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Vincent S Coster Oct 2015
Peel me make me laugh

Eat me make me cry

Delicious though I am for you

Your pleasure is what makes me die
©Vincent S. Coster 27th October 2015
This poem is a new work by the Irish poet Vincent S. Coster and is appearing in print for the first time.
Vincent S Coster Jan 2016
We sat around the fire
While the old man read the poetry
From a battered old book
Held together with strips of
Ribbon and shoelaces
Bound around it like a cord

The light flickered and danced
To the beat of spitting wood
Shadows stretched across the room
We hid in them like a duvet

Eyes fixed elsewhere
Saw not how I placed  
Her hand in mine
And felt the delicate pulse
That betrayed her feelings to me
And mirrored my own feelings
For her.
©Vincent S Coster 2016
Vincent S Coster Jan 2016
I saw them growing
In the damp squelchy soil
Soaked and sodden
With the rains that fell
Over winter
At first they shot out of
The ground
Green shoots unseen among
The green grass
But upwards they jutted
Reaching into the sky as much
As such things could
Exploding into blooms of yellow
Leaning over like bells
Ringing out in peals of colour
The joyous celebration we all
Waited for eagerly
Through the darkness of winter
"Spring is here at last- ah
Spring is here at last"
This poem was written today in tribute to the beautiful Welsh actress and TV presenter Rebecca Keatley, who has one of the coolest accents on TV.
Vincent S Coster Jun 2017
For Robin & Emilie Stammers  

They say the universe is full of smells  
In fact tests on astronaut's suits  
Have indicated this much was true  
It seems- they say- that there are faint  
Traces of metallic smells you see?  
Not the stink of leather and bourbon  
Which emanates from my friend Robin  
Or the sweaty funk that lingers  
Where my obese neighbour goes  
There are- to put it quite simply-  
None of the rich earthy smells  
That one associates with life or living  
In the cold realms of outer space  
There are just the smells  
One would find in a science lab  
In other words metals and the  
Faint perfume of vaporous gasses  
Seeping from stars and planets  
In perpetual extra-terrestrial fartings  
Out there- where there are  
Strange cosmic happenings that  
Would blow your mind-  
The universe they say is positively stinking  
Reeking to high heavens  
You could say...  
Though of course, we can really never know  
For sure  
And that is what bothers us-  
Humans, in general, that is-  
We don't like being reminded  
Just how finite we are  
When we are surrounded  
By all that marvellous infinity
I wrote this poem after watching a program about conceptual art in which one artist had started a project after hearing that astronaut suits had traces of scent on them and they felt this had hinted at how space was full of smells.
I dedicated it to a guy who I like very much and who it is noted has the smell of bourbon and leather and his daughter Emilie who was a good friend from the early days of the internet and who was obsessed with space and was, in fact, one of those people who could be called and Unearthly Child.She is no longer with us, to our great loss. I dedicate this poem to them.

This poem will feature in the new collection of poems Little Paper Fishes which will be released early next year.
Vincent S Coster Jul 2016
Eat not my Brother
For though his skin is darker than mine
His tears are no less salty
Nor is his laughter less sweet

Eat not my brother
Treat him not unlike a man
For though we are not alike on the outside
Humanity is not only skin deep
This is the poem which Vincent S. Coster's fifth collection takes its title from. He wrote it in response to the shock at seeing countless black men being killed in America by police officers. It is disgraceful that there is still officers who think it is perfectly acceptable to gun down some young man or woman simply because they have different coloured skin. It is a puny attempt on my part to speak out and shame them.
Vincent S Coster Oct 2015
What had you said, oh first made woman?

First born woman of my flesh?

What hallowed words had you uttered

When you seperated my heart from love?

Or from what I felt was really my due?


For I was naught but dust to you
This is the opening poem from the fifth collection of poems by Vincent S. Coster called Eat Not My Brother. It is a highly personal piece which uses the imagery of Adam and Eve to deal with the topic of betrayal and sadness.
Vincent S Coster Oct 2015
Maybe you could scold me
Tell me that you love me so
Dig my grave with your
Harsher words
But hey man I don't care

Sid and Nancy had it made
****** chic stupidity
In a hotel bed
Glazed eyes
And soft carpet touch
Like a thorn in the side of youthful folly

Keep it *****
Keep it fresh

Bleed on me
Taken from the collection The Spirit of Youth which was the third collection of poems. ©Vincent S. Coster 2012
Vincent S Coster Oct 2015
She adopted Irish words and lingo
As her moniker-  
Like the Meadbh of old, a queen
Of many talents
Her's was the gathering of languages
A menagerie of the tongues of the earth
Spoken as she lamented with crossed accents
So that her French sounded Italian
Her German sounded English
And her Irish like the incantations to old legends
In which she would have been worshipped-  
If not feared
For what is not to fear in her eyes
Which speak of a passion
Like the intensity of Picasso's eyes
That screamed his power
She is the same- A famous beauty
Like a song from childhood
Her power to transfix is in her eyes
Wells to get lost in-  
For she is the fairy queen of Hessen.

©Vincent S. Coster 27th October 2015
This poem does not feature in any collection and is appearing in "print" for the first time here on this website.
Vincent S Coster Apr 2018
Pretty little mushrooms

Growing in the sky

8 feet, 50 feet, 100 feet high

Blasts of radiation  

Blows us all away

When it turns to midnight

In the middle of the day
This poem uses a childlike rhyming pattern to act as a chilling juxtaposition to the gruesome nature of the use of nuclear weapons. It is an anti-war poem and anti-nuclear proliferation poem that highlights the poet's strong belief in non-violence. It begins with the simple imagery of pretty little mushrooms, however, it quickly changes in tone as the mushrooms grow unnaturally high blowing us away with blasts of radiation. It then ends with the reference to the Doom's Day Clock turning to midnight in the middle of the day.

© Vincent S. Coster 2018
Vincent S Coster Jun 2018
How you always wake me up early in the morning

Standing on the roof of my house while the house sparrows

Chatter among themselves in their sweet frenzied way

Arguing over food, and space and all the other things that

Siblings squabble over



They flutter around and you pay no attention to them

But like Zarathustra on his hillside, you continue to call out

And demand answers with that strange rising intonation at the end

A rising arpeggio of riddles asking of me in the morning-

Who-who, who-who, who?
Inspired by a segment of the BBC program called Springwatch in which the hosts spoke about birds in poetry and the need to feature birds like house sparrows and wood pigeons in more poems. The poet writes about a wood pigeon that keeps waking him up early in the morning and how it always sounds like it is asking him a deep philosophical question.
Vincent S Coster Dec 2015
I take deep breaths

And plan a ******

To **** the bird that flew

Over the crow's nest


On a summer night

I feel the warmth

Of the day not yet done

The sound of laughter

Is all around me

This is cool- I say


I find myself lying on a surgery table

Holding an apple in my hand

I throw it against the floor

And landing there

It bursts into a million

Children of my mind

Spreading into every

Country on the planet

I am the new master

As my children grow and grow

Still in rags I speak

And throw my thoughts into a bin

Their work is finished you see


Still the sound of laughter

Carries on around me

Living is easy

With your head

In the clouds


I saw- and still I hear

The giggles and noises

Of delightful romances being

Born

These should be mine

But they are not mine

Such things are little more than

Mist or whispers

Promises not yet realised

My children sympathise

And bringing me a woman

To sit with me in the tall grass

Together we shall

Plan a life instead
From The Folk Hero ****** (2001) the first poetry collection by Vincent S. Coster. It is a largely psychedelic poem in the surreal mode. It is about the nature of writing poetry and the desire to write despite writer's block, which had taken hold of the poet as he sat in bed one night.
Vincent S Coster Oct 2015
***** grey fingers in every village

Every town

Etched with simple names

Of the lost sons to the new madness

Of love of land

And unknown king

Breeding hate of fellow man

For whom they prey and ****

Knee deep in mud

And jingoistic tosh

Said alike by

Tommy, Frenchman, and Boche
This poem is from the fourth collection of poetry by the Irish poet Vincent S. Coster called Poems From Another Shore Copyright © 2013. It was written ahead of the centenary of the start of the First World War and looks at the war monuments that are a feature of every town and village in England.
Vincent S Coster Aug 2016
The metal blade
That kissed your skin
Will nor remove the pain
Nor form scars
To match the ones
Formed by betrayal upon
Your heart
The seeping blood
So crimson
Enticing
Will not wash away  
They way that tears do
The sadness you may feel
Spent on people who
Mistreat you
But they are fools
And so beneath you
And their razor blade tongues
Cut into you
But you will rise above
Their hurtful words
Like blood red roses
In the snow
And from the ashes of  
Your broken self
We'll see the fire of  
Your beautiful spirit
And we'll have roses for ashes then

*© 2011 Vincent S. Coster
Taken from the 2011 Gothic pamphlet Nocturnes. Based on the poet's own experience of self-harm in this poem he is speaking to all who are driven to hurt themselves but does this by using the device of writing to an undisclosed individual.
Vincent S Coster Oct 2015
Police came with blue

Flashing lights

Trouble in the house on

The corner

She was walking into doors again

A regular habit so it seems
From the collection of poems Eat Not My Brother  ©2015 Vincent S. Coster
Vincent S Coster May 2017
The father you know
Is a construct made up from  
Odd parts
Like some Frankenstein's monster
Put together by you
From things you heard
And impressions you have
Based on his actions

His intentions you knew nothing of  
Nor of the sorrows
He felt over the decisions he made
And how they were not always his
To make
But were often the results of
Consequences out of his control

You will see over time
How he mourned for you
And how the father you know
Is nothing like the person  
He really is
Vincent S Coster Oct 2017
The sea crashed on the shoreline
Like the whisper of a lover
Telling the secrets of her deepest being
To the deaf and silent land

The waves rushed in and hardened the shore
And no one dared to touch the sea
But fixed angry glares on her murderous swells
Relinquished only with grudging
With the cold grey morning

Heaving on her stormy *******
Men and birds alike find a living
In the cold cruel mistress's hands
The sea like a field, yields its fruit
Mere morsels to keep her lovers enslaved
Bound in sluggish wedlock
Tempestuous, cold
The men made hardy by her rage
And drunk by her salty kiss
Hearing her call when at night in their beds
Or by the fire, they take stock and rest
For what the sea gives, she demands a return
And for another lost lover, a candle shall burn
Dedicated for all who work on the sea, and their families

This poem was published in the 2009 collection There Are Words and was written in the aftermath of the sinking of the Pere Charles off the coast of Wexford in which all aboard were lost. It was dedicated to their memory and for all those who work on the sea as well as their families.
Vincent S Coster Oct 2015
"So how do you feel about
Not being invited to your sister's wedding?"
Such was the question he had asked one Saturday in his kitchen.
It was a tactless premise to
The dispelling of his unwanted wisdom
For such was his manner
Of seeking ways to tell us all how best for us to do
"Thus and so,"
Even in matters that he knew not
Hence the thoughtless question
Which yes, he actually asked
Causing them to flinch in pain at the recollection
That they had been so wilfully forgotten
By someone whom they both loved dearly
©Vincent S. Coster 27th October 2015
This poem has appeared on the poets own blog. This is the second time this has been published.

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