewish states was impracticable.  
The Commission recommended transitioning 250,000 Arabs and 1500 Jews with British control over their oil pipeline, their naval base and Jerusalem.  
The League of Nations approved.
“It will not remove the grievance nor prevent the recurrence,” Lord Peel stated after.
The Arab uprising was much more militant after Peel.  Thousands of Arabs were wounded, ten thousand were detained.  
In Sykes-Picot and the Husain McMahon agreements, the British promised the Arabs an independent state but they did not keep that promise.  
Representatives from the Arab states rejected the Peel recommendations.
United Nations General Assembly Resolution181 partitioned Palestine into Arab and Jewish states with an international regime for the city of Jerusalem backed by the United States and the Soviet Union.  

The Israeli Yishuv had strong military and intelligence organization —-  
the British recognized that their interest was with the Arabs and abstained from the vote.  
In 1948, Israel declared the establishment of its state.  
Ground rock, minerals, and gas covered the ground from the ash plume.
The Palestinian police force was disbanded and the British gave officers the option of serving in Malaya.

Though Truman, Eisenhower and Kennedy supported snd tried to get Israel to offer the Arabs concessions, it wasn’t a major priority and didn’t always approve of Israel’s plans.
Arabs that had supported the British to end Turkish rule stopped supporting the West.  
Many Palestinians joined left wing groups and violent third world movements.  
Seventy-eight percent of the territory of former Palestine was under Israel’s control.  

My dad left for college in 1957 and lived in an apartment above the United States Information services office.
Because he graduated at the top of his class, he was given a job with the public works department of the government on the electricity board.  
“Once in, you’ll never leave.”
When he wanted a job where he could do real work, his father was upset.
He broke the chains with bells for vespers.
He got a job in Calcutta at Kusum Products and left the government, though it was prestigious to work there.
In the chemical engineering division, one of the projects he worked on was to design a *** distillery, bells controlled by hammers, hammers controlled by a keyboard.
His boss worked in the United Kingdom for. 20 years before the company he worked at, part of Power Gas Corporation, asked him to open a branch in Calcutta.
He opened the branch and convinced an Industrialist to open a company doing the same work with him.  The branch he opened closed after that.  
My dad applied for labor certification to work abroad and was selected.  
His boss wrote a reference letter for my him to the company he left in the UK.  My dad sent it telling the company when he was leaving for the UK.  
The day he left for London, he got the letter they sent in the mail telling him to take the train to Sheffield the next day and someone from the firm would meet him at the station.  
His dad didn’t know he left, he didn’t tell him.
He broke the chains with chimes for schisms.


Anglo-Persian Oil became Anglo-Iranian Oil in 1935.
The British government used oil and Anglo-Persian oil to fight communism, have a stronger relationship with the United States and make the United Kingdom more powerful.  
The National Secularists, the Tudeh, and the Communists wanted to nationalize Iran’s oil and mobilized the Iranian people.
The British feared nationalization in Iran would incite political parties like the Secular Nationalists all over the world.  
In 1947, the Iranian government passed the Single Article Law that “[increased] investment In welfare benefits, health, housing, education, and implementation of Iranianization through substitution of foreigners” at Anglo-Iranian Oil Co.
“Anglo-Iranian Oil Company made more profit in 1950 than it paid to the Iranian government in royalties over the previous half century.”
The Anglo-Iranian Oil Company tried to negotiate a new concession and claimed they’d hire more Iranian people into jobs held by British and people from other nationalities at the company.
Their hospitals had segregated wards.  
On May 1, 1951, the Iranian government passed a bill that nationalized Anglo- Iranian Oil Co.’s holdings.  
During the day, only the steam from the hot lava can be seen.
In August 1953, the Iranian people elected Mossadegh from the Secular Nationalist Party as prime minister.
The British government with the CIA overthrew Mossadegh using the Iranian military after inducing protests and violent demonstrations.  
Anglo-Iranian Oil changed its name to British Petroleum in 1954.
Iranians believe that America destroyed Iran’s “last chance for democracy” and blamed America for Iran’s autocracy, its human rights abuses, and secret police.

The smoldering sound of the lava sizzles underneath the dried lava.  
In 1946, Executive Yuan wanted control over 4 groups of Islands in the South China Sea to have a stronger presence there:  the Paracels, the Spratlys, Macclesfield Bank, and the Pratas.
The French forces in the South China Sea would have been stronger than the Chinese Navy then.
French Naval forces were in the Gulf of Tonkin, U.S. forces were in the Taiwan Strait, the British were in Hong Kong, and the Portuguese were in Macao.
In the 1950s, British snd U.S. oil companies thought there might be oil in the Spratlys.  
By 1957, French presence in the South China Sea was hardly there.  

When the volcano erupted, the lava dried at the ocean into black sand.
By 1954, the Tudeh Party’s communist movement and  intelligence organization had been destroyed.  
Because of the Shah and his government’s westernization policies and disrespectful treatment of the Ulama, Iranians began identifying with the Ulama and Khomeini rather than their government.  
Those people joined with secular movements to overthrow the Shah.  

In 1966, Ne Win seized power from U Nu in Burma.
“Soldiers ruled Burma as soldiers.”
Ne Win thought that western political
Institutions “encouraged divisions.”
Minority groups found foreign support for their separatist goals.
The Karens and the Mons supported U Nu in Bangkok.  


Rare copper, a heavy metal, no alloys,
a rock in groundwater,
conducts electricity and heat.
In 1965, my Dad’s cousin met him at Heathrow, gave him a coat and £10 and brought him to a bed and breakfast across from Charing Cross Station where he’d get the train to Sheffield the next morning.
He took the train and someone met him at the train station.  
At the interview they asked him to design a grandry girder, the main weight bearing steel girder as a test.
Iron in the inner and outer core of the earth,
He’d designed many of those.  
He was hired and lived at the YMCA for 2 1/2 years.  
He took his mother’s family name, Menon, instead of his father’s, Varma.
In 1967, he left for Canada and interviewed at Bechtel before getting hired at Seagrams.  
Iron enables blood to carry oxygen.
His boss recommended him for Dale Carnegie’s leadership training classes and my dad joined the National Instrument Society and became President.
He designed a still In Jamaica,
Ordered all the parts, nuts and bolts,
Had all the parts shipped to Jamaica and made sure they got there.
His boss supervised the construction, installation and commission in Jamaica.
Quartz, heat and fade resistant, though he was an engineer and did the work of an engineer, my dad only had the title, technician so my dad’s boss thought he wasn’t getting paid enough but couldn’t get his boss to offer more than an extra $100/week or the title of engineer; he told my dad he thought he should leave.
In 1969, he got a job at Celanese, which made rayon.
He quit Celanese to work at McGill University and they allowed him to take classes to earn his MBA while working.  

The United States and Israel’s alliance was strong by 1967.
United Nations Security Council Resolution 242 at the end of the Third Arab Israeli War didn’t mention the Palestinians but mentioned the refugee problem.
After 1967, the Palestinians weren’t often mentioned and when mentioned only as terrorists.  
Palestinians’ faith in the “American sponsored peace process” diminished, they felt the world community ignored and neglected them also.
Groups like MAN that stopped expecting anything from Arab regimes began hijacking airplanes.
By 1972, the Palestine Liberation Organization had enough international support to get by the United States’ veto in the United Nations Security Council and Arab League recognition as representative of the Palestinian people.
The Palestinians knew the United States stated its support, as the British had, but they weren’t able to accomplish anything.  
The force Israel exerted in Johnson’s United States policy delivered no equilibrium for the Palestinians.  

In 1969, all political parties submitted to the BSPP, Burma Socialist Programme Party.
Ne Win nationalized banks and oil and deprived minorities of opportunities.
Ne Win became U Nu Win, civilian leader of Burma in 1972 and stopped the active role that U Nu defined for Burma internationally
He put military people in power even when they didn’t have experience which triggered “maldistribution of goods and chronic shortages.”  
Resources were located in areas where separatist minorities had control.

The British presence in the South China Sea ended in 1968.  
The United States left Vietnam in 1974 and China went into the Western Paracels.
The U.S. didn’t intervene and Vietnam took the Spratlys.
China wanted to claim the continental shelf In the central part of the South China Sea and needed the Spratlys.
The United States mostly disregarded the Ulama In Iran and bewildered the Iranian people by not supporting their revolution.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.


Edelweiss

I laid out in my backyard in my bikini.  
I love the feeling of my body in the sun.  
I’d be dark from the end of spring until winter.
The snow froze my bare feet through winter ,
my skin pale.
American towns in 1984,
Free, below glaciers the sunlight melted the snow,
a sea of green and the edelweiss on the edge of the  limestone,
frosted but still strong.    
When the spring warmed the grass,
the grass warmed my feet. 
The whole field looked cold and white from the glacier but in the meadow,
the bright yellow centers of those flowers float free in the center of the white petals.
The bright yellow center of those edelweiss scared the people my parents ran to America from India to get away from.  
On a sidewalk in Queens, New York in 1991, the men stared and yelled comments at me in short shorts and a fitted top in the summer.  
I grabbed my dad’s arm.

























The Bread and Coconut Butter of Aparigraha

Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity.
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity,
toiling for love and truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremini mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow, the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.  

































Sound on Powdery Blue

Potter’s clay, nymph, plum unplumbed, 1993.
Dahlia, ice, powder, musk and rose,
my source of life emerged in darkness, blackness.
Seashell fragments in the sand,
The glass ball of my life cracked inside,
Light reflected off the salt crystal cracks,
Nacre kept those cracks from getting worse.
Young ****** Autosodomized By Her Own Chastity,
Nymph, I didn’t want to give my body,
Torn, *****, ballgown,
To people who wouldn’t understand me,
Piquant.

Outside on the salt flats,
Aphrodite, goddess of beauty, pleasure and fertility and
Asexual Artemis, goddess of animals, and the hunt,
Mistress of nymphs,
Punish with ruthless savagery.

In my bedroom, blue caribou moss covered rocks, pine, and yew trees,
The heartwood writhes as hurricane gales, twisters and whirlwinds
Contort their bark,
Roots strong in the soil.
Orris root dried in the sun, bulbs like wood.
Dahlia runs to baritone soundbath radio waves.
Light has frequencies,
Violet between blue and invisible ultraviolet,
Flame, slate and flint.
Every night is cold.

Torii gates, pain secured as sacred.
An assignation, frost hardy dahlia and a plangent resonant echo.
High frequency sound waves convert to electrical signals,
Breathe from someone I want,
Silt.
Beam, radiate, ensorcel.
I break the bark,
Sap flows and dries,
Resin seals over the tear.
I distill pine,
Resin and oil for turpentine, a solvent.
Quiver, bemired,
I lead sound into my darkness,
Orris butter resin, sweet and warm,
Hot jam drops on snow drops,
Orange ash on smoke,
Balm on lava,
The problem with cotton candy.

Electrical signals give off radiation or light waves,
The narrow frequency range where
The crest of a radio wave and the crest of a light wave overlap,
Infrared.
Glaciers flow, sunlight melts the upper layers of the snow when strong,
A wet snow avalanche,
A torrent, healing.
Brown sugar and whiskey,
Undulant, lavender.
Pine pitch, crystalline, sticky, rich and golden,
And dried pine rosin polishes glass smooth
Like the smell of powdery orris after years.
Softness, flush, worthy/not worthy,
Rich rays thunder,
Intensify my pulse,
Frenzied red,
Violet between blue and invisible ultraviolet.
Babylon—flutter, glow.
Unquenchable cathartic orris.  

















Pink Graphite

Camellias, winter shrubs,
Their shallow roots grow beneath the spongy caribou moss,
Robins egg blue.
After writing a play with my gifted students program in 1991,
I stopped spending all my free time writing short stories,
But the caribou moss was still soft.

In the cold Arctic of that town,
The evergreen protected the camellias from the afternoon sun and storms.
They branded hardy camellias with a brass molded embossing iron;
I had paper and graphite for my pencils.

After my ninth grade honors English teacher asked us to write poems in 1994,
It began raining.
We lived on an overhang.
A vertical rise to the top of the rock.
The rainstorm caused a metamorphic change in the snowpack,
A wet snow avalanche drifted slowly down the moss covered rock,
The snow already destabilized by exposure to the sunlight.

The avalanche formed lakes,
rock basins washed away with rainwater and melted snow,
Streams dammed by the rocks.  
My pencils washed away in the avalanche,
My clothes heavy and cold.
I wove one side of each warp fiber through the eye of the needle and one side through each slot,
Salves, ointments, serums and tinctures.
I was mining for graphite.
They were mining me,
The only winch, the sound through the water.

A steep staircase to the red Torii gates,
I broke the chains with bells for vespers
And chimes for schisms,
And wove the weft across at right angles to the warp.  

On a rocky ledge at the end of winter,
The pink moon, bitters and body butter,
They tried to get  me to want absinthe,
Wormwood for bitterness and regret.
Heat and pressure formed carbon for flakes of graphite.
Heat and pressure,
I made bitters,
Brandy, grapefruit, chocolate, mandarin rind, tamarind and sugar.
I grounded my feet in the pink moss,
paper dried in one hand,
and graphite for my pencils in the other.  



































Flakes

I don’t let people that put me down be part of my life.  
Gardens and trees,
My shadow sunk in the grass in my yard
As I ate bread, turmeric and lemon.
Carbon crystallizes into graphite flakes.
I write to see well,
Graphite on paper.  
A shadow on rock tiles with a shield, a diamond and a bell
Had me ***** to humiliate me.
Though I don’t let people that put me down near me,
A lot of people putting me down seemed like they were following me,
A platform to jump from
While she had her temple.  

There was a pink door to the platform.
I ate bread with caramelized crusts and
Drank turmeric lemonade
Before I opened that door,
Jumped and
Descended into blankets and feathers.
I found matches and rosin
For turpentine to clean,
Dried plums and licorice.  

In the temple,
In diamonds, leather, wool and silk,
She had her shield and bells,
Drugs and technology,
Thermovision 210 and Minox,
And an offering box where people believed
That if their coins went in
Their wishes would come true.

Hollyhock and smudging charcoal for work,  
Belled,
I ground grain in the mill for the bread I baked for breakfast.
The bells are now communal bells
With a watchtower and a prison,
Her shield, a blowtorch and flux,
Her ex rays, my makeshift records
Because Stalin didn’t like people dancing,
He liked them divebombing.
Impurities in the carbon prevent diamonds from forming,
Measured,
The most hard, the most expensive,
But graphite’s soft delocalized electrons move.  






































OCEAN BED

The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that  person in my bed.  
Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  
They hold their iron over their fire and try to carve their noise into my love,
scored by the violence of voices, dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.  
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean every morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs, kneeling at the edge.  














Morning

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  

Morning—the molten lava in the outer core of the earth embeds the iron from the inner core into the earth’s magnetic field.  
The magnetic field flips.  
The sun, so strong, where it gets through the trees it burns everything but the pine.  
The winds change direction.  
Storms cast lightening and rain.  
Iron conducts solar flares and the heavy wind.  
In that pine forest, I shudder every time I see a speck of light for fear of neon and fluorescents.  The eucalyptus cleanses congestion.  
And Kerouac’s stream ululates, crystal bowl sound baths.  
I follow the sound to the water.  
The stream ends at a bluff with a thin rocky beach below.  
The green water turns black not far from the shore.  
Before diving into the ocean, I eat globe mallow from the trees, stems and leaves, the viscous flesh, red, soft and nutty.  
I distill the pine from one of the tree’s bark and smudge the charcoal over my skin.  

Death, the palo santo’s lit, cleansing negative energy.  
It’s been so long since I’ve smelled a man, woodsmoke, citrus and tobacco.  
Jasmine, plum, lime and tuberose oil on the base of my neck comforts.  
Parabolic chambers heal, sound waves through water travel four times faster.  
The sound of the open sea recalibrates.  
I dissolve into the midnight blue of the ocean.  

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  
I want hot water with coconut oil when I get up.  
We’d lay out on the lawn, surrounded by high trees that block the wind.  
Embers flying through the air won’t land in my yard, on my grass, or near my trees.  





Blue Paper

Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates, belayed, branded and belled, a plangent sound.  
By candles, colored lights and dried flowers she’s sitting inside on a concrete floor, punctures and ruin burnished with paper, making burnt lime from lime mortar.  
Glass ***** on the ceiling, she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against  thin wooden slats curbed along the wall, and straight across the ceiling.
A metier, she makes tinctures, juniper berries and cotton *****.
Loamy soil in the center of the room,
A hawthorn tree stands alone,
A gateway for fairies.
large stones at the base protecting,
It’s branches a barrier.  
It’s leaves and shoots make bread and cheese.
It’s berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals.
And lime in the soil.  
She adds wood chips to the burnt lime in the kiln,
Unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth,
The tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk.  
She adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
Trauma victims speak,
Light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water

From where I lingered in a lull in march
outside the sugar-house one night for choice,
I called the fireman with a careful voice
And bade him leave the pan and stoke the arch:
‘O fireman, give the fire another stoke,
And send more sparks up chimney with the smoke.’
I thought a few might tangle, as they did,
Among bare maple boughs, and in the rare
Hill atmosphere not cease to glow,
And so be added to the moon up there.
The moon, though slight, was moon enough to show
On every tree a bucket with a lid,
And on black ground a bear-skin rug of snow.
The sparks made no attempt to be the moon.
They were content to figure in the trees
As Leo, Orion, and the Pleiades.
And that was what the boughs were full of soon.

Canto I. Long ago and far away...

Under the bridge across the Kankakee River, Grampa found me. I was busted for truancy. First grade. 1946.

Summer and after school: Paper route, neighborhood yard work, dogsbody in a drugstore, measuring houses for the county, fireman EJ&E railroad, janitor and bottling line Pabst Brewery Peoria. 1952-1962.

Fresh caught Mississippi River catfish. Muddy Yummy. Burlington, Iowa. 1959. Best ever.

In college, Fr. ***** usually confused me with my roommate, Al. Except for grades. St. Procopius College, 1958-62. Rats.

Coming home from college for Christmas. Oops, my family moved a few streets over and forgot to tell me. Peoria, 1961.

The Pabst Brewery lunchroom in Peoria, a little after dawn, my first day. A guy came in and said: "Who wants my horsecock sandwich? ****, this first beer tastes good." We never knew how many he drank. 1962.

At grad school, when we moved into the basement with the octopus furnace, Dave, my roommate, contributed a case of Chef Boyardee spaghettios and I brought 3 cases of beer, PBRs.  Supper for a month. Ames. 1962.

Sharon and I were making out in the afternoon, clothes a jumble. Walter Cronkite said, " President Kennedy has been shot…”. Ames, 1963.

I stood in line, in my shorts, waiting for the clap-check. The corporal shouted:  "All right, you *******, Uncle and the Republic of Viet Nam want your sorry *****. Drop 'em".  Des Moines. Deferred, 1964.

Married and living in student housing. Packing crate furniture. Pammel Court, 1966.

One of many undistinguished PhD theses on theoretical physics. Ames. 1967.

He electrified the room. Every woman in the room, regardless of age, wanted him, or seemed to. The atmosphere was primeval and dripping with desire. In the presence of greatness. Palo Alto, 1968.

US science jobs dried up. From a mountain-top, beery conversation, I got a research job in Germany. Boulder, 1968. Aachen, 1969.

The first time I saw automatic weapons at an airport. Geneva, 1970.

I toasted Rembrandt with sparkling wine at the Rijksmuseum. He said nothing. Amsterdam International Conference on Elementary Particles. 1971.

A little drunk, but sobering fast: the guard had Khrushchev teeth.
Midnight, alone, locked in a room at the border.
Hours later, release. East Berlin, 1973. Harrassment.

She said, "You know it's remarkable that we're not having an affair." No, it wasn't. George's wife.  Germany, 1973.

"Maybe there really are quarks, but if so, we'll never see them." Truer than I knew.  Exit to Huntsville, 1974.

On my first day at work, my first federal felony. As a joke, I impersonated an FBI agent. What the hell? Huntsville. 1974. Guess what?-- No witnesses left! 2021.

Hard work, good times, difficult times. The first years in Huntsville are not fully digested and may stay that way.

The golden Lord Buddha radiated peace with his smile. Pop, pop. Shots in the distance. Bangkok. 1992.

Accomplishment at work, discord at home. Divorce. Huntsville. 1994. I got the dogs.

New beginnings, a fresh start, true love and life-partner. Huntsville. 1995.

Canto II. In the present century...

Should be working on a proposal, but riveted to the TV. The day the towers fell and nearly 4000 people perished. September 11, 2001.

I started painting. Old barns and such. 2004.

We bet on how many dead bodies we would see. None, but lots of flip-flops and a sheep. Secrets of the Yangtze. 2004

I quietly admired a Rembrandt portrait at the Schiphol airport. Ever inscrutable, his painting had presence, even as the bomb dogs sniffed by. Beagles. 2006.

I’ve lost two close friends that I’ve known for 50-odd years. There aren’t many more. Huntsville. 2008 and 2011.

Here's some career advice: On your desk, keep a coffee cup marked, "No Whining", that side out. Third and final retirement. 2015.

I occasionally kick myself for not staying with physics—I’m jealous of friends that did. I moved on, but stayed interested. Continuing.

I’m eighty years old and walk like a duck. 2021.

Letter: "Your insurance has lapsed but for $60,000, it can be reinstated provided you are alive when we receive the premium." Life at 81. Huntsville, 2022.

Canto III: Coda

Honest distortions emerging from the distance of time. The thin comfort of fading memories. Thoughts on poor decisions and worse outcomes. Not often, but every now and then.

(Begun May 2016)

there was a little rabbit and he just longed to be
a fire engine  driver a fireman was he
putting out the fires with a fire hose
and his little mask hanging from his nose
going in to buildings that were all a blaze
with his great big torch shining through the haze
climbing up the ladder right up to the top
spraying lots of water till the flames did stop
setting people free from the burning mess
taking them to safety while they were in distress
this is what he longed and he hoped to be
a servant of the public a fireman was he

"Boy toy
or girl
toy! Don't
make me tell
you again, Pedro!"

I have committed a felony
within the land of the Golden Arches.

I have gone through
another patient's order
and forgotten which gender
to assign to the child
standing right next to them,
as if in need of another
fresh new coat in
traditional roleplay,
as if these little ones
were the cattle of tradition.

How foolish of me to assume
that the tiny calf in pigtails
would enjoy the strong-willed,
goal-setting, leadership-evoking
action figure instead of the sanitized,
goal-admonishing, vapidity-provoking
fashion doll.

I wouldn't want to lose
another valuable customer.

Look.

He was just very enthusiastic about
being a fireman. He was always on
time and he never stole anything.

That's all I wanna say about it.

He never touched nobody or nothing.

That's all.
Really.
And stop calling.

there was a little rabbit and he just longed to be
a fire engine  driver a fireman was he
putting out the fires with a fire hose
and his little mask hanging from his nose.

going in to buildings that were all a blaze
with his great big torch shining through the haze
climbing up the ladder right up to the top
spraying lots of water till the flames did stop.

setting people free from the burning mess
taking them to safety while they were in distress
this is what he longed and he hoped to be
a servant of the public a fireman was he

We come before you Almighty God,
Policeman, Fireman and EMT
to say a prayer before we go
Our ways to each his own Duty

Together now we've come to pray
In case we forget to
During our busy day

The Policeman steps forth,
“Dear God above
Keep us save
and also those we love.

We pray for your unending favor
that we never need use
the rounds we chamber

Our Vests that we wear
for our own protection
please keep 'em bullet proof
and our safety never question”

The Fireman steps up, and then takes a knee
“Dear God above I need you now
I know you're always watching me

In the Fires of our Hell
or on the highway to there
Please keep us from hurt
and not singe a single hair

Give us the strength to lift a wall
or tenderness to pick up a tiny child
give us peace when others are losing it
and peace if the scene starts getting wild”

The EMT takes his stand
“God I guess it's my turn
Not really safety out there
or the protection from a burn

But rather Lord I need your help
let me make the right decision
on every patient that I care for
Their lives in my hands I've been given”

Then all Three stand together
with their heads all bowed low
Dear God above, to all of us
please your mercy would you endow

Keep us safe and bring us home
to our wives and our children
And each time a truck roles out
let it come back safely to it's building

Heat beats down upon the street
Birds too hot to fly,
Blistered sand you cannot stand
Drenched with sweat am I.
Cows collect in shadow deep
Panting sheep hang head,
Goshawk flies in cobalt skies
Hills of grass stand dead.

Whisp of smoke, a puff of breeze
Sirens scream in air,
Running men in squads of ten
Emerge from everywhere.
Now the rising wind takes charge
Runs with leaping flame
Into crown of eucalypts
To rage across the plain.

Too late the tenders hoses pour,
Too late the fireman’s shout
Inferno hot has run amok
And all control a rout.
Generating mighty winds
The fire charges forth
Spiralling in furnace air
To incinerate for sport.

Vanquished men exhausted stand
Watch with useless eyes,
As raging flames consume their truck,
Inside a good mate dies.
A live thing in the burnished night
It writhes and spirals high
Across the flaring treetops
Hot, red smoke fills the sky.

As sudden as it starts, it stops
A wind change in the air.
Ravaged forest stark and black
Hot ashes everywhere.
Hills of cinders smoking now
Stock in death’s repair,
Homesteads rendered charcoal like
Farmers in despair.

A silence in the ravaged hills
Birdless in the sky,
Bushfire horror, death and smoke
Enough to make you cry.

Marshalg
In support of my Australian brethren and their torched nation.
30 January 2013

The train chugged on in the darkness
Past meadows and cattle asleep,
And the night revealed its starkness
Puffing smoke on the backs of sheep,
Its livery was as black as the soot
That covered its ageing paint,
It couldn’t be classed as beautiful,
Though it might have been thought as quaint.

The night was such an inky black
As a cloud obscured the stars,
The train was sensing a nothingness
In the vast expanse to Mars,
The fireman sprayed its feed of coal
As the boiler felt the strain,
As tired pistons and tired wheels
Drove on the exhausted train.

A thought came out of the empty sky
And mixed with the sulphur stream,
‘Why can’t I be like the other trains
That little boys love, and dream,
Instead, I’ve spent my whole life long
Tied to an endless rail,
I’ve done all the driver wanted to
But I may as well be in jail.’

There was only an empty signal box
Unmanned at that time of night,
And miles and miles of dark ahead
With never a single light,
So an angry feeling was building up
At that Great Train in the sky,
That only commanded, ‘what thou shalt,’
But never explained, ‘but why?’

So into the dark it chugged along
With carriages in its wake,
While deep inside, the fireman asked
‘Did anyone fix the brake?
The driver shook his gnarled old head
As if in a quick reply,
‘There hasn’t been time for the loco shed,
But they’ll fix it, by and by.’

The boiler started to grumble so
They stopped at a water trough,
The fireman pulled the spout across
And turned it on, then off,
They pulled away with the tender full
Though the train was feeling pain,
‘I’m always doing the same old things,
I’m not going to stop again.’

So on they steamed to Hunterdown
Where at last the brakes had failed,
All they got was a steady sçream
As the wheels spun on the rails,
And though the driver cut the steam
Still along the track it sped,
While the driver and the fireman
On the footplate, stood in dread.

‘The rail runs out at Dead Man’s Eye
Said the driver to his mate,
If we can’t slow down this blessed thing,
I’m afraid, it’s much too late.’
They chose to jump as the rail ran out
But the train still plunged ahead,
Over the untamed landscape
Riding on meadow grass instead.

The carriages piled behind it
Were detached in an awful wreck,
But still the locomotive drove
On a joyous final trek,
It rambled over a grassy ridge
And fell over a pleasant hill,
Next to a colourful flower bed,
And today, it lies there still.

Now children gather to play on it
This pile of rusted steel,
A train that had a tender heart
And for once could see and feel,
If all of its life were memories
Then the one it’s surely got,
Is riding unfettered across the green
To a bed of forget-me-nots.

David Lewis Paget

I WAS born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart..    .    .
        After the sunburn of the day
        handling a pitchfork at a hayrack,
        after the eggs and biscuit and coffee,
        the pearl-gray haystacks
        in the gloaming
        are cool prayers
        to the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels..    .    .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.

I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?.    .    .
        Rivers cut a path on flat lands.
        The mountains stand up.
        The salt oceans press in
        And push on the coast lines.
        The sun, the wind, bring rain
        And I know what the rainbow writes across the east or west in a half-circle:
        A love-letter pledge to come again..    .    .
      Towns on the Soo Line,
      Towns on the Big Muddy,
      Laugh at each other for cubs
      And tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up..    .    .
Out of prairie-brown grass crossed with a streamer of wigwam smoke-out of a smoke pillar, a blue promise-out of wild ducks woven in greens and purples-
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.
Out of log houses and stumps-canoes stripped from tree-sides-flatboats coaxed with an ax from the timber claims-in the years when the red and the white men met-the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years is short..    .    .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river-
The hunched shoulders of the grain elevators-
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
        what brothers these
        in the dark
        of a thousand years?.    .    .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats..    .    .
Keep your hogs on changing corn and mashes of grain,
    O farmerman.
    Cram their insides till they waddle on short legs
    Under the drums of bellies, hams of fat.
    **** your hogs with a knife slit under the ear.
    Hack them with cleavers.
    Hang them with hooks in the hind legs..    .    .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple *****.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair..    .    .
On the left-and right-hand side of the road,
        Marching corn-
I saw it knee high weeks ago-now it is head high-tassels of red silk creep at the ends of the ears..    .    .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire..    .    .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches-among gravestone writings rubbed out by the rain-they keep old things that never grow old.

The frost loosens corn husks.
The Sun, the rain, the wind
        loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
        in a smoke-red dust..    .    .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a **** in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa..    .    .
Look at six eggs
In a mockingbird's nest.

Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.

Look at songs
Hidden in eggs..    .    .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way..    .    .
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting-your lover comes-your child comes-the years creep with toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back-
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley..    .    .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water..    .    .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
  a sun dropped in the west.
I tell you there is nothing in the world
  only an ocean of to-morrows,
  a sky of to-morrows.

I am a brother of the cornhuskers who say
  at sundown:
        To-morrow is a day.

spring planting, spring harvesting, spring garlic

One of the great joys of having a job in agriculture
is to think days, weeks, even months ahead,
One of the great joys of having a job in poetry,
like a fireman,  a patient planter of love,
you wait to be called,
then becoming by being,
part of an all consuming burning

come spring, take advantage of the cool, wet weather of spring
to put in multiple crops of peas and lettuce, also a great time
to get your perennial vegetables,
like asparagus and rhubarb, started

the planting cycle is not an either/or,
come harvest thy labored fruits,
nine crops to harvest come March,
kale, pick leaves as needed,
leeks, best left in the ground
and harvested as needed,
parsnips, purple sprouting broccoli,
rhubarb, spring cabbage, spring cauliflower,
and of course, my personal fav,
Spring Garlic

Garlic, like like love, is generally planted in the fall,
before the frost and harvested the following late summer.
But from March to May,
once the ground has truly thawed,
the young lover plants, spring garlic or green garlic,
can be harvested.

it’s a long bus ride to Western Canada
where the garlic spring has come,
ain’t complaining lots of time to write foolishness
and plant a few good bus poems in northern ontario
and even michigan,
the window slides, and the seeds scattered,
but at every bus poet stop,
those that need it,
planted many inches deep


April 2 naught how I wish I was nineteen again

grandeur

had brought the well outta ground the muscled men and she came upon them when they had split into teams and were rolling it and had not yet become competitive. the hands of her gone infant came back to her to see these men heave back and forth a vanishing. of her many fathers one had said ‘the deep train went even deeper and I could not wake’. he had said it to excuse his one day feat of linking unadorned toilet paper rolls to stretch a rat’s mile. her stomach had yet to go down and she was comforted by such literal remnants as thinking of the last place you had it.

libel

two white boys come outta shack each with a wrist one left one right being ****** at the mouth. their laughing I wouldn’t say manic but still not righted. like certain bible stories seem to tumble outta that book it’s the same with their eyes and ears. their heads each one shrunk so as to be united. I want to say here at least a ****** knows what it’s mocking. I only know one of’em and only as far as this thing being passed and told that he ain’t a foster but he was born in a pan and taken from the offices of the parent company his father got laid from. you think that’s the joke but had I not said white you’d have thought they were anyway. here come two girls grisly with month and I never seen two boys so quick to put down the shack they come from.

prayer

I like it best when my girl is pregnant because I get the sympathies. on her hand, she likes me drunk. at any one time, I can remember seven of our eight kids. this means of course one gets left home but also that not a one gets left grocery. I’d tell you their names but then I’d have to split this saying into parts. but I can tell you seven are boys. now and again they’ll slip on sister’s dress to **** up my math. a good joke I start with is that they take after their mother and if they take after me it’s with sticks. I change the batteries in the alarms for fire and carbon monoxide every two weeks mostly outta fear that I’ll lose them all and have to recount them to some fireman I went to school with. I don’t know if batteries are cheap or not, I don’t know anything about them, but I know I spend a healthy chunk of my portion to have. wife and I are keeping the ninth at bay the ways we know how. she don’t ask me and I don’t her. one kid a week goes with her to church and it’s up to me to remember who in my charge caught a fish the week previous. but I’m not wrong with god; no book is the bible, I believe that. at cemetery by which I am lack whelmed: I wish I had his memory.

nativity

wonder they ever told him grown, that black foster, how he'd been at three years dropped manger while crying for the congregates. straw in everything. back a throat, bottom a shoe. pop said he just about caught himself afire at work, straw sticking out his pocket. pop unable to split work clothes from churched. some wanted to resurrect a fuss about color; don’t go resurrecting a fuss and waved his hand he did that pastor ingénue. heard then I the word negress and after its saying the sayers looked about as if she would appear. this was our town after god and many were still making their own. this answers how the black foster needn’t audition. the gold I brought was soft on my thumbs and the flakes stayed in my nails weeks after. pop could tell for that time what I’d been touching so I’d cover when I could. we were quite a pair in our fooleries what with his straw and my gold. he stopped going on about the blacks and I was able to skip school with your sister the ****** mary. the town was never up for nightmares or for dreaming so I kept your share to myself until now how you seen mary fingered by a man with seven. heard him saying it's okay baby, this one's asleep.

holy ghost!

I will cut myself, Horror Film. will fidget my nethers a last time. maybe make the snow an angel with a third leg. which means I have gone outside. maybe my father will happen by you and put his beers together. but I will be gone. into the woods dragging my feet so some will think it took two to take me. I will whip branches about me and generally scuffle so the some will better convince the left. my poverty will be confirmed by your presence on videocassette. my father will hold you aloft and your tongue will droop above the depths of his hair. my father will claim a vengeance he owes on and the some and the left will follow him over the states of my angel and into the woods. when they find me I will say I had an in body experience; that the two men nearby sleep and it’s what we’re walking in.

haptics

little he knows that in holding them hoppers until they spit and before they go wing he is making hitch the upcome carriage of his *****. his future nudes are backtracking and the gravity of this has been diagnosed as your emphysema. he is your, nothing more, son. he will rub your back and worry his thumbs orphan. oh thumb; toe six. the way you deeply stand arms folded he sometimes thinks you have been replaced by a statue of his mother. it is then he remembers the fence his father built and the collective plank his father carried under his arm. you want life to be good again; your son’s low hand and the pups it could feed.

verbal abuse*

she has brought with her a shoplifted teddy bear. on a good night her age is seventeen. two days ago the voices in her head moved to her mouth. she has seven teeth that remain quiet. she fears so much how this third day will go. she has been told, and she believes, I am only in her mind. but there she is, at the sitting rock where we met, the rock I told her I could see things in. unprepared for her faith, I am unclothed. I am glad she has the bear and glad for my part in her having it.

spiders

we got some kind of plague in our toilets mama.*  that’s my dad calling her mama, my mom. that’s him declaring another plague. week don’t stop until a plague has been pieced together by this man so named Paff Snull on the subscription stubs of any number of unread magazines mom uses to swat dramatically at imaginary flies and wasps and locusts depending on the week. this time though I’m ******* because when dad cracks his knees and ***** himself to fetch mama from silence, I look in the toilet up and it’s true and in the toilet down and it’s more. spiders grey and black and off white. with our low water pressure, spiders having a ball. mom and dad they get tents and tell me twice to get inside mine once it’s on the front lawn. I get told things twice because I was born thick and I haven’t the heart to tell them that after the first saying the saying of it is diminished. I mumble to myself in corners, sure, but it’s the same mumbling. our dog gets a separate tent and I sneak into it when dog allows. seven nights so far outta three weeks I haven’t. mom says it’s because of my acne dog don’t recognize me sometimes. ******* bit the meatsy of my right hand a month ago and my handwriting got so neat I was sent from school for cheating. it’s most of my summer and the house is still spidery. the dog has gone to the river to drink and seems okay with it. mom, dad, and I **** in the backyard in shifts. mom ain’t swatting anything, she doesn’t have to on account of the spiders. when right now I mess up my shift I find myself next to dad and he’s just some guy telling me them glass-full people got the joke on them because the water is contaminated. he’s so happy it makes me think I’m the devil to be grinning so big. long wasn’t the reign of Paff Snull.

Jim McDonnagh pulled his 2011 Ford Escape into his driveway, glancing over at his six year old son, who was sitting at the end of the drive. Angus McDonnagh, all of six years old, and ginger haired was waving at his dad, from a kitchen chair, set behind a card table. On the table was a sign and a box. Of course, from the angle Jim was at in the car, he couldn't see what was on the white board hanging in front of the table. Angus waved again, and turned back to the road.

Jim, entered the large four bedroom bungalow from the side door, looking back at Angus one more time. Angus, was sitting, watching the cars drift by on the road in front. Carol McDonnagh, Jim's wife of nine years was at the front window watching out over Angus and his table. Jim came up behind her, and asked "What's himself doing out there at the table then?"

"I think you'd best go ask him yourself" said Carol. She had a slight smile on her face.
"No, what's up with him then....why the lemonade stand at the end of the driveway?".
"It's not a lemonade stand...did you see any lemonade out there?"
"Come to think of it, no I didn't...just wee Angus, and a box"..."What's in the box?"
"Go and talk to your son"..."He'll let you know...and oh, we've a long distance call to Belgium going to be on the next bill".
"OK....I'll....who do we know in Belgium?"
"Questions, questions...go and talk to your son"

Jim, went out the front door of the house, past Angus's bike in the walkway, where he always left it, and where Jim always told him not to leave it. Angus turned to see who was coming and then turned back to the road.

"Hey son, what's up?" said Jim. "Your mum said I should ask you what you're doing out here".
"Nothing Dad, just practicing...that's all", and he turned back to the road.
"Just practicing..cool, ok I asked"....and Jim started away, turned on his heel and asked "Do you mind if I ask ...for what are ye practicing my lad?.
"To be famous Dad, to be famous" said the ginger headed mite.
"Oh, ok then....hold it....To be famous?"..."By sitting at the end of our driveway in the middle of Glasgow, you're going to be famous?".
"Not now Dad, I'm practicing....but one day".
"Oh alright, dinner's in half hour, see you then"...."Hold it....how is sitting at the end of our driveway, at a card table with a box....practicing to be famous?".
"Easy Da...I'm selling autographs".
"Autographs?" asked Jim.
"Yep" said Angus.
"And whose fine autographs are you selling my son, my son....you can't write your name yet....you can barely scrape by on the printing side of things too".
"Their mine Da...mum did them on some kitchen cards for me. Their only one pound each. All famous people have autographs". Jim walked around to the front of the table, and looked at the box and the sign. Sure enough, one box full of about twenty white three by five recipe cards with Angus McDonnagh written on them, nice and sweet as could be. On the sign, "OTTO GRAFS" ONE QUID EECH!!!!

Jim pondered his son's new and sudden career choice and asked "Angus...why do ye want to be famous?".
"Because it's cool Dad. Everyone likes famous people". "I see..." said Jim. "Just a thought though son, don't you have to do something to become famous, to have people like you?".
"That's why this is just practice" said Angus.
Now, how do you argue with that logic?

Up at the house Carol was looking out at her two men, one ready to be famous and the other confused as to why.

"Dad, you like them footballers on telly, right?". "Yes son, I do....they're good at what they do".
"And when you see them girls in the paper, without their shirts.....Cor' I'll have a bit of that...isn't that good. That means you like them too, right?".
"Yes son, but...that's a different sort of thing".
"How?...they're famous and people know them...are they good at what they do?" asked Angus.

Flustered, Jim answered "yes they are son, yes they are". "What exactly do they do Dad?".
"I'll tell you when you're ten son...wait until you're ten".
"I'm gonna be famous like that footballer who's always in the news dad"....
Jim thought about it...not sure who his wee boy was talking about.....and then it hit him.
"You know dad, the one they always show on the news and the sports with that lady".
"Son, that's John Terry, Englands Captain", said Jim.
"He's the one, played for Chelsea too".
"That's not what he's on telly for lately son, that's not the type of famous you want". "Why not?"
"He's famous for doing something bad, that's not what you want...is it?".
"So, I don't want to be like him, and I'm not ready to know about taking my shirt off...what can I be famous for Dad....I'm ready..I've got autographs done in the box".
"I know son, you'll find out"....and hopefully soon thought Jim.
"You can be like that Justin Barber lad from Canada....go on the internet and do stuff there, you can get famous from that son".
"It's Bieber and nope, nope and nope" said Angus.
"He has tattoos, likes girls and worst of all...he looks geeky".
Jim laughed at the last bit. "But, he's famous...isn't that what you want?"

"Supper!!!" Yelled Carol from the window.

"It is, but not if I have to do that...I never thought being famous would be so tough".
Jim thought, exactly why I avoided it son. He grabbed the box, and folded up the table, Angus was dragging the chair behind him...he dropped it by the bike and went in.
Jim looked at it, dropped the table...took out a pound coin, dropped it in the box and went in for dinner.

"Maybe I'll be a fireman instead " said Angus as they went inside. "People like them too...and it doesn't seem as hard as being famous"...."Yep, a fireman".

Jim smiled, tousled his son's raggedy head and went to the table.

"Now would someone tell me about this phone call to Belgium?....

I don’t know how to describe it, but it’s an illness of which I’m sure,
Like an enemy that hunts you down long after the close of war,
I’ve laid witness and seen things that never should be seen
I’ve rushed head first in to those places where no-one should ever be

The destruction, the chaos, the total despair
The heat and the smells and the weight of the air
Its burden on the soul, right down to my very core
Could I have been quicker, slicker and could I have done more

Did I do the right thing and could I have worked faster
Is there anything more I could have done to mitigate disaster

And the effect on me is laying here totally beaten and broken
Like all the demons in the soul have through horror been awoken

Flashbacks of the moments, reconstructing in my head
Feeling like I’m still right there when I slip in to my bed
Then when I finally get to sleep still residing in my dreams
The images inescapable, the smell, the sight the screams

I live to be plain angry and I can’t explain what at
I try to bring a calm in me but stumble, trip, fall flat
And the emotions, my God, I don’t even know why
There’s no control, there’s only me to hide away and cry

I need to shout and scream out loud for loving and your help
But shy away and find a place, stay quiet, isolate myself
For the rotting buried deep inside is a weakness I conceal
Which no-one needs to know about while I hope to slowly heal

Pain and hurt consumes me, won’t let my soul be free
And makes me question my vocation, is this the job for me
The hurts’ evolved, a soul cruelly torn and I begin to fall apart
‘till no longer can I suppress the pain, it’s too much for one man’s heart

Others begin to notice that something’s not quite right
And I have to face the awful truth that it’s time to share the fight
I understand I see it now that it’s not weakness that I carry
I may be ill, affected, hurt, but I must strive to live life happy

Getting help from those I trust isn’t a sign of lack of strength
I’ll dig deep and demonstrate I don’t lack in purpose and sense

Because I’m a tough guy fireman, I’m not detached from what I see
You see the uniform, you imagine heroics but what of the human side of me
To talk about my pain and hurt is the best I ever did
I’m fired up, a stronger man standing tall on the starting grid
The burden is lightening, the images fade away
And I look towards a better place and hope for another day

So hard it was, to take that step and allow other persons in
Which was all I needed to move ahead and allow recovery to begin

So I’ve tried hard to describe it, this pain known as PTSD
And heed the words I wrote above but it’s not the biggest part of me

For I am made of many parts that blow like leaves ‘cross seasons
And raising the stricken from the carnage of hell is my life, my truth, my reason.

If careless with fire
And burn your beautiful house
The guilt is yours
And you should not stand aloft
Proclaiming the fireman's guilt

an awareness
the fireman was
more sacred professional
than doctor
Coz
he risk his life
in the process of his profession
Even
If you disagree
It's fair
You have met doctor
few times a year
But Fireman
Most of them would have
Never met...

We risk our lives everyday
every time that we clock in,
it's our way of life and what we do
  its the way it's always been.
  
We wake at 3 am to bells ringing
and sirens blare,
we leap to our feet and go get dressed
to fight deep in Hells lair.

In the darkness we don our gear
******* helmet and boot,
as one these brothers all get up
go sliding down the chute.

We run to the truck now wide awake
and with ease we slide in,
we put on our headsets to hear each other all other noise becomes a low din.

We race to the scene where smoke is showing
no one knows who got out,
we put on our airpacks and our masks
to talk we must now shout.

With axe in hand we enter therein
the Devils home amidst the flame,
we quickly search for everyone
boy, girl, man and dame.

The air is hot we can feel it through
the clothe armor that we wear,
but on we search through the building
till we realize we're low on air.

Another​ crew goes in
In their hands the hose
To find the seat of the flames
It's advancement to oppose

We cut the roof we pull the ceiling
Our hands and feet lose all feeling

We find a child we cover them up
We rush back to the door
We bring them to safety and go back in
To check and search for more

For hours the cycle repeats
Till all is said and done
The fire is out, we've done our job
This time we won

No fire is left and all are safe
We put our tools and hose away
And go back to the station
Where hopefully we'll get to stay

Our gears been scrubbed
Time to rest our exhausted bodies

We wake at 8 am to bells ringing
and sirens blare,
we leap to our feet and go get dressed
to fight deep in Hells lair...

I don't really know if this is cut out for me. I rather go to Colorado in my singing voice* how I wish I was your lover please_ let's respect one another....

Here are the
stage lights
If you cannot
stand the heat
Bud light
Other seasons
The Four Seasons
Sherry Baby

Delicacies
Diva and Don Perion
Dressed
Navy and bloodshot
Eyes maroon
The fire desire
Only made them
Moon up higher
legacy
The voices
appetizer

Pina Colada
Fireworks Bella Diva
Gondola
Sunrise Prima Donna
Between the Diva
Fireworks outside
Of Lady Madonna

(Moonstruck)
Havana
Fireworks at
her breast
hot singer
editorial
Designer Hermes
scarfed $
Diva she raises
money
Fill in her gaps
Gap Navy
So savvy Honey
Oh! Jesus
Another
genius
Fireman
Rifleman
Joplin
Baby baby
Baby

She stepped
away
from reality
What about
me Robin
I am a singer
World became
my Godly
duty
Miss Mom Judy

The music
All trends
addicted to
shopping
Men %% $
Those  Poppins
Pop stars
Robin bob bobbin
along
She's chicken
Avocado
Comando
Chief Fido

Fireworks top
crooks
The safe box
She cooks
crock ***
Aluminum Clad
Potheads
Australian lads
All spread out in
Chickenpox

Egg Foo young
Cream say cheese
Lox Hip Hop
Sugar Daddy
Pops
Collegiate
Quickie talk
((Chatterbox))
The made hit
singers paradox
Calm me, Colorado
Endless voice

Eldorado
Diva had too many
Stars at the sing sing
of Rosy®
At the check coat Sassy
Tommy can you hear me
Her mouth
mento mints

Extreme bossy
Deep-throat
(Juicy Pineapple
Dole) her

The singer sways
all over him
Dancing Glove pole
If this is the
last thing
we ever do

Designed for a
Diva with
Jimmy Choo, it's
not a
better life
for me and you

******* coo
Lana Turner,
Turntable 4 the record_
Tina Turner
What does
loving a Diva
got to do
with this!!

So tramped on
Diva devourer
He's the observer

Maxwell millionaires

Tantalizing tongues
The Canaries
Yellow Solo
Not the goddess the
Diva Luv-a sun
{Ralph Polo]
Little darlings
Vampire
Diaries
The mad
librarian
BLT Diva VIP
The hell of
tinnitus

D=F ****-Fun
in" D"
Devilology
Diva Fireworks
sanitarium
Disney
aquarium

My sign the
Aquarius
So Forestal Crystal
Forest Hills US
open tennis

We are the
champions
The  sexter pistol
wedding ring
Go, Crystal
He compelled her
Divas revolver
Wild thing makes
my heart sing
And his boxers
make me  
so closer

Diva solver
Frenzy firecracker
pleaser
Who is ready to vote
Songs wanted
love pusher

Diva's eyes
  Maybelline
Maybe all lined
Stadium of voices
titanium
The Diva to
be resold

Too many songs
were sold
Wife trophy
Platinum had
a voice tone

Diva Grand
Marnier
He's the
connoisseur
of mouth's
experimental

Mentally
He tricks you
Singing horse
you just know
won't trick you
A singer is like
a horse

Wizard of Odd
Moms many colors
performances
This land is your
land from
California but
the Diva Islands
flipping
Las Vegas

Nothing is
guaranteed
((Lady GaGa))
Your out
Haha
Stay upright
lights down
out of sight

*Brooklyn Blackout
Cake Ebinger
We were eating
Singing and Guessing

Diva sucker
lollipops
Panic at the disco
To run him over
What R the odds
Getting even road
Steven the Cosmos

The singing
highway
project
Robin was
from Bayview
Project
All Adultery
Bills
Clintons Mastery
No Susie
homemaker
Hilariously singing
Shining like the
shoemaker

Sitting at
the pub
She ordered a
hot steaming
Spa voice
The Egyptian
grains
of love sand
Medler
Fergie Google
Ben Stiller
Singer just
pill her
burlesque

So Cher-like
if I could
change back
the time I would
do it anyway
Jumping Diva
Kangaroo  pouch

Too much Diva
Ouch----
Joe DiMaggio
fireworks of *****
Big wiggle
Opera
Marilyn Monroe
The Phantom
Of *** appeal
Propaganda
Blowing off
competition
nails

But__ dying inside
like a deadlight
Sparkle me
*** lights
That voice
signals
"Neon Nights"
ooh la the
Eifel tower
bowed her
Moonstruck
striking
wallet high Kicking
wages
Got her voice back
to be shot in stages

Her revolver
eight days a week
The real voice
never take
for granted

Genie
The Diva Luv
in her SUV
She was still
singing
And he wasted
his
whole
dinner

But I got
my voice back
Singing
She let her heart out
He turned his head
He said  what a stunner

The news spread over the countryside
As a clatter from iron rails,
The ominous sound of clacketty-clack
From their intersecting trails,
The plodding Goods of the 0-4-0
To the proud Express from Cheam,
It muttered as it was going past,
‘They’re going to get rid of Steam!’

The sudden shock brought an answering hoot
From the stack of the proud Express,
That whispered by on its 4-6-2
But shuddered to draw its breath.
‘And what will they pull their Pullmans with?’
As it passed through an April shower,
A 4-6-0 on another track:
‘They’re moving to diesel power!’

The steam from the Earl of Erin laid
A trail through the valley floor,
Its coals glowed red from the firebox grid
As the fireman shovelled more,
A Day Excursion that quietly sat
To wait for the train to pass,
Had whispered, ‘Sorry to see you go,
You’re King of the Master Class.’

The smoke that billowed from out the stack
Had turned from white to black,
The footplate shuddered, the furnace roared
As it raced along the track,
‘They say they’re moving to diesel power
And they’re getting rid of steam,’
The Earl of Erin had hurtled by
As a Tank Engine had screamed!

The driver, checking the frantic pace
Was trying to slow it down,
But nothing worked, not even the brakes,
‘We’re headed for Hampton Town!
We shouldn’t be doing sixty-five
We’re twenty over the top,
He slammed the door of the firebox shut
And the fireman’s shovel dropped.

The tender’s couplings opened up
And the Pullmans fell away,
The Earl of Erin had surged ahead
With a new found power that day,
It passed a struggling 0-4-0
As it headed toward the sea,
Gave one long blast on its whistle then
To say, ‘I’m finally free!’

The fireman jumped at the water tower,
The glass was going down,
The driver jumped when it hurtled through
The Halt at Hampton Town,
The Earl of Erin went racing on
When the sea came into view,
But locked the brakes at the water’s edge
Just as the boiler blew.

The Earl of Erin’s a rusted wreck
That still sits there on the line,
And children crawl on its footplate there
And dream of another time,
A time of dragons, a time of trains
A time they can only dream,
The age of romance, gone at last,
It died with the age of steam!

David Lewis Paget

i had the windows open

the heat

and of all the nights
not to be able to fall asleep

and the neighbors had their
bedroom window open, too

some songs you never forget

and he played the same song
over and over
like ocean waves cresting,
falling onto the sands of time
and never lost in memory

yeah, the fireman
had a wife and child

some songs stay with you

touch you some place
to deep to descern

some corner of your mind
holds it tightly, angrily,
hidden away in that dark corner
of never forget

i don't know who sang it
or the title
but i learned every line
that late august night

it ended with

"Lord it'sad to be alone
help me through this night"

and the fireman turned off the stereo

no muffled sound
no flicker of light
just the shot


"Lord it's sad to be alone
help me through this night..."

some songs play over and over

... on and on...

The fireman there dressed in black
With a helmet hiding his shame
They've hidden their words from ageless sages
But he can smell their decaying pages

Spilled ink is old and unimportant they say
It's contagious pages are flammable
For one second he reads the ancient script
Mesmerized by ghosts from the crypt

He collects the books to earn his paycheck
Weeps silently behind his mask of lost humanity
Building a fire with his blowtorch
He's sickened by praise from his cohorts

He hangs his head in his pitifully gray home
and remembered his grandfather's Holy Bible
The hidden truth between the ancient lines
Truth that hangs from a broken spine

The talking faces from an electronic scroll
Hanging from the plastered wall
Repeats lies between razor blades
Invading lies buried within its rays

He keeps an eye on the glowing eye
That surveys his every move
The dark faceless ****** creeps into his life
Even as he sleeps beside his wife

He closes his eyes in search of his Creator
But He's hiding or busy or dead
There must be others who search like me
Who are praying for serenity

I sew therefore I am. This is what women do she thought, even with the television on, muttering and flickering in the corner. But its turning on was but a reflex action to being alone when she came down stairs after reading to her child, and the sitting room empty of his presence. Only the cats occupied her chair where she now sat and sewed.

For once her sewing pile had his nightshirt, a tear at the bottom, a missing button. It was old, well-worn, of a light blue stripe. That was what he wore in bed, and, as he invariably read to her each night, she would slip her hand inside the shirt, across his stomach to a place she had discovered at the top of his pelvis that seemed to be there for her hand to rest. One night she had felt the tear and thought, I must mend this.

She knew something of the feminist canon: Rozsika Parker's Subversive Stitch lay browsed but unread on her bookshelf. The impact of the book was enough: that the relationship between women’s lives and embroidery had brought sewing out from the private world of female domesticity into the fine arts and created a breakthrough in art history and criticism. She remembered writing that somewhere in a student essay. But mending clothes was hardly fine art. And then she remembered Sashiko, the ‘little stabs’, that functional stitching of clothes in Japan.

They had met at the station for a 30-mile train journey to a nearby city. It was a blue-cold December day and they had felt warmed by seeing from the train window a covering of snow on the ploughed fields. She had worn her grey coat with the green lining and an indigo blue-pattern scarf, a swinging denim skirt and orange-patterned top. Tights and boots. He: she had forgotten. Funny that, remembering what she had worn, but for the man she was beginning to feel so hopelessly in love with, and by the end of that day, hold in her heart, seemingly, for evermore, she could not remember. His old brown jacket perhaps . . . No, she couldn’t be certain.

He had loved the exhibition. It was an unencountered world, though he had experienced Japan, but not, as he said (at length), the rural fastness of an offshore island where women were loggers and men were firemen. It was the simplicity of the stitch that captured his attention, the running white-cotton stitch on the blue indigo workware, occasionally a red thread on a decorative piece – a fireman’s tunic. This was stitching about mending, reinforcing a worn area by stitching on a new patch, and in doing so novel patterns evolved, so novel that this traditional stitch became an inspiration for Reiko Sudo, Hideko Takahshi, and the cutting edge textile designers of 20C Japan. It was reuse that made sense.

He had loved the names of the stitches: passes in the mountain, fishing nets, the interlaced circles of two birds in flight, woven bamboo, the seven treasures of Buddha.  She remembered the proximity of him, touching his arm to show, and sometimes just to touch his arm – yes, he was wearing that old brown coat. It was before they were lovers, but she was sure then they were in love, and it seemed impossible and quite wrong to be in this large gallery, flowing too and fro, apart then together, apart then together. She thought: he knows how I want to be when looking at such things; I need space. And she supposed he needed space too because the moment they entered the gallery he left her alone. But that coming together was, and remained ever after, a warm thing, and she remembered that day being a little aroused by it being so.

Later, they had walked a short way from the gallery to a tiny cottage-like bookshop he knew, a bookshop full of impossibly large books on art and architecture. He had something to find: The Crystal Chain Letters – architectural fantasies Bruno Taut and his circle by Ian Boyd Whyte. There had been her favourite  Mark Hearld cards and his collaged pictures in the window. She went upstairs and knelt on the wooden floor to take out the books on gardens on the lowest shelves. The winter sun had poured through a nearby window, warming her face till it glowed. But she was already glowing inside. And he came and knelt behind her. He rested his head on her shoulder and she had turned and put her arms around him. They had kissed, a delicate, exploratory, yet to be lovers kiss that had made her feel weaker than she already felt. She knew she would remember that moment, and she had, here on her chair years later, now in a different sitting room from the one she had returned to that evening without him, returning to her husband and children. And she had missed him beyond any measure and written to him the next day, a letter written in her head before she had slept, and then the following morning, with the children at school, she had lain on her bed and calmly touched herself to remember his kiss, their kiss.

Poem 4
I'm going to give this context by starting off reading my old match and pof profile. This is genuinely real.

It's always hard to know what to say on these things so I'm just going to fill my profile with exaggeration and nonsense.
I would describe myself as a cross between Brad Pitts character in fight club and a sensitive fireman who likes kittens. Overall I'm pretty awesome. Kind, intelligent, hilariously funny, better in bed than a mug of cocoa. I'm a bit of a geek really. As a kid I just used to love drawing and watching cartoons. I have a ten year old golem figure which is still in its box. It's ok though. It's multiposable. I grew up on a farm. If you go back far enough there are signs of inbreeding. Which is cool because I've got extra fingers to tease you with.
I had two lizards when I was little. Their names were e's and whizz after the pulp song e's and whizz which was apparently about drugs. Lizards aren't like drugs. They're just different. You can't take a lizard to get high. You could possibly try it with the right kind of frog but licking a lizard just makes you look weird. Plus if you tried to swallow one I suspect it would get stuck in your throat. The lizard wouldn't like that. Plus you'd probably get done for animal cruelty but it's ok because you'd have the excuse that you were just smacked off your t**s on Lizard. Anyway, these lizards kind of melted. This was real, not because I was on drugs. I didn't really know about drugs back then. I hadn't licked a lizard. Lizards aren't like drugs anyway, but we've already covered that, it's a bad analogy. Anyway, it was kind of sad watching them, I think I over heated the tank or something. But they had a happy life before that, I looked after them.
I think it's kind of an analogy for life though. You can spend your life worrying about your lizard. Buying it all the right food and keeping the temperature just right. But then you never really enjoy your lizard because you're too busy thinking about its food and it's heat. So, the alternative is that you just get on with things. Enjoy your lizards, crank up the heat and see what happens. I think life is better like that. Not for lizards though. Mine melted. You've got to keep their temperature right. It was a bad analogy.  

Yes, I'm still single... But on to the poem

An ode to online dating - AKA online dating is a lizard in a tank

When you go online, you're  a lizard in a tank
On your own in empty online spaces
Your pea sized brain has drawn a blank
From all the empty, passing faces
As this one passes she gives a grin
She taps your buttons, turns up your heat
Your eyes rotate, step foot to foot
You hope that she'll dip her hand in
Frill your neck and show you want to meet
But she swipes to the rabbit coz he's got a cute ****.

Some "customers" just go to look
Some are scared that lizards bite
Some of them, their nerves are shook
By a previous lizard fight
Some wonder whether they should buy
But think they might get something better
Some buy, then put you on the shelf
Some people think you're worth a try
But switch for something to make them wetter
Makes me reflect upon myself

People are creatures led my habit
Distracted by your Lizard brain
Looking for someone to share your maggot
To change your colours, You try in vain

My frustration is 2 things
1. People expect everyone to be the same
2. You get dragged into meeting an expected role

Muscles, protection, hair, humour, genuine, confidence, normal, drive, good job, nice clothes, nice house, nice car, nice things

Beauty, slim, eyes, *******, legs, ****, no baggage, easy going, don't argue, work hard, play hard, independence, no shame

What if everyone doesn't have to be the same and going for what you always go for gets you what you always got? I've got no answers to it all.

I'm going to buy a lizard instead.

On a burning staircase stood Judy
Her skin blistering in the relentless heat
‘Come down Miss’!, cried the fireman
But Judy didn’t understand the world
As we do

As the flames rose higher
Judy’s clothes began to smoke away
‘Please, please, trust me’!, shouted the fireman
And then Judy began to sing a hymn
In her beautiful voice

Black smoke flooded her lungs
Judy tried hard to keep up the tempo
‘I have to go, I have to go’!, sobbed the fireman
Judy coughed between note and glorious note
How she was endearing

The house melted like butter
Judy was a memory in the past
‘She wouldn’t come down’, sorrowed the fireman
The song echoed in his ears
Then he wiped his eyes

From caribou, sheep,
and seal skin linings,
to modern leather,
and endless refining.

Boots have come
so far in a hurry-
once thin and essential,
now stylish and furry.

From Doc Martins moving
on mosh pit floors,
to fireman's boots,
and kicking down doors.

Buckles and laces
and straps and steel toes.
Patterned, simple,
they fit with your clothes.

Each boot has a story,
a personality too.
They help you dress up,
and with the things that you do.

We all have our favourites,
our boots we don daily,
The boots that add to
our own story, maybe.

For me, it's my gumboots,
you may ask yourself, why?
Simple: they keep
my blue jeans dry.

My hearts made of tinder
And every word you speak
Is another match ignited
Every empty glance you give me
Produces sparks
I'm highly flammable
Please stop trying to burn me to ashes

To another day
passing like the parched foliage
dangling from the roofs in
the ***** Bronx

left of the ferry,
right is the skyline
doubled three times,
cloaked in solar panel
glass and shimmering
against the smoggy array of light
that
will
quit—
in due time.

Daddy, sweet
East River father,
where is the little
meatball you had grounded
up for eyes.
For a Roman nose
and Mafian stubble
when your Sicilian tongue
was clipped at age five.

For English-Only stamped on the roof
of your waste factory
of a mouth.

For the neo-tongue that
was bred liked
strong As
and
young ****;
And copious liquor upon
the grounds of your hiking
trips.

Mutation
       of
vile majesty.
Cannibalism of the **—

Buttons budding
for *******.

I saw your phantasm
figure, soiled in
dark tan, curve in
my lens.
Swallow the hazel
like a viscous sauce,
sweet, fresh.
A fuckable baby—
of five. You clipped
my tongue with now
cloying giggles and in the bunk bed,
red and ***,
like a locket, limbs

dangling out the sides, fleeing in
a fountainhead of
DO NOT.
Effaced by an amnesia.

The old man in my skull speaks,
— I was thirty two days ago.

Now the IVs DRIPDRIP,
Chorus with the TICKTICKTICK.
You are the hour,
I am the minute
Hand.
You are slow, I must
go-go-go in compulsive haste.
Run for sixty,
start anew,
encore, solo, imbrued
with the days that twine the middle, framed in
white.
Forget.

The doctor parses the old man like an
obsolete phrase with theatric hands,
-touch-touch-
push,  press.
Then comes the Shakespearean
soliloquy:
—He hasn’t the coverage.

The trigger as a glove of flesh
hits its target, quiets the machine,
puts me to sleep.

What is it that
I must do?
-become the platoon,
an infantry of sun-empired men.
Fight the shrapnel,
the blitzing of
scar tissue.
Become the fireman
with an axe wielded—
Scale the towers like cracks in a mountain.
Die from the smoke or
the spherical flames of the
planes that rode like the hooves
of a horse with bubonic pallor.
Fall like a worker
for stories down until
God, or some sadistic keeper
of this earth, slacks a noose
and reels me in like
a bluefin tuna, prized,

as you
salute. You ‘Nam
prevailer heralding
the lacy harlequins of corporeal
God’s pardon
on
you.

I am in
eternity from
the waist down,
object of the tight, frictiony
satisfaction you
almost indulged in.

To be a daughter, so sonly,
revoked of all features.
Stripped of the places
you liked to touch.

One life by flames a Hero made

This just became a lot harder by its very nature I must cloak one identity shine all the light I can on the
Other harder because I was just reminded people find my writing hard to understand brothers at church
Out home can you be more simple use smaller words I could be stupid I’m a high school dropout I don’t
Know any big words well I did use imbecile in the seventh grade that was cool and got a reaction this
Started to be a tribute to a person who was rare although you can surely see glimpses of your dad
Brother or other male members of your family as I said to write you must follow truth strictly no
Deviation but before I could pay and honor the visible one another comes into view from the past with
This twist then he was the dark kight now he is a knight in shining armor the dark knight have him on
The Cross bar of a bicycle both of you have swimming trunks on you pass some tuffs with extra powerful
BB guns while your body shields him he lets off a litany of sailor inspired words directed at them they
Don’t return insults they open fire I have welts and his mother picks three B Bees out of my back did he
Feel any pain he was too busy laughing that was just one time not enough room here to give you the run
Down let’s just say as the only identifier he was a short racer came in first braver than the others but I
saw him in a class picture there is the strange part it touched my heart and then speaking to him on the
Phone my feelings were correct he is a great wonderful person then the stranger yet he so embodies by
Appearance and voice of the one I choose to honor here Stevie Rucker was about eleven that summer I
Met him his mother went to my wife’s church he was bright kind and melted people with his soft and
loving nature quite a contrast to his father a six foot four hard nose FFA inspector we were out at a
Restaurant in the city a foursome in the next room with a booth were using foul language I don’t know
The dim lighting could have been a factor but when this giant shadow fell on them and asks them to stop I
Don’t think they even talked loud after that. But this sweet little boy harbored a dream one day he was
Going to be a fire fighter then as dreams go it was shattered bad eye sight disqualified it was a dream
Worth fighting for so he took action a risky costly eye operation was the answer victory he moved to
Patoka California by now a wife and two toddlers a boy and a girl three boy five they lived in the foot
Hills of the Sierra Nevada mountain range ever where you were in great growth forest of course the
Red Woods get all the glory but take a stroll red clay earth and some of the most gorgeous nature you
Will ever find although the Great Smoky Mountains will give it a run for the money in a later story I will
Tell about them and the gnome mobile and the huge boar black bear that I thought I was going to have
To run to the car pull out my thirty thirty Winchester and start working the lever action to save seventy
Five tourists I put in Jeopardy by getting him out of a deep gully. Well life was good for Steve and his
Family he was living his dream our paths would intersect we stopped at Paso to break the trip in half to
Southern C and Disney land were heard about the fire in Dego it was bad enough that the whole LA
Basin was fogged in for two days the Santa Anna winds finally pushed it out to sea and up the coast I hit
It on the other side of San Louis Obisable in a gorge it was banked in and because of youthful lucky strikes and
Later sleep apnea I couldn’t breathe in the car until I hit the air conditioner well by the time we got
Home to check in at the hotel it was clear home is what Anaheim means in German then there was that
USA Today News paper again I looked and a face was staring at me older and thicker heavey set but I knew the face and then at
The bottom of the picture emotional train wreck a child so giving now as a man had given his life for
Strangers five to six hundred miles south from his home he died trying to save their homes he joined
Many others but these were fresh in my mind the folks who died in the fire storm in Oakland from the
Conflagration that took lives and homes and four lane highways on both sides couldn’t slow it down and
You have as much chance as out running a bullet as you do a fire as twenty five Idaho smoke jumpers
Found out they were racing out of a gorge scrambling to get over the top this natural configuration had
Become a chimney of living flame thirteen died instantly those others rolled over and away on flat
Ground at the top was spared. What could I do I wrapped myself in the only protection I could find he
Died a hero that kept the pain at bay how many times I invoked that statement it worked so well until at
The community center in Patoka where they honored Steve’s sacrifice it was televised Governor Arnold
Schwarzenegger and other state dignitaries his fire house buddies and other fireman from everywhere
Was there and then they panned down to his mother and father his father wasn’t so large anymore and
It was the last time I could use my shield as I looked and watched Pat weeping Uncontrollably over her
Lost son I thought you would like to know of this wonderful person I will close with a thank you in the
Language of the Lakota Sioux as his service had part of it in the native language of his tribe Pilamaya means thank you
Steve you are an inspiration we bow to greatness beyond our understanding

When I am all grown up
There's lots that I can be
A million different choices
And the choice is up to me

I can be a fireman
And drive a truck all painted red
I can work inside a kitchen
And make sure that folks get fed

I can be a sailor
And sail from sea to sea
I have a million different choices
And the choice is up to me

I can be a teacher,
and teach children to write
Or I can be a singer
And sing on stage each night

A footballer, a builder
or a worker in a zoo
It's up to me exactly what
job that I will do

A dancer, or a dentist
A scientist or vet
It's up to me and no one else
What kind of job I'll get

A painter, or an acrobat
A lifeguard on the beach
I can be an astronaut
And to the stars I'll reach

I can be most anything
There's lot's that I can be
There's so much for me out there
The choice is up to me

I can drive a race car
Let my imagination soar
This is just a short list
There's a million, million more

I can be most anything
There's a lot out there for me
For I am just beginning
And there's lots that I can be

An astronaut, a soldier

Mystical Fire

God is fire holy without equal then you have glory boy that burns with every despicable evil in his favor
Our make up by fallen nature is in the same area and has a willing bent that favors signals that come
From Satan so the need that came about through the cross for the great alignment it works only when
You are truly engaged indentified by actual action of dying to that enemy of your own self then you find
What I will try to convey in this piece giving you the two pictures of this glorious burning then the awful
Burning only hell can stoke and purposely mix among the tender of ready to burn substance found in human nature

A wonderful place to draw this contrast is Los Angeles called the city of angels but the most beautiful is
Its Spanish interoperation Low hovering angels this loses if we say it but let a Mexican say it with his
Inflection most perfect if he is saying it from love. Is there a seriousness here our blessing is not being in
That crucible even New York is called the big apple but those in the know call it the volcano with all its
Eruptions and pressures so does L A fall into this category in fact if you live on Pico Ave it’s a category
Five tornado this is one of the most fought out streets in the turf war for space to sell the Bain to all
Society drugs see the flame it consumes the guilty and the innocent view this common occurrence way
To common how many small neighborhood chapels were filling with caskets instead of wedding
Ceremonies look and listen a Mac Ten pistol grease gun thirty round capacity it has just started its
Deadly chatter laying down a withering fire this isn’t battle ground conditions this is a neighborhood
Strafing a car the widow’s blow out the shooter keeps the fire steady it starts plinking metal as it moves
To the front of the car off the car into a white small picked fence wood matching the spray of bullets as
It Flys in all directions Chicago revisited instead of the Tommy gun chopper of probation you got a
Crazed dope fiend punk without emotions the sight of fourteen year old Maria standing on the side walk
Never registered or didn’t matter three red dots appeared on her bright blouse across her back the
Center spot stopped her heart forever now these precious Spanish eyes closed never to see her rightful
Future instead of one day walking the Church isle in a wedding gown now she would lie in repose in
White with the flowers not in a bouquet but neatly fixed in her hair. So robbed of youth and life her
Budding life so filled with promise where angels hover no more demons work overtime however evil is
Carried and delivered believe me they have it more together than the sleeping church self satisfied the
God of mercy and love restricts himself to mans efforts the Devil endlessly prowls about seeking who he
May devour

In the Christian life death is the pivotal point only through this experience can success be found this is
Dumbfounding to our fallen nature I want to show through the natural death of two precious teens it
Seems a stretch but you can disagree but you didn’t see what I saw I don’t desire to take you on a
Journey that disappoints you but just listen to my accounting I didn’t ask to see this scene it was shoved
In front of me by an L A fireman his story deserves telling at a later time the picture to me it seems God
Himself finally said enough is enough the killing of Maria and others have occurred hundreds of times
These teens died and then fire consumed their natural bodies but an intervention the light of heaven
Had to bathe them and in that light fine particles of gold had to enter our world forming this thinnest
Sheen enveloping them in a golden cocoon their spirits ushered into the father’s presence their bodies
Would not be marred disfigured no they would pass from clay to immortal gold comparable to king tut I
Viewed both subjects through the record afforded by photography these two youthful companions in
Life now side by side they are cast in breathless beauty to me one instance of death being over ruled the
Promise given for future times in this case the promise inserted in real time that will be common in the
Heavenly tomorrows the beauty of God had to have a hand in what I saw those precious children went
Beyond the earthly outcome were transformed they had the shinning of a vision that one day will be our
Common experience glorified bodies are the language God who cannot lie says will be everyone’s
reality.