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Sky Feb 2020
the rain makes the asphalt look sad and pregnant.

i turn my head for one moment and a lonely 7 train skitters by, barely grazing my left ear. i close my eyes. i close my eyes because if you look, you get sad and that's how you lose. so i look down at my feet at the soft, shimmering asphalt instead

and i watch the train through the asphalt. it torpedoes by, one silver frame at a time, like a silent film still bobbing around in its chemical bath. i continue to watch, from a safe distance.

(its like looking out the window at the cars zooming by. its all fun and safe until you reach your hand out a bit too far and the next thing you know, some ******* car up and runs away with it.
its like marriage.)

except im in college and the wheels of the train never quite touch the ground, but hover, hover over like some kind of homeless intoxicated guardian angel stranded in a sprawling urban desert.

(he lies on top a one of those BigBellys, lies on his stomach, sandaled feet dangling just inches from the ground. blink blink, goes the BigBelly. Gabriel groans,
incomprehensible muttering)

and the train throws bleachy yellow squares of light throw themselves onto upon the pregnant asphalt in fits of just destructive laughter and when they hit the ground by that time they're already hugging themselves, hugging and shaking all over like fuuuuuuck, it's sooo cold in here (in my body!) each one of em murmuring in a foreign tongue about how someone keepzon etching street names into the bathroom walls

Thayer and Broadway at 3AM on a Wednesday morning is someone's oasis, mine for as long as i stand here, my mind stumbling back n forth from one airpod to the other as i feel like im sinking down, down into the soft squishy asphalt wit the weight of my backpack making my shoulders touch the floor wit my bleachy yellow head dangling from my neck as i blink needily / cravingly / searchingly at a sidewalk that stares back at me with the most deadest honest (to godest) blankest expression i ever seen on a no-body

and when i look into its eyes i can see myself but im standing in the  middle of Times Square and -- hey -- everythings looking up! but it cant be me because im here at Thayer and Broadway dangling my head and angling it AWAY from the passing train because if you look, you get sad, you think of home, and when you think of home, thats when you really know you've lost, not sure what but you've lost and you probably cant even actually go home after youve lost because, well, mother**** it you've lost and life just likes to call you a cuck and hit you in the throat like that

but i wouldn't know, i haven't gotten that far yet
here i am standing at the intersection of Thayer and Waterman. the rain glistens on the deserted streets and it's beautiful, but really, all i want to do is go home.
Coop Lee Feb 2020
took his bike to the end of the street and disappeared.
he was laughing.

maybe today, just find a way
to bell the bones of magnificent fun.

she thought he was funny. he
took to the day like a wild oat.
took a bullet to the chest, still had long to go.

that old bless of a naked always-stretching lung
     [can we account for nuance?]
took.  took.  took.

holocene compounded, brain aneurism expounded.
he knew the city suffered, city slumbered, never, not ever.

your number? he asked her.
or about some kind of snake wrapped around the heart.

war chest, drum the chest, bone or breast.
twas rhythm, not explosion.
rhythm/blast.

city/socks/electronics.

the humdrum conundrum of ***, thumbs and time.
we are surrounded yet alone.
stone’d yet liquid.
remember the lung?

city/shoes/blood.

he thought she was funny.
stoop, stop to think about a text…
send.
From the overcrowded train cars
To the indifferent desperate distant eyes
Of every passerby
Cars bustling by the street corners
With nowhere to park
New York is not the place
For one to sit down
And just take in a view
And in this way
All things become fluid
They come in to our lives
And swiftly pass by
And if we get lucky
We can fix what has been broken
Or be another passing
Distant
Indifferent
Face
Waiting for their time to go
And leave New York City
Mitch Prax Feb 2020
Oh London, you were
a dream and a nightmare all
wrapped up into one

7:37 AM
19/2/20
Gorba Feb 2020
Man får säga ibland
Att det finns skönhet som inte går att beskriva
När till och med en himmelsk strand
Skulle se gräslig ut om man skulle jämföra
Så länge jag bor här
Kommer det inte finnas något att klaga på
Vi är som ett par
Med två partiklar som möttes och blev oskiljaktiga
Jag har varit med dig i tre år nu
Och kärleken brinner fortfarande
Det är uppenbarligen jag och du
Och det är inget erbjudande
Det är hellre ett vackert oundvikligt löfte
Som skrevs med outplånligt bläck på ett häfte  
Du ser ut som en mångfacetterad hydra
Som står ovanför en blå matta
Det känns så skönt att korsa dina broar
Och att gå vilse i kurvorna du har
Jag måste också prata om din gröna klänning
Som man inte kan undvika att smeka
Den absorberar solsken, släpper syre, får oss att leva
Och gör mig glad när jag kommer kring
Du är ljusare än solen under sommaren
Men mörkare än ett svart hål när vinter spränger dörren
Som regnet som får regnbågen att dyka upp
Uppskattar jag mörkret för då ser man norrsken
Samtidigt, brukar snö bygga upp
En vit rock som försvinner sen
Du var inte mitt första val från början
Men nu står du högst upp på listan
Jag behöver erkänna att jag är kär i dig
Trots att du inte ens är en riktig tjej.
Miriam Feb 2020
Light,the heartbeat of the city
A thousand lights to show the way
An essence that surrounds our everyday
Where would we be without light?
An undertow,to the rhythm of life
What would happen if it all went dark?
No more spark,everything falls apart
No more trail,no more spark
Light,we take it for granted
But would we survive in the dark
The worlds already dark enough.
Copyright ©️Miriam Hawley 2020


I wrote this poem after a drive through the city and it occurred to me how much lights there are in the city and how much our lives  we rely on light and energy
Chris Saitta Feb 2020
The elucubrations of the lute, pulsing from the finger strums of starlight,
Plum-twilight of the Colosseum like an emperor’s bowl of plucked fruit,
As the night’s ghost-gods are tuned to Castel Sant’Angelo, Hadrian’s tomb,
Who drink the dwindling hours from the wine-stemmed glass of musical moon.

But come the times out of tune, the dwindling of stone is the going blind of Rome:
Rome is built upon millions of eyes closed with the underside of their lids tattooed,
By labyrinthine aqueducts, far-aging roads, and traceries of Nero’s Golden Home.
Then death its sight-sun blooms through; death the architect of Seven Hills renews.
Elucubrations here means night compositions or writing/composing at night.  

The Ancient Romans believed in the “Di Manes” or “Manes,” the collective soul of the dead.  Tombs were often inscribed with “D.M.” to acknowledge the spirits of the dead or the “ghost-gods.”
Cox Feb 2020
The moon phase rises over the naked city,
the inessential buildings soon just become nothing.

She walks the street with a beat in her step.
Hands cut from the rose thorns,
petals falling,
flowers dying.

She felt happy.
But misery laid nothing more less to the flowers.

Amongst the footsteps the cries could be heard.
The naked city wanted nothing more than to cover itself.
To hide behind plain sight.
It no longer wanted to be the city that filled everyone’s dreams,
the city that never slept.
It just lured for some time to shut it’s eyes,
to be nothing to this world.

To sleep.

The naked city was raw,
beautiful at most.
It had a unique glow,
kind of like the Moon.

It would just turn on and light up everyone’s night.
Make them want to write about it,
dine out.
Have the light gaze down on them.

It was somewhat.. magical.
Brian Johnson Feb 2020
Forward this recluse to the front lines of society a pen is his only weapon karma is the only escape. Wielding it in blinded fear a new wilderness lies before him. I feel gift for I am this a weapon against self. I choose in reason karma hide when need me karma I fasten this pain to finger you crawl out exposing my true self tearing flesh from bone creating a portal to see, to be. I will fight on the inside **** I will cry and lie to myself judging you for you for me. I will throw glass throat this Glass House and expect nothing to break, blending you when it does. In introverted crown my masks impenetrable karma my God heavily-armed poised for attack when you blink throwing questions at question. Tears stain my cheek as you walk by. I use my weapon when I'm alone karma I sit with myself nice off couch what a comfortable Stone karma Caesar's grass bring oceanic scented insights into an oil stained mill City. I'm asking myself questions taking notes and watching. I bask in the bountiful harvest of knowledge display before before us all each and every day weather it's the body floating down the canal the soft Moon blooming Jasmine in the springing months my eyes water yeah my flow is uncontrolled.
It is all about exposure without exposing anything
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