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there isn't all that much to worship
but the long fingers of some unknown
god granting us with melody
and meaning

or maybe this girl of my dreams
she sells sea shells by the slaughterhouse
a real diamond in the rough
saving dimes to escape from ****** mountain

I found truth in a forgotten library
the rise of the blue lotus
watered by the flooding of pain

dawn appears
b e mccomb Jul 2016
Cracked sidewalks
Hopeful puddles
And the downtown umbrellas
Racing with the cars
In the rain of
Toasty libraries
You sat on the floor like always.

Downtown coffee shops
Roasted from the finest and most
Impertinent beans
Never forget the
Kind of damp days we
Spent together.

Sweeter now the cherries
Taste than before you
And somehow they'll always
Remind me of you
But life, our
Unforgotten years
Can always remember to
Keep you and yours alive, in our hearts, don't
Say goodbye.
Copyright 7/5/14 by B. E. McComb
From a rating of one to ten
I say ***** it
You're tired of being used and objectified and i'm not renewing it
I just do that with my library books
I'm not going to dangle you on a hook
And take you out
I'm going to make sure you have the best out there possible
Which is hopefully me
I'm not here to waste your time
I'm here to make it worth your while
I can't allow, 24 or even 26 hours
I'm going to need all 28 hours of the week
JT Jun 2016
Within the four walls of this library
sit three walls packed into the corner;
shelves, stuffed full of books with dog-eared pages
and slip-disc’d spines and fraying edges,
and a big white sign, which dangles from the ceiling
like a megabat hung on a cave mouth, sleeping and dreaming,
the word “NONFICTION” is inscribed on its countenance,
adjacent to signs shouting “MYSTERY” and “SCIENCE
FICTION” and “FANTASY” and “ROMANCE”
and a thousand other sorts of words
for myth and fabrication. But in this corner
live the rest, the et ceteras, the miscellaneous,
the kingdom of protists; for instance, care for some ethics?
Marx’s manifesto is stacked lazily beside a heap of essays by Rand;
you can practically see the two of them, shaking hands
uneasily, the will to never understand already forming
in their brains, and others yet remain;
Capote and the Clutters share shelf space
with the Mansons, hiding helter skelter behind
gnostic gospels and silent springs and a thousand
dreams for Freud to interpret (translated
from German for your convenience); nearby,
Orwell sings war songs in Catalan, accompanied
by the universe’s most elegant superstrings,
and the caged birds, singing of freedom,
harmonizing a melodious cacophony with the song
of the executioner. Butler criticizes his performance,
and she probably would have anyway, but Friedan thinks
he has a certain sort of mystique and Dawkins offers his own critique,
going on about genes and memes, extinction and delusion, but
not hallucinations—Sacks makes the distinction; let us continue
to praise famous men, and their children after them,
these naked apes, with minds so ***** that
they’re riddled with the emperors of all maladies; oh, Morris
Kinsey and Mukherjee could tell you all about these things,
maybe over lunch with Schlosser or dinner with Pollan,
minglings with Machiavelli over affairs of the state,
or affairs of space and a brief history of time; but,
if you're feeling too full to eat, or to pray, or to love,
ask Frankl what to do, let him change your life
with words from decades yore as he keeps on
his search for meaning just like every man before, at least
that's the case when these boys’ lives weren’t preoccupied
by artful war or bright and shining lies. And here,
by the holy bookend, lies some old and antiquated glossary
which lost most of its “glossy” many years ago,
for one flip through the pages will catalogue the changes
between what we thought we knew about the stars
and our bodies and doomsday as recently
as your last birthday, and all the things that everyone says
we now know that we know; speak,
memory, remember all you can
about this endless, sundry cosmos, and
the microcosms that it boasts; bury my heart,
if not at Wounded Knee, then maybe at this
library, where comprehension and speculation
find themselves in coexistence, packed into a single
point resembling the genesis, and fear and hope
take dueling forms, those of fact and mystery;
and now all that’s left to do is read,
until the end of history.
if you want to play along at home: there are 33 allusions to spot.
James Gable Jun 2016
Who on earth would stack books like sticks?

Who would sit turning white-paper-pages
With blackened fingertips?

You should know that awaiting fire is nothing of a joke
Have you not heard of witches
on fiery trial, spitting curses
That just tightened the rope

And did you know
That the pages
Of every history book ever written
Once went up
In ancient whispers of smoke?

Every manuscript
Chronicling man’s unscripted
Fighting progression
It was
reduced to ash?

So we wrote it all again…
The Romans, messy, careless
And surely barbarians
We’ll adopt them as our
Ancient parents
Invaders of course,
Progressions must not
Be stifled by sentiment or remorse
The druids and their hoods
They left them among the leaves
In the woods
Before that
Well
No one can prove us wrong
We’ll say that humans
Hunted similar races
That were
Uglier but strong
Defeat, even eating them
Of course
That which stands before you
In physical form
Surely it cannot be wrong
Our history,
As far as we know
Is a tale of endless glory,
Since they tell of victory
In every song

So we’d made a start
The scholars are desperate
To start memorising the dates
Of all the events
That we are still
Required to create
Keep the candles burning
This could go on rather late

The bridges of London
We’ll say were built by English men
And when some malevolent
Invaders burnt them down
We built them up again
We’re resolute by nature
Bordered on two sides
Our land it does not shrink
We have intimidation in our eyes

Well we have all these haunted castles
Shakespeare used them in his plays
Let’s say we were conquered
By Normans
Hand-fought battles went on for days

We should be modest and believable
So let’s say they conquered us, so what?
If our past shapes our future let’s show
The things we are and what we’re not

We’re are a thing that empires covet
Some have tried many times
Our ships with crews that never sleep
Their cannonball
trajectory does not fall
They fly in a straight line

A book that chronicled a fire great
Reducing our capital to a raven’s nest
Sadly it was lost, Pepys wrote so well,
So we’ve told Dickens to try his best

We recreate from memories of books
The pictures help as well
Medieval times were all heads on sticks
It resembled what we’ll call hell

Heaven, that’s where the noble live
Those that were so gallant and brave
falling in their tons on the battlefield
Winged skeletons rising from their remains

The bible, as you know, survived the fire
It continues to teach us and guide
Reminds us of the elasticity of time
And encourages a most conscientious mind

We made adjustments, here and there,
Lazarus rising for example, readers in mind
We couldn’t let that tragic scene end
Without him delivering his warning on time

We think of the greater good you see
For the good of you, and the good of me

The plague, bubonic, spreading like fire
Is a fiction covering something dark and twisted
I can’t begin to describe how as the death toll rose
Our king fled for Belgium as the demons persisted

The history of London is actually unknown!
Well you would moan, but what did you think?
The Thames is a man-made canal they froze themselves
when ice skate sales were on the brink

And bodies that fall in, still alive or dead
They scoop them up, make wigs and cut textiles
The ones still breathing are given the job of
Gathering the bones of the executed neatly arranging them in piles

Jack the Ripper, Member of Parliament I should say
Was in charge of cleaning up east London crime
His method was questionable, objections from
Speakers in parliament, but murders in a year went from 38 to 9

Henry, yes he was large, rotund, had his fun with women,
But each of his wives was ensnared by courtiers in cloaks
They were promised recompense, rewards that never materialised
When they killed him, each time, they picked a lookalike from the village folk

And I’m no historian, but why assume
That soldiers marched all the way from Rome
To what was of little value,
Cold, wet, a far cry from home

No evidence of course,
They just put themselves about
And there’s a good chance,
The Vikings came, you could see bridges,
Burning in their eyes, they arm-wrestled
Journeying on longboats of considerable size

King Charles II had an imagination alright,
Kept the wine flowing alright,
Enquiring minds and lips
Were busied gulping it all down
And kissing women who span madly around
Their cheeks
The colour of rose hips...

Who are these men that hold books under their arm
In such a way as a woman clutches a purse?

They arrive in endless streams conversing in their
Small groups, absent mindedly
Opening and closing books that are in
Different languages,

My turn to take five, look after this place,
I’ll be just out back, chewing my wife’s sandwiches.

I eavesdrop a little, a vice of mine,
Hear them talking about their jobs
On the factory line
Men and machines, men as machines
Or machines made by men, machines
That dream in factory nights,
Locked away and out of sight,
Quietest place you’ll find

But they’re restless,
I’ve seen the machines sigh
I’ve seen the steam that shoots out
As the whistle blows calling time,
They are restless machines and

—The whistle blows and
The machines are wandering home after
Getting blind drunk,
Dreaming…

In a few hours they will be woken
By a jangling set of keys that
Starts them up an hour or two early
So that they are fully operational
When the hungover workers arrive
Beating their chests and
Stretching their lever-pulling arms,
The machines grind their gears in protest,
Become confrontational,
Grinding the axe for a while now,
They’re all worked up, high pressure,
And yet no one takes notice
The steam flowing as promised
The men are ready in wait
A little release of steam
Machine’s are functioning well today


Factories like these run themselves
With their routine set in stone,
you can whine and moan and they will,
Mostly to their wives on the phone
During their allotted break,
You can come back early, but never late,

Echoing a cuckoo-clock world
Of perpetual motion, the machines
Dream of a life outside, they have heard
So much about irons and their boards,
And baths with plugs on a chain,
Manhole covers, oven doors and drains,

The machines do what they were made to do,
Workers too, this job chose them
For their durability, stocky build, the confusion and
absence of revolution in their eyes,
Life’s lustre hides in Friday’s pies,
Yawning men find it in the coffee
*** as it boils on Monday morning,
On Tuesday it will taste like soil again,

And on rare occasions, you’ll see it
When the sun comes through the
Highest window, and eventually,
On the right day, the right time,
it reflects and refracts,
The whole factory is scattered
With light artefacts, as if glass was
Raining down from the sky,
They take five, in celebration of
Their planet’s undiminished charms,
And though a bit longer to enjoy them
Wouldn’t do any harm
They are ordered to resume order
Belts and levers and rivets and arms
Must pull, a few more hours of life
Set to whistles and alarms

Creak! *There’s another dodgy floorboard!

How quaint, we’ve gone back in time,
I can’t reach the books...
*Shall we walk past the pond
On our way to the tailors?
A fine suit, perhaps we’ll
Also need a coat and a pair of shoes
Kastoori Barua May 2016
White plum blossoms gently blew above my head,
As I read my book of verses under the moonlight;
Delicate wisps smoke coiled around me,
Lovingly like an evanescent snake,
I looked up to see a light that barely wavered,
Behind the smoke of a cigarette.
It was you, you came to me,
With a bottle of warm rice-wine
To complete the unfinished scenery
Of the moon, blossoms, lake and wine.

It hadn’t been too long since I met you,
I remember clearly how startled I was
To behold you in your singular beauty,
Standing between the shelves of old books,
Your back towards the window
Where a crescent moon hung, punctured,
By your magnificent head.
And I could not help mistaking you
For an enchanting lunar demon,
For I had never seen such beautiful black hair,
That shone like beaten silver in the moonlight.

And every night we would have conversations
By the windows of the silent reading hall.
Those long talks of solitude and insanity,
Of dark, restless, sleepless nights
Of moonlight weighing heavily on you
And I, promising to take the moonlight away
From the very moon I read my books under;
Tied us together with invisible strings
Till we had nothing to talk endlessly on.
One had to be careful with that silence,
It ate right into the darkness of the night
Till it imperceptibly swallowed us whole.
And now the library became lonely,
For all the nights to come.

But tonight, you wandered to me
In this sleepless, waking, sultry hour,
And tonight, I knew I would take liberties;
I would break through the chrysalis,
Of my broken dreams to savor you.
Your body stiffened against my hard breathing,
My fingers crept up, as if to taste what it felt like,
But you clasped my hand and sat us on the ferry.

Reclining, I stared down at the glassy surface of the sky
Picking up stars in cupped hands as the cicadas pined away.
For a moment I felt like adorning your hair with them,
But no, those stars shone too feebly to adorn
Your silvery, astral shock of hair reminiscent
Of numberless comets traversing the universes.
I let the stars slip through my loosened fingers,
Back to the alchemies of the dark, shifting cosmos
While you rowed us till we were in the midst
Of fireflies floating among the mists and water-lilies.

Oars vanish into the silent waters like wraiths;
Leaning on one side of the ferryboat you flash a smile
The next moment the boat is tipped.
I feel the water engulf and enter me,
I see you beside me, floating under the surface
Like a water-sprite, your arms around my shoulders.
I look up to see the surface above me glimmering silver
The water is warm, and comforting
I feel safe, oblivious but contented.

But before I sleep I must confess
That I do have just one regret:
All the poems that I have written,
Are all the ones that are no longer close to my heart
Which is why, I’ve committed them to paper.
The ones that matter to me, are locked safe in my heart
And that I carry more poems to my watery grave
Than the ones that have been papered.
And you, my demon, you,
Have taken me for yourself,
The best poem of all.
Jade May 2016
this is the place that quiets the sounds
soothes my soul and stills my mind
fast-racing thoughts slow in pace and find
their places in the compartments where they lie
in wait until i call them to life
with pen and paper
i write them line by line
without you i might have lost my mind

i sit and think in this place
my sanctuary when the world goes awry
its alright to be quiet
its alight not to smile
even better if you do not talk
but share a comfortable silence
be physically near
smell the books and their aged spines
tell their stories that came before you and i
I come here when I'm lonely, tired, and bored.
The library's friendlier than most of the world.
There's books, coffee, couches: blue and red.
I love it more than anywhere except for my bed.
Dead lover Apr 2016
In the forest of dead,
I keep walking,
I keep exploring..

I love to be here
I love this suffocating air..

Not a man alive visits this deadly place,
It's a tree grave, dead bodies are its grace..

They were killed to be turned into books,
A man killed a tree, for another man you see..
But I see them filled up with dust,
And the bookshelf's rust..

Termites have residential blocks,
No man I ever saw, if here walks..

No proper seating, no proper lightening,
But do the ones who create darkness, need any brightening?

Every book's cover has been torn,
Every book's corner has been worn (out),
But not by those who were supposed to read,
But the ones who in these do breed..

Its a grave, a unkempt one,
Spiders, bats, rats, Termites, ants, dogs, cats,
All live with peace and harmony,
Even the dead trees are doing good you see....

That's a view of a public library,
Our world after D-Day probably
Books, I love books don't you do?
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