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blushing prince Jun 2017
ain't it easy to do?
I know I do it too
the man with the contained smile
laughs
trapped bubbles surface the air as he
mocks the women on stage for calling themselves wildfires
as he sanctimoniously recites Dead Poets Society
seize the day, grab it by the throat and swallow it
drink the Latin into oblivion
hand reaching, stumbling, stalling, stop
I can’t go further
I weep eggshells for you to step on
The truth leaves residue like the
masochistic taste ******* leaves in your brain for days
trampled flowers left in a cackle
they’re right,
I don’t want to be a candlestick
the match is not needed because I’m not a ******* flame
There’s no use in burning
when will you understand?
just because the road is paved with knives
will not make your pain more tolerable
there could be a forest inferno in that chest of yours
for years, you could let it wallow and simmer
just to feel warm
but nothing will continue to grow
your angry resilience will be just that
angry
there’s a blaze of fury that you can start
a healing for those third degree burns
you so desperately cling to
because it’s better to be damaged goods than
fragile, vulnerable, a sensitive nerve
and I understand
but bathe in your own tears for a while
listen to the trickling of water from a bathtub call your name
kiss the rivers you know are capable of growing in you
flirt with the oceans that have missed your company
revel in the fact that you can be
delicate and equally dangerous
drink your water and know
that the poison will drain
and that the calm was meant to
hold you not rob you
to all the women that want to burn
blushing prince Jun 2017
Guns are always next to the old television sets.
The kind that are called
“the sets”
“the tube”
“lonely night comfort and clean tooth money spender”, you know, your childhood gathered in small dusty screens.
I’m not sure where I’m getting at, something about violence being next to fishing equipment. Maybe that’s where Sundays are stored. That we’re all pawn shop children wasting away in places with  streets that are named after trees, the irony being that there is no life growing between the cracks of sweaty cement. On the driveways where skeletons are buried underneath like they own the land.
Where the living haunt the dead and there is no expiration date besides the milkshakes you refused to accept from that boy with the lazy eye.
I'm sorry if I sound insensitive when I say that these wars are always fought in vain.
That no matter how many people you save, there's always someone
drowning in the dark corners where no one wants to look.
Look.
blushing prince Jun 2017
A boy wearing a yellow raincoat ***** a silver plastic gun in one hand
and grips the inside of a melted chocolate with the other.
His stance is firm
and poised rendering the expressions of his heroes-or rather his fathers’ figures on the
wall of a studio apartment he visits once a week. All four corners memorized.
He stares now from the bottom of a street.  
He chews bubblegum, the color of his grandmother’s blush or a slapped wrist.
“It takes heart to be mean” he’s told.
For all we know he wants to be the saint and the antagonist but it doesn’t show,
it’s not registered between smirks and spits.
He’s been frozen-food fed since he was weaned off his mother’s milk
and affection.
Sometimes he plays with the snakes in the backyard of the girl he’s in love with
They give him a cigarette and call him lonesome cowboy bill
So the wounds heal and the days grow shorter
The siren of the ice cream truck become a wake-up call
as they turn into the screams of men in blue uniforms
the sugar melts between the warm asphalt and
no one notices a child go missing when the bus drives away
in the kid’s place lies a keychain and a school lunch bag
hope comes in the shape of a old taxi with a skeleton in the driver seat
snakes becoming criminals in the shadows
There’s a ticket for the crossroads but he ends up in Nevada, our charlatan warrior
his girl-child neighbor loses a tooth in the dark and the zipper of her favorite jeans
he doesn’t call and she doesn’t answer
he changes his name and grows scars on his knuckles, he wants to be like the man
in the car commercials, he wants to rid himself of his accent
instead he acquires a taste for cheap alcohol, an asphyxiating penchant for
street powders and scrapes up enough money for soft leather boots that
make a clacking sound when he walks quickly  
He stares now from the bottom of a street and walks up to a payphone. I want to go home; he whispers this into
his wallet. But there’s nothing in there except for phone numbers he doesn’t
recognize and worn midnight shakes.
His hands tremble.
A man wearing a red suede jacket ***** a silver pistol in his hands.
He’s gone back home but it’s different now
the studio apartment has turned into a new casino complex
and his father lives in the cemetery. He brings roses.
He doesn’t feel quite natural in the urgencies of life, this goon hero of ours
His childhood sweetheart wears lacquered nails and has grown a beer belly
he wades in her backyard for a bit,
the ****** in his palms for leaving, for drifting when he could have stayed still
he spits and it evaporates
the snakes are nothing to the
the devil in his eyes
A man wearing a red suede jacket ***** a silver pistol in his hands
and fires
there’s a moment of silence
a bird chirps in the distance
the heat lingers
there’s confusion
and then
just a man
in the corner of a street
with an open mouth
and a crooked
sincerity for
all the things
you have to do
to be lonesome
cowboy
bill
blushing prince Jun 2017
There was ink in his mouth and it was Monday morning, doomsday morning.
The comparison of both these seemingly random attributes could mean nothing at all
to anybody else but they came hand in hand for a man that always walked with his shoes untied
and while the rest of the world chewed tobacco; he chewed cinnamon sticks that he would grind
to a fine powder in his mouth spitting it out at nearby ant mounds and by the nests of bumblebees.
This nomad’s of nobody’s business would wander the streets of his hated town, the world’s armpit, the city of fire and angels and whatever the hell else.
He would walk Pico Boulevard all the way to Wilshire Ave., towards Venice and then crookedly stumbling to Van Nuys but he didn’t know his bus routes and his mind was always swarmed by imaginary bugs that he picked up from old soda cans.
What he loved most of all was stopping by the bridges of highways and looking all the way down to
the cars below swimming past in a hurry; the sky dark blue and the headlights like light bulbs
almost running out of their batteries. He saw this as cathartic as most people saw sunsets or a pianist
shaking his head violently to his own tune and it was true. This simple man was born, some say, out of dust, car exhaust and the lost ID cards of peoples’ whose wallets were stolen. However intriguing this could be it wasn’t so.  He was born in a hospital in Chinatown and his mother had gold teeth that glistened whenever she drank too much and how often they shone.
You see, I knew this man long ago when my hair cascaded down my back in fine strokes and my lungs
weren’t yet tired from the things I chose to inhale. For all my purposes, this was the only person I wanted to talk about, to spit and screech whenever I heard his name and I didn’t even exactly know his name; The poor imbecile. He went by different pseudonyms and I suppose I did too but I had a name that most knew. Carmen and Leopold. They chose to remember it because it rolled off, it clawed at your teeth as you said it.
But Monday mornings were a specialty. It meant that he could go and see his brother who lived across town, the one who sang at fancy pubs and refined restaurants, where people didn’t have to yell to admire you, but slowly clapped, a soft hum in a room where everyone understands and doesn’t have to make up for it in the way they whistle your name. He always shook his head at this profession.
“You’re an animal to these people, an exhibit they can safely see from their auditoriums and then go to sleep without having to take you home. Your last hurrah will come soon and then what will you do?”
He didn’t understand Leopold’s hostility. This art he was drawn to. This voice that could have been
given to anybody but it was given to him. Deep down he knew he would never be a big star, he would never leave the place where he born. He would die close to where he went to elementary school and what a big sham, the whole big world so big and he would never see it. Never unfold, instead slowly
crumble like the crust of cakes he stared at through shopping windows.
blushing prince Jun 2017
What is literature to a convict?
with his name erased from his shirt, his memory
sitting in a warm chair
his only poetry is the girls he sees from across the glass
with jargon hanging from their sweaters
hem untied, tongue tied
“I want to live in a hotel” he tells his social worker
“all the way on the last floor at the very end of the hallway
I want the privacy in every suburban bedroom to be a joke
and I’ll laugh so ******* loud”
this prisoner has never killed a man
but his gums always bleed, like boiled beets
what is lost to a convict?
nothing, if you’ve searched long enough for it
“I don’t read, I have the best works inside my head
not memorized by pleasure, but by force
like a bullet to my knee, like a birthmark
not small enough to hide.”
“baby, I used to be a free man sometime”
and he was. He was free but he was also alone
a felon in his own right, grew a mustache
when he was only 15 and lonely
Walking alone one night he stumbled upon neon signs
upon god’s fruit, not everything is dressed in flowers
but a woman with caramel legs doesn’t need such luxuries
under dim lights, under smooth songs
this man found heaven to be boring
but the malaise in the gates of paradise
made candy melt down tight skin
“so this is fair. to be accompanied by hell
I could almost buy you a drink” he tells her
he tells her
he tells her
he tells her again
she smiles
this is not indulging
this is business
she used to write those words
on cigarette wrappers
until she could say it in her sleep
no love for poor men
and why does he wear a suit with a stain on it?
What a fool, she thinks
but this suit
this calamity of an accessory
was worn by that man’s
best friend
before, before the world turned cruel
before he knew what the difference
was between justice and closure
“sit down, tell me your bravery
spill it as easy as your skirt,
***** it as quick as the
dirt that’s been thrown on your face
you’re more than just
lemonade on a summer night”
but she swings her hair
and she asks for more
than a mortal man can offer
she wants the world
she wants the money he doesn’t have
and she calls him a thief
and she calls him a liar
and he’s left in a room
some bodies are nothing more than consolations
“I wanted more than a taste of life”
so he searches for her
but he gets lost in yellow taxi cabs
can’t decide whether he
should be in a hospital
or a cemetery
but he goes to a cathedral and
speaks with a priest
he beckons, he screams
he rips his hair off his head
in clumps they fall into his faded jeans
he clamors about the ****** he’s never committed
about how he just wants to be a famous writer
or a composer everyone cries to
he wants god to give him a bruise
he grabs the priests’ collar and kisses him violently
as the priest gasps for air, clutching nothing
all he wanted was a little peace, a little passion
why can’t you understand? None of this is carnal
none of this was made for the intention to be ****
he was sick of feeling ***** without ever being unclean in
the first place
and as he sat on the curb of that church, that solitary step
after being hurled by meaty altar boys
he wanders once more  
his crooked feet knocking posters and people
with closed eyes
until he reads the paper, until the obituary has her name
but it’s not her name he recognized
But her picture, the brutality of the night being exposed in daylight
he sees it everywhere, in the subway’s screens,
in the dry mouths of old men
there’s his ******, the one he’d been looking for all along
not committed by him
but a ****** nonetheless
set a flame for unforgiving service, for
inexplicable excess of satisfaction
set on fire like Salem witches
he wants to hold her hand one more time
it’s not the absence, but the obsolete
revenge, a platter served medium rare
what is vengeance to a convict?
an eye for an eye, a soul for a soul
he can smell the **** in everyone he crosses
he taps his foot in the downstairs
of the neon signs where he smells
nothing but sugar
and as they whisper in the dark
of the man responsible,
of the sentenced ready for his execution
he can almost taste him, running in shadows
and riding in comfort
Until he finds him at the bottom of a hotel
with his tie sloppily tied around his neck
and his eyes bearing the wicked semblance of a vulture
he goes upstairs
all the way to the top floor at the end of the corridor
and as he walks he can feel his steps amounting to something
this is what he was born to do, since birth these
were the footsteps he was told to follow
the death he was meant to document
savagely prepared for him to feast
he taps his shoulder after this ******, this sadist
has opened the door, ajar
clean and astute, clean cut
our inmate throws him into the
blow of hardwood floors, lamps flying
make his eyes go wild
his spit falling into the carnivore’s mouth,
he asks what is solitude to a slaughter
he trembles, he’s alive in this moment
wiping his mouth with the sleeve of his suit
digs his fingernails into the whites of
this ****** body and he cackles,
he’s a raven, ravenous
he’s a ghost ******* nothing but hot metal
grinding his teeth, blood flows out of sockets
the shrieking echoes, pain splinters the walls
but nothing is heard because no one is there
this is love, this is the romance he
always wanted
gouging the egg yolk out of another man’s eyes
our hero cries a primal cry
and repeats her name over and over again
like a prayer told too late at a sermon
and as he drown this poor man, who is
no vulture anymore, but a wet parakeet
he recites the words he had written into a paper napkin as a child
and if the first apocalypse ends the world in flames
the last Armageddon will end in a deluge
he watches the criminal’s head swells
drunken with happy fervor, he celebrates
by resisting arrest
what is literature to a convict?
his life told in verse
the catharsis this sad existence could never offer him
until it did
and he smiles
like a man that has known freedom only could
blushing prince Jun 2017
My father’s name is Adam.  As in apple, the core stuck to a throat halfway, jutting seed.
This is the middle name that the business world has no whereabouts of. It was bestowed upon
him, this name, I imagine like all things; deliberately searching the scaffolds of the bible with apprehensive sweat trickling through brown sugar colored foreheads. However there’s nothing
biblical about this man. He has six children, the most unlucky of all numbers.
Thus, I have 5 half-siblings. Each with identically strange sunken eyes and tired skin.
The same kind of shared headache. Like being submerged for too long. Like too many mistakes and too little oxygen.
I am unlucky number 6. An omen-child. Not the settling of dust but of the silent movement before
it was ever frazzled by frantic feet. The calm you don’t want to realize exists.
3 daughters and 3 sons because he was compulsively articulate and clean; a nasty habit of OCD that was coddled by the women that washed their hands twice and bit their nails until they bled.
You see, I never speak of them because they do not speak of me.
Memory is tricky. Sometimes you remember the smell of fried pork in hands that have known hard
labor and other times you recall perfectly the pirated DVD’s sold for a dollar down the street of your neighbor’s apartment. The distorted graphics on the front, the headline in Spanish and despite how many people are there buying these illegally distributed films you wonder why you feel ashamed and embarrassed when you tell your friends, if you tell your friends but you don’t.
I know of their existence, of where they are located and could be found easily, their names and what they do but if one was to ask me, I would not know their personalities, how they react to bad news or if they are fulfilled, whether they know that our psychological genetics are cloudy and erratic and that is why Sundays always feel sacrilegious. They are faces in a picture that I never had a need to frame.
Despite having the same father, we do not call the same man, dad.
There is a brother that lives by the beach with a guy twice his senior.
They share martinis and aged bottled wine talking about social movements and Bill Clinton.
You see, he chooses to cohabitate with a man he knows is living his last few years and not a person that tied his shoes until he was 7 years old because he was too busy making time for other kids, stretching himself for everyone else that he had time for no one. There are certain unforgivable things a parent can do, like leaving too early, taking off 5 minutes before when he could have waited 10, turning the lights off when they should have stayed on, always. Yet there is a certain kind of pressure that is put on someone that is no less human than anyone else. Someone that can draw architecture and buy ice cream on days when limbs are too heavy to go to school can’t be all bad. Despite the entire trauma, you still pray and rescue wounded animals and that is something that can only be taught and not learnt.
So as these estranged family members disintegrated and gathered informative pieces about me through loose lips curious to see if I would fail, ravenous to know inevitable tragedy.
I unflinchingly understood the arbitrary imaginative reel of what is to be alone. To grasp all things violent and horrific to witness and endure it with closed fists and well-aware eyes. To go on vacation trips and enjoy the sunburnt noses of tourists waving their flyers in the air like flamingos flapping off the insects from their pink wings. Instead of playing in the sand with a second pair of hands and having inside jokes there was a long inspection of scars and the way adults consulted with other adults by trying out different words like masks hoping to impress and even humiliate the other with their colorful lyrics but after all only jargon.  
My father’s name is Lazarus. As in open tomb, cheating death with the sweet victory of another pulse.
I often dream about his funeral. The day when there is no father to blame, no man to pin my overzealous heart of anxiety. To face a family that is neither welcoming nor reproachful but is always silent. Just dagger glances, fang and hiss.  I wake up in sweat. Sometimes it is because I am there and the casket is open but he’s laughing and no one showed up, there is no wind and my legs feel like a tube of jelly, microwaved honey. I try to say the things I’ve always wanted to tell everybody that has ever had anything to do with me, the apologies I shouldn’t have handed and the truth I should have had memorized anyway. But I just end up spitting seeds, a million of them flowing out of my hands dragging me out like a million wingless flies rejecting the tears that I cried for all the wrong reasons.
Other times it is crowded with people I didn’t know about, wasn’t aware of like searching through a private drawer and finding *** toys or things you wish you hadn’t discovered and the casket is empty, there is an imprint of a body but no one resides inside until the floor drops and there are stairs I’ve seen before, somewhere at some point. When I get to the bottom there’s a whisper
“where can I find you if not in here, on skin that is my own, on a forehead where no one asks if it remembers Chinese food and the pinch of birth.”

I love my father but I would never tell him no not directly.
I love him to death and am relieved to know
I will never be a dad.
Never be a forced hero.
Never proof of something that wasn’t trying to hide in the first place.

This is a letter to strangers, a dissertation, repertoire
to people I have known but have not fully held
to the ones that I am bound by blood but would not
recognize in a crowded room
out of all these ambiguous characters
I am unlucky number 6. An anomaly of chance girl. Not the settling of dust but of the silent movement before it was ever frazzled by frantic feet. The calm you don’t want to realize exists.
blushing prince Jun 2017
The man who wears a leather belt and uses sensible words
loves her in cobalt violet, in the streaks of a hazy violent sky
after a storm has passed and she lets him
he claims that the egg people are coming, they’ll bring with
them handful of gifts of glory, of the things people hide
in the crevices of sidewalks, in the spaces where identity cards
are devoured by the teeth of the unknown
the television is always on and the static that surrounds them
is the serenading music she listens to before she falls asleep at night
she pretends that love is painting one’s nails while the other
loses their mind
as he laughs at the invisible neighbors outside the window
his bones can smell the coming of the apocalypse
and it’s not in the form of a swarm, or a flood
it comes in the bodies of girls with strawberry blonde
hair and that’s why he’s so drawn to her
and why his mother was swallowed by the earth
she learns that illness comes in permanent mauve
the walls of her room are covered in that hue
the boy she sneaks cigarettes from at the diner
in his car the color is almost a tangible personification
the smoke blows out into the crisp air like a bag of potato chips
the lungs constrict and expand
the thoughts hindered from years of yielding to the yellow sun
with the ****** robe
the child, the woman, the human lives in ****
but the thinker manages to escape years later
and live in the suburbs on an easy paycheck from
foolish strangers that believe that gasoline is a cheap party trick
and a fantastic high
she doesn’t recognize touch anymore besides
the harsh graze of asphalt hitting her knees
people seldom realize that freedom is not in
the way your toes curl but in the way they finally unfurl
how curious you can spot patterns where there are none
to be rescued does not always come in the way of clean arms

She loved him in transparent maroon
the grasp of warm sand kissing you gently
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