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Nature teaches us our tongue again
And the swift sentences came pat. I came
Into cool night rescued from rainy dawn.
And I seethed with language - Henry at
Harfleur and Agincourt came apt for war
In Ireland and the Middle East. Here was
The riddling and right tongue, the feeling words
Solid and dutiful. Aspiring hope
Met purpose in "advantages" and "He
That fights with me today shall be my brother."
Say this is patriotic, out of date.
But you are wrong. It never is too late

For nights of stars and feet that move to an
Iambic measure; all who clapped were linked,
The theatre is our treasury and too,
Our study, school-room, house where mercy is

Dispensed with justice. Shakespeare has the mood
And draws the music from the dullest heart.
This is our birthright, speeches for the dumb
And unaccomplished. Henry has the words
For grief and we learn how to tell of death
With dignity. "All was as cold" she said
"As any stone" and so, we who lacked scope
For big or little deaths, increase, grow up
To purposes and means to face events
Of cruelty, stupidity. I walked
Fast under stars. The Avon wandered on
"Tomorrow and tomorrow". Words aren't worn
Out in this place but can renew our tongue,
Flesh out our feeling, make us apt for life.
if i was a pearl i’d feel itchy scratchy stuck inside an oyster shell if i was a tree i’d  be a big fat redwood fantasizing about Julia Butterfly Hill living and peeing around me if i was a dog i’d be a Catahoula hound if i was Italian i’d be Sicilian if i was pasta i’d be spaghetti if i was Icelandic i’d be Bjork if i was a rock star i’d be Elvis Presley Bob Dylan Jimi Hendrix Jim Morrison John Lennon Bruce Spingsteen Maynard James Keenan if i was i writer i’d be Herman Melville Mark Twain James Joyce William Faulkner Thomas Bernhard Yukio Mishima Naguib Mahfouz Phillip K. **** Gabriel Garcia Marquez Annie Proulx Lydia Davis if i was a poet i’d be Walt Whitman Sylvia Plath Ted Hughes Gwendolyn Brooks Pablo Neruda  Heather McHugh Carl Sandburg Robert Frost Arthur Rimbaud Dante Alighieri Homer if i was a painter i’d be Leonardo Da Vinci Michelangelo da Caravaggio Johan Vermeer Rembrandt van Rijn Paul Cezanne Marcel Duchamp Jackson ******* Mark Rothko Ad Reinhardt Anselm Kiefer Susan Rothenberg if i was a photographer i’d be Man Ray Ansel Adams Edward Weston Diane Arbus Robert Mapplethorpe Sally Mann Helmut Newton Richard Avedon Annie Leibovitz if i was a philosopher i’d be Socrates Plato Aristotle Jean Jacques Rousseau Sören Kierkegaard Immanuel Kant Karl Marx Georg Hegel Friedrich Nietzsche Henry David Thoreau Ralph Waldo Emerson  Jean-Paul Sartre Jean Baudrillard Michel Foucault if i was a singer i’d be Woody Guthrie Otis Redding Grace Slick Bob Marley Joni Mitchell Marvin Gaye Johnny Cash Patsy Cline June Carter Patti Smith Chrissie Hinde Nick Cave P J Harvey Beyonce if i wa a band i’d be Velvet Underground Ramones *** Pistols Clash Cure Smiths Joy Division Uncle Tupelo Pixies Nirvana Nine Inch Nails Madrugada Sigur Ros White Stripes Thee Silver Mt. Zion Memorial Orchestra Justice of the Unicorns if i was a boot i’d be Chippewa Frye Ariat Red Wing Tony Lama Wellington if i was a shoe i’d be Christian Louboutin Jimmy Choo Kedds Chaco Chuck Taylor p f flyer if i was a dress i’d be Channel Dolce & Gabbanna Giorgio Armani Marc Jacobs Comme des Garçons if i was a cowboy shirt i’d be H bar C Rockmount Temp Tex Karman Wrangler Levis Strauss Lee if i was a hat i’d be a Stetson Borsalino Stephen Jones if i was a fruit i’d be a mango apple banana blackberry if i was an scent i’d smell like fresh perspiration jasmine sandalwood ylang ylang the ocean if i was a doctor i’d be a gynecologist neurosurgeon if i was a flower i’d be a hibiscus rose orchard if i was a stone i’d be a sparkling ruby diamond opal if i was a knife i’d be a k-bar switch-blade machete if i was a gun i’d be a Remington Winchester Beretta Glock AK-47 if i was a car i’d be a Lamborghini Ferrari BMW Saab Volkswagen GTO Ford Mustang Dodge Challenger if i was a  TV show i’d be Law and Order if i was actor i’d be Charlie Chaplin Humphrey Bogart Steve McQueen Robert De Niro Ed Norton Shawn Penn if i was an actress i’d be Marlene Dietrich Ingrid Bergman Natalie Wood Audrey Hepburn Marilyn Monroe Helen Mirren  Meryil Streep Brigette Fonda Robin Wright Julianne Moore Angie Harmon if i was a female comedian i’d be Gilda Radner Lily Tomlin Nora Dunn Joan Cusack Sarah Silverman Tina Fey if i was a  football player i’d be Sid Luckman George Blanda Walter Payton **** Butkus Mike Singletary Joe Montana Jerry Rice Payton Manning LaDanian Tomlinson  Drew Breeze if i was a celebrity i’d be Charlotte Gainsbourg if i was a rapper i’d be Tupac Shakur if i was a movie director i’d be Sam Peckinpah Robert Altman Stanley Kubrick Roman Polanski Werner Herzog Rainer Fassbinder Louis Bunuel Alfred Hitchcock Jean-Luc Godard François Truffaut if i was a bird i’d be a eagle hawk sparrow bluebird if i was a fish i’d be a dolphin shark narwhal Charlie the tuna if i was breakfast i’d be a French toast pancake folded in half with 2 strips of bacon in between if i was a cold cereal i’d be snap crackle popping rice crispies shredded wheat cheerios oatmeal if i was tea i’d be Japanese green matcha Irish breakfast Tulsi Thai holy basil Lapsang souchong Luzianne Lipton if i was a soap i’d be French hand milled ayurvedic Avon Ivory Dove Pears Aveda  if i was a man i’d be a football basketball baseball tennis swimmer athlete if i was a woman i’d be a track star runner writer painter gardener doctor nurse yoga mom i'm just scratching the surface and the beat goes on lahdy dah dah
RAJ NANDY Aug 2016
SECRETS OF THE STONEHENGE IN VERSE
Dear Readers, I present a simplified version of the true story of the Stonehenge, on the Salisbury plains of Southern England, with over a million visitors every year. Declared as a World Heritage Site since 1986.Left out many technical details to curb the Length!
Hope you find this interesting to read.  Thanks, - Raj

SECRETS OF THE STONEHENGE IN VERSE
                     BY RAJ NANDY
                
                     INTRODUCTION
Shrouded in ancient legend, rituals and mystery,
Forming a part of ancient History, in the County of
Wiltshire on the rolling Salisbury plains,
Thirty miles north of the English Channel, stands the
megalithic structure  - The Stonehenge.
Dating back to some 3000 BC during the Neolithic Age,
Long before the Egyptian pyramids got made!
Some of its secrets have finally been unraveled by
Archeologists of our time and age.
It was a period when early humans changed over
from being nomadic hunter- gatherers,
To cultivate land and domesticate animals, to
become settled farmers.
This ushered in a new social change in the history
of Human progression,
Which got reflected in huge stone structures to
mark this advancement and occasion.
For these megalithic structures were bigger than
the tribes of men or the community;
Marked burial mounds and places for performing
sacred rites and magical healing rituals, for the
entire community.
Stonehenge was aligned to the mid-Summer and
mid-Winter Solstice, with the rising and the setting
Sun.
Served as an astronomical calendar for the turning
of Seasons, when crop cycles also begun.
Some scholars opine that it was used as a Lunar
Calendar as well,
Since Moon worship predates Sun worship by
Pre-historic men!
It was long before the invention of the wheel,
written script, and even metal implements.
This monumental structure speak of Stone Age
Briton’s greatest achievement!
(
Period covered is from Late Stone Age to the brink of
Bronze Age.)

BRIEF LAYOUT OF THE STONEHENGE
Cutting across myths and legends archeologists
and geologists have tried to piece together the
Stonehenge Story,
Which stood like an enigmatic puzzle for the
last Five Thousand Centuries!
Scholars say construction commenced around
3000 BC, but progressed only in stages spread
over the next fifteen centuries.
Initially, a large earthwork or a ‘Henge’ with a
circular ditch and a bank was made,
With 56 timber posts around the inner perimeter
on the windy Salisbury plains.
Used by primitive man as a burial place, but for
rituals later got linked to other smaller sites.
With processional avenues leading to River Avon,
to honor dead ancestors with sacred rites!
Entrance to the ‘Henge’ was marked by a pair of
upright Slaughter Stones weighing 28 tones, and
6.6 meters tall.
But only one remains today lying flat on the ground
after its fall!
Some 256 feet from center of the ‘Henge’ on the NE
Avenue once stood the Heel Stones 7.6 meters high!
As a marker for the Summer Solstice showing the
position of the rising Sun in the Midsummer sky!

          BLUE STONES FROM WALES:
Some 1000 years later, 82 Blue Stones were brought
from the Prescelli Mountains of Southern Wales;
And the earlier timber posts with these Blue stones
was replaced.
Each stone weighing around 4 tones, was brought
over a distance of some 250 miles to the plains of
Salisbury,
Loaded on hollowed out log boats fashioned like a
mini barge, to sail during high tide into the Bristol
Estuary!
Pulled over land on greased wooden rollers, and
loaded again on mini barges down the River Avon.
Since Avon flowed closer to the ‘Henge’ site in those
ancient days, which is now known!
(Some Scholars feel that the Blue Stones were swept down
closer to the Salisbury plain, during the close of the last Ice
Age! These Stones were believed to have powers of magical
cure too!)

              THE SARSAN STONES
During its final phase of development came the larger
23 ft tall Sarsan Stones, weighing some 44 tones.
From 20 miles north of the ‘Henge’ area dragged on
sledges and rollers from Marlborough Downs.
These stones now formed the outer ring capped with
stone lintels, replacing the Blue Stones;
And the Blues Stones were moved inwards and
rearranged in the horseshoe and circle shape, as
presently seen and known!
(NOTE: Sheer muscle power used to drag the stones with ropes
made from plant fiber of the indigenous lime bark soaked in
water for weeks. Stone lintels were sculpted in the shape of an
arc to cap the SARSAN Stones to form the outer circle. Wooden
scaffolding & ramps were used to hoist and position the heavy
stone lintels horizontally on top of upright stones! Sarsan Stones
were hard sandstones tougher than granite! However many of the
stones of this Ancient Ruin are missing, leaving some unanswered
questions behind.)

        CONCLUDING THIS TRUE STORY
Archeologists and scholars using radiocarbon dating
have tried to recreate the Stonehenge Story.
This ancient ruin with many unanswered questions,
now remain protected as an Iconic Monument of
British History!
It stands as an astronomical time clock and is also of
spiritual significance;
It also symbolizes the ingenuity of Human Mind, its
power, and endurance.
I conclude with a an extract from a poem by TS Salmon
about the STONEHENGE here below:-
“Warpt in veils of time’s unbroken gloom,
Obscure as death and silent as the tomb.
Where cold oblivion holds her dusky reign,
Frowns the dark pile on Sarum’s lonely plain.

Yet think not here with classic eye to trace,
Corinthian beauty or Ionian grace.
No pillored lines with sculptured foliage crowned,
No fluted remnants deck the hallowed ground.
Firm, as implanted by some Titan’s might,
Each rugged stone up rears its giant height.
Whence the poised fragment tottering seems to throw,
A trembling shadow on the plain below.”
(*Sarum = old name for Salisbury.)
Thanks dear Readers for your kind attention span ,
I have simplified by cutting short many details the
best as I can!
ALL COPYRIGHTS WITH RAJ NANDY OF NEW DELHI
E-mail: rajnandy21@yahoo.in
Francie Lynch Aug 2016
A leaf fell, twisting in the Fir Green Square,
Like a spear thrown through the air;
A dog, distant and real,
Has barked five hundred years on Sheep Street.
Holy Trinity, the bone keeper, keeps doors open.
The Avon, not so sweet now, flows on;
Swans swim and preen, and tonight,
Henry will rage on Agincourt again,
Calling on his brothers, and me,
To breach the vicious cycle of lonely barks
And the immutable march of time.
Take my hand, look into my eyes,
My brotherhood of men.
Nameless Mar 2012
I visited Stratford-Upon-Avon one sunny day
I Saw the beauty of the swans and an old Shakespearian play
Statues and churches with stories to be told
I listened intently to learn about history 400 years old
But my favourite by far was sailing on the River Avon
who could not be enchanted by the character of the black and
white timbered haven?
Adele Mar 2017
It all started in the town Warwickshire,
within Stratford-upon-Avon
a magician invented a spell
a thaumaturgy from Ovid's
magnum opus and Holinshed Chronicles
that whispered an image
of kings and battles
which turned into a game of bewitchment!

Hail the Globe Theatre
where the throng gathered
and witness the sorcery
ensorcelled by the conjurer
though spell cast into ashes
and turn dreams
into a nightmare

Yet, 'Your tale, sir, would cure deafness.'
The summary of master Shakespeare's life. The last quoted line is from 'The Tempest', his last solo masterpiece.
Set of cave genes If you could read... pluri freedoms of the dark light of ignorance teach understand that breathe under the Naturality Natural Nature is not necessary to have an understanding heart and store on their empty heads of knowing ancient rain where wisdom possess. If dance on every grain of chickpea for each foot plant what could a plant obey; foot, Plant, and Plantation...

Resulting in kingdoms on my animals, fungi, plants, and protists, media freedom as a seed to reach our evolutionary lack of ceased hopeness...

First  Ellipsis Angle loneliness"God felt Chained"

Chained down by dragging the last link of its multiple arcane freedom in which transfigured recent swings where he collapsed with the latter being of himself whose life lies lifeless alive but lost. The latter that child not to know and deprived of nascent freedom that will never be born and come knowledge in our genome of Independence.

When the caveman thought to be a complement to the world is enslaved by the mystery of lost in himself... The born and born, never dies, that's so naive and innocent... is still full unaware of their free will, rather it is he who must re-literate and be a living part of the ancestral genome Cavernario component. Oh Heavenly Lord of the steppes I look because more of you today without having lived what you lived, as he would have played with my gaze to succor and keep you had fallen into the fangs of an animal, or you had fallen on the glacier cliff where he has separated you from your Clan Cave.

Emancipation means to be always innocent, my blood runs through yours,
I read and understand any phenomenon of deprivation exist without you lack wisdom satiate if all your generations crushed by the ignorance of falling subject will be well, me and my being I take my precognitions as a tormented child's worst nightmare before about sleeping. Sixth Papal almost, almost kneel before the creation of memorizes creation. This prerogative Lord lives Bread’s God Minor remaining....of whose iconography will not leave this fifth fraternal dimension will not come, if not more will enter the latter end of absolute solitude... and shorter than the last thousand years of Neandertal.


Cavernary Political and Ellipsis:

On a day of gentle wind and tense rain proclaiming Clan joined, they all shouted running, the ground shook and the children slept in terror... the 10 infants who were talking about the Sign from above, but the nines they crossed his arms remaining to create solidarity roof that protects the man in your imagination...
The eighth child of the clan ran quickly into the arms of his mother and she imagined how far, how far would never come... uncharacteristically who came with his brother seventh had in their hands the word of entertainment of Being, to be a plaintiff political all of braiding them together with lines enabling the hermit may decide that creation is a mass of lines of certain fashions together, everything sings like the slightest cyclamen dew on the line pointy rough fallen fungus. All arms folded on the upper porch of the Vatican Macario in Franconia, saying that many who unite in their fevered requests large modern man ceased to be autonomous when it came out of their caves and charnel pit.

Ran all she enjoyed doing that almost without knowing whether or not they fall...
Ran because of every day the sun ahead of them a lesson for a man of the future...
They are running to be released the day of his birth chained to stars of light, to carry him to his mother and father, sneaking to his brothers.

Brother worn eleventh birth to her existence as another being evolved Eukaryotic: Surely those provided beings of cell membranes rhizomes reflected in higher liberty lives purged of ectoplasm walk without a discounted subsidiary. Shakespeare in Helsingor appeared immune to a blood brother to all that limits the Draconian feel in the pinnacles drawn 700 greened steeds. From the deepest swoon in the underworld subway Helsingor, follow the prevailing souls presided over by the great ear of the hard sandcastle, stressed hard Ghosts of Stratford upon Avon.

Freedom plague spits words of pancreatic poisoned exordium, spits verses of confusion disorders without permission, without solid bass sound without liquid sea that resists mad edges followed by solid sound...
But smaller stones give priority to conjugate final sentence and noble verses Guardian
to mission how important would Liberation:

Maybe it's a synonymy of Astral Solar...
It is not Solitude, is a free nation that has its own kind prosecutor's office for even when Euthanasia closes your eyes to the astral, will run the stones of the Sea of joy believing that neither you dare if there is no healthy grass to clarify the rainy day terror.


Reverse walk creeks aggravated birds feet, walking great playful ruse.
Reverse run my comrades preparing festivity meals with chandeliers and singing lay plenary., Singing Avenue pine port Firenze, Second run subtracting minutes and hours the minute is enough for me with your face in my arms to recognize your longevity anathema times oblique faces for lip-smacking hailstones Templars.

In 1297 in northern Italy nearby rural families migrate to chalky Venice, Perugia came the exiles walked to find their independence south of the Iberian Peninsula. They were so atoned as in the echoing flutes, harps, zithers, and harpsichords field temperate; They invited the blunting of intemperate monocordio.

Golden Chariot Carrenio

The golden carriage carrying them came without a single space rather than inheritances acquired goldsmiths of ancient noble and chaste solid shine. Carrenio; the coachman wore on his left arm bracelet thousand mobile travel without stopping to drink more water and to feed their horses. After revamping its gold pieces bartered by a slave who was getting Carrenio Christians fleeing the Romans. Well, they fled as far as the plains of great earthly squandered his memory and that end of the end should come.

How am away from my land more I learn it's back to her,
There is no ground for the first time, but that which is foreign
Carrenio of Perugia and sensed that ****** was Jewish ashes,
Luther King black paste of burnt forest,
Mandela and Biko Ogre garage from Victorian Empire,
Gandhi in his humility is always put behind the Sun
to figure out the small
Tagore trashed my heart caressing the entire universe uncorrupted
Hölderlin together in the cabin waiting for his mother at Zimmerman,
That my beloved Borker forest should shine gold teeth with black resin,
Theresa of Calcutta was eaten and swallowed all diseases lepers knowing good taste proverbial dessert psalm,
Jose Miguel Carrera was more than a trench, clay bullets in each of his temples where he received
To be doubly Lonco is to be halved, lacerated by lay his head on his land, not galloping on his back throngs of wit and hope out Nazareth trembles when an F-16 diluted ***** covering landless caravans Heritage continues to lead the people killed but the mosque wall has been Fe Erecta.
Helena plenipotentiary Kowalska at Vilnius, Faustina Divine Mercy Diadema
The agonizing deprivation of millions of people with cancer in every continent of private well-being analgesic, weighed down by increased pain, almost as strong as the Master Hammered Golgotha, so it was that Joshua has cancer always to slow it down on us. Benigno whether metastasis, malignant albeit benign finance.
The death of an innocent little angel devoured by the beast remains as a fluff hairless sardine in the jaws of a shark baron.
Khalil Gibran writes that with both hands to support the reviewer behind in Bicharri and bohemian Paris,

Salvador Allende Gossens was born since he was deceived by his parents who would heal politics, would rather dig their ancestors in their brains scattered in the currency in face seal or tail of.

Frei Montalva that today has to receive the Macro Augusto Heaven their arms, their sorrows, and regrets, although his worst military executioner.

Legion is an offshoot of liquid central gray material, which defers well done becoming but not defeated, it is the decree of the divine threshold space Living or ceases to live, that failure does not exist, it is the postponement of success - success.

The Genocide September 11 in New York was a ritual, who produced was a small wrath strength of the Rotary world, as the camshaft is upset in the history of trying to make more alphabet in schools where the flag hoisting and found scholars in West and East, so they can learn more than reading of both unlettered, lip and water to possess it to write with it. The worst disaster is read with the memory that will never happen... I write my greatest need with lipstick and my greatest need I write eagerly to participate. Yesterday I passed by a boutique and buy lipsticks that are closer to the language, written with the mouth and not the hand. !

Freedom, debauchery, libration, drawer, Bookstores..! Carrenio..: he said see I'm right! Raise and educate has a great synonymy with autonomy because the ancestors wrote everything that deprived them and made them fear, but do not have to eat the autumn gives me to dress the return of spring, bread orchid, and cineraria. Hence by that inner syllabic singing hunger sated that sought sheet to sheet rid of everything until the end of the book as the encounter between night and day without considering oblivious to anything or anyone on the track window swing wind, wind seeping.


It was old Zeus or Hera of Antique,
Cavern to house geometric polyphonic, angular seeds to create fashions kiss kissed everything that any vertical plane does not fit with the closed horizon
For hands and angels, Hebrews the inner soul of every carpenter and stonemason shrunk, wash their eyes and cheeks with songs of vibration and idyllic comfort,
Everything resembled and sounded Bethlehem 2.0 deities choirs sweeping grasslands,
The similarity of this clairvoyant child is born in a cave...
Rising motherly free Soliloquy Papini sitting to the right of ruminant cattle,
So archaic that to be born is not born in a clinic mega Cristus but hundreds of kilometers and hundreds who are born with the undergirding whispers and servitude being.
Where the multi gray impetuous born star is a healthy gauze story in the present tense... this angelic child grows by Miriam washes his feet in a belligerent abolished stone. His father must wash their hands on a stone which is where measured his ecclesiastical mystical stature, stone Madonna to heal his feet where he leaves to free himself, to free us... Marble gamete fémina vault, where he sleeps without knowing whether it is due, the ***** fell from the sky.
How wise is the Wise, it makes permissible for much more than two thousand years we stone quarry wheel and wheel, homily, and blessing to not wake at night to sleep startle middle and uphill.

Me of the referent of antiquity is not me of today is polished cobble stone,
Useful weapon quarry road there and backtrack to have blisters stone and soft thoughts under my pillow soft stone as a whole.

If you're ****** private living and have a free soul choosing coexist, then you are low in the cemetery on a tombstone of heresies.

Neolithic early 4500 after Hildegard von Bingen and his entourage and prowled full and channeled, swooning in her swoon with flowers in his hands and his followers planting forests on top of Stonehenge.

Carrenio says...: you see I'm right, we coexist, I die like the worst ****** cancer and then put a tombstone Stonehenge conspire in my honor black pain prayers of Salisbury. It blooms in vibrant red rubies that detonate in chromaticity and life. The stream itself is exceeded the aquatic plant Macarenia.

Call us and civilize us, outdated as far as my tired feet though I come not ashamed to see my new tracks.

Carrenio says...; see I'm right Joshua has traces of gold from other Caterpillar shod feet. Antique everything is prescribed according to their legacy today is Lent Pro that came before it was Lent vestige Pentecost came to be a nickname of the mystery of the passion in less than a rooster crows.

Beside it is the mystery of the disappointment of stubborn demon, which helps you all carry the cross, but not the entire load. Fire and Light at dawns where the splendor born...


Genome Freedom, even today every centimeter of my witness of each component, if the basic origin of the signs of the primitive world, is that we have lost the bark of the lexicon, which does not allow us to understand the meditations to ask for something, not You need to ask something. Today genome is requesting something because thousands of people who asked for millions of years, now it's time to cater to them. They were wrapped in cloth shroud of spiritual sacredness, today cemeteries mega dance their souls leave no sleepers both much grass on their heads not yet sullied by the puppet Azrael.


Impossible not to decorate the rocks forged empires that fall into the rubble, they bring 476 d. C., a new opening Middle age freedom of travel both in history thousands of years begins a new axis Golden Carrenio’s Chariot.

Carrenio Wagon

This great colossal ship Carrenio time is a timber that holds the sky, a beam that does not faint or distended thousands a. C, and the old age of King's large musings that were forgotten. It is astride ship millennium, their history of oppression has seen in the wheel, instrument wise rolling like a wheel before 5, 000 years ago, here  We fought and prostrated to distant lands millennium after millennium him away.

Golden Chariot is the structure that freedman us to enforce a new life on earth, even the Gods prided themselves move the stars to constellations called her noble Auriga sailing in full the Universes and Cartwheel Galaxy or cart Wheel. As if to say that when the Universe and its own mythology, were visited between them inch by inch by wherever they shine.

Carrenio mask and frame used had strength, temper, and tittle. When the first libertarian squall of antiquity came closer, Rome was already small and nobles populate what is a quote, Piccola. The executioner always frightened and starts out of his own wickedness. Markos Botsaris as did in Greece, and surrounding towns Messologhi remote, they were free more than tuned in massif Arankithos high wind. He was riding to Kanti once again with the golden rider Etrestles of Kalavrita. According to the Chronicle that came from distant millennia has envisioning promote its neighbor's heroic to free Messolonghi of ****** wars. All this I saw with his own eyes Carrenio, every thousand years styling with Etrestles, cleaned their nostrils so that new breed of horses to thrive,

Avignon, in the necropolis, witnessed as Azrael was cleaning his wings Jade antipopes, another story begins... even he seeks to candela who can read this story, and who can provide it from hand to hand cutting semicolons who disclosed.


Second  Ellipsis Angle  New Era:

Ara released the ropes throwing a big ship, History makes a man is at the center of the world. Revolutions, thinking, communication, and especially vindicate man in his right-libertarian. artists with their creations flowing all over the world, mutating classic Renaissance to abstract overlook. Family appearing welfare and needs. A ramble and so many broken laws. Mankind is distracted l film and theater artist of tradition. Art now has sound and movement, then social and political revolutions are industrial that unite everyone behind the pivot deployment of social classes.


Everything evolves until we get tired of doing so. It rests and then continues. This is modern reality, we wrote about the history of events on facts that have never been told. The world has tired all the Eras, but each pause time that has happened has been recharged, nothing finished if not started again. After so many wise lawyers, clergy plunged into great towers bound books. Is evident again can not read or understand. Our realities are missing valid without knowing I close and then open another door. human and civil rights, fair wages, so excessive autocracy monarchy. Freeman can walk along the paths, even if they were trenches.

Zephyr soft murmur which clutters in the Irises by Van Gogh, the painter is the biggest star trek, called with his feet images and colors that would make his own liberty to live naturally insane. And many others Brueghel "Triumph of Death" that roam the countryside, perhaps a medieval piece of Tarskovski; Andrei Rublev in futile painters decorating steps in the fontano chignon Androniko Monastery Moscow, extinct Rublev 70 years, Tarkovsky 54.

Early ellipsis - Campo dei Fiori in Rome to see die at the stake Giordano Bruno by order of the Holy Inquisition. The irruption of the Inquisition, but their feet are touching the flowers, the seasoned cassock continues to haunt the universe of Faith Dominica Trastevere, it is seen to lectures on how to be bold with the informers and the Whistle Blower dies without shade in spring, you resist the star on the asphalt on the magical island of holiness.

Carrenio says: Come I'm right, we can not read, because the brutality of the Cosmos is manure per ton weathered in the backyard of the aristocracy. I will continue with respect and crosed in Crete. Lila Kedrova means the fear of bunk bed tied to her bed and is free in foreign lands leg. Queen insular matriarchy, she lives more than any Greek Goddess, waiting for his Adonis, to fill out honors. Win an Oscar but lost to Zorba, he loses his house but won a Tony Awards. How many women teach us that to win you have to give everything to lose his brains, and thus count as the lost number remains to be retained. Zorba whines in her arms, she moans in the arms of her husband Zeus Steve, proof of a new era. Onyx for his tomb, plate of this great tragedy.

On the evening of December 14, 1964, attended the premiere. Soul of Carrenio was with them but was denied his attendance at the banquet, finally running out and watching the glasses lips and stoles spent his neck.

                                          
          ­                      Numbered Mysterious Death
                                                  Mané

If I have to feel floe on my feet and cold in my prayers will be the Dark Glory. What is slimming rays of the day, everything smelled of silence, maybe it was Kennedy, or better was The Mané.

Closure of my glory suffers the wind...
Flowers lying silence my soul alight,
Thick square displays the song of my voice...
When they speak Quadratils one to one order their
Spirituous voice.

And the spirit singing fiber of my heart told me:
Never you say I Exist ¡ not exist because they do not exist!
Only face daily the different reflection of your body
In front of yourself with another face and another body...

I want to talk with the thought
And this same subtract my little silhouette,
Lavishes wingless bird that flies only in their theology...
That is the duty and melt with my look,
Solid colors components
Crunching the altars of heaven retaining its pale warmth of anorexia.

Yellow Glory hair good event...
If you receive yellow lights, plus I do not sing my own game here in my empty veins,
Yellow my heart...
Yellow my heart
Yellow my collective heart.

They are run by large green and sunny meadows, children who had Mane in this major milestone in its last gasp. Now she is the mother of his children; it up and them in the last temptation of the mystery of death.

Carrenio keeps rolling, the brightness offered his Golden wagon to the ground. Gold grooves ago, and looking at where it realizes that it's landmass light mud. Since he felt whispers from the confines of time he had never felt as if you were finishing your journey or the world. It raining years and years and continues because nobody mends the mysterious death Numbered.

Heaven and Earth did not hold, the bottom fell precipitously pocket Lord and denied several times uncontained. She shivered in the World and the rooster crowed several times to never be heard or the Pentagon.

He is walking and knees bent,
we embraced by the golden chariot and oxen nor held
we bent us all lying on his knees,
up shoulders not hear from where came the bad grace of his departure,
numbered all the time of complaints of how then she would come,
It is unknown who would be but brought wine in his hand on the crispy mask
We ran from side to side and nothing was real

Everything seemed to sing in the chapel on a sad day,
But I hear loudly like Latin and watchfulness,
Those who know his mystery is no stranger to them
They all look but transgress the sin of silence.

Carrenio still absorbed in the hallway,
Angulo ellipsis she comes winged like a star burning tar,
A high speed to give us the new
No garden can deprive greet in speed visit
Dome comes, it comes on the eve of the new moon.

Numbered Widow mysterious,
Mané is a land of golden color and no celestial whoever wants in his cell,
A breath test, and feeding the Toffy and his henchmen
That sustaining more lively detail, there is no one that can not be targeted

It was modern, it was night, it was his torn life as an accomplice of his exile abandonment in his allegory of tender dismissal. Carrenio achieved so say goodbye to the beams of light that told him of the mysterious death Numbered. He sat on the roadside and drank some wine. Then dry with his handkerchief his neck, and have never wanted to experience such an event in a toast ever drunk.

Third Ellipsis Angle  of  New Era

Independence of Chile, it concerns Mapuche atingent case. Araucania pound, then 1818 central Chile. In Brief, Earth makes free an entire nation. His naive and primitive braves inhabitants emancipated themselves from all sides, they came to save a people who were just following where nobody can reach. Independence of the United States separates us for approximately 42 years, breaking up owners of nowhere. Industrial Abolitionist and South Slaver and Agraria. The biggest event that more than 640, 000 men and fallen activists planted safely from repression fields.

In Chile all rule resembled this secession in today's Araucano man prays for his fallen by almost more than 3 centuries in Chilean lands of Araucanía’s men. Lautaro genius and his supporters the heart of Pedro de Valdivia ate; Map ever made to your battle mapping Tucapel. "Initiation and final symbol occurred after 282 years of fierce war" and Mapuche land forever their independence from the Spanish Empire Captain-General important in foreign lands never subjected to foreign rule would eat.

The Machis and Loncos make supplications in native forests falling on them pollen on its back as if nothing out 10 times better...

To Libertas strengthen in the west is necessary to push the limits of the earth beneath his tongue and penance for the greedy entangled in the lines of bloodied sky, rebellions Chieftains death-defying all together at the edge of a cliff. 1769 The Pehuenches led by Lebian Cacique, joined the Mapuches razing Yumbel and Laja, the most peaceful Huilliches also joined mass alerting perhaps innocent people land blood-stained war and the Mackay Luchsinger.

No doubt portals military rebellion trigger blood, where they opened a tip and swords in the past. Here's reading concern is that the succession is timeless time, a sword without a sword, but on the tip of her blood is seen where there were herds and warriors crushed by their own footsteps. Here the phenomenon of freedom begins; Humanity runs treading his own footsteps, to save his family from a threat, but not strange forces that force you to use your defenses, because in the groves populate many helpless souls with his sword unused at the expense of being forced to use.

Freedom genome; It aims to reach where it has not come without looking back,
Chalices pour out is where the troubadours do not cuddle her close looks like time, singing while watching the changes are not of a new life


Heaven star,
Come to me,
I ask a sign to see them arrive,
Because I want to thus been dragged
Being together Eager to feel...
Those respites without being comforted
going to the mouth of the serpent.

About the Garden,
My home is to put my love,
He has to put the days imagining close...
To enjoy yourself is nonexistent...

Oh, my house tormenting me...!
Because in it I feel your smell
They are alone lights
Where I would wait for me to be in the dark...

In the coming future,
You will not see or hear my anger...
Perhaps my happiness nor peace praying
As the spear in the hands of the perpetrator.

You know a storm of whispers
I do sow your name in the wilderness,
It's because my judgments of hope
They mount up arable land deposited in my frenzy
Misled by a love which is my love.

But you never understand,
Because time has invaded my dwelling,
Invading my brain to give
It has invaded my choosing to love...

On the grass path,
Every time I move away from you,
I turn to see if you have not been...

Love came,
And I think that leaves us alone to avail ourselves
Ranging in our time...


But I can not resist his silence,
For my house want the noise of its action,
Why keys to the gates that serve my understanding.

Tramples my heart the fragmenting oddities into smaller pieces,
Your answer that call.

Tur love be like if I had created...
As if only you had appreciated your beautiful creation.

Do not destroy your work expresses in his mystery give life to your dreams!
Man aiming better earth, ask some of you to join your dreams...

! Your wife of this land does not procrastinate your misfortune,
I discover far peaceful landscapes like an echo in the spring,
As large and deep as your forgiveness for loving me more


It tells the Earth to the Sun in its perky tear benefactress of new opportunities as good and healthy smile rainbow on the back of Oviedo sheep valleys of freedom of Pietrelcina life.

To be continued…
Genoma Freedom , by Jose Luis Carreño Troncoso - Under Edition
In the last months of March 2014,
Soldier Othello the Moroccan moor
Was in Stratford-upon-Avon at the graveside
Of William Shakespeare the English bard,
He was observing the anniversary
Of Shakespeare and his European brother Cervantes,
He had in his pocket another charm and amulet
Given to him by his paternal grandfather,
This time round not a charm for love portion,
But a mystique totem to raise the dead from dusts,
As Othello himself has hitherto over-matured
Above the painful torture of *** with aristocrats,
He has left it for the Jewish aristotrash; Frantz Kafka,
Whose torturous appetite for *** with German women,
Was the sorriest eyesore of his thespic efforts.

Like Jesus at the grave of Lazarus
Othello groaned by shouting; William the son of John!
No response, he shouted again; Shakespeare the bard!
Then the mystique powers of Othello’s amulet
Electrified Shakespeare back to life,
What is your problem you black moor,
The ***** of Morocco, the soldier
Who beguiled Desdemona into betrothal,
Not because of glory of your work,
But due to charms of your love portion
Bequeathed to you by your witch mother,
What brings you to my sepulchre,
For only to perturbed my purgatorial peace,
What brings you!?
Questioned Shakespeare the bard.

Am no longer the moor, blackness is class
But not the race, as race is bankrupt,
I come here to salute you with good news,
That your European brother, Alfred Nobel,
Currently rewards thespic bards like you,
Whether black or white, blue or green,
The ***** bards from the natural forest,
He also rewards, so wake up and pick the prize!
Retorted Othello in virtue of truth,
And also tell me the native bricks
Of your beautiful architecture;
Where and how did you mold thy bricks?
Your brown English bricks that walled your culture;
*****, clown, leapfrog, mercurial, oxymoron,
Falsitafity, Shyllocking, colleaguery and window,
Cauldron, graymalkin, woo, betroth, infatuation and so on.

From underneath his sepulcher Shakespeare broke
A violent gaggle of laughter as if he was ten English skeletons,
You Othello you are still a beautiful moor
Whose foolishness time has not condemned to oblivion,
You are as a fool as I created you ; I will only teach you
One brick, the window , that you go and put on
Your wind disturbed African huts,
Put the wind door on your hut,
And be flexible in your tongue
To give it English elegance
Combine and shorten wind and door
To get your cultural brick of; window !
Oh! The bard of Strataford Avon
You beautifully painted the journey of man
you are the best poet in the world
the poetic muse wrote for you the word

you are the greatest dramatist of all ages
the critics have written pages and pages
your poetry is a sheer joy
even the poetic muse becomes a tiny toy

your wonderful skill is tragedy
but your natural instinct is comedy
your clown speaks wonderful truths
but your king is surrounded by heinous coups

You wrote with a gold pen
And painted the real men and women
I am your true fanatic
You are the world’s greatest critic
Megan Sherman Feb 2017
O Avon, swell meandering home
You caress my feet with silken kisses
Round your banks I wistful roam
Enamoured of thy babbling blisses
Awed by beauty of the gloam
It envelops me in tender thrills
Inspired to transcribe it in to tome
In words suffice to inspire chills
Sweetest treasures consist in stream
O loot of the aquatic
That floats like dream upon a beam
The river an element of nature's batik
Imbued with blisses deep, supreme
I wade akimbo to the flow
The awe of Earth from you I glean
You have me rapt in throe
You are the path my heart pursues
It's righteous, truest course
Quelling fear and pain and blues
From thy splendid source
Whenever my sullied spirit rues
My strategy is this
I turn to you to soothe, amuse
To get my fill of bliss
Beyond horizon, thou spread to sea
In unchartered motion
A sea that sparkles iridescently
In strange colours of the ocean
I bask in your waters respendently
Loving their commotion
And honour them devotionally
O Avon, you leave me insatiated.
JK Cabresos Sep 2016
Milyun-milyong mga blankong mukha,
pipintahan,  
papahiran ng pintora
ang iba’t ibang kastilyo ng pangarap.

Subalit sa paglipas ng panahon
ang mga kastilyong ito’y rurupok,
at sa isang ihip ng hangin  
ay pwede ‘tong gibain.  

Masasanay kang matalo,
para sa atin ‘tong mundo.
Para sa atin,
hindi para sa kanila,
kailanman hindi ‘to masasakop
ng mga mapapait na luha.  

Nasanay ka na sa panonood
ng mga teleserye o pelikulang
kung ano ang theme song
ay ‘yon din ang pamagat.  

Nasanay ka nang mag-abang
sa paiba-ibang kulay na buhok
ni Vice Ganda, o ni Yeng Constantino,
ang umasa rin sa paiba-ibang desisyon
ng mga tao sa paligid mo.

Nasanay ka nang magmahal ang gasolina,
at iba pang mga bilihin  
ngunit hindi ang magmahal ng totoo,  
dahil takot kang masaktan ulit,
ang iwanan, o umasa ulit,
sa isang relasyong pang-post lang
sa FB, IG o Twitter,
‘yong pang-“#relationshipgoals” lang,
nasanay ka na pero takot ka pa rin.  

Nasanay ka na sa mga surprise quiz.
Sa exams. Sa reporting. Sa thesis.
Sa Singko, INC, Withdraw o Drop.
Sa pag-jaywalking,
dahil late na naman sa 7:30 AM class.  
Sa paulit-ulit na sorry.  
Sa paulit-ulit ding pagpapatawad.
Sa paghahanap ng ka-red string.
Sa paghahanap ng ka-forever.
Sa mabagal na internet.
Sa job interview. Sa gobyerno.    

Masasanay ka ring matalo
dahil ganito ang konsepto ng mundo.
Patitikman ka muna ng pagkabigo,
bago ka ulit maging buo.      

Baka rin bukas-makalawa
maiisipan mo nang mag-aral ng mabuti  
at iwasang ang usapang mabote,
ang bumangon ng maaga
at hindi papatayin ang naka-set na alarm,
ang maging totoo
sa taong nagmamahal sa ‘yo,
o kaya subukang ipa-Photoshop
ang 2x2 picture mo sa resume
para sa paparating na job interview.  

Masasanay ka ring matalo,
masasanay ka rin sa mga peklat mo sa puso.
Dahil hindi ito matatapalan
ng pulga-pulgadang concealer ng Maybelline,
o kahit ubusin mo pa
ang stock sa AVON, sa Watson, sa HBC, o sa Lazada.  

Kaya tanggapin mo na lang  
na ang buhay ay puno ng pagkatalo,
dahil sa huli para sa atin din naman ang mundo,
kaya wala kang dahilan para sumuko,
dahil ang sumusuko lang ang natatalo,
at ang hindi takot sumubok ulit
ang tunay na panalo.
Simon Piesse Mar 2021
The ***-bellied Mercedes squealed
As Meursault withdrew and
Marvelled at the flames
Licking
The air
Like marigolds on Ritilin.
'Raymond would have no reason not to admire this act.'
He stopped by a shimmering sea of Ubers.
The scrape and drawl of siren made no impression on him.
Leaking smoke reminded him of
Snow White’s Cottage
Where he had taken Marie when Lucie was born:
The place where he would go out at dawn to chop wood.
He liked the way her roses played
With the restlessness of children.
Then he thought: 'if only mother could see me now.'
Inspired by Camus' searing sense of injustice in The Stranger, which I'm studying with my class at the moment and by the riots in Bristol, UK
From 3 p.m. Monday to 3 p.m. Tuesday
<h2>Police calls
<h3>LA CROSSE
3:39 p.m., Hit-and-run, 4400 block of Hwy. 16
4:11 p.m., Theft, 3700 block of Hwy. 16
4:41 p.m., Hit-and-run, 1100 block of State St.
5:37 p.m., Domestic disturbance, 1000 block of Charles St.
5:42 p.m., Theft, 2100 block of Liberty St.
5:59 p.m., Fight, Fourth and King sts.
8:08 p.m., Theft, 2400 block of Rose St.
8:08 p.m., Domestic disturbance, 400 block of Sixth St.
8:37 p.m., Domestic disturbance, 1000 block of Fifth Ave. S.
10:14 p.m., Domestic disturbance, 1600 block of Adams St.
11:32 p.m., Domestic disturbance, 1400 block of Avon St.
2:38 a.m., Domestic disturbance, 900 block of 16th St.
8:25 a.m., Theft, 3300 block of Rosehill Place
8:25 a.m., Theft, 1000 block of Ninth St.
8:26 a.m., Theft, 500 block of Main St.
8:26 a.m., Theft, 1400 block of Johnson St.
8:34 a.m., Theft, 400 block of Seventh St.
9:24 a.m., Entry to dwelling, 1600 block of Caledonia St.
9:51 a.m., Theft, 400 block of Liberty St.
11:01 a.m., Fraud, first block of Copeland Ave.
12:16 p.m., Entry to dwelling, 1000 block of State St.          
<h3>ONALASKA
6:06 p.m., Animal bite, 2600 block of Midwest Drive
<h3>WEST SALEM
7:40 a.m., Vandalism, 3400 block of Hwy. 16
12:13 p.m., Theft, 900 block of Hwy. 16
<h3>BANGOR
9:24 a.m., Theft, 1800 block of Commercial St.
<h2>Fire Calls
<h3>LA CROSSE
3:01 p.m., Accident with injury, Fourth and Mississippi sts.
4:11 p.m., Accident with injury, 4500 block of Hwy. 33
4:26 p.m., Accident with injury, Hwy. 16 and 157
5:45 p.m., First responders, 700 block of Oakland St.
6:18 p.m., First responders, 1800 block of Pine St.
6:40 p.m., Accident with injury, Main and Fourth sts.
9:27 p.m., Natural gas odor, 700 block of Ninth St. N.
10:16 p.m., First responders, 1600 block of Adams St.
10:20 p.m., First responders, 900 block of Vine St.
1:54 a.m., First responders, 4100 block of Velmar Court
8:34 a.m., First responders, 400 block of Seventh St.
9:01 a.m., First responders, 400 block of Seventh St.
10:41 a.m., Accident with injury, Ninth and Vine sts.
10:45 a.m., Carbon monoxide report, 1500 block of Main St.
10:46 a.m., First responders, 400 block of Gillette St.
11:04 a.m., Accident with injury, 1300 block of Rose St.
11:10 a.m., First responders, 1500 block of Rose St.
11:14 a.m., First responders, Fourth and King sts.
11:31 a.m., Accident with injury, 16th and Main sts.
12:05 p.m., Accident with injury, 200 block of Pearl St.
1:12 p.m., Accident with injury, Hood and Miller sts.
2:26 p.m., Accident with injury, 21st St. and Park Ave.
<h3>ONALASKA
3:30 p.m., First responders, 1000 block of Westview Circle
5:09 p.m., Accident with injury, 1200 block of Hwy PH
8:02 p.m., First responders, 300 block of 12th Ave.
8:43 p.m., First responders, 300 block of 12th Ave.
8:50 p.m., First responders, 200 block of Oak Forest Drive
9:47 p.m., First responders, 200 block of Carol Lane
6:12 a.m., First responders, 1000 block of Frances Court
10:41 a.m., First responders, 7200 Northshore Lane
11:27 a.m., Accident with injury, Grant St. and Hwy. SN
11:35 a.m., Accident with injury, Commerce and Abbey roads
11:53 a.m., Accident with injury, 300 block of 11th Ave.
12:14 p.m., First responders, 5500 block of Commerce Road
1:08 p.m., First responders, 400 block of Kimberly St.
1:42 p.m., Accident with injury, 600 block of Second Ave.
<h3>HOLMEN
9:59 p.m., First responders, 1500 block of Viking Ave.
10:50 a.m., Accident with injury, Sand Lake Road and Laurel Place
1:32 p.m., Accident with injury, 1400 block of Main St.
<h3>WEST SALEM
8:53 a.m., First responders, 500 block of Elm St.
11:09 a.m., First responders, 300 block of Franklin St.
<h3>MELROSE
1:21 p.m., First responders, 9700 block of Hwy. 108
High in the midst, surrounded by his peers,
Magnus his ample front sublime uprears:
Plac’d on his chair of state, he seems a God,
While Sophs and Freshmen tremble at his nod;
As all around sit wrapt in speechless gloom,
His voice, in thunder, shakes the sounding dome;
Denouncing dire reproach to luckless fools,
Unskill’d to plod in mathematic rules.

Happy the youth! in Euclid’s axioms tried,
Though little vers’d in any art beside;
Who, scarcely skill’d an English line to pen,
Scans Attic metres with a critic’s ken.

What! though he knows not how his fathers bled,
When civil discord pil’d the fields with dead,
When Edward bade his conquering bands advance,
Or Henry trampled on the crest of France:
Though marvelling at the name of Magna Charta,
Yet well he recollects the laws of Sparta;
Can tell, what edicts sage Lycurgus made,
While Blackstone’s on the shelf, neglected laid;
Of Grecian dramas vaunts the deathless fame,
Of Avon’s bard, rememb’ring scarce the name.

Such is the youth whose scientific pate
Class-honours, medals, fellowships, await;
Or even, perhaps, the declamation prize,
If to such glorious height, he lifts his eyes.
But lo! no common orator can hope
The envied silver cup within his scope:
Not that our heads much eloquence require,
Th’ ATHENIAN’S glowing style, or TULLY’S fire.
A manner clear or warm is useless, since
We do not try by speaking to convince;
Be other orators of pleasing proud,—
We speak to please ourselves, not move the crowd:
Our gravity prefers the muttering tone,
A proper mixture of the squeak and groan:
No borrow’d grace of action must be seen,
The slightest motion would displease the Dean;
Whilst every staring Graduate would prate,
Against what—he could never imitate.

The man, who hopes t’ obtain the promis’d cup,
Must in one posture stand, and ne’er look up;
Nor stop, but rattle over every word—
No matter what, so it can not be heard:
Thus let him hurry on, nor think to rest:
Who speaks the fastest’s sure to speak the best;
Who utters most within the shortest space,
May, safely, hope to win the wordy race.

The Sons of Science these, who, thus repaid,
Linger in ease in Granta’s sluggish shade;
Where on Cam’s sedgy banks, supine, they lie,
Unknown, unhonour’d live—unwept for die:
Dull as the pictures, which adorn their halls,
They think all learning fix’d within their walls:
In manners rude, in foolish forms precise,
All modern arts affecting to despise;
Yet prizing Bentley’s, Brunck’s, or Porson’s note,
More than the verse on which the critic wrote:
Vain as their honours, heavy as their Ale,
Sad as their wit, and tedious as their tale;
To friendship dead, though not untaught to feel,
When Self and Church demand a Bigot zeal.
With eager haste they court the lord of power,
(Whether ’tis PITT or PETTY rules the hour;)
To him, with suppliant smiles, they bend the head,
While distant mitres to their eyes are spread;
But should a storm o’erwhelm him with disgrace,
They’d fly to seek the next, who fill’d his place.
Such are the men who learning’s treasures guard!
Such is their practice, such is their reward!
This much, at least, we may presume to say—
The premium can’t exceed the price they pay.
L G V Feb 2013
Anglophilia
An early passion
one cannot say
when or why
perhaps his father's admiration
or was it his mother's apprehension
for them

Leaves of sweet ruby tea
hot ginger pasties
glory of candle skinned  ladies
the warm eyes and cold hearts
what lovely cats you have

Avon flows, its quiet cenote waters
surrounding the poetical urns
Cheery children
noses against windows
those of shopkeepers
that smothered
Napoleon

Yes, Avon flows
the timely midnight trains
to a myriad country stations
all the many
noble selfish
ideals
Joy of bright roses
in a small garden below
where the Keats still play
Adam and Eve
and hear the City's pride
its mechanical soul  
sing its hollow lonely tune again
Oh, where did all the angels go?
Elizabeth Oct 2015
Namis ko ang mga panahon,
na naglalakad ako papunta at pauwi mula trabaho
Sumasakay sa jeep, mukhang tanga, nagaabang sa kanto
Sulyap ko si kuya, nangungulangot ng patago
Nakatingala sa langit, ngiti ko'y tila ipinako

Masaya sumabay sa takbo ng mga tao
Kita mo lahat ng ganda at panget sa mundo
Maging avon man o ever bilena ang gamit
May lunes parin na maiiputan ka ng pato.

Namis kong mag tsinelas palabas ng bahay
Ngayon 3inches na ang taas ng yapak ko
Pati din ang jansport na laging nakasabit
Ngayon para akong magtatahong walang buena mano

Madaming nabubunyag sa aking biyahe
Malalagkit na sulyap ni kuya sa pasahero
Ngayon nga'y may pisong nalaglag sa tabi
Dadamputin sana ni ate kaso naunahan ko

Hiwaga sa'kin, saan kaya siya patungo?
Sucat highway (tawid)- Coastal- Baclaran
16pesos
Many a green isle needs must be
In the deep wide sea of Misery,
Or the mariner, worn and wan,
Never thus could voyage on—
Day and night, and night and day,
Drifting on his dreary way,
With the solid darkness black
Closing round his vessel’s track:
Whilst above the sunless sky,
Big with clouds, hangs heavily,
And behind the tempest fleet
Hurries on with lightning feet,

He is ever drifted on
O’er the unreposing wave
To the haven of the grave.
What, if there no friends will greet;
What, if there no heart will meet
His with love’s impatient beat;
Wander wheresoe’er he may,
Can he dream before that day
To find refuge from distress
In friendship’s smile, in love’s caress?
Then ’twill wreak him little woe
Whether such there be or no:
Senseless is the breast, and cold,
Which relenting love would fold;
Bloodless are the veins and chill
Which the pulse of pain did fill;
Every little living nerve
That from bitter words did swerve
Round the tortured lips and brow,
Are like sapless leaflets now
Frozen upon December’s bough.

On the beach of a northern sea
Which tempests shake eternally,
As once the wretch there lay to sleep,
Lies a solitary heap,
One white skull and seven dry bones,
On the margin of the stones,
Where a few grey rushes stand,
Boundaries of the sea and land:
Nor is heard one voice of wail
But the sea-mews, as they sail
O’er the billows of the gale;
Or the whirlwind up and down
Howling, like a slaughtered town,
When a king in glory rides
Through the pomp and fratricides:
Those unburied bones around
There is many a mournful sound;
There is no lament for him,
Like a sunless vapour, dim,
Who once clothed with life and thought
What now moves nor murmurs not.

Ay, many flowering islands lie
In the waters of wide Agony:
To such a one this morn was led,
My bark by soft winds piloted:
’Mid the mountains Euganean
I stood listening to the paean
With which the legioned rooks did hail
The sun’s uprise majestical;
Gathering round with wings all ****,
Through the dewy mist they soar
Like gray shades, till the eastern heaven
Bursts, and then, as clouds of even,
Flecked with fire and azure, lie
In the unfathomable sky,
So their plumes of purple grain,
Starred with drops of golden rain,
Gleam above the sunlight woods,
As in silent multitudes
On the morning’s fitful gale
Through the broken mist they sail,
And the vapours cloven and gleaming
Follow, down the dark steep streaming,
Till all is bright, and clear, and still,
Round the solitary hill.

Beneath is spread like a green sea
The waveless plain of Lombardy,
Bounded by the vaporous air,
Islanded by cities fair;
Underneath Day’s azure eyes
Ocean’s nursling, Venice, lies,
A peopled labyrinth of walls,
Amphitrite’s destined halls,
Which her hoary sire now paves
With his blue and beaming waves.
Lo! the sun upsprings behind,
Broad, red, radiant, half-reclined
On the level quivering line
Of the waters crystalline;
And before that chasm of light,
As within a furnace bright,
Column, tower, and dome, and spire,
Shine like obelisks of fire,
Pointing with inconstant motion
From the altar of dark ocean
To the sapphire-tinted skies;
As the flames of sacrifice
From the marble shrines did rise,
As to pierce the dome of gold
Where Apollo spoke of old.

Sea-girt City, thou hast been
Ocean’s child, and then his queen;
Now is come a darker day,
And thou soon must be his prey,
If the power that raised thee here
Hallow so thy watery bier.
A less drear ruin then than now,
With thy conquest-branded brow
Stooping to the slave of slaves
From thy throne, among the waves
Wilt thou be, when the sea-mew
Flies, as once before it flew,
O’er thine isles depopulate,
And all is in its ancient state,
Save where many a palace gate
With green sea-flowers overgrown
Like a rock of Ocean’s own,
Topples o’er the abandoned sea
As the tides change sullenly.
The fisher on his watery way,
Wandering at the close of day,
Will spread his sail and seize his oar
Till he pass the gloomy shore,
Lest thy dead should, from their sleep
Bursting o’er the starlight deep,
Lead a rapid masque of death
O’er the waters of his path.

Those who alone thy towers behold
Quivering through aereal gold,
As I now behold them here,
Would imagine not they were
Sepulchres, where human forms,
Like pollution-nourished worms,
To the corpse of greatness cling,
Murdered, and now mouldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch’s hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou ldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch’s hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou and they!—
Clouds which stain truth’s rising day
By her sun consumed away—
Earth can spare ye; while like flowers,
In the waste of years and hours,
From your dust new nations spring
With more kindly blossoming.

Perish—let there only be
Floating o’er thy heartless sea
As the garment of thy sky
Clothes the world immortally,
One remembrance, more sublime
Than the tattered pall of time,
Which scarce hides thy visage wan;—
That a tempest-cleaving Swan
Of the sons of Albion,
Driven from his ancestral streams
By the might of evil dreams,
Found a nest in thee; and Ocean
Welcomed him with such emotion
That its joy grew his, and sprung
From his lips like music flung
O’er a mighty thunder-fit,
Chastening terror:—what though yet
Poesy’s unfailing River,
Which through Albion winds forever
Lashing with melodious wave
Many a sacred Poet’s grave,
Mourn its latest nursling fled?
What though thou with all thy dead
Scarce can for this fame repay
Aught thine own? oh, rather say
Though thy sins and slaveries foul
Overcloud a sunlike soul?
As the ghost of Homer clings
Round Scamander’s wasting springs;
As divinest Shakespeare’s might
Fills Avon and the world with light
Like omniscient power which he
Imaged ’mid mortality;
As the love from Petrarch’s urn,
Yet amid yon hills doth burn,
A quenchless lamp by which the heart
Sees things unearthly;—so thou art,
Mighty spirit—so shall be
The City that did refuge thee.

Lo, the sun floats up the sky
Like thought-winged Liberty,
Till the universal light
Seems to level plain and height;
From the sea a mist has spread,
And the beams of morn lie dead
On the towers of Venice now,
Like its glory long ago.
By the skirts of that gray cloud
Many-domed Padua proud
Stands, a peopled solitude,
’Mid the harvest-shining plain,
Where the peasant heaps his grain
In the garner of his foe,
And the milk-white oxen slow
With the purple vintage strain,
Heaped upon the creaking wain,
That the brutal Celt may swill
Drunken sleep with savage will;
And the sickle to the sword
Lies unchanged, though many a lord,
Like a **** whose shade is poison,
Overgrows this region’s foison,
Sheaves of whom are ripe to come
To destruction’s harvest-home:
Men must reap the things they sow,
Force from force must ever flow,
Or worse; but ’tis a bitter woe
That love or reason cannot change
The despot’s rage, the slave’s revenge.

Padua, thou within whose walls
Those mute guests at festivals,
Son and Mother, Death and Sin,
Played at dice for Ezzelin,
Till Death cried, “I win, I win!”
And Sin cursed to lose the wager,
But Death promised, to assuage her,
That he would petition for
Her to be made Vice-Emperor,
When the destined years were o’er,
Over all between the Po
And the eastern Alpine snow,
Under the mighty Austrian.
She smiled so as Sin only can,
And since that time, ay, long before,
Both have ruled from shore to shore,—
That incestuous pair, who follow
Tyrants as the sun the swallow,
As Repentance follows Crime,
And as changes follow Time.

In thine halls the lamp of learning,
Padua, now no more is burning;
Like a meteor, whose wild way
Is lost over the grave of day,
It gleams betrayed and to betray:
Once remotest nations came
To adore that sacred flame,
When it lit not many a hearth
On this cold and gloomy earth:
Now new fires from antique light
Spring beneath the wide world’s might;
But their spark lies dead in thee,
Trampled out by Tyranny.
As the Norway woodman quells,
In the depth of piny dells,
One light flame among the brakes,
While the boundless forest shakes,
And its mighty trunks are torn
By the fire thus lowly born:
The spark beneath his feet is dead,
He starts to see the flames it fed
Howling through the darkened sky
With a myriad tongues victoriously,
And sinks down in fear: so thou,
O Tyranny, beholdest now
Light around thee, and thou hearest
The loud flames ascend, and fearest:
Grovel on the earth; ay, hide
In the dust thy purple pride!

Noon descends around me now:
’Tis the noon of autumn’s glow,
When a soft and purple mist
Like a vapourous amethyst,
Or an air-dissolved star
Mingling light and fragrance, far
From the curved horizon’s bound
To the point of Heaven’s profound,
Fills the overflowing sky;
And the plains that silent lie
Underneath the leaves unsodden
Where the infant Frost has trodden
With his morning-winged feet,
Whose bright print is gleaming yet;
And the red and golden vines,
Piercing with their trellised lines
The rough, dark-skirted wilderness;
The dun and bladed grass no less,
Pointing from this hoary tower
In the windless air; the flower
Glimmering at my feet; the line
Of the olive-sandalled Apennine
In the south dimly islanded;
And the Alps, whose snows are spread
High between the clouds and sun;
And of living things each one;
And my spirit which so long
Darkened this swift stream of song,—
Interpenetrated lie
By the glory of the sky:
Be it love, light, harmony,
Odour, or the soul of all
Which from Heaven like dew doth fall,
Or the mind which feeds this verse
Peopling the lone universe.

Noon descends, and after noon
Autumn’s evening meets me soon,
Leading the infantine moon,
And that one star, which to her
Almost seems to minister
Half the crimson light she brings
From the sunset’s radiant springs:
And the soft dreams of the morn
(Which like winged winds had borne
To that silent isle, which lies
Mid remembered agonies,
The frail bark of this lone being)
Pass, to other sufferers fleeing,
And its ancient pilot, Pain,
Sits beside the helm again.

Other flowering isles must be
In the sea of Life and Agony:
Other spirits float and flee
O’er that gulf: even now, perhaps,
On some rock the wild wave wraps,
With folded wings they waiting sit
For my bark, to pilot it
To some calm and blooming cove,
Where for me, and those I love,
May a windless bower be built,
Far from passion, pain, and guilt,
In a dell mid lawny hills,
Which the wild sea-murmur fills,
And soft sunshine, and the sound
Of old forests echoing round,
And the light and smell divine
Of all flowers that breathe and shine:
We may live so happy there,
That the Spirits of the Air,
Envying us, may even entice
To our healing Paradise
The polluting multitude;
But their rage would be subdued
By that clime divine and calm,
And the winds whose wings rain balm
On the uplifted soul, and leaves
Under which the bright sea heaves;
While each breathless interval
In their whisperings musical
The inspired soul supplies
With its own deep melodies;
And the love which heals all strife
Circling, like the breath of life,
All things in that sweet abode
With its own mild brotherhood:
They, not it, would change; and soon
Every sprite beneath the moon
Would repent its envy vain,
And the earth grow young again.
JM Jan 2013
You are not here.
I can not touch you.
I can no longer walk between
the two peonies on my way to
your porch.
The peonies are there, but it is no longer
your house.
How many times did I mow that lawn?  
Keep it tight to the tree,
round and round the peonies.
Good boy J.J.
God how I hated that nickname.

I see you now,
at your desk in the corner,
pall mall burning
in your shoe shaped ashtray,
crossword puzzle folded neatly
and your glasses half on your nose.

You were the toughest woman I know.

" Was ist los, Wer ist da?"

"It's me Gram"

I'd come around the corner and you would look at me over your glasses.
I could always tell what I was gonna get from you by the looks on your face.  
None of us have poker faces.

Even if I got the head shake of disapproval, there was always a hint of a smile, a smirk.
I know I was your favorite.
I got away with ******.
  
In your grey stuccoed rooms
I found my sexuality,
I tried to end my life,
I cried,
I ******,
I watched others battle until bloodied
and
I fought many
of my own battles
in front of your fireplace.
I saw a family blossom,
unfolding layer after layer
of beauty,
death,
secrets
and joy.

I saw strong men crumble in your dining room.

Countless were the times I would hang around on the fringes of conversations,
unobtrusive, but ever observant I was.
I learned so much from your phone calls, your conversations.

I think of when I have been the happiest
and it was when I was being tucked in by you
up in the king room.

My belly full,
freshly bathed,
the smell of avon's skin-so-soft,
clean sheets
and the softest pillows
in the world.
I was safe.
I was loved.

Waking up to
bacon and
french toast and
apple butter and
captain kangaroo and
your creaky stairs,
I have never had it as good as that.
You made the best french toast ever.

And then I got older and taller.
My marks on the measuring wall kept creeping up and up.
I got closer to
uncle mikes and
butch and...
was big jim on there?

I grew into a ****** little teenager,
I went from asking you for candy money,
to concert tshirt money
to bail money.
Through it all, you were there for me.
I would show up,
head down and repentant,
ready for my berating.
I wonder how different my life would have been had you not been around
as long as you were?

That day when my dad
came and took me
when I didn't want to go,
I kept looking back
and crying for you,
You said it always broke your heart, that look.

That was my introduction to manipulation.

It was in your basement
I found the steaming remains of debauchery.
I met most of my demons
for the first time
in the shadows
of the mighty sycamores
on Lincoln Boulevard.

You are not here.
I can not touch you.
You died and we fell apart, all of us.
We barely hang on,
it seems.
Your children squabble and flounder still.
Alliances formed
and broken
and rediscovered again.
Silly, this constant ebb and flow of intimacy.
Blood is thick, right?

We are doing ok though, I promise.
You would be so proud of us, I swear.

Our kids are happy
and we teach them words
like deetdeedles and shoisel.
I still make french toast your way
and Anne's house has the measuring wall.

I still do crosswords,
I love words, because of you.
I write, I  live, thanks to you.

The willow tree is gone
but the peonies are still there.

Ich leibe dich, Gramma.
Michael R Burch Feb 2020
How Long the Night: Modern English Translations of Medieval Poems Written in Middle English and Old English/Anglo-Saxon English

How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong,
now grieve, mourn and fast.

Originally published by Measure

Keywords/Tags: Old English, Middle English, Medieval English, long night, lament, complaint, alas, summer, pleasant, winter, north wind, northern wind, severe weather, storm, bird, birds, birdsong, sin, crime, fast, fasting, repentance, dark night of the soul, sackcloth and ashes, regret, repentance, remonstrance

These are modern English translations of Old English/Anglo-Saxon poems and Middle English poems by Anonymous, Caedmon, Geoffrey Chaucer, Thomas Campion, Deor, William Dunbar, Godric of Finchale, Charles d'Orleans, Layamon and Sir Thomas Wyatt.



Sweet Rose of Virtue
by William Dunbar (1460-1525)
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose and left her downcast,
whose piteous death does my heart such pain
that I long to plant love's root again―
so comforting her bowering leaves have been.

My translation of "Lament for the Makaris" by William Dunbar appears later on this page.



"Now skruketh rose and lylie flour" is an early Middle English poem that gives a hint of things to come, in terms of meter and rhyme …

Now skruketh rose and lylie flour
(anonymous Middle English lyric, circa 11th century AD)
loose translation/interpretation by Michael R. Burch

Now the rose and the lily skyward flower,
That will bear for awhile that sweet savor:
In summer, that sweet tide;
There is no queen so stark in her power
Nor any lady so bright in her bower
That Death shall not summon and guide;
But whoever forgoes lust, in heavenly bliss will abide
With his thoughts on Jesus anon, thralled at his side.

skruketh = break forth, burst open; stour = strong, stern, hardy; tharled = thralled?, made a serf?, bound?



Fowles in the Frith
(anonymous Middle English lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing … is the poet saying that his walks in the woods drive him mad because he's also a "beast of bone and blood" facing a similar fate? I must note, however, that this is my personal interpretation. The poem has "beste" and the poet may have meant "for the best of bone and blood" meaning some unidentified person, presumably.



Westron Wynde
(anonymous Middle English lyric, found in a partbook circa 1530 AD, but perhaps written earlier)
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!

The original poem has "the smalle rayne down can rayne" which suggests a drizzle or mist.



This World's Joy
(anonymous Middle English lyric, circa early 14th century AD)
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



Pity Mary
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face—fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.

In the poem above, note how "wood" and "tree" invoke the cross while "sun" and "son" seem to invoke each other. Sun-day is also Son-day, to Christians. The anonymous poet who wrote the poem above may have been been punning the words "sun" and "son." The poem is also known as "Now Goeth Sun Under Wood" and "Now Go'th Sun Under Wood."



I am of Ireland
(anonymous Medieval Irish lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within …
what hope of my help then?

The second translation leans more to the "lover's complaint" and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's "To His Coy Mistress."



Ech day me comëth tydinges thre
(anonymous Middle English lyric, circa the 13th to 14th century AD)
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
(anonymous Middle English lyric, circa the 13th to 14th century AD)
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously …
And oh what grief it has brought me!



GEOFFREY CHAUCER

Three Roundels by Geoffrey Chaucer

I. Merciles Beaute ("Merciless Beauty")
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



II. Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign,—
Your beauty from your heart has so erased
Pity, that it’s useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.



III. Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Welcome, Summer
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather
and driven away her long nights’ frosts.
Saint Valentine, in the heavens aloft,
the songbirds sing your praises together!

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather.

We have good cause to rejoice, not scoff,
since love’s in the air, and also in the heather,
whenever we find such blissful warmth, together.

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather
and driven away her long nights’ frosts.



CHARLES D'ORLEANS

Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!



Spring
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here―
         God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
         God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
    And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
         God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Winter has cast his cloak away
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away!"
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

This rondeau was set to music by Debussy in his Trois chansons de France.



The year lays down his mantle cold
by Charles d’Orleans (1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold!"
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Fair Lady Without Peer
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Fair Lady, without peer, my plea,
Is that your grace will pardon me,
Since I implore, on bended knee.
No longer can I, privately,
Keep this from you: my deep distress,
When only you can comfort me,
For I consider you my only mistress.

This powerful love demands, I fear,
That I confess things openly,
Since to your service I came here
And my helpless eyes were forced to see
Such beauty gods and angels cheer,
Which brought me joy in such excess
That I became your servant, gladly,
For I consider you my only mistress.

Please grant me this great gift most dear:
to be your vassal, willingly.
May it please you that, now, year by year,
I shall serve you as my only Liege.
I bend the knee here—true, sincere—
Unfit to beg one royal kiss,
Although none other offers cheer,
For I consider you my only mistress.



Chanson: Let Him Refrain from Loving, Who Can
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Let him refrain from loving, who can.
I can no longer hover.
I must become a lover.
What will become of me, I know not.

Although I’ve heard the distant thought
that those who love all suffer,
I must become a lover.
I can no longer refrain.

My heart must risk almost certain pain
and trust in Beauty, however distraught.
For if a man does not love, then what?
Let him refrain from loving, who can.



Her Beauty
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Her beauty, to the world so plain,
Still intimately held my heart in thrall
And so established her sole reign:
She was, of Good, the cascading fountain.
Thus of my Love, lost recently,
I say, while weeping bitterly:
“We cleave to this strange world in vain.”

In ages past when angels fell
The world grew darker with the stain
Of their dear blood, then became hell
While poets wept a tearful strain.
Yet, to his dark and drear domain
Death took his victims, piteously,
So that we bards write bitterly:
“We cleave to this strange world in vain.”

Death comes to claim our angels, all,
as well we know, and spares no pain.
Over our pleasures, Death casts his pall,
Then without joy we “living” remain.
Death treats all Love with such disdain!
What use is this world? For it seems to me,
It has neither Love, nor Pity.
Thus “We cleave to this strange world in vain.”



Chanson: The Summer's Heralds
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

The Summer’s heralds bring a dear
Sweet season of soft-falling showers
And carpet fields once brown and sere
With lush green grasses and fresh flowers.

Now over gleaming lawns appear
The bright sun-dappled lengthening hours.

The Summer’s heralds bring a dear
Sweet season of soft-falling showers.

Faint hearts once chained by sullen fear
No longer shiver, tremble, cower.
North winds no longer storm and glower.
For winter has no business here.



Traitorous Eye
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Traitorous eye, what’s new?
What lewd pranks do you have in view?
Without civil warning, you spy,
And no one ever knows why!

Who understands anything you do?
You’re rash and crass in your boldness too,
And your lewdness is hard to subdue.
Change your crude ways, can’t you?

Traitorous eye, what’s new?
You should be beaten through and through
With a stripling birch strap or two.
Traitorous eye, what’s new?
What lewd pranks do have you in view?



SIR THOMAS WYATT

“Whoso List to Hunt” has an alternate title, “The Lover Despairing to Attain Unto His Lady’s Grace Relinquisheth the Pursuit” and is commonly believed to have been written for Anne Boleyn, who married King Henry VIII only to be beheaded at his command when she failed to produce a male heir. (Ouch, talk about male chauvinism!)

Whoever Longs to Hunt
by Sir Thomas Wyatt
loose translation/interpretation/moderniz  ation by Michael R. Burch

Whoever longs to hunt, I know the deer;
but as for me, alas!, I may no more.
This vain pursuit has left me so bone-sore
I'm one of those who falters, at the rear.
Yet friend, how can I draw my anguished mind
away from the doe?
                                   Thus, as she flees before
me, fainting I follow.
                                     I must leave off, therefore,
since in a net I seek to hold the wind.

Whoever seeks her out,
                                          I relieve of any doubt,
that he, like me, must spend his time in vain.
For graven with diamonds, set in letters plain,
these words appear, her fair neck ringed about:
Touch me not, for Caesar's I am,
And wild to hold, though I seem tame.



Brut, an excerpt
by Layamon, circa 1100 AD
loose translation/interpretation by Michael R. Burch

Now he stands on a hill overlooking the Avon,
seeing steel fishes girded with swords in the stream,
their swimming days done,
their scales a-gleam like gold-plated shields,
their fish-spines floating like shattered spears.



Wulf and Eadwacer
(Old English poem circa 960-990 AD)
loose translation/interpretation by Michael R. Burch

My people pursue him like crippled prey.
They'll rip him apart if he approaches their pack.
We are so different!

Wulf's on one island; I'm on another.
His island's a fortress, fastened by fens.
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
We are so different!

My thoughts pursued Wulf like panting hounds.
Whenever it rained, as I wept,
the bold warrior came; he took me in his arms:
good feelings, to a point, but the end loathsome!
Wulf, O, my Wulf, my ache for you
has made me sick; your infrequent visits
have left me famished, deprived of real meat!
Do you hear, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.



Cædmon's Hymn (Old English circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Come, let us honour      heaven-kingdom's Guardian,
the might of the Architect      and his mind-plans,
the work of the Glory-Father.      First he, the Everlasting Lord,
established      the foundation of wonders.
Then he, the Primeval Poet,      created heaven as a roof
for the sons of men,      Holy Creator,
Maker of mankind.      Then he, the Eternal Entity,
afterwards made men middle-earth:      Master Almighty!



A Proverb from Winfred's Time
anonymous Old English poem, circa 757-786 AD
loose translation/interpretation by Michael R. Burch

1.
The procrastinator puts off purpose,
never initiates anything marvelous,
never succeeds, dies dead alone.

2.
The late-deed-doer delays glory-striving,
never indulges daring dreams,
never succeeds, dies dead alone.

3.
Often the deed-dodger avoids ventures,
never succeeds, dies dead alone.



Franks Casket Runes
anonymous Old English poems, circa 700 AD
loose translation/interpretation by Michael R. Burch

The fish flooded the shore-cliffs;
the sea-king wept when he swam onto the shingle:
whale's bone.

Romulus and Remus, twin brothers weaned in Rome
by a she-wolf, far from their native land.



"The Leiden Riddle" is an Old English translation of Aldhelm's Latin riddle Lorica ("Corselet").

The Leiden Riddle
anonymous Old English riddle poem, circa 700 AD
loose translation/interpretation by Michael R. Burch

The dank earth birthed me from her icy womb.
I know I was not fashioned from woolen fleeces;
nor was I skillfully spun from skeins;
I have neither warp nor weft;
no thread thrums through me in the thrashing loom;
nor do whirring shuttles rattle me;
nor does the weaver's rod assail me;
nor did silkworms spin me like skillfull fates
into curious golden embroidery.
And yet heroes still call me an excellent coat.
Nor do I fear the dread arrows' flights,
however eagerly they leap from their quivers.

Solution: a coat of mail.



If you see a busker singing for tips, you're seeing someone carrying on an Anglo-Saxon tradition that goes back to the days of Beowulf …

He sits with his harp at his thane's feet,
Earning his hire, his rewards of rings,
Sweeping the strings with his skillful nail;
Hall-thanes smile at the sweet song he sings.
—"Fortunes of Men" loose translation by Michael R. Burch



Deor's Lament
(Anglo Saxon poem, circa 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland knew the agony of exile.
That indomitable smith was wracked by grief.
He endured countless troubles:
sorrows were his only companions
in his frozen island dungeon
after Nithad had fettered him,
many strong-but-supple sinew-bonds
binding the better man.
   That passed away; this also may.

Beadohild mourned her brothers' deaths
but even more, her own sad state
once she discovered herself with child.
She predicted nothing good could come of it.
   That passed away; this also may.

We have heard that the Geat's moans for Matilda,
his lady, were limitless,
that his sorrowful love for her
robbed him of regretless sleep.
   That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many knew this and moaned.
   That passed away; this also may.

We have also heard of Ermanaric's wolfish ways,
of how he held wide sway in the realm of the Goths.
He was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his kingdom might be overthrown.
   That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are endless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I will say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just lord. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors gave me.
   That passed away; this also may.



The Wife's Lament
loose translation/interpretation by Michael R. Burch

I draw these words from deep wells of my grief,
care-worn, unutterably sad.
I can recount woes I've borne since birth,
present and past, never more than now.
I have won, from my exile-paths, only pain.

First, my lord forsook his folk, left,
crossed the seas' tumult, far from our people.
Since then, I've known
wrenching dawn-griefs, dark mournings … oh where,
where can he be?

Then I, too, left—a lonely, lordless refugee,
full of unaccountable desires!
But the man's kinsmen schemed secretly
to estrange us, divide us, keep us apart,
across earth's wide kingdom, and my heart broke.

Then my lord spoke:
"Take up residence here."
I had few friends in this unknown, cheerless
region, none close.
Christ, I felt lost!

Then I thought I had found a well-matched man –
one meant for me,
but unfortunately he
was ill-starred and blind, with a devious mind,
full of murderous intentions, plotting some crime!

Before God we
vowed never to part, not till kingdom come, never!
But now that's all changed, forever –
our friendship done, severed.
I must hear, far and near, contempt for my husband.

So other men bade me, "Go, live in the grove,
beneath the great oaks, in an earth-cave, alone."
In this ancient cave-dwelling I am lost and oppressed –
the valleys are dark, the hills immense,
and this cruel-briared enclosure—an arid abode!

The injustice assails me—my lord's absence!
On earth there are lovers who share the same bed
while I pass through life dead in this dark abscess
where I wilt, summer days unable to rest
or forget the sorrows of my life's hard lot.

A young woman must always be
stern, hard-of-heart, unmoved,
opposing breast-cares and her heartaches' legions.
She must appear cheerful
even in a tumult of grief.

Like a criminal exiled to a far-off land,
moaning beneath insurmountable cliffs,
my weary-minded love, drenched by wild storms
and caught in the clutches of anguish,
is reminded constantly of our former happiness.

Woe be it to them who abide in longing.



The Husband's Message
anonymous Old English poem, circa 960-990 AD
loose translation/interpretation by Michael R. Burch

See, I unseal myself for your eyes only!
I sprang from a seed to a sapling,
waxed great in a wood,
                           was given knowledge,
was ordered across saltstreams in ships
where I stiffened my spine, standing tall,
till, entering the halls of heroes,
                   I honored my manly Lord.

Now I stand here on this ship’s deck,
an emissary ordered to inform you
of the love my Lord feels for you.
I have no fear forecasting his heart steadfast,
his honor bright, his word true.

He who bade me come carved this letter
and entreats you to recall, clad in your finery,
what you promised each other many years before,
mindful of his treasure-laden promises.

He reminds you how, in those distant days,
witty words were pledged by you both
in the mead-halls and homesteads:
how he would be Lord of the lands
you would inhabit together
while forging a lasting love.

Alas, a vendetta drove him far from his feuding tribe,
but now he instructs me to gladly give you notice
that when you hear the returning cuckoo's cry
cascading down warming coastal cliffs,
come over the sea! Let no man hinder your course.

He earnestly urges you: Out! To sea!
Away to the sea, when the circling gulls
hover over the ship that conveys you to him!

Board the ship that you meet there:
sail away seaward to seek your husband,
over the seagulls' range,
                          over the paths of foam.
For over the water, he awaits you.

He cannot conceive, he told me,
how any keener joy could comfort his heart,
nor any greater happiness gladden his soul,
than that a generous God should grant you both
to exchange rings, then give gifts to trusty liege-men,
golden armbands inlaid with gems to faithful followers.

The lands are his, his estates among strangers,
his new abode fair and his followers true,
all hardy heroes, since hence he was driven,
shoved off in his ship from these shore in distress,
steered straightway over the saltstreams, sped over the ocean,
a wave-tossed wanderer winging away.

But now the man has overcome his woes,
outpitted his perils, lives in plenty, lacks no luxury,
has a hoard and horses and friends in the mead-halls.

All the wealth of the earth's great earls
now belongs to my Lord …
                                             He only lacks you.

He would have everything within an earl's having,
if only my Lady will come home to him now,
if only she will do as she swore and honor her vow.



Led By Christ and Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

By Christ and Saint Mary I was so graciously led
that the earth never felt my bare foot’s tread!

Crist and sainte marie swa on scamel me iledde
þat ic on þis erðe ne silde wid mine bare fote itredie



A Cry to Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

I.
Saintë Marië Virginë,
Mother of Jesus Christ the Nazarenë,
Welcome, shield and help thin Godric,
Fly him off to God’s kingdom rich!

II.
Saintë Marië, Christ’s bower,
****** among Maidens, Motherhood’s flower,
Blot out my sin, fix where I’m flawed,
Elevate me to Bliss with God!



Prayer to St. Nicholas
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

Saint Nicholas, beloved of God,
Build us a house that’s bright and fair;
Watch over us from birth to bier,
Then, Saint Nicholas, bring us safely there!

Sainte Nicholaes godes druð
tymbre us faire scone hus
At þi burth at þi bare
Sainte nicholaes bring vs wel þare



The Rhymed Poem aka The Rhyming Poem and The Riming Poem
anonymous Old English/Anglo-Saxon poem circa 990 AD
loose translation/interpretation by Michael R. Burch

He who granted me life created this sun
and graciously provided its radiant engine.
I was gladdened with glees, bathed in bright hues,
deluged with joy’s blossoms, sunshine-infused.

Men admired me, feted me with banquet-courses;
we rejoiced in the good life. Gaily bedecked horses
carried me swiftly across plains on joyful rides,
delighting me with their long limbs' thunderous strides.
That world was quickened by earth’s fruits and their flavors!
I cantered under pleasant skies, attended by troops of advisers.
Guests came and went, amusing me with their chatter
as I listened with delight to their witty palaver.

Well-appointed ships glided by in the distance;
when I sailed myself, I was never without guidance.
I was of the highest rank; I lacked for nothing in the hall;
nor did I lack for brave companions; warriors, all,
we strode through castle halls weighed down with gold
won from our service to thanes. We were proud men, and bold.
Wise men praised me; I was omnipotent in battle;
Fate smiled on and protected me; foes fled before me like cattle.
Thus I lived with joy indwelling; faithful retainers surrounded me;
I possessed vast estates; I commanded all my eyes could see;
the earth lay subdued before me; I sat on a princely throne;
the words I sang were charmed; old friendships did not wane …

Those were years rich in gifts and the sounds of happy harp-strings,
when a lasting peace dammed shut the rivers’ sorrowings.
My servants were keen, their harps resonant;
their songs pealed, the sound loud but pleasant;
the music they made melodious, a continual delight;
the castle hall trembled and towered bright.
Courage increased, wealth waxed with my talent;
I gave wise counsel to great lords and enriched the valiant.

My spirit enlarged; my heart rejoiced;
good faith flourished; glory abounded; abundance increased.
I was lavishly supplied with gold; bright gems were circulated …
Till treasure led to treachery and the bonds of friendship constricted.

I was bold in my bright array, noble in my equipage,
my joy princely, my home a happy hermitage.
I protected and led my people;
for many years my life among them was regal;
I was devoted to them and they to me.

But now my heart is troubled, fearful of the fates I see;
disaster seems unavoidable. Someone dear departs in flight by night
who once before was bold. His soul has lost its light.
A secret disease in full growth blooms within his breast,
spreads in different directions. Hostility blossoms in his chest,
in his mind. Bottomless grief assaults the mind's nature
and when penned in, erupts in rupture,
burns eagerly for calamity, runs bitterly about.

The weary man suffers, begins a journey into doubt;
his pain is ceaseless; pain increases his sorrows, destroys his bliss;
his glory ceases; he loses his happiness;
he loses his craft; he no longer burns with desires.
Thus joys here perish, lordships expire;
men lose faith and descend into vice;
infirm faith degenerates into evil’s curse;
faith feebly abandons its high seat and every hour grows worse.

So now the world changes; Fate leaves men lame;
Death pursues hatred and brings men to shame.
The happy clan perishes; the spear rends the marrow;
the evildoer brawls and poisons the arrow;
sorrow devours the city; old age castrates courage;
misery flourishes; wrath desecrates the peerage;
the abyss of sin widens; the treacherous path snakes;
resentment burrows, digs in, wrinkles, engraves;
artificial beauty grows foul;
the summer heat cools;
earthly wealth fails;
enmity rages, cruel, bold;
the might of the world ages, courage grows cold.
Fate wove itself for me and my sentence was given:
that I should dig a grave and seek that grim cavern
men cannot avoid when death comes, arrow-swift,
to seize their lives in his inevitable grasp.
Now night comes at last,
and the way stand clear
for Death to dispossesses me of my my abode here.

When my corpse lies interred and the worms eat my limbs,
whom will Death delight then, with his dark feast and hymns?
Let men’s bones become one,
and then finally, none,
till there’s nothing left here of the evil ones.
But men of good faith will not be destroyed;
the good man will rise, far beyond the Void,
who chastened himself, more often than not,
to avoid bitter sins and that final black Blot.
The good man has hope of a far better end
and remembers the promise of Heaven,
where he’ll experience the mercies of God for his saints,
freed from all sins, dark and depraved,
defended from vices, gloriously saved,
where, happy at last before their cheerful Lord,
men may rejoice in his love forevermore.



Adam Lay Ybounden
(anonymous Medieval English Lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious!"

The poem has also been rendered as "Adam lay i-bounden" and "Adam lay i-bowndyn."



I Sing of a Maiden
(anonymous Medieval English Lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.

He came also as still
To his mother's breast
As April dew
Falling on the grass.

He came also as still
To his mother's bower
As April dew
Falling on the flower.

He came also as still
To where his mother lay
As April dew
Falling on the spray.

Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



Tegner's Drapa
loose translation/interpretation by Michael R. Burch

I heard a voice, that cried,
“Balder the beautiful lies dead, lies dead …”
a voice like the flight of white cranes
intent on a sun sailing high overhead—
but a sun now irretrievably setting.

Then I saw the sun’s corpse
—dead beyond all begetting—
borne through disconsolate skies
as blasts from the Nifel-heim rang out with dread,
“Balder lies dead, our fair Balder lies dead! …”

Lost—the sweet runes of his tongue,
so sweet every lark hushed its singing!
Lost, lost forever—his beautiful face,
the grace of his smile, all the girls’ hearts wild-winging!
O, who ever thought such strange words might be said,
as “Balder lies dead, gentle Balder lies dead! …”



Lament for the Makaris (Makers, or Poets)
by William Dunbar (1460-1525)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity …
how the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free …
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee …
how the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world’s vanity …
how the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée …
how the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity …
how the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower …
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee …
how the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
“how the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee …
how the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty …
how the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!) …
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! …
how the fear of Death dismays me!

there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from “the fear of Death dismays me!”



Fairest Between Lincoln and Lindsey
(anonymous Middle English poem, circa late 13th century)
loose translation/interpretation by Michael R. Burch

When the nightingale sings, the woods turn green;
Leaf and grass again blossom in April, I know,
Yet love pierces my heart with its spear so keen!
Night and day it drinks my blood. The painful rivulets flow.

I’ve loved all this year. Now I can love no more;
I’ve sighed many a sigh, sweetheart, and yet all seems wrong.
For love is no nearer and that leaves me poor.
Sweet lover, think of me — I’ve loved you so long!



Sumer is icumen in
anonymous Middle English poem, circa 1260 AD
loose translation/interpretation by Michael R. Burch

Sing now cuckoo! Sing, cuckoo!
Sing, cuckoo! Sing now cuckoo!

Summer is a-comin'!
Sing loud, cuckoo!
The seed grows,
The meadow blows,
The woods spring up anew.
Sing, cuckoo!

The ewe bleats for her lamb;
The cows contentedly moo;
The bullock roots;
The billy-goat poots …
Sing merrily, cuckoo!

Cuckoo, cuckoo,
You sing so well, cuckoo!
Never stop, until you're through!



The Maiden Lay in the Wilds
circa the 14th century
loose translation/interpretation by Michael R. Burch

The maiden in the moor lay,
in the moor lay;
seven nights full,
seven nights full,
the maiden in the moor lay,
in the moor lay,
seven nights full and a day.

Sweet was her meat.
But what was her meat?
The primrose and the—
The primrose and the—
Sweet was her meat.
But what was her meat?
The primrose and the violet.

Pure was her drink.
But what was her drink?
The cold waters of the—
The cold waters of the—
Pure was her drink.
But what was her drink?
The cold waters of the well-spring.

Bright was her bower.
But what was her bower?
The red rose and the—
The red rose and the—
Bright was her bower.
But what was her bower?
The red rose and the lily flower.



The World an Illusion
circa 14th century
loose translation/interpretation by Michael R. Burch

This is the sum of wisdom bright:
however things may appear,
life vanishes like birds in flight;
now it’s here, now there.
Nor are we mighty in our “might”—
now on the bench, now on the bier.
However vigilant or wise,
in health it’s death we fear.
However proud and without peer,
no man’s immune to tragedy.
And though we think all’s solid here,
this world is but a fantasy.

The sun’s course we may claim to know:
arises east, sets in the west;
we know which way earth’s rivers flow,
into the seas that fill and crest.
The winds rush here and there, also,
it rains and snows without arrest.
Will it all end? God only knows,
with the wisdom of the Blessed,
while we on earth remain hard-pressed,
all bedraggled, or too dry,
until we vanish, just a guest:
this world is but a fantasy.



Trust Only Yourself
circa the 15th century
loose translation/interpretation by Michael R. Burch

Alas! Deceit lies in trust now,
dubious as Fortune, spinning like a ball,
as brittle when tested as a rotten bough.
He who trusts in trust is ripe for a fall!
Such guile in trust cannot be trusted,
or a man will soon find himself busted.
Therefore, “Be wary of trust!” is my advice.
Trust only yourself and learn to be wise.



See, Here, My Heart
circa the 15th century
loose translation/interpretation by Michael R. Burch

O, mankind,
please keep in mind
where Passions start:
there you will find
me wholly kind—
see, here, my heart.



How Death Comes
circa the 13th century
loose translation/interpretation by Michael R. Burch

When my eyes mist
and my ears hiss
and my nose grows cold
as my tongue folds
and my face grows slack
as my lips grow black
and my mouth gapes
as my spit forms lakes
and my hair falls
as my heart stalls
and my hand shake
as my feet quake:
All too late! All too late!
When the bier is at the gate.

Then I shall pass
from bed to floor,
from floor to shroud,
from shroud to bier,
from bier to grave,
the grave closed forever!
Then my house will rest on my nose.
This world’s not worth a farthing, Heaven knows!



Johann Scheffler (1624-1677), also known as Johann Angelus Silesius, was a German Catholic priest and physician, known as a mystic and religious poet. He's a bit later than most of the other poets on this page, but seems to fit in …

Unholy Trinity
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Man has three enemies:
himself, the world, and the devil.
Of these the first is, by far,
the most irresistible evil.

True Wealth
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

There is more to being rich
than merely having;
the wealthiest man can lose
everything not worth saving.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose merely blossoms
and never asks why:
heedless of her beauty,
careless of every eye.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose lack “reasons”
and merely sways with the seasons;
she has no ego
but whoever put on such a show?

Eternal Time
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Eternity is time,
time eternity,
except when we
are determined to "see."

Visions
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Our souls possess two eyes:
one examines time,
the other visions
eternal and sublime.

Godless
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God is absolute Nothingness
beyond our sense of time and place;
the more we try to grasp Him,
The more He flees from our embrace.

The Source
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Water is pure and clean
when taken at the well-head:
but drink too far from the Source
and you may well end up dead.

Ceaseless Peace
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Unceasingly you seek
life's ceaseless wavelike motion;
I seek perpetual peace, all storms calmed.
Whose is the wiser notion?

Well Written
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Friend, cease!
Abandon all pretense!
You must yourself become
the Writing and the Sense.

Worm Food
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

No worm is buried
so deep within the soil
that God denies it food
as reward for its toil.

Mature Love
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

New love, like a sparkling wine, soon fizzes.
Mature love, calm and serene, abides.

God's Predicament
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God cannot condemn those with whom he would dwell,
or He would have to join them in hell!

Clods
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

A ruby
is not lovelier
than a dirt clod,
nor an angel
more glorious
than a frog.



The original poem below is based on my teenage misinterpretation of a Latin prayer …

Elegy for a little girl, lost
by Michael R. Burch

… qui laetificat juventutem meam …
She was the joy of my youth,
and now she is gone.
… requiescat in pace …
May she rest in peace.
… amen …
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).
Awake, Æolian lyre, awake,
And give to rapture all thy trembling strings.
From Helicon’s harmonious springs
A thousand rills their mazy progress take:
The laughing flowers that round them blow
Drink life and fragrance as they flow.
Now the rich stream of Music winds along,
Deep, majestic, smooth, and strong,
Thro’ verdant vales, and Ceres’ golden reign;
Now rolling down the steep amain,
Headlong, impetuous, see it pour;
The rocks and nodding groves re-bellow to the roar.

Oh! Sov’reign of the willing soul,
Parent of sweet and solemn-breathing airs,
Enchanting shell! the sullen Cares
And frantic Passions hear thy soft control.
On Thracia’s hills the Lord of War
Has curbed the fury of his car,
And dropt his thirsty lance at thy command.
Perching on the sceptred hand
Of Jove, thy magic lulls the feathered king
With ruffled plumes and flagging wing:
Quenched in dark clouds of slumber lie
The terror of his beak, and lightnings of his eye.

Thee the voice, the dance, obey,
Tempered to thy warbled lay.
O’er Idalia’s velvet-green
The rosy-crowned Loves are seen
On Cytherea’s day,
With antic Sport, and blue-eyed Pleasures,
Frisking light in frolic measures;
Now pursuing, now retreating,
Now in circling troops they meet:
To brisk notes in cadence beating
Glance their many-twinkling feet.
Slow melting strains their Queen’s approach declare:
Where’er she turns the Graces homage pay.
With arms sublime that float upon the air
In gliding state she wins her easy way:
O’er her warm cheek and rising ***** move
The bloom of young Desire and purple light of Love.

Man’s feeble race what ills await!
Labour, and Penury, the racks of Pain,
Disease, and Sorrow’s weeping train,
And Death, sad refuge from the storms of Fate!
The fond complaint, my song, disprove,
And justify the laws of Jove.
Say, has he giv’n in vain the heav’nly Muse?
Night and all her sickly dews,
Her sceptres wan, and birds of boding cry,
He gives to range the dreary sky;
Till down the eastern cliffs afar
Hyperion’s march they spy, and glitt’ring shafts of war.

In climes beyond the solar road,
Where shaggy forms o’er ice-built mountains roam,
The Muse has broke the twilight gloom
To cheer the shivering Native’s dull abode.
And oft, beneath the od’rous shade
Of Chili’s boundless forests laid,
She deigns to hear the savage youth repeat,
In loose numbers wildly sweet,
Their feather-cinctured chiefs, and dusky loves.
Her track, where’er the Goddess roves,
Glory pursue, and gen’rous Shame,
Th’ unconquerable Mind, and Freedom’s holy flame.

Woods, that wave o’er Delphi’s steep,
Isles, that crown th’ Ægean deep,
Fields that cool Ilissus laves,
Or where Mæander’s amber waves
In lingering lab’rinths creep,
How do your tuneful echoes languish,
Mute, but to the voice of anguish!
Where each old poetic mountain
Inspiration breathed around;
Ev’ry shade and hallowed fountain
Murmured deep a solemn sound:
Till the sad Nine, in Greece’s evil hour,
Left their Parnassus for the Latian plains.
Alike they scorn the pomp of tyrant Power,
And coward Vice, that revels in her chains.
When Latium had her lofty spirit lost,
They sought, Oh Albion! next thy sea-encircled coast.

Far from the sun and summer-gale,
In thy green lap was Nature’s Darling laid,
What time, where lucid Avon strayed,
To him the mighty mother did unveil
Her awful face: the dauntless child
Stretched forth his little arms, and smiled.
“This pencil take (she said), whose colours clear
Richly paint the vernal year:
Thine too these golden keys, immortal Boy!
This can unlock the gates of Joy;
Of Horror that, and thrilling Fears,
Or ope the sacred source of sympathetic Tears.”

Nor second he, that rode sublime
Upon the seraph-wings of Ecstasy,
The secrets of th’ Abyss to spy.
He passed the flaming bounds of place and time:
The living Throne, the sapphire-blaze,
Where Angels tremble while they gaze,
He saw; but, blasted with excess of light,
Closed his eyes in endless night.
Behold where Dryden’s less presumptuous car
Wide o’er the fields of glory bear
Two coursers of ethereal race,
With necks in thunder clothed, and long-resounding pace.

Hark, his hands the lyre explore!
Bright-eyed Fancy, hovering o’er,
Scatters from her pictured urn
Thoughts that breathe, and words that burn.
But ah! ’tis heard no more—
Oh! Lyre divine, what daring Spirit
Wakes thee now? Though he inherit
Nor the pride, nor ample pinion,
That the Theban eagle bear,
Sailing with supreme dominion
Through the azure deep of air:
Yet oft before his infant eyes would run
Such forms as glitter in the Muse’s ray,
With orient hues, unborrowed of the Sun:
Yet shall he mount, and keep his distant way
Beyond the limits of a ****** fate,
Beneath the Good how far—but far above the Great.
Mateuš Conrad Apr 2020
i can't imagine a better maxim for a marriage:

   when both of you are young...
and... instead of being
these "star-crossed lovers" -

with a rubric
                  of the thwart(ing)...

to marry: when both are still in love with life...

                    from a nation-state into
the ***** of a diaspora...

what a fine word...
   the mass-influx of hyping around
the otherwise, fake:

       migrant workers...
like the current argument for
british sovereignty:
we will not have any of the bureaucracy
from Brussels...
but, we, will! have...
those romanian fruit & veg pickers!

it's hardly a joke:
more like a choke...
                    what's the difference between...
leaving one part of the country
for another: part of the same country...
and then... being daring enough...
to leave the country: thoroughly...
and have to learn a new language?

dual-citizenship...
go back? stay here?
hmm... i'm not really fond of speaking
or writing in ******...
the germans dissolved...
the russians too: dissolved...
i'm pretty sure that language can
remain intact... as it is...
under the law & justice party...
once they focus on the breeders
with tax-free incentives...

Chicago! what a fine diaspora hub
for the ****** "expatriates"...
good thing i never made it to
h'america: in stripes...

the friends of my youth...
most of then? crimminals...
        the nicknames we had for each
other:
i remember being taunted as being
an... "angol"... because my father wasn't
their father and wasn't part
of laying down the foundations
of "bones" for the dockland light railway...

i left a nation: still in its infancy...
and to its infancy i will drink!
but as a language: not a people...
not a geographic location...
a metaphysical manifestation:
if the word be a faustian signature...
yes, my lord... i see the pinching
itch of the natives squandering it...
like it should not have been...
a frederick hohenstaufen II experiment
in a nunnery on Sicily...
mute children... raised by nuns who didn't
speak: pretending...
to see... what language was genesis primo!

my allegiance is to the tongue...
it might allude to the fife and drums...
but dealing with the rascal
who deems...
that god save the queen be treated
with irreverence...
i'm not as daft and yobbish to glare
with a hydra giving birth to an extension
of its neck-load girth...

give me! the british grenadiers' fife & drum...
and i'll show you le marseillaise!
i have long ago pledge my allegience
to the tongue...
              
because? well... to be honest...
under all the supression from the...
(a) herr meisterstuck:
         the day:
        
        the prussians... "forgot"...
they were jumbled up with the lithuanians
as the last pagans of europe...
and then they decided: whatever it
was that they decided upon...

i hear some russian... i hear a down syndrome
person talk...
it's all lovely and sing-along...
but it's hardly by strict obligation
to the latin script... is it?
i have to nibble at pitty-worth jokes
to aid my...

diaspora: involuntary mass dispersion
of a population from its indigenous territories...
last time i checked...
i was born into a city famously known
for its practice in metallurgy...
i was the never-to-be grandson
of Die Krupp ambitions!
    i would leave my hometown and...
well... there was Warsaw...
or the... brain-drain train "elsewhere"...
from a nation into the grand...
vacuum of the diaspora...

except in england...
       the no. 303... most of which settled
in either Scotland or... Stratford-upon-Avon...
elsewhere... some other... "elsewhere"...

well...
   given that i have had had a choice...
ha ha! comma? sir?! that that?
      given that i have had - had a choice...
well... imagine... perhaps there's something
about Fwench... but i'm chosing sides...
it's not in Norwegian...
so... b'leh b'leh b'leh... b'leh...
                      
               i just have to borrow some german...
speaking this... hybrid saxon having
buggered enough afghanistan-esque brit druids...
the zeppelins were always dropping...
soap-bubbles...
          i tease oh god...
i tease... but this music is so... so...
oh so delight-ful!

                   die könig im gelb!

ah... to marry: when both are in love with life!
terrible affair: should... "life" somehow
matter: to disappear...
this love a suffocation for the best ****
they had in... ever...
and there's nothing of what life is concerned
with...
either children or... being infertile...
but to be in love with life...

the russians can't proclaim a diaspora...
then again: the "mafia"...
i've heard of an italian mob-esque...
      disposition... subsequent undercurrents
to boot...
an... irish mafia?
bothersome details...
         i still pledge my alliance to a Dickens
over a a Shakespeare...
because...
by chance... i might find some poetry
in the prosaic? by Shakespeare alone:
i'm... "expected".... aren't i?

bad news from York-and-the-shire...
Rotherham... and the... prefix ****-
   and the suffix -stani "debate"...
                   do you even know
how... let's not go there...
to term a bogus inconvenience of...

'what the hell is concerning you...
to fathom from cloud-9 a ****** notion of...
being out-bred?!'

an economic war... is a slow war...
it takes time...
it would take the amount of time...
to turn a once proud town focused on
metallurgy into rubble...
some stayed... some moved to warsaw...
some... played: a joker hand de facto...

i am: this... subtle... p.s. curiosity...
had i only come to breed...
rather than to otherwise...
nuance... allegiance...
zu die zunge?! alles!
             die menschen?
                     jeder seine haben!
             die schwach wind und der flagge?!
ist: die schwach wind: und der flagge: nein?

perhaps there's a stressor
of impetus in german that's not allowed
in english...

     ich bin hier für die sprache...
              
it must be translated... such it being:
oh such a wonderful... phrase...

   to marry... when both... are in love... with life...

zu heiraten... wenn beide...
                           sind im liebe... mit leben!

art-*******-and-funky-funky...
parsley-sage-rosemary-thym­e...
        what? thyme? there's a phi or a theta
to posit... instead...
you took the Dubliners' route of: paddy...
tad... and toink!
                'ucking scoundrels!

i will call... the greek-chinese ideogram...
I(ota) the key... and... "thereabouts"...
a keyhole of O(micron)...
it's an id: representation...

                 squashed: yes: 0... for better...
"graphics"...
    
to be young... and to share a half of both:
of being in love with life...

       Φ = the key enters the keyhole (I, O)...
    Θ = the key is turned... (Io)...
         Ψ = the door is opened...

        enough... Beijing "abstract" concerns...
for anyone?
       what's the abstract of rotation?
                                   oh... i guess: 'micron!

so much for abstracts as: only from boing-boing-xin...
some letter can qualify to be
apprehended in ideograms...
B - bossom or a fudge-yeast-byproduct
of a full ***...
              etc. or... Φ, Θ, Ψ...
       now by adding the brackets...
and time has a geography...
from the height of mythology...
to the depths of journalism...
that's... a vector:  (Φ, Θ, Ψ)...

     it's a key... a door... a keyhole...
                            an opening... n'est ce pas?!
hey! let's complicate it further
with: mr. squint... chop-sticks...
dragons... live vermin sushi...
    and counting dry grains of rice...

i'm not: Česlav Miloš...
to begin with... Czesław Miłosz was...
a Lithuanian...
because Copernicus wasn't ******...
"because and because"...
                     sides... all this talk of:
"allegiance"...
**** it... it's a cosmopolitan allegiance
to... the commonality of tongue...
shared to the point...
when... old fictions wrestle with me
and i'm confined to my own cubic...

for english is a language i can
entertain...
allow... yes... this parasite can erode
its host's cranium und...
                                  grauangelegenheit...
it was never... so imposing...
as a german tongue or a russian tongue...
therefore and thereby?
      an easily qualified tongue-donor
with the expanse of thought:
a complete and utter brain-drain on...

now...
there's a difference...
the english will not know it...

there's the nation... and there's the diaspora...
can the english... claim h'america...
or canada... or... australia...
as a nation-extension toward the confines
of a diaspora?
no... i don't think so...

that: quintessential inconvenience of
being merely: english...
   more prone to a local geography...
a devonshire... a derbyshire...
               someone of york...
  lost in new york...
                    a people with...
an imploded seance of diaspora...
    from the humble little island...
to: whatever fraction that was supposed
to make one impose on...

had i just been Irish... and "somehow"
forgotten my Gaelic...
or been that Welshman and no longer
with any Cymru...
well then...
but i come willing because...
      beside the mother and father...
the maternal grandmother and -father...
who will i speak my "native" and "mother"
tunge / zunge to?
          
i rather imagine marriage:
as when both of them are in love with life...
and in love that being said:
a little tale o' whittle england:
make it big in h'america...
        
         this... the most complete...
antithesis of a diaspora...
                    or rather: what lingua franca
was... and what l'inglese is...
and how: even if arabic tried...
and even if: mandarin would hope for...
well... hardly...
jackie chan kung fu and muhammad:
english is more popular than islam...
**** it up: camel jockey!
oh sure... they're "muslim"...
conflicting opinions... once:
speaking in english "arrives"...

                   i'm here: to turn up the volume...
because... i might as well have been
born in estonia... and speaking... estonian...
and never having left estonia...
been very much happy for the euro
and the... thumbling russians... somehow...
"retreating"...
well... if the russians are retreating...
they're: trying to revise being
an indo-european mongrel with...
accents of scandinavia concerning
the founding fathers of Kiev...
and them being russians:
what the hell do we do with the ukranians...
and the mongols that settled and became
tartars?!

yeah... the russians are on the retreat...
    this little island that... hopes for a diaspora...
instead... shuckles...
it has to settle for a h'american empire...
an australia... a new zealand...
ogh! mein! gott! no expatriate diaspora!
no tea with mussolini typo excursions!
mein gott! v'er vill youz goez?!

         zee f'ikkin moonz?! on a sputnik flarez?!
light up baboon *** numero uno:
then whisper among the fwench...

yes... very much brilliant...
         to be alive... and to marry so young...
and be helped: so young...
and not be thwarted...
   'coz crazy bunnies had the best ***...
great: to be alive, so young,
and married: and married to each other
and at the same time: having life marry you
to love it: to be together and married
to a love for life:
and... just... somehow...
having a co-dependent... of reciprocated
self-interests...

                            even in poland...
a soviety satellite...
with concrete chicken-shacks... ah yes:
that... "once upon a time"...
better the ******* state as my landlord
than some grubby liquorice ****** 3rd party:
libertarian "full dislocusre of mammon's
expression of par-tay"... sort of *******!
give me the state, the grey-suit and the gimps!

or? shackle me up for a stipend
working the sloughterhouse...
to boot... a house filled with 20 dobermans...
and 5 rottweilers...
i'll slaughter your cows... for the steak chops...
as long as i have the dogs to cuddle
and imagine myself doing the greater:
cosmic-karma-good...
the dogs... the harem of dogs...
no... women need excuses...
the dogs!

                 hell... a woman would require...
anniverseries... flowers... pinnace for a tsunami...
crumbs... what's a loaf of bread?
details... something to be minded as:
once being a plughole...
blah blah... hands for cushions...
        
              plus... women can't drink...
let her everything else: apart from the whiskey...
if she really wants to drink...
tell her to sober up on some Stendhal or
some Balzac... but don't let a woman
try to outcompete a man drinking...
she can drink...
but not... in that most... ugly: crab-feast
of... "detail"...

the english man... england...
h'america, australia... new zealand...
oh... wait... you were hoping for a diaspora...
weren't you?
yeah... clearly i didn't find an affair of
the imitation of greece...
took charge of the latin script...
inverted the mediterranean sea...

i speak your language: doesn't imply
i've shed the "ethno-nationalist" tattoos of "d.n.a."...
for a people to have made it bitter...
with the teutonic order over access to the baltic sea...
what's the baltic sea?
it's like the black sea...
the baltic sea is about as useful as...
well... the danes and the norwegians
held the toll and price of passing...
just like the turks or the byzantines held
the key of the bosphorus...
the baltic... is a "sea"...
just like the black sea is a "sea"...

did you know... there's a caspian sea?
yeah... it's a "sea"... more like... a lake would
be so much better...

the english could be akin to the arabs
from 200 years ago...
instead: sitting on a tonne of salt...
and waves...
and open horizons...
while the arabs sat on camel ****...
sand... and dinosaur juice...
and materialistic leprosy and limp-****
viagara palm tree impromptu...

sure... the lottery ticket of the past,
oh the most glorious past times...
        nothing lasts forever...
       so it seems...
            here's me celebrating Dickens
to the last... breath... because...
keeping up with speaking my native
language: when there are no
prussians, no russians...
           no austro-hungarians...
and there are only...
ukranians and lithuanians readying
to guilt-trip me over the failures
of the polish-lithuanian commonwealth?!

in this language i can...
ale... nie... w... tym!
To draw no envy, Shakespeare, on thy name
Am I thus ample to thy book and fame;
While I confess thy writings to be such
As neither Man nor Muse can praise too much.
'Tis true, and all men's suffrage. But these ways
Were not the paths I meant unto thy praise;
For silliest ignorance on these may light,
Which when it sounds at best but echoes right;
Or blind affection, which doth ne'er advance
The truth, but gropes, and urges all by chance;
Or crafty malice might pretend this praise,
And think to ruin where it seemed to raise.
These are as some infamous bawd or *****
Should praise a matron. What could hurt her more?
But thou art proof against them, and indeed
Above th' ill fortune of them, or the need.
I therefore will begin: Soul of the Age!
The applause, delight, the wonder of our stage!
My Shakespeare, rise; I will not lodge thee by
Chaucer, or Spenser, or bid Beaumont lie
A little further, to make thee a room:
Thou art a monument without a tomb,
And art alive still, while thy book doth live,
And we have wits to read, and praise to give.
That I not mix thee so, my brain excuses,
I mean with great but disproportioned Muses,
For if I thought my judgement were of years,
I should commit thee surely with thy peers,
And tell how far thou didst our Lyly outshine,
Or sporting Kyd, or Marlowe's mighty line.
And though thou hadst small Latin and less Greek,
From thence to honour thee I would not seek
For names; but call forth thundering Aeschylus,
Euripides, and Sophocles to us,
Pacuvius, Accius, him of Cordova dead,
To live again, to hear thy buskin tread,
And shake a stage; or, when thy socks were on,
Leave thee alone for the comparison
Of all that insolent Greece or haughty Rome
Sent forth, or since did from their ashes come.
Triumph, my Britain, thou hast one to show
To whom all scenes of Europe homage owe.
He was not of an age, but for all time!
And all the Muses still were in their prime
When, like Apollo, he came forth to warm
Our ears, or, like a Mercury, to charm!
Nature herself was proud of his designs,
And joyed to wear the dressing of his lines!
Which were so richly spun, and woven so fit,
As, since, she will vouchsafe no other wit.
The merry Greek, **** Aristophanes,
Neat Terence, witty Plautus, now not please;
But antiquated and deserted lie,
As they were not of Nature's family.
Yet must I not give Nature all; thy art,
My gentle Shakespeare, must enjoy a part.
For though the poet's matter nature be,
His art doth give the fashion; and that he
Who casts to write a living line must sweat
(Such as thine are) and strike the second heat
Upon the Muses' anvil; turn the same,
And himself with it, that he thinks to frame,
Or for the laurel he may gain a scorn;
For a good poet's made as well as born.
And such wert thou. Look how the father's face
Lives in his issue, even so the race
Of Shakespeare's mind and manners brightly shines
In his well turned and true-filed lines:
In each of which he seems to shake a lance,
As brandished at the eyes of ignorance.
Sweet swan of Avon! what a sight it were
To see thee in our waters yet appear,
And make those flights upon the banks of Thames,
That did so take Eliza and our James!
But stay, I see thee in the hemisphere
Advanced, and made a constellation there:
Shine forth, thou Star of Poets, and with rage,
Or influence, chide or cheer the drooping stage,
Which, since thy flight from hence, hath mourned like night,
And despairs day, but for thy volume's light.
Francie Lynch Jun 2016
On Sunday, my S.O. and I
Drove to see Chorus Line
At the Stratford Festival.
A matinee. Beautiful day.
We left the Refineries of Sarnia
For fine entertainment.
The Avon flows gently
Buoying white swans gracefully.
Blah... blah... blah.
All very real.
You can see why it's called, Stratford;
There could be no other name.
A good choice.
Best Shakespearean Festival in N.A.
She explained all this to me on the drive.
If contrary people suffer
From low self-esteem, I didn't help
The situation.
As we drove through rich, green farmland,
Grazing cattle.
She asked why some barns
Have ramps leading to the barn doors.
Well, says I,
The farmers, because of the economy,
Have to sell their livestock in parts,
So the ramps give easy access for the animals
Back to their stalls.

Huh, said S.O.
That's so thoughtful!
Timing is everything.
Sincerity in voice, critical.
Hurry on to a new topic.

Someday, for sure, she'll tell someone, somewhere
About the considerate farmer.
She will.
Timing.
Like the kick line.
Like a *punch line.
Stratford, Ontario, Canada
Sarnia, Ontario, Canada
Francie Lynch Apr 2015
In fair Stratford-on-Avon
Is where we set our stage,
This town where
Our Bard was born,
The man for all ages.

In The White Swan
John's son, Will,
Was rightly being toasted.
Young Will had a way with words,
And used his quill
To turn girls' heads
Toward his finest,
His best bed.

Halfway down Market Street,
Just before the Barber's,
Lived the Hathaway girl, Ann.
Some locals called her Cougar.

Will didn't know how old she was
For she didn't look her age.

A few months on,
Her belly grown
They held a cross-bow wedding.
Ensuing vows
The reception crowd
Filed into The White Swan,
Raised their tankards
To toast the couple
With this Avon song:

*Shakespeare hath
His will with her,
But Ann hath-a-way.
Shakespeare, in his Will, left "his best bed" and only his best bed to his wife, Anne Hathaway. Oh, and it was a cross-bow wedding.
WendyStarry Eyes Jan 2015
Once upon a time
My older sister got stuck babysitting me
It was supposed to be her date night
The plan for her and her man
Was to go to the drive-in and see *******
In my opinion, I was more mature
Than my sister, you see
She needed a babysitter a lot more than me
The circumstances prove this point
I do believe
We cruised up to the ticket booth in her boyfriends
Stationwagon, I laid in the back covered by a blanket
When I heard the ticket masters voice
I knew I was gonna get a spanking
I recognized that lady's voice
It was clear to me
She was Grandma's Avon lady
They paid for two
Drove in on thru and found a place to park
I kept running my mouth while
My sister and her guy tried to make out
I would not shut up about Grandma's Avon lady
Seeing my sister at the ***
I just had to hark
It didn't take long
We were leaving the show
Grandma sent her guardian angel
To keep my sister under control
~Good Ole memories~
Edna Sweetlove Sep 2015
Barry Hodges goes all autobiographical in this one

O well-renowned upper-class *banlieue
#, gorgeous Gosforth,
(blest suburb of the mighty Novocastrian metropolis
majestically situated on the Northern side
of the glorious industrial River Tyne
which wends its stately way towards the sea
only pausing to absorb greedily the teeming outflow
of the sewage farm at charming South Shields),
Thrice hail to thee##, O uncrowned queen of Northumbria!


And selbstverständlich### Gosforth's greatest claim to fame
In the annals of literature and cultural glory
Is to be the proud birthplace of yours truly,
Barry Hodges, the immortal Bard of Gosforth;
O sweet Mary mother of God (Ave Maria, cha cha cha),
How could I ever forget my dearest memory there,
Of my first immense accidental ****** incurred
Whilst washing myself manfully in the bathtub one day,
Thus causing a really **** teenage soapy squirt?

Let my ardent fans gawp in terror and wonder
At my countless amorous encounters
And their tragic yet inevitable consequences;
How sad must you be reading how mistress after mistress
Comes to a sticky end (to coin an unfortunate phrase)?
And, verily, other blood relatives are not spared:
Aunts, uncles, cousins, siblings, (parents even),
All are prone to going under a runaway bus or charabanc
Or even tumbling into a frothily noisome manhole,
Gargling sadly in eldritch agony as they drown
In lumpy brown-ale-flavoured untreated Geordie sewage.

And yet, one day, un bel di di maggio#### perhap,
I too may encounter a fate too utterly horrid,
Too utterly horrid to contemplate, oy vay#####;
Maybe involving a blunt machete wielded gaily
By some poor demented cuckolded old *******
Whose pathetic bedroom skills have been derided
By his gloating lady wife after a taste of love's Nirvana
At the hands of the magnificent Master ******* (me).

O dear Lord and Father of Mankind######,
Look down kindly on el gran Casanova,
El Señor Hodges, and thus let me complete
My mighty oeuvre of awe-inspiring poems,
Before the Grim Reaper takes me in his arms
Dragging me screaming o'er that sad bourne of no return,
To the shivering shores of the benighted Underworld.
But, take pause for a moment, dear reader:
If that other poetic genius (by which I mean
sweet, sweet William, the Bard of Avon)
Could manage 154 bleeding sonnets no less
(and Christ knows how much else besides)
Before kicking the *******' bucket
(and he poked that Ann Hathaway too,
a right totally tasty piece I have heard
with a gorgeously provocative keester),
Surely I may be permitted to churn out a thousand odes
(thus ensuring a few dozen golden trophies from my peers)?


If I am to be denied my just literary deserts,
Even allowing for the occasional day off
To respectfully attend the odd funeral or two
of exhausted bed partners and bystanders,
(followed by the happier reading of the will
in which I get the benefits so richly due to me
as a just reward for sleeping with some ugly cow
and thereby giving her the treat of her pathetic life),
I think it's totally out of ******* order
And a right liberty to boot, squire.
Some notes to assist my fans:
# A pretentious bit of French.
## A Macbeth reference.
### A pretentious bit of German.
#### A Puccinian reference for those in the know.
##### A Yiddish joke.
###### A reference to a hymn I used to sing at school (in between groping my fellow pupils behind the bikeshed)
Hail native Language, that by sinews weak
Didst move my first endeavouring tongue to speak,
And mad’st imperfect words with childish tripps,
Half unpronounc’t, slide through my infant-lipps,
Driving dum silence from the portal dore,
Where he had mutely sate two years before:
Here I salute thee and thy pardon ask,
That now I use thee in my latter task:
Small loss it is that thence can come unto thee,
I know my tongue but little Grace can do thee:                      
Thou needst not be ambitious to be first,
Believe me I have thither packt the worst:
And, if it happen as I did forecast,
The daintest dishes shall be serv’d up last.
I pray thee then deny me not thy aide
For this same small neglect that I have made:
But haste thee strait to do me once a Pleasure,
And from thy wardrope bring thy chiefest treasure;
Not those new fangled toys, and triming slight
Which takes our late fantasticks with delight,                      
But cull those richest Robes, and gay’st attire
Which deepest Spirits, and choicest Wits desire:
I have some naked thoughts that rove about
And loudly knock to have their passage out;
And wearie of their place do only stay
Till thou hast deck’t them in thy best aray;
That so they may without suspect or fears
Fly swiftly to this fair Assembly’s ears;
Yet I had rather if I were to chuse,
Thy service in some graver subject use,                              
Such as may make thee search thy coffers round
Before thou cloath my fancy in fit sound:
Such where the deep transported mind may scare
Above the wheeling poles, and at Heav’ns dore
Look in, and see each blissful Deitie
How he before the thunderous throne doth lie,
Listening to what unshorn Apollo sings
To th’touch of golden wires, while **** brings
Immortal Nectar to her Kingly Sire:
Then passing through the Spherse of watchful fire,                  
And mistie Regions of wide air next under,
And hills of Snow and lofts of piled Thunder,
May tell at length how green-ey’d Neptune raves,
In Heav’ns defiance mustering all his waves;
Then sing of secret things that came to pass
When Beldam Nature in her cradle was;
And last of Kings and Queens and Hero’s old,
Such as the wise Demodocus once told
In solemn Songs at King Alcinous feast,
While sad Ulisses soul and all the rest                              
Are held with his melodious harmonie
In willing chains and sweet captivitie.
But fie my wandring Muse how thou dost stray!
Expectance calls thee now another way,
Thou know’st it must he now thy only bent
To keep in compass of thy Predicament:
Then quick about thy purpos’d business come,
That to the next I may resign my Roome

Then Ens is represented as Father of the Predicaments his ten
Sons, whereof the Eldest stood for Substance with his Canons,
which Ens thus speaking, explains.

Good luck befriend thee Son; for at thy birth
The Faiery Ladies daunc’t upon the hearth;                          
Thy drowsie Nurse hath sworn she did them spie
Come tripping to the Room where thou didst lie;
And sweetly singing round about thy Bed
Strew all their blessings on thy sleeping Head.
She heard them give thee this, that thou should’st still
From eyes of mortals walk invisible,
Yet there is something that doth force my fear,
For once it was my dismal hap to hear
A Sybil old, bow-bent with crooked age,
That far events full wisely could presage,
And in Times long and dark Prospective Glass
Fore-saw what future dayes should bring to pass,
Your Son, said she, (nor can you it prevent)
Shall subject be to many an Accident.
O’re all his Brethren he shall Reign as King,
Yet every one shall make him underling,
And those that cannot live from him asunder
Ungratefully shall strive to keep him under,
In worth and excellence he shall out-go them,
Yet being above them, he shall be below them;                        
From others he shall stand in need of nothing,
Yet on his Brothers shall depend for Cloathing.
To find a Foe it shall not be his hap,
And peace shall lull him in her flowry lap;
Yet shall he live in strife, and at his dore
Devouring war shall never cease to roare;
Yea it shall be his natural property
To harbour those that are at enmity.
What power, what force, what mighty spell, if not
Your learned hands, can loose this Gordian knot?                    

The next Quantity and Quality, spake in Prose, then Relation
was call’d by his Name.

Rivers arise; whether thou be the Son,
Of utmost Tweed, or Oose, or gulphie Dun,
Or Trent, who like some earth-born Giant spreads
His thirty Armes along the indented Meads,
Or sullen Mole that runneth underneath,
Or Severn swift, guilty of Maidens death,
Or Rockie Avon, or of Sedgie Lee,
Or Coaly Tine, or antient hallowed Dee,
Or Humber loud that keeps the Scythians Name,
Or Medway smooth, or Royal Towred Thame.
Celestite Oct 2018
We pulled up in the drive way
If it weren't for my hello kitty flip flops, my feet would've melted into the cracks of the pavement.
Running up to ring the doorbell, and the smell of home rushing through my nose as I am greeted by hugs.
Kicking off my kicks, and letting the beige colored carpet mingle with the bottoms of my feet.
Leaping on to a couch that was stained with strawberry ice cream and memories.
The lace that trailed off the ends of the curtains danced as the breeze from an open winow came to say, "hello."
Splashing in a wading pool while grandma looked through Avon catalouges
sipping lemonade that we made prior, in a Disney Princess Sippy Cup.
I run up the stair into my room; sparkly purple bed sheets cover my bed and I crash.
All snuggled up in an ocean of blankets while everyone else watches the Steelers game downstairs.
As I dose off, half way through a dream filled with pink, grandpa woke me up; he said we were going out for ice cream!
I put on my favorite Little Mermaid shirt on and ran downstairs.
We all pile into an old BMW and start our journey to Sarris.
Nostalgia and city lights fill my eyes with wanderlust.
We park the car and rush to hop in line. When we order our ice cream we sit down in a red diner-hop booth.
Everyone together, MiMi, Papap, Mom, Dad, Victoria, Patty, G-G, and me.
And I don't know if it was eating powdered donuts on Sunday mornings
Or the way that Fresca tasted after eating a happy meal,
but visiting your house
in that small town in Pittsburgh
Is the only way that I can describe "home."
Lawrence Hall Jan 26
Lawrence Hall, HSG
Mhall46184@aol.com

              Avon Man and the Mystery of His First-Best Bed

                   I gyve unto my wief my second best bed…

          -Attributed to Shakespeare in his will. Or Churchill. Or
          Milton. Or Elvis. Or Some Famous Man. And Shakespeare
          was secretly a Catholic. (No, he wasn’t.) (Yes, he was.) (No, he
          wasn’t.) (Yes, he was; I read it on the InterGossip.)

That second-best bed doesn’t matter a pop
Those anyones whoever slept in it are deads
Memorialized as dashboard bobbleheads
At Ye Olde Anne Hathawaye gifte shoppe

Kinge Richarde nevere cryede, “mye kyngdome fore ye bedde!”
Yea, goode olde Sirre Erpinghame joked, “Now lye I like a kynge”
So what’s the deale withe the firste-beste bedde thynge?
Thatte seconde bedde is where the Widowe rested hir hedde

Ande thusse ye scholares maken withouten cessatione
Unsupportede argumentes and allegationes
When it comes to Shakespearean scholarship, this isn't it.
Avon
I’ve been bathing in Avon
With bubbles and creams
A lovely haven
My best dreams
Lavender and cocoa butter
To smoothie out my skin
I have soaked outside to within
I’m so relaxed now without the gin!
https://www.avon.uk.com/store/Rosieandsophie.  You can order on line from this link and delivered straight to you! Lots of products are only a £1! Hope it’s ok sharing! I can’t believe how awesome it is wow!
Dr Peter Lim Sep 2015
'LOVE IS BLIND'?

'Love is blind'?
what nonsense!
then how come we have
'love at first sight'?
Shakespeare in one sentence
had hoodwinked us since 1616
true, he wrote great drama and poetry
but we must note
he didn't study medicine
nor opthalmology
and mind you
we are living in the 21st century
with all the science and technology
surely it would be the greatest folly
to just quote the bard's cliche blindly

the eyes have it
ask the ophthalmologist

without the eyes
the lover would not see
beauty
and as a corollary
how could you love somebody
if in the first instance
you were blind id est--you couldn't see!

careful, so careful we must all be
to differentiate between reality
and the ranting of silly poetry
if this myth were to perpetuate nilly-*****
mankind would look really silly
that would look good not even to the slightest degree

and one more thing
please bear with me
and this is the bard's secret history

he had chancre--venereal ulcer
for which he received treatment
could he have written 'Love is blind'
being affected by that odious malady?

London's brothels he did visit frequently
when he was away from Stratford-upon-Avon
he drank a lot too--there is ample evidence
he also had anasarca (oh mercy!)
result of mercury-related membranous nephropathy
( we shall not defile him further-
but his alopecia was due to treatment of mercury
for his syphilis---what a medical litany!)

in conclusion
we could somehow see
that England's greatest writer
was not as bright as he had been taken to be.
nil
Carl Velasco Aug 2018
Mother taught me flight.
Father, hover.

I learned haunt, whine,
bother,

From looking at men
stripped down to their tidies
in those Avon magazines, I found out
I liked them. Look at that paunch.
Also that crotch. And the studio light twinkle
on skin & eyes.

I looked at the *****. You have to know:
this was no sin. I covered my head
with lace antimacassar as I traced
this man’s junk with my fingertips;
I was covered.

Save for that,
I did right by rules,
most of the time.
Scraped knee, split lip,
didn’t cry at those, no,
as so ordered.

We never tell girls this, but did
you know us boys have a rite of passage
supposed to be kept secret? It goes:
Your father takes you to a hardware store.
You ask why, and he only says “this is day,
the mark of the man.” You nod.
He takes you to the aisle
with all the blades:
shears, scissors, awls, ice picks, whatever.
He lets you pick one. He pays for it.
Father takes you home, gives you the cutting tool
of your choice, and tells you to go to the bathroom,
face yourself in the mirror, and
“aim for the tear ducts.”

It’s kept secret because
it doesn’t work. Not always, anyway.
I’ve heard about other boys that missed,
both eyes damaged.

Not all, not all.
My gentle father didn’t:
he bought me Flu Game Air Jordans,
the one with maroon slithering around black.
Boys always got expensive basketball shoes.
I suppose he loved his boy, is all.

Father’s not that bad. Mother, neither.
Only clueless, maybe.
One time I came home too happy,
head-drunk thinking about this schoolboy crush,
and they never knew.
The first time I jacked off I felt the entire sky
strike my pelvis with a typhoon fizz,
and they never knew.
During prom a boy slashed my heart with a
scalpel (his cutting tool?),
and they never knew.

You can’t teach boys some things,
like how to whisper to another boy
when the light is out.
alaric7 Jan 2018
Hull shudders,
sails wind-tormented rip
Five days without meat
thefts of everything
            we had
Coppermine River
where no tree grows
          abrogates
gentle sweet Avon
which not only lost
but decapitated
blushed a prayer book.
For really the poorest
hath a life to live
as does the greatest
and therefore truly
every person
           that is to live
under a government
ought first by their own
put themselves
under that
         Then I ask
where are sweet flowers?
         They answer
cut whatever you want
    drink gently
golden hummingbird
who are you looking for?
This body is to narrow to start the concrete picturesque poetry

As a marvelous bright sparkling spring into the pitch black marvel stone
My poems are shallow water running out of time climbing backwards

Shanti dances, Shakti watches, I ride the glossy magenta mountain byke Elementally through the potentially ***** city, gulping two little
              flying                            spoons          ­            wwhhpp          mhm                                  ­    
                       of
Brilliant        IO Ag
                   Helth guarantieed on the nulth spelling positive not
Obtrusive politely declined           skipped          suggestive
Visually objective little pencil box down bellow
                                             friend    _ this is blank !

Absolutely! Absoulutely! A ****** stream of no perservatives no ***

Objecting flowery flunder opiates                           Words grow from
Barriers between insufficient gestures                  from human
Jazzy left ear leaving laments of sounds incapability to stay
Endlessly entwined and glued together as your soul loves
Tender tactile cats touch on your desperate desert sju++
                  Ave Gratias Plena Ava Gardner Avon Avion
  My throat is not of a managment made suits suiting suitcases
I'm Tired Of Fraternities Or True Females  Always  Ends  Well

— The End —