A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul

I abuse words verbally like my voice is Bobby and the dictionary Whitney/
Like a literary hyperbole properly arranged to explain this deranged brutality perfectly/
Force the English language to work for me like a particularly dark time in history/
Optimistically take the tongue twister trickery and aggressively attack a vocabulary vocally and personally/
Not physically but a barrage on your psyche, almost psychedelically/
Use words medically, like a surgeon I expertly plant thoughts whispered softly but assertively/
Moving letters like chess pawns to express thoughts masterfully and creatively/
Gruesomely grotesque but gorgeous thoughts written down beautifully/
You can't help but hear the perplexity of mythoticly placed words with comradery/
An oddity with the audacity to raise the bar and up the capacity/
Because what comes out of me has to be exactly what you see because it is me/                
Not just a part of me but all of me/
I'm not a fallen tree sitting in the forest silently, quietly all by my lonely/
It's just the opposite actually and factually/
I will attack with a dialect so violent you violently retract causing you to react cowardly automatically/
I don't even have to lift a pinky, leave it stinky/
Let my words linger there in the air like **** smoke, thick and sticky/  
Periodically come back to peek and see if you've figured out the mystery and found the key/
One that'll decipher decisively what it is that I've let out of me and spread to all humanity/
I could never have planned it, see, it had to happen naturally, organically if you will/
And not to build it up falsely but I honestly, back then, didn't have the ***** to let it out of me and it cost me considerably/
So now this mastery I hold of word delivery bestowed to me gets jotted down feverishly/
With an intensity equal to none inside of this ******* century, can't censor me/
Got a consistency that forces me to constantly cross the border of insanity repeatedly/
Time only to watch my talents as they literally wither away for all of eternity/
Such a tragedy to see such agony but please, no apology brought on by sympathy/
Just let me be as I drift farther out to sea to a place you'll never see/
To let these words mold me into someone you could never be/

©2018

Would nothing be guaranteed?
Can short pain be part of the journey,
when moving towards long run joy?

Although it is always safer not to go on that journey,
Unknown is the path, nothing is guaranteed...

A thousand and one are the hazards of the journey,
many are the pitfalls -
Nothing can be guaranteed...

Will each small piece of love compose to a secure jigsaw?
Didn’t we search for love in a crystal ball?
It was hidden inside,
a *******.

And the seed was very hard and
the sprout had
“very, very limited’ room to meet with treasure for all!

But the seed tried,
she whispered, but assertively,
If it was an effort;
She drops the hard shell.

Does she start moving?
Immediately the light twinkles:
the struggle with the soil, together with the stones,
dancing with the rocks.

How good is the thought
If it doesn’t set you free
The freedom you seek within

How blind can you be
When you already can see
The true side of it

How good is the thought
If it doesn’t set you free
From miseries

When you don’t trust
Your own heart
How will you believe
That you can

There is freedom
In believing yourself
There is freedom
In believing, that thought
That you can believe
In yourself
That inner strength
Assertively
And that freedom sought
Is freedom received

While rummaging, mining,
and distilling me gray matter,
stoking mentality activates
oft time surprising me,
where unexpected novel

cognizance never abates,
I experienced becoming
linkedin with cosmic fates,
sans collective unconscious
soul of the universe,
and chanced to espy,

(albeit only a trimmed speck),
the spirit of William Butler Yeats
considered one of the foremost figures
of 20th-century literature,
where elan suddenly accelerates
though immediately abruptly stops

dead still in figurative tracks
utter disbelief accompanied
by shell shocked shyness accentuates
to remain stock still
suddenly feeling inadequate, inferior
immovable, insignificant...self doubt actuates

internal tussle, while
wise counsel within adjudicates
unable to convincingly
brush off devil's advocates,
which in no way, shape or form
successfully bolsters cockamamie idea,

floats and navigates fan to see, alternates
with bold prospect an emotional
paralysis immediately aggravates
anxiety as cowardice accumulates,
nonetheless pesky needling aggregates
maximizing far fetched optical illusion,

despite what must be hallucination,
this laughable wordsmith appreciates,
though many wildest dreams of mine defy
explanation, a feeble attempt articulates,
how dreamlike hypnotic stance captivates,
thru cosmic haze quantum matter assimilates

aura, charisma, enigma
rippling ethereal tore'n shroud
sensing, nursing, imbibing...
indecisiveness capitulates
wavering seduced mooring
temptation assertively celebrates

nonpareil genius among pantheon,
whose Eire rush grandeur circulates
thru time and space infiltrates
stimulating within mine off kilter crown,
where reverence circulates,

for long deceased Irish poet laureate,
his unseen presence amalgamates
vibrant tendrils of late
August author's grandeur effectively percolates
within and illuminates me with inspiration.

He doesn’t belong to me anymore
He has joined forces with another woman
That gives him abundant love and joy
More than I could ever give him
But as much as he has drifted away from me
I refuse to let him walk out of my life

He is my hot chocolate dream star
My heartbeat that syncs with mine
My extremely rich, sweet, and pleasant rhyme
My magically mellow dopeness
She can’t give him what his mind, body, and soul needs
She can’t expect her love to be enough
To make him whole, to make him flow in unison
With the radiant and relentless seas

How will she ever breathe sweetness into his system
How will she ever reach the treasures of his heart
How will she ever nourish his world with her feminineness
She will never be able to do for him the way I can do for him
He needs me to replenish his dimension
To listen to the way he speaks and answer him assertively
To comprehend his complex mindset
To hold on to him sensually

Fill his world with unfathomably profound inspiration
Let my ardent reverential love linger and echo in his ears
I got the fire and spice he requires to allow him to shine in life
I am all that he needs and feels in the nighttime
All the man that can silence his storms
My gayness gives rise to his dynasty

I know he steadily says he is straight
But I can tell he is very taken up with me
Carried away, far gone on me, affected by my effervescence
He is my brightest purest flower
Alluring, precious, rare, and deliciously scented
My remarkably dapper, strong, and whole man
Grandly gifted, exceptionally venerable

I can provide fuel to his engine
Uplift him, amplify his flex and street cred
Let him lay on my phenomenally full and impressive *******
Trail my fingers on his long, fresh, and fetching dreadlocks
Make his hormones accelerate
As my tongue glides over his firmness
She will never be able to do all these things for him
She may attempt to do so, but his heart will forever belong to me

He doesn’t belong to me anymore
He has joined forces with another woman
That gives him abundant love and joy
More than I could ever give him
But as much as he has drifted away from me
I refuse to let him walk out of my life

He is my hot chocolate dream star
My heartbeat that syncs with mine
My extremely rich, sweet, and pleasant rhyme
My magically mellow dopeness
She can’t give him what his mind, body, and soul needs
She can’t expect her love to be enough
To make him whole, to make him flow in unison
With the radiant and relentless seas

How will she ever breathe sweetness into his system
How will she ever reach the treasures of his heart
How will she ever nourish his world with her feminineness
She will never be able to do for him the way I can do for him
He needs me to replenish his dimension
To listen to the way he speaks and answer him assertively
To comprehend his complex mindset
To hold on to him sensually

Fill his world with unfathomably profound inspiration
Let my ardent reverential love linger and echo in his ears
I got the fire and spice he requires to allow him to shine in life
I am all that he needs and feels in the nighttime
All the man that can silence his storms
My gayness gives rise to his dynasty

I know he steadily says he is straight
But I can tell he is very taken up with me
Carried away, far gone on me, affected by my effervescence
He is my brightest purest flower
Alluring, precious, rare, and deliciously scented
My remarkably dapper, strong, and whole man
Grandly gifted, exceptionally venerable

I can provide fuel to his engine
Uplift him, amplify his flex and street cred
Let him lay on my phenomenally full and impressive *******
Trail my fingers on his long, fresh, and fetching dreadlocks
Make his hormones accelerate
As my tongue glides over his firmness
She will never be able to do all these things for him
She may attempt to do so, but his heart will forever belong to me