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"chou" poems
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
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Aug 26, 2013
Aug 26, 2013 at 3:02 AM UTC
Opera Mask Pendant Yuwen Chengdu
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
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8
i've been building sentences for you, because there are too many words to keep them stagnant and docile. oh, words on melancholy smiles, chipped porcelain and sunlight dappled through your hair like the sun herself had kissed the crown of your head. i've been writing you letters inside of my head. little golden pinpricks of love seeping through my cells because my body cannot hold the very idea of loving you. in those moments, i am liminal, held tight by the arch of your spine, the pads of your fingers, the way that you held my name in your mouth before it rolled off of your tongue and the smell of your skin in a dark room, with only the moon watching us woefully, sweetly. words like saccharine and your name, slow like honey, taste sweet enough to make me cry. i've been stuck on the idea of loving you, loving me and wringing my hands over bad luck, mon petite chou. and still, you close your eyes, clasp your hands over your ears and brush off my words like dust or snowflakes or unrequited love.
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Sep 9, 2012
Sep 9, 2012 at 10:57 PM UTC
liminal.
_I used to be your little cream puff; But these days I just feel like a medium-sized cabbage._
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May 27, 2019
May 27, 2019 at 3:29 AM UTC
Mon Petit Chou
Bonjour, mon Cheri, mon petit Chou! The doorbell rings with a solemn telegram: - this just in - I am exactly like most girls - in civilizations lost, or civilizations in other civilizations, Italy hiding in Toronto and a government hiding in a shameful self-promotion, and 20 seconds later I'm a poly-sci major (incorrigible!) - 911! 911! 911! 911! What's my emergency? What's YOUR emergency? But really, what is my emergency? And when it comes to that, What's in an emergency - an aristocracy in high-waisted shorts, an ice cream social (media) scream - lets back the car out and park and loop and inevitably end up in a straight line caterpillars away from (The truth) - (but more of that later) Cross-continental cigarette and now I'm running out of material to trade it for. I am lonely, can't you see? A fair trade, for a night with me- **** me so hard I can't walk, **** me over so bad I can't detour a one-track mind) I am not the one Hemingway prepared you for, I will not blow smoke rings in Spain or wander the streets of Paris, I will sit right here lounging in a plaid vinyl sinkhole and carry myself with delusions of grandeur (Beyond novels unread - yet sadly written - by the unwashed and falsely educated masses) Life as an existential film, life as woe is me in backwards bus terminals. Life as when you marry someone you hate and life as cold tempura on a booze-stained tablecloth. Pass the peas, please.
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Oct 1, 2013
Oct 1, 2013 at 11:38 PM UTC
Sweet Dreams You Are Very Beautiful
. . . . .s s s s s s s s s s s s s s . . . . Choo . . . s s s s s s s s s s s s . . . . Choo Choo s s s s s s s s s s . . . . Choo s s s Choo s s s Choo s s Choo s Choo Choo Choo Choo Choo Choo My tain is moving . . . My freight train now of love Chu , Chu , Chu , Chu , Chu My momentum is gaining Must make the grade above Chou-a-Chou , a-Chu Keep your eyes looking up ahead On the rail and where's it lead My train has many cars Hauling loads so very far Boxcar loads of lumber sure For building house of love so pure Tank cars full of liquid love Higher and higher I do shove Flatbeds strapped under cover too Leaves you guessing what will I do Load after load of dump cars full All these I bring to you to tool The way is curved and rail runs straight As I pass through your open gate The boiler is hot the fire is stoked There's no way now this motion choke There's miles and miles of shiny rail Laid down by your smiles , can tell Following up here comes the caboose As my train is cut and loose Pressing hard must be on time To here you say it's so fine So there goes my Loco train of love Delivering loads of love I flood Whoo - whoo
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Jan 19, 2015
Jan 19, 2015 at 4:34 AM UTC
Loco Train Of Love
Un hydrolat lacrymal lave Les cieux vert-chou Sous l'arbre tendronnier qui bave, Vos caoutchoucs Blancs de lunes particulières Aux pialats ronds, Entrechoquez vos genouillères, Mes laiderons ! Nous nous aimions à cette époque, Bleu laideron ! On mangeait des oeufs à la coque Et du mouron ! Un soir, tu me sacras poète, Blond laideron : Descends ici, que je te fouette En mon giron ; J'ai dégueulé ta bandoline, Noir laideron ; Tu couperais ma mandoline Au fil du front. Pouah ! mes salives desséchées, Roux laideron, Infectent encor les tranchées De ton sein rond ! Ô mes petites amoureuses, Que je vous hais ! Plaquez de fouffes douloureuses Vos tétons laids ! Piétinez mes vieilles terrines De sentiment ; - Hop donc ! soyez-moi ballerines Pour un moment !... Vos omoplates se déboîtent, Ô mes amours ! Une étoile à vos reins qui boitent Tournez vos tours ! Et c'est pourtant pour ces éclanches Que j'ai rimé ! Je voudrais vous casser les hanches D'avoir aimé ! Fade amas d'étoiles ratées, Comblez les coins ! - Vous crèverez en Dieu, bâtées D'ignobles soins ! Sous les lunes particulières Aux pialats ronds, Entrechoquez vos genouillères, Mes laiderons !
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1.1k
Mes petites amoureuses
They told me to wait, So wait I did, Until weeks turned into months turned into years. Then she came along And I said, 'fuck it.' Worst time to be so flippant. The result was a three year roller coaster ride That ended like the Hindenburg. Nice.   Next, I turned to the nocturnal comforts, Selecting hour-long companionship With a click of the mouse That ends with the closing of the window Tossing of the damp tissues in the bin And stepping out for a smoke, With Jay Chou crooning in my ear Singing of love new and lost. Closing my eyes My memory summons my gramps. Those Japanese devils My grandfather would tell me, Lighting up another Marlboro Before launching into another rambling tirade About the misery of post-war China. *I'll ******* **** you if you get with one-- Disown you, even.* Rest his soul. Does Maria Ozawa count, gramps? Would you **** me Or give me a high-five? (I'd get smacked for being insolent.) Bamboo switch in hand Grandma would sit me down And tell me how they used to fight over sewer rats With other refugees for dinner. Grandma, you'd shake your head If I tell you about the rats I have to work with On a daily basis. Your move. (Oh wait, you're dead.) The wisdom of my forefathers Fossilized in ancient Chinese tomes Extolling the virtues of patience There are gem fragments to be found in the waiting. One perfects oneself as one waits For the time to ripen. Life passing you by Is naught but an illusion. In the meantime I've resigned myself To wherever the mercurial turns of life Take me. I'm happy with the status quo.
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Jul 13, 2014
Jul 13, 2014 at 3:59 AM UTC
Waiting
They told me to wait, So wait I did, Until weeks turned into months turned into years. Then she came along And I said, 'fuck it.' Worst time to be so flippant. The result was a three year roller coaster ride That ended like the Hindenburg. Nice.   Next, I turned to the nocturnal comforts, Selecting hour-long companionship With a click of the mouse That ends with the closing of the window Tossing of the damp tissues in the bin And stepping out for a smoke, With Jay Chou crooning in my ear Singing of love new and lost. Closing my eyes My memory summons my gramps. Those Japanese devils My grandfather would tell me, Lighting up another Marlboro Before launching into another rambling tirade About the misery of post-war China. *I'll ******* **** you if you get with one-- Disown you, even.* Rest his soul. Does Maria Ozawa count, gramps? Would you **** me Or give me a high-five? (I'd get smacked for being insolent.) Bamboo switch in hand Grandma would sit me down And tell me how they used to fight over sewer rats With other refugees for dinner. Grandma, you'd shake your head If I tell you about the rats I have to work with On a daily basis. Your move. (Oh wait, you're dead.) The wisdom of my forefathers Fossilized in ancient Chinese tomes Extolling the virtues of patience There are gem fragments to be found in the waiting. One perfects oneself as one waits For the time to ripen. Life passing you by Is naught but an illusion. In the meantime I've resigned myself To wherever the mercurial turns of life Take me. I'm happy with the status quo.
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54
when i'm scared you are my rough place to land, you boast of critique though i see no wrong. a simple spot to fall when one can't stand, you are the home in which i could belong. a fierce competitor one cannot beat, she is the fire from which eden was made; for you, oceans are given a heartbeat, yet--your doubt overwhelms you im afraid! but her aggression, formed in vaguest word, she stomps upon eggshells others ignore. i can hear the way her love is slurred, you see her smile-behind the locked door? in all that i know of heaven, she's there, arms around the one she loves without care.
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Jun 11, 2018
Jun 11, 2018 at 12:15 AM UTC
*mon petit chou,
Here, little one Come and follow me; The roads may be scary And the oceans deep. Walk with me and keep me company, I'll see you safe and through Listen to my mediocre teachings Mon petit chou chou The demons in your head, May command your feet; But there's plenty of terrible ones Waiting for you to meet. So follow, little stargazer And when these things ring true, Just remember, my darling: They're not stronger than you. Your mind commands a thousand seas, You're smarter than you know, Have confidence, adventure, belief; There's a long way left to go. And trust me, little stargazer With this you'll get through. It's hard, I know, but you can fight, For I was once like you. > a.t.
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Dec 28, 2016
Dec 28, 2016 at 5:49 AM UTC
Little Traveller
Which is better To feel nothing But a halcyon calm Like a fine summer morning, Or to be ****** to and fro By the ice, spray, and lightning Of the tempest? To stroll the meadow, Or to climb the mountain? I've gone through both Yet the answer still eludes me I remain as ignorant as I was In the days of my youth But what I do know Is how my chest tightened How my breath caught When you sent me a message (Your very first) And how my lips impulsively purse As I peek at yours And at the speck of a mole Resting right below What I do know Is how I couldn't keep my eyes From straying towards your corner (Still can't) And how my hand trembled Just as I squeezed your shoulder Bidding you farewell Or how I've worn out my iPod Replaying Jay Chou's ballads As I sang my heart out to my steering wheel Numbly crawling through The maddening, seething traffic And how the breeze eats my cigarette Down to its filter As I stare up Dumbfounded Mapping out Tracing your face among the stars How my neurotransmitters **** me Closer and closer to a heart attack And how my soul weeps and bemoans The yawning chasm betwixt us While you sit there infuriatingly oblivious Chattering away about Warcraft and barley tea All these things are The few of what I do know The last of which Is how I'll never have you.
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Feb 24, 2015
Feb 24, 2015 at 9:39 PM UTC
A Priori; A Posteriori
Darling, baby, corazon Dear, sweetheart, sugar, Honestly, never your name. Honey, pet, cinnamon Carino, mon chou, bunny. For the day I call you by your name, Cuddlebear, goddess, pearl Star, treasure, microbe Is the day I'm on one knee, love.
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May 7, 2019
May 7, 2019 at 1:31 PM UTC
Terms of Endearment
Akasaka, from A moment of cautious hope, Thirty minutes late. Miyashita Park, We held hands in Shibuya, We kissed on the stairs Aoyama, a Day of Paris and queueing, Opalescent nails. Ginza after dark, Octopus and old-fashioned, A black dress, my suit Ni-chou-me, lemon Sours, Italian jokes, Stumble home with me Ebisu, in blue After weddings and babies, Pizza and a film Shinjuku, a shirt For warmer days, a night of Sunsets and pasta Meguro, two bowls With dumplings and rice, a walk Back home through the rain Shinagawa, to A place far away; promise You’ll come back to me
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Jun 14, 2023
Jun 14, 2023 at 8:46 AM UTC
Haiku, for you in June
And my uncle says charmingly - as always: _‘It seems like only yesterday, mon petit chou.’_ And - for the umpteenth time - my brother-in-law shakes my hand off: _‘Wow, congrats on the DOF position!’_ And - like clockwork - my best friend puts a pissed-happy arm around my shoulders: _‘To be perfectly honest, y’know like, you don’t look a day over thirteen, cross my heart.’_ And I think to myself (fucked-offedly but politely, as you never know who’s telepathic around here): _’I could sit here fixed to this very patch of fading upholstery for the next 365 days with a flute of champers in my hand and still travel as far as you all believe I have, achieve as much as you unfailingly give me credit for, and look as fresh-faced as my oldest nephew...apparently.’_ And then it occurs to me: _’Beneath the ill-contrived compliments and the misplaced confidence; despite their infallible ability to misconstrue my every word and complete disinterest in what and why I read out aloud for a living. They turned up. As they do every year. And we annoy each other. But we wouldn’t have it any other way. Santé!’_
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May 26, 2019
May 26, 2019 at 9:40 PM UTC
Family Ties