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My heart is made of gold,
But my wings are made of paper,
Soft and delicate and prone to breaking.
You caress my palms, kissing the ridges of my knuckles
With the sweet tenderness of peaches hanging under the sun.
Your tongue is a river rock smoothed over
By torrents of stream-water, turned pink by the subtle heartbeat
Of escalating pulsations from thumb-tip to chest.
Your lips are the gentle puckering catfish upon my neck,
Tickling veins like spindle-legged crayfish.
Your eyes bore softly into mine like melting rivulets,
Blue-rushing, meeting a freckle of green and flecks of hazel,
Laid upon me like the blanket I had when I was three,
Teasing me like a feather flirting with grasses on the bank.
Your fingers embrace the small dip of my ankle, motionless against skin.
Your body is a poem, speaking louder than your tongue,
Forming sonnets with your spine and simple words, saying “I adore you.”
For those who have been in love -- all kinds of it.
Wind chimes dangle from her ears,
Whispering in sweet clarity all the sounds
Of a riverbed in June, telling you about the sun,
The moon and the stars in a way I never could.

Tell me what she said to make you forget –
You once called me your kaleidoscope.
I fall in love with someone new every day,
Because there’s something about smiling at strangers --
Knowing their eyes and absolutely nothing else.
You are all the light
I have ever seen
And the poem
I have never
Been able to write.
Cross-petals of daffodils sway to the cries
Of starlings – stark shrieks and minute iridescent
Wing-beats – while the willows whistle,
Tumultuous as feathers caught in the wind.
Like the fragrant taste of rain, you tell me
About mistakes made by people in love,
How temptations of her white heron-legs
And meadowlark voice stole your attention,
Like flies drawn into the range of a bullfrog’s tongue.
Your words meet heartbeats under tremolos
Of wild grasses with olive and mauve sprouts,
Lingering beneath brewing oyster clouds.
You adorned yesterday with honeybee stings
And barbed crescendos of climbing roses,
But tomorrow brings sweet-tongued
Hummingbirds and thrumming choruses
As your soft-spoken daylily promises
Dissolve silence into adoration.
Fissures cut through thick mocha fur, saturating
The forest floor with stark crimson. The deer flails,
Broken, knees buckled, breath shallow and emerging
As vanishing steam in frosty November air.
He falls on a bed of sugar maple leaves, illuminated
In dappled sunlight and fulvous hues.

“Must’ve been the coyotes,” my brother whispers,
As my pocketknife meets the stag’s throat. Gentle
Auburn clouds and freezes time, the body falls still.

My father says, “Sacrifice is a form of worship, but it is only through
Mercy that we may show passion for what we believe.”

Coyote bites prevent carvings from going to Buxton’s General Store,
But what nature produces it also receives.
Ants forage along the split underbelly,
And a red-tailed hawk carries away the entrails.

History defines the antlers of deer as symbols of the Gods,
And men would wear them atop their heads.
I collect only them, still draped with threads of velvet,
Knowing that years from now, nestled inside the perimeter
Of wind-beaten fences around the family farm, beyond
Moss-covered slopes and the Wishing Rock,
Will be the bones of a solitary stag.
All of my poetry contains a hint of my obsession with the beauty of the natural world. For one of the assignments in my workshop, we were given subjects by our classmates. After some contemplation, they decided to give me the task of tackling something ugly in nature, and this was my response. Enjoy!
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