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"ermine" poems
. In a costume of conflicting emotion, of crossing diamondic colour, with regal posture in grief, the Harlequin and the King, a display of opposites creating a composite being, that eases her body gently into the waiting water, to float away serene, on her journey to the nether. Midnight blue and emerald green, the regalia of ermine, both ostentatious and humble, robeing the aspects, understated in crowning splendour, the gentleman King bows, and the Harlequin laughs, the bi-polar reaction to the tragedy of misfortune, with a sting in the myth-tale. With the dark hues of mourning, a legend passes on her way, across the streams of time, on a voyage to discover herself, carrying her Harlequin in a purse, holding her King to her breast, owning them both in her heart, the medicine wheel spins, knowing the grapes of wrath yield the wine of spite. The motley speckles of attire, a starry parody of night skies, lighting the decorated funeral barge, gliding along the rivers of space, worn with the mantle of sorrow, and it sails into the sunset, as the Harlequin and King observe, the mandala turns, the bier of the Queen departing, bears their sadness forth. The Harlequin laughs and laughs 'til he cries, his heart grows cold, then withers and dies, whilst the King, statuesque, memoirs his life, lamenting the legend of a Queen, his wife. © Pagan Paul (24/07/18)
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Jul 25, 2018
Jul 25, 2018 at 5:51 AM UTC
Mediaeval Myth Lamenting Legend
They wear their wealth like a crown Glittering jewels adorning their kitchen chairs Red leather velvet resting on the sofas Pearls dripping in champagne This lavish mansion is their Kingdom The money their thrones of precious stones Their influence their ermine and silk cloths Their wealth like crowns
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Mar 7, 2015
Mar 7, 2015 at 9:48 AM UTC
Wealth like Crowns
98 One dignity delays for all— One mitred Afternoon— None can avoid this purple— None evade this Crown! Coach, it insures, and footmen— Chamber, and state, and throng— Bells, also, in the village As we ride grand along! What dignified Attendants! What service when we pause! How loyally at parting Their hundred hats they raise! Her pomp surpassing ermine When simple You, and I, Present our meek escutheon And claim the rank to die!
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One dignity delays for all
151 Mute thy Coronation— Meek my Vive le roi, Fold a tiny courtier In thine Ermine, Sir, There to rest revering Till the pageant by, I can murmur broken, Master, It was I—
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Mute thy Coronation
This morning, I walked with god and man, and animal I've come to believe, no other possibility, He denies me sleep as His insurance policy some One wants to be sure, someone sees His sunrise poem, He selected this ancien regi-man to be His admiring audience, with deer, squirrels, rabbits, a red fox, an osprey always complaining, why do they get the cheap seats so up at five, no jive, gotta get there early, for a good seat, on the dock by his name watch the color blue transgender from feminine elegy elegant pale to peacock royal male, the water, a contributing editor, phases in with a steely grin, with ermine whitecap hints and an orange marmalade sky homage, I cannot try to describe and here is where man comes in... as the tableau reveals a still life come to be, a painting enlivened, come to me free, bursting with effervescence and animal life tribunes, paying on... strange... my Pandora app back to back, plays for me Gershwin's Rhapsody In Blue, hard upon it comes Saint-Saëns's The Carnival of the Animals and I enfeebled amateur, needy for a word titan Titian, can think only this trite thought: *I know not who is the instrument and who is the artist, but virtuous us, We, all, now-capital-buddies, now, all, well-color-capitalized, god and man and animal, crooning a chorus of appreciation let this "accidental" miracle, this collaboration, enthuse me, to live happily with anticipation for just one more day...* June 2014
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Jun 15, 2014
Jun 15, 2014 at 6:56 AM UTC
This morning I walked with god and man
Lady Winter I. When surly Winter sighs, her icy breath Makes adults think of coming death, Makes children think of falling snow, Ice skates and sleds and away they go.... II. Alone among her Sisters, Winter holds such power To stop the World, to drift in Time, if only for her hour. She puts the trees and fields to sleep, Then covers lakes and land 'neath sheets, And though she tucks them into bed, Their sleeping form is of the dead. III. This Lady White whose frigid face Turns from the sun with chilly grace Has for herself a single duty: The world to rest in icy beauty. In the North, where'er she goes, She dresses lands with icy snows. In gowns of ermine stand the trees White trains of down lie at their lees. She sets the plain with crystal lakes, And sugars hills with frosted flakes. Where ever she in beauty goes, The icy Queen her magic sows. IV. Strange sister of four Seasons, Her face, at first, seems set in Death, But we who walk out on her icy grounds, Traverse a frozen pond or wander rounds Deep into her forests fast asleep, know well, We who stop to listen and to look can tell, Life's certitude awaits the end of chilly Winter's icy fling. (Congregation: "Even so come quickly, Lady Spring!")
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Dec 14, 2011
Dec 14, 2011 at 10:14 AM UTC
Lady Winter in IV Cantos
15 The Guest is gold and crimson— An Opal guest and gray— Of Ermine is his doublet— His Capuchin gay— He reaches town at nightfall— He stops at every door— Who looks for him at morning I pray him too—explore The Lark’s pure territory— Or the Lapwing’s shore!
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The Guest is gold and crimson
In the cold, cold parlor my mother laid out Arthur beneath the chromographs: Edward, Prince of Wales, with Princess Alexandra, and King George with Queen Mary. Below them on the table stood a stuffed loon shot and stuffed by Uncle Arthur, Arthur's father. Since Uncle Arthur fired a bullet into him, he hadn't said a word. He kept his own counsel on his white, frozen lake, the marble-topped table. His breast was deep and white, cold and caressable; his eyes were red glass, much to be desired. "Come," said my mother, "Come and say good-bye to your little cousin Arthur." I was lifted up and given one lily of the valley to put in Arthur's hand. Arthur's coffin was a little frosted cake, and the red-eyed loon eyed it from his white, frozen lake. Arthur was very small. He was all white, like a doll that hadn't been painted yet. Jack Frost had started to paint him the way he always painted the Maple Leaf (Forever). He had just begun on his hair, a few red strokes, and then Jack Frost had dropped the brush and left him white, forever. The gracious royal couples were warm in red and ermine; their feet were well wrapped up in the ladies' ermine trains. They invited Arthur to be the smallest page at court. But how could Arthur go, clutching his tiny lily, with his eyes shut up so tight and the roads deep in snow?
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First Death In Nova Scotia
117 In rags mysterious as these The shining Courtiers go— Veiling the purple, and the plumes— Veiling the ermine so. Smiling, as they request an alms— At some imposing door! Smiling when we walk barefoot Upon their golden floor!
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In rags mysterious as these
Love has given up. It was the wrong religion. And London did not melt into the Thames. You teetered on the edge of a golden world, and then fell suddenly— accused of sortilege, ****** and treason. And at his pleasure— or was it mercy?— Was it for the sake of your seven years, or perhaps for the little daughter?— in which flowed the royal blood, spoiled by *** and lineage. Whatever it was, no matter. He would spare you the pain of being burnt at the stake. Instead, to be executed like royalty— dispatched by a French swordsman. The prophecy must have been of little comfort as your ladies helped prepare you to meet Death, newly betrothed. A gown of dark grey damask floated over a blood-red petticoat. Your mantle was trimmed with ermine. Queenly, you stood and addressed those who had come to watch you. And then you knelt and began to pray, and quickly and mercifully, the blade carried out its trajectory.
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Oct 9, 2016
Oct 9, 2016 at 10:52 AM UTC
Threnody for Anne
As kings who see their little life-day pass, Take off the heavy ermine and the crown, So had the trees that autumn-time laid down Their golden garments on the faded grass, When I, who watched the seasons in the glass Of mine own thoughts, saw all the autumn’s brown Leap into life and don a sunny gown Of leafage such as happy April has. Great spring came singing upward from the south; For in my heart, far carried on the wind, Your words like winged seeds took root and grew, And all the world caught music from your mouth; I saw the light as one who had been blind, And knew my sun and song and spring were you.
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Primavera Mia
The snow had begun in the gloaming, And busily all the night Had been heaping field and highway With a silence deep and white. Every pine and fir and hemlock Wore ermine too dear for an earl, And the poorest twig on the elm-tree Was ridged inch deep with pearl. From sheds new-roofed with Carrara Came Chanticleer's muffled crow, The stiff rails were softened to swan's-down, And still fluttered down the snow. I stood and watched by the window The noiseless work of the sky, And the sudden flurries of snow-birds, Like brown leaves whirling by. I thought of a mound in sweet Auburn Where a little headstone stood; How the flakes were folding it gently, As did robins the babes in the wood. Up spoke our own little Mabel, Saying, 'Father, who makes it snow?' And I told of the good All-father Who cares for us here below. Again I looked at the snowfall, And thought of the leaden sky That arched o'er our first great sorrow, When that mound was heaped so high. I remembered the gradual patience That fell from that cloud like snow, Flake by flake, healing and hiding The scar of our deep-plunged woe. And again to the child I whispered, 'The snow that husheth all, Darling, the merciful Father Alone can make it fall! ' Then, with eyes that saw not, I kissed her; And she, kissing back, could not know That my kiss was given to her sister, Folded close under deepening snow.
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Dec 1, 2015
Dec 1, 2015 at 1:28 PM UTC
The First Snowfall - James Russell Lowell
Sometimes poetry doesn’t happen Until you’ve fashioned what you want to say And felt its worth in prose. You go somewhere a little known But time newly fashions its affect. Late autumn then, today summer’s end. Since early morning the sun has shone. Heading north, the clouds magisterial. Spread themselves, ermine-cloaked. I watch you as you drive: The pleasing proportions of your seated self, a warm glow on your left cheek. *We have become so careful you and I With what we say and the way we say it. Hard to keep the conversation aloft.* After ninety miles it’s good to get out In a by-passed village, a quiet place. Bicycles now take us towards the ancient coast. There it is: the sea. The spirit lifts. Wind at our backs and grateful to turn to the pleasure of a minor road. Now there’s time to take in a distant manor, the swallows’ dart and spin, a stone tower from which the landscape’s perspective flows. A long straight road runs to a coastal village. Lunch is eaten against a churchyard wall. As a cloudy afternoon beckons, crows gather. Turning east will the headwind strain The morning’s calm confidence? Perhaps. Have we come too far and expect too much? At the causeway now, where the tide has left The horizon-reaching expanse of mud and sand, It seems a long road to the village at the island’s end. Briefly, we sit to contemplate a yet further isle Where, facing the sun’s fall into the folds of distant hills, a northern saint found solitude. So tired at the hotel I insist on immediate food And soon the tension of the day falls from your face And briefly I catch a smile from your eyes. *Memory returns me to another room where, newly married, I caressed your long nakedness in a strange half-light, My hands and body visiting every part of you.* As dusk falls we walk briefly to view the sand and sea. Then bed and hardly a page turns before seeking sleep. Restless, I reassemble the day, moment by moment.
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Nov 7, 2012
Nov 7, 2012 at 1:20 PM UTC
Journeying (in verse)
Sometimes poetry doesn’t happen Until you’ve fashioned what you want to say And felt its worth in prose. You go somewhere a little known But time newly fashions its affect. Late autumn then, today summer’s end. Since early morning the sun has shone. Heading north, the clouds magisterial. Spread themselves, ermine-cloaked. I watch you as you drive: The pleasing proportions of your seated self, a warm glow on your left cheek. *We have become so careful you and I With what we say and the way we say it. Hard to keep the conversation aloft.* After ninety miles it’s good to get out In a by-passed village, a quiet place. Bicycles now take us towards the ancient coast. There it is: the sea. The spirit lifts. Wind at our backs and grateful to turn to the pleasure of a minor road. Now there’s time to take in a distant manor, the swallows’ dart and spin, a stone tower from which the landscape’s perspective flows. A long straight road runs to a coastal village. Lunch is eaten against a churchyard wall. As a cloudy afternoon beckons, crows gather. Turning east will the headwind strain The morning’s calm confidence? Perhaps. Have we come too far and expect too much? At the causeway now, where the tide has left The horizon-reaching expanse of mud and sand, It seems a long road to the village at the island’s end. Briefly, we sit to contemplate a yet further isle Where, facing the sun’s fall into the folds of distant hills, a northern saint found solitude. So tired at the hotel I insist on immediate food And soon the tension of the day falls from your face And briefly I catch a smile from your eyes. *Memory returns me to another room where, newly married, I caressed your long nakedness in a strange half-light, My hands and body visiting every part of you.* As dusk falls we walk briefly to view the sand and sea. Then bed and hardly a page turns before seeking sleep. Restless, I reassemble the day, moment by moment.
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. (Sippy cups are for toddlers, designed to let them sip but a little sip at a time, and when it falls, the disaster is lessened.) totally by accident is this dedicated to TL Sipple, whose introspection offers comfort to more than many. ~~~~~~~~~ *who among us has not begun the journey's poetic, by first examining the mirror that reflects organs internal, flipping the reversible glass over, for all you exposed, it's the curse, the birthing natural,* of the first poem *all your life, streams bustling, streams drying, drought dying, leaves windy flying up, but final poisoned by gravity, come to rest and crunched under your footfalls, but of this did you write, scrivened or scribed? no our first child is of our ***** where real borning does occur. the rest too, but now, and soon thereafter, put aside the me, and write of he and she, the first love, always the second child, for this the nature of the soul and ermine robe, you elected, when you first self-selected* I am a poet, therefore I hit send, *and the diecast, is the first of many hot rods piercing, invading, calling out to you, poet, "set me free, set me free" then when walking in September, the leaves un-glistening, cracking and ***** like an old person who cannot care for them self then you lift your pen, point to the sky or to the earth, no matter which, for both are loco parents in loco, and the truest hardest journey begins, looking outside in, with eyes colored by global truths then and only then the real journey begins, a differing agony to be learned, to see as others see, to write as others have before you and me, and in doing so, this testing travail, will earn you, could earn you, a time grade of pass/fail you are the only judge in this show, the only contestant, what grade will you assign yourself, what standards will you set, until you ask, who are the poets time idolizes?* american idol, throw away your sippy cup, and drink from the river, from the sea, drink deep, until sated, then begin your foolishness readied, all over again poet to please invisible gods, that all can see
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Feb 17, 2014
Feb 17, 2014 at 10:18 AM UTC
american idol, throw away your sippy cup, and drink from the river
. (Sippy cups are for toddlers, designed to let them sip but a little sip at a time, and when it falls, the disaster is lessened.) totally by accident is this dedicated to TL Sipple, whose introspection offers comfort to more than many. ~~~~~~~~~ *who among us has not begun the journey's poetic, by first examining the mirror that reflects organs internal, flipping the reversible glass over, for all you exposed, it's the curse, the birthing natural,* of the first poem *all your life, streams bustling, streams drying, drought dying, leaves windy flying up, but final poisoned by gravity, come to rest and crunched under your footfalls, but of this did you write, scrivened or scribed? no our first child is of our ***** where real borning does occur. the rest too, but now, and soon thereafter, put aside the me, and write of he and she, the first love, always the second child, for this the nature of the soul and ermine robe, you elected, when you first self-selected* I am a poet, therefore I hit send, *and the diecast, is the first of many hot rods piercing, invading, calling out to you, poet, "set me free, set me free" then when walking in September, the leaves un-glistening, cracking and ***** like an old person who cannot care for them self then you lift your pen, point to the sky or to the earth, no matter which, for both are loco parents in loco, and the truest hardest journey begins, looking outside in, with eyes colored by global truths then and only then the real journey begins, a differing agony to be learned, to see as others see, to write as others have before you and me, and in doing so, this testing travail, will earn you, could earn you, a time grade of pass/fail you are the only judge in this show, the only contestant, what grade will you assign yourself, what standards will you set, until you ask, who are the poets time idolizes?* american idol, throw away your sippy cup, and drink from the river, from the sea, drink deep, until sated, then begin your foolishness readied, all over again poet to please invisible gods, that all can see
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All the roads are closed. Silence metastasizes through the stretch of EDSA. Cold seeps in bone. Sun still flagellates. Oscillate through sound space and whitewashed walls. Seismic grunt of jeepney awakens the signs: no avatars, yet. The night was as deep as any lover, a fine blistering moon glares through lit rivers. Nothing exists except heads of tacks and maimed populace ambulating across roads sequined with ermine light. The disquiet approximates the lightness of buildings in repair. Scaffolds, ubiquitous lovers, clouds explode into white, and everything else like pain, pales in comparison with the slow twitch of everything. Today there will be no siren nor simultaneous joust of cyclists in perpetual motion— just you contending against hues of all graffiti: Cataract of anguish. News of killing. Incarnadine trees netted with aureoles burning bright in solstices. Penumbral undulation of forethought and afterthought. Dislimned – all; you, left in polaroid taken in solitary shutter, in pursuit of light.
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Nov 17, 2015
Nov 17, 2015 at 1:59 PM UTC
Still Searching
A handcream made with shea butter, A record collection all-a-stutter, Fancy watches, ermine fur, “Cold blooded luxury” Strawberry liqueur.
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Sep 7, 2013
Sep 7, 2013 at 2:21 PM UTC
luxury
961 Wert Thou but ill—that I might show thee How long a Day I could endure Though thine attention stop not on me Nor the least signal, Me assure— Wert Thou but Stranger in ungracious country— And Mine—the Door Thou paused at, for a passing bounty— No More— Accused—wert Thou—and Myself—Tribunal— Convicted—Sentenced—Ermine—not to Me Half the Condition, thy Reverse—to follow— Just to partake—the infamy— The Tenant of the Narrow Cottage, wert Thou— Permit to be The Housewife in thy low attendance Contenteth Me— No Service hast Thou, I would not achieve it— To die—or live— The first—Sweet, proved I, ere I saw thee— For Life—be Love—
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Wert Thou but ill—that I might show thee
elegant escapades everglade excursion elevating emotions enchanted evenings egrets and ermine – elated elephants encircle eucalyptus entering estrus – evangelical elders each embedded even the entrenched earn ecstatic event entrees eat and expand enjoy experience – explorers explode expanding energy engraving extra’s expertly eloquently –
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Jul 22, 2014
Jul 22, 2014 at 5:45 PM UTC
Epoem
All the wallflowers Picking up the sun Slowly walking towards The madness Moving statues Entwined at the Fingertips You can find your Picture on my wall Walking on two legs Facing the sound Of empty eyes
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May 1, 2024
May 1, 2024 at 10:33 AM UTC
With Ermine Hands
Elegant,wrapped up in stolen garb, Naked mink and ermine, Cower coldly in the gutter, Undressed. The rich ***** bedecked with jewels and pearls. Stolen from the littlest girls. Bracelet,a creation from reptilian teeth, Neath her coat, A chill, heart resides, The tiger in front of the fire, Once he was real and she was a liar. She declared a love of animals, The ones whose heads hung on the walls. Nouveau riche? Nope, a super ***** She heard the scratches at the door, Alas alack, she was no more. Haw haw. (c) Livvi
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Sep 23, 2014
Sep 23, 2014 at 7:29 AM UTC
STYLISH
The kings they came from out the south, All dressed in ermine fine, They bore Him gold and chrysoprase, And gifts of precious wine. The shepherds came from out the north, Their coats were brown and old, They brought Him little new-born lambs— They had not any gold. The wise-men came from out the east, And they were wrapped in white; The star that led them all the way Did glorify the night. The angels came from heaven high, And they were clad with wings; And lo, they brought a joyful song The host of heaven sings. The kings they knocked upon the door, The wise-men entered in, The shepherds followed after them To hear the song begin. And Mary held the little child And sat upon the ground; She looked up, she looked down, She looked all around. The angels sang thro’ all the night Until the rising sun, But little Jesus fell asleep Before the song was done.
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Christmas Carol
Shall I be a chameleon? In a way that Makes observers sick, Shall I uncunningly Side the slick? Shall I optimize my chance Echoing both The good or wrong stance Of who by unfair means Seized the rein of power And hence benefits Will not be loath On me to shower? A chameleon, Reflecting my surrounding Shall I be Self serving As it has become Nowadays a common thing? Shall I be an ermine ? Keeping my professional And self integrity And cleanliness True to my conscious To the extent of Facing an unfolding adverse Shall I distance My self From being A false witness On my colleagues And neighbours?
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Oct 1, 2015
Oct 1, 2015 at 4:32 AM UTC
What shall I be?
166 I met a King this afternoon! He had not on a Crown indeed, A little Palmleaf Hat was all, And he was barefoot, I’m afraid! But sure I am he Ermine wore Beneath his faded Jacket’s blue— And sure I am, the crest he bore Within that Jacket’s pocket too! For ’twas too stately for an Earl— A Marquis would not go so grand! ’Twas possibly a Czar petite— A Pope, or something of that kind! If I must tell you, of a Horse My freckled Monarch held the rein— Doubtless an estimable Beast, But not at all disposed to run! And such a wagon! While I live Dare I presume to see Another such a vehicle As then transported me! Two other ragged Princes His royal state partook! Doubtless the first excursion These sovereigns ever took! I question if the Royal Coach Round which the Footmen wait Has the significance, on high, Of this Barefoot Estate!
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I met a King this afternoon!
I wander through the world to make my own math. Maybe a kid with ice cream will stumble across my path one day and venture the scene. Brown grass and an abundance of wheat, mangled trees and ice cube sun rays--maybe something in between. As a wayward Purple Pincher Hermit Crab, I float through ocean currents. As a North coast coyote sometimes I can't tell what I am. Just wandering through ice cold smoke, smoldering ash, apple orchards, joyful torture, dead rose gardens, a thornyard, a sunflower sanctuary. Serenity, I wear no crown, no ermine cape, I eat beetles and grasshoppers off of a rusted plastic plate.
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Apr 14, 2015
Apr 14, 2015 at 5:59 PM UTC
To Trek Through Unknown Land
this is an educated refined, cultured, poem fit to clothe a queen’s body radiant enough to sit on a king’s head no doubt, the king’d head on a silver plate this is elegant, truthful, and most dignified as robes and gold threads on a priest’s mitre and ermine round the waists this is immaculate, probing, penetrative and sedate so well-constructed, traditional so cast into meter and scanned so organised and adept as a gynaecologists’s fingers and last but not least it is reverend, respectful and silent as full of respect as are holy poems and sonnets and poems all fit into good form and shape and thus it refrains from 4-letter words though - **** - sometimes it slips and falls like a drunkard, into the gutters but it is the fault of the terrain
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Nov 2, 2011
Nov 2, 2011 at 7:17 AM UTC
this is an educated, cultured poem