The night was over
The band was done
Time to hit the lights
Another Friday
In the books
And we only had two fights

One busted speaker
A broken chair
A proposal killed at ten
Time to close
And shut it down
Until we start again

Ashtrays full of hopes and dreams
Burned away with no success
Half filled bottles and empty glasses
Just signs of more excess
Time to clean away the night
And sweep away unanswered prayers
Wash the lipstick from where it stayed
And clean up the nights layers

Another morning
after another night
of at least ten broken hearts
where remnants of
scattered hopes
were dead before their start

An empty shell
hopelessness...tempting
once more..'have a try
where once the band
is finished up
you can all go home and cry


Ashtrays full of hopes and dreams
Burned away with no success
Half filled bottles and empty glasses
Just signs of more excess
Time to clean away the night
And sweep away unanswered prayers
Wash the lipstick from where it stayed
And clean up the nights layers


Each day starts fresh
Last night is gone
Nothing ever lasts
The beer is cold
The bar is warm
Last night is in the past

Regulars arriving
Band is tuning
The staff is in position
Fake Id's
abound tonight
with cougars on a mission


Ashtrays full of hopes and dreams
Burned away with no success
Half filled bottles and empty glasses
Just signs of more excess
Time to clean away the night
And sweep away unanswered prayers
Wash the lipstick from where it stayed
And clean up the nights layers


Ashtrays full of hopes and dreams
Burned away with no success
Half filled bottles and empty glasses
Just signs of more excess
Time to clean away the night
And sweep away unanswered prayers
Wash the lipstick from where it stayed
And clean up the nights layers

You know it's not worth all the trouble
The stationary on the table
Open the doors to needy families
They need their ice machines
Need their locks and they need keys
And they need chairs and beds and ashtrays
The stationary on the table
Next to the television
I was in the shower
Looking for my soap
The doors were closed, I'm sure
No one knows I was there
Kept it well hidden, then I
Did what I had to do and then I
Walked away and I forgot this day ever happened
Ever happened
It's easy to walk away just turn your head
And forget this day ever happened
It's easy just to walk away, turn your head and forget
That this day ever happened
It's easy to forget, turn around and leave
Wrap it around your sleeve and forget
Forget this day, this day ever happened
Left the ice machine
I left my locks and keys
I left my luggage and my ***** magazines
I left my ashtrays
Left my bed and my buffet
Left my chairs and my keys and
Lord, I left my "Do Not Disturb"
Left my family, left the housekeeper
And I left the ice machine
Left the postcards of the pool
Left the restaurant, left the shower
And the rooms and the signs that say:
"Soap upstairs, stationary on the table
By the television."
I stole the towels and the TV guide
I got into my vehicle, I stole another ashtray
From the bar, by the bed, by the buffet
Sat in your electric chair and thought of children
I was a clerk, I had a "Do Nor Disturb" sign on my head
And the Doors were playing in the background
About the broken families
And the housekeeper at the ice machine
Where she lost her keys, but she never could find the locks
And her luggage and her magazines
Oh, she's on the phone too much, and the pool is warm but it's closed
She's got a postcard
There's a remote chance that the restaurant is still open
But we've got the keys to the rooms
We got showers, we've got signs that say:
"Soap can be found upstairs
By the stationary on the table
Sitting by the television."
Well, I brought back the towels but I kept the TV guide
My vehicle's in the shop and the ashtrays are filled
With roaches and roach clips
And the bar of soap that I stole from the hotel
That was by the beds that were never quite made right
And the buffet that didn't taste right
And we were sitting in the chairs
We were listening to your children
Oh, that purse does not seem to like me much
I said, "Do not disturb my meditations, if you please
Turn that Doors tape off, if you please."
Gotta get home, back home to my family
I once was a housekeeper, I once was a housekeeper
Yes, I was, do you remember when I was a housekeeper?
But I never knew my way to the ice machine
And they never gave me keys so I never knew where the locks were
And I never needed luggage because the only things I'd seen were in magazines
Heard about on the phone - spent some time by the pool
Writing on the backs of postcards, suicide notes
But it's remote- this restaurant will not be the place I do it
I know I need some rooms - rooms with showers
Need myself a sign that says "The soap can be found upstairs
Next to the stationary on the table by the television."
I need some towels but I don't need the TV guide
So I got the TV, yeah I put it in the vehicle outside
Along with a couple of ashtrays
And a bottle or two that I had ordered but never paid for at the bar
Well, the beds were made this time
But the buffet still didn't taste quite right
And the chairs they gave us were much too small
Like they were made for children
But the clerk was not responsive to my complaints
She kept on saying, "Do Not Disturb me
You know the way to the doors."
If I had a dollar for all the families who were expecting me to be a housekeeper
I'd go buy the ice machine
Empty the ice and find the keys
And then I'd go look for the locks
Take my luggage cram-packed with magazines
I've got some quarters for the phone
Brought my swimming trunks for the pool
Send a postcard
But there is a remote possibility
That I might never leave here
But stay here
Eating in the restaurant
Where the rooms are not too cozy
And the showers ain't got no running hot water
We need a sign, there were nothing but signs
I should have been paying attention to the signs
I should have brought my own soap
The thought occurred to me as I walked down the stairs
That's why I need some stationary
I'm gonna sit down at the table
Turn the television off, send back the towels
Open up the TV guide, think about the vehicle outside

There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal.

There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal with the inevitable death of the night. They bruise the air I breathe with love and faith and trust with no meaning—without even meaning it. But what do they know what I didn’t feel when I sat on that bridge or cowered on the fringes of the ocean? Their hands aren’t ***** like mine—their confidence does not seem fractured by these words that will never reach them, or their kids, or grandkids.
As day begins to move, I know I work at two and will be home by midnight again. The witching hour—where some stay and others go.

So I wanted to **** him!
Of course I did.
Didn't you?

I only wanted a new twirl of genes on my belly,
New legs, all ambition.
I've got a city of curls,
I need hands on them,
A new voice on my name.

You stand there green and wild at the hood,
****,
hurling ashtrays and lamps.
Let's have a fight!
A fist fight,
That years ago I could have won.

Is it done then?
What a tragedy if it is!
Because I'd pay for you to **** me now,
Right now,
While you hate me.

PINK HIGH HEEL SHOES

I remember drinking
pink champagne

from your pink
high heel shoes.

I remember making love
with you

wearing only
your pink high heel shoes.

I remember
how your pink high heel shoes

became

candle holders
ashtrays
(where you stashed your hash)

deadly weapons
in an...OW!...row!

& you ask me
do I remember

your pink high heel shoes?

Do I?
I do!

This is a three-part, longer narrative poem, seen
as old photographs that follow the main character, My Aunt, Lillian Goldrick, across two decades.  It was written 30 years ago*
______

“Hey Kid!”     Part I

Photographs aren’t fair
stopping the soul where it’s not
in rectangular guffaws
surrounded by serrated edges, pickets, teeth?
to fence and stab in yellow, soft-covered booklets
with designated floppy phrase
“Your memories”

Happier than she could ever be...

A black and white day at Salisbury Beach, NH
hung over his hammock
Private pin-up girl
tilts her head against silver sheen of shoulder
Hair, dark chignon
except for a few wispy curls about her face
freed by wind
bleached by sun

Stopped

...for three decades
Legs slightly bent—long extended
that could stop trains, stop traffic

Stopped

Modest bathing suit, probably peach
cannot hide (not that she would)
the undeniable
And if there were question left
you could look at her smile—and love her
posed by he message scrawled in sand:

“Hey Kid!”

What kid? Where?
In the foreground?
In the camera’s eye?

In the background—
a Ferris wheel, a billboard
and  r-i-g-h-t  there—Can’t you see it?
Look again—behind her eyes
You can barely see it, but it’s there.
Remember?

The Depression
Only ten years before
It was April
Stroke, heart attack
Both of them gone, a year apart!
The priest came
Last Rites for mortally stricken
Candles, crucifix, the Catholic containment
of holy water that dams the tears

Kneeling around the bed
they said the Rosary

——————————

After VJ Day he came
to the house on the corner
of Commonwealth Ave.
She knew he was coming
but she could not be ready today
nor tomorrow
nor next week—or ever...

“Lill! Will ya come to the door?
She’ll be ready in a minute.
Hey Lill! Hurry up, will ya!
They’re waitin’ fer us!”

Upstairs in the dark hallway
her door clicks shut....
________


"Hey Kid"    Part II


The clock at Joe Rianni’s read 20 minutes to 12...

Crowd from the Phillip’s Theater—gone
though laughter lingers
in a Friday mood
in high-backed booths
where only an hour ago swinging free
were high-heeled shoes
legs crossed at knees....

Now on tables abandoned
deserted fields of French
fries lie cold in salt flurries

Only female straws wear lipstick
as do Luckys bent in ashtrays
Males, uniformly flattened
as powder burned, as mortar might
shells, casings—the evidence of war
Among explosions of tickled giggles
one was taken broadside...

listing     toward      stars
_______

...The clock read 20 minutes to 12

when she walked in--
And Rhea stopped swabbing black mica counters
long enough to absorb late-customer hate
and envy that such beauty can arouse
In voice hoarse and weighted like a trucker’s

“Whadaya have, Lill?”

“coffee”

The small answer settled at the soda fountain
and slowly struck a match...
She was falling from the slant
of her black felt hat
dripping off the point of pheasant feather
Gray gabardine suit
tailored from angle of shoulder
to dart diagonally
toward such a waist!
Turned to skirt hips
that arched and dove toward slit—
then seams that run the round of calf

that seem to flow
to ankles of naught—
...and all that seems

Black     high-heeled     above it

Coffee— cold, stale
Gray glassed-in stare
searches air and random walls
of coat hooks, menus, mirrors...
while lips ****** exiled words— replies

Dragging a demon from her Camel
slowly     purposefully
she exhaled a burly arm of smoke
that rose and laid its hand
against the ceiled atmosphere of embossed tin
Then leaning over her shoulder
in roiling emission of shrugs and sneers—

“Lill—There’s no way outa here!”
________


“Hey Kid!”    Part III

After kneeling backwards on their chairs
after nuns, catechism recited
After—
Five of them scuffed through leaves and litter
along the curbing
spotting cars that counted—
Bugs, beach wagons, flying bathtubs
A slower way home of hunting
shiny chestnuts and muddy finds
rare match book covers
and bottle caps that win ya things!

One breaks from bunch
and trials off to where
dimes turn to candies!
...at a dingy luncheonette...Joe Rianni’s
____

Here—behind smeary wall of glass
pleasure leers while holding back
those grimy fingers, lips that long
for jelly fish, gum drops, lollies
holding back the company
of Baby Ruth, and Mary Jane
O Henry or Bazooka Joe!
For less money but the same salivation
there were colored dots to chew and ****
from strips of paper that last forever!
For a little more, plus the sweet struggle
of desire denied
a kid could be proud owner
of a pea shooter or trading cards!
While in the mouth
were golden imaginings—
the chocolate foil of coins
and the candied pretense of cigarette adulthood
_____

Rhea didn’t see her in the line...

Only grownups with wallets and purses
Only grownups get waited on...
...because Rhea was a Gypsy!
Kids could tell!
by her big red lips and hair to match
by the nasty way she chased them out—
“****** kids!”
Only grownups get waited on....
_______

And the clock read 20 minutes to 12

While a child waits—
time stirs in a ceiling fan
   There’s a drift in attention
      along deepening endless walls
         toward a line of sleepy booths
              carved with

“I was here—in such and such a year”

Her aunt—at the last stool—like always
Their names too close
Confused too often

A little girl wonders
about the sight behind the sightless stare
loafers, ankle socks, the ‘40s hair
the gathered skirt that gathers ashes
as they fall from cigarette
held in yellowed fingertips
Tremors crimp the smoke that climbs—

              ...a strobing pillar

“Whataya want, girly?”

              ...the only movement

“Hey! What’s it gonna be!”

              ...in a shot—

“HEY KID!”

              Snapped

I really like pills and cigarettes and things that can **** me but haven't yet. I really like how fast it's draining my life but I really just want it to speed up. I really like when I get so mad that I can't feel because feelings can genuinely hurt. I take away that hurt with 16 to my head and filled ashtrays that scream teen angst.

William Zanzinger killed poor Hattie Carroll
With a cane that he twirled around his diamond ring finger
At a Baltimore hotel society gath'rin'
And the cops were called in and his weapon took from him
As they rode him in custody down to the station
And booked William Zanzinger for first-degree ******
But you who philosophize disgrace and criticize all fears
Take the rag away from your face
Now ain't the time for your tears

William Zanzinger, who at twenty-four years
Owns a tobacco farm of six hundred acres
With rich wealthy parents who provide and protect him
And high office relations in the politics of Maryland
Reacted to his deed with a shrug of his shoulders
And swear words and sneering, and his tongue it was snarling
In a matter of minutes on bail was out walking  
But you who philosophize disgrace and criticize all fears
Take the rag away from your face
Now ain't the time for your tears

Hattie Carroll was a maid of the kitchen
She was fifty-one years old and gave birth to ten children
Who carried the dishes and took out the garbage
And never sat once at the head of the table
And didn't even talk to the people at the table
Who just cleaned up all the food from the table
And emptied the ashtrays on a whole other level
Got killed by a blow, lay slain by a cane
That sailed through the air and came down through the room
Doomed and determined to destroy all the gentle
And she never done nothing to William Zanzinger
But you who philosophize disgrace and criticize all fears
Take the rag away from your face
Now ain't the time for your tears

In the courtroom of honor, the judge pounded his gavel
To show that all's equal and that the courts are on the level
And that the strings in the books ain't pulled and persuaded
And that even the nobles get properly handled
Once that the cops have chased after and caught 'em
And that the ladder of the law has no top and no bottom
Stared at the person who killed for no reason
Who just happened to be feelin' that way without warnin'
And he spoke through his cloak, most deep and distinguished
And handed out strongly, for penalty and repentance
William Zanzinger with a six-month sentence
Oh, but you who philosophize disgrace and criticize all fears
Bury the rag deep in your face
For now's the time for your tears

Five Ashtrays Along the Bar

A bartender named Blue, old hound-dog face
Cigarettes in ashtrays along the bar
One for the man who didn’t get that raise
Another for the man whose wife has gone

A third for the McKuen who scribbles free verse
A fourth for the silent philosopher
A fifth for the girl waiting for her call
To the tiny stage to show ‘em what’s she’s got

Leather jackets at the billiards table
A neon beer sign as the sanctuary lamp

Odysseus is angry without knowing what reason scared hopeless longing not a good student teachers raise suspicions Mom claims he is mentally not right in third grade parents send him to well-known psychiatrist conducts many tests finds Odysseus’s i.q. scores quite high doctor’s diagnosis is learning disabilities emotional anxiety recommends weekly appointments Odysseus continues to see various psychiatrists all the way through college in late 1950’s early '60’s psychiatric field is somewhat unreliable one downtown child’s psychiatrist chats about other patients then gives Odysseus baby ruth candy bar another psychiatrist with office in Wilmette tells him parents need therapy advises he will someday live independent of parents free of their influences

Odysseus Penelope Ryan Siciliano play in undeveloped land across from Schwartzpilgrim’s apartment building there is big tree they often climb near corner of commonwealth and surf streets Ryan is going on about his favorite actor errol flynn and movie “they died with their boots on” suddenly two bigger older boys approach bully them down from tree Odysseus does not recognize older boys from neighborhood bigger older boys push Penelope to ground then elbow trip Odysseus punch Ryan in stomach panic shoots through all three of them bigger older boys glare down with taunting eyes after terrifying moment Ryan then Odysseus jump up flee across street they hide beneath parked cars in underground garage of Odysseus’s building hearts pound in terror hearing footsteps on concrete grow louder they hold their breaths voice speaks out "they’re not here they’ve gone Odys where are you?" Odysseus and Ryan crawl out from under cars feel ashamed of their cowardice in front of Penelope and putting own self-preservation before her protection Ryan is particularly disturbed explains his family are sicilian code of conduct Ryan insists Odysseus swear never to divulge their weakness Odysseus promises later Penelope tells Mom

harper is broad-minded exceptional school housed in old english tudor building on second floor along hall is long glass cabinet displaying among other things 9 large jars each containing developing stages of fetus girls wear uniforms of navy blue skirts with knee socks white blouses blue sweaters which are school colors boys are allowed to wear blue jeans and shirts in good taste Miss Moss teaches fourth grade classroom is duplex with stairs leading up to balcony directly under stairs is secret meeting place and beneath balcony are classmate cubbyholes there is sunroom facing south overlooking entrance stairs to school where older students hang out Odysseus thinks Miss Moss is pretty wonders why she is not married she has deep blue eyes dark thick eyebrows premature graying hair she wears in bun he has crush on Miss Moss thinks she is best teacher he has ever known she teaches greek mythology assigns each member of class character in ancient greek mythology Odysseus is appointed Hermes son and messenger of Zeus Hermes has affair with Aphrodite resulting in child Hermaphroditus Hermes also fathers Pan rescues Dionysus saves Apollo’s son there is voice speaks inside Odysseus’s head no one can hear voice except Odysseus it is voice of smart-*** disobedient twisted child when Miss Moss says “where shall we begin today?” Odysseus automatically answers in his thoughts “how about up your sweet ***?” it is uncontrollable voice for his amusement only often he tries to ignore voice but sometimes it speaks out when voice speaks out Odysseus gets in trouble his friends think voice is funny adults get offended when he reflects on classmates at Harper and distinction of their privilege he wonders what went wrong they are troubled class in fifth grade they cause miss penteck to have nervous breakdown and retire other classes produce famous actors playwrights renowned restaurateurs prosperous investment bankers leading doctors Odysseus’s class produces delinquents gangsters social dropouts drug addicts suicides they take their privilege and run it straight to hell

creature inside Odysseus can be little monster teaches Penelope how to go berserk going berserk involves entering strange residential building in neighborhood elevator up getting off about middle floor pushing all elevator buttons scrambling down stairs knocking over umbrella stands spilling ashtrays ringing doorbells pounding doors running out lobby doors escaping uncaught Penelope is good warrior princess brother and sister can be little terrors

Ryan Siciliano and Odysseus go to see “the magnificent seven” at century theater they head south along broadway street college-age girl with large bouncing ******* appears walking north Ryan and Odysseus glance at approaching girl then nod to each other no plans uttered as college girl passes both Odysseus and Ryan reach up grab her ******* pet squeeze then run do not look back keep running laughing all the way to theater they watch movie with jaws hanging open mcqueen is brilliant all seven are so groovy movie inspires both Odysseus and Ryan.

in 1960 Mom and Dad send Odysseus and Penelope to sunday school at temple shalom teacher calls him aside "Schwartzpilgrim what do you want to be when you grow up?" Odysseus answers "architect or maybe an indian warrior" teacher says "do you know story of judas maccabi? he was a great warrior leader learn about the festival of lights and wield your sword wisely Odys Schwartzpilgrim" Odysseus replies "yes sir" two weeks later he gets kicked out of sunday school for pulling seat out from under girl during solemn religious service he never learns hebrew nor is he bar mitzvahed

Odysseus is hyper-sensitive about race and religion knows he comes from race of people who once were born into slavery nazis systematically exterminated millions of them at aushwitz-birkenaub belzek chelmno majdanek sobibor stutthof treblinka black and white photographs of faces emaciated children adults flicker before his thoughts knows jews are hated not considered caucasian in europe and russia not allowed to own land for many centuries what does it mean to be member of race of people who are despised and blamed? he sympathizes with all minorities particularly negroes who were forced from homeland collared into slavery and native americans who were cheated out of land and slaughtered by white people

Something about her
the way she sips her beer
as if it’s tea, and she’s in a kimono
peering out into a storm
as the wind rattles the ***
and snakes through the silk
she undulates, sliding her finger
over the rim, then sips

I know the real storm
broods inside her frail frame
but she says little. mostly listens
and it drives me utterly insane
she should scream or bang on walls
she should throw ashtrays into tvs
but instead, she simply nods
her glazed eyes as still as pearls

She’s like a cherry blossom descending
towards the  muddy trail below
she will be trampled by hooves
of  merchants and thieves
and I am the charcoal cloud, aching
as I feel her falling farther from me…

finally you came back to me;
for good we thought.

we'd walk out in the dark, and sprawling streets in
the empty mornings
and smoke packs of our favorite kinds, we had thought.

and there was one glorious weekend when we wore
long skirts and smoked
rollies on
the white painted balcony.
we stole six bottles of wine from
an unlocked cellar,
fully clothed in our
indian dresses,
underneath were our lacy bras
and silky underwear.

we walked the path barefoot
to the Nest, and we tattooed the dead and dying branches
with the sharp art of our burn marks,
and under the bridge where we
jumped into the frigid creek,
and let the sun shine through our hair while
a blond boy played his guitar.

we stayed up late,
jumping on the soft pink carpet of my room,
making small earthquakes in the quiet town,
screaming the songs
that beat to our own heart.

we crawled onto the red shingled roof
and inhaled the
thorn filled
atmosphere of
November,
smoking newports and marlboros faster than
Olympic champions.

we were naked but for our limp hair, hanging at our sides and
shivering skin,
“smoke me like a cigarette”
we softly sang, with the light of my room
slowly slinking into the night.

we took a drunken shower afterwards,
a bottle of chardonnay
reflecting the red light overhead,
the water rolling off our bodies,
ash falling from our hair.

we woke up in the light of one another's
morning eyes,
with splitting heads and cracked grins,
we had more plans.

we laughed on the secret
flower hotel porch,
bringing out more of our wine bottles,
playing our music loudly,
unfiltered spirits
was slowly writing their tragedy on our
wilting lungs.

that night we stuffed our beds
and created sleeping bodies out of ***** clothing and
small pillows.
we ran into the fresh night,
trouble as a steel edge on our
summer filled laughter.

we danced to the music that filled our
murky brain,
stumbled into a smoke filled room and burned
our throats
*****.

we walked in the deserted hours
of four in the morning,
and stamped on the counters,
of some boys house,
voice hoarse from
singing Neutral Milk Hotel at the top of our
brimming lungs
and banging on guitars.

we broke ashtrays,
and hearts,
and we snuck back in
with orange-chai hookah fresh on our
dry lips,
when the sun was threatening to
rise.

we wandered around the sunken down
town
the next day,
unfilters again.

we smoked three packs in two days.
sixty cigarettes,
for the sixty days we've been apart.

my mother told me later that she could smell it on me
riding on my breath,
she could tell by our dry eyes
and bed made hair,
we were hungover.
we smelled like ashtrays,

Hydrocodone is no excuse for you to be
torn so violently apart from me,
everything is falling out of
place.

I wake up every morning
It always starts the same
Trying to remember yesteday
It's just part of the game

Lord, I can't go on not remembering last night
I can't keep livin' hard I must confess
Lord, I 'm here to say I'm not drinking anymore
But, then again, I ain't drinking any less

I'm not drinking anymore
I'm not drinking any less
I'm tired of sleeping on the floor
My life is one hot mess

A room of empty bottles
Ashtrays full up to the brink
I look at them and all I feel
Is that I need another drink

This can't go on forever
I can't deal with all the stress
I'm not drinking anymore
But, I ain't drinking any less

Lord, I can't go on not remembering last night
I can't keep livin' hard I must confess
Lord, I 'm here to say I'm not drinking anymore
But, then again, I ain't drinking any less

You've got this seven year itch
Gone through about 31 to find
The right fit for your glitch
Guitar strings for heart rings  
Hips grinding against your newest
Ink splatter


I see a face that has launched ships
Baritone stiff and moody
Like a cigar bar on a Sunday afternoon
They are all hiding from their wives
When they come to watch these shadows
Quiver

how do you know
what you know
isn't an illusion
or a hologram
or a ruse to them
& theirs
why I do declare,
*******.

I am ******* bored
with this

I've been here before,
but I've changed a bit.

I know my soul
must be ******* ancient
& has taken spaceships
to different places
you know, most
don't own the patience
for any explanation that ain't
ready-made, microwave
layman safe.

as for shakespeares
as for lennons,
maybe they'll get it
if they've mastered dissipation
if they're versed in manipulation
if they keep contained
indecipherable ranges of
insane visions
to which ignorance
is malignant,
if they're excitable &
strange & incandiferous.

if they have eyes in their brains
& are made of diamonds,
if they're kinda like,
sadomasochistic.

wait, you're gunna miss it.

when the inexpensive lynchmen
get bent up & purple faced
pinched pens & been up for days
cause they seen some ****
& ain't been quite the same since.

nevermind it, they lookin frigid.
this **** is ridiculous.

**** it, quiet
silent, silence,
sigh then.
keep calm
remain indifferent.

this **** is ridiculous.

listen, listen.

if you see me missing,
please report it to the police
******* themselves in the street,
cause it's easy, it's easy.
tell em I only speak in
secret spells & ******,
but I know
some swears in dreamy.

the sleepy cellular subject
is defective, so ...
so be it, the pest shall be deleted
lest it spread disease
& eat up all the fleece,
then we'll all be cleaned -
no, not really.

the fiends are still fiending
the fields are still weeping
paint is still peeling
off walls
who couldn't talk
but were still breathing.

the truth is still
spooky ****,
nightmare things
on inviting screens
& the teeth keep screaming.

maybe they're thinking.

about the end
... ?

mooshed up stubs of cigarettes swell in flooded ashtrays,
like fishies who gave up swimming to skim the surface,
belly first.
everything looks ancient when the sunlight is a muted grey.
this is not my home.
clouds part momentarily,
and a slice of off-white jet stream gets enveloped by a crying sky;
someone said, "you won't grow if you don't weep."
well, don't weep for me.
the smell of wet dirt,
wet leaves,
and wet concrete
waltz in through the drafty windows,
leading the parade of nostalgia breaking me down.
why in the **** did i ever grow up.
now it's rent checks,
passed-due notices,
and borrowing money so that the dogs can finally eat.
this isn't the 'me' i once loved.
i was a fearless leader of the rain-coat regime,
leading a fleet of one-thousand wax-paper sail boats to victory
over the tyranny of the rain gutter.
i was brave then.
a renegade cowgirl of the final frontier,
adorned in costume jewelry and mud stained over-alls.
i built ships to shred the sky,
and bring home my mother all of saturn's hula-hoop rings,
and every bouncy-ball on mars.
she always said my treasures were worth millions;
but i didn't want the money, then.
i wanted adventures.
with dirt roads and ***** toads and sandwiches smashed to ****
by rouge apples set in the cooler.
i wanted to hold the map,
and the compass,
and feel like the captain of our red-desert sea.
i wanted to see for myself everything that the horizon had to give me.
see,
at that age,
i knew i'd live forever.
but at this age,
i know i'm bound to slowly die.
i'd give every penny to my name
to get back to the days
where even the rain didn't stop me from playing.
to when "dressing like a princess" entailed mom's red apron,
dad's harley davidson cap,
and little brother's rain boots.
i haven't felt like a princess since.
i just feel like a failure,
and it hurts.
i don't even know where i learned the word,
but i promise,
i regret it.
so i'll wish on this cheap bottle of whiskey,
and the glass that i'll drink from,
to go back.
to be five again.
to be set next to my mother's type writer,
whispering the words to the newest tall-tale i'd woven,
and watching her type out my dreams for me with her perfectly slender fingers,
one sticky key at a time.
it always sounded just like rain drops.

Light spreads darkly downwards from the high
Clusters of lights over empty chairs
That face each other, coloured differently.
Through open doors, the dining-room declares
A larger loneliness of knives and glass
And silence laid like carpet. A porter reads
An unsold evening paper. Hours pass,
And all the salesmen have gone back to Leeds,
Leaving full ashtrays in the Conference Room.

In shoeless corridors, the lights burn. How
Isolated, like a fort, it is -
The headed paper, made for writing home
(If home existed) letters of exile: Now
Night comes on. Waves fold behind villages.

Vague recollections,
Of curio collections,
Salt and pepper shakers, unused
crystal ashtrays, reflecting rainbows
of northern prairie light on days bright.

A prairie girl, did you miss the place near the Arctic Circle,
your home?  Did Odin and Freya call you away from here to
there, or was Thor, or Loki the thunder in your angry voice
that I feared and may have hid under the steep basement
stairs, quietly in the dark hoping you were unaware.

Some of your children, and
your spouse, left before you did,
I know that was tough, and a shame.
You were tougher, though, you did
suffer in you aging frame.

I know you loved us all, I know you knew me too,
very early you said of me "he is a sensitive child", which
I have found to be all too true, many years after you have
gone I miss you, grandpa and dad, Audrey and Vic too.
Did you all find Valhalla at Heaven's Gate?

So I will not stir up the past, nor
will I hurry, through each day, for
I will remember, and smile at those
memories that brought me joy, prose
and rhyme not of a child, but a Viking man.

©DWE032013

Handicap suburban hippies
Cruising like hyenas
Trampoline ******
****** tissues in ashtrays
Natural born riders
Liquid courage makes little peanuts
Alien Nation
Infomercials on mute
Strange thugs and dark markets
Needles and pixie sticks
Under the manmade weather
New types of bullet holes
Slaying the jabberwocky in
The new Transylvania
The Yes monster
Cranium stadium
Swords and roses
Barren space
Insolent minx
Holidays gone bad
Continental drift

She ******* constantly about
cigarette smoke.
Of course, when she’s drunk, she  
smokes all mine.
And while she’s complaining
she’s taking snipes that
I wake up at six in the
morning to dig out of
ashtrays—walking miles to get.

It’s laughable.
She sits there with a  
***** **** hanging
loosely from her hand and
says,
“I don’t like my
apartment smelling like
cigarettes.”
I say,
“Then don’t smoke.”
She says,
“Why don’t you buy some
real cigarettes—I’ll show
you what real
cigarettes taste like.”

Then she storms
off, all *** and hair flying.
She comes back with a
pack of smokes and a
cigar box.
“I paid two dollars for this, you can
put all your ***** butts in here.”

It’s actually beautiful.
It’s made of cedar and
would look great with
a cactus in it.

There are wood shavings at
the bottom, her
money would have been
better spent on
a dollar pack of rolling papers.

I’m field stripping the
snow embossed butts and using
cut up pieces of the
yellow pages to roll
cigarettes that I’m able to smoke.
She doesn’t have
a clue.
She only smokes when
she’s drinking.

Down the ******--
Adventures of Feral Children

If there has to be a gate, I suppose I have always had my own theory that “The ******” was one of those places through which God pulled Paradise inside out.  I was always wandering there, pretending-- playing sometimes or searching for something-- the exact moment that spring begins, or the place of my secret dwelling where I was in charge, where I was queen.  Always hoping for the constant surprise of beauty, a lady slipper-- stunning last year's leaves, a meadow of white violets-- May snow on green?  Or was the startle of of seeing my first scarlet tanager in the saplings-- still too cold for leaves?

To the uninitiated The ****** was nothing more than the meaning of its name, a bending tube of woods with a brook tracing along it-- like snake's spine.

Not a practical place for a housing development, it had an ether of history as some “Valentine Park” and playground, and I guess that was true, judging from the ruins of bridges, stone half-penny steps, and the overgrown lima-bean shaped pool.  Huge, stone block stairs had faced each other, lining the entrance of a spring-- a fountain once, covered now with moss.  It loomed at dusk like an ancient temple.  Even the course of the brook had been maintained by giant, redstone slabs-- long-since tumbled in the wake of hurricanes whose names I've forgotten....

...Like a snake's spine... always there for a thousand years, wearing its steep banks ever-deeper into the guts of city till oaks, hemlocks and white pines became sentinel giants, far taller and older than their genes had ever intended.  In the war for sunlight, they through up an unwitting wall against all-- but the most daring encroachments...

...Like say-- like say half-grown people, cigarette butts, broken bottles, and underground “forts” with their smells of stale beer and musty clothes, old mattresses-- echos of giggling, the aura of explored forbiddens.  To us who knew her, The ****** could outlive remembrance but not rumor.  Like an old graveyard or an abandoned house, it was the place to go with our bags of candy, pea-shooters, and fire crackers!  We'd go there to fake-smoke punks-- we either were or wanted to be--
  
Somebody's parents always leaving their lights around....

We came there to delve into our made-up mysteries, like the one about that antique car that had rusted in “The Swamp” for centuries!  ...that someone's dead cousin drove off The ******'s cliff side one night... drunk as a skunk!  ...right where The Diamond Match's got this big pipe that spews all that gray **** into the brook! ...right where we used to swim and play on the hottest days since we couldn't use the city's Paddle Pond (folks were scared of polio in those days), so we played at “The Pipe” --making “Indian pottery” with the neighbors,  Gary, Davy, Shelley, and Sandy.  Red clay cups and ashtrays on red hot afternoons-- making wild polluted Indians of Jew and Irish kids alike.

Now I almost forgot.... I was telling you about that antique car-- the one some cousin of Ross was supposed to 'ave driven right off the cliff into the swamp and died... Well... His ghost still lurks there! ...and goes into 'iz cousin's body-- Ross, that is....  Let me tell ya!  Ross could sure mess up an afternoon's good time by his appearance!
                                          __­__

  
But The ****** wasn't just for spooks-- not if you were into spraying girls with rusted cans of rotten Reddi Whip, kicking skunk cabbage (same effect), or finding frogs eggs under lily pads,  Gary even discovered those curious old Italians picking water cress barefoot in The Frog Pond.  Intensely curious, he was not afraid of their funny speech and ways.  He had gallon cans and pickle jars for raising pollywogs-- so he was on a mission.  But best of all, Gary had a backyard that overhung The ******'s swamp!  We could even view The Pipe hurling runoff ten feet out into the basin!  Our aberrant Niagara after a good storm.

Then there was the time that Tarzan swing just appeared!-- Like one of those convenient vines in the jungle movies!  It hung from a pine on one of The ******'s sheer sides, and was capable-- when wrapped around the trunk and given a running start, of providing one helluva-swooping-good ride-- out over the brook, into the sunlight and back-- with a thousand terrifying variations.  Took me a while to work-up my nerve-- a little longer to be really fine!

Tommy Gireaux fell and broke his arm.  Our swing was nothing but a stump of rope next day.  Twenty feet up, dangling fun, cut off and left-- to remembrance of times so real Tarzan made personal appearances!

______

He asked me why we couldn’t do it in the basement.
The answer isn’t a simple one;
I couldn’t tell him about that poem you wrote me.
I blamed it on my irrational fear of spiders
To sidetrack his incessant inquisitions.

It was the only place I used to be able to be myself.
With trying to improve the area,
It turned into more of a hell.
The carpet feels like knives on my feet.
The ground is much colder than I remember it being.

A place that was once so dear and warm
Is now filled with empty wine bottles and full ashtrays
And a sewing machine that just represents
All that I’ve tried and never succeeded in.
I could hide this from him, but not from you.

Next time he asks if we could do it in the basement,
I should say sure, why not, because
It’s not like I have a past that will keep up the empty bottles and full ashtrays.
It’s time to face my irrational fear that has
Absolutely nothing to do with spiders.

I need to know something. I don’t know if you want to tell me or not, but I really don’t care. You’re gonna tell me or you’re gonna find yourself in a world of trouble. I’m already ****** and it won’t take much to push me over the edge into dangerously angry territory.

No, **** it. Never mind. I’m ALREADY in “dangerously angry territory”. No, it wasn’t your fault. I was already close enough I could see the other side of reason before you came along.

But it would still be nice to know, if you’re willing to tell me. I mean, I’m not going to force it from you. That was the plan just a moment ago, but I’ve changed my mind. I’ve decided that my bitterness is not your fault. I won’t make you pay for it.

Yet I do feel as if it would do me a world of good to know.

Where were you when I was falling in love?

Were you sitting in a back seat of a crowded subway train with a cup of Starbucks coffee in one hand and a copy of “The Catcher in the Rye” in the other, holding it in front of your face as if it’s pages were a fascinating mirror? Was there an old man sitting near who turned to look at you every so often to the point where it creeped you out? Maybe you eventually said something to him, like “Excuse me, but is there something you wanted to say to me?"

“Why would you get that idea?” he would ask, as if he were totally oblivious to his invasive nature.

“I don’t know…you just keep looking at me and I wondered if there were a reason for it.”

“Nope. Not that I can think of.”

Did you smack him real good right then? Did you draw blood? I hope you did. I hope the driver had to stop the train to come back and drag you off of him. It would have been a real drag if the police had to be summoned, but on the other hand, wow, how ****** the thought of you resisting arrest.

Or did you cower into your corner, turn a page in your book and let the lecherous ******* carry on? I don’t think so. I really don’t think so. I don’t think that’s the kind of girl you are. I think you’re a firecracker.

And I think that wherever you were when I was falling in love is not where I wanted you to be. Not where you should have been.

Because I fell in love with a robot. Who knows why I fell in love with an ottoman? I didn’t know she was one at the time. Do you really think I’m stupid enough to fall in love with a machine? No, she was flesh and bones when I met her. She seemed normal, like all the other women I’ve ever seen or known.

But then she started smoking cigarettes. She carried them around in a little soft leather pouch that could be mistaken for nothing else but a case for holding the little *******.

God I hate cigarettes. I hate the smell of them, whether they’re lit or not. I hate the dark tan color of their filters with the little white dots speckled randomly. I hate the cotton that stuffs their filters. I hate the white paper with the almost imperceptible stripes banding around their length. I hate how the brand is stamped close to the base of the filter. I hate the packages that they come in and the cellophane that wraps them. I hate how stray flecks of tobacco gather in the bottom of the boxes and the wrappers, too. I hate how they make a person’s breath stink. I hate how they make a person’s clothes reek. I hate the way they look in a shirt pocket. I hate the way they look between people’s fingers and in their mouths. I hate the way they burn down to the nub and the ash that they leave behind. I hate pitch black nicotine stains on ******* smokers’ hands. I hate the way some people put one between their ear and noggin and actually think it makes them look cool. I hate how smokers seem to have some code of sharing, how it’s always “Hey, can I *** a smoke from you?” and 99 times out of 100 the answer is “sure”. It’s never, “Okay, but you gotta pay me back.” Oh no, Smoker’s Karma is at work here. I hate the way too many people call ‘em “smokes”. “I’m off to get a pack of smokes.” Good God, I think that’s lame. “Smokes”. Ha. I hate the way smokers ***** about laws that prohibit them from smoking in public and how so many of them have absolutely no regard for non-smokers who not only can’t stand the smell of the ******* but would just as soon not chance even the most remote possibility of getting lung cancer caused by second hand smoke. I hate how smokers would tell that person, “Oh, don’t be ridiculous. The chances of that happening are one in a million.” So what? *******. ******* with your nasty cancer sticks and **** your tar-lined wheezing lungs, too. **** the death bed you will lie on when emphysema steals your last breath. **** the oxygen tanks that cost almost as much as all the cartons of cigarettes you have wasted your money on during the last who-knows-how-many years of your life. **** all your attempts to quit. **** the feeling of disappointment that overwhelms when you fail once again, as Mighty God Tobacco hugs you, strokes your wet hair, wipes the sweat from your forehead and the tears from your eyes. Sweet summer sweat. The tears of a clown.

You know what? She never smoked before. I never would have thought she would pick up that disgusting habit, but she sure as hell did. Picked it up like it was a twenty dollar bill someone lost that she found on the side of the road as she walked to the smoke shop to buy another pack of Marlboro Lights.

There’s another thing I hate about cigarettes. “Smoke Shops”. Where the value-minded smokers purchase their wares. Not “Cigarette Store”. Not “Tobacco Warehouse"…oh, no. It’s a SMOKE SHOP. You’re going to buy some smoke, brother Jim. You’re gonna spend too much money at the 7-11 and it’s all gonna go up in smoke, but by the grace of God you are gonna save a couple of bucks by purchasing them at the “Smoke Shop” instead of the convenience store. You complain until you’re blue in the face about how ridiculously high the ciggy prices are at normal retail outlets, but when you run out of ‘em and the God-blessed “Smoke Shop” is closed ‘cuz it’s Sunday you’ll drive like a madman to Love’s and blow ten bucks because there’s a “Buy Two Get One Free” special going on. What a ******* good deal that is, eh, mister?

Furthermore…CIGGYS??? I hate how people call ‘em “ciggys”. But not nearly as much as I hate the word “cigarette”. I cannot stand to speak the word. I hate the way it rolls of my tongue. I hate the way the word sounds like it means “little cigars”.

I hate the way some smokers empty out their car ashtrays in the parking lot. I hate the way all the butts look lying there in a heap, a pile of paper soaked with the spittle of a hundred different mouths. And yet the nicotine python grips some desperate smokers so tightly that they will pick them up and try to smoke the last tiny flecks of tobacco from their crushed and blackened ends. I’ve even seen people extract the remaining **** from several discarded butts, roll it all up in a Zig Zag paper and smoke it. Don’t these people even know what Zig Zag papers are for? They sure ain't for tobacco, Charter.

“Butts”. There’s another word in the smokers lexicon that just sounds silly. “Smoke ‘er down to the ****, Jack, we’ve got more!” “I don’t have an ash tray, Terry, so just put your BUTTS in that half empty soda can over there on the table”…never thinking that there might be someone else at the party who could very likely mistake that particular pop can for his own and take a mighty swig from it. Oh my God, the thought, it gags me. How nauseating it would be to feel one of those wretched things fall against your lips and…Egad…the flavor…and yet the cruel smoker will laugh at such misfortune.

****.

God help me.

She was not a robot when I met her. Oh, no, she was a beautiful, exciting, passionate loving woman with a heart of gold and a desire that was practically insatiable. Here…take a look, I have a photograph in my wallet. See what I mean? That’s right, daddy-O, she was a real dreamboat. I used to carry this picture with me wherever I went…I guess I still do, huh? But I don’t know why. I don’t know why I torture myself looking at it, remembering what was, all we had, our bright and glorious future wrecked and deserted by her newfound proclivity for smoking cigarettes. Yeah, my friend, she was a real keeper. But you know what? **** her now, y’know? Just turn her over and **** her.

But hey…perhaps I’ve been too harsh on the smoker in general (if not to her…no, not to her). Perhaps I have exaggerated a bit. After all, some of my best friends smoke. It’s their business, not mine. Never has been mine. I know that. If they knew how I felt about the whole thing, whose to say they wouldn’t tell me to ****** off and never come back? Then again, if they are so shallow as to take any of this as a personal insult, then maybe, just maybe they aren’t my friends after all. I doubt the robot would want anything more to do with me if she knew what a stalwart anti-smoker I am. But I thought she felt the same. She DID feel the same. She told me as much. Before she lost her soul. Before she started smoking cigarettes. Before she started bumming ciggys.

I got no time for changes in her life so now I ask you again…where were you when I was falling in love?

Were you sitting in a Pentecostal Holiness church on a hard pew early Sunday morning before the service began, thumbing through the hymnal, looking for one that best expressed your feelings of devotion at that point in your spiritual journey? And what would that hymn have been? “Onward Christian Soldiers”? “Peace in the Valley”? “In the Garden”? “Smoke on the Water”? “Hotel California”? Maybe some obscure Black Sabbath song tucked in at the end of the book, next to the Doxology?

Did your hair shimmer, reflected in the light that poured through the stained glass window directly behind you? Did you feel it’s heat on your neck? Did it draw out beads of perspiration there, glistening? Would you have let me lick them and taste their saltiness even in the sanctuary of the church building? Probably not. But I don’t think the idea would repulse you like it would some other bonnet headed midi-skirt wearing holy rollin’ *****.

Maybe I would have asked you outside so that you might feel a little more comfortable with what I’d had in mind.

And maybe you would have told me “no”. I couldn’t blame you for that. No, I wouldn’t. It’s only natural for a real woman to guard her integrity in situations such as this one. I could not hold that against you.

Is that where you were? I need to know. Where the hell were you when I was falling in love?

Here,
in the room of my life
the objects keep changing.
Ashtrays to cry into,
the suffering brother of the wood walls,
the forty-eight keys of the typewriter
each an eyeball that is never shut,
the books, each a contestant in a beauty contest,
the black chair, a dog coffin made of Naugahyde,
the sockets on the wall
waiting like a cave of bees,
the gold rug
a conversation of heels and toes,
the fireplace
a knife waiting for someone to pick it up,
the sofa, exhausted with the exertion of a *****,
the phone
two flowers taking root in its crotch,
the doors
opening and closing like sea clams,
the lights
poking at me,
lighting up both the soil and the laugh.
The windows,
the starving windows
that drive the trees like nails into my heart.
Each day I feed the world out there
although birds explode
right and left.
I feed the world in here too,
offering the desk puppy biscuits.
However, nothing is just what it seems to be.
My objects dream and wear new costumes,
compelled to, it seems, by all the words in my hands
and the sea that bangs in my throat.

Trees, houses, Treehouses,
Abandoned.
                  beaches
                ­                 still
                                 appear the same as summer
but the sky's gone
                 Sunshine
to
                Windwine
                                  (Clouds and clouds, some much            
                                    larger than others, sometimes just one big cloud  
                                   mapped out between            
                                   us and rest of universe to the cascade horizon)

All the pets can tread cement
without
worry of burns and the two hundred calamities
of July are over.
                              Replaced with
                              rain and bums escaping to the
                              soup kitchens and
Churches
                                  (East side Vancouver, Pandora Victoria,  
                                                 astreet in a city astray)
Ashtrays freckled in the evening drizzle
common.

My hands are held by gloves and
                                 fingertips from half of
                                 Japan,
my lips are kissed by the                          comet
beauty mark on right side
bottom
                                                (Though this universe is attending
                                                  unive­rsity in a distant city
                                                  while I hold my own
                                                  practicing the Dharma,
                                                 or MAYBE none of this will happen!)
Everything is in its place
as it always was-
though circumstance has tried to
teach us otherwise the                        
                                     ­                            Blackbox
                                      made of star-rubber S T R E T C H I N G
Hasn't the concept
of          calendars or
                             Jesus or
                                medicine cabinets
                                                         Dentists and
                                                             ­               Saints.
Everything is in its place
as it will always be
        as it has never been...
(Ever)
SPONTANEITY of matter
                         Gliding thr-
                                          -ough matter.
What does it all matter anyway?
There's                    loving
and                    ­     experiencing,
                Music.
           Personsong.
         Do-no-wrong.
That        no-no           of making
             mistakes?
A falsity!
**** up

In blissful circles
to the         SOUND
                    OF SNOW
                    MELTING
on streetlamps front of my
House.
                                (A very silent orchestra performing
                                 Before collision and like dog whistles
                                 It's a sound we cannot hear.
                                The peoples got their poetry and
                                cognitive thought so the other
                                Animals get the REAL sensory
                                Inconceivables to write about
                                But the ******* can't)
In that
                        future
_____
basement house

Where the Van Gogh
                   Velvet Underground sit
P
O
S
T
E
R
E
D
on the wood-c
                        u
                          r
    ­                       v
                             e walls.
I'm in unfolding daydream
Thanking
HUNDRED THOUSAND YEARS
predating my
EIGHTEEN.
Thanking the
                              Beats and the Dadaists
                           and Buddhists and
                        Existentialists
                     ­ Post-modernists
                  Minimalists
                Expressionists
            FOR BEING.

Really, they aided
Me off
  the ^ ground
during
eight month unemployment induced depression where
I felt disassociated with myself
and the dynamo                                                       outside the front door..
Glowing via
         sunlight in the day window and
            headlights in the night window.
Either way
I filled up with
                                   (((Purposeless cynicism)))
The world bulb clicked ON
With/without me           there,
None of the corner stores
Or      airports
Or      hospitals
          courts and
          institutions
gave a rat's ***
what woes I be asphyxiated by
or that                 Farmquiet two lane
                                 tarnished path
In the country                       (in May)
      seemed fine a place as any
to     step a few feet to the          
                                               right
                            and
      left

of me and
                         .......DIZZY.......
by death traffic
old Buick polish
(Tragedy they'd say!)

While there midway in the firing line
I felt like
the wackos in      l o o s e
stone COLISEUM daisy cages
               Empty lots,
       Place where the beast of
  Emptiness cuffs to your sleeve
             and weeps
                      All over itself
                      that Sarte was right all along!
(No Exit! No exit!)

Autumn quartz moonlight                        O
Illuminated headstone repetition
circling musk fields.
  Skeleton wings
Of preceded seasons' timbers
Caught muttering the
Corpseconvo
as the               tumblecar
trembling             hot in
                           Music sauna HUM
Approaches life,
to the
                       paralyzed November air
of
Coffin bodies insulated
By roots N' six feet of terrestrial barrier.



Faces disappearing now
to Heavenly chandeliers of time
offering distant light future
and above my ponderous skull presently
                 dancing riverside to situations
                                                  and newness
                           (2016)
                  enigmatic spiral
  every                 color             every
                        possibility
every                rainbow          or
                      non-rainbow chromatically
                           webbed in Attic
                                          of secluded
                                Quantum Dimensions-

The big blue doors are opening to cosmic entirety,
cats everywhere are purring in their sleep,
somebody reads                          Murakami,
                                                      Picabia,
                                                      Joyce,
   ­                                                   W.C Williams,
                                                      B­erryman & Brainard too.
Big blue doors, rites of passage,
Aarti Varanasi twenty-seventeen,
             joyride to San Francisco (I wrote a poem on that once!)
Continuing self-exploration,
            reminding that soul to stay awake,
            the search for love-
Warmth when the year is
metamorphosed to cardinal leaves
       Sunset Summer!
      Autumnal transfiguration
      spiritual!
      Rearrangement of the concurrent reality!

I turn 19 in October and
a procession of kind-eyed children
will be born in the moments
I blow the cake candles.
Light goes out!
light comes in!
Hanoi expects me still.

She sat still as her eyes followed the trajectory of the smoke rising from
The inferno of her ragged
But easy going heart, reminding
Her of how he would always
Release the cigar smoke in her ears
And whisper out slowly, You and I are Exactly like this cigarette, ignited,
And together we are like this
Smoke, streaming above, and how
She'd smile at him convinced,
Never releasing until now that
He was the billowing cloud
And she, the ashtray.

I scattered my wife
in an array of bedside ashtrays.

I wore my shoes out
trying to find a pure form of love.

When love found me,
it arrived late and carried a fee.

The ashes of my former life,
crawled, cradled and spliced.

Until the wife I burned through,
became bright, became beacon.

It didn't hit me until the third month
of "freedom".

I laughed while laying beside Miranda's
milky twin.

As the copy sputtered with barnacle conversation,
I walked free. I walked home.

I felt washed clean in a gleaming sea
of finding the past me.

Beggars line the busy streets
cup and cloth outstretched
the look of desperation etched on their faces
like the dawn shadow of a carved lithograph

they don't ask me for spare change
just a simple nod of acknowledgement;
even after a shower and a change of clothes
I must have their look, that broken beaten look
the look of the street.

George Square is busy today
tourists happy clicking panoramic memories
admiration of forced foolish bravery at the Cenotaph
a list of names they will never know
and marvel at the antiquated architecture
to later revel in the wonderment of how anyone
in a civilised and modern society can do without skyscrapers
while they grudgingly share a half-measure of a single malt

I sit on a bench that marks a families love and remembrance
to the passing of a woman named Judith
the pigeons flock in carnal mass gatherings
knowing I've been there for 3 hours already
because I have the look of someone who hides his crusts
because I have the hungry eyes of the look of the street.

The well dressed man at the end of the alleyway,
the plume of carcinogen cigar smoke
like a coal fired power station  in the sunlight
this is where they go for over-priced craft ales
with Sautéed Wild Rabbit starter and £65 Wagyu Tomahawk Steak
a place for fine pickings in the alleyway ashtrays
dispensed cancer sticks left disregarded
the half-finished defiance of another £9 packet
that was simply spare change to begin with

I hover around making false promises on a deadline phone call
pretending in mime to be semi-OK
that the compadres are running late
and "tell me about the theatre show later"
the misdirection amid the camouflage of plastic peace lilies
while my other hand rummages the unspent tobacco
and the black-on-black door steward keeps clocking me
because I have the look of the street.

I miss the look on your face when you saw me
I miss the smell on of the smoke on your skin
I miss the small, silver camera you held in your hand
I missed you the moment you'd taken me in
I miss the long drives past rolling corn feilds
I miss the tissue crumpled in my hand
I miss the trailer sat 10 feet from your porch light
I missed you the moment that I knew I can
I miss the family that I'd never known there
I miss my neices blue eyes, curly hair
I miss when Aunt Nikkie painted my nails green
It started chipping, but I didn't care
I miss the fireflies that I couldn't catch
I miss the movies you forced me to watch
I miss the ashtrays all over the house
I missed the jokes I continue to botch
I miss the grapes that you stuck by my bedside
I miss the feel of my neice on my lap
I miss my cousins attempting to drown me
I even miss Tristan, whom I wanted to slap
I miss the day that they took me out shopping
I miss watching movies with them late at night
I miss winning money on Grampa's 10 slot machines
I miss how hard those mosquitos would bite
I miss the day that you bought me a pizza
I miss the way that smoked everyday
I miss the drive to the airport that morning
I miss your face, as you drove away

Love me for my destruction, for my mayhem --
after all, loving you isn't so much different,
I could have chosen cigarettes, smokey ashtrays over your
smokey eye make-up,
Or maybe alcohol, sip at lukewarm beer, and become embittered by how
your lips are stained elegantly wine,
and then again, I might've had the opportunity to inhale car exhaust
but your breath is much heavier than monoxide
and much more deadly--
turns out nuclear warfare is much more easily attainable by
your explosive needs
for genocide -- you love those broken hearts,
you little radioactive succubus.
Knives, I could have made love to a knife, but I guess your nails served the same purpose, you've left your mark, okay?
I have a target in the shape
of little crescent marks on my back from you and
people keep
staring.
And yes, I could've injected myself with something stronger like morphine, but
you're already running through my ******* veins --
I looked up "infatuation" in the dictionary but the words kept
blurring because all I could see was your blushing expression
when I used my fingertips like paintbrushes
on your cheekbones.

My son is now 18 and I can see the change
in his shifting stance, the boldness and
complexity in his presence, deep dark
diction beneath smoky stained clothes,
scattered cigarettes piled up in *****
ashtrays, ghostly fumes filling the
cold air, as he dashes up the stairs to
his bedroom.  And as I stand in the
kitchen over the stove steaming a
fresh *** of boiled chicken, salad,
and mashed potatoes, I can hear his
smooth slick words echoing across
the room.  The heavy giggles and
sensual thoughts seeping inside his
mind, running game on his main
squeeze like the world was his
majesty, like a crowned creation
falling into submission to his
nation.  I step closer to the stairs
and listen to the soft sounds of Joe’s
song, I Wanna Know, playing in the
background, slow rising beats curling
up in the air towards divine enchantment,
hypnotizing harmonies beyond a bed of
thin sleek sheets.  And as I breathe in the
soothing melodies, I’m forced to remember
the days when I was young, a rich tasteful girl
full of chemistry and flawless formation.  I was
grooving to the spinning jams like it would be
this way forever.  I had forgotten how much
time had passed by, how the waves
of his existence was on a new wavelength,
how the stars in his eyes intensified in
immense shapes, how the shimmering
moon was his light inside his kingdom,
the cosmic space taking him into a new
sea of discoveries.

Ignorant; not a care in the world (~)

Holy socks drag on cracked sidewalks
She had a pink shirt,

Or what seemed like it was once pink
She wore a smile & talked to her friend
I never saw him, but I’m sure he’s nice
I swear, her jeans never came with holes,
She’s too young to sport that fashion
Her face was the moon, not the cheesy one,
but pale & distant
Her hair, matted and knotty like dad’s unused
twine ball sitting in his toolbox
Did she have a brother?
Where was he?
I’m sure that unclothed Barbie in her hand needed a Ken

                                                (~)

Recline­d with their hands dangling over ashtrays,
where the only entity in their mind calling for their attention
is a liver-punching depressant.
Where eyes open for another hit,
and close to the cries of their children
Tonka trucks make snow angels in ash covered carpets,
Walls inhale secondhand sadness; stained with the tears of neglect,
Unmade beds and unfolded clothes shower their unpaid apartment,
Eviction notices pinned to the fridge with
crayon drawings of “daddy”,
Her request for another beer echoes the empty room
& it crosses her mind

“where the **** is she?”