Submit your work, meet writers and drop the ads. Become a member
howard brace Aug 2013
"A leisurely breakfast" their mother would admonish, "aids digestion and builds strong bones..." so what with the imposed inactivity every morning, boredom broken only by Sockeye the family Spaniel, whose want of table manners coincided very conveniently with mealtimes... as he paced restlessly under the table, slobbering indiscriminately in his daily scramble to devour every dangling morsel before supply and demand shut up shop for the night and went home, far tastier... he gobbled down the latest offering of egg white, than the remnants of his own dietary allowance, they just had to get the timing right that was all, or risk loosing a finger, or gaining one depending upon who was doing the dangling, or who was doing the gobbling... he gave an indignant sneeze, not so much a hint but more of a... 'what's with the pepper malarky...'  So that it was only with a good deal of snappy hand coordination, lengthy digestion and sturdy bone building that Rocky was finally able to extricate himself from the table and make the most of what little time remained until lunchtime, meagre time indeed for the Rocky's of this world to hang around with their dogs, leaving their little sisters to help mums do, whatever it was that girls usually did when they should have scooted out of the kitchen faster, when it would have been all so much simpler just to grab a handful of biscuits instead...  Meanwhile, laying in wait in the room above, flat out upon the bedroom counterpane, having recently had their insides stuffed to bursting with a full English breakfast's worth of beach and holiday apparal... and that was just the luggage.    

     The contents of which, up until a week last washday had been snoozing fitfully behind 'Do Not Disturb' signs, cautiously peeping out from the gloomier, more remote recesses of the bedroom dresser, or carefully concealed in cupboards and closets... and being in every other respect by no means readily accessible to public scrutiny of any kind... had been left to their own devices some twelve months earlier with a clear understanding to skip bath nights from that moment on and henceforth immerse themselves in the heady, camphorated pungency of mothball, vowing once and for all never to darken portmanteau lids again... but now, after many hours of arduous laundering and de-fumigation... were now being squeezed and unceremoniously shoe-horned into what had recently become nothing short of an overcrowded sanctuary for the dispossessed.  
              
     Meanwhile, all the luggage asked from life other than be detained under section four of the Mental Health Act, 1983 and be found cosy padded accommodation elsewhere... was to have their interiors vacated, their tranquility reinstated... and with a questionable wink from a dodgy Customs official, have their travel permits invalidated... irrevocably, for despite throwing a double six for a spot of well earned convalescence back on top of the wardrobe some twelve months ago, basking in the shade of a warm Summer Sun, striking up the occasional conversation with the floral decor, third bloom from the left currently answering to the name of Petunia, the still over extended luggage, seemingly with little hope of R & R this side of the letter Q, faced the perennial disquiet of vacational therapy, of being knelt on, sat and bounced upon and be specifically manhandled in ways that matching sets of co-ordinated luggage should not...
                                        
     Tina could be heard quite distinctly in the next street concerning her husbands lack of competence, whilst Red it appeared had become just as outspoken as his wife in that particular direction... as the local self appointed busybody, who lived well within earshot of the address in question would bear witness to as she put feverish pen to paper, writing to what had become a regular... and some would say hot bed of intrigue in the local tabloid concerning how vociferous the once tranquil neighbourhood had become of recent and how certain undesirable elements within the community were to be heard carrying on alarmingly at all hours, day and night... and as she diligently weighed her civic duty against simple household economics as to whether to send this latest block busting eye opener by first or second class post, their parents could now be heard broadcasting, if anything to a wider listening audience than the previous newsflash, some of the more sensational episodes of the previous twenty-four hours as to who was pulling whose suitcase zipper now... although in which direction it should be pulled, they both agreed, wasn't for public disclosure at that time... vowing to draw blood well before the day was out, as three lacerated fingers would later testify and that it was only because of the children that they were going at all... but God willing, they would be setting off very shortly with rosy smiles on their faces for the sole benefit of the neighbours, even if it killed them. 

     Spurred to fever pitch  by this latest 'stop-the-press' newsflash, the same public spirited busybody now threw herself wholeheartedly into further award winning journalism and for the second time that morning took to pen and paper, only now directed to the gossip column in the local Parish Gazette, followed by grievous lamentations of impending bloodshed to the incumbent Chief Constable as to how they'd all be murdered in their beds ere long before nightfall.

     By devouring his water bowl, thereby dispensing with the need for it to be washed and by its abrupt and mysterious absence, disposing of all further incriminating evidence as to where the abundant supply of liquid, now surging copiously across the kitchen floor had sprung from... the flash-flood was hastily making its own getaway beneath the kitchen units, leaving Sockeye to his own devices to carry the can on his own, ankle deep in what up until earlier that morning had been sloshing around quite contentedly in Eccup reservoir.

      Having inadvertently released the handbrake in a boyish gesture of bravado, thereby placing himself in sole charge of a runaway vehicle, Sockeye it appeared was not the only member of the Salmon family to have dropped himself right in it that day as Rocky, having unwittingly placed the following ten years pocket money well out of reach and back into the pockets of his parents dwindling resources, had to a far greater extent nominated himself for the same Earth moving experience as the one his mum would shortly be giving Sockeye...

      Having just been granted licence to do whatsoever it pleased, the vehicle began its leisurely rearwards perambulation down the long garden driveway and by way of small thanks for its new found independence took Rocky along for the ride where due to a certain lack of stature on Rocky's part, at no point had he ever been in the slightest position to influence the Holiday threatening train of events which now engulfed him, never thinking to reapply the handbrake... that would be too easy, he perched on the edge of the seat clutching the steering wheel and stretched out his sturdy little legs in an heroic, but futile attempt to reach the pedals as the family car, which up until any second now had been his fathers pride and joy, pitched backwards at what seemed to Rocky, breakneck speed and directly into a very severe and unforgiving brick wall.

     Almost missing this latest round of entertainment above that of her parents most recent exchange, River accompanied by Sockeye scampered outdoors and slap into what could only be described as the most fun she'd had all year as an unsuspecting "what was that noise" muscled its way through the open bedroom window and fell flat on its face in the garden below and which, if that morning to date was anything to go by, then the neighbourhood would soon be tuning in to the latest Salmon family's 'hot-off-the-press' breaking news bulletin.

     Opening her mouth River hesitated as she fine-tuned the speech centres of her young and delicate synapse into full vocal alignment, then adjusting shutter speed from f8 to automatic she closed her mouth... then opened it once again and informed her brother that if the tip of dads size 9 was an Olympic gold, then Rocky would be sure to take first in the 110 metre hurdling event with 'team GB...' and could she have his autograph... with those words of solid encouragement rattling around his ears like the last biscuit in an otherwise empty tin box, River went skipping back into the house to announce the latest newsflash of her parents next financial happening... which she felt certain would prompt further rounds of thought provoking front page journalism.

     A steady two hours drive away, over on the east coast, the inhabitants of a sleepy fishing community were gainfully employed, pretty much as any other, going about their daily business, one such denizen... a baby crustacean, currently marooned by the tide had taken up temporary accommodation in a beachfront rock-pool property of certain distinction, was as yet unaware of a completely different and obscure set of circumstances that would shortly be rearing his slobbering jowls and bring all four paws, the size of dinner plates, crashing down upon the unsuspecting seashore fauna... was determined while she waited to catch the next high tide home, that until such time that the right wave rolled along, would potter about in the little rock-pool, perhaps indulge herself in a leisurely bathe... and catch up on a spot of therapeutic knitting.

     So, placing the days events since breakfast into perspective...  [i]  the vehicle indemnity provider, henceforth to be named 'the party of the first part', who currently weren't cognisant of an impending claim to date, would shortly be laying eggs attempting to squirm out of all liability, due to  [ii]  the automobile, driven by a minor, fortunately for Salmon senior on private land and henceforth, the aforementioned to be called 'the third party, to the party of the second part...' which urgently needed rigorous cosmetic attention to the rear tail light cluster and surrounding bodywork so as to maintain a favourable resale mark-up price.  [iii]  Having been dragged kicking and screaming from the top of the wardrobe, the luggage had rapidly developed cold feet and cried sudden illness in the family, but were being taken to the Wake anyway.  [iv]  Wrapped around the hot water cylinder since the previous Summer, the various sundry items of holiday apparel stood united, resolute as a Union Picket line not be seen dead looking as though they'd never so much as seen the bottom of a flat-iron.  [v]  Both Red and his wife, Tina, despite wearing the same anaemic smile as the one show to the neighbours as they departed, travelling counter clockwise along the crescent so as not to unduly advertise their recent misadventure with the garage wall, were only going for the sake of the children, whilst  [vi]  River and her errant brother didn't want to go anyway dismayed at leaving the television set behind, were already missing their favourite programs, which only really left  [vii]  'mans-best-friend' who, when he wasn't actually hanging over the front seat giving dad big sloppy licks as though... 'are we nearly there yet' or perhaps... 'I need to stop and spend a penny... or you'll all know about it if you don't,' was more than content to be taking up the majority of the rear seating arrangements and with a delinquent wag of his tail, was deliriously happy to be wherever his family were.**

                                                        ­                             ...   ...   ...

a work in progress.                                                        ­                                                                 ­  1862
There’s a whisper down the line at 11.39
When the Night Mail’s ready to depart,
Saying “Skimble where is Skimble has he gone to hunt the thimble?
We must find him or the train can’t start.”
All the guards and all the porters and the stationmaster’s daughters
They are searching high and low,
Saying “Skimble where is Skimble for unless he’s very nimble
Then the Night Mail just can’t go.”
At 11.42 then the signal’s nearly due
And the passengers are frantic to a man—
Then Skimble will appear and he’ll saunter to the rear:
He’s been busy in the luggage van!

He gives one flash of his glass-green eyes
And the signal goes “All Clear!”
And we’re off at last for the northern part
Of the Northern Hemisphere!

You may say that by and large it is Skimble who’s in charge
Of the Sleeping Car Express.
From the driver and the guards to the bagmen playing cards
He will supervise them all, more or less.
Down the corridor he paces and examines all the faces
Of the travellers in the First and the Third;
He establishes control by a regular patrol
And he’d know at once if anything occurred.
He will watch you without winking and he sees what you are thinking
And it’s certain that he doesn’t approve
Of hilarity and riot, so the folk are very quiet
When Skimble is about and on the move.
You can play no pranks with Skimbleshanks!
He’s a Cat that cannot be ignored;
So nothing goes wrong on the Northern Mail
When Skimbleshanks is aboard.

Oh, it’s very pleasant when you have found your little den
With your name written up on the door.
And the berth is very neat with a newly folded sheet
And there’s not a speck of dust on the floor.
There is every sort of light-you can make it dark or bright;
There’s a handle that you turn to make a breeze.
There’s a funny little basin you’re supposed to wash your face in
And a crank to shut the window if you sneeze.
Then the guard looks in politely and will ask you very brightly
“Do you like your morning tea weak or strong?”
But Skimble’s just behind him and was ready to remind him,
For Skimble won’t let anything go wrong.
And when you creep into your cosy berth
And pull up the counterpane,
You ought to reflect that it’s very nice
To know that you won’t be bothered by mice—
You can leave all that to the Railway Cat,
The Cat of the Railway Train!

In the watches of the night he is always fresh and bright;
Every now and then he has a cup of tea
With perhaps a drop of Scotch while he’s keeping on the watch,
Only stopping here and there to catch a flea.
You were fast asleep at Crewe and so you never knew
That he was walking up and down the station;
You were sleeping all the while he was busy at Carlisle,
Where he greets the stationmaster with elation.
But you saw him at Dumfries, where he speaks to the police
If there’s anything they ought to know about:
When you get to Gallowgate there you do not have to wait—
For Skimbleshanks will help you to get out!
He gives you a wave of his long brown tail
Which says: “I’ll see you again!
You’ll meet without fail on the Midnight Mail
The Cat of the Railway Train.”
allie Apr 2017
i lean into the Depths of my Counterpane.
the White lives of soldiers Float around Me
crying whispers Hide in the dark Shadows
frozen Bullets cry along the Gusts Of wind
rivers filled With ice Flow Along the banks
dancing Feelings trot towards The melted Dreams
and in Sorrow thoughts Come the Thawing memories
of Fire and Hail covered in black And white Slush
-------------------------------------------------------
I'm feeling the confusion so here we go.
annh Mar 2021


+     ☆     +
+         ⭒     +     +         +
⭒           +     +     +     ⭒     +           +
+         ⭒     +     ⭒     +     +     ⭒     +         +
+       +     ⭒     +                       +     +     +       ⭒
+     ⭒     +     +                               +     ⭒     +     +
◒          +     +     +     +               ✸               ⭒     +     +     +          ◓
+     +     +     +                               +     +     ⭒     +
+       ⭒     +     +                       +     +     +       +
⭒         +     +     +     +     ⭒     +     +         ⭒
+           ⭒     +     +     +     +           +
+         +     +     +         ⭒
+     ☆     +



she pins stars to the ceiling of my dreams ☉ and makes milkshakes of meteor dust and moonshine ☉ in my day, she sleeps swaddled in a billowing blue counterpane of boundless reflection ☉ in my night, she dances a path to eternity ☉ leaving me breathless and in awe of her spiralling splendour
‘That is where my dearest and brightest dreams have ranged — to hear for the duration of a heartbeat the universe and the totality of life
in its mysterious, innate harmony.’
- Hermann Hesse, Gertrude
Lancaster bore him—such a little town,
Such a great man. It doesn’t see him often
Of late years, though he keeps the old homestead
And sends the children down there with their mother
To run wild in the summer—a little wild.
Sometimes he joins them for a day or two
And sees old friends he somehow can’t get near.
They meet him in the general store at night,
Pre-occupied with formidable mail,
Rifling a printed letter as he talks.
They seem afraid. He wouldn’t have it so:
Though a great scholar, he’s a democrat,
If not at heart, at least on principle.
Lately when coming up to Lancaster
His train being late he missed another train
And had four hours to wait at Woodsville Junction
After eleven o’clock at night. Too tired
To think of sitting such an ordeal out,
He turned to the hotel to find a bed.

“No room,” the night clerk said. “Unless——”
Woodsville’s a place of shrieks and wandering lamps
And cars that shook and rattle—and one hotel.

“You say ‘unless.’”

“Unless you wouldn’t mind
Sharing a room with someone else.”

“Who is it?”

“A man.”

“So I should hope. What kind of man?”

“I know him: he’s all right. A man’s a man.
Separate beds of course you understand.”
The night clerk blinked his eyes and dared him on.

“Who’s that man sleeping in the office chair?
Has he had the refusal of my chance?”

“He was afraid of being robbed or murdered.
What do you say?”

“I’ll have to have a bed.”

The night clerk led him up three flights of stairs
And down a narrow passage full of doors,
At the last one of which he knocked and entered.
“Lafe, here’s a fellow wants to share your room.”

“Show him this way. I’m not afraid of him.
I’m not so drunk I can’t take care of myself.”

The night clerk clapped a bedstead on the foot.
“This will be yours. Good-night,” he said, and went.

“Lafe was the name, I think?”

“Yes, Layfayette.
You got it the first time. And yours?”

“Magoon.

Doctor Magoon.”

“A Doctor?”

“Well, a teacher.”

“Professor Square-the-circle-till-you’re-tired?
Hold on, there’s something I don’t think of now
That I had on my mind to ask the first
Man that knew anything I happened in with.
I’ll ask you later—don’t let me forget it.”

The Doctor looked at Lafe and looked away.
A man? A brute. Naked above the waist,
He sat there creased and shining in the light,
Fumbling the buttons in a well-starched shirt.
“I’m moving into a size-larger shirt.
I’ve felt mean lately; mean’s no name for it.
I just found what the matter was to-night:
I’ve been a-choking like a nursery tree
When it outgrows the wire band of its name tag.
I blamed it on the hot spell we’ve been having.
’Twas nothing but my foolish hanging back,
Not liking to own up I’d grown a size.
Number eighteen this is. What size do you wear?”

The Doctor caught his throat convulsively.
“Oh—ah—fourteen—fourteen.”

“Fourteen! You say so!
I can remember when I wore fourteen.
And come to think I must have back at home
More than a hundred collars, size fourteen.
Too bad to waste them all. You ought to have them.
They’re yours and welcome; let me send them to you.
What makes you stand there on one leg like that?
You’re not much furtherer than where **** left you.
You act as if you wished you hadn’t come.
Sit down or lie down, friend; you make me nervous.”

The Doctor made a subdued dash for it,
And propped himself at bay against a pillow.

“Not that way, with your shoes on ****’s white bed.
You can’t rest that way. Let me pull your shoes off.”

“Don’t touch me, please—I say, don’t touch me, please.
I’ll not be put to bed by you, my man.”

“Just as you say. Have it your own way then.
‘My man’ is it? You talk like a professor.
Speaking of who’s afraid of who, however,
I’m thinking I have more to lose than you
If anything should happen to be wrong.
Who wants to cut your number fourteen throat!
Let’s have a show down as an evidence
Of good faith. There is ninety dollars.
Come, if you’re not afraid.”

“I‘m not afraid.
There’s five: that’s all I carry.”

“I can search you?
Where are you moving over to? Stay still.
You’d better tuck your money under you
And sleep on it the way I always do
When I’m with people I don’t trust at night.”

“Will you believe me if I put it there
Right on the counterpane—that I do trust you?”

“You’d say so, Mister Man.—I’m a collector.
My ninety isn’t mine—you won’t think that.
I pick it up a dollar at a time
All round the country for the Weekly News,
Published in Bow. You know the Weekly News?”

“Known it since I was young.”

“Then you know me.
Now we are getting on together—talking.
I’m sort of Something for it at the front.
My business is to find what people want:
They pay for it, and so they ought to have it.
Fairbanks, he says to me—he’s editor—
Feel out the public sentiment—he says.
A good deal comes on me when all is said.
The only trouble is we disagree
In politics: I’m Vermont Democrat—
You know what that is, sort of double-dyed;
The News has always been Republican.
Fairbanks, he says to me, ‘Help us this year,’
Meaning by us their ticket. ‘No,’ I says,
‘I can’t and won’t. You’ve been in long enough:
It’s time you turned around and boosted us.
You’ll have to pay me more than ten a week
If I’m expected to elect Bill Taft.
I doubt if I could do it anyway.’”

“You seem to shape the paper’s policy.”

“You see I’m in with everybody, know ’em all.
I almost know their farms as well as they do.”

“You drive around? It must be pleasant work.”

“It’s business, but I can’t say it’s not fun.
What I like best’s the lay of different farms,
Coming out on them from a stretch of woods,
Or over a hill or round a sudden corner.
I like to find folks getting out in spring,
Raking the dooryard, working near the house.
Later they get out further in the fields.
Everything’s shut sometimes except the barn;
The family’s all away in some back meadow.
There’s a hay load a-coming—when it comes.
And later still they all get driven in:
The fields are stripped to lawn, the garden patches
Stripped to bare ground, the apple trees
To whips and poles. There’s nobody about.
The chimney, though, keeps up a good brisk smoking.
And I lie back and ride. I take the reins
Only when someone’s coming, and the mare
Stops when she likes: I tell her when to go.
I’ve spoiled Jemima in more ways than one.
She’s got so she turns in at every house
As if she had some sort of curvature,
No matter if I have no errand there.
She thinks I’m sociable. I maybe am.
It’s seldom I get down except for meals, though.
Folks entertain me from the kitchen doorstep,
All in a family row down to the youngest.”

“One would suppose they might not be as glad
To see you as you are to see them.”

“Oh,
Because I want their dollar. I don’t want
Anything they’ve not got. I never dun.
I’m there, and they can pay me if they like.
I go nowhere on purpose: I happen by.
Sorry there is no cup to give you a drink.
I drink out of the bottle—not your style.
Mayn’t I offer you——?”

“No, no, no, thank you.”

“Just as you say. Here’s looking at you then.—
And now I’m leaving you a little while.
You’ll rest easier when I’m gone, perhaps—
Lie down—let yourself go and get some sleep.
But first—let’s see—what was I going to ask you?
Those collars—who shall I address them to,
Suppose you aren’t awake when I come back?”

“Really, friend, I can’t let you. You—may need them.”

“Not till I shrink, when they’ll be out of style.”

“But really I—I have so many collars.”

“I don’t know who I rather would have have them.
They’re only turning yellow where they are.
But you’re the doctor as the saying is.
I’ll put the light out. Don’t you wait for me:
I’ve just begun the night. You get some sleep.
I’ll knock so-fashion and peep round the door
When I come back so you’ll know who it is.
There’s nothing I’m afraid of like scared people.
I don’t want you should shoot me in the head.
What am I doing carrying off this bottle?
There now, you get some sleep.”

He shut the door.
The Doctor slid a little down the pillow.
Oft, in the silence of the night,
When the lonely moon rides high,
When wintry winds are whistling,
And we hear the owl's shrill cry,
In the quiet, dusky chamber,
By the flickering firelight,
Rising up between two sleepers,
Comes a spirit all in white.

A winsome little ghost it is,
Rosy-cheeked, and bright of eye;
With yellow curls all breaking loose
From the small cap pushed awry.
Up it climbs among the pillows,
For the 'big dark' brings no dread,
And a baby's boundless fancy
Makes a kingdom of a bed.

A fearless little ghost it is;
Safe the night seems as the day;
The moon is but a gentle face,
And the sighing winds are gay.
The solitude is full of friends,
And the hour brings no regrets;
For, in this happy little soul,
Shines a sun that never sets.

A merry little ghost it is,
Dancing gayly by itself,
On the flowery counterpane,
Like a tricksy household elf;
Nodding to the fitful shadows,
As they flicker on the wall;
Talking to familiar pictures,
Mimicking the owl's shrill call.

A thoughtful little ghost if is;
And, when lonely gambols tire,
With chubby hands on chubby knees,
It sits winking at the fire.
Fancies innocent and lovely
Shine before those baby-eyes, -
Endless fields of dandelions,
Brooks, and birds, and butterflies.

A loving little ghost it is:
When crept into its nest,
Its hand on father's shoulder laid,
Its head on mother's breast,
It watches each familiar face,
With a tranquil, trusting eye;
And, like a sleepy little bird,
Sings its own soft lullaby.

Then those who feigned to sleep before,
Lest baby play till dawn,
Wake and watch their folded flower -
Little rose without a thorn.
And, in the silence of the night,
The hearts that love it most
Pray tenderly above its sleep,
'God bless our little ghost!'
Lawrence Hall Jan 2017
Cats are Iambic Pentameter

Light-footed cats are nature’s iambics
Each subtle feline step unstressed to stressed
Across a lawn, a counterpane, a heart
As a tail-twitching cat ballet, all grace

But dogs are four-beat Anglo-Saxon1 lines
Galumphing heavily and clumsily
Across a moor, a sleeping-bag, a heart
As a tail-wagging country reel (gone bad)

Soft-footed cats are nature’s iambics
And dogs are four-beat Anglo-Saxon lines


1Old English Anglo-Saxon (approx. fifth-twelfth century). Applies to four-stress hemistichal alliterative verse, e.g. Beowulf.

- Stephen Fry, *The Ode Less Travelled: Unlocking the Poet Within
People wish to be settled. Only as long as they are unsettled is there any hope for them.
-- Thoreau

My life has been
the instrument
for a mouth
I have never seen,
breathing wind
which comes
from I know not
where,
arranging and changing
my moods,
so as to make
an opening
for his voice.

Or hers.
Muse, White Goddess
mother with invisible
milk,
androgynous god
in whose grip
I struggle,
turning this way and that,
believing that I chart
my life,
my loves,
when in fact
it is she, he,
who charts them--
all for the sake
of some
as yet unwritten poem.

Twisting in the wind,
twisting like a pirate
dangling in a cage
from a high seawall,
the wind whips
through my bones
making an instrument,
my back a xylophone,
my *** a triangle
chiming,
my lips stretched tight
as drumskins,

I no longer care
who is playing me,
but fear
makes the hairs
stand up
on the backs
of my hands
when I think
that she may stop.

And yet I long
for peace
as fervently as you do--
the sweet connubial bliss
that admits no
turbulence,
the settled life
that defeats poetry,
the hearth before which
children play--
not poets' children,
ragtag, neurotic, demon-ridden,
but the apple-cheeked children
of the bourgeoisie.

My daughter dreams
of peace
as I do:
marriage, proper house,
proper husband,
nourishing dreamless
***,
love like a hot toddy,
or an apple pie.

But the muse
has other plans
for me
and you.

Puppet mistress,
dangling us
on this dark proscenium,
pulling our strings,
blowing us
toward Cornwall,
toward Venice, toward Delphi,
toward some lurching
counterpane,
a tent upheld
by one throbbing
blood-drenched pole--
her pen, her pencil,
the monolith
we worship,
underneath
the gleaming moon.
She lay awake in her tiny bed
And she waited for the dawn,
For then she’d be turning five, they said,
The day that she was born,
She hid her head right under the sheet
And she giggled, now and then,
Thinking about the presents like
They’d given once, to Ben.

For Ben was her older brother and
He’d recently been eight,
Was given a bike, though second-hand,
And Ben had thought it great,
He’d fallen off it a dozen times
And she saw he’d skinned his knees,
But how she would love a bike like his,
She lay and she whispered, ‘Please!’

He’d also got lots of lollipops
And he wouldn’t even share,
The one that she stole got sticky, and
Got tangled up in her hair,
But best of all was the parcel that
Unwrapped, was a railway train,
It puffed real steam and its livery gleamed
Til he left it out in the rain.

The sun peeped over the window-sill
And she thought she’d take a look,
For lying there on her counterpane
Was a well-thumbed Cookery Book,
And dimly, stood in the corner of
Her sparsely furnished room,
Was a brush and pan and a black lead can
And a new, short-handled broom.

‘You’re old enough for the chores,’ she heard
As her mother watched her sob,
‘You can start by filling the kettle,
Then you can place it on the hob,
You’ll use the pan for the ashes that
You’ll be scraping from the grate,
Then spread them out by the roses, on
The ones by the garden gate.’

‘You’ll sweep the floors in the morning with
That nice new broom you got,
Attend to all of the blacking when
The oven’s not so hot,
And then you’ll help with the cooking, so
You’ll come home straight from school,
Your Da’ has need of his supper, so
You’ll work, not play the fool.’

The broom had come from a gypsy van
That was camped out on the green,
Was shaped and whittled by gypsy men
To whisk the meadow clean,
It carried with it a gypsy spell
That was woven in a hearse,
To whisk it well, or a taste of hell,
Along with a gypsy curse.

When Martha picked up the broom she felt
The power spread in her hands,
She whisked away to a gypsy tune
She’d heard from the caravans,
She whisked the ashes over the floor,
Put blacking over her nose,
Spilled the kettle over the hob
And ruined her father’s clothes.

Her mother started to beat the girl
But the broom then beat her back,
Whisking her out through the open door
And putting her under attack,
It swept the porch right into a heap
It piled the boards of the floor,
Tearing them up from the joists, and then
Sweeping them out the door.

It whisked the lid off the blacking can
And spread black over the walls,
Til Martha’s mother ran down the street
To the sound of squeals and squalls,
So Martha’s father bought her a doll
That could do all kinds of tricks,
While Martha waved the broom at her Ma,
‘Just wait til I am six!’

David Lewis Paget
For Alice (Who used to be me)

I have believed in fairy tales
Once I walked in worlds of rosy hue
I lived in Wonderland and Counterpane
dreaming dreams I knew would all come true

Morning turns to noon day to evening all too soon
Oz can turn to ashes in just a day
Princes return as frogs to their lily pads
Wonderlands Alice is a matron growing grey

No one comes to kiss the princess as she sleeps,
Knights in shining armor ride no more.
Tinker bell is dying with no one to believe.
The Mad Hatter is laughing at the door.

The dragon is not slain but lives in glory
Roxanne always marries Christian after all
Cinderella sits forever midst the ashes
Too late for Alice the door is much to small

The Emerald City's walls are bottle glass
And reality has crushed them neath its heel
The yellow brick road leads nowhere very quickly
And Alice knows that lonely is the only thing she'll feel

oh! let alice return to Wonderland again,
Away from the mud and slime outside the looking glass.
Life is much to large without that tiny door,
And she would seek the March Hares party where time will never pass.
This poem was written by my late grandmother, I found it in her things after she passed. She wrote many poems, but this has to be one of my favorites.
Tuesday.


It was Tuesday late in the day when we met

It was raining so hard we were both soaking wet.

I talked to her like she was an old friend

And realised soon, I didn’t want this to end.

So I said,

Fancy a coffee?

Even though it was late.

She grinned and said,

Shall we call this a date?

And we talked as we walked

And it got really late

I said, let me walk you home, at least to your gate.

We got to her house and she said, coming for a drink?

Yes please I replied, I didn’t need to think.

The evening passed to morning

We laughed and we joked

And saw the new day dawning.

Then we kissed and my heart missed a beat

Then we kissed again a double measure,neat.

Her lips tasted of the morning mist and once again we tenderly kissed

Then undressed as the suns rays hit the counterpane

And I knew I’d never be the same.

I kissed her eyes her neck her ears

It nearly brought this grown man to tears.

She whispered don’t rush just take your time

And you and me will make each other mine.

If I ever thought that I wanted to die

I now know for sure that this was a lie.

She made me want to live,She made me want to give

And after when we felt just so her cat jumped up and bit my toe.

But we laughed and began to touch and I wanted her so much.

Then later over a cup of tea she said,

Does that mean you really like me?

Yes, I said, I really love your feet and my heart skipped another beat

I love the way you sway I love the things you say

Your nakedness is branded on my brain

My heart was racing like a train.

She smiled and said, I like you too

I said, I want to make love with you.

And though I’ve not had to many lovers

She took me under her bedcovers

And heavens did she make me moan and yell

By doing,

Well,
A gentleman does not tell.

And then the bell went clang the telephone rang

I opened my eyes and to my surprise

I was alone in my room it might as well be a tomb

Just another ******* though for a while it did seem

So so real So so good.

But then I suppose it would.
brandon nagley Oct 2015
ii.

Sampaguitas to fragrance her mane
She whispereth sir Brandon;
Mine husband
Mine king.

ii.

I layeth down the counterpane
frankincense and myrrh aligned;
Tea candles surrounding ourn jungle
Of a bedspread romantic design.

iii.

Tis we loseth, track of all time
She sloweth her breathing, I singeth for her, she smiles and sayeth it's pleasing; ourn heart's steadily yet quickly beating, as if we were drunkened off of lover's delight divine.





©Brandon nagley
©Lonesome poet's poetry
©Earl jane nagley dedication ( Filipino rose )
Sampaguitas are beautiful Arabic flower's but also the name is Filipino and grows in the Philippines and is a beautiful miniature rose looking flower so beautiful..
Mane is thick hair...
counterpane is like a blanket..
Francie Lynch Apr 22
Distant trains still sound alarms,
Blinds are drawn, people yawn,
It's time to call the day.

The sun's turned off,
The moon's turned on,
The stars like pinholes
Blink till dawn.
The animals are bedded
On the farm;
Beneath this counterpane we're warm.

Today our work is done;
Tomorrow worries not begun.
But tonight I'll sleep
Like the seventh son.
Nigel Morgan May 2015
Day opening, the blind’s tug and lift,
there on the counterpane, cards,
a nest of gifts tied with golden thread
serrated to the touch, bowed too
with deft hands, a box when un-papered
reveals a (stone-like shell-like) form
picked from a south-facing beach
and woven round to make
(harp-like warp-like) a loom
to weave the waves play.


Holding in her small hands,
the still-to-be-given gift
(beyond all gifts this bright day)
the stroke, the brush
of fingertips on the harvest field
of a bare arm, she unbows,
pulling preciousness so close
that between themselves
a shared to and fro comes
to the very moment of joy.


To walk out
on the springiest day
closing the door
on house and home,
taking off to a near-
distant hill now glowing
in greens and holding above
itself a tableau of blue and white
and grey clouds bringing
cool wind to bare knees.


Never an intrusion
on nature’s ambience
(our footfall on the path,
the wind breezing
through sun-dapple trees)
your voice’s song
sings out in the crisp air.
Quite under your spell words
turn and fall like the flowers
from a blossomed pear.


Once over the river
and up the glen,
following a stream,
passing self-sheared sheep,
a gradual climb with a
view forming behind us.
Horses relaxed in fields
then galloping furiously.
Cries of curlews now,
chuckles of grouse.


Lapwing
Flop and flap wing
Tumble over bird
In the moorland
Sky turning the
Cold May wind
Over and over
No steady state
In this brisk air
Lapwing.


On to the moor
and we stop,
backs to a rock
for a baked brownie treat -
coffee and cake and a vista of valleys.
Alone in the sunshine
we celebrate her success
(with smiles and a kiss)
of this chocolate confection
(a high 9.6 on the outdoor scale).


This empty place
so full of sky,
so rich in views
across and over and
down to folding valleys,
then up to far far-distant hills.
Stopped by a circle  
of twelve standing stones,
cold fingers reach
for a warm hand.


A stanza-ed stone
straddling a stream,
a paragraphed poem
breaking the unbroken thread
where water unbinds
and hangs at the waterfall face.

Pleased to be found
(and after a trek)
this stanza-ed stone
at Backstone Beck.
Michael Feb 2019
In this age when bullying is such an item of concern I cannot help smiling whenever I recall my youth as a boy soldier; then it was practiced as an art form, encouraged (I’m sure) by authority for its character building aspects. Thus:

When I was in the Army, well, that's Apprentice school,
Inspecting one's belongings, early morning seemed the rule.
And hours and hours spent beezing boots and ironing, folding, kit.
Taught me to carry on with smile and hate it every bit.
One had to lay one's kit on bed, and sleep by there on floor
To survive next morning's panicked fright begun by crashing door,
And that prancing A/T noncom., his ego, bully led,
Who would burst his way into our World and yell 'Stand by your bed'.

Then we'd all leap to attention, crumpled; ruffled hair.
And our eyes they'd be unseeing though we each knew he was there,
Looking straight ahead, just hoping, as he poked among our stuff,
As he picked up polished boots, that he wouldn't be too rough,
And hurl them through the window or against the fire door,
That he wouldn't scrape his own boot studs along our polished floor.
Of course these hopes, these dreams of ours, were just pies in the sky.
As well to hope or dream like that, well, pigs might even fly.

Now he's checking button stick, and laces properly square
And the cardboard frame inside your shirt, the one you never wear.
The plimsoles stiffly black which you've polished shiny bright.
The dimensions of your bed block; that counterpane's real tight.
And its corners, every corner, must be folded tight to bed,
If it's not you'll spend a morning drilling hard outside with Fred.
And now, today, I marvel that our masters thought it right
To let this sneering, snarling, youth on us vent all this spite

But the proven test of character when all is said and done
Was despite the gruelling life we led, we jeeps, we still had fun.
And my particular little joy, the butter on my bread
Was thinking, when outside of School, I'm going to smash his head.
Some others might have thought the same not that it really matters,
For though I don't recall his name, his memory lies in tatters.
And after all, recalling life, those patterns on the quilt,
Can we be sure that what we write is free of any guilt?
It was just on the stroke of midnight,
I was going to go to bed,
But I had to pass by Charlie’s room
So I hung back there, instead,
I could hear the rattle of drums that came
From under his bedroom door,
And then the sound of a French ‘Huzzah!’
From a Napoleonic war.

I thought, ‘He’s at it again, he’s got
The Frenchies marching east,
He’s going to Borodino, where
He’s got a chance, at least,
He’s leading the French Grand Armée
As Napoleon did before,
But I couldn’t get in to stop him, as
He’d locked his bedroom door.

I shook my head and I went to bed,
There was no point hanging round,
For Charlie, he’d be up all night
‘Til the Armée went to ground,
By dawn he’d have them dragging back
From the Russian ice and snow,
And wouldn’t be fit to go to school
‘Til he’d had a sleep, you know.

He wasn’t a kid like other kids
He wouldn’t play with a phone,
He didn’t get into computer games
But he spent his time alone.
He didn’t make friends so easily
For he never went out to play,
But stuck his head in a history book
And would read and read all day.

They said he must have been gifted in
Some strange, abnormal way,
He used his imagination for
The games he wanted to play,
His mind reached back to another time
Where the personae were dead,
And brought them back for a second chance
On the counterpane of his bed.

I caught a glimpse of the action once
In a crack through his bedroom door,
A galleon moored in a harbour by
An armed Conquistador,
He saw me there and he slammed the door
And he said, ‘Don’t interfere!
I’m trying to raise the English Fleet
And I can’t if you’re standing there!’

His mother took him to town one day
To see a psychologist,
Who said, ‘He lives in a world of his own,
I think he’s really blessed.
We all grow out of our childish ways
And I think he’ll be the same.’
He thought it was all in Charlie’s head
‘Til the day that ‘Little Boy’ came.

He’d read and read of the second war
For a month until that day,
When I heard the aircraft engines I
Just knew, the ‘Enola Gay’,
I beat and beat upon Charlie’s door,
Broke out in a cold, cold sweat,
But the plane took off, and I grabbed the wife
And we’d still be running yet.

We were out in the road when the roof blew off
With a mighty blast and roar,
And the mushroom cloud was curling up
While we lay, flat out on the floor,
Charlie had gone from our lives for good
With his gift, and his bag of tricks,
Hard to believe that he had the power,
For Charlie was only six!

David Lewis Paget
I carried her over the threshold,
her flesh hot,
the bed cold, but it waited for us
patiently.
The inquisitor was born to die, forever
asking questions, why.
We asked again,
the counterpane cut out the night
we saw the light
together.
She turned up here on my doorstep
Completely out of the blue,
She didn’t say where she was coming from
Or where she was going to,
She carried a single paperback
And I think it carried his name,
I tried to see, but she held it back,
The book had a title, ‘Shame!’

I should have been warned by that single word
And barred the girl at the door,
She didn’t say, or I never heard
Just what she was looking for,
She stepped inside, and pushed me away
And walked with a silent tread,
Along the hall where the stairway lay
And muttered just one word, ‘Bed’.

She found the room on the upper floor
That saw the occasional guest,
With a single bed and a counterpane
And a walnut, inlaid chest.
She went to bed and she fell asleep
Nor even kicked off a shoe,
I stood perplexed on the landing there
Not knowing what I should do.

I waited for her till she awoke
Then headed her off at the stairs,
‘What did you mean by coming here
Our guests are often in pairs.’
‘I meant to challenge your friend, my ex,
He left me mired in pain,
You well should know him, his name is Rex,
He wrote this novel called ‘Shame!’

Then Rex had entered and faced the stair
And she rushed into his arms,
If I’d known better, or been aware
I might have raised the alarm.
The book flew open, revealed a knife
Secreted into its pages,
And she had stabbed him, not once, but twice
Revealing one of her rages.

Rex was lying so still, and cold
We held her down on the floor there,
‘Are you quite crazy,’ I tried to scold,
But she had cut her own throat there.
A pool of blood spread across the floor
And mingled there from the lovers,
I swore right then I would bolt my door
Deny all entry to others.

David Lewis Paget
Whenever I went with winsome Kate
She’d say, ‘I’m a witch, and that,’
And while in bed, with love in my head,
All she would do was chat.
She’d chatter about the latest spell
She’d found in her old Grimoire,
While I would lie, and dream of her thighs
And hope she’d surprise me there.

And so she did, a number of times
Each time that I’d reach for her,
Like shifting sand, I’d find in my hand
A handful of ***** fur,
The black cat under the counterpane
Would wriggle and spit and scratch,
And I’d withdraw, away from its paw
I’d find it more than a match.

Then she’d go on about frogs and spawn
While up above in her flat,
And hanging down from her ceiling fan
The nastiest looking bat.
‘I hope that’s not going to drop on us,’
I’d say, but she didn’t care,
It often lay on her pillow case
All tangled up in her hair.

‘Wouldn’t you like to make witching love?’
I’d say to her, in despair,
While she would lie, with spells in her eye
And some that would really scare.
She said she needed to concentrate
And would make some terrible moans,
They seemed to come from the mantlepiece
Where she kept a pile of bones.

She called them Fred, he was certainly dead
And he stared at us from above,
She’d cry, and say that there was a day
When he was her one true love.
But he’d fallen into her pickle jar
One day, when casting a spell,
And she’d pulled him out, too late, no doubt,
He’d pickled his way to hell.

I bid farewell to my witching one
Before I suffered his fate,
I’d prayed for love to heaven above
Knowing it was too late.
She’d filled a cauldron with toads and newts
Then turned and reached for my hand,
But I had fled, the moment she said,
‘Now all I need is a man!’

David Lewis Paget
When a person is alone
We tend to hide in a shadow
As a group, we bright out the light
And things do not seem shallow
Be strong and fierce
Let your voice be heard and persevere
Counterpane the garden
And make your words clear
cold clear winter's night
spooning neath the counterpane
a fever rising
Senryu
John Lock Feb 2018
Take my hand
We will walk the forgotten lanes
Made for iron shod hooves
In the footsteps where sandaled feet
Of the lost legions followed the eagle standard
~
But I see you grow weary of beauty
Of the counterpane fields of green and gold
Miss Marple villages, soft in the twilight
Then come, down to the Romney Marsh
Where time is in tune with your deepest fears
~
We’ll take the old road to the Burmarsh Chimes
By the ruined church of St Augustine, silvered by moonlight
Where communion wine and the Free Traders Brandy barrels
Once rested side by side united under the Lords protection
Where the tolling bell called the dead to evensong
~
There, by the east wall of the Lady Chapel
Tear washed sentinels lean against the west wind
Underneath the wild thyme and harebells
Lay the sad bones of the forgotten children
Come, this is not the place to linger
~
Safe home under the oak beams of the White Heart
Amid farming folk with the smell of the land on them
Setting the stage for beery nostalgia
Sit here by the warmth of the fireside
While I tell you tales of the Night Riders.
The earth had not been breathing
For an hour when I woke,
So the thought that I’d be leaving
Any time, became a joke,
There was not that faintest rustle
That we think to call a breeze,
When the leaves all rub together with
The swaying of the trees,
And the water lay in stagnant pools
Across the dying ground,
Where there once had flowed a river but
Its stream could not be found.

There was silence where there once had been
The babble of a creek,
If the earth turned on its axis now
That day took half a week,
And where the tide had used to turn,
Advance upon the land,
Its waves had ceased to function
All it left was drying sand,
If that was not enough, its dearth
Reflected in the sky,
In clouds dark brown like bracken
That would crackle up on high.

These clouds of louring thunder merely
Muttered in their pain,
And sent the flash of lightning down
But dry, and without rain,
And nothing that was living stirred
Within my line of view,
Not even what I should have heard
And so, I turned to you.
For there across the counterpane
Your lustrous hair was spread,
And all my world became insane
To know that you were dead.

David Lewis Paget
John Lock Feb 2018
Bobbing umbrellas
Puddle jumping kids
Squeezing grass bubbles
Under foot
Crying chestnuts
Weeping willows
Pitter patter windows
Metronome wind screens
Grateful Daisies
~
Indifferent lovers
Uncaring cattle
Whinging oldsters
Happy gardeners
Brooding clouds
Counterpane heavy
Bequeathing succour
On tombstone lichen
Life clings to stony death
~
Pebble dashed ponds
Shiny pavements
Dripping gutters
Carton boats sail
Kerbstone rivers
To oblivion down
Gurgling drains
And green, green grow
England’s fields’
Willow,
I will make my bed with you tonight
sleep soft and deep beneath your counterpane
no soothing water song, will ease my cares,
for I have none to ease
sing me no sweet tune,
no lullaby beneath the trees
for I am not a child,
a man full grown am I
traveller of the road,
by choice to make home
beneath a starlit sky
Unpolished Ink Mar 2020
Let gentle rain fall softly as she sleeps

Let tumbled grass grow long and wildflowers be her counterpane

Let twining strands of ivy cover up her name

Let her rest in peace
* Latin for Remember You Too Must Die.
Marking the death of a family member
Unpolished Ink Aug 2020
Let green grass cover you

A daisy covered cape of spring

One last growing living thing

A counterpane of flowers

To mark away the hours, months and  years

Until the tears run dry

On the earth in which you lie
It all came out a bit sad today, don't know why-sorry!

— The End —