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"aristocrats" poems
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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Apr 11, 2014
Apr 11, 2014 at 9:39 AM UTC
OTHELLO AT THE GRAVESIDE OF SHAKESPEARE
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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58
Tangible sin, its what i'm looking for let the rants and raves begin cause tongues of fire can never settle for a one line poem or a break in tone they need the blood red of wine in their glass these aristocrats drinking from the lower class we are far too outspoken to speak of silence that's something only the seculars teach Maddness, now there's an idea i can get behind Imagine ideas like countries nuclear weapons at their highest state of alert what we believe is what we once held true and whose finger is this on the trigger? then eventually, yes the tyrants will get voted into office doing away with terms and treaties of old eventually you'll get two shoes per person as you read your generation's scripture like truth from the nearest stall bathroom wall for a good time call, God cause he doesn't charge you per hour well, only on sunday mornings nine to noon but for everlasting life who wouldn't drink that elixir? just one more broken promise cause Buddha told me i'd be back again back again to serve in the same platoon of freedom fighters
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Nov 1, 2011
Nov 1, 2011 at 11:57 PM UTC
Freedom Fighters
I live in the belly of the bully, And that bully is fat and bloated after eating too much of everyone else’s food without permission.  Although he had more than enough to eat and he wasn’t really hungry, he left his island home; and sailed the seven seas to fill his sacks, and bring things back.  He pretended to pay, elbowing his way into, through and around their worlds, and because they did not speak English they did not understand his slippery words (and he didn’t learn theirs).  With sleight if hand and cannon he subdued then sold their souls to some obscenely wealthy aristocrats back in his island home. He pushed them into the fields to farm and when they could not lift their arms from starvation he said it was nature’s predestination, so he did not shed  a tear and he did not interfere.  The natural law was all he saw.  That man was very  fat and and he was very flawed. Sean Hunt  June 12th
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Jun 12, 2016
Jun 12, 2016 at 6:13 AM UTC
The Belly Of the Bully
Body so cold But my heart is so warm, This landscape, my landscape Pushes my wings to keep beating. If I feel now I would not be sad, For I wish only to land up the manicured lawns of Aristocrats. I would have earned my sleep. Raw is how I feel, the brooks, the hollows, the trees all seep into my mind and bones. Utter joy and contempt, a mixture. I should have flown away more often, My nest in the turret was always a haven, and natures prison, I would have earned my hope.
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Aug 23, 2017
Aug 23, 2017 at 11:29 AM UTC
This Landscape, My Landscape
ARISTOCRATIC CHRISTMAS The goose was plucked for Christmas Not a feather was in sight The butler cleaned the silver Cook baked with all of her might The aristocrats in the morning room Sipped a sherry or two Whilst waiting for their dinner It was the thing to do All dressed in their finery The children there as well All except for Grandpa (The stories he could tell!) No one alas was listening And no one noticed there He’d on one foot a slipper And the other was quite bare. Below stairs was quite hectic Upstairs all serene And all along the passageways And sometimes in between Servants rushed as servants do To make things run with ease Tending fires fetching things Aiming just to please And Grandpa sat and nodded His head sank on his chest He remembered long ago The Christmas he’d thought best With one foot in a slipper The other one quite bare He waited for his dinner Sat there in his chair And soon the gong it sounded Its boom rang loud and clear They all trooped in the dining room With those they held so dear The table was resplendent The glasses gleamed and shone The cutlery was sparkling The goose it weighed a ton The master carved the mistress smiled The children looked in awe The butler served the vegetables (Cos that’s what they are for) The pudding was amazing The brandy sauce was ace They ate and ate until alas No more could they face All except for Grandpa He was sat quite still And no one noticed him not there As they all ate their fill With one foot in his slipper The other one quite bare. On Christmas day he died alone Sat there in his chair. © Pamela Brooke 2009
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Nov 28, 2011
Nov 28, 2011 at 9:32 AM UTC
ARISTOCRATIC CHRISTMAS
ARISTOCRATIC CHRISTMAS The goose was plucked for Christmas Not a feather was in sight The butler cleaned the silver Cook baked with all of her might The aristocrats in the morning room Sipped a sherry or two Whilst waiting for their dinner It was the thing to do All dressed in their finery The children there as well All except for Grandpa (The stories he could tell!) No one alas was listening And no one noticed there He’d on one foot a slipper And the other was quite bare. Below stairs was quite hectic Upstairs all serene And all along the passageways And sometimes in between Servants rushed as servants do To make things run with ease Tending fires fetching things Aiming just to please And Grandpa sat and nodded His head sank on his chest He remembered long ago The Christmas he’d thought best With one foot in a slipper The other one quite bare He waited for his dinner Sat there in his chair And soon the gong it sounded Its boom rang loud and clear They all trooped in the dining room With those they held so dear The table was resplendent The glasses gleamed and shone The cutlery was sparkling The goose it weighed a ton The master carved the mistress smiled The children looked in awe The butler served the vegetables (Cos that’s what they are for) The pudding was amazing The brandy sauce was ace They ate and ate until alas No more could they face All except for Grandpa He was sat quite still And no one noticed him not there As they all ate their fill With one foot in his slipper The other one quite bare. On Christmas day he died alone Sat there in his chair. © Pamela Brooke 2009
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58
1. Quit smokin' while you can. My wife and I been rollin' our own lately Those things got wax rings in 'em You're smokin' wax that'll give you cancer See these 17 year old kids with that mornin' hack You know it's not from doin' it for years. 2. Be aware of your surroundings. Some of these kids get so lost in their phones they don't realize they're a target. Isis could drop right in and pop 'em right there It's sad. I got this flip phone. I can check the time, check the weather that's all I need. One person has my number that's my wife She's all I need. 3. There's gonna be a revolution. Last time aristocrats were in power takin' money from the bottom you know what happened? The French Revolution It's gonna happen again I can feel it Republicans think Trump is gonna lead 'em there but he stepped over dead bodies to get where he is He's not who I'd pick, honestly. Hilary isn't my first choice either if I could of had my way I'd pick Bernie. They say oh he's a Socialist like he's some **** They don't understand the difference. 4. Mary has been working in there 20 years. Makin' 10 dollars an hour. That's sad. I got up to 14 dollars and that's after a two dollar cut in pay Most those kids won't ever see 15 dollars an hour I tell 'em get out while you can.
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Jun 22, 2016
Jun 22, 2016 at 12:24 PM UTC
Advice from Bryce: the almost 70 year old Hannoford employee on a smoke break who doesn't look a day past 50.
*well O... well... O, give me life! i need no beggars of the cyclone to repeat the foundations of seasons and things tectonic! O... well, O! rounded-up by rugby geometrics for an oval symmetry of the orbits... O... might i add - oh? well harp me a sigh with it too - or play me the ******* violins... i too might add my toes in the muddy sands of the Calais of India that's Goa: with toes clenched inward like a grip of a crow, or the antics of a ballerina; indeed Calais, the footnote of the Angevins... tell your integrating dogma to successors of william the conqueror's behaviour, as by-way dehumanising righteously - such the tongue spoken, such the tongue rebelling - via the term identified with utmost against the irish post-stamp claims for a peace treaty: rōnin; no, you be sub-human teaching me the language and then venturing into treating me as a simple cashier - no education system is necessary to craft the near robotic professions! why crave capitalism in the educational system when all might be happier un-educated for the professions the lazy aristocrats intended for them?* i'll march against your little utopia... by god i'll march against your Parisian Disney fairyland with teeth clenched and fingernails bit to a manicure! for the chastity of white lacking colours of a rainbow - since on white an imprint, and on black an absorption to stack-up the many lacks of expression.
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Apr 10, 2016
Apr 10, 2016 at 8:42 PM UTC
execution of Thomas More
I'm not Shakespeare, not some romantic poet clad in flowers and doves I'm no Fitzgerald, a dapper socialite at home with the intellectuals and aristocrats I'd like to be Hemingway, a man in all senses of the word, guided by a certain wit and drive Hell, I'd even take Bukowski, or Kerouac, drug addled and safe in the strength of my arrogance I'm not your favorite department store no recognizable brand no jewelry My love is not measured in the moments quenched with awe no symphonies or trips to the opera house In a dime store I trudge through the aisles of shelves rummaging through the lost and found of people long forgotten and dead I find a necklace, shells strung together on a piece of fishing line and I think of you young and happy with a bucket and a ***** so curious as to the motion of the ocean, you slowly approach only to run away - giddy in your fear - as the cold tide licks at your heels digging up ***** to show to your Mom and Dad I think of you, my hand clutching that Dime store necklace I think of you now Me so intrigued, I draw up my plans with tact only to crumble before you I am the shells you dug up I am the fishing line your dad cut off for you the knots he taught you to make I am your lost and found helplessly missing you always I am your Dime Store love
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Dec 14, 2013
Dec 14, 2013 at 1:39 PM UTC
Dime Store Love
*and i too thought the english banknotes were big, but by god... have you seen imperial russian's banknotes?! you could wipe you entire **** with one.* no, i don't own an imperial russia's banknote, or a kopek dating pre 20th century that Dostoevsky might have used to gamble, no, i don't own an imperial russia's banknote with tsar Nicholas the 2nd's face on it; you can rob me all you want, i think the banknote to be cursed... a cursed luck of lost reason and logic... but when i look at that all familiar face and stare into the ageing face of elizabeth the 2nd... i see papered ****** gravitating to forfeit a chance of excelling in Olympics... Olympics indeed, of muscles turned into oyster mush... about to be exercised in breathing exercises of forgotten oxygen toxins... no... i don't own imperial russia's banknote with Tsar Nicholas 2nd's face on it; i did tell you my maternal great-grandfather spoke 7 languages, didn't i? only bothersome and subsequently fake nobleness stresses its point... the true aristocrats suffer with enforced ailments that only breed an exaggerated libido, to quote myself... *i'd **** anything that moves within the framework of the trinity of mouth **** and **** my ******** are always goosebumps frolicking to a tingle and i just want to relax with an unloading of the content,* i didn't read marquis de sade for no reason, other than the quoted bibliography of the marquis himself, having read books using only one arm, with the other... "making bookmarks", ha.
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Feb 4, 2016
Feb 4, 2016 at 6:15 PM UTC
imperial russia's banknote
*and i too thought the english banknotes were big, but by god... have you seen imperial russian's banknotes?! you could wipe you entire **** with one.* no, i don't own an imperial russia's banknote, or a kopek dating pre 20th century that Dostoevsky might have used to gamble, no, i don't own an imperial russia's banknote with tsar Nicholas the 2nd's face on it; you can rob me all you want, i think the banknote to be cursed... a cursed luck of lost reason and logic... but when i look at that all familiar face and stare into the ageing face of elizabeth the 2nd... i see papered ****** gravitating to forfeit a chance of excelling in Olympics... Olympics indeed, of muscles turned into oyster mush... about to be exercised in breathing exercises of forgotten oxygen toxins... no... i don't own imperial russia's banknote with Tsar Nicholas 2nd's face on it; i did tell you my maternal great-grandfather spoke 7 languages, didn't i? only bothersome and subsequently fake nobleness stresses its point... the true aristocrats suffer with enforced ailments that only breed an exaggerated libido, to quote myself... *i'd **** anything that moves within the framework of the trinity of mouth **** and **** my ******** are always goosebumps frolicking to a tingle and i just want to relax with an unloading of the content,* i didn't read marquis de sade for no reason, other than the quoted bibliography of the marquis himself, having read books using only one arm, with the other... "making bookmarks", ha.
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40
Put on your make up while we're in the car peyote in our air travelling through the desert holding hands air conditioner broke smoking 4 dollar cigarettes kissing wiping the sweat off our faces with old shirts torn sweaters you wore a dress that exposed your knees no bra and your shoulders were bright like your eyes it was 100 degrees lip stick smeared on the rear view mirror when we kissed kansas goodbye driving with no shoes on let's stop for gas but the wind the heat the peyote and the lips of yours are keeping me on the road melting like hot candle wax we stopped at a motel the windows let in a draft of hot air coffee machine broken the cable television speaking spanish making love listening to dogs bark as if we were aristocrats in a private box at an opera the sink leaked adding background static to the sounds of the air conditioner humming sputtering for air we bought bad whiskey took off our clothes fell asleep in the sand mixed with mexico's moon light when I woke up my good sweater was gone the 1980'd-rusted-flat tired-oldsmobile was gone she left me a cigarette the rest of whiskey.
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Feb 27, 2013
Feb 27, 2013 at 9:18 PM UTC
kansas mexico drunk
Lived the life of an artist long before I became one. Pressed to guitar strings until my fingers were numb to all exposed skin that was not my own. Listened to one thousand sad songs over and over until the pointless chords clamoured over one another, psalms of living fall on deaf ears. Trawled archives of *********** Lauded aristocrats of cheap whiskey nights and black coffee mornings. Garnished my days with addictions carried by better men in love with real women. Grew thin, moved about the apartment in the graveyard hours tacking songs to the walls. In the absence of chains and *** I fixed myself with neon lights and cigarettes. Spilt paint over undeserving paper beneath the halogen bulb to colour radio silences of past friendships, mountains I should let recede like a ship in the night. Stood alone in crowds to witness the onset of a moment, openings and closings of mouths and doors; each one to allow another person in. I go home alone and sleep with my thoughts.
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Apr 25, 2017
Apr 25, 2017 at 1:33 PM UTC
Bachelor Years
How peculiar is it that which tempts me lies in icy blue panther-like orbs -the clearest deepest purest brightest blue I’ve yet to come across- and words that dance like 18th-century aristocrats -balancing baubles and gaud on their faux hair waltzing and marching in highly practiced steps about an opulently furnished and lit facility with glistening fountains and marble floors echoing flirtations and strings and heels and sneezes into embroidered handkerchiefs- and how desire has strayed from maintained eye contact and prolonged gentle kisses and subtle smirks of amusement -bordering on genuine happiness- and I’m sure that even if you were to sweep in again declaring poetry and romance with roses in your hand and one between your teeth -glittering with all the fantasy an idealistic Me would have swooned for and adored- or even if you were to creep in again confessing exploration and emotion with wildflowers pressed in a book filled with soul-searching entries and personal revelations -glowing subtly with the authenticity all secretly wish to find even a shadow of- I wouldn’t want any of that now: I’m drawn to that which dies quickly but while alive is full of life— love has been tabled for a much later day.
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Sep 7, 2013
Sep 7, 2013 at 2:53 PM UTC
September 07, 2013 - Current Priorities
The Court Jester Spinning twirling with you by my side. Within the elegance of mirrors and reflections only the graceless could see. Skirts and suites and smiles and masks, many, many masks, with finery of the aristocrats, the lovelessness of the gentry. Dancing laughing with you as my guide. Ballroom floors are marred by glistening fans and jewels, adorning elites and children, the adults joking and the innocent conversing seriously, with their hands carefully crafting the facade only dreams can bring. Embracing kissing your light-hearted sighs while writing our simple end.
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Aug 23, 2016
Aug 23, 2016 at 10:23 AM UTC
The Seelie Court Jester
*The world shall fall as they fall In their ruin, everything will follow And so it ends Bring in the seraphim Tear the pure clouds, reveal the gods above If doubt is a stronger virtue Then I am its paragon Women fall at lofty feet in a harem Gorging on peasants' spines 'till faces turn mauve Fear is the new moral breakthrough A scale higher than the utmost echelon The world shall destroy as they destroy In their ruin, everything will follow And so it ends. The snake bite no longer stings Calloused as a tyrant's compassion The purest hands do grow relentless weeds As they laze on the filthiest plots Kings and hearts mount to slings Foreboding most malleable deception Blood spills bright on their letterheads As truth gets set by red-handed bureaucrats The world shall burn as they burn In their ruin, everything will follow And so it ends. Marksmen are wealthier than diplomats Golden bullets to the golden rule The trend is to laugh at our silence The principle is to break lives not dictates There lies no purgatory for these aristocrats On to the vile ember cesspool Until then, they fawn in worldly omnipotence And not one revolts, not even conscience The world shall end as they end In their sceptre,everything follows And so it goes on.*
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Nov 15, 2015
Nov 15, 2015 at 2:41 AM UTC
Après moi le déluge
oh but what you are doesn't necessarily remain, we already know what you are, you are a masquerade of excuses, and your favourite subject of expressing the masquerade is philosophy - by it you find yourself excused, but because the english undermined a philosophical expression we've found a weak spot, a diaphragm sort of speak; indeed oh, what you are doesn't necessarily remain, what you create and leave behind is necessary - i just hope you find the heart to entomb in your heart those in the modern era you found pleasure in entertaining you grasping such a vain effort of your frivolous maintenance of the easily accessed numbers of similar examples - sunglasses in the night - a ghost in the machine - a soul extracted from the body in that lonely cataract of flooding applause with one actor and one member of the audience scared to applaud - your creation... your immediate loss of identity - but of course you were anticipating the organic form of what would become a cohesive inorganic entity - of the example that a mother even speaks of regarding a robot - now why would a mother speak of a robot? hmm? guess... it's a test for a.s.i., i.e. analytically synthetic intelligence - history repeats itself -                 history repeats itself -                                 you analyse no difference - hence you synthesise replication - and you call it intelligence of avoidance yet waste it on a test for intelligence quantified, rearing in politicians to craft a chiral representation of intelligence quantified - in the recycling bin - so much intelligence wasted, quantified, leaving so much stupidity qualified to fake it, instead of the recycling bin, thrown into the pigs' through... indeed, you are not what necessarily remains, all the fabulous discoveries of science, and yet the burning existential questions - thrown at you by the pyramidal scheme of the non-inventors, the once proud aristocrats languishing beneath the weight of new-money barons... indeed you are not what necessarily remains, you are what necessarily remains in what you are already... in such great number, as in the liturgy of history... an anonymity... perhaps all you ever were was a method statement of creating a soufflé, the fermentation process of grapes... how foolish you look now, readied for slaughter, attempting to clarify a famous person syndrome, grovelling like a cunt-politician slurping attention in Orwell's house - i know my stance - by the machine being fed exponentials - once only deluded if i be found prophetic on the street, but with a house bound to a value a suicide rate is worth in Switzerland (£10,000), you think i'd pleasure myself with your tabloid philosophy and wait for sympathy or disgrace? guess...                     it's free; a guess is free,                                 your little birdcage houses no sing-along.
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Apr 14, 2016
Apr 14, 2016 at 10:46 PM UTC
a.s.i. (your little birdcage houses no sing-along)
oh but what you are doesn't necessarily remain, we already know what you are, you are a masquerade of excuses, and your favourite subject of expressing the masquerade is philosophy - by it you find yourself excused, but because the english undermined a philosophical expression we've found a weak spot, a diaphragm sort of speak; indeed oh, what you are doesn't necessarily remain, what you create and leave behind is necessary - i just hope you find the heart to entomb in your heart those in the modern era you found pleasure in entertaining you grasping such a vain effort of your frivolous maintenance of the easily accessed numbers of similar examples - sunglasses in the night - a ghost in the machine - a soul extracted from the body in that lonely cataract of flooding applause with one actor and one member of the audience scared to applaud - your creation... your immediate loss of identity - but of course you were anticipating the organic form of what would become a cohesive inorganic entity - of the example that a mother even speaks of regarding a robot - now why would a mother speak of a robot? hmm? guess... it's a test for a.s.i., i.e. analytically synthetic intelligence - history repeats itself -                 history repeats itself -                                 you analyse no difference - hence you synthesise replication - and you call it intelligence of avoidance yet waste it on a test for intelligence quantified, rearing in politicians to craft a chiral representation of intelligence quantified - in the recycling bin - so much intelligence wasted, quantified, leaving so much stupidity qualified to fake it, instead of the recycling bin, thrown into the pigs' through... indeed, you are not what necessarily remains, all the fabulous discoveries of science, and yet the burning existential questions - thrown at you by the pyramidal scheme of the non-inventors, the once proud aristocrats languishing beneath the weight of new-money barons... indeed you are not what necessarily remains, you are what necessarily remains in what you are already... in such great number, as in the liturgy of history... an anonymity... perhaps all you ever were was a method statement of creating a soufflé, the fermentation process of grapes... how foolish you look now, readied for slaughter, attempting to clarify a famous person syndrome, grovelling like a cunt-politician slurping attention in Orwell's house - i know my stance - by the machine being fed exponentials - once only deluded if i be found prophetic on the street, but with a house bound to a value a suicide rate is worth in Switzerland (£10,000), you think i'd pleasure myself with your tabloid philosophy and wait for sympathy or disgrace? guess...                     it's free; a guess is free,                                 your little birdcage houses no sing-along.
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64
They said we had it all Middle American brats bottom barrel aristocrats we were told we were propitious children left alone to wonder the bland landscape of our gated community to stand in submission in our lovely subdivision When things changed it was us they blamed or the media or the influence of the ghetto so far away but never did we stray it all came to us and that was OK we wanted something more then material things Our parents were there but never really there not enough to care though they thought they were Asking random questions drinking their cocktails of white wine and ****** telling us to turn down the volume and what kind of **** were we listening to today telling us how music was better back in their day You gave us the world and in return we shouldered all the blame took the blame for all the pain and were reminded daily of how things could have been how things should have been if only you waited to have kids And you wonder why we f*ck and fight stay up all night become drunken fools at seventeen just so we can change the routine so we can feel alive by slowly dying cigarette smoke and xanax bars some percocet then drive our cars to some place any place where someone will tell us that we are special and unique beautiful as they touch our cheek and make us feel human again smart and talented more then our cookie cutter gated box of a life we have been told since birth we must carry on We just want to feel alive to feel that someone really knows us deep inside from front and back To feel that we are good enough that its OK to be different to feel different and still know you will love us just the same and take back some of the blame to hold us up so we don’t fall and shatter like glass from a child to a parent, is that too much to ask? David Martin
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May 19, 2013
May 19, 2013 at 7:41 PM UTC
Middle American Factory for Youth in Revolt
They said we had it all Middle American brats bottom barrel aristocrats we were told we were propitious children left alone to wonder the bland landscape of our gated community to stand in submission in our lovely subdivision When things changed it was us they blamed or the media or the influence of the ghetto so far away but never did we stray it all came to us and that was OK we wanted something more then material things Our parents were there but never really there not enough to care though they thought they were Asking random questions drinking their cocktails of white wine and ****** telling us to turn down the volume and what kind of **** were we listening to today telling us how music was better back in their day You gave us the world and in return we shouldered all the blame took the blame for all the pain and were reminded daily of how things could have been how things should have been if only you waited to have kids And you wonder why we f*ck and fight stay up all night become drunken fools at seventeen just so we can change the routine so we can feel alive by slowly dying cigarette smoke and xanax bars some percocet then drive our cars to some place any place where someone will tell us that we are special and unique beautiful as they touch our cheek and make us feel human again smart and talented more then our cookie cutter gated box of a life we have been told since birth we must carry on We just want to feel alive to feel that someone really knows us deep inside from front and back To feel that we are good enough that its OK to be different to feel different and still know you will love us just the same and take back some of the blame to hold us up so we don’t fall and shatter like glass from a child to a parent, is that too much to ask? David Martin
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73
How many heroes have chosen this path, Of least or no resistance? In the face of overwhelming odds, Or staring at cubicular, corporate submission; Elect instead the stance Of simply Doing Nothing? Victorian ladies thought it amusing; 20th Century Centurions and Puritans condemned it. The spoon-fed rich live it and lose nothing. Russian aristocrats sometimes recommend it… When spurned in love & up against it. Oblomov, for instance, whiled his time away, In bed, or staring out at the wood, Writing meaningless letters and ignoring the day, Yet it still did him some good. Marat in his bathtub, Proust in his bed, Still accomplished SOMETHING Or we’d have forgotten them instead. Is there still no virtue in doing nothing? Against the tide of corporate work, Aquarians rebelled with dance. Later on, Generation X Came to work in a greedy trance. Peter Gibbons was hypnotized, To escape his lifeless job, Destroyed the office as it was downsized, But was promoted by “the Bobs”. Some lesson there, for those who strive, That work alone is not enough. Attitude is more important to our lives, That revolt by nothingness is not that tough. Abbie Hoffman was thrown through windows, While preaching peace instead of wrath. Despite nobility of cause, does humanity still go, The inexorable way of sloth? Sharon Talbot
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Sep 9, 2017
Sep 9, 2017 at 8:43 AM UTC
Amusing to do Nothing...or Dolce far niente
*currently poland has a catholic conservative organising party of power, which means you'll get great pop hits like: africa by t.o.t.o. in clamour karaoke format... kara oke... new form of hara kiri... get that ******* mike into the wheat fields and bury it! so inventing new japanese phrasing... KARA OKE means plagiarising a song so so hard, that arteries start bulging out of your neck... which makes sense to never spot it on opera singers... because they're bubbly bubbles phat... pass me the hairbrush... i'm about to shing in the singing cubicle of running water.* there's a reason why rock stars et al. are famous... they're basically crowd control, crowd control stewards, pacifiers of the mob who have a guillotine hidden under one girl's skirt... and aristocrats don't like that... no precious... so now in encore all together: CLAP IF YOU'RE HAPPY CLAP HAPPY CLAP IF YOU'RE HAPPY; ****** my pants i did, thinking it out... feels good to not feel jealous about such professions designated a stage and a thank you speech, but oddly enough such crowd control professions attract the biggest dross of jealousy... while the one hundred and ten year old sikh guy keeps jogging, at his age so fast, that his turban falls off... no one's jealous of him; he's got twenty great-grandchildren and i'd rather be jealous of that... the definite concentration of mortality extending into a comparative blink of a god.
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Feb 16, 2016
Feb 16, 2016 at 10:28 AM UTC
Kara Oke
I'd much rather Critique as I rein king when I put on that hat As he lain before me is subject to my snarling Picking his hair from my giblets and jams. For to create creates your own undoing To look before oneself and watch as aristocrats pluck pimples from your own potatoes.
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Mar 3, 2023
Mar 3, 2023 at 12:29 PM UTC
Create or Critique
Caught between Guillan's tab and your roof toward me Worn-out sackcloth but the dust is sick of my head Now why won't I pound a rock on it instead I've been here, actually Break this *** and gather all your foes Oh where is the breaking point of your wooden-crafted nose A chance to defend my case was gave But all along I was digging my own grave Faithfully, maneuvers evading the light bleeding on the sides meanwhile! Masks of oak and grey forcefully made to wear Dressed with mocking silk Clothed like a circus freak Thickness of sugarcoat make you look like an iron bear In mud, I'm bedraggled Blades of shame, I shave my head My craving for a just right or even perfect bowl of porridge went down to 'what's better than cabbage than cabbage Why can't I just go back to the fattened calves Potato salad unshared in halves To sit like kids beside their father's mat Praised by aristocrats Save me! This is a distress signal, not a salute.
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May 10, 2014
May 10, 2014 at 11:18 AM UTC
Caught Between Guillan's Tab And Your Roof Toward Me
Proud aristocrats Lavishly decorated state rooms A rigid separation of the social classes A power matched by no other ship Believed by millions a ship that God himself could not sink A series of events set into motion That none would ever realise until the final end A ship that could match no other In Elegance, glamour, comfort, safety or strength The Lower classes separated by bars, locks and signs Each on their way to a new life in America That's all they ever wanted Beating records despite all dangers and warnings Was far from their thoughts and dreams On a cold moonless night, Black Death reaches out her cruel hands and inflicts The deciding blow on the unsinkable Titanic. "This ship could not possibly go down, she is unsinkable", Were words believed by all, and took many to watery graves Far below the surface of the Atlantic. Husbands torn apart from wives, Fathers torn apart from helpless little children. Ageless rules of the sea Understood by all "Women and children first", The cries echoed across the empty ocean. Time would never again see an ocean catastrophe so gripping or so large. As the ship took its final plunge into the icy black depths, The gentle music of Nearer My God to Thee Will forever echo across the timeless sea, To which so many lives were taken.
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Feb 10, 2015
Feb 10, 2015 at 7:57 PM UTC
Arrogance
A rude dawn over the city Where Pepys once fought with his beautiful wife After seducing whatever servant-girl chanced To be around, where kings First ruled from cold castles full of cockroaches, Murderous cousins Lurking through the baleful halls of history Eyeing the empty throne. The stinking River long shorn of fish sweeps elegantly before The crimson petticoats of multiple ****** Promenading along Thames Street, Winking at under-washed gallants. Vauxhall gardens a pithy cavalcade of priests and doxies, Of flower girls, flaxen haired girls selling fruit, Anxious to reach home before the ****** hour of early Evening when beaus gather in alley ways establishing A testosterone gauntlet in the dust-spawned gloom. The road to Tyburn is littered with lost hopes! On hanging day bodies swung like debutantes dancing To jazz tunes- Aristocrats quartered with precision squealed like common folk, Bleeding as much. The city watched all this And didn’t murmur-never complained- Smiled, as only a city can smile, at gin-drunk matrons, pie eating aldermen And the ****** activity in street shadows by relieved young women on VE day 1945.
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Feb 6, 2017
Feb 6, 2017 at 6:04 PM UTC
LONDON
Leslie Howard as the Scarlet Pimpernel is a pure joy to watch, all big-collared foppish tight-trousered dandy & dainty eyeglass peering, & there’s scheming from the glum & slightly hunch-backed Robespierre, weeping aristocrats, in tumbrils, & innocent playing children, oh so-tailored families all huge-coiffured hair, cravats & handkerchiefs & cocky young jackanapes playing chess, the cheering crowds all coarse & ugly, with knitting bonneted-crones anticipating as the drums roll, & the blade falls, to a mighty cheer, we can see our own bewitching Marie Antoinette, our own sly & whispering Rasputin, our gold-folly Sun King, but I cannot say I want Madame La Guillotine to be set up, in the square this time, no … no that, but a victorious cheering mob, does sometimes haunt my dreams, I confess to say. “I send them to the guillotine for the future happiness of the human race, but I do not allow torture.” Robespierre
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Mar 7, 2017
Mar 7, 2017 at 3:22 PM UTC
Madame La Guillotine
I That idol, with black eyes and pixie-cut, with aristocrats nobler than artists, holier than New York City hipsters; his selfishness running through her veins, purple and blue like blood, or tarnished by amphetamines in waves of ferocious sadness and yearning. At the border of her life- young hope twinkles, fades and dulls out- the girl with chandelier earrings, deer legs, dancing in silver reflections of tears gushing from the aftermath of shattered dreams dressed up as vivid illusions. Ladies who stroll outside of society, girls plucked from art school, with trust funds, superb luxury wardrobes, jewels on show but riches hidden in the ground of trusting valleys in burnt gardens- young and broken with eyes full of flashing lights, sullen, princess of costume and keeping hidden. Gently ignored and choked, unhappy. What boredom, without your "genius." It is she, the little girl, dead before innocence- The young artist, alive, does not stoop- his life creeks but for a second. His inspiration empty and studio up for sale. Her shutters pulled down and the key to superstardom in the lock forever because the soul is empty. The city's silver fountains drowned and cried for her fabulous elegance. II I am the life who mourns like blue summertime. I am the academic who waves manuscripts on elusive "culture" and "style." I am the pedestrian who looks up to the sky then turns to the ground. Smoggy greyness and dead black concrete pleads me to keep searching. I might well be the same child; lost and unhappy and hungry. Dreaming of touching stars but miles from Heaven. I am the artist. Manipulative creator and selfishness embedded into the sinews of my heart. The lamp shines brightly on these happy photographs. I keep falling for these stupid books. Edie, oh, Edie. You have gone and the world is ending!
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Jan 10, 2015
Jan 10, 2015 at 6:10 PM UTC
Edie
I That idol, with black eyes and pixie-cut, with aristocrats nobler than artists, holier than New York City hipsters; his selfishness running through her veins, purple and blue like blood, or tarnished by amphetamines in waves of ferocious sadness and yearning. At the border of her life- young hope twinkles, fades and dulls out- the girl with chandelier earrings, deer legs, dancing in silver reflections of tears gushing from the aftermath of shattered dreams dressed up as vivid illusions. Ladies who stroll outside of society, girls plucked from art school, with trust funds, superb luxury wardrobes, jewels on show but riches hidden in the ground of trusting valleys in burnt gardens- young and broken with eyes full of flashing lights, sullen, princess of costume and keeping hidden. Gently ignored and choked, unhappy. What boredom, without your "genius." It is she, the little girl, dead before innocence- The young artist, alive, does not stoop- his life creeks but for a second. His inspiration empty and studio up for sale. Her shutters pulled down and the key to superstardom in the lock forever because the soul is empty. The city's silver fountains drowned and cried for her fabulous elegance. II I am the life who mourns like blue summertime. I am the academic who waves manuscripts on elusive "culture" and "style." I am the pedestrian who looks up to the sky then turns to the ground. Smoggy greyness and dead black concrete pleads me to keep searching. I might well be the same child; lost and unhappy and hungry. Dreaming of touching stars but miles from Heaven. I am the artist. Manipulative creator and selfishness embedded into the sinews of my heart. The lamp shines brightly on these happy photographs. I keep falling for these stupid books. Edie, oh, Edie. You have gone and the world is ending!
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