Sometimes a miraculous thing happens.

The body ages,
And the skin crinkles like an old plastic bag.
And even though the body fades, the soul still fights on.
And the soul comes through the eyes.
And the most crinkled, faded old people will have the deepest eyes. Sometimes deeper than any others. Their soul comes through their eyes and draws everything in.
They glow with a brilliance earned over many years,
And even though the body withers, the eyes stay bright.

when she was eight years old
she
asked her mother
have you seen the girl with
lashes like butterflies against sharp cheekbone branches?
a dandelion sprouting from sludge covered gutters and streets
streets, where you feel that bitter bland nothingness in your stomach

it feels buttery to stare at her:
see how snow outstretches arms and twirls tippy toes, envies her grace
see how balloon sized raindrops pop, target the freckles on her arm
see how her forehead crinkles when she concentrates, nothing more than a beacon
proclaiming she trickles with stars

when she was eight years old
her parent's violent protests slipped bruises under her skin like pennies in a coin slot
but they could not contain the celestial girl tucked under her ribcage.

she would still look at her like she was the breakfast sun on a saturday
whistling by the creak, catching glimpses of dresses from behind the legs of trees.
see how this is special love, sweet as strawberry fields under soft sun
they would never feel on their forked, sour tongues

To lose the robust and ephemeral vitality,
is waking up in dazed desolate imitation,
that creases and crinkles euphoric principality.

Blades of grass, sharp tipped spears of unreality.
A chilling, a challenged negation;
to lose the robust and ephemeral vitality.

Spinning round the ugly formality,
are snickers, unshy sneers of an evil salvation,
that creases and crinkles euphoric principality.

Thrilling no longer a verb, piano key pressing its precious mortality
into her throbbing thrashed temple dictation.
To lose the robust and ephemeral vitality.

A ****** numb soul with the criticality
of skeptics, chewing their lips, a dead cell castration
emotional stripping, slipping into complete impromptu filtration.
That creases and crinkles euphoric principality.

Sparkling petals slice through feet of wanderers
Dashing hopes and slitting tendons

Each day she visits
Sprinkling books and soda-filled sponges among the wire vines.
The sizzles excited her
And she smiles in spite of her sizzling feet
Pleased in her harmless sabotage.

The suffocated earth shutters beneath
Layers of circuit boards, damp and rotting
Steam rises from the core
And crinkles the pages of
Jane Austen
Dr. Seuss
Kurt Vonnegut. Her mother’s journal from pregnancy.

.

page one
it starts with the wave of a hand
a simple introduction
'hi, what's your name?'
it starts with looking and seeing nothing but what is there
skin and bones and blemishes and human
it starts with feeling no cliche butterflies in your stomach
and no additional voice in your head
amongst the others
and no rapid pulse in your still-beating heart

page two
somewhere along the way the waves turn into inside jokes and small smiles
crinkles by the corners of eyes
and light chuckles
and glancing just a millisecond too long

page three
and, well, glancing just a million times too often

page four
and you write poems in attempts to make yourself believe
to drown yourself in denial
to avoid confronting the - nonexistent - blooming bud growing
sprouting from all angled corners
and cracking curves
and jagged edges of you

page five
spoiler: it doesn't work

page six
and it's strange because apart from seeing what is there you see more
or really you don't see what is there
you see what you want to be there

page seven
you see skin and bones and beauty and freckles and stars and constellations in eyes and ethereal -

page eight
perfection

page nine
except perfection doesn't exist
and what you see doesn't exist
it's just your unrealistic expectations piled up from miles and smiles of movies and books and manga and everything

page nine
and you know this

page nine
but it goes into one ear and out the other

page nine
and it doesn't stop you from claiming

page nine
you're in love

page ten
if love is just infatuation with a physical manifestation of your ideals without their consent
then i guess you're right

page eleven
there are butterflies bending, banging on you, begging to be released

you wonder when your definition of beauty became a name and a face
and you wonder when love became synonymous to pain

page twelve
the butterflies turn into birds and then bears and then freaking buildings
except these building are moving and apparently earthquake proof because you can't seem to break them down
instead the buildings are breaking you down

but the truth is no, no they aren't
don't you see?
you're breaking yourself down

how do you heal if you are both the poison and the antidote?

page thirteen
if only you could rewrite the story
but how could you?
how do you rip the pages
how do you erase the sickeningly sweet
slow stabs slicing through your spine every time a smile is sent your way
how do you mute the thudding in your brain telling you that this could never be
how do you ignore the extra echoes in your head yelling at you to get yourself together

how do you get yourself together?

page fourteen
you've been asking so many questions lately
but you know the answer to all of them

page fifteen
there's a small voice
a minuscule, malevolent voice whispering maybe
whispering maybe and perhaps and potentially
maybe you're not the only one who wants to hold on just a little longer

page sixteen
but see
it's funny how the story starts with two people and now it's just one person with an overactive imagination
illustrating a person as something more
something better

page seventeen
but you're not creative enough to keep your illusion for too long
and soon you start to see less of what you want to be there and more of what is there
skin and bones and blemishes
and human

human

page eighteen
human is ugly and human is cruel and human is wretched
but human is somewhat
beautiful
in its ugliness
and human is raw in all its dishonestly
and human is real
even if you made it out not to be

page nineteen
you will never truly now human
you will never truly know anyone or anything that isn't a figment of your imagination
but it's enough

page twenty
it starts with seeing nothing but what is there
skin and bones and blemishes
and human
and then it ends
the story ends somewhere
anywhere really
but it ends

My dream girl found a lover
She speaks of him in rhyming lines
the joy she feels dancing between every heart shaped syllable,
thumbing it's nose at my breaking heart.

My dream girl found a lover
the deal was sealed with a rain soaked kiss
and hands that fit just-so.
A love tightly bound,
according to her rose tinted ink.

My dream girl found a lover
I hope he hears the fragility in her sighs
over the beauty that radiates when her smile crinkles her nose,
for that alone can distract a man from the sound of breaking.

My dream girl found a lover
to mend her broken heart,
a coveted position filled.
Leaving me forever dreaming
of almosts and half smiles.

Hi there,
I see your brown eyes that dare
I see their happiness,
and unpredictable mischievousness,
Warm with crinkles on the edges and all
Promising me an irresistible fall

you there
They said, your brown eyes that dare
Telling me to be brave
and pursue these things I dare crave
Swearing to be there by my side and be
The best of friends with me

hi there
I say to your brown eyes that dare
I see your happiness,
and blatant lightheartedness,
But I see behind those madness and all
That your heart and soul are ready to fall

I'll be here
I wish your brown eyes could hear
I'm now telling you, be brave
Just let go of the darkness you crave
I swear to be by your side and be
Ready for you to lean on me

The monotony of adolescence is a laughable oxymoron.
My mom keeps saying to me,
"Caitlin, you're in a state of flux. Just wait."
Little does she know
I'm waiting for anything
to ebb.
Flow.
Twinge.
Any lurch of impulse of life
in this constant static lullaby.

Maybe I'm just itching to slough off my skin of content
and breathe in a fresh new disposition.
Become intoxicated in the maybes,
and the possibly's.
Embracing the oh-wells
and the never-enough-times.
Eschewing the feeling of everything I've missed
by having it near.
Having him here.

Getting trapped in the crinkles of his smile
and the freckles on his shoulders
that navigate me to the spots I feel most comfy.
Losing regard for the world as I become transfixed
in us
and our patterns on his couch.

Tumble into elation.
Quirks transpire the me's and you's
into the us's and we's.

To think... I was so scared to hold his hand.
Not knowing at the time
how great his waffles would taste
after a night of holding him.

Cockcrow harbour:
the gulls whining like tethered dogs
about rooftops
paliophobic cars and
grounded vessels..
Look:
on the hoary horizon
a glaucous strip
beguils
with backwater.
Not putting on a show
the frigid sea benumbed..
Easily,
with a tail of emerald jelly
skim a vanishing lane off that
lustrous sheet
and watch
the trailblazing mainland
scuttle.

Now,
Only scattered dreaming is possible.

In it's bachelor pad,
cradling over crinkles,
away from the meretriciosness
of validating the real by sharing it,
THE WIND
blusters off any veneer.
Here,
stale but spry,
fare your way around the inoffensive isle
to it's most shyest of harbours:
a mouth full of silver
saving it's breath.
The windows facing the sea
seem
black & white,
their wooden frames hooked to the wind,
the splattered gulls meow
your name
in a way
that's
personal.
Of course comes to mind.
The pines
are demanding a visit,
They're whispering
so you can hear them,
each as different as every snore,
these pines know
how to grow in the sand
and still reach for
the Nimbostratus with heads in unison.
The spaces
between their trunks illuminating
the blazing needles
raining down
painting the ground
familiar
to your lover's
skin texture:
Feel her closeness
from jilted borderwatchtowers
as she speads her mire
like no one's watching:
weedy and sugared
with bellflowers,
the waves in her shallow armpit
billeting a pair of white swans:
demurely they float
sometimes as pillows and sometimes
as question marks..
Go ask the seasoned locals,
they say the bones she parked
when she let her ice sheet melt
are portals
to her noble underbelly.

Hidden in the woods
reminiscent of your heart,
the red
tank-sized stone
is sealed,
but what the lighting reach cannot
the rain shall sluice apart
dumbly.
And though her hair has
come to be
the moss
black and hoarse
as sailor's beard,
there is still time.
The void says
her noisy neighbour is nothing
to die for.
The theadbear car with absent doors
incites
to drive her
in reverse gear
to the first few
days of holidays:
her golden locks a-blaze,
her arm around your
hind-sighted doppelganger.