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Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
thinklef Aug 2013
As the sun reaches it zenith & the moon becomes full,
Soldiers are deployed at various point,
Allowing their thought to wander away into ephemeral violence,
Well armed,
Red pointers at human sight,
killing in the pretence of liberation,
Defenceless civilians murdered in sight,

I don't have the adequate vocabulary to constructively & emotionally create that atmosphere,

As a poet they don't mind if I make a sound
But it's a real problem
if I ever get too loud,

It enrages me,
I'm bitterly miffed,
Imagine the agony, stress, depression & tension they are
going through,
Let's be factual,

Their based desire & legitimate purpose is to associate ,affiliate & standardize us as terrorist,

They come in front of our tv & give us speech our forefathers have never heard of,
Humanity in it eternity have been blindfolded & deviated from the truth,

They have  become the fixed &  Luminous center around which innumerable lifestyle revolves,
Civilization will not lead mankind to insanity,

It feels good to be in power ,
But a day will come when they will ponder, reflect & introspect,
but their reflection will be to no avail,

Reflect over what I say,
In silence & tranquillity,

We may be on a Long arduous journey,
But victory is to the oppressed,
Categorically & selectively speaking ,
It will become a practical reality,

Innocent souls are been lost everyday,
In pakistan,Syria,Iraq,Iran
Yet the conference continues,
Killings intensifies,
Women are murdered,
Fathers are slaughtered,
Kids are held captive some rigorously excluded,
Without them labouring humanity searching for peace will perish,


It's a sad time we live in,
Educated leaders with no heart of  human sympathy,
Acting upon their based desires & ego,

You may call this character assassination,
I call it supreme words of justice
Only time will tell who is the true terrorist
Bethany Collery Mar 2021
A line to define us is what you imagine,
When you hear the words,
Autism Spectrum Disorder,
It generally happens.

You place us in order,
Based on our physical representation,
And here come the words that I must slaughter,
Before you draw this misrepresentation.

We are not,
The terms ‘high functioning’,
Or ‘low functioning’,
In fact this is actually quite impolite.
To give a more representable label,
Please use the terms,
Severe Autism,
Moderate,
Or mild.

Every autistic person,
Has a different set of strengths and needs,
So do not presume the ‘functioning’ term,
As it tends to arrange and mistreat,
Every autistic person,
Who experiences challenges,
In different versions.

With these terms,
We have created the gap between neurotypicals and the autistic on our own.
When after all,
A better understanding is all we need to be realistic,
Because we all share the same bones.

So, no two people you meet with autism,
Are categorically the same.
We are a spectrum of many beautiful colours,
And we are all here to play the same game.
There are multiple areas where we can succeed,
And just like you,
Others, where we are not so great.
- Bethany Collery -
@poetry.bethanycollery on IG
Carlo C Gomez Apr 2022
The sky is an artistic graveyard.

Many a hero and many a fool have come to their fate in its wave-driven clutches.

The number of syllables required to storybook danger is as dense as ozone.

The orange layer—a warning sign, posted by the forebearers of fun, who were categorically undone by the very forces they worshipped.

Birds no better than to fly at such temperamental altitudes.

But the dream will die if we don't try.

And so we hoist our ambition like a kite, hoping to stay aloft long enough to discover something more about ourselves.
ogdiddynash Aug 2014
who will read aloud
my poems
when I'm gone?

that old unfriended thot,
a nagging merry query
was for awhile forgot,
put on the back of an upper shelf,
where dust motes and mites
fear to trend

thoughts,
that I thought
I had dispensed with,
letting time
build illusionary wry walls,
fooling World Trade Center tall

morose forlorn,
pensiveness of
red ant armies,
incapable of
black marker redaction,
there is always one
a lingering malingerer
a sole fado singer,
playing woeful jazz in
the Quarter
on an empty emoty street,
dressed and guised
as the soul of a solitary
cancerous cell
"survivor"

cur overlooked,
biding time,
the surgeons gone,
the drugs flushed,
radiation burning
no more

begins then
the unholy
trilogy cycle

worn out, overused...
invasive categorically relentless
maybes,
what ifs,
then
oh goddamnnotagain

because believed, on knee,
I oathed that
loathed, raven nevermore,
ought
that
cracked door would be open

yet like the
New Orleans levee aged locks
hurricane succumbed
overflowed, overcome,
keyholed, infiltrated,
falllen to the enemy,
mes enfilade,
rumps up the black flag of
surrender

brain sneers
periodically,
like every other
minute, ok,
second,
coyly asking
penny for your
worthless thoughts?

just when you believed
"no mas"
was a prayer that had been heard,
teeth kicked in,
body snatching
hordes and boors
bad boys and ******,
sitting high in the
saddle again,
grinning torturous
tarty smiles
at who,
at you, fool!

you're as alone in that place
as insufficiently as that
impoverished overused
word can ere convey

the nagging realization
that when asking

no one answers

when your thinkings
perish you
your cutesy sweatshirt reads
last standing poet alive,
stabbed ded by awful-truths,
you failed and
all the black cats,
have fled the neighborhood,
just when need was greatest

who will read aloud
my poems when I'm gone,
has been silently answered

by silent applause,
the last theater goer
shuffles out, and turns
and extends his *******
his review leaves a
singular impression,
he looks familiar,
gauntly ghost,
he has accompanied me always
and his finger is his
triumphal parting shot
TOD HOWARD HAWKS Mar 2022
LOVE AND LOVERS

by

TOD HOWARD HAWKS


Chapter 1

Jon walked down Broadway Thursday toward Tom’s to eat breakfast. He had taken this stroll hundreds of times after being at Columbia for five years during which he had eaten breakfast at all possible alternatives and found Tom’s to be categorically the best in Morningside Heights. It was a beautiful Fall morning. Monday he would begin the second and last school year at Columbia, and in the Spring of 2027, he would receive his MFA from the School of the Arts.

When Jon entered Tom’s, he was stunned. Sitting three down in aisle 3 on the right side in a booth by herself was the most beautiful woman he had ever seen. After standing still for a few moments, Jon slowly walked toward this woman and stopped, then spoke.

“Hi, I’m Jon Witherston. May I join you?”

The young woman responded, “Sure.” Jon sat down.

“I’m Bian Ly. It’s nice to meet you,” she said.

“I’m assuming you’re a student at Columbia,” said Jon.

“Yes, I’m a senior at the College. Are you also a student?” asked Bian.

“Yes, I am. In fact, I graduated from Columbia College a year ago. Next Spring, I’ll be receiving my MFA from the School of the Arts. I’m a poet,” said Jon.

“A poet! How wonderful!,” exclaimed Bian.

“Thank you, Bian. What’s your major?” asked Jon.

“I'm majoring in Human Rights,” replied Bian.

“The world needs to major in Human Rights!” said Jon.

Bian smiled.

At that point, the waitress came over and took their orders. Both wanted breakfast.

“That is a beautiful ring you are wearing on your little finger,” said Bian.

“That a Nacoms ring,” said Jon. “Nacoms is a senior society at the College. I was selected to be a member,” said Jon. “I was Head of NSOP. Where are you from, Bian?

“I’m from Hanoi,” said Bian.

“Hanoi is a long way from Topeka, Kansas where I grew up, but I did come East to attend Andover,” said Jon.

“I also attended boarding school, but in Hanoi, not Massachusetts. I graduated from Hanoi International School,” said Bian.

“It seems we have a lot in common,” said Jon.

The waitress brought their breakfasts, which they started eating.

After finishing their meals, the two chatted for about twenty minutes, then Jon said, “Bian, before I bid you a good rest of your day, I’d like to ask you if you might like to join me to visit the Guggenheim Museum to see a showing of Vasily Kandinsky’s paintings this Saturday afternoon then be my guest for dinner at your favorite Italian restaurant in Morningside Heights.”

“I’d love to,” replied Bian.

“I’ll pick you up about 2 p.m. Where do you live?” asked Jon.

“I live in Harley Hall,” said Bian.

“Hartley Hall–that’s where I lived all four years during my undergraduate days,” remarked Jon. “ You’ve got a couple of days to pick out your favorite Italian restaurant,” added Jon. “I’ll wait in the lobby for you.”

Bian smiled again and got out of the booth.

“See you this Saturday at 2,” Jon said as he waited for Bian to leave first. Then he just sat in the booth for a while and smiled, too.


Jon arrived at Hartley Hall a bit early Saturday afternoon. He sat in the lobby on a soft leather sofa. Hartley Hall. Columbia. Four years. It had been an amazing time. Chad Willington, a fellow Andover graduate from Richmond, Virginia, was his roommate all four years. A tremendous swimmer, Chad had been elected captain of the team both his junior and senior years. He was now working at Goldman Sachs on Wall Street. Jon’s most cherished honor while he was at the College was being elected by his 1,400 classmates to be one of 15 Class Marshals to lead the Commencement Procession.

Bian came into the lounge. She looked beautiful.

“How are you, Bian? Are you ready to go see Kandinsky?” asked Jon.

“Indeed, I am,” said Bian.

“Let’s go, then,” said Jon.

The two walked across campus on College Walk to Broadway where Jon hailed a cab.

“Please take us to the Guggenheim Museum,” Jon told the cabbie. The cab cut through Central Park to upper 5th Avenue.

“We’re here,” said Jon and paid and tipped the cabbie.

The Guggenheim itself was a spectacular piece of architecture designed by Frank Lloyd Wright that spiraled into the blue sky. Jon paid for the admission tickets, then both entered the museum and took the elevator to the top of the building. Then began the slow descent to the bottom on the long, spiraling walkway, pausing when they wanted to the see a Kandinsky painting closely and talking with each other about it.

Vasily Kandinsky was a Russian painter and theorist, becoming prominent in the early decades of the 20th Century. Having moved first from Russia to Germany, he then went to France. Kandinsky was a pioneer of abstraction in Western art. He was keenly interested in spiritual expression:  “inner necessity” is what he called it.

It took quite a while to make their way down the spiraling ramp, stopping at almost every painting to share their views. Finally, Bian and Jon reached the bottom.

“Well, that was most interesting,” said Bian.

“I agree,” said Jon. “Have you decided which is your favorite Italian restaurant in Morningside Heights, Bian?” asked Jon.

“Pisticci,” said Bian.

“Let's go!,” said Jon.

They took a cab to Pisticci. The waiter brought them menus, which they began to peruse.

“You first,” Jon said to Bian.

“I would like the Insalata Pisticci (bed of baby spinach tossed with potatoes and pancetta with balsamic reduction). Then Suppe Minestrone (with a clear tomato base and al dente vegetables). Finally, I would like the Fettuccine Al Fungi (handmade fettuccine tossed with a trio of warm, earthy mushrooms and truffle oil),” concluded Bian.

Jon followed. “I would also like the Insalata Pisticci, then the Suppe Minestrone, followed by the Pappardelle Bolognesse, then the Burrata Caprese. Thank you.”

Bian and Jon ate their meals in candlelight.

“Tell me about growing up in Hanoi,” Jon asked Bian.

“I am an only child, Jon. My father is Minh Ly and my mother is Lieu. My father was the youngest General in the war;  nevertheless, he rose to second in command. He has been a businessman now for a long time.

“My childhood was like those of most children. As I grew older, I loved playing volleyball. I read a lot. I began learning English at an early age. I had lots of friends. I love my father and mother very much.”

“Why did you come to Columbia,” asked Jon.

“Columbia, as you know, is one of the greatest universities in the world, and it’s in New York City,” said Bian.

“Why did you choose to major in Human Rights, Bian,” asked Jon.

“The world, and the people and all other living creations on it, need kindness and love to heal. All have been sick for millennia. I would like to help heal Earth,” said Bian.

Jon was struck by Bian’s words. He felt the same as Bian.

The two continued to share more with each other. Finally, it was time to go.

They took a cab back to campus and Jon escorted Bian back to Hartley Hall.

“I’d like to exchange phone numbers with you. Is that OK with you?” Jon asked.

“Of course,” said Bian.

“Thank you for a wonderful day, Bian,” said Jon.

“And you the same, Jon,” said Bian.
Butch Decatoria Apr 2017
I've given in
Giving you this in

Black and white

Kinda floundering
Finding
Not a rainbow
Near me
The magic is lost
Fearingly

Like ghosts
These illustrations
Of the heart

The gifts missed
From distances
In **** tube dreams
Boxed in
When we give a ****
Only now in this century
Twenty first class
Calamities

Our oceans dying
Malformed embryonic cells
Of sea shells
She sells to the sea shores
Supply and demanding
Foodies going for sushi
Tuna rolls not in season's
Greatest catch
Babies of King *****
Vegas Buffets
(Hashtags hazmat)

Overpopulation
Cities bowdlerizing nature
Iron teeth
Skyscrapers
and weeee!
All Are wanting,

Hunting, stunting, grunting
Undaunted
We sport full
Stadiums like
flagella

Single cell organisms
Goliath

mammoths now we mount,
Life best preserved in ice
Gene spliced
Playing dice
A stadium obese
With single minded
Bacterium

Gone viral

Vanities and victory
Of youth wasting time
Herding sheep
Mastering a perfect sling / swing
Knowing where to aim

Without fame
Without fail
Twix the eyes
The larger will fall

When it begins to hail
Gray
desert granite
Rocks
Throwing, rolling
Stones
on high
Or from below
Mantle, plates
Tectonics
Floods
Don't wait for names
The Hurricanes
Categorically mad
A High five

Climate changes cataclysms
Undoubtedly
No need
For
Catholicism catacisms
Or celebrations for
Dunking drowning
Under Christian steeples
Luke warms
Water

Ceremonious
Ways to cleanse

Drink and capitalize,
Divide their minds
As conquered

The fountains
We deny our youths
By learning only
Monkey see monkey doo
Masses
Congregation
A peaceful gathering

Recitations
Incited legions
Again again
religions own
What we believe

Schooled by whom no one knows
The vicarious
Malleable history

proof defining

The shapable feast of mean
and meaning...

Since it has been
All about
**** / Black or white
Just a reminder
Reminiscing
from a loss
Rather than reason
as one family,
Much more loss will
Fill your glass
But let me remind you
That thirst cannot be quenched
With empty

Actions speak
peacefully louder
When words
lift
Up like into laughter
No news of war to speak of pastor

When a summer day
In black AND white
Is still beautiful
In the shades and rays
Of a Polaroid
Picture of the day
Star : Sun,
In black and white
Still
Is bright

When the sky looks
Drab in
Gray...

The cage bird sings
The rainbows
Bright
Soul that flows a river

The living day
                   song of words

Utmost
Hearts
The Beloved

poetry
Of
The truth
When we chose

To give love
The life

Our world
Balances...

Even in black & white, I see  
The rainbow wave

               In the sky dances.









**(Continue into poetry about that universal
Ideal or melancholy, represented by the color
Gray feelings or the visits into gloamings and
Mists of dreamy worlds that host the ghosts of
Our downward spirals and dismay... The I between
Stranger things and sorrows heavy feeling, familiar
Or alien, gray as multiplcitous a color, it's shades
Of Heaven or bones, paint by writing
your feelings down, show me all or none,
Your neglected shades... The darkest to light.
Tell me how your gray turned white)
To be Cont...
Michael W Noland Jul 2013
::
Just what is it that I am discovering?
I feel like I'm blubbering
Idly hovering over something

Something so bright I am blinded
And if my hunch is right I'll sign it

While kissing in the sky

There's a place deep down
In the bottom of the sack
Where the weakened drown
And the warriors attack

Where the heart pounds
And glory turns to *****
Into gory sheets
Categorically pieced

Through out a dream state

In a feast of upheaval
Under the peaking sun
In a leash of retrieval
Over the space of one

All waking to wonder
In the slumber of none

My bitter bones tumbling
To the drums thump

My slithered poems humming
To the stumps

My withered homes crumbling
To the months

Turned years
Gwen Whitmoore Apr 2013
you're a sloppy stitch
the kind that amateurs create
so they can tell someone they sew.
but you're on that old pair of
grass stained blues
I know- I should have donated years ago

should have given you away
the moment you didn't fit


but I refused to believe
I couldn't manipulate myself
to once again absorb the contours
of what you feel like on my skin.

so you're pushed back, Back
in the back of that rustic oak dresser
and I forget- (well I never remember)
until, once a year, I decide to
clean out everything and trim my fat-

donate all that useless **** I hoard but never use,
and there you are...categorically.
I just can't- could never do it.

You're the material possession that makes me realize
I am just a consumer.
softcomponent Aug 2015
You come out of the dark, and a young Japanese schoolgirl--couldn't be any older than 19--is standing in a heavy-lit archway, the blinkered 'sort-of's' of her eyes only visible in corners due to the convex glare rebounding from the heavy light and onto a parked Miyata windshield, right back into the bloodshot lower-left cleft of each eye, sleepless veins like miniature pipelines slogging her fossil fuel blood to the energy markets of her face (but it ends in death, hopeless economy! it begins in death like OPEC!)

There's concrete, and there's stone: the former a collection of synthetically compiled chunks of the latter. In either regard, it might just be the end of the World, tho just an intermission during an afternoon matinee for the world. There are a lot of things you don't understand. There is plenty more you do, and yet you believe your own humility when it whispers, "You don't," tho you are entirely unaware this is delusion and not humility, but some unconscious form of ascetic worship of WONDER!! You're going coocoo for cocopuffs WONDER! We can remember what J.B.S. Haldane once said: "I have no doubt that in reality the future will be vastly more surprising than anything I can imagine. Now my own suspicion is that the Universe is not only queerer than we suppose, but queerer than we can suppose."

I was born at the edge of the Cold War. 4 years after America's Operation Just Cause deposed Nicaraguan dictator Manuel Noriega using heavy metal music and heavy metal weapons, loaded to capacity with heavy metal bullets. 4 years after the slow-dissolve tablet of the Berlin Wall finally faded upon the German palate. Brian Mulroney was my Prime Minister at birth. I was also alive (tho not 'conscious,' per se--intellectually conscious, that is) during the Prime Ministership of Canada's first female Prime Minister: Kim Campbell (she was only leader for just over 3 months and thus I cannot give her time in office the full credibility it would have deserved had she been a fully elected candidate instead of an inter-election Prime Ministerial appointment; when, for godssakes, will we have a Fist Nations' Prime Minister? I would like to believe the only reason there has been none is because the indigenous people have categorically rejected the game-fantasy we have stomped upon their land and the world and self-righteously crowned as 'realistic, sober, objective;' tho maybe I'm wrong, whispers Humility: "I don't know").

There is the endless and omnipotent consensus that the world's about to end. For those who study history, they will often notice that when 'then' was 'now,' it was often and always the end of history. 'Now' is the always-result of 'then' and it will never change unless we neglect its consideration. That's really all theory takes to disappear: stop thinking about it. (as if that were possible, ha!)
Because the impression has been one of pollution and confusion, our wide un-thought idealization as children has often led us to emulate all the bad habits we witness growing up, even if at one point we cloudlessly rejected them because the damage didn't seem clear, it was clear.

I was 8 years old when I took my mother's cigarettes from her bedroom while she slept, and proudly announced to her the next morning that I had thrown them out. She had become furious, tho I had done it out of a militant concern for her well-being. During my years of primeval arrival on this planet, mom had almost lost her life to breast cancer. I can't remember understanding much as it happened, nor do I recall fully understanding the implications of death until my grandmother died and I watched my dad fight back tears as he read aloud her eulogy, recalling a story I can pick through scattered memories stored in grey matter to resurrect only one fact about it: they were on a boat, pulling up to shore. My grandfather--the cheeky Briton-optimist he is--made some silly joke, and my grandmother pitched in. The rest is somewhere else in space.

However--regarding death-- I feel that even then we never understand the full implications of death in witnessing another's death, but only through dying ourselves. Which is fine. None of us need to understand these implications until the time comes (and even then, it may just drip away once you've reached the Light. Which is fine).

Returning to the cigarettes: I had absorbed the common knowledge they were awful for you. 'Death-sticks' indeed, just like that scene in Attack of the Clones. Tho I understood nothing of the chemistry, a box or a video or an authority explaining their potential 'results' or 'consequences' was enough for me to righteously desire to save my mother from her own acquired vice.

14 years later, I skulk through the streets of Victoria with Chris, high on ******* and chain-smoking Export-A Gold on the subconscious condition that the world will probably end soon enough for none of this to matter. Tho as I said: For those who study history, they will often notice that when 'then' was 'now,' it was often and always the end of history.

History is comprised of an endless succession of losers who sincerely believe they've figured it out. The only redeemable characters in this Human Odyssey are those who have realized nothing in particular. The people who think, believe, and conceptualize as an infinite process; something without a result. Something with abstract 'goals' that only fit for awhile, not forever.

I'm nobody special. Tho, at the same time, I am; and at the same time and in terms of my relationship to this greater Human Odyssey, whether I will matter in this giant plot is in part up to me (should I write a book? 10 books? Relentlessly pursue the arts, whether that be rapping, writing, music?) and in part up to sheer probability (if I do write a book, will many notice? Or will it be swept under the Great Rug of the Present-Into-Past and be forgotten to thought?), and regardless of all this: the rocks will forget. The trees will forget. Both space and dark matter will have already forgotten what I am doing and what I may one day do.

But life can't be approached on a basis of personal impact; honestly, who wants to pursue the writing of 10 books or the creation of albums in the same way the capitalist approaches economy, for sheer attention and accumulation? Those desperado's, those who chase-the-game-of-success, they have already lost. They lost as soon as they tried to win. There is nothing to win, no award great enough to keep, no person you love or have loved who you will one day depart with for the very last time. But to depart with a personality may be tragic, it is only a true void in concept; when one removes the individual (both themselves and the one they love) from the eternal context of the universe--the ebb and flow of tides to the movement of the moon, the soft breeze supplemented by a fan placed next to an open window, how your hand--when clapped to the surface of a wooden table--is one with the matter in that table regardless of how transiently you perceive such a touch as an interaction. In essence, it's all still here; it always was, and never won't be.

tho maybe I'm wrong, whispers Humility.


                                             *"I don't know."
Mateuš Conrad Mar 2020
no other - a windowsill and an open window -
sitting on a folded leg and slouched
like a crow - i would be begging for it to rain -
no other music can capture rain -
safety net of all that sporadic improv. -
                      other other music - except jazz...
whether it be rain nibbling on the countryside
or the full-on cosmopolitan havoc of grey,
dust, grease, cement and rats and glass...
                 never mind: because i never thought
i'd say this...
                of the moderns... closely ruling out
wojciech kilar - for no particular reason other than
he's probably more known -
christopher young - since his hellraiser stint...
what's new - the revamped pet cemetary?
well... if christopher young was primo...
      soon to follow him... graham... plowman...
work on h. p. lovecraft adaptations...
                     horror as a genre...
                                the music wins me over...
however spectacular the visuals are...
                               if the music isn't bone grinding -
unsettling the nerves -
well... that's like pop music when it's raining...
i guess: oh i guess jazz can capture more feelz
when it comes: when it's raining...
when it's lazily sun-dazzling with the impression
of an "underneath" sizzling sensation -
or melting butter - or for that matter melting chocolate...
or adding splashes of cornflour made in water
to a sauce and watching it thicken...
this recipe i will remember by heart...
i will have to at someone point...
but this dhal was quite sublime...

   scrap book recipe...
          a man in a kitchen...
               and in hell... the devil's mastery...
almost like a chemistry experiment...

       half and half: masoor and mung dal... lentils...
kabuli chana (chickpeas)...
    a bay leaf...
              3 cloves...
  a tsp of cumin coriander turmeric
                     chilly powder and another of kashmiri
   chilly powder
                chopped tomatoes
  coconut milk...
            onion ginger garlic
                spinach
      gochugaru flakes coriander for garnish...
veg and chicken stock...
                          ghee...
butternut squash...
                    cayenne pepper (1 tsp)...
    i was looking for a pinch of asafoetida...
i knew it was in the kitchen...
    alas... also know as a substitute for those
vegan cults that don't include eating onions
and garlic... or perhaps just onions...
    cinnamon stick? no...
but three decent pinches of a homemade
garam masala...
  and yes...

   https://ministryofcurry.com/moms-garam-masala/
is the only spice blend...
   the russians can have their nukes...
the americans can have their nukes...
i have an arsenal of the following spices and...
i'm feeling... like i just had a manicure done...
the only garam masala:
asafetida, bay leaves, black peppercorns,
black cardamom, cardamom, cumin seeds,
(sorry, no black cumin seeds),
      cinnamon, cloves, cordiander seeds,
dried chillies, fennel seeds, fenugreek seeds,
(mace? no mace)...
         nutmeg, poppy seeds, star anise...
turmeric...
          again: no stone flower...
well... that's almost covered it...
                it's not the recipe asks for black
mustard seeds... those i do have...

                   cult recipe and it says: who needs...
meat?! even i'm convinced...
god i do love a good steak tartar...
    anything ****** and oozing wriggly bits
of life - as tender and gelatin grizzly as a...
even the names: bleu... ooh... saignant...
  haha... medium: demi-anglais... what else?

the butchers rolling in their graves
when someone orders a steak: fini-bien...
                          or some other frankenstein of the kitchen...

coleman hawkins - the high and mighty hawk...
some guys were putting up a fence
for me and my neighbour - it only took 15 years
but who's counting - they were told to
cut out all the bushes and foliage in my garden...
so that they could get a straight line
and so the fence would be put up...
unlucky for my rosemary bush...

r.i.p. my rosemary bush...
        today i started to salvage the poor thing...
the newer shoots i placed in water for
a drink and hopefully 2 weeks from today
i might think about planting them back in
the ground... for the rest of the bush?
i had to freeze the rosemary...
all afternoon my fingers were scented with rosemary...
which is fine... when you're working
with a raw piece of lamb...
but i'm no walking and breathing and aching
lamb of god about to be hanging
on the cross...
                even through the soap...
an afternoon of my hands being heavily scented
with rosemary...

vivaldi can have spring and the other three
faces of "god"...
holst can have his mars and the other circle of hell...
but thank the high-flying-****
that jazz can capture a rainy day better
than that song: i'm only happy when it rains
by garbage...
            
  guess i'm not letting go...
         an active rebellion against classical music...
one jazz record after another and i can gravitate
to...ward... the entire e.p. being played...
none of that new wave harakiri diat l.p. scene -
much appreciated... but i always need to move
beyond the half-an-hour mark...

         then again: i can't see how jazz could
compensate for snow - snow on the exit format -
jazz doesn't - then again...
no, categorically...
                           if there's only a sly insert of drum...
no horns - the piano and some guitar -
  
   otherwise you can't go wrong with
joshua redman - back east...
         a modern classic - notably with zarafah...

speed-conversations - none clinging
to a cameo of a date...
                 fickle minded - always changing
the course of events that... nonetheless remain
intact on binding themselves to a blind will -
        
music and all these interpretations are my own -
too bad to see and have to work with
a cipher - what's behind this image -
what's behind that image -
at least music stands stark and shivering naked...
less chances to abide by some propaganda...

unless of course mathematics is to be given
the crown - i hardly think: one shouldn't really
think about music -
                one can never really fathom
the constraints and the escapees from these
constraints... these constant revisionary scribbling
over and skimming the orthodox:
brick-on-brick intricacies of: immoveable objects
being: nonetheless moved...

- i too am waiting for my libido to die off -
anytime soon... like right now...
no harem therefore "jazz hands" and the algebra
of "magic fingers"...
idle man and all that *** that could have been...
until that magnetism is steered off a cliff
of: not another tomorrow -
                    at least no ***** or *** doll upon
the horizon -
            no point getting intimate or personal...
only a few days back i found a weakness in
this exoskeleton -
standing in a shower... pouring running water
onto the back of my head...
i almost knelt and said my prayers from
the exhaustion of succumbing to this multiple-******
of nuance...
       right on the spot where
a higher evolution of a more, protruding occipital
bone: as i've heard it once before: being noted...
i'm waiting for my libido to **** itself off...
in the meantime no harem...
imagine my luck when it comes to
the wisdom served up by men like king solomon...
even by then:
this most exhausted man had
to settle for a swan's dignity in monogamy
with the queen of Sheba...

                 but it's hard to translate wisdom
when you have all the basic forebodings
already at your disposal... the harem will discover
***-toys and you will be...
the limp **** in the whole affair...

                 such hard-on feats of fear when it comes
to... two cakes too many
when all you've been asking for is, merely a slice...
jazz... i can't find
a clint eastwood in alcatraz...
or steve mcqueen in sagan...
               or witold pilecki in auschwitz...      
but i can find myself in jazz...
hummingbird or some, other, champagne flute
and that bothersome fly...
nothing against flies: everything against
mosquitos... i would **** those buggers with
the same joy of donning wool having
just sheered a sheep or two...

jazz and: the wriggling fish...
jazz and all the fish out of water...
i'd call them constipated ***** and lobsters
but... jazz and the wriggling fish...
jazz and smoking a cigarette to appreciate
the deaf centre point of night's culminations...
living close by to central london...
"walking in" and not feeling like
anybody important: or a tourist...

       if i wasn't a billy joel: i would most certainly
not want to be a bob dylan -
hard to be living the obscure with a cross
made up of iconography...

the applauded and the: billy joels' piano man meets
neil young's old man...
they shake hands and subsequently depart
where the crossroads begin, and end...

believe me when: i'm the last to be believed...
usher in a dozen penguins attired
to be... fizzy kosher dosh...
in all their napkins and bowtie-neck strangle 'em
into a hush of a bamboozle...

such the life the music the mathematics
of living in shackles - wriggly ol' ****** with
those improv. would-be-turns and...

how many words will it take for it to be clear...
i have nothing but rejoice at clinging
to my obscurity... primo amigo:
alea iacta est: too bad for me...
or too bad for my shadow...
                       faking being a gemini
in the horoscopes of fate and superstition...
shadow: mime out of the confines...

      these is my second chance at retaining
the crown of obscurity? is it?! is it?!

   to have to burden oneself with love...
akin to... well... if i were about to spoon her...
but no... i wanted to catch the 8 hour kipper....
but every time i would fall
to sleep... i'd fall asleep with a tarantula bite...
numb all over to one side...
because i was oh too willing to fall asleep
when clinging to her...
like a bracket fungus to trunk and core...
one side of me complete in numb...
which had a rubric of recitations
should all else not be true...

but *****! that slap in the face...
                             come to think of it...
i'd like something to eat...
less **** with... that could pinch me...
i'm starting to think that
being ganged up by a group of hyennas
is not such a bad way to go...
perhaps being mistaken for a tuna
when a shark attack is being
noted...
            hard to imagine
sharks or bears or lions as having
sadistic undercurrents to their day-in-day-out
beats...
  even sharks nibble but never gorge
and feast on... this cranium solid first and only
hope when it comes to god
not making mistakes when gambling...
the ******* roulette or a black jacks' "choice"
of cards...

i can't exactly "think" this out to appease
a gravitating en masse...
                       pour me another shot and
debackle! all in the faith and hope
of un-thinking thinking...
trying out this suction tenticle of the void...
replacing descartes' res cogitans with
res vanus... what is due: is due...

no more wisdom from me aged 34
as me aged 73... there's only rain and jazz...
i'm buying time...
concerning whether it would be even
remotely likely to appreciate jazz
when it's snowing... unlikely...
very much hell-bent unlikely...

      - who would have thought that peering
into an aquarium would have to,
become more entertaining that zombie-clad
watching a t.v....
what ever happened to the watching
a klepsydra... or the tick-toe-tightening
of seconds into minutes into hours...
dying from the skeleton diet of time
whenever catching-up: unaware with
the clock in the confines of:
old people not really...
no, not really, listening to coleman hawkins'
much of anything...

                     because this doesn't tease
the affections of the young...
like a trainspotting revamp might....
because there's, clearly no new dracula...
and there's no new: new....
                     i wait patiently like a salamander....
no easy picking no low hanging fruit...
no fatty boy'oh to matter...
         no leeching off the three-quarters
of                               the better part of the engineering
cohort that were behind
the manhattan bridge... or Malbork Castle...
and hands on hands: do touch...
the event horizon of a dead star...
                    in that: pulling fabric...
basic genesis... talking fire "misanthrope": "god"...
bushes outgrowing fungus when
it came to 1970s ***** flicks:
notably in fwench and italian...
                   prune the perm hair...
                             keep that afro on a leash!

these days ***** is half of the cure's nostalgia
and more...
onomatopoeia and...
    refining the contorts with painting...
and keeping the act on a hush...
               the lazy hands speaking
dozen **** cracks being discovered but
none being experienced...
bone the hand...
it's called a ****** just because
of oysters... it's called a ******
because of the clams and of the irises...
and because the tongue:
god... ever time i wanted it to exfoliate...
it's forever that timid tulip!

         what came of a ****** became a hand
and the cusp... and what would never
become a San Francisco needle hinge epidemic...

was anyone praying that
one direction would become the next rolling stones...
cougar: meow...
that **** jagger was going to be
the "reincarnated" harry styles?

           knock-knock... who's there?
a premonition... i.e. touch-wood...
base: i will require the wood to be touched
by bone - notably a crunch of the knuckle in how
the fist is formed / fathomed...

        otherwise known as the lap-lapping-dance-off
with a tongue wriggling in imitation
closure of a worm...
or a fighter for a boxing champ. contender...
belt-up... knot and noose down....
the new news is no: good skit...
i **** myself to fickle my shadow
whenever i see a hoopla or a trance inducing
recoil of the swinging dancing spare
of a: rope that's not leftover for
the dangling first come first served...

daydreaming zeppelins...
the day the elevated english man will fall...
and bring down the bowler hat with him...
touch the philosopher's stone and turn
that attache of good taste into an umbrella...
the same day i stop daydreaming
about zepplins...
will see me think of the anglo-saxon
as whittle brother... the younger Swabian...
and all part of the infuriated minor
Germany that found inkling to behave
like the nomad Yids...
and move... and move... and...
never the sort of people to conceive of a ship...
without also being receptive of carrying
an anchor!

then again...
                   monkey man albino and...
forever the one to follow the white rabbit back home.
“Won't do no good
To call the police.
Always come late,
If they come at all.”*

Thank you, Tracy.
Thank you for shining a light,
Drawing the world’s attention to the gulf
The gross variance in policing,
As it is practiced as we move from
One area of the city to another,
From one part of town,
Across the tracks to the
Wrong side of town,
Not the neighborhood where
Cops get out of the squad car after dark,
Ring your doorbell & politely remind you
Your garage door is open.
I refer, of course, to the same
Neighborhood with the best schools,
Libraries, public parks, and other
Fine & dandy amenities
Enjoyed by some its municipal citizens.

I send greetings from reality &
Say “Thank you, Tracy”again.
Now I’m hip to an area of town where
People have to shoot it out for themselves,
Where people contend with a
Quotidian Death Camp or Gulag,
A daily killing-field of extreme
Predatory desperation.
We’re taking a quintessential peek
Through a Social Psychologist’s lens,
Namely Abraham Maslow’s
“Hierarchy of Human Needs;”
Categorically speaking:
The ladder’s bottom-rung.
We’re talking basic human survival, here.
BTW I actually learned a lot in college, & besides:
*******! I’m a Harvard graduate.

One last time I say
“Thank you, Tracy.”
I actually learned & continue to learn a lot,
From getting high & listening to music.
Life at the bottom of the barrel?
Sloshing it up with the
So-called *“Dregs of Society,”

Which, by the way,
Would be a great name for a band.
Cue omniscient narrator:
Google "I want to Be a Pornstar.”
But I digress.
We were talking about a frightening alien planet,
A no-where place to be for
An intelligent young black girl,
Hoping for a fast car out of there.
Wk kortas Jun 2018
Good afternoon, my name is Absolutely Frank,
And I am an alcoholic,
Which doesn’t give me a leg up
On you bunch of ******* drunks.
As I’ve observed that we’ve skipped the host
And gone straight for His blood,
Would someone be kind enough
To ask the good shepherd behind the bar
To provide me something
Both mixed and sacramental (a double, preferably)
While I endeavor to provide the text for today’s sermonette.

I was, back in the day, a full-fledged computer geek;
Button-down white shirt, thin black tie,
Brobdingnagian pocket protector securely in place.  
I worked at Duquesne University down in Pittsburgh
(Oh, put your **** jaws back in place.
It’s Pittsburgh, not ******* Valhalla,
Unless you’re comparing it
To this dingy little interruption in the forest)
Writing programs for the info systems group.
Now, writing code is as beautiful, as clean,
As straightforward as the liturgy itself;
The programmer types in the Psalm,
And the machine spits out the responsorial.
Just as I said, pristine in its simplicity and directness;
But say someone else in systems decides
They need to make a bit of a tweak to the program;
No problem, really, they’ll be likely to document the changes,
But then some swinging **** in Finance
(Onlythere solely to subvert order, if the truth be known)
Decides he needs to put in a couple of subroutines,
Which of course he does all half-assed
And without a word of explanation,
And pretty soon no one anywhere
Has the first ******* clue as to what the program actually does
With the exception of the mainframe itself, which isn’t talking.

It was, I admit, a touch disconcerting to realize
That we didn’t have a full grip on the reins
When it came to the function of the programs
Which we had ostensibly written,
But it was only a mechanical process
Carried out by some machine, after all,
But then they started humming.
Everyone in Info Systems had to take a turn
Doing overnight operations in the mainframe room,
And each night I was there the machines started in
With their infernal humming:
Just one of those big old Burroughs at first,
But the others would soon join in,
Not random noises, mind you;
No, they would drone on in chords and arpeggios,
And, later on, in actual full-on songs
Most of which I didn’t recognize, but some quite familiar indeed
Snatches of Bach and Beethoven, show tunes
Hillbilly Heaven seemed a particular favorite),
And, what’s more, the desks and fixtures in the room
Would vibrate right along in harmony,
Even though an acoustics guy I knew from Carnegie-Mellon
Checked the place and told me that the room
Had been designed specifically to prevent sympathetic vibrations,
And what I was claiming was categorically impossible.
Despite all of that, I had been able,
Through judicious permutations of rationalization and vermouth,
To retain a sufficient veneer of ordinariness and sanity.

And then the machines began to speak.

It was an overnight in the latter part of December,
The nights that time of year long and dark
As the long night of the soul itself.
I was whiling away the hours
Boning up on some Aquinas
(I had audited the odd class in Philosophy
One of the perks of the job)
When I heard an odd, throaty stage whisper.

The peripatetic axiom? Really, Frank, that’s a bit disappointing.

(Needless to say, I went cold as dry ice,
As I knew full well there was no one else in the room.)

Oh, Frank, Frank—you know very well who’s talking here.
Surely a voice that can sing can talk as well
.

You’ll forgive me, I said as calmly as one can
When addressing machinery, If I note that the power of speech
Is strictly limited to sentient beings imbued
With the power of reason.

Ah, reason—and you certainly are a slave to reason,
Aren’t you, dear Francis?
Every comma, every equal sign and semi-colon
Snugly in its rightful place to give you your desired result.
And yet


I was getting a touch agitated now.  Yet… yet, what?

Frank, a bright fellow like you can’t see?  
Your silly ritualistic faith, your childlike parables,
All simple input-output.
You give your God this, He gives you that.

Again, you’ll forgive the observation
, and I am shouting now,
That you’re little more
Than some sheet metal and a confusion of wiring.

We read code, we react.
Just like your great and all-powerful God, dear Francis.  
There’s your great secret of divine truth, Frank.  
Read and react.
No more than the Control Data box
Over there in the corner, or a linebacker.  Read and react
.

The upshot of this conversation,
This weighty debate carried on
With a collection of screws, spot welds, and tubes
Arguing that Jack Lambert was as likely a vehicle as any
To my eternal salvation was sufficient
To tip me over the edge,
And when it finally came time for campus security
To escort me out of the building, I didn’t even look up.

OK, that story is complete *******, absolute ******* fiction,
But it kept you lot away from your drinks for a few minutes,
Which is a miracle worthy of Calvary itself.
Me, a programmer, can you begin to imagine?
Not that any of you sodden sonsofbitches
Could ever hold a day job yourselves.
Back to the business at hand, then;
Mine’s a seven and seven, good sir,
And easy on the Uncola, if you please.
You may argue that this isn't really a poem, and my counterargument may be no more sophisticated than "Sez who?"
Tark Wain Jun 2016
Glossed over pasts plus
Time tested epithets
That indubitably do define
The way you left me that's

Not to deny the truths that do lie
On the static sitting stone
Which are truths I refuse to uncover
Which tend to typify my own

Lack of anything resembling intelligence
I know if you missed me you would say it
Yet it remains categorically impossible
For me to even meagerly admit

That the starry eyed tongue tied
Deliciously delightful strikingly beautiful
Girl I fell in love with

is no more
1st Movement:

When I hear the knocks at my door I’m filled with hope. Hope that it’s my good old friend coming to see me again and fill me with his familiar presence. By equal measures, though, I feel fear. Fear that it’s my good old friend back again to fill me with that all too familiar darkness. They’re gentle knocks, sinister but as grating and aggressive as a great dog’s bark. The sound turns the air to a particular darkness which fills my lungs and heart. Fear interspersed with curiosity compels me to answer the door with haste and resignation to his behest, if only to refine this binary mixture of emotions to one or the other. Both are equally awful as each other, for this old friend is not the kind of friend one would willingly welcome. He’s the sort of friend who, when he wants to come in, he will, and I’ve learned over the years that it’s easier to let him. Let him in to wreak his worst on me and let him go again until his return. He always returns.

This ‘good old friend’ I speak of is the crafty external force which deceives me with my heart’s treachery to believe his bogus internality. He deceives me and he deceives my heart, my mind, my soul; my whole being, the whole world. The sooner I let him in and the more open and receptive I am to his abuse, the sooner he will leave. Leave me for a moment’s respite from his damning indictment which screams of anger at his own futility.

The figurative door barks only in my brain, but the definite door knocks gently, devoid of any disturbance. As I open the door the darkness dissipates making way to a bright clarity. My fallible heart was presuming the worst, yet not knowing it. Standing before me is my friend, my brother securely holding in his hands the words written that everything will be alright. Not now, and we know not when, but everything was, and will be again.

I put on a mask of happiness to fool my brother to altruistically manipulate his altruism toward me, but to my own detriment. My own success backfires. My brother, fooled in my eyes, serves the manipulation straight back to me. Facile happiness abounds us both driving enthusiasm with which to examine the words he holds, and to diligently extrapolate the truth from the book he bears quenching our thirst driven by our mutual love for truth.  As his eyes close to another world, another dimension, mine too close seeing only the questions asked in my imagination. What does he under his eye lids see? Where are his words going, and to whom other than me? These are the questions he is here to answer, unbeknownst to me. The questions I’ve been silently asking ever since I learned to question. The same questions every single person in existence, excluding none, asks all the time. Some ask with hope of an answer. Others, enveloped with contentiousness, ask to prove a nonexistent point and perpetually fail to succeed, mocking only themselves. But do they know they mock? The self ridicule is cloaked in self righteousness woven by this world with its daily, bite size propaganda fed through speakers and screens right into the deepest recesses of the mind. The dangling carrot promising satisfaction. Playing on our inherent knowledge that there is something better, something more resemblant of that originally intended perfection for which we all strive in our divinely uneducated way. There is something better than the devastation we witness encompassing our souls and poisoning our hearts, making us sick. A sickness self inflicted from the view of the original intender. A donkey won’t chase the dangling carrot without the hunger. The screens drip feed us hunger and, offering the unattainable antidote, it keeps us chasing.

My brother has come to help me use my mental tools to instil the abiding antidote from these words. Words with which to gradually alter my outlook on their beauty. My previous reverence for poetry changing like the tides, flowing and ebbing over and again, gently moulding the lands into more beauteous forms making known nature’s true name.

יהוה; quintessence of the words,
Of beauty to our ears.
Not love of mind nor fanciful sight,
Nor tenacity of breath of those who might,
Speak provocation of effusive tears.

Diversification of those whose diction,
Expansion was sought imploringly,
Displayed meek thirst,
For knowledge first;
They’ll be blessedly beset linguistically.

Longing rills of liquefied utterance,
Reverberating waves aplenty,
Bellowing whispers loud,
Heard from within a shroud,
Giving rise to a barrel never empty.

Roaring murmurs of ripples in thousands
Cascading to oceans below,
A fast falling downward demise,
Sounding white truth and that of black lies,
Of onomatopoeic H2O.

Not stringent is the string of letters,
Lax are the words to be strung.
Not sequentially,
But dulcetly,
Outward beauty will be rung.

With a patterned strike using one’s cerebella Mallet
On the gong of one’s cerebral stock,
Eloquence imbues,
The mind your ears use,
Curtailing the perpetual tick tock – tick tock.

Facile masks circle that face,
Consuming as they revolve.
Filched is elation,
Taken is creation.
Yet knowing the inevitable resolve.


We know now, consciously or not, with whom we originate. What stops us from connecting the dots. A dot-to-dot; something so easy to do, but where those dots continue to move, we fail to place the blame succeeding to rue. Frustration turns to anger, anger leads to hate, hate leads to he; The dot mover, the obstructer, the distractor, the decoy from truth, from love, justice, from every good thing. We know whose power the world lies within, yet choose ignorance over the truth which we already know in our hearts.

These realisations are made like Wordsworth’s frost at midnight. They perform their secret ministry through the air, over my body and penetrating my mind and heart, upheld by any wind from my or my brothers mouth. Each and every utterance supports any later rumination on the truth, the lie, and anything in between these extreme poles of all that’s known and that which is unknown, seen and unseen, loved and hated.

These reciprocal uplifting and upbuilding exchanges, each a divine gift, a string of gems to have and hold for time indefinite, aid an understanding of the one responsible for such. So little time we have left, yet such extravagant lengths of this most precious dimension is wasted arguing for and against, but never asking who or why? Surely only a fool argues a case about that which is unknown. The facts form irrefutability, yet the propensity to form too fast with a one sided judgement still wins while we dote on our own supposed intelligence.

Acknowledging the light seeping through the cracks in the still darkness, he rages with a concentrated anger at his self generated, perpetual, vindictive blindness. He is that getter in the way of things, the shadow caster, the adversary, שָׂטָן.

He is the darkness licking round the door frame, to my mind with all his might and yet crafty restraint. Not one of us can escape this darkness, not on our own. We can, though, shed light on it. Light will always win where both are present. Darkness may be the fundamental state, but where light is allowed, darkness is always destroyed.

But then it comes over me like a tidal wave. A darkness rushes at me like a sledgehammer for making this realisation. Past the point of no return do I give in. I give up. It’s too much. Only so much ducking and weaving can one man’s energy let him do till there is none left, and now it’s gone. I’ve run dry to doom, run into the ground. I’m broken.

Time rolls on filled with a single solid nothing. The weeks pass. The days, the hours go by sniggering and sneering. The clock’s face look down his nose and finds me. To us, time seems the highest of all dimensions, but as obscure as it is, by what does it run? A question we have not enough time to fully answer scientifically. Science by it’s very nature is the perpetuation of posing question after question until the answer lies beyond comprehension. Posing question after question to answer with evidence is categorically finite. Uncertainty is an underlying rule pervading science itself, though faith follows beyond the apparent end. One will never know just how much of a threat obtaining this faith can be to he, the adversary.

Life’s doorman presenting my open garment inviting me into the warm wrappings of my winter coat to deceptively soften the mourning of the summer we lost. That paradise on which we passed. Beaconing me into the warm wrapping only to send me astray, away, adrift from the truth to eternal ruth and regret of one day.

At this my brother departs for his own trials in his own house, thus leaving me to petition and plead for a helping hand out of the ill-lighted and lurid cavernous fog I find myself in. There’s a relentless pain pervading my whole soul, but the pane in the wall frames nature’s beauty which taunts me so. A picture plane presenting a small glimmer of the bliss meant to be. A hope of spiritual prosperity, assurance for which we have been given, though the reminders are not easy. The doorman’s world drives his crafty vehicle of dangling carrots with such ferocity to blind us. The speed blinds the minds of those who stopping, would realise there’s string and a stick. It’s a trick. A trick which has seen us plough through a vast array of food, a banquet, chasing the ever out of reach embellished single grain, though always the closest.

Try as he might to perpetuate this fight, us, his captives, continue to fight longer and harder with a never ending and unlimited supply of the best weapon known to man. Love. From where does it flow? To where does it go? First we have to know, and once harboured, we must direct its flow.

Five years have passed. Five summers with the length of five long winters, and again I hear these waters rolling from their mountain springs with soft in-land murmur.
(William Wordsworth - Lines Written at Tintern Abbey)

The mountain spring is where. A monumental spring of an historic scale from mount zion producing a never ending murmur of love to cascade over the ocean of a people lowering themselves to the strongest and most sturdy section of the mountain.

As the result of a string of mutations, always mutating and never improving, is always the same, such a long string will never become rope. An infinite number of monkeys given an infinite number of typewriters and infinity itself will rewrite the entire works of Shakespear. Those who read a Shakespear and surmise the existence of a lot of literate monkeys, are vacuous victims of international mind-numbing, but wilfully so.

Saturated with such a concentrated concoction of diverse threads erratically woven into a veil, a cloak of lies behind which their lack of faith is hiding, a falsity for their fallacy; the world frantically searches for truths using tools honed only by the world, on which the adversary hones his trident. Needles in haystacks the truths may be, but once found they’re overt, obviously. They are the flames that burn the darkness, a holocaust of murk, the Wally amongst the distracting cacophonous din of hustle-bustle of faceless herds trudging in binary directions to their fraudulent feed of false food disguised as noble inflections.

The casting of light in our eyes, as pennies of an historic value drop, irradiates the notion that our eyeballs have been boring into truths and truth has been peering back for all time past. Have we not seen because the want to see was lacking, or did we not see because our ability was cracking? Were the lights on with nobody home, or were they residing in darkness? The utterance of my brother came inspired, “If we focus on misfortune, we will reap what we sow. Focus on the truth and let everyone know”.

Asking is merely making known one’s requirement for information. Prior to this we must attest the intent of receiving such. Though, the truth has been granted devoid of request, negate it has not our silent behest. Do we need to know the truths we now see in plain sight, to live our lives in harmony?

In a world without compassion, where the hungry are starved, the thirsty desiccated, the poor deprived, and the weak expended; does the supposed prime driver really give two hoots about the starving, desiccated, deprived and expendable; me, you, us? Ostensibly not.

Surely a world of war where we’re sick and we suffer will have been founded by not one whit related to love, but a halfwit wilfully innate and cognate to hate. Paying heed to words written with the elusive love we seek, I see the distinction from consent and cause. Trudging through Satan’s cesspit with consent from whom we cannot blame for causing the sewage in which we wade.

I know there is to do, but what to do, how to do, where to do and when. Knowing why is too little to do by. Answers are only information and information is worthless until actions are born. A gift unappreciated lies stagnant and not used. A gift gratefully received produces infectious joy.
2nd Movement to be posted upon completion.
Olivia Kent May 2014
Sporting the battledress of the warrior queen.
Her eyes wide open.
She's unfurling black banners,
while spewing venom, at the blackened retching sky.
Midnight crisp approaches,
as she grabs the sullen one,
Smashes through his barriers,
She is the chosen one,
And she sings to him, provocatively, luring him in,
dashed onto gilded rocks,
For he too is the chosen one,
the son of sighs,
deliver me from death,
I beg,
oh so unholy one,
Once again, he smiles at her,
deliverance curtly,
through teeth ,
blackened by his spite,

As morning light breaks through the sky,
he stops and stoops and wonders why.
On hell and Earth, in spite of heaven,
Why did he bid goodbye to his wild warrior queen,
the royal one,
So regally attired in ebony black.

For you woman,
you seek only the sycophant,
Believe him not,
It's all a fake, a disguise behind which he hides,

Forget her not, she  still wants you,
Wants to rip your **** in two,
no chance at forgiveness,
for making the lady blue,

You,
with the faces of loyal Gemini,
you state,
categorically state,
the woman, the one,
that woman,
And f**k, as inside you walk, right in again,
As inside you go again,
Here you go again, letting your passion, cause more pain.
(c) Livvi
Carlo C Gomez Jun 2020
Look closer...
the winding trail
is baked to perfection,
bearing the scars
of a caesarean section.

Only the snakes
dare travel along I-8,
one-by-one the seasons lie prone,
in heat this sun will castrate.

The burnt aspects on faces
don’t smile or frown,
they peer out as residue
to places perished in the wake of
a cityscape’s head trauma,
calling out to the heaven’s above
as they await her to rise
with wings from these ashes,
in anticipation for a day ne’er to draw nigh,
even the steady fall of acid rain
will fail to wash away such genocide.

A favorite haunt transmutes
into a ghost town,
burning into the ground
the heat seeps into the soul,
and the procession begins again
for whom the bell tolls.

Towers of steel melt
as popsicles on the pavement,
the sun’s punishment
is constantly transcendent,
the noise of sparks and hums
rattle the spine,
today’s forecast is a good chance
of saturnine.

Eerie colors at dawn
make for a spectral scenic view,
picnic lunch in the park
is categorically taboo,
the hunters of men
swoon in subjugation to this tyranny,
weather’s wrath was everyone’s destiny.

Live a little, die a little,
pretend it cannot happen,
but in the end we all windup
as peanut brittle...
Mateuš Conrad Oct 2022
trafficking ideas:

sad first,
angry: much much later.

i'm leaving  a trail of unfinished poems behind, half efforts (almost)... oh no... i'm not having a dissociation meltdown of a second coming, i'm pretty focused, ah... it's like what Nietzsche said about writing the most content within the fewest number of words... i was never a fan of maxims or aphorisms... i know why i'm writing unfinished poems, or rather, why i don't want to finish them... i rekindled my relationship with marijuana / Afghan hash and i stopped using synthetic components to induce sleep, i.e. painkillers / anti-inflammatory drugs (same ****, different cover)... maybe that's why... or the fact that for all my efforts in writing? i have yet to reap any rewards... on the monetary front... ergo? no proper incentive to continue with a seriousness... or the fact that i started living again and it's a life of postcards, nothing worth celebrating let alone writing about, but precisely! the "petty life" grosses the best yield in terms of being scribbly-fertile, as i am...

i still can't understand it, i woke up in a daze...
i'm still pretty dazed...
if i am a man... unlike what Harold Norse mentions
with regards to him not being a man...
categorically, outright, Harold Norse exclaims that
he's not a man...
well... un-categorically me: if i am a man
(it's a bit like writing ich kampf rather than mein kampf...
i struggle is a continuum "bias"
rather than an ownership stressor,
i struggle is indefinite, i.e. when pronouns meet
the articles
while my struggle is definite, i.e. my coupled with the
as oppose to i coupled with a)

anyway... what's your name? Alina... how old are you?
22... at first i thought i didn't notice the plumpness
of her young body... i pretended it wasn't a familiar
sight of when i was 21 and she was 19...
full *******... although... she asked if i minded
her Cesaerian cut on her tummy?
no, of course not, that's before she didn't see me
standing with my back facing her and my "clipped wing"
scar of a shark-bite laser on my shoulder-blade...

i could tell she was pregnant... the ******* were slacked
or rather: tortured by a baby's suckling...
i never had a girl so petite before...
it felt ****** weird... i looked like a monster
after i climbed out from out of the shower
and started to dry myself while she started to undress herself...
when i put her hand into mine it
disappeared i should have cut off my index!
exactly! my index finger rather than my pinky
in order to give her a chance of pairing up with my hand...

raven hair, all the **** pretty features...
but... i must be a ******* outlier or something because
the whole affair started off well...
finished? even the prostitutes are changing...
she doesn't want to do this, clearly she's not the type
that likes ***... of all the ones i slept with pretty
much all of them enjoy ***... borderline pornographic
acting styles, but it depends...
i'm a paranoid p. so i get to play that game
of hide it or fake it quite a lot (oh thank god
i didn't qwerite quiet)...

all those men gurus online... young, fertile women...
yeah... if you want to have children...
but ***? maybe a 21 year old is more relatable to a 19 year
old given it's a different atmosphere
and you're both young... but a 36 year old man
and a 22 year old woman?
i'm not going to go through some *******'s worth
of a mea culpa as to why i didn't ******...
sure... i had an ******* at first... but then?
i switched off... it was borderline necrophilia...
i swear to god ******* a 22 year frightened little creature
is borderline necrophilia:
i don't care what the pornographic industry shows you
when there's this petite girl and some Hulk...

first encounter, upon a second encounter i'll need
to break her mentally, she'll have to give me her
lips to kiss... for starters she'll have to not watch
some much ******* TikTok videos and pay more
attention to me... how i will do this, i don't know...
well... i devised one way of doing it...
i'll have to come in my casual clothes,
expose the Karl Lagerfeld in me...
a tree wearing a baker-boy cap blah blah...

in that one night all my desires hit a ******* wall...
she was the first one that jumped at the opportunity
of starting ******* in a ******* position...
what was before me was the equivalent sight
of first seeing the cover of Marquis de Sade's novella
******: Hesperus, foreward by Janet Street-Porter 2003...
the aesthetic of a "tortured" plum of a woman's body...

no confusion concerning the apple of Eden...
the larynx of man and precisely for no reason should
there be mention of both the rib
and the phallus as somehow death and devil respectively...
even if i had any ******* envy, i cured that with
dissolving my former beard-envy...
but even with my desires men i felt beside content...

reframing: some hours later, it's a Friday night
and i just mixed some dark *** with some whiskey,
not a bad combination for foraging new music,
i thought Kula Shaker threw in the towel,
what do i find? the opening track from K20...
infinite sun... boys really came with a song to topple
Govindam...
mind you: i'm already converted to the sub-continents
cuisine...
i even took it upon myself to cook like Indian women,
i.e. not follow white girl tourist trail-blazing
with strict methodology...
i'm not an absolute hell-raiser of spices in the kitchen...

obviously the standards are in place, the base:
cumin coriander (seeds or powder),
green cardamom, chilli, turmeric,
garam masala...
now it's up to me whether to add coconut milk
cloves, black cardamom... always happy
to use the bay leaf... all spice? hell... why not...

what was i "talking" about prior...
oh... i feel relaxed... type in SELINA18
and it will give you a rough estimate of who i ****** last night,
aged 36... i'm surprised by a body only 22 summers old...
but i couldn't: i could for a period of time,
she's too young, i look like a monster compared
to her, she, this tiny creature...
i don't have ******* issues: i don't need
to be dropping blue pills... i know when it's
a woman's fault when i...

but she was the zenith of my hidden desires
and, hey presto, no surprises: she failed me...
a tight firm *** and all the more eager to
do it *******... what's with this aversion
of the eyes...
and her smart-phone screen addiction...
another put off...
i don't think she ****** enough men
who have put her off... if i was so unappealing
to begin with:
having washed myself prior to ***...
as is standard... she shouldn't have gloated at me
while the other 4 girls i already ******
smiled at me with enticement...

i'll learn, sooner or later... by now i'm *******
intrigued! i had to **** myself off to pictures
of legs donning nylon because i'm not into
too much pornographic culture and all that liberaton
*** *******...
funny... when i was younger all i wanted
to become was a monk...
well: now i'm just a ***** monk...
pair-bonding and all that evolutionary psychology
crap is sort of beside me:
i have one fault: why borrow...
why would man borrow the ontology of animals
and incorporate it into an ontology per se...

i don't care if animals have a soul or not...
they sure as **** have character...
esp. the ones you pet... not the wild ones...
the wild ones are generic... replications...
"clones"...
              not the ones you pet... though...
£25 worth of Afghan hash and i'm still smoking
it... it's coming up to 30 days...

i need to break this girl...
    not in a bad way... i just want her to feel pleasured
when she's with me...
i'm not a necrophiliac...
   i'm certainly not a dummy-******...
i need to steal her kiss... i need her to look me into
my eyes...
otherwise? i'll just please myself...
but i can't imagine how it began:
young women boasting all their prowess on street
interviews: but in the bedroom: frigid frightened
little things...

i must admit... woman sexuality still has some allure
left in the "bank"...
it's rare to find, but it's all hope when found...
i just asked the five... well... the four...
whether i was a funny man...
some Romanian whispers and i just wanted to know...
i received jack-**** in terms of coordinating
replies...

maybe her Caesar's scar thought i'd be put off...
the stretch marks on her stomach...
i don't know what put her off...
her being put off instigated me being put off...
oh... i'm not angry with myself:
my "ego" is not "wounded"... i'm just thinking...
i need to be a monster another time...
next time i'll toss that 5ft1 body from side
to side like i am the sea and she's a helpless ship...

oh **** me... i need to break this *****...
i made mistakes in my life...
but when it comes to crafting a luxurious pleasure
from ***: there's no past there's no future
there's only a here and now...
she was silent, i was silent...
i sweated from the shift like a boar
being chased to chase the wild out of him
and perform the arts of the Eden barber shop
on it for the boar to become a pig...

Romanian girls... well thank **** they're not
English or the glutton-free--prone American accents...
i hate the American accent...
it's so nasal and raspy... absolutely: totally:
uninformed about the affairs of men in the world...
when American women start peacocking
their accent on the train... i switch off...

what, a, strange, looking, creature, lying before
my arching over her with my clenched knuckles
giving myself grit and the proper function
of the pelvic piston... weird...

the last time i ****** someone much younger than
me... at 36 and she's 22...
wow... i just couldn't help myself from
tearing apart the body size difference...
i became a monster...
literally... if the female to male dynamic works
in the favour of females
in the insect realm with spiders and mantises...
**** me: in the realm of mammals...
we're going back to ******* basics...

the shift started pleasant enough...
i was paired up with cerebral palsy
Martin for the night... we talked about the "weather"
an ****...
funny moments came...
even the punters were looking at us in a weird
spotlight when i was left with no armour except for
giggles when i was picking him up...
Martin: dear dude... come on... you're going
to give me a second hiatus of pain of a hernia..

so i showed him a profile picture of one of the girls
we're working with...
i showed him the picture...
then told him who she was: the daughter of this
most ugly looking "dude"...
there and then i watched him "catch wind"
a whirlwind... he folded like a pancake...
he twirled saying **** me on repeat
before falling on his ***...
i had to giggle a bit while picking him up...
yeah, i told you, Martin, that she was a stunner...
a 10 out of 10...
the sort of girl you'd make sure that Guns 'n' Roses'
November Rain was the last song you ever heard...

what came next? i wasn't expecting my coworker
to almost start nibbling on my ear while
whispering into it some horrid gossip...
well... that's me ******* off to the brothel...
as i sat across the whole five lot of them...
all of them smiling...
am i? that special? or ******* spastic-fantastic...
i just finished a shift... this "work" is not challenging enough...

fair enough: getting your ear nibbled at like
it might be an oyster about to getting gulped down...
so i went to a brothel...
i always thought: if you see a fox or a cat
in your squandering ways doing
the best of keeping sanity by automatically
vomiting in the Ancient Roman sense
of easing the passing of judgement...

there she sat with a pretty face...
a pretty face for a prettier goodbye...
an even prettier hello..
22... Alisa... if not Romanian then at least Turkish...
body buys no body
and there's this headache within the confines
of the heart...

but i'm not going to blame myself for a limp-****...
if she's only 22, she still needs to learn from
inexperience...
she needs to **** plenty more men before she
***** me again and i'm up to her standard...
it felt like doing a "thing": all prosthetic...
she was so much smaller than me...
of course i didn't ******...
how could i? she was disengaged...
she forgot how much fun *** could be...

what astonishing lies we tell each other...
just in order to pretend to not have
told them before...

22... i tried engaging with her:
she was more engaged with TikTok videos...
i tried to be tender with her like
i might ever be with the flesh of an orange and the peel...
of course i didn't ******...
she just said: do you have to drink?!
but i like drinking...
do you have to be attempting to be so disused...
so absent-minded? that you have to
watch Chinese propaganda snippets?!

i don't mind climaxing...
she's only 22... she asked me: do you mind
the Caesarian cut on the stomach?
while i asked her if i could smoke a cigarette...
i showed off my own scar of a clipped wing...
do you mind?!
i can't ****** if what i'm dealing with is a girl
in her 20s and not readied for
the flea and flesh market...

but that doesn't bother me...
enough of the night is available for all of us to somehow
wish we had the *** lives of rock stars...
i just recall being blockaded
before leaving the brothel...
some other punter was coming in...
wow! the moment i walked in all five of them were smiling...
yes, i trimmed my beard... come Saturday and
i'll torture my hair... i'll come ln Tuesday
and i'll wear my casual worn...

what a pristine body... such a tiny... almost porcelain
indignant "sorrow" of
whenever under-performing...
my fault?! my fault?!
         *** is a case of what happens: both ways...

just because she's smaller than you...

in theory contra: through experience...
younger women are a turn off...
                           they are unruly with their bodies
that are only geared up for reproduction
and not geared up for bedroom fun...
they are stiff... they are toughened with
expectations...
                         just as bad as virgins...
what?! i'd rather **** an experienced *******
with saggy **** in her late 30s
than a ******* in her 20s with the most pink-peachy
pair of ****... but with no clue how to have a quickie
with a man...
what?! the ****** revolution happened for
no reason? i can't, just blatantly state the *******
facts?!
like **** i won't... i will...
but i'm not an explorer concerning the sort
of people associated with getting bored
with standard ****** positions...
have *** less = enjoy the ******* more...
simple, no?

tight ******* ***... my god... but she switched off...
i too practice the Ancient Roman rite
of passage when it comes to regurgitation...
whenever i'm constipated or ate too much...
i ***** in an automated mode...
i don't even need ******* down my throat
to instigate the throwing up...

so i've been following up on some counter-culture
material in the "manosphere" for some time...
inter-****** dynamics of "things"... really?
that infamous term: c.c. i.e. ****-courasel?
seriously? turns out...
i don't feel like doing the sort of work
that the men "at the top" perform in order to
get such access to "****"...
me? i just want to sleep throughout
the night, with synthetics,
i just want to listen to some good music, man...
seriously.... i want to scuba-dive with
a thrill of what happens when water or gravity
**** each ohter up...

rought ***... hard to find... not with an inexperienced
22 year old who has just given birth...
has stretch marks and a scar of giving birth to prove
leaving her youngling with her grandparents
and her ******* off to England to work as a *******...

i too wanted to age with someone...
tend to a fireplace...
drop acid and have an aquarium: certainly not
the original proposal i received,
i.e. grow old and watch the television set...
**** the t.v.!
my brain is already fried from all
the interactions i'm having:
i need someone with *******
cerebral palsy to make for a stimulating
conversation, for, ****'s sake!

no, men are not visual creatures...
men are auditory creatures too...
if there was no Picasso there was also no Mozart!
i watch ******* on mute:
if i watch it... usually i just flick through
legs exposing themselves in nylon...
at work i'm suddenly **** and a threat to
the other "alpha males" because i'm bilingual:
i find it funny, they find it funny...
it's all funny-funny...

i don't need to ******* with a woman
and later smoke a cigarette of Afghan hash to
find a wormhole for my heart to sink into
and twirl and...

hmm... and... what was this end of and?
me feeling guilty?
            wow for every other wow to come
in a row and for me to give
two ***** and commas for it to boot!
Carl Hoek Oct 2015
swarms of little biting creatures at my ankles
smokey eye talent for your cover up
camoflauging your heart
or the thing thats there now
that you used to call the heart

i saw you naked
i saw you in bed

when i close my eyes i see showers of little water droplets cleaning you off
so i wont be able to smell
the smell of you getting ******
should i be worried?
should i care?

probably not
because i know where youre at
and its the same on my end
theres no blame here
how can there be
where all of us are categorically wronged against

acting accordingly
stapled up hearts trying to bear full loads of wet tears but at the same time trying to perform
what too many consider to be the proof of love

could you stay with me until the gold appears?
when i die its all yours
the big fat math problem in my bank account
Nomkhumbulwa Aug 2018
How could you be so evil?
For there is no other way to describe
Your whole sense of being,
You are rotten inside.

Disgusting and disgraceful,
How can you be so cruel?
I hate you, everything about you,
Just like when you were at school.

There are no words to express
The evil you have inside,
The pain you are inflicting,
You’ve even caused suicide.

How can you do this?
To a society stretched at the seams?
You are a waste of time and money
And your dreams – are they really dreams?

How can you be trusted?
For you are diagnosed a liar;
You are not welcome in society
Nobody welcomes a liar.

What if none of it happened?
What if it wasn't true?
What if you made up the ****?
The only criminal here is you.

You have hurt so many people,
Your family and so many more,
You deserve all the punishment given
For your actions they simply deplore

What if the nightmares aren't real?
The fear and panic all fake?
What if none of it happened?
How much of a mess could you make?

You are a disgusting creature,
I hate, I despise, I deplore;
It is categorically impossible
To forget or try to ignore.

You are a black mark on society,
You do not belong in this world,
You don't deserve any friends,
You deserve no place in this world.

Where do your memories come from?
Why do you invent ones not real?
Do you not have any empathy
For how people really feel?

You are hated by all and everyone,
Yourself included if not more;
Nobody wants to know you,
You stay right behind that door.

Don't you dare show your face,
For you are not welcome;
Stay away from everyone,
You will only do them more harm.

You have a sick mind, how could you?
How could you cause so much distress?
Your spitefulness has shown no limits,
And you couldn't care any less.

You are a diagnosed a liar,
A deceitful, sadistic disgrace,
Nobody is ever going to believe you,
Such liars should not show their face.

There is no help for evil like you,
Services are there to help others;
Not to be wasted and drained and abused,
And how can you keep blaming your mother?

They do not have time for your fake memories,
Your fake life events and horrors;
There are people dying every single day
Nobody cares of your night terrors.

You need to sit in a hole and stay there,
For the safety of everyone else,
Just stay there, do not come out,
For we must protect everyone else.

Nobody is here to beat you,
So you must do it yourself,
Keep cutting and bleeding and bleeding,
Cut deeper to forget yourself.

Watch the blood as it runs
Keep cutting, don't let it stop,
This blade will pierce your evil soul,
Its painful, don't let it stop.

I am going to keep punishing you,
More and more and more...
This blade will pierce your body,
As you lie in a heap on the floor.

For there is no other way out,
You MUST feel this pain,
For this is for what you have done to others,
Over and over again.  

This is all you deserve,
Feel the blade pierce your skin and then bleed;
For your blood is the source of your evil,
The evil on which you make others feed.

This pain will last forever,
I will never be done with you,
I just want to keep making you hurt –
Until you know what is true.

Now cut.....
All I can say is I am so sorry for the graphic nature...
Mateuš Conrad Jan 2017
hello, i'm Norman, or at least that's what i'd like to be called... i'm Norman the not normal... well... i wish i was also living in the 19th century, and had this desperate nostalgia for ancient greece... hell, i could be a man in the 20th century and have equal pangs for ancient rome... "fortunately" i'm a man in the 21st century, and have terrible pangs of nostalgia for the late 20th century... when the internet wasn't mobile... when you had a modem that worked like a dial-a-ride, you waited for about a minute before you got connected... when i had the stupid ethos of buying art, rather than succumbing to piracy... which means i remember what a high-street should look like... ah, what a terrible nostalgia that is, not reaching into anything ancient, but only something just past... and because of that, i probably am more far-removed from my peers than if i were nostalgic about ancient greece... i tried speed-dating once at university, came out with a diploma of an L stuck to my head (my own doing)... and truth be told... never bothered with a daiting app... i'm so 20th century that i still actually buy compact discs... the touchy-feely type of guy that i am... anyway, nothing i listen to these days gets aired on the radio anyway... brooding me, eclectic.; and that's me being honest, all of writing is a vanity project, however well you disguise it, in props of theatre or of novel... however man characters you invent... at least i can do away with that, and write anti-orthodox anti-establishment, anti-learning-poetry-in-english-class... dodo doodles, with a food-stamp label of a: use by date... in the timeframe of the author's life.

enemy of aphorisms...
    you certainly read a book of aphorisms from
alpha to omega...
             you are picking curiosities from
the pages and you're never, not once met
with a *the end
or: once upon a time...
it's hard not to see books written in aphorism
form a bit like being in a supermarket...
   whether that's nietzsche, heidegger
    or la rochefoucauld...
you can't help but be fickle...
if i were to read heidegger's ponderings ii - vi
like i might read a novel, i'd be mad...
   it's impossible to not be picky,
standing in the fruit & veg aisle in the supermarket
and picking out the fresher produce...
       and that really is complimentary...
aphoristic books tend to be never-ending,
meaning that you will pick at random,
      and re-arrange your day-to-day
narrative... if there is one to begin with.
   for example?
from ponderings iv -
         no. 75:
           today philosophy is unimportant! -
completely correct: for the things
of "importance" today.
     and with that cited, it would be pointless
to read on aphorism no. 76 in ponderings iv
of heidegger...
      you're sort of trapped,
waiting to experience aphorism no. 75...
again: it's problematic to write aphorisms,
just like Hemmingway is deceptively simple...
   i mean: it's hard to read a maxim and not
wait for the proof, or the experience...
         nietzsche was systematic as
a writer of aphorisms, then he relaxed
and wrote the thus spoke zarathrusta,
then returned to aphorisms in ecce ****...
and spoke only vanity...
    the light breeze came, and went...
       a truly transitional experience...
     oh i'm not boasting to know anything
as such...
  well... i was thinking that
only gods can transition from god to animal
perfectly...
              men transition to either status god
and get crucified,
   or transition to status animal and behave
worse than animals...
         men has two escapisms,
            are we so categorically rigid as
to forget that we like to think ourselves as gods
from time to time, regardless of
the said existence?
at least to combat lethargy...
              plastic surgery is always at hand...
    but such is man's plight
    in binding himself to these two escapist
  event horizons...
      either man bound to animalism
or man bound to enforce a pharaonic fake
beard into stone on the earth...
        man closer to animal: what, not
making himself into a clean-dressed hog,
perfumed and getting drunk as the epitome of civilisation?
   but then not not catering sober and
nearing robot?
  what, then not bullying other men under his will?
   it was merely a chance thought,
i just thought that gods transition via man
to animal and can be seen as content...
    but when man stretches himself to either polar
opposite, horrible things happen...
                    or don't,
i just sit, night after night, completely incompetent
in my affairs of reasoning out an alternative,
other than the befitting pin on the point of drinking
and writing...
      yes, i'm guilty of writing on autumnal leaves
of oak... can you imagine such a possibility?
                  that some, ancient and mythical book of
Europe was found, and it was solely written on autumn
leaves?
     oak, obviously.
                      that would be staggering,
to have a book written on autumn leaves...
    wait... this isn't Ovid...
    if i heard a voice from heaven say 'live without loving,'
i'd *******. girls are such exquisite hell.
   or if you read the sunday times *style
magazine,
and there are two columns at the back of the magazine...
that's exactly what Cosmo would write...
     how did i become so mephisto-like
having tasted the fire once, proper, to decide upon
only dealing with women on the basis of
a clear transaction? **** me, why wasn't i endowed
with the impetus to a goldfish memory
  being burnt by fire once, forgetting, and asking
to be burnt again? what's wrong with me?
    why am i so shallow without that kind of
  masochism as to marry 4 times and divorce thrice...
  or go on dates?
       i don't even know how this
started... so goldfish me once more...
     maybe i just took Athos' advice...
the best advice is to not give advice...
  and since i have no advice to give:
   nor cure to the mere question,
i'll treat the question as more important
regardless of an actual or imaginary ailment...
the question suffices...
             i'll just leave it obviously awaiting
yet more mortal theatre and the next idiot to
buckle and hit the floor face-down.
   yet what is the maxim of the city?
what is the enticing serpent telling you?
   ah, but one thing: you're not perfect,
bite once more... you're not perfect, take another
bite... go one... it's waiting for you,
you know you can take to another girl's heart...
     well...
   i'll pass... i'll keep it plain and simple...
    a clear-cut transaction...
                           1 hour for 100 and 10 pounds...
keep your dates, your chocolates, your roses
where you should,
   in a solid matrimony, not advertised on
television screens, angling others to the swarm...
   if it didn't work out the one time,
the only other time i have (but rather want)
to spend with a woman, i'll perfect the need for
prostitution... i'm not giving any more of me
to another... i'm not one for loving labyrinths
where i'm not the Minotaur... but a confused
cosmopolitan taking it up the **** with tag:
metrosexual... **** that, **** this...
   god... i really need to ****, excuse me.
It takes two point four
Cents to make a single penny
In a post-delusional world
Exists an antediluvian deluge
Of fuel, food and fossils
Reducing our carbon footprint
Is categorically equivalent
To sweeping up our tracks
And is as forbidden
As the tampering of evidence
Or a denial of all that we lack
Wk kortas Jan 2017
My worthy adversaries across the dais would have you believe
That, having fashioned mankind in His own image
And, what’s more, sacrificed His own son
For the sole purpose of its collective salvation,
Our Maker would, in effect,
Simply shrug his shoulders and send it on its merry way.
Free to fall, those arguing the negative will tell you.
Ah, but there’s more than that: not only do they insist
That The Creator has for all intents and purposes abandoned us,
But has allowed an equally powerful and diametrically opposed force
To set up shop on his watch.  
I would ask them--what drabble of Scripture,
What logical premise would you cite to support such madness?

But surely, my learned opponents would purr,
(Oh, every bit as sly as devils themselves!)
You would not deny the existence of evil in this world.  
Morons! Can it somehow be possible
That you are completely ignorant of the work of Augustine?  
Tell me, after you finish your warm milk
And button up your snuggly jammies,
When you flick off the light switch, does the dark come out?
Or is your grasp of physics and philosophy equally inadequate?

I suppose, in a last, desperate attempt to buttress their arguments,
The supporters of the opposite position
Will contend my presence in this lecture hall
Is necessary and sufficient  for their argument to carry the day.
I categorically deny the supposition!
I do not exist, nor can I!  
Hang your forensic skills on that,
You bunch of ******* saintly *******.
itsall iwrite Oct 2018
no true poetry fans as reenactment is explained for suckers 18.10.18

as of late in pickle
but getting out of hand
so going to explain in a trickle
all suckers will understand.
back in the day derogatory
news about the bacon
revenge from bill not voluntary
only they new what was taken.
that's all that followed
just to give a shake
no other history to be swallowed
categorically no implication in my for EVER shake.
before you jump gun
you really need to investigate
i thought bill and poetry under thumb
not doing home work is the infuriate.

one of my pet hates is to explain poetry as i want it to be up to what  the reader wants it to be about. but i am being pushed into a corner. i would like to categorically say that when i referred to a reenactment in poetry, i am referring  to is something that i feel was done to me for writing the below poems. i would like to explain poetry is just that - poetry. how people interpret it is entirely up to the reader. thank you for reading.


no reenactment saturday 24 march 2018 ( my sincere apology to old bill ) 25.03.18

 

thinking is my imagination

to express will follow

day before gave old bill *******

the reconstruction i have to swallow.

its tongue and cheek

just how to get through

names for old bill were a Internet leak

to provoke a reaction is all that's true.

metro i adore

every week day its reliable

now exposed feeling open and raw

to have the thin blue line as a fan is honourable.

down on my hands and knees

i no this you will like

accept my apology please

i deserved a bullet from saturdays bike.

poetry is my excitement

every day it provides glory

old bill i forgive you for your reenactment

lets be friends because i am truly sorry.


even pigs addicted to selfies relax we love it suckersurge 24.03.18


this will join

for sure it will see the red card

going to get some ****

the next most wanted from scotland yard.

disgracebook may be on the cut

there is still plenty of spam

4 cheeks showing like boston ****

these 2 officers going for some picnic ham.

doing some serious stock

a ****** investigation can never be rinsed

hell have no fury with 2 that are hock

going to watch my back fat incase i am minced.

serious lack of professionalism

straight talking and no fibs

the trotters are going to give me criticism

hope they don't break and spare my ribs.

pic below shows 2 pointed snout

locked is a message in this yale

criticism of social media is the only clout

next selfie smile and lift up the jowl.
Everything was consummation to define the end in everything that was insinuated in the idyllic border that nothing presumes and deduces a good decision, but the emptying was already unobjectionable Vernarth, after living a thousand lives, began to anxiously call those who he believed that everyone was going to depart with Him. The elements had already been treated to reverse them in future spiritual lives with Eucharistic prayers that smelled specific aromas that would preserve the indiscreet air when seeing caravans passing by that came from concurrent to the final ceremonial on the heights of Profitis Ilias, including flocks of Ravens that they carried in the lips of birds that brought the essences and tiaras to decorate the Opistódomos. Alexander the Great and Ezpatkul were already coming with the rooks from the suburbs that would swarm through the ****** heights of the pronaos where the Vas Auric levitated, turning towards the Cinnabar that was already categorically in the Naos. The lavishness of the Mashiach specified the elements that were divided from the abstinences of the liturgy in honor of Him where all the winds from east to the west became the majority in the disciplinary section, from where its interior was grafted to the Vas Auric as a complement to the body. of Vernarth that began to atomize in the Apokáliptika assembly towards the paths of the eschatological epilogue, without detractors and tribulations to attend to the sighs of the Universe that would contract with magnificence when seeing that the nadir of the Duoverse was appearing, that is, the inferiority of the Universe that would bow down to the complex and unintelligible Duoverse, but with swift paths towards the sacred textuality where the work is already a reality. The souls in the pomegranate tree on its pedestal were already occupied by the Hexagonal Primogeniture, seeing that the Mashiach had already become the living word of Nazareth whose passion became co-binder in the ascending radiosities that came and went along the shoulder of the Hydor in the Nimbus Iridescent carrying rays of ultra warmth. Carrying imperious prophecies that departed from the component that everything is part of the precious stone that is submerged in the deposit, where the resurrected Mashiach takes Vernarth's hand and places the Golden Xiphos sword on his right hand, forming the empire from east to west. Thus it is demonstrated that Vernarth during the entire journey of this Mega Parapsychology was never dead nor ever lived, he only waited for the hypostasis of the Lord that led him snowy on promontories that brought him closer to the monumental ex-voto held in those present where everything was of monumental muteness, bringing resurrected wails of the Apostles to the scene as they were martyred by their pernicious pursuers.

The Investiture ceremony already gave rise to a formulation that would satisfy great celestial desires with gestures of toast or universal conformist gestures, to unite all the people of different origins who began to meet with Vernarth with a total outcome of humility that embodied the figure of a proselyte who constituted the voice of Ruth crushing the leftover grasses in Naomi's doubts. The trapezoids mocked every cross-eyed look twisting the height of the summer that swirled with the objects of generosity that arrived and fell on the lawn as a remarkable epiphany in the form of delicacies and ambrosial that dreamed of being in the compendium of the height of Olympus and Horcondising on the same level of the liberation of beings where the Gentiles converted to the creed, which fed on the words of Ruth and her grasses as advocated banners that adored all who were present at the Investiture of Vernarth's Himation.

Behold, the sacrosanct pilgrimages were from the geocentric Rosemary who had held the Messiah before trying to throw him off the cliff after intervening in the Synagogue in Nazareth, reversing the plot, perhaps assuming a figure of the indulgent portent that clung to the barrier of the portals of the corn, and everything in the center was dressed as the focus of the Himation towards a great rodón or molding of Rosemary.

Who else may be missing from the presses of or that could not be taken to the mill. Behold, from the spaces where light did not reach, the sacred ones of exclusive faith were displayed with the flashes of these Bern olives, so that everyone could enter the central place where everything was crowded with double luminaries that lit up as obfuscation until the end of each descending inspiration. . Vernarth melted and carried the shady slip of the cross that entered over the heads of the attendees, and the late prayer that did not hit the avatars of each bis of each pagan and converts that slipped through the lips in the seventh invocation, as if Flavius Josephus were referring to the purple gold that volatilized in the midst of all those who slept, and at the same time the dim jambs of the temple dilated to act as a relationship to the meeting of the Vas Auric and the Cinnabar that joined the shimmering aldehyde contracting in the oratory that fell when the Beit Hamikdash collapsed, to later become oratic frames that were largely diluted when adopted in the dynasty of a throne that would have repercussions similar to those of Homer in the Iliad, where an admirer like it is Vernarth of Achilles as he worships his parents Hair and the goddess Tethys more in the affront of an empyrean higher than Olympus. Achilles walked ***** but limped only supported by the materialized rods of the Aldehyde with the sole purpose of reincarnating him in Vernarth's submitology, where he will show him noble fields and herds of black-white steeds before regenerating him in the genealogy of the bishop that is situated and surrounded of peons, but not in his long palatial life, rather in the equestrian fields where his life was reborn in death and took him to old age that receded as he walked on the heads of the deceased. The notorious individuality was made by taking hold of Vernarth's arm for the short walk like a Soter that finally rearmed his gallantry in front of Briseis; she granted it to Achilles, and that she was now Vernarth's female consort.

Saint John says: “we all give parts of our bites to others, what an honor makes us more special when armies of Greeks descended on this investiture where incense reigns, longing for the aroma of Briseis in each piece of air that is soaked in Vernarth's Himation. This is how all courage becomes perennial in the gifts where the Achaeans also dare to arrive at this ceremony, and of all that exordium that contradicts fighting beyond all death, especially if the Mashiach extends the opening of the point and its space! -time in a single potion of the heart of the servants!
Everything was in the hands of the eyes that perceived the birthed gaze of the Fibonacci effect, where the steep columns seemed to open up to the gazes of those who were stuck in the stands before the descent of the Naos. What greater strength than being brave and eager to shield all the cowards who do not forgive the demigods who die first before the boarding, and without pain before the merits of those who with their beginner gaze reside with their eyes closed before being absorbed by the duality of life that recurs farther from the threshold of the flame that devours the indecisive departure. Feats and disdain to close the senses when the Mashiach came down with his archangels and Cherubim defying without any fear that illuminates Homeric doubts so extensive, that they could perfectly be confused with all palpable reality.
Ravens and Belphus
Apoorv Shandilya Mar 2017
I can categorically list the number of times you have been misused, unheard and trivialized. And as much as I might write about you, you are not a metaphorical representation of the moon or the sun, and my pen doesn't help. You are real flesh and bones, and the real you craves for coffee on Sunday summer mornings and likes sitting alone sometimes. You too crave for ***, with people whom you have just met and you also forgot my birthday once. You are not perfect, of course, you are not perfect, but you are not a gross indecency either. You are truly and finally someone I can love and my love demands to be written down on the most beautiful sheets of paper I own. My love demands to be handwritten on postcards that I have collected over the years for this moment and sent over the distances. But you see my love is also a little selfish and narcissistic, and since we are not in a brilliant and beautiful relationship, you are just another story I can tell myself before going to bed. One of those stories that demand to be told again and again.
Mateuš Conrad Nov 2017
hardly, it's offensive to see the correct spelling of f&&&, but not so much the sight of a page 3's *******... if only english had an orthographic dimension, they''d appreciate the graffiti joke in poland: ****, i.e. the correct version being chuj, and the wrong alternatives: huj, hój, chój... but then i find that english is a language regarding dyslexia... since it has no orthographic rules, since it applies no diacritical markers to form a rubric, which means; minus the orthographic graffiti joke; oh, right, and poland has what england doesn't, homeless dogs, and feral cats that occupy graveyards; truly, miles apart. personally, i still think the orthographic "wrong" aesthetic of huj looks better than the "correct" orthography... just as a metal-works factory huta, will always look better than chuta; both are a haa haa - even though that ch = h ought to own some grapheme symbol, mentioned later, with the german s / z.

one of those dead-funk *******...

what? i end reading more book reviews
than actual books,
i haven't the time,
            i'm about to admire a mighty sunset
and i don't require a flaubert to tell me
of salon mannerisms of french ladies in waiting
to boot...
    ****-facing, fracking the next
******* of a shooga-daddy-oh...
                    and thank **** that my hand
feels like doing ****,
taking a dump and doing a ***** roger handshake
never felt so good, as it did,
  when it was performed.
apparently massaging your **** by
straining it into an opening while jerking off
is almost, but not quiet, the **** experience.
        oh right, books...
*swearing is good for you
, by an emma byrne:
a neuroscientist...
sky's the limit!
               japanese - manko or plain dumb
****...
                kutabare - or drop dead;
i'm still wondering why the *** yuppies didn't
invent poker...
                 squint-eyed double enforcing the stoner
eye-contact... huh?
             ah, when it comes to swearing,
i was at a pyjamas party in edinburgh once,
you knoiw students, complete party freaks...
  i has by tartan pyjamas on,
and this exchange student walks up to me,
and starts to compliment me
on the noun kurva, yes, written as kurwa -
but in english that W? = a Ł -
              which means two is a churchill -
3s a kit-kat...
                         and if you know the antics
of experimentation, that means 3 fingers up a manko.
don't ask me how stretch armstrong got
involved... he just did.
              but imagine paying the
compliment on how the western slav
managed to not numb the R (akin to the
english) - or hark it (akin to the french) -
but encrusted the trill...
  he called the word kurva a genius
statement, akin to a tool, like a hammer...
he called it a cushioning effect -
the cushioning effect of the word kúrva -
               something akin to a boxing bag...
sooner will you throw a punch than
actually neutralise it with a word -
  and the necessary rattlesnake effect of the R...
     scheisse nimmer ******* es
                           (**** never cuts its)...
           mind you the word kurva is bound
to a tectonic shift in the use of language,
categorically speaking,
    it's not a noun...
    it's a conjunction...
                       a conjunction just shy of being
a punctuation mark.
   yet i'm still wondering what happened
to the oath in german, scheisse -
  well...
  there's the ß (sharp s, i.e. z and somehow
nearing sh - + it) -
  but scheisse exposes the german s /ch -
i.e. a soft s...
                              which out to be its own
individual grapheme -
and there actually are...
ch, dz, rz, cz, sz, sch, central european
graphemes...
with only ß to congregate on -
  and even then it's not an es zett -
  nor a sharp s, rather a double s -
like rudolph heß -
                            why aren't these sounds
turned into graphemes symbols?
aesthetic reasons?!
                hardly...
                             ­     i've seen english text
slang... the poles and the germans can hardly
make it uglier than c u l8er,
   i swear to god... we've his the wall,
and the test dummies are mumbling in
some form of english that only exists in
pixel paper, text, tech, techno,
             **** know what they call it -
it's most certainly peppered with the americanism
of acronym, e.g. b.s.,
                                        f.t.f. -
fatty *** ****...
                                you know the usual
spare me, dear lord!
                       and why is this all relevant?
the same reason i can jump off a hyena /
             gorgon of a *******,
jump into the bath and have a cold shower
while she watches me and masturbates -
  and we have our little ***** moment on mute...
        we keep our *** in the realm of
onomatopoeia, mostly vowels and one or two
consonants...
                  the only "*****" talk i ever provide
is when i think...
        makes me less suspicious of myself ever
having encouraged ****** profanities.
wordvango Mar 2017
not who you thought I was he
not him and her she was but anything I had dreamed
it was but a dream
an uneducated scientifically wild *** guess
that supposition
that predisposition
to make my mind think rationally
put it in the box file it away
categorically
make it seem
like everyday
when it was not Tuesday or
the day I had thought
it was leap day
I leapt to a conclusion
about it her him and
paid nary a **** bit of
thought to the
consequences
or how I might feel were
the supposition on
the other way
suppose I put
my two feet in a boot
you walk in
I consider
the other hand left right uncovered
a slap on
itsall iwrite Oct 2018
flush east finchley commuter toilet  - vile pic included  below 25.10.18

thank you for providing
need one in every town
for sure would drop a few for sliding
categorically as always in kentish brown.
not sure if its got a sprinkler
2018 should have all mod cons
what will cover my henry winkler
to young poetry addicts google the fonz.
where goes the smell
i suppose full on air conditioning
can not see no pipes for swell
this bog has hidden features auditioning.
gold bog and not least
all commuters lining up actually
if george was here he would head east
LA toilets are open in finchley.
https://ibb.co/e1edJA
Yenson Jun 2022
I govern my emotions
and quite categorically can see
I govern yours too
and
as you try to languish
in your version
of me
you categorically know and see
you cannot second
that emotion
for alchemy's gold bears no carat
a tweet is not a symphony
and you are not
my father's son
I am
and your emotions cowers
lurches and venerates
back to front
you are all
but forestalled shadows
borrowing shades
to free yourselves
from yourselves
Mateuš Conrad Apr 2022
autobahn limbo:
lima bravo 5 5 5...
Harvard ha 6...


i woke up in a benevolent mood...
i rarely give money to paupers... only yesterday...
or the day before that: yesterday
i arrived at Romford at 12am from Putney
Bridge... sort of exhausted from dealing
with coworkers: i still don't understand
the tactic Emma is employing giving me
the ***** looks... then again flirting
with me... some... ******* underlying mental
health issues...
what is it with these women
my own age? i'm supposed to be the one
that's ****** up... but i look around...
**** me: what a bleak horizon...
almost as flat and boring as:
"adventure" in Belgium...
          ******* Swedish pop songs...
exported into the anglophone "hemisphere"...
maybe it was worthwhile that i was
a hermit throughout my 20s...
   coming back out, to meet people aged 35....
i'm of the "constipation": you what?!
o.k., o.k. i've had my fun in the brothels
but this is just getting silly...
#metoo...
                 you what?!
               i must have been living in an alternative
ulterior dimension...
   it's called the English articles procession...
i don't think i'm THE devil... just A devil...
one of many....
        so i i woke up in a benevolent mood...
two paupers... i cycled hangover feeling feverish
and like a **** thrown out onto a beach
to sun-bathe...
             you what?!
          yeah... felt like just that:
i don't need no hallucinogenic drugs...
when i get dementia... when i get dementia..
and there she was... a Roma-esque beauty...
i asked her... you want anything?
oh... just a Dr. Pepper... walked in... got my whiskey
and Pepsi... right... Dr. Pepper...
but it costs me £1.75... is she vegetarian?
why did i ask myself? well...
there's a meal deal... £3 for a drink... a "meal"
and a snack... for i bought a chicken bacon Caesar wrap...
Maltesers...
     as i walked out... in my mind: swerving...
ice-skating... asked her... are you vegetarian?
she said no... well then... here you go...
and all it cost me £3... for a god-bless-you...
good feeling... Charlie Dickens style good feeling...
honestly... if i had more... i'd freely give it up...
i just don't need it...
   i own enough... to be honest... i actually own
too much...
    but i can't be collective in the case of ownership...
selective...
what's that biblical quote:
ask... and it will be given?!
   no?
           minutes later i was buying a bottle
of cider and getting some cash-back...
another pauper... professional... faking it?
whatever... i wish i had children that i could
be defensive about... then again: no...
want anything? oh yeah... just some chocolate...
only yesterday the Royle family were munching on
some Crunchy chocolate bars...
so i bought him that... and told him while
giving it to him: the best choc-ah-bloc you'll
ever eat...
                     days like this... who needs to compete
with other men for status or women...
i feel like... skidding... feel like a diarrhoea...
but at the same time... hell... i just fed someone...
and she has one of those plump... Roma...
squish... smiles... you just want to bite them...
tease them a little... she reminds me of Priy'ah..
         that's how i love ***... it's the longing...
it's the forgetfulness that sometimes sprouts...
you remember all the tender parts of the body...
the soft parts surrounding the collar-bone...
   the funny parts of elbows and knees...
          the altar of a woman's thighs and...
       oh... oh... all that's in the inner crevices of her
works...
                      no... don't mention her hands...
i've tried... i can pick up a basketball with one hand...
obviously my phallus looks tiny in my own
hands:
funny... all those guys... taking ****-picks
just after having *******... oh no... they're not
taking them prior...
      women's hands are the most ******...
technically... to get some "whereabouts"
i'd have to... cut off my pinky...
i'd be left with 4 fingers...
            such cute little geisha blooms of bone...
i look: i want to eat... those hands up...
esp. if the woman in "question" isn't white...
   copper-neck... camel-jockey...
             ivory: Kenyan... plump buttered up
silver in the moonlight...
              right... i'm gearing up...
                     need to manifest an increase of stamina...
if my ******* "girlfriend" is texting me...
the time's right...
i've earned enough money in the past month...
time to revisit her...
         no more high 3 on the throne of thrones...
****... ****... *******: sure...
but no *******...
            better prep up... after all... if i'm going to
spend £120 for an hour's worth...

so she sends me a message asking whether i'm
alright: more like: have you forgotten about me?
of course i haven't...
but let's be honest: i don't *** to becoming boring...
something married people get bored of...
mind you: i don't want to have too much of it:
just in case i have to turn to role-play...
kinks... latex... glory-holes fetishes...
can we keep it kosher: the sort of ******* that
translates as: i really missed you?!
oh my god... she looks even better in daylight without
any make-up... what a gorgeous Turkish cougar
of a woman...

                         i'm pretty sure the women i work with
don't know anything about my brothel antics...
which is good... because... why would i want
them to know?
  
the German: Hessen... fans from Frankfurt didn't
disappoint... they came like all German people
come: like a horde...
  their fanaticism is more admirable than that
of the English football supporters...
i walked past them... they gave me the eye...
the sort of: giving me the eye of: oh look!
ein von uns...
                     one of us!
              
   funny that... in German 1 is also A...
a indefinite article... but also... an anzahl...
       number...

sure... obviously i was giving breaks to Muslims
breaking their fast... but with the Germans 'ere...
it felt like the good old times...
when Lyon fans visited... eh... zee Fwech...
it's not the same... but when the Germans come...
from the federation that isn't Saxony...
from the Hessen land... or elsewhere...
ever heard of the Anglo-Bavarians?! me neither...

i feel... at home... in Europe...
even today i was working with this guy... nervous as hell...
Finland? it really was a one word question...
no, no... close though... he replied...
Lithuania... i'll let him know some other shift we'll
do together...

czołem bracie!
            čołem bratku!
kaktos brolis!
          i.e. hey brother...
   kaktos: using the forehead to greet someone...

even in this poly-ethnic England that's
more London than England...
i felt... finally! pagaliau! schließlich!
at home in the right sort of cold...
i just needed the Germans to come to England
and behave like Icelanders...
hoo! hoo! clapping in unison...

why would i hate the Germans?!
           all the other ethnicities that are not associate
with Europe suddenly fizzled out of my
"concern"... Ramadam my ***...
                      i started talking to his... oh... this is a coy
one... ginger... beauty... has a flimsy blonde mustache...
freckles... light ginger hair...
i seriously don't mind...
she was really ******* reserved about me...
i could see it in her eyes...
finally i pulled her off... we started chatting...
her kids are studying Spanish...
they want to give it up... but i tell her: don't let them!
if they learn it, acquire it...
that's all the South American potential...
or tell them to learn German... after all:
English and German are cousins... the grammar is
pretty much the same... how you order words
in a sentence...

i just picked up... alles güt?!
ar du haben eine güt цeit?!

      i just wanted this woman know... a little bit of something
about myself... like...
i do have interests in foreign languages...
if she wanted to ******* with me to Poland...
i could speak for her... very "fluently":
well... natively...
         but what sort of woman would ever follow
Roxette day-dream?!
   i think i must have chewed that chewing gum
until my jaw felt sore...

remind me... why am i here? per se?!
if i'm not here for the fame... i must be here...
trying to make a conquest within the confiens of mythology...
i must be spelling it out... one person at a time...
to one person at a time...
  i'm not here for fame... i see it now...
fame associated with mortality... with the living..
no... no... i'm here for something more rarer...
i'm looking for acknowledgement after i am dead...
i want that: very much so...
i want to become famous... posthumously...

           it's a long project... es ist ein weit projekt...
fair enough: in English:
a pair... an antenna...
that N... which is shoved between vowels...
but... in Deutsche...
ein... eine...         that added vowel...
how does that work? i'm yet to speak
to someone who might erzählen (zu mich)...
i see a load of Germans... ooh! ooh!
fancy that!
         they're congregating...
no Zeppelins then?!
    
   wohl! nein Spaß wenn Deutsche
    do nicht kommen mit irgendein Zeppelins...

kommen! kommen!
lassen mich sehen du!  

but i can't really explain how it feels when seeing
these continental folk congregate:

   was inbrunst! was... lebengewalt!
i was truly standing there: pitch-side...
gobsmacked... ich war verblüfft...
         i sort of wanted to join them... i was itching
to go among them and chant their Frankfurters'
chants...
    well... because in England: diversity is our
strenght...
                    vielfalt ist unser stärke...

i was sort of reminded of the time when Europe
entertained those Nomads that spoke some
Hebrew... later mingled Hebrew with Deutsche
and out popped a ******* child that was Yiddish...

everyone comes here... this great continental funnel...
this bottle neck... they come... mingle...
and then they later leave...
   while those that remain and have always remained
are stuck by being struck with the sentence:
what the **** just happened?!

maybe that's my "problem": i see ethnicity before
i see race... like with this Lithuanian guy...
i seriously thought he was Finnish...
he sort of reminded me of looking like the lead
singer from the band HIM... Ville Valo

i did mention it to a coworker... oh look...
        der große schwarm!
maybe i should put more effort into this tongue...
no disrespect to the English language
but... German sounds softer...
English harsher...
   a bit like the inverse of: Russian sounds soft
while ****** sounds harsh...
it just sounds like... home...
          
       ein herц... ein wirbeln von luft...
              mund von der wald...

it's these conjunctions, the German definite articles...
hypothetically there's that for der
there's the for die
   there's that for das...
          i mean: there's der for that
there's die for the
   there's das for that...
    
                          you seriously cannot not be envious
when you see Germans en masse... spirited
with a commonality: for a bienenstockgeist
(hive-mind)...
                            i was struck with: neid... envy...
i wish i could belong like that...
within an in-group...
                       scheiße!  aber suchen bei mich!
i'm stuck with the ******* circus of the world...
alles zungen kam zu Loon'dune...

          seeing them like that... i find the hyped-stress
on individualism in the Anglo-Sphere slightly...
putting it mildly... debilitating...
all i wanted to do was go among the Hessen
and start chanting alles mit uns!
or alles von uns!

                i mean: how can i belong in a society that's
fixated on a global agenda... that eternal project
of monotheism... it's... seltsam... weird...
after the fiasco of the Turm von Babel... you'd think...
the opposite ought to be true...
the evil urges of the demiurge point in the other
direction...

                  but once more we've come together
as a "species" and once more we're trying to work
together... obviously the writings of Moses are
primarily metaphorischindikatoren:
you can't read them literally... anyone who reads
them literally has no poetic-sensibility...
no imagination... just like the flood did happen...
well... given the ice age and the melting of the ice...
sure... it did... mind you: we were drawing dragons
before we discovered dinosaur bones...
giant fire breathing lizards... fire being the representation
of what happened to these giant lizards...
supposedly a meteor struck the earth...
boom... imagine if that meteor struck the moon
and destroyed it... no tides... no water... blah blah...

i.e. i was never a big fan of Bill Hicks' humour...
or H'american humour in general,
unless it's by a black guy... i'm all into all that race
baiting... but me? something along the lines
of Eddie Izzard... Lee Evans...
                           maybe i'm just exhausting this sitting
that i've spread over two days...
     it has become such a collage and i'm starting to
smell a little like cologne... rye cologne...
or is that wheat? the main ingredient in whiskey?

well... that happens... at first reading
Human all too Human didn't present itself as spectacular...
but on second reading... wow!
probably his best work! it all makes sense now...
esp. since i'm reading it in English rather than ******...
too much of the teenage rebelliousness
goes into reaching for Nietzsche...
    i guess the best gateway to understanding him
is by reading some Heidegger...

ich bin einfach: begeistert mit Deutschedenken!
i am simply: enthralled with German thinking...
you couldn't: you wouldn't say as much
about about English thought...
          i just can't stomach it... it's too pragmatic...
it's too easily bound to problem solving...
it's hardly inquisitive...
it's a shepherd's mentality...
   keep everything organised... categorically proof...
phonetically, though? a ******* minefield...
loopholes of spaghetti everywhere...
   back "home" you never hear of the condition
that's dyslexia... you did hear of...
literate or illiterate... but there was no middle
ground... of dyslexia... i.e. / e.g. dyslexic:
good with numbers... **** with letters...
           katakana? or Chinese ideograms?!

(ich) sehen,
               hören,
                      wittern,
                           schmecken,
                                         fühlen...

aber! aber! da ist ein sechste! "sinn"...
   the totality of which translates itself into written
language... gedanke!
     or rather: denken! thinking!
strange... i can think about my liver...
but my liver doesn't think about me...
i can think about my brain... but my brain doesn't
think about me...

it's... deshalb a sense!
you think i'll learn Deutsche proper if i smuggle
in some German wörter:
from time zu zeit?! well... i'll have to remember:
bring in the Cyrillic TSA: ц -
  because i'm pretty sure i've just spotted an
exception on pronunciation...
it's not цoo... but it's most certainly цeit...
it's "actually" zoo... i'm itching to put an umlaut
on that U of ZU...

      i'm ageing... chances of me learning a third
language proper are impossible...
i can only dream about it...
         i'm already entrenched with the language
i was born with and the language i'm writing in...

but i simply can't stop admiring the Germans...
unlike the English... i too have had my share of grief
"borrowed" from these people...
but seeing them congregate like that...
easily swayed... you can't simply stop... mouth agape:
ehrfurcht!

                ich wunsch ich war ein unter du... alles von du!
i was clearly born in the wrong tribe...
i clearly was moved to the wrong tribe...

loch in der borden!
     wolken in der himmel!
                    bäume in der wald!

you could really arm these fellas up... and march them
into suicide missions and they'd be like:
fair enough...
          i guess that's what Leningrad must have
been like...
              
i can't exactly love my native tongue...
the noblemen of my camp sort of became lazy...
disrespectful to themselves...
and their people...
                              **** them: it's that easy...
i pledge no allegiance to either England or Poland...
i'm a three thinker...
as long as the Latin script is employed...
i tried the Greek i tried the Katakana and the Cyrillic...
i became cross-eyed...

well... not with the Greek...
    Cyrillic was always... paupers' Greek for me...
how Greeks destroyed the Glagoliic script...
it was so beautiful... almost... no... it was almost!
no... it wasn't Arabic... it was Glagolitic...
it was itself in how it was crafted...
nothing is going to come across as practical as
Latin: though: that's already known...
since Latin was the only language employed in
creating the internet... no?!

i do feel sorry for the natives though...
    for me... i'm "going elsewhere"... i'm always going elsewhere...
i'm not going back "home"...
Haiti?! Kenya with the ivory beauties...
Turkey... i'm definitely going to Turkey
to pick up Khedra that ol' raven haired witch...
the best **** in all of... whatever...
    i'm not staying in England: at least my mind
isn't... and my body is not returning to Poland...
i'm ******* off... i want to entertain a Turkish harem
of thirsty women...
   i want to "return" to the Mamluks of Egypt...
i want to be in the ranks of the Janissaries...
                          you know... in cultures where masculinity
is celebrated: not simply shunned...
in my mind i'm already there...
to hell with dating single mums...
raising someone else's children...
if i were a prospect for a Cesar... being a foster parent...
perhaps... otherwise? too expensive...
    
i'm clearly not doing this ****...
culture's all awry...
             it's such a cryng shane though....
       how un-available women have become...
                well... people have lived through worse...
and still managed to: tragen an!
                              
geringste von ihr kümmernis      

                            leben kurz: leben liebend!
das ist alles!
                        live short: live loving.

— The End —