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Julian Mar 2019
Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.
Black loom the crags of the uplands behind me,
Dark are the sands of the far-stretching shore.
Dim are the pathways and rocks that remind me
Sadly of years in the lost Nevermore.

Soft laps the ocean on wave-polish'd boulder,
Sweet is the sound and familiar to me;
Here, with her head gently bent to my shoulder,
Walk'd I with Unda, the Bride of the Sea.

Bright was the morn of my youth when I met her,
Sweet as the breeze that blew o'er the brine.
Swift was I captur'd in Love's strongest fetter,
Glad to be here, and she glad to be mine.

Never a question ask'd I where she wander'd,
Never a question ask'd she of my birth:
Happy as children, we thought not nor ponder'd,
Glad of the bounty of ocean and earth.

Once when the moonlight play'd soft 'mid the billows,
High on the cliff o'er the waters we stood,
Bound was her hair with a garland of willows,
Pluck'd by the fount in the bird-haunted wood.

Strangely she gaz'd on the surges beneath her,
Charm'd with the sound or entranc'd by the light:
Then did the waves a wild aspect bequeath her,
Stern as the ocean and weird as the night.

Coldly she left me, astonish'd and weeping,
Standing alone 'mid the legions she bless'd:
Down, ever downward, half gliding, half creeping,
Stole the sweet Unda in oceanward quest.

Calm grew the sea, and tumultuous beating
Turn'd to a ripple as Unda the fair
Trod the wet sands in affectionate greeting,
Beckon'd to me, and no longer was there!

Long did I pace by the banks where she vanish'd,
High climb'd the moon and descended again.
Grey broke the dawn till the sad night was banish'd,
Still ach'd my soul with its infinite pain.

All the wide world have I search'd for my darling;
Scour'd the far desert and sail'd distant seas.
Once on the wave while the tempest was snarling,
Flash'd a fair face that brought quiet and ease.

Ever in restlessness onward I stumble
Seeking and pining scarce heeding my way.
Now have I stray'd where the wide waters rumble,
Back to the scene of the lost yesterday.

Lo! the red moon from the ocean's low hazes
Rises in ominous grandeur to view;
Strange is its face as my tortur'd eye gazes
O'er the vast reaches of sparkle and blue.

Straight from the moon to the shore where I'm sighing
Grows a bright bridge made of wavelets and beams.
Frail it may be, yet how simple the trying,
Wand'ring from earth to the orb of sweet dreams.

What is yon face in the moonlight appearing;
Have I at last found the maiden that fled?
Out on the beam-bridge my footsteps are nearing
Her whose sweet beckoning hastens my tread.

Current's surround me, and drowsily swaying,
Far on the moon-path I seek the sweet face.
Eagerly, hasting, half panting, half praying,
Forward I reach for the vision of grace.

Murmuring waters about me are closing,
Soft the sweet vision advances to me.
Done are my trials; my heart is reposing
Safe with my Unda, the Bride of the Sea.
Julie Grenness Aug 2016
Balzac is beading,
Robespierre is reading,
Introversion I am needing,
Reflections I am heeding,
In old bat cave central,
Like an ancient Sybil, hypothetical,
Wisdom is supposed to come with age,
As Balzac turns his own page,
Why am I more religious than the Pope?
Can any faith give Earthlings hope?
Better than folk smoking dope!
If you have a problems embarrassing,
Bring them here for my listening,
Sage advice I am providing,
Reflections I am heeding,
Yes, boys, beer understands,
How did dinosaurs make it in Pleistocene lands?
Answer: they didn't, for beer, no hands,
Yes, reflections I am  heeding,
Humans are minute cosmic specks, spinning,
On a pebble in Outer Space, clinging,
If gravity didn't ****, we'd all be floating,
Reflections I am heeding,
As Robespierre shall keep reading,
Then Balzac shall be beading......
Feedback welcome.
Prabhu Iyer May 2013
A drum beat. A distance.

Breaking out of her veils,
a tender morning.
Hum of the winds.

Hanging roots of the banyan.
Emerging out of mists.

After many lives perhaps
a meeting.

I closed all doors and windows
and lie listening to the tired fan.

You have found your way in,
smiling in the leaves
past the grill,
shadowed on the ceiling.

Oh this feeling. That can light
two hearts. To know this,
to know this.

The roots are hanging strong.
Upside down.

Tugging at the heart, the
solitary song
of the early koel.

Mists un-heeding,
sometimes succeeding.
“Keep on the Watch”​—The Hour of Judgment Has Arrived!

The information in this study article is based on the brochure Keep on the Watch! released at the district conventions that were held around the world during 2004/05.

“Keep on the watch . . . because you do not know on what day your Lord is coming.”​—MATTHEW 24:42.

1, 2. To what did Jesus fittingly liken his coming?

WHAT would you do if you knew that a thief was on the prowl, burglarizing homes in your neighborhood? To protect your loved ones and your valuables, you would keep alert, watchful. After all, a thief does not send a letter announcing when he is coming. On the contrary, he comes stealthily and unexpectedly.

2 On more than one occasion, Jesus used the ways of a thief as an illustration. (Luke 10:30; John 10:10) Regarding events that would occur during the time of the end and that would lead up to his coming to execute judgment, Jesus gave this warning: “Keep on the watch, therefore, because you do not know on what day your Lord is coming. But know one thing, that if the householder had known in what watch the thief was coming, he would have kept awake and not allowed his house to be broken into.” (Matthew 24:42, 43) So Jesus likened his coming to the arrival of a thief​—unexpected.

3, 4. (a) What is involved in heeding Jesus’ warning about his coming? (b) What questions arise?

3 The illustration was fitting, for the precise date of Jesus’ coming would not be known. Earlier, in the same prophecy, Jesus said: “Concerning that day and hour nobody knows, neither the angels of the heavens nor the Son, but only the Father.” (Matthew 24:36) Jesus, therefore, urged his listeners: “Prove yourselves ready.” (Matthew 24:44) Those heeding Jesus’ warning would be ready, conducting themselves properly, whenever he would come as Jehovah’s Executional Agent.

4 Some important questions arise: Is Jesus’ warning only for people of the world, or do true Christians also need to “keep on the watch”? Why is it urgent to “keep on the watch,” and what does this involve?

A Warning for Whom?

5. How do we know that the warning to “keep on the watch” applies to true Christians?

5 It is certainly true that the Lord’s coming will be thieflike to people of the world, who shut their ears to the warning of impending calamity. (2 Peter 3:3-7) However, what about true Christians? The apostle Paul wrote to fellow believers: “You yourselves know quite well that Jehovah’s day is coming exactly as a thief in the night.” (1 Thessalonians 5:2) There is no doubt in our minds that “Jehovah’s day is coming.” But does that minimize the need for us to keep on the watch? Notice that it was to his disciples that Jesus said: “At an hour that you do not think to be it, the Son of man is coming.” (Matthew 24:44) Earlier, when urging his disciples to seek continually the Kingdom, Jesus cautioned: “Keep ready, because at an hour that you do not think likely the Son of man is coming.” (Luke 12:31, 40) Is it not clear that Jesus had his followers in mind when he warned: “Keep on the watch”?

6. Why do we need to “keep on the watch”?

6 Why do we need to “keep on the watch” and “keep ready”? Jesus explained: “Two men will be in the field: one will be taken along and the other be abandoned; two women will be grinding at the hand mill: one will be taken along and the other be abandoned.” (Matthew 24:40, 41) Those who prove themselves ready will be “taken along,” or saved, when the ungodly world is destroyed. Others will be “abandoned” to destruction because they have been selfishly pursuing their own way of life. These may well include individuals who were once enlightened but who did not keep on the watch.

7. What does not knowing when the end will come allow us to do?

7 Not knowing the exact day of the end of this old system gives us the opportunity to demonstrate that we serve God out of a pure motive. How so? It may be that the end seems to be a long time in arriving. Sad to say, some Christians who feel this way have allowed their zeal for Jehovah’s service to cool off. Yet, by our dedication, we have without reservation presented ourselves to Jehovah to serve him. Those who know Jehovah realize that a last-minute display of zeal will not impress him. He sees what is in the heart.​—1 Samuel 16:7.

8. How does love for Jehovah move us to keep on the watch?

8 Because we truly love Jehovah, we find the greatest delight in doing his will. (Psalm 40:8; Matthew 26:39) And we want to serve Jehovah forever. That prospect is not less precious just because we must wait a little longer than we may have expected. Above all, we keep on the watch because we eagerly anticipate what Jehovah’s day will mean for the accomplishment of his purpose. Our earnest desire to please God moves us to apply the counsel of his Word and give his Kingdom first place in our life. (Matthew 6:33; 1 John 5:3) Let us consider how keeping on the watch should influence the decisions we make and the way we live our life each day.

Where Is Your Life Heading?

9. Why is there an urgent need for people of the world to wake up to the significance of our times?

9 Many people today recognize that serious problems and shocking events have become everyday occurrences, and they may not be pleased with the direction that their own life is taking. However, do they know the real meaning of world conditions? Do they realize that we are living in “the conclusion of the system of things”? (Matthew 24:3) Do they recognize that the prevalence of selfish, violent, even ungodly attitudes marks these times as “the last days”? (2 Timothy 3:1-5) There is an urgent need for them to wake up to the significance of all of this and to consider the way their life is heading.

10. What must we do to be sure that we are keeping on the watch?

10 What about us? Every day we face decisions that involve our employment, our health, our family, and our worship. We know what the Bible says, and we endeavor to apply it. Therefore, we do well to ask ourselves: ‘Have I allowed the anxieties of life to push me off course? Am I letting the world’s philosophies, its thinking, determine the choices I make?’ (Luke 21:34-36; Colossians 2:8) We need to continue to demonstrate that we trust in Jehovah with all our heart and not lean upon our own understanding. (Proverbs 3:5) In that way, we will keep “a firm hold on the real life”​—eternal life in God’s new world.​—1 Timothy 6:12, 19.

11-13. What can we learn from the examples of what happened (a) in the days of Noah? (b) in the days of Lot?

11 The Bible contains many warning examples that can help us to keep on the watch. Consider what happened in Noah’s day. Well in advance, God saw to it that warning was given. But apart from Noah and his household, people took no note. (2 Peter 2:5) Regarding this, Jesus said: “Just as the days of Noah were, so the presence of the Son of man will be. For as they were in those days before the flood, eating and drinking, men marrying and women being given in marriage, until the day that Noah entered into the ark; and they took no note until the flood came and swept them all away, so the presence of the Son of man will be.” (Matthew 24:37-39) What can we learn from that? If any of us are allowing mundane concerns​—even the normal activities of life—​to crowd out the spiritual activities that God urges us to keep in first place, we need to think seriously about our situation.​—Romans 14:17.

12 Think, too, about the days of Lot. The city of *****, where Lot and his family lived, was materially prosperous but morally bankrupt. Jehovah sent his angels to bring the place to ruin. The angels urged Lot and his family to flee from ***** and not to look back. Encouraged by the angels, they did leave the city. Lot’s wife, however, evidently could not let go of her feelings for her home in *****. Disobediently, she looked back, and for this she paid with her life. (Genesis 19:15-26) Prophetically, Jesus warned: “Remember the wife of Lot.” Are we acting on that warning?​—Luke 17:32.

13 Those who heeded divine warnings were spared. That was true of Noah and his family and of Lot and his daughters. (2 Peter 2:9) As we take to heart the warning in these examples, we are also encouraged by the message of deliverance contained therein for lovers of righteousness. That fills our heart with confident expectation of the fulfillment of God’s promise of “new heavens and a new earth” in which “righteousness is to dwell.”​—2 Peter 3:13.

‘The Hour of the Judgment Has Arrived’!

14, 15. (a) What does “the hour” of judgment include? (b) What is involved in ‘fearing God and giving him glory’?

14 As we keep on the watch, what can we expect? The book of Revelation outlines progressive steps in the fulfillment of God’s purpose. Acting on what it says is vital if we are to prove ourselves ready. The prophecy vividly describes events that would occur in “the Lord’s day,” which began when Christ was enthroned in heaven in 1914. (Revelation 1:10) Revelation alerts us to an angel who has been entrusted with “everlasting good news to declare.” He proclaims in a loud voice: “Fear God and give him glory, because the hour of the judgment by him has arrived.” (Revelation 14:6, 7) That “hour” of judgment is a brief period; it includes both the pronouncement and the execution of the judgments that are depicted in that prophecy. We are now living in that period.

15 Now, before the hour of judgment concludes, we are urged: “Fear God and give him glory.” What does this involve? Proper fear of God should cause us to turn away from badness. (Proverbs 8:13) If we honor God, we will listen to him with deep respect. We will not be too busy to read his Word, the Bible, regularly. We will not minimize his counsel to attend Christian meetings. (Hebrews 10:24, 25) We will cherish the privilege of proclaiming the good news of God’s Messianic Kingdom and will do so zealously. We will trust in Jehovah at all times and with our whole heart. (Psalm 62:8) Recognizing that Jehovah is the Universal Sovereign, we honor him by willingly submitting to him as the Sovereign of our life. Do you truly fear God and give him glory in all such ways?

16. Why can we say that the judgment against Babylon the Great stated at Revelation 14:8 has already been fulfilled?

16 Revelation chapter 14 goes on to describe further events that are to take place in the hour of judgment. Babylon the Great, the world empire of false religion, is mentioned first: “Another, a second angel, followed, saying: ‘She has fallen! Babylon the Great has fallen!’” (Revelation 14:8) Yes, from God’s viewpoint, Babylon the Great has already fallen. In 1919, Jehovah’s anointed servants were set free from the ******* of Babylonish doctrines and practices, which have dominated peoples and nations for millenniums. (Revelation 17:1, 15) They could henceforth devote themselves to promoting true worship. Global preaching of the good news of God’s Kingdom has taken place since then.​—Matthew 24:14.

17. What is involved in getting out of Babylon the Great?

17 That is not all there is to God’s judgment against Babylon the Great. Her final destruction is soon to come. (Revelation 18:21) With good reason, the Bible urges people everywhere: “Get out of her [Babylon the Great] . . . if you do not want to share with her in her sins.” (Revelation 18:4, 5) How do we get out of Babylon the Great? This involves more than just severing any ties with false religion. Babylonish influence is present in many popular celebrations and customs, in the world’s permissive attitude toward ***, in the promoting of entertainment involving spiritism, and much more. To keep on the watch, it is vital that both in our actions and in the desires of our heart, we give evidence that we are truly separate from Babylon the Great in every way.

18. In view of what is described at Revelation 14:9, 10, what are alert Christians careful to avoid?

18 At Revelation 14:9, 10, a further aspect of ‘the hour of judgment’ is described. Another angel says: “If anyone worships the wild beast and its image, and receives a mark on his forehead or upon his hand, he will also drink of the wine of the anger of God.” Why? “The wild beast and its image” are symbols of human rulership, which does not acknowledge Jehovah’s sovereignty. Alert Christians are careful not to allow themselves to be influenced or to be marked, in either attitude or action, as being in servitude to those who refuse to acknowledge the supreme sovereignty of the true God, Jehovah. Christians know that God’s Kingdom has already been set up in heaven, that it will put an end to all human rulerships, and that it will stand forever.​—Daniel 2:44.

Do Not Lose Your Sense of Urgency!

19, 20. (a) As we get deeper into the last days, what can we be certain that Satan will try to do? (b) What should we be determined to do?

19 As we get deeper into the last days, pressures and temptations will only intensify. As long as we are living in this old system and are plagued by our own imperfection, we are affected by such things as poor health, old age, the loss of loved ones, hurt feelings, disappointment in the face of apathy toward our efforts to preach God’s Word, and much more. Never forget that Satan would like nothing better than to exploit the pressures we face to induce us to give up​—to stop preaching the good news or to quit living by God’s standards. (Ephesians 6:11-13) This is not the time to lose our sense of urgency regarding the times in which we live!

20 Jesus knew that we would be under much pressure to give up, so he counseled us: “Keep on the watch . . . because you do not know on what day your Lord is coming.” (Matthew 24:42) Let us, then, keep ever alert to where we are in the stream of time. Let us be on guard against Satan’s ploys that could cause us to slow down or quit. Let us be resolved to preach the good news of God’s Kingdom with ever greater zeal and determination. By all means, let us keep our sense of urgency as we heed Jesus’ warning: “Keep on the watch.” Doing so, we will bring honor to Jehovah and will be among those in line for his eternal blessings.

GO TO JW.ORG AND LEARN
Michael R Burch Mar 2020
Hymn to Aphrodite
by Sappho
loose translation/interpretation by Michael R. Burch

Immortal Aphrodite, throned in splendor!
Wile-weaving daughter of Zeus, enchantress, and beguiler!
I implore you, dread mistress, discipline me no longer
with love's anguish!

But come to me once again in kindness,
heeding my prayers as you have done before;
O, come Divine One, descend once again from
heaven's golden dominions!

Your chariot yoked to love's consecrated doves,
their multitudinous pinions aflutter,
you once came gliding from the utmost heights, to
the dark-bosomed earth.

Swiftly they came and vanished, leaving you,
O my Goddess, smiling, your face eternally beautiful,
asking me what unfathomable longing compelled me
to cry out.

Asking me what I sought in my hopeless, bewildered desire.
Asking, "Who has harmed you, why are you so alarmed,
my poor Sappho? Whom should
Persuasion summon here?"

"Though today she flees love, soon she will pursue you;
spurning love's gifts, soon she shall return them;
tomorrow she will woo you,
however unwillingly!"

Come to me now, most Holy Aphrodite!
Release me from my heavy heartache and anguish;
grant me all I request, be once again
my ally and protector!

"Hymn to Aphrodite" is the only poem by Sappho of ****** to survive in its entirety. The poem survived intact because it was quoted in full by Dionysus, a Roman orator, in his "On Literary Composition," published around 30 B.C. A number of Sappho's poems mention or are addressed to Aphrodite, the Greek goddess of love. It is believed that Sappho may have belonged to a cult that worshiped Aphrodite with songs and poetry. If so, "Hymn to Aphrodite" may have been composed for performance within the cult. We do know that Sappho was held in very high regard. For instance, when Sappho visited Syracuse the residents were so honored they erected a statue to commemorate the occasion! During Sappho's lifetime, coins of ****** were minted with her image. Furthermore, Sappho was called "the Tenth Muse" and the other nine were goddesses. Keywords/Tags: Sapphic, Sappho, ******, translation, ancient Greek, hymn, Aphrodite, Zeus, daughter, immortal, goddess, holy, lady, heaven, enchantress, enchantment, love potion, charm, spell, persuasion, beguiler, beguilement, mistress, discipline, *******, prayer, prayers, chariot, heaven, descent, ally, protector, lust, desire, passion, longing, ***, crush, girlfriend, women, grief
I'm not too lucky when I gamble
I lose more than I win
I would probably do better
If I tossed my money in a bin

Gambling is not just luck
It's timing and some skill
Some gamble for the fun of it
Some gamble for the thrill

To define exactly what it means
To risk money that you've earned
Means throwing out sensible thought
And not heeding what you've learned

For example, I played poker
And I lost most every cent
I lost my mortgage payment
Now, I'm living in a tent

To win it back I chose to go
And bet double at the track
The first horse that I bet on
Fell and broke his back

The second horse was scratched
I was in for a bad night
My fifth horse only had three legs
And he could just turn right

The next one had a jockey
Who's eyes were badly crossed
I won't tell you how he finished
But, I'll tell you that he lost

To gain back my small pittance
I went to the greyhound track
My first dog had a rider
A small monkey on his back

In the third race I got daring
And I bet on number three
Once the race got started
He had to stop and ***

I picked a dog in the fifth race
Just because I liked his name
It was the best one I had ever heard
"I'MBETYOU'RESORRYTHATYOUCAME"

The odds were long but what the hell
I was now gambling just for fun
Not only did he catch the rabbit
My ****** dog had won

I think I've got the secret now
I know just how to win
If I get tempted to go back and bet
I'll throw my money in the bin.
Polar Mar 2018
I hear the rhythmic clapping
And feel the pounding of feet on the ground
As dust swirls and dances around
While I sit facing the sun
In all her divine beauty.
Encased in the wood of the red gum tree,
I am at peace.
Burnum carves my totem outside
Surrounded by holy men,
Loved ones and ancestors.
This is my signifier and protection.
I am Miki the moon
Recently returned to my tribe
Heeding the call of the spirits.
My people mourn deeply
But know I will come again
To be at one with them,
First I must commune with the great creator
Rainbow spirit of the sky
For now is the time for dreaming.
Thank you everyone for the likes/ loves and comments, you made my day special!! :0)
epictails Jan 2015
a shadow lurks to where I go
trailing me, inflicting doubt
on the path ahead
to the great unknown
it grows bigger
and my feet plant themselves
in resonance
soon I will become its slave
heeding its words as truth
denying my mind a clear verdict
only to bring me closer to the shadow
and cower in its safety
Thus did they fight about the ship of Protesilaus. Then Patroclus
drew near to Achilles with tears welling from his eyes, as from some
spring whose crystal stream falls over the ledges of a high precipice.
When Achilles saw him thus weeping he was sorry for him and said,
“Why, Patroclus, do you stand there weeping like some silly child that
comes running to her mother, and begs to be taken up and carried-
she catches hold of her mother’s dress to stay her though she is in
a hurry, and looks tearfully up until her mother carries her—even
such tears, Patroclus, are you now shedding. Have you anything to
say to the Myrmidons or to myself? or have you had news from Phthia
which you alone know? They tell me Menoetius son of Actor is still
alive, as also Peleus son of Aeacus, among the Myrmidons—men whose
loss we two should bitterly deplore; or are you grieving about the
Argives and the way in which they are being killed at the ships, throu
their own high-handed doings? Do not hide anything from me but tell me
that both of us may know about it.”
  Then, O knight Patroclus, with a deep sigh you answered,
“Achilles, son of Peleus, foremost champion of the Achaeans, do not be
angry, but I weep for the disaster that has now befallen the
Argives. All those who have been their champions so far are lying at
the ships, wounded by sword or spear. Brave Diomed son of Tydeus has
been hit with a spear, while famed Ulysses and Agamemnon have received
sword-wounds; Eurypylus again has been struck with an arrow in the
thigh; skilled apothecaries are attending to these heroes, and healing
them of their wounds; are you still, O Achilles, so inexorable? May it
never be my lot to nurse such a passion as you have done, to the
baning of your own good name. Who in future story will speak well of
you unless you now save the Argives from ruin? You know no pity;
knight Peleus was not your father nor Thetis your mother, but the grey
sea bore you and the sheer cliffs begot you, so cruel and
remorseless are you. If however you are kept back through knowledge of
some oracle, or if your mother Thetis has told you something from
the mouth of Jove, at least send me and the Myrmidons with me, if I
may bring deliverance to the Danaans. Let me moreover wear your
armour; the Trojans may thus mistake me for you and quit the field, so
that the hard-pressed sons of the Achaeans may have breathing time-
which while they are fighting may hardly be. We who are fresh might
soon drive tired men back from our ships and tents to their own city.”
  He knew not what he was asking, nor that he was suing for his own
destruction. Achilles was deeply moved and answered, “What, noble
Patroclus, are you saying? I know no prophesyings which I am
heeding, nor has my mother told me anything from the mouth of Jove,
but I am cut to the very heart that one of my own rank should dare
to rob me because he is more powerful than I am. This, after all
that I have gone through, is more than I can endure. The girl whom the
sons of the Achaeans chose for me, whom I won as the fruit of my spear
on having sacked a city—her has King Agamemnon taken from me as
though I were some common vagrant. Still, let bygones be bygones: no
man may keep his anger for ever; I said I would not relent till battle
and the cry of war had reached my own ships; nevertheless, now gird my
armour about your shoulders, and lead the Myrmidons to battle, for the
dark cloud of Trojans has burst furiously over our fleet; the
Argives are driven back on to the beach, cooped within a narrow space,
and the whole people of Troy has taken heart to sally out against
them, because they see not the visor of my helmet gleaming near
them. Had they seen this, there would not have been a creek nor grip
that had not been filled with their dead as they fled back again.
And so it would have been, if only King Agamemnon had dealt fairly
by me. As it is the Trojans have beset our host. Diomed son of
Tydeus no longer wields his spear to defend the Danaans, neither
have I heard the voice of the son of Atreus coming from his hated
head, whereas that of murderous Hector rings in my cars as he gives
orders to the Trojans, who triumph over the Achaeans and fill the
whole plain with their cry of battle. But even so, Patroclus, fall
upon them and save the fleet, lest the Trojans fire it and prevent
us from being able to return. Do, however, as I now bid you, that
you may win me great honour from all the Danaans, and that they may
restore the girl to me again and give me rich gifts into the
bargain. When you have driven the Trojans from the ships, come back
again. Though Juno’s thundering husband should put triumph within your
reach, do not fight the Trojans further in my absence, or you will rob
me of glory that should be mine. And do not for lust of battle go on
killing the Trojans nor lead the Achaeans on to Ilius, lest one of the
ever-living gods from Olympus attack you—for Phoebus Apollo loves
them well: return when you have freed the ships from peril, and let
others wage war upon the plain. Would, by father Jove, Minerva, and
Apollo, that not a single man of all the Trojans might be left
alive, nor yet of the Argives, but that we two might be alone left
to tear aside the mantle that veils the brow of Troy.”
  Thus did they converse. But Ajax could no longer hold his ground for
the shower of darts that rained upon him; the will of Jove and the
javelins of the Trojans were too much for him; the helmet that gleamed
about his temples rang with the continuous clatter of the missiles
that kept pouring on to it and on to the cheek-pieces that protected
his face. Moreover his left shoulder was tired with having held his
shield so long, yet for all this, let fly at him as they would, they
could not make him give ground. He could hardly draw his breath, the
sweat rained from every pore of his body, he had not a moment’s
respite, and on all sides he was beset by danger upon danger.
  And now, tell me, O Muses that hold your mansions on Olympus, how
fire was thrown upon the ships of the Achaeans. Hector came close up
and let drive with his great sword at the ashen spear of Ajax. He
cut it clean in two just behind where the point was fastened on to the
shaft of the spear. Ajax, therefore, had now nothing but a headless
spear, while the bronze point flew some way off and came ringing
down on to the ground. Ajax knew the hand of heaven in this, and was
dismayed at seeing that Jove had now left him utterly defenceless
and was willing victory for the Trojans. Therefore he drew back, and
the Trojans flung fire upon the ship which was at once wrapped in
flame.
  The fire was now flaring about the ship’s stern, whereon Achilles
smote his two thighs and said to Patroclus, “Up, noble knight, for I
see the glare of hostile fire at our fleet; up, lest they destroy
our ships, and there be no way by which we may retreat. Gird on your
armour at once while I call our people together.”
  As he spoke Patroclus put on his armour. First he greaved his legs
with greaves of good make, and fitted with ancle-clasps of silver;
after this he donned the cuirass of the son of Aeacus, richly inlaid
and studded. He hung his silver-studded sword of bronze about his
shoulders, and then his mighty shield. On his comely head he set his
helmet, well wrought, with a crest of horse-hair that nodded
menacingly above it. He grasped two redoubtable spears that suited his
hands, but he did not take the spear of noble Achilles, so stout and
strong, for none other of the Achaeans could wield it, though Achilles
could do so easily. This was the ashen spear from Mount Pelion,
which Chiron had cut upon a mountain top and had given to Peleus,
wherewith to deal out death among heroes. He bade Automedon yoke his
horses with all speed, for he was the man whom he held in honour
next after Achilles, and on whose support in battle he could rely most
firmly. Automedon therefore yoked the fleet horses Xanthus and Balius,
steeds that could fly like the wind: these were they whom the harpy
Podarge bore to the west wind, as she was grazing in a meadow by the
waters of the river Oceanus. In the side traces he set the noble horse
Pedasus, whom Achilles had brought away with him when he sacked the
city of Eetion, and who, mortal steed though he was, could take his
place along with those that were immortal.
  Meanwhile Achilles went about everywhere among the tents, and bade
his Myrmidons put on their armour. Even as fierce ravening wolves that
are feasting upon a homed stag which they have killed upon the
mountains, and their jaws are red with blood—they go in a pack to lap
water from the clear spring with their long thin tongues; and they
reek of blood and slaughter; they know not what fear is, for it is
hunger drives them—even so did the leaders and counsellors of the
Myrmidons gather round the good squire of the fleet descendant of
Aeacus, and among them stood Achilles himself cheering on both men and
horses.
  Fifty ships had noble Achilles brought to Troy, and in each there
was a crew of fifty oarsmen. Over these he set five captains whom he
could trust, while he was himself commander over them all.
Menesthius of the gleaming corslet, son to the river Spercheius that
streams from heaven, was captain of the first company. Fair Polydora
daughter of Peleus bore him to ever-flowing Spercheius—a woman
mated with a god—but he was called son of Borus son of Perieres, with
whom his mother was living as his wedded wife, and who gave great
wealth to gain her. The second company was led by noble Eudorus, son
to an unwedded woman. Polymele, daughter of Phylas the graceful
dancer, bore him; the mighty slayer of Argos was enamoured of her as
he saw her among the singing women at a dance held in honour of
Diana the rushing huntress of the golden arrows; he therefore-
Mercury, giver of all good—went with her into an upper chamber, and
lay with her in secret, whereon she bore him a noble son Eudorus,
singularly fleet of foot and in fight valiant. When Ilithuia goddess
of the pains of child-birth brought him to the light of day, and he
saw the face of the sun, mighty Echecles son of Actor took the
mother to wife, and gave great wealth to gain her, but her father
Phylas brought the child up, and took care of him, doting as fondly
upon him as though he were his own son. The third company was led by
Pisander son of Maemalus, the finest spearman among all the
Myrmidons next to Achilles’ own comrade Patroclus. The old knight
Phoenix was captain of the fourth company, and Alcimedon, noble son of
Laerceus of the fifth.
  When Achilles had chosen his men and had stationed them all with
their captains, he charged them straitly saying, “Myrmidons,
remember your threats against the Trojans while you were at the
ships in the time of my anger, and you were all complaining of me.
‘Cruel son of Peleus,’ you would say, ‘your mother must have suckled
you on gall, so ruthless are you. You keep us here at the ships
against our will; if you are so relentless it were better we went home
over the sea.’ Often have you gathered and thus chided with me. The
hour is now come for those high feats of arms that you have so long
been pining for, therefore keep high hearts each one of you to do
battle with the Trojans.”
  With these words he put heart and soul into them all, and they
serried their companies yet more closely when they heard the of
their king. As the stones which a builder sets in the wall of some
high house which is to give shelter from the winds—even so closely
were the helmets and bossed shields set against one another. Shield
pressed on shield, helm on helm, and man on man; so close were they
that the horse-hair plumes on the gleaming ridges of their helmets
touched each other as they bent their heads.
  In front of them all two men put on their armour—Patroclus and
Automedon—two men, with but one mind to lead the Myrmidons. Then
Achilles went inside his tent and opened the lid of the strong chest
which silver-footed Thetis had given him to take on board ship, and
which she had filled with shirts, cloaks to keep out the cold, and
good thick rugs. In this chest he had a cup of rare workmanship,
from which no man but himself might drink, nor would he make
offering from it to any other god save only to father Jove. He took
the cup from the chest and cleansed it with sulphur; this done he
rinsed it clean water, and after he had washed his hands he drew wine.
Then he stood in the middle of the court and prayed, looking towards
heaven, and making his drink-offering of wine; nor was he unseen of
Jove whose joy is in thunder. “King Jove,” he cried, “lord of
Dodona, god of the Pelasgi, who dwellest afar, you who hold wintry
Dodona in your sway, where your prophets the Selli dwell around you
with their feet unwashed and their couches made upon the ground—if
you heard me when I prayed to you aforetime, and did me honour while
you sent disaster on the Achaeans, vouchsafe me now the fulfilment
of yet this further prayer. I shall stay here where my ships are
lying, but I shall send my comrade into battle at the head of many
Myrmidons. Grant, O all-seeing Jove, that victory may go with him; put
your courage into his heart that Hector may learn whether my squire is
man enough to fight alone, or whether his might is only then so
indomitable when I myself enter the turmoil of war. Afterwards when he
has chased the fight and the cry of battle from the ships, grant
that he may return unharmed, with his armour and his comrades,
fighters in close combat.”
  Thus did he pray, and all-counselling Jove heard his prayer. Part of
it he did indeed vouchsafe him—but not the whole. He granted that
Patroclus should ****** back war and battle from the ships, but
refused to let him come safely out of the fight.
  When he had made his drink-offering and had thus prayed, Achilles
went inside his tent and put back the cup into his chest.
  Then he again came out, for he still loved to look upon the fierce
fight that raged between the Trojans and Achaeans.
  Meanwhile the armed band that was about Patroclus marched on till
they sprang high in hope upon the Trojans. They came swarming out like
wasps whose nests are by the roadside, and whom silly children love to
tease, whereon any one who happens to be passing may get stung—or
again, if a wayfarer going along the road vexes them by accident,
every wasp will come flying out in a fury to defend his little ones-
even with such rage and courage did the Myrmidons swarm from their
ships, and their cry of battle rose heavenwards. Patroclus called
out to his men at the top of his voice, “Myrmidons, followers of
Achilles son of Peleus, be men my friends, fight with might and with
main, that we may win glory for the son of Peleus, who is far the
foremost man at the ships of the Argives—he, and his close fighting
followers. The son of Atreus King Agamemnon will thus learn his
folly in showing no respect to the bravest of the Achaeans.”
  With these words he put heart and soul into them all, and they
fell in a body upon the Trojans. The ships rang again with the cry
which the Achaeans raised, and when the Trojans saw the brave son of
Menoetius and his squire all gleaming in their armour, they were
daunted and their battalions were thrown into confusion, for they
thought the fleet son of Peleus must now have put aside his anger, and
have been reconciled to Agamemnon; every one, therefore, looked
round about to see whither he might fly for safety.
  Patroclus first aimed a spear into the middle of the press where men
were packed most closely, by the stern of the ship of Protesilaus.
He hit Pyraechmes who had led his Paeonian horsemen from the Amydon
and the broad waters of the river Axius; the spear struck him on the
right shoulder, and with a groan he fell backwards in the dust; on
this his men were thrown into confusion, for by killing their
leader, who was the finest soldier among them, Patroclus struck
panic into them all. He thus drove them from the ship and quenched the
fire that was then blazing—leaving the half-burnt ship to lie where
it was. The Trojans were now driven back with a shout that rent the
skies, while
Michael R Burch Feb 2023
SAPPHO'S POEMS FOR ATTIS AND ANACTORIA

Most of Sappho's poems are fragments but the first poem below, variously titled "The Anactoria Poem, " "Helen's Eidolon" and "Some People Say" is largely intact. Was Sappho the author of the world's first 'make love, not war' poem?

Some People Say
Sappho, fragment 16 (Lobel-Page 16 / Voigt 16)
loose translation/interpretation by Michael R. Burch

Warriors on rearing chargers,
columns of infantry,
fleets of warships:
some call these the dark earth's redeeming visions.
But I say—
the one I desire.

Nor am I unique,
since she who so vastly surpassed all mortals in beauty
—Helen—
seduced by Aphrodite, led astray by desire,
departed for distant Troy,
abandoned her celebrated husband,
turned her back on her parents and child!

Her story reminds me of Anactoria,
who has also departed,
and whose lively dancing and lovely face
I would rather see than all the horsemen and war-chariots of the Lydians,
or their columns of infantry parading in flashing armor.



Ode to Anactoria or Ode to Attis
Sappho, fragment 94 (Lobel-Page 94 / Voigt 94)
loose translation/interpretation by Michael R. Burch

So my Attis has not returned
and thus, let the truth be said,
I wish I were dead...

'Honestly, I just want to die! '
Attis sighed,
shedding heartfelt tears,
inconsolably sad
when she
left me.

'How deeply we have loved,
we two,
Sappho!
Oh,
I really don't want to go! '

I answered her tenderly,
'Go as you must
and be happy,
trust-
ing your remembrance of me,
for you know how much
I loved you.

And if you begin to forget,
please try to recall
all
the heavenly emotions we felt
as with many wreathes of violets,
roses and crocuses
you sat beside me
adorning your delicate neck.

Once garlands had been fashioned of many woven flowers,
with much expensive myrrh
we anointed our bodies like royalty
on soft couches,
then my tender caresses
fulfilled your desire...'

Unfortunately, fragment 94 has several gaps and I have tried to imagine what Sappho might have been saying.



The following are Sappho's poems for Attis or Atthis...

Sappho, fragment 49 (Lobel-Page 49 / Voigt 49)
loose translation/interpretation by Michael R. Burch

1.
I loved you, Attis, long ago...
even when you seemed a graceless child.

2.
I fell in love with you, Attis, long ago...
You seemed immature to me then, and not all that graceful.

(Source: Hephaestion, Plutarch and others.)



Sappho, fragment 131 (Lobel-Page 131 / Voigt 130)
loose translation/interpretation by Michael R. Burch

You reject me, Attis,
as if you find me distasteful,
flitting off to Andrómeda...


Sappho, fragment 96 (Lobel-Page 96.1-22 / Voigt 96 / Diehl 98)
loose translation/interpretation by Michael R. Burch

Attis, our beloved, dwells in distant Sardis, but her thoughts often return here, to our island, and how we honored her like a goddess, and how she loved to hear us singing her praises. Now she surpasses all Sardinian women, as, after sunset the rosy-fingered moon outshines the surrounding stars, illuminating salt seas and meadows alike. Thus the dew sparkles, the rose revives, and the tender chervil and sweetclover blossom. Now oftentimes when our beloved goes wandering abroad, she is reminded of our gentle Attis; then her heart assaults her tender breast with its painful pangs and she cries aloud for us to console her. Truly, we understand all too well the distress she feels, because Night, the many-eared, calls to us from across the dividing sea. But to go there is not easy, nor to rival a goddess in her loveliness.



Ode to Anactoria
Sappho, fragment 31 (Lobel-Page 31 / Voigt 31)
loose translation/interpretation by Michael R. Burch

How can I compete with that ****** man
who fancies himself one of the gods,
impressing you with his 'eloquence' …
when just the thought of sitting in your radiant presence,
of hearing your lovely voice and lively laughter,
sets my heart hammering at my breast?
Hell, when I catch just a quick glimpse of you,
I'm left speechless, tongue-tied,
and immediately a blush like a delicate flame reddens my skin.
Then my vision dims with tears,
my ears ring,
I sweat profusely,
and every muscle in my body trembles.
When the blood finally settles,
I grow paler than summer grass,
till in my exhausted madness,
I'm as limp as the dead.
And yet I must risk all, being bereft without you...



Ode to Anactoria
Sappho, fragment 31 (Lobel-Page 31 / Voigt 31)
loose translation/interpretation by Michael R. Burch

To me that boy seems
blessed by the gods
because he sits beside you,
basking in your brilliant presence.
My heart races at the sound of your voice!
Your laughter? ―bright water, dislodging pebbles
in a chaotic vortex. I can't catch my breath!
My heart bucks in my ribs. I can't breathe. I can't speak.
My ******* glow with intense heat;
desire's blush-inducing fires redden my flesh.
My ears seem hollow; they ring emptily.
My tongue is broken and cleaves to its roof.
I sweat profusely. I shiver.
Suddenly, I grow pale
and feel only a second short of dying.
And yet I must endure, somehow,
despite my poverty.



The following poems by Sappho may have been addressed to Attis or Anactoria, or written with them in mind…

Sappho, fragment 22 (Lobel-Page 22 / Diehl 33,36)
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Sappho, fragment 34 (Lobel-Page 34 / Voigt 34)
loose translation/interpretation by Michael R. Burch

Awed by the Moon's splendor,
the stars covered their undistinguished faces.
Even so, we.



Sappho, fragment 39
loose translation/interpretation by Michael R. Burch

We're merely mortal women,
it's true;
the Goddesses have no rivals
but You.



Sappho, fragment 5
loose translation/interpretation by Michael R. Burch

We're eclipsed here by your presence—
you outshine all the ladies of Lydia
as the bright-haloed moon outsplendors the stars.

I suspect the fragment above is about Anactoria, since Sappho associates Anactoria with Lydia in fragment 16.



Sappho, fragment 2 (Lobel-Page 2.1A)
loose translation/interpretation by Michael R. Burch

Leaving your heavenly summit,
I submit
to the mountain,
then plummet.

Sappho associates her lovers with higher elevations: the moon, stars, mountain peaks.



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

May the gods prolong the night
—yes, let it last forever! —
as long as you sleep in my sight.



Sappho, fragment 102 (Lobel-Page 102 / Voigt 102)
loose translation/interpretation by Michael R. Burch

Mother, how can I weave,
so overwhelmed by love?



Sappho, fragment 147 (Lobel-Page 147 / *** 30)
loose translation/interpretation by Michael R. Burch

Someone, somewhere
will remember us,
I swear!

'From Dio Chrysostom, who, writing about A.D.100, remarks that this is said 'with perfect beauty.''―Edwin Marion ***



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

I lust!
I crave!
**** me!



Sappho, fragment 11 (*** 109)
loose translation/interpretation by Michael R. Burch

You inflame me!



Sappho, fragment 36 (Lobel-Page 36 / *** 24 & 25)
loose translation/interpretation by Michael R. Burch

1.
I yearn for―I burn for―the one I miss!

2.
While you learn,
I burn.

3.
While you discern your will,
I burn still.

According to Edwin Marion ***, this fragment is from the Etymologicum Magnum.



Sappho, fragment 155
loose translation/interpretation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!

Pollux wrote: 'Sappho used the word beudos for a woman's dress, a kimbericon, a kind of short transparent frock.'



Sappho, fragment 156
loose translation/interpretation by Michael R. Burch

She keeps her scents
in a dressing-case.
And her sense?
In some undiscoverable place.

Phrynichus wrote: 'Sappho calls a woman's dressing-case, where she keeps her scents and such things, grute.'



Sappho, fragment 47 (Lobel-Page 47 / Voigt 47)
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains,
uprooting oaks.

The poem above is my favorite Sappho epigram. The metaphor of Eros (****** desire)  harrowing mountain slopes, leveling oaks and leaving them desolate, is really something―truly powerful and evocative. According to Edwin Marion ***, this Sapphic epigram was 'Quoted by Maximus Tyrius about 150 B.C. He speaks of Socrates exciting Phaedus to madness, when he speaks of love.'



Sappho, fragment 130 (Lobel-Page 130 / Voigt 130)
loose translation/interpretation by Michael R. Burch

Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.



Sappho, unnumbered fragment
loose translation/interpretation by Michael R. Burch

What cannot be swept
aside
must be wept.



Sappho, fragment 138 (Lobel-Page 138)
loose translation/interpretation by Michael R. Burch

1.
Darling, let me see your face;
unleash your eyes' grace.

2.
Turn to me, favor me
with your eyes' indulgence.

3.
Look me in the face,
smile,
reveal your eyes' grace...

4.
Turn to me, favor me
with your eyes' acceptance.

5.
Darling, let me see your smiling face;
favor me again with your eyes' grace.



Sappho, fragment 38 (Incertum 25, *** 36)
loose translation/interpretation by Michael R. Burch

I flutter
after you
like a chick after its mother...

From the 'Etymologicum Magnum' according to Edwin Marion ***.



In the following poem Sappho asks Aphrodite to "persuade" someone to fall in love with her. The poem strikes me as a sort of love charm or enchantment…

Hymn to Aphrodite (Lobel-Page 1)
by Sappho
loose translation/interpretation by Michael R. Burch

Immortal Aphrodite, throned in splendor!
Wile-weaving daughter of Zeus, enchantress and beguiler!
I implore you, dread mistress, discipline me no longer
with such vigor!

But come to me once again in kindness,
heeding my prayers, as you did so graciously before;
O, come Divine One, descend once more
from heaven's golden dominions!

Then with your chariot yoked to love's
white consecrated doves,
their multitudinous pinions aflutter,
you came gliding from heaven's shining heights,
to this dark gutter.

Swiftly they came and vanished, leaving you,
O my Goddess, smiling, your face eternally beautiful,
asking me what unfathomable longing compelled me
to cry out.

Asking me what I sought in my bewildered desire.
Asking, 'Who has harmed you, why are you so alarmed,
my poor Sappho? Whom should Persuasion
summon here? '

'Although today she flees love, soon she will pursue you;
spurning love's gifts, soon she shall give them;
tomorrow she will woo you,
however unwillingly! '

Come to me now, O most Holy Aphrodite!
Free me now from my heavy heartache and anguish!
Graciously grant me all I request!
Be once again my ally and protector!

'Hymn to Aphrodite' is the only poem by Sappho of ****** to survive in its entirety. The poem survived intact because it was quoted in full by Dionysus, a Roman orator, in his 'On Literary Composition, ' published around 30 B.C. A number of Sappho's poems mention or are addressed to Aphrodite, the Greek goddess of love. It is believed that Sappho may have belonged to a cult that worshiped Aphrodite with songs and poetry. If so, 'Hymn to Aphrodite' may have been composed for performance within the cult. However, we have few verifiable details about the 'real' Sappho, and much conjecture based on fragments of her poetry and what other people said about her, in many cases centuries after her death. We do know, however, that she was held in very high regard. For instance, when Sappho visited Syracuse the residents were so honored they erected a statue to commemorate the occasion! During Sappho's lifetime, coins of ****** were minted with her image. Furthermore, Sappho was called 'the Tenth Muse' and the other nine were goddesses. Here is another translation of the same poem...



Hymn to Aphrodite
by Sappho
loose translation/interpretation by Michael R. Burch

Rainbow-appareled, immortal-throned Aphrodite,
daughter of Zeus, wile-weaver, I beseech you: Hail!
Spare me your reproaches and chastisements.
Do not punish, dire Lady, my penitent soul!
But come now, descend, favor me with your presence.
Please hear my voice now beseeching, however unclear or afar,
your own dear voice, which is Olympus's essence —
golden, wherever you are...
Begging you to harness your sun-chariot's chargers —
those swift doves now winging you above the black earth,
till their white pinions whirring bring you down to me from heaven
through earth's middle air...
Suddenly they arrived, and you, O my Blessed One,
smiling with your immortal countenance,
asked what hurt me, and for what reason
I cried out...
And what did I want to happen most
in my crazed heart? 'Whom then shall Persuasion
bring to you, my dearest? Who,
Sappho, hurts you? "
"For if she flees, soon will she follow;
and if she does not accept gifts, soon she will give them;
and if she does not love, soon she will love
despite herself! '
Come to me now, relieve my harsh worries,
free me heart from its anguish,
and once again be
my battle-ally!



Sappho, fragment 113
loose translation/interpretation by Michael R. Burch

No droning bee,
nor even the bearer of honey
for me!


Sappho, fragment 113
loose translation/interpretation by Michael R. Burch

Neither the honey
nor the bee
for me!



Sappho, fragment 52
loose translation/interpretation by Michael R. Burch

The moon has long since set;
The Pleiades are gone;
Now half the night is spent,
Yet here I lie ... alone.



Sappho, fragment 2 (Lobel-Page 2 / Voigt 2)
loose translation/interpretation by Michael R. Burch

Come, Cypris, from Crete
to meet me at this holy temple
where a lovely grove of apple awaits our presence
bowering altars
  fuming with frankincense.

Here brisk waters babble beneath apple branches,
the grounds are overshadowed by roses,
and through the flickering leaves
  enchantments shimmer.

Here the horses will nibble flowers
as we gorge on apples
and the breezes blow
  honey-sweet with nectar ...

Here, Cypris, we will gather up garlands,
pour the nectar gracefully into golden cups
and with gladness
  commence our festivities.


Sappho, fragment 58 (Lobel-Page 58)
loose translation/interpretation by Michael R. Burch

Virgins, be zealous for the violet-scented Muses' lovely gifts
and those of the melodious lyre ...
but my once-supple skin sags now;
my arthritic bones creak;
my ravenblack hair's turned white;
my lighthearted heart's grown heavy;
my knees buckle;
my feet, once fleet as fawns, fail the dance.
I often bemoan my fate ... but what's the use?
Not to grow old is, of course, not an option.

I am reminded of Tithonus, adored by Dawn with her arms full of roses,
who, overwhelmed by love, carried him off beyond death's dark dominion.
Handsome for a day, but soon withered with age,
he became an object of pity to his ageless wife.



Sappho, fragment 132 (Lobel-Page 132)
loose translation/interpretation by Michael R. Burch

1.
I have a delightful daughter
fairer than the fairest flowers, Cleis,
whom I cherish more than all Lydia and lovely ******.

2.
I have a lovely daughter
with a face like the fairest flowers,
my beloved Cleis …

It bears noting that Sappho mentions her daughter and brothers, but not her husband. We do not know if this means she was unmarried, because so many of her verses have been lost.



Sappho, fragment 131 (Lobel-Page 131)
loose translations/interpretations by Michael R. Burch

1.
You reject me, Attis,
as if you find me distasteful,
flitting off to Andromeda ...

2.
Attis, you forsake me
and flit off to Andromeda ...



Sappho, fragment 140 (Lobel-Page 140)
loose translation/interpretation by Michael R. Burch

He is dying, Cytherea, the delicate Adonis.
What shall we lovers do?
Rip off your clothes, bare your ******* and abuse them!



Sappho, fragment 36
loose translation/interpretation by Michael R. Burch

Vain woman, foolish thing!
Do you base your worth on a ring?



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

May the gods prolong the night
—yes, let it last forever!—
as long as you sleep in my sight.



... a sweet-voiced maiden ...
—Sappho, fragment 153, loose translation/interpretation by Michael R. Burch

I have the most childlike heart ...
—Sappho, fragment 120, loose translation/interpretation by Michael R. Burch

There was no dance,
no sacred dalliance,
from which we were absent.
—Sappho, fragment 19, loose translation/interpretation by Michael R. Burch

I love the sensual
as I love the sun’s ecstatic brilliance.
—Sappho, fragment 9, loose translation/interpretation by Michael R. Burch

I love the sensual
as I love the sun’s splendor.
—Sappho, fragment 9, loose translation/interpretation by Michael R. Burch

You anointed yourself
with most exquisite perfume.
—Sappho, fragment 19, loose translation/interpretation by Michael R. Burch

Awed by the moon’s splendor,
stars covered their undistinguished faces.
Even so, we.
—Sappho, fragment 34, loose translation/interpretation by Michael R. Burch

Sappho, fragment 138, loose translations/interpretations by Michael R. Burch

1.
Darling, let me see your face;
unleash your eyes' grace.

2.
Turn to me, favor me
with your eyes' indulgence.

3.
Look me in the face,
           smile,
reveal your eyes' grace ...

4.
Turn to me,
favor me
with your eyes’ indulgence

Those I most charm
do me the most harm.
—Sappho, fragment 12, loose translation/interpretation by Michael R. Burch

Those I charm the most
do me the most harm.
—Sappho, fragment 12, loose translation/interpretation by Michael R. Burch

Midnight.
The hours drone on
as I moan here, alone.
—Sappho, fragment 52, loose translation/interpretation by Michael R. Burch

Once again I dive into this fathomless ocean,
intoxicated by lust.
—Sappho, after Anacreon, loose translation/interpretation by Michael R. Burch

Did this epigram perhaps inspire the legend that Sappho leapt into the sea to her doom, over her despair for her love for the ferryman Phaon? See the following poem ...

The Legend of Sappho and Phaon, after Menander
loose translation/interpretation by Michael R. Burch

Some say Sappho was an ardent maiden
goaded by wild emotion
to fling herself from the white-frothed rocks of Leukas
into this raging ocean
for love of Phaon ...

but others reject that premise
and say it was Aphrodite, for love of Adonis.

In Menander's play The Leukadia he refers to a legend that Sappho flung herself from the White Rock of Leukas in pursuit of Phaon. We owe the preservation of those verses to Strabo, who cited them. Phaon appears in works by Ovid, Lucian and Aelian. He is also mentioned by Plautus in Miles Gloriosus as being one of only two men in the whole world, who "ever had the luck to be so passionately loved by a woman."

Sappho, fragment 24, loose translations/interpretations by Michael R. Burch

1a.
Dear, don't you remember how, in days long gone,
we did such things, being young?

1b.
Dear, don't you remember, in days long gone,
how we did such things, being young?

2.
Don't you remember, in days bygone,
how we did such things, being young?

3.
Remember? In our youth
we too did such reckless things.

Sappho, fragment 154, loose translations/interpretations by Michael R. Burch

1.
The moon rose and we women
thronged it like an altar.

2.
Maidens throng
at the altar of Love
all night long.


Even as their hearts froze,
their feathers molted.
—Sappho, fragment 42, loose translation/interpretation by Michael R. Burch

Your voice beguiles me.
Your laughter lifts my heart’s wings.
If I listen to you, even for a moment, I am left speechless.
—Sappho, fragment 31, loose translation/interpretation by Michael R. Burch

Sappho, fragment 57
loose translation/interpretation by Michael R. Burch

1a.
That country ***** bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!

1b.
That country ***** bewitches your heart?
Hell, her most beguiling art
is hiking her dress
to reveal her ankles' nakedness!

2.
That hayseed ****
bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!

3.
That rustic girl bewitches your heart?
Hell, her most beguiling art's
hiking the hem of her dress
to ****** you with her ankles' nakedness!

Keywords/Tags: Sappho, ******, Greek, translation, epigram, epigrams, love, ***, desire, passion, lust
I'm head starting the challenging life
12th grade decides my future strife.
Herein lies the mystery of tomorrow
Destiny of the mighty ship in my carefull row.

Not asking for incredible flourishing results
But delivering support for my stupendous work.
Not asking for imaginative unreachable marks
But holding my hands to provide the best of myself.
Not asking to pour elixir for hardwork devoid outcome
But strolling me through the gates of earnestness.
Not asking for your substitution in me
But to confront me with your intrepid grace.
Not asking for grade ten replica
But lending me the same earnest virtue.

Help me ignore the incompatible watchers,
To provide the least hope of comparing
Falling in despair in other's successful fruits.
But to help better and improvise my solitary results
And shelter me in your house of modesty.
No beneficial ranks but the submissive marks
that lends a hair to my cognitive efforts
To grant me light in the death of night.

Let me blossom as tranquily as the sunflower
Yet not vanish in the glory of jubliation
But gradually offer me petals
And extend the reliance day by day.
Mindful and heeding my compatible hardwork
Finally, let me conquer the glamorous colour
Of my utmost individuality.
Rehabilating the small hopes intro pristine reality
Aware of the hunger turning to lime light
To strike a chord for my year before.

Take me on your hands, float me through
legitimate mistakes, rip me apart in the wave
of unquenchable thirst and finally wrap me out as
a champion badge of jaded grade twelve.

Finally,
Bless me God, provide eternal marvels
Bless me God, honour the righteous path
As the testimony of your judicious grace
Bless me God, I'm starting life (grade twelve)
Michael R Burch Mar 2020
Hymn to Aphrodite
by Sappho (her only complete poem)
loose translation/interpretation by Michael R. Burch

Immortal Aphrodite, throned in splendor!
Wile-weaving daughter of Zeus, enchantress, and beguiler!
I implore you, dread mistress, discipline me no longer
with love's anguish!

But come to me once again in kindness,
heeding my prayers as you have done before;
O, come Divine One, descend once again from heaven's
golden dominions!

Your chariot yoked to love's consecrated doves,
their multitudinous pinions aflutter,
you once came gliding from the utmost heights, to
this dark earth.

Swiftly they came and vanished, leaving you,
O my Goddess, smiling, your face eternally beautiful,
asking me what unfathomable longing compelled me
to cry out.

Asking me what I sought in my hopeless, bewildered desire.
Asking, "Who has harmed you, why are you so alarmed,
my poor Sappho? Whom should Persuasion
summon here?"

"Though today she flees love, soon she will pursue you;
spurning love's gifts, she soon shall return them;
tomorrow she will woo you,
however unwillingly!"

Come to me now, most Holy Aphrodite!
Release me from my heavy heartache and anguish;
grant me all I request, be once again
my ally and protector!

"Hymn to Aphrodite" is the only poem by Sappho of ****** to survive in its entirety. The poem survived intact because it was quoted in full by Dionysus, a Roman orator, in his "On Literary Composition," published around 30 B.C. A number of Sappho's poems mention or are addressed to Aphrodite, the Greek goddess of love. It is believed that Sappho may have belonged to a cult that worshiped Aphrodite with songs and poetry. If so, "Hymn to Aphrodite" may have been composed for performance within the cult. We do know that Sappho was held in very high regard. For instance, when Sappho visited Syracuse the residents were so honored they erected a statue to commemorate the occasion! During Sappho's lifetime, coins of ****** were minted with her image. Furthermore, Sappho was called "the Tenth Muse" and the other nine were goddesses. Keywords/Tags: Sapphic, Sappho, ******, translation, ancient Greek, hymn, Aphrodite, Zeus, daughter, immortal, goddess, holy, lady, heaven, enchantress, enchantment, love potion, charm, spell, persuasion, beguiler, beguilement, mistress, discipline, *******, prayer, prayers, chariot, heaven, descent, ally, protector, lust, desire, passion, longing, ***, crush, girlfriend, women, grief
The new Ugadi brings in many a dream
But this year it is the time for electioneering team
Instead of the tender mango buds and the melodious song
Man political campaigners do throng
We hear the opportunistic , affectionate political call
Despite hiding their possible fall
Not heeding to the election code
Money flows on the busy road
For every precious vote
There is at least a thousand Rupees note
Wine one can drink
Until one does sink
We offer corruption as diet for Mother Goddess without shame
We have become a part of this vicious game
For votes and seats Andhra Pradesh has met with unilateral division
The Italian and the saffron aunt have the devilish unison
In fact, ther is no scope for any party to get our vote
But in democracy not to vote is like cutting our own throat
As long as breadth is there, there will be life
As long as life is there , there will be hope and strife
I hope this new year Jaya usher in many a success to the common man
The youth shall have creativity, social justice and bright future, for which I yearn
Michael R Burch Mar 2021
Poems about the Moon and Stars

These are poems about starlight and moonlight, moons and stars, dreams and visions, illuminations and intimations …



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?

Published by Starlight Archives, The Chained Muse, Writ in Water, Jenion, Famous Poets and Poems, Grassroots Poetry, Poetry Webring, TALESetc and The Word (UK)



Step Into Starlight
by Michael R. Burch

Step into starlight,
lovely and wild,
lonely and longing,
a woman, a child...

Throw back drawn curtains,
enter the night,
dream of his kiss
as a comet ignites...

Then fall to your knees
in a wind-fumbled cloud
and shudder to hear
oak hocks groaning aloud.

Flee down the dark path
to where the snaking vine bends
and withers and writhes
as winter descends...

And learn that each season
ends one vanished day,
that each pregnant moon holds
no spent tides in its sway...

For, as suns seek horizons—
boys fall, men decline.
As the grape sags with its burden,
remember—the wine!

Published by The Lyric, Poetry Life & Times and Opera News



Regret
by Michael R. Burch

Regret,
a bitter
ache to bear...

once starlight
languished
in your hair...

a shining there
as brief
as rare.

Regret...
a pain
I chose to bear...

unleash
the torrent
of your hair...

and show me
once again—
how rare.

Published by The HyperTexts and The Chained Muse


Infectious!
by Hafiz aka Hafez
loose translation/interpretation by Michael R. Burch

I became infected with happiness tonight
as I wandered idly, singing in the starlight.
Now I'm wonderfully contagious—
so kiss me!

Published by Better Than Starbucks and Poem Today



Bath by Moonlight
by Michael R. Burch

She bathes in silver
~~~~~afloat~~~~~
on her reflections.…



Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty...

what do we know of love,
or duty?



Kindred
by Michael R. Burch

Rise, pale disastrous moon!
What is love, but a heightened effect
of time, light and distance?

Did you burn once,
before you became
so remote, so detached,

so coldly, inhumanly lustrous,
before you were able to assume
the very pallor of love itself?

What is the dawn now, to you or to me?
We are as one,
out of favor with the sun.

We would exhume
the white corpse of love
for a last dance,

and yet we will not.
We will let her be,
let her abide,

for she is nothing now,
to you
or to me.


Moon Lake
by Michael R. Burch

Starlit recorder of summer nights,
what magic spell bewitches you?
They say that all lovers love first in the dark...
Is it true?
Is it true?
Is it true?

Starry-eyed seer of all that appears
and all that has appeared—
What sights have you seen?
What dreams have you dreamed?
What rhetoric have you heard?

Is love an oration,
or is it a word?
Have you heard?
Have you heard?
Have you heard?

I wrote this poem in my teens, during my "Romantic Period." It has been set to music by David Hamilton, the award-winning Australian composer who also set "Will There Be Starlight" to music.



Only Flesh
by Michael R. Burch

Moonlight in a pale silver rain caresses her cheek.
What she feels is an emptiness more chilling than fear...

Nothing is questioned, yet the answer seems clear.
Night, inevitably, only seems to end.
Flesh is the stuff that does not endure.

The sand begins its passage through narrowing glass
as Time sifts out each seed yet to come.
Only flesh does not last.

Eternally, the days rise and fall with the sun;
each bright grain, slipping past, will return.
Only flesh fades to ash though unable to burn.
Only flesh does not last.

Only flesh, in the end, makes its bed in brown grass.
Only flesh shivers, pale as the pale wintry light.
Only flesh seeps in oils that will not ignite.
Only flesh rues its past.
Only flesh.



Nashville and Andromeda
by Michael R. Burch

I have come to sit and think in the darkness once again.
It is three a.m.; outside, the world sleeps...

How nakedly now and unadorned
the surrounding hills
expose themselves
to the lithographies of the detached moonlight—
******* daubed by the lanterns
of the ornamental barns,
firs ruffled like silks
casually discarded...

They lounge now—
indolent, languid, spread-eagled—
their wantonness a thing to admire,
like a lover's ease idly tracing flesh...

They do not know haste,
lust, virtue, or any of the sanctimonious ecstasies of men,
yet they please
if only in the solemn meditations of their loveliness
by the ***** pen...

Perhaps there upon the surrounding hills,
another forsakes sleep
for the hour of introspection,
gabled in loneliness,
swathed in the pale light of Andromeda...

Seeing.
Yes, seeing,
but always ultimately unknowing
anything of the affairs of men.

Published by The Aurorean and The Centrifugal Eye



Day, and Night
by Michael R. Burch

The moon exposes syphilitic craters
and veiled by ghostly willows, palely looms,
while we who rise each day to grind a living,
dream each scented night of such perfumes
as drew us to the window, to the moonlight,
when all the earth was steeped in cobalt blue—
an eerie vase of achromatic flowers
bled silver by pale starlight, losing hue.

The night begins her waltz to waiting sunrise—
adagio, the music she now hears,
while we who in the sunlight slave for succor,
dreaming, seek communion with the spheres.
And all around the night is in crescendo,
and everywhere the stars' bright legions form,
and here we hear the sweet incriminations
of lovers we had once to keep us warm.

And also here we find, like bled carnations,
red lips that whitened, kisses drawn to lies,
that touched us once with fierce incantations
and taught us love was prettier than wise.



Deliver Us...
by Michael R. Burch

for my mother, Christine Ena Burch

The night is dark and scary—
under your bed, or upon it.

That blazing light might be a star...
or maybe the Final Comet.

But two things are sure: your mother's love
and your puppy's kisses, doggonit!



Dark Twin
by Michael R. Burch

You come to me
out of the sun —
my dark twin, unreal...

And you are always near
although I cannot touch you;
although I trample you, you cannot feel...

And we cannot be parted,
nor can we ever meet
except at the feet.



Upon a Frozen Star
by Michael R. Burch

Oh, was it in this dark-Decembered world
we walked among the moonbeam-shadowed fields
and did not know ourselves for weight of snow
upon our laden parkas? White as sheets,
as spectral-white as ghosts, with clawlike hands
****** deep into our pockets, holding what
we thought were tickets home: what did we know
of anything that night? Were we deceived
by moonlight making shadows of gaunt trees
that loomed like fiends between us, by the songs
of owls like phantoms hooting: Who? Who? Who?

And if that night I looked and smiled at you
a little out of tenderness... or kissed
the wet salt from your lips, or took your hand,
so cold inside your parka... if I wished
upon a frozen star... that I could give
you something of myself to keep you warm...
yet something still not love... if I embraced
the contours of your face with one stiff glove...

How could I know the years would strip away
the soft flesh from your face, that time would flay
your heart of consolation, that my words
would break like ice between us, till the void
of words became eternal? Oh, my love,
I never knew. I never knew at all,
that anything so vast could curl so small.

Originally published by Nisqually Delta Review. I believe this was my first attempt at blank verse.



The Watch
by Michael R. Burch

Moonlight spills down vacant sills,
illuminates an empty bed.
Dreams lie in crates. One hand creates
wan silver circles, left unread
by its companion—unmoved now
by anything that lies ahead.

I watch the minutes test the limits
of ornamental movement here,
where once another hand would hover.
Each circuit—incomplete. So dear,
so precious, so precise, the touch
of hands that wait, yet ask so much.

Originally published by The Lyric



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world—
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe's.
Yours was an antique grace—Thrace's or Mesopotamia's.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night—your wound would not scar.
The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool's gold.



In this Ordinary Swoon
by Michael R. Burch

In this ordinary swoon
as I pass from life to death,

I feel no heat from the cold, pale moon;
I feel no sympathy for breath.

Who I am and why I came,
I do not know; nor does it matter.

The end of every man's the same
and every god's as mad as a hatter.

I do not fear the letting go;
I only fear the clinging on

to hope when there's no hope, although
I lift my face to the blazing sun

and feel the greater intensity
of the wilder inferno within me.



The Pictish Faeries
by Michael R. Burch

Smaller and darker
than their closest kin,
the faeries learned only too well
never to dwell
close to the villages of larger men.

Only to dance in the starlight
when the moon was full
and men were afraid.
Only to worship in the farthest glade,
ever heeding the raven and the gull.



Heat Lightening
by Michael R. Burch

Each night beneath the elms, we never knew
which lights beyond dark hills might stall, advance,
then lurch into strange headbeams tilted up
like searchlights seeking contact in the distance...

Quiescent unions... thoughts of bliss, of hope...
long-dreamt appearances of wished-on stars...
like childhood's long-occluded, nebulous
slow drift of half-formed visions... slip and bra...

Wan moonlight traced your features, perilous,
in danger of extinction, should your hair
fall softly on my eyes, or should a kiss
cause them to close, or should my fingers dare
to leave off childhood for some new design
of whiter lace, of flesh incarnadine.



Listen
by Michael R. Burch

Listen to me now and heed my voice;
I am a madman, alone, screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black, and white is white, and in between lies gray,
I have no choice.

Does a madman choose his words? They come to him,
the moon's illuminations, intimations of the wind,
and he must speak.

But listen to me now, and if you hear
the tolling of the judgment bell, and if its tone is clear,
then do not tarry,

but listen, or cut off your ears, for I Am weary.

Published by Penny Dreadful, The HyperTexts, the Anthologise Committee and Nonsuch High School for Girls (Surrey, England). I believe I wrote the first version of "Listen" around age 17.

Keywords/Tags: moon, full moon, star, stars, night, sky, nightfall, tonight, dream, dreams, dreaming, dream time, dream girl, love, affinity and love, bittersweet love, blind love

Published as the collection "Poems about the Moon and Stars"
Madison Aug 2018
Our story's beginnings are rather plain
Set in a town built on the mundane.
In this town, there lived a boy
Devoid of ambition, love, or joy.

He sleepwalked through his days
Aimless and alone.
Drowning in a melancholy haze
He longed for something lovely to call his own.

Now, I shan't tell you the young man's name
For fear he'd hang his head in shame
But his story you should know.
For it's not the name that marked this boy
But the places he would go.  

One day, an idea dawned
To take a day trip out of town.
The boy made a map
And a line was drawn
To the path he would walk down.

He followed the map with surprising ease
Over the hills and through the trees.
Though the boy was thrilled
He couldn't wrap his mind
Around the treasure
He would soon find.

The path came to an end
Without the map's warning
Causing the boy's plans to upend
Before it was even midmorning.
But the boy was in awe
Despite the offset.
He knew what he saw
He would not soon forget.
In the middle of the golden field
Stood a tall ivory castle.
His chronic disenchantment healed
The boy vowed to see inside
Whatever the hassle.

So he searched for a door
Until he could search no more.
He attempted to climb
With no regard for time.
He searched for a ****
Or a lock
Or a key.
Only when he was about to give up
Did the answer break free.

Against all reason
The castle began to glow.
When the transformation came to completion
A strange voice let him know.

"Come in," coaxed the disembodied voice
Honeyed and assured.
Feeling as if he had no choice
Inside, the boy was lured.

"My, you are a rude one," the voice began to chide.
"A lady invites you into her home, and without a word, you come inside?
I'm not expecting you to write me a sonnet, but at least have a bit of tact!
If we're being honest, boy, I believe your manners lack."

Sure this was some sort of stunt
The boy calmly shook his head.
"Forgive me, Miss, for being so blunt
But I believe the fault is yours instead.
You expect me to believe I was propositioned
By a castle that spoke?
I am certain one of my peers commissioned
Some sort of pricey joke.
I'm sorry, Castle Lady Dear
But I must be on my way.
I'm afraid I can't stay here
Perhaps we'll finish another day.
It's truly nothing personal
I simply have a hunch
That if I stick around for now
I'll miss my mother's lunch."

The boy turned on his heel
Not saying any more.
He soon let out a pitiful squeal
When he found there was no longer a door.

The Castle Lady countered his squeal
With a sinister cackle.
"Did you really believe you could leave me here
Without it becoming a debacle?
I'm sorry, dear
But for now
To this place, you are shackled."

Heart suddenly stricken with fear
The boy's eyes filled with tears
And he began to cry.
"Please let me go!" he cried out.
"I am far too young to die!"

Much to the boy's chagrin
The Castle Lady only laughed again.
"Goodness me, my dear!
You must be some sort of fool!
I do not plan to **** you here.
How could I ever be so cruel?"

Angered by the castle woman's taunts
The boy's eye began to twitch.
"If you won't **** me, what do you want?
Let me go, you witch!"

Unphased by his outburst
The Castle Lady simply tsked.
"Are you sure the witch is me
When you're the one being so mean?
I know what a statement this might be
But I believe you're the meanest boy I've seen.
But you can relax
For I've had my fun.
I simply have a favor to ask
Before you turn and run."

Against all logic
And stranger-danger talks
The notion of adventure
Overpowered his urge to balk.
"What is it?" he asked the Castle Lady
As curiosity struck.
When the Castle Lady responded
He could not believe his luck.

"Resting in one of my rooms
Is an awe-inspiring prize.
It holds power and beauty few men ever get to witness
With their own two eyes.
In fact, it holds too much power
So much that it's making me sick.
Only the brightest of young men can bear it
And you're the one I've picked."

The boy's heart raced.
For that prize, he yearned.
Still, he said:
"There must be some mistake.
Are you sure this is a prize I've earned?"

Overtaken by laughter
The Castle Lady began to roar.
"I am not that sick, dear boy!
Of course I am sure!
I can not make any mistake
No matter how small.
Didn't your mother teach you
That divine beings know all?
Now, you are an imaginative lad
With the charisma to match.
I'd dare say you are the best equipped child
Out of the local batch."

The boy couldn't help but crack a grin
Flattered by the Castle Lady's assessment.
"I suppose you must be right, then.
Now where do I get my present?"

"It is not a difficult journey at all," the Castle Lady replied.
"Just walk a bit down this here hall
And look to your left side."

Suddenly, the room filled with bright light
To help him find his way around.
In saying the journey was not difficult, the Castle Lady was right
As another glowing doorway
Was soon found.

"Very good, you clever boy!" the Castle Lady cried.
"Just give your fingers a quick snap
And take a step inside."

Proudly, the boy followed her advice.
The snap of his fingers reverberated
Sounding quite nice.
Secretly, the simple action
Gave him a small thrill
For he was the only child in his town
Who had such a skill.

Just as the lady promised
The door opened right away.
Thus, he took that fateful step inside
As she said he may.

Alas, it seemed the boy had been cheated by his wanderlust.
The only thing inside the room
Was a wooden box
Coated in dust.

All sense of wonder gone
The boy was certain it was a trick.
"You horrid con!
What in here is making you sick?"

Unamused, the Castle Lady sighed.
This was not the first time a child had thought she lied.
"You're jumping to conclusions, boy.
I'm not that sly a fox.
If you want to find the treasure
Look inside the box."

Begrudgingly, the boy obliged
Lifting up the top.
In the moment he saw what was inside
The whole world seemed to stop.

The boy's jaw dropped
As the box glowed
As if it contained all of heaven's rumored light.
It was true that he was unlikely
To ever again see such a wonderful sight.

"Well?" the Castle Lady inquired.
"Would you like to keep it?
You have all the qualities required
It's only fair that you reap it."

"Of course I'd like to keep it," said the boy.
"But what should I do?
What power do I have
To take care of this box
Any better than you?"

"The box can do anything," said the Castle Lady.
"Perhaps that's why I can not have it.
Still, you need not engage in special care and keeping
Or develop any new habits.

The box can do whatever you wish
Cure disease and famine
Or make your family rich.
I can not tell you what to do
Just use your own discretion.
Besides, it wouldn't truly be yours to use
If you did so under my direction.
So simply take it home
And do with it what you will
But before you choose to roam
I have one more message for you still."

Holding the box to him
The boy lifted an ear
Regarding her as a friend.
"What is it, Castle Lady?
Please say what needs to be said!"

When she spoke again
The boy could swear her voice contained a smile.
"When you leave me, the castle will come to an end
And this part of me will be dead.
Though I'd love for you to stay a while
So we could become better acquainted
I'm afraid that would be against the rules
And the prophecy would be tainted.
So, clever boy
For now, I'll bid you adieu.
You deserve to be given joy
And I hope that is what the box will do."

No sooner than she spoke
Did the castle vanish
In a puff of smoke.
Once again, the boy stood in the field.
In his hands rested the box
The closed lid keeping its powers concealed.
Somewhere between satisfied and sad.

He gave her a eulogy
However unorthodox.
"Goodbye, Castle Lady Dear, I enjoyed our little talks.
Maybe we'll meet in another world...
Oh, and thank you for the box!"
Having said all he needed to say
The boy knew he should be leaving soon.
He turned to walk the other way.
Walking home, his fingers snapped a tune.

It wasn't long before the whole town
Knew about his treasured box.
The boy made sure all his friend knew.
In school, he stopped all of the clocks.

He provided his class with great delight.
As a school day
Melted away
Into a Friday night.
The grown-ups none the wiser
He pulled off the perfect crime.
Forever the improvisor
He also did away with bedtime.

He gave his family money
As the Castle Lady said he could.
Though his old bullies looked at him funny
His clothes had never looked so good.

He gave himself popularity
A Labrador puppy
A brand new bike.
The ones who teased him
Spoke apologetically
And there wasn't a single girl
By whom he wasn't liked.

It wasn't long, however
Before the fun began to fade.
As much power as he had, he never intended
To share his gift with his whole grade.

"Can you tell me
If my pet goldfish is really watching from above?"
"Can you please help me
Make my parents fall back in love?"
"Can you make it so that
My grandpa isn't sick anymore?"
"Can you invent a robot
To help me do my chores?"
"Can you make sure
That my family keeps our home?"
"Oh-- and while you're at it
Help me write my girlfriend a nice poem?"

Alas, the boy paid no mind
To their wants and needs.
He had left his charitable days behind
In favor of his newfound greed.
Though his box could do anything
It really wasn't his job.
No matter what happiness to others it might bring
Of his power, he'd feel robbed.

He didn't know that at night
His friends went home to cry
Asking their nonexistent treasured boxes
"If he can have something special
Why can't I?"

Life went on like this
Until one day, he was greeted by a bird.
It landed on his shoulder
And hissed,
"You'll never guess what I heard."

The boy was quite frightened
Both by the bird's familiar voice
And what it said.
Still, his eyes brightened
When he shouted
"Castle Lady?
I thought that you were dead!"

"Too bad," the bird crowed.
"For I'm very much alive.
And I figure you should know
I won't allow you to continue to connive."

At her choice of words
The boy sputtered.
"What do you mean, bird?"
He nervously stuttered.

The Bird Lady stared at him
With beady black eyes.
"I mean, I saw what you've done with your gift
And I was unpleasantly surprised.
You didn't disrupt any tradition.
I told you to do what you would.
It was just that I had the premonition
That you'd use your power for good.
You're no better than any of your classmates
You silly sap!
Did it ever occur to you
That you were only picked
Because you can snap?
When my last life came to an end
You thanked me for the box
And ran home to your mother.
My spirit would have been able to rest
If you had used the box to help others.
I am older than most earthly things
And some sights I've seen are hellish.
This in mind
It's beyond me
Why you'd choose to be so selfish.
See, this box was once mine
Changing owners as it does
And when it fell into my hands I wished
To be anything but the girl I was.
From then on, I've been trapped
In the form of many objects
And, whenever I try to go from this world to the next
Fate always interjects.
I'm the keeper of this box
Until it falls into the hands of someone good enough
And I'm here to say, dear boy
I'm afraid you must give it up."

Without warning
The boy broke down
Dropping to his knees.
For the first time since that fateful day
His sense of superiority ceased
And truth began to reign.
Head in his hands, he grieved
For those he had caused pain.

The Bird Lady remained by his side
Trying her hardest to soothe.
"Now, clever boy, you need not cry
But the box does need to move.
Now, I need you to calm down and listen to me
And let me make myself clear.
I need you to go to the sea
And that's the last wish you will make here."

Suddenly, the boy understood.
When it was far too late, he used his powers for good.
So he wished for the ocean, heeding the Bird Lady's advice.
The two of them were at the beach
Before he could think twice.

"Very good," the Bird Lady praised.
"All you have to do now is let go.
Don't worry, my dear boy
When the box finds its forever home
I'll be sure to let you know."

The boy nodded.
With shaking hands, he looked down.
Taking a deep breath, he dropped the box
And all his wrongdoings drowned.

"Thank you very much," the Bird Lady chirped.
"Now, relax, and let your conscience be cleared.
You can go home
And I'll take it from here.
One last thing
I should tell you, my friend.
All this can be fixed
If you just have an ear to lend.
No matter how heartfelt
Apologies only take you so far.
What you should do now
Is fix your regrets with actions
To show them what a lovely boy you are."

With that
The Bird Lady dove
Picking up the box with her magnificent beak.
The boy returned home
With redemption to seek.

All these years later
Our nameless boy is now a man.
He's ordinary, yes
But ordinary is good enough.
He doesn't look down on others
Or even try to act tough.
Though he's no longer a heartthrob
One girl remained by his side.
When she is there
He never has to hide.
When a friend has a problem
He is there to listen.
And, though he holds no glowing box
His eyes still glisten.


Meanwhile, our Lady's soul
Now rests within a spaniel dog.
Though the box still has no permanant owner
She doesn't think it will be long.
Though that might seem unlikely
Divine beings do know all
Though everyone makes mistakes
Both big and small.
She may chastise others
For poor choices and self-control
But in the end, she knows the box only needs one thing:
To be cared for by a beautiful soul.
Sa Sa Ra Jun 2012
Safe from stormy icy cold
from stars sheltered too below
a wish I am
to my captive be
all this thou provideth me

The ice breaker tows us in
sweet lies lavished
beneath our skin
mothered
fathered
dear!!!

Dear ravaged
bitter sweet
lovingly deceived
tucked into sheets
from teddy bear
to milky squeezed
thigh soothing
the life that's oozing

**** a doodle
screeching out in fright
of little egg
earnest yearning
heeding calling
of thee other will
spontaneity
river spawning

No time for times sake

Not a one
would be
mistaken

Only the shrunken
fear forsaking

Run hare run
way out
out
beyond sight
of the knowing
knowing though
scent lingers
in the nose
of the tortoise
and tortoises
whom are stalking

Run run
has gotten far
hid from heaven
spinning faulty
stars heathen
tales of yore
which simply
just keep moving

But delight
is
a wedding cake
in a heart
you can see
taste
taste the spin
of spinning me

Dance too
to the rhythms
and beatings
of sticks
****** quick
to the depths
of your last breath
of the last breathing

Our hearts
the rhythm

Ones soul

The beating
of skin

On our drums
Yes my kick off piece here on Hello Poetry!!
As dated on;
June, 10th, 2012

This the follow of a punt!!!
http://hellopoetry.com/poem/lost-vagus-nerves-reverbing/
Erin Roma Dec 2016
A yearning she cannot fathom
A whole 'nother level, she was mind blown
Hoping to blind herself with deception
Perpetually drowning in confusion

Said that she would never again be ****** with your sorcery
So everyone told her to be extra wary
But I guess that's a quality she lack entirely
Now she's drowning in confusions, perpetually

She never planned a pursuance
Though the force is strong, 'twas only a nuisance
She saw your face, she was caught in a trance
Perpetually drowning in confusion, an abundance

This animal is in dire need of suppression
And so she did, filling herself with depression
But then the prey showed a different sign of intention
Now she's perpetually drowning in confusion

Your sudden interest seems unfitting
Could it really be? So close to believing
It opened more, showed more, she's heeding
In perpetual confusion, she is drowning

She was taken aback, this impossibility
Yet you opened it wider, the eventuality
Or so she was led to believe, the absurdity
The confusion is drowning her in perpetuity

Doubts, doubts, doubts were running
In her head, seconds from wilding
But you calmed her fears, ever growing
Deeper in perpetual confusion, she's drowning

With every positive response of yours
She was driven crazy, hoping for more
For a moment, it felt certain, she was sure
Perpetually drowning in confusion, no more

Now her true self was put into question
For the longest time, involuntarily shunned
Is she truly worthy of this identification
Perpetually drowning in confusion

She was quite lost in traffic
The signals were all but messed up
Wandering around like some lunatic
She's clueless of what's true enough

Perpetually drowning in confusion...
You were a swimmer...
Yet you never even bothered to save her.
Megan Sherman Nov 2016
In times gone past we used to play
With abandon. We experimented.
We vowed we’d never settle down
Become complacent or contented
Everything seemed possible
Reality just one calibration
Of potential, possible worlds
Each one a sheer sensation
The world was a bright, clean canvas
For the ink of our imagination
Knowing we could make the world
We laboured at its creation
But along the way complacency crept in
And we lost our special flow
One by one the sparks in our hearts died
And why we’ll never know
But I’ll hazard a rough guess
And it’s worth heeding what here's stated
What’s worthwhile in life is lost
When what’s wild is domesticated

The times that came gave us the idea of war
We accepted it. We became rank and file citizens
Became wrapped up in the politics
The world became a spoiled canvas
Destroyed by cruel imaginations
Knowing they could break they world
They ripped the petals off its carnations
It nevertheless remains that we
Will one day throw off the yoke
To dwell once more in amity
And live in dreams bespoke
I'll hazard a rough guess
And it's worth heeding what here's stated
What's worthwhile in life comes back
When we realise that dreams are created

What comes next is chaos and rebellion
We go wantonly. We dedicate ourselves
To joyful revolution, against tyranny
To put life back in to good health
The world becomes unified again
And not in the imperial way
But in the way all souls are friends
And borders die and go away
The world becomes a canvas new
Ready to take a splash of art
Adorned with colour and beauty
A fresh and fruitful start
Along the way we will regain our voice
And sing and play like children
happy music will make them rejoice
And let them dwell in freedom
I'll hazard a rough guess
And say this time is near
Because more spirits are learning to say bless
And make their spiritual bars disappear
Now swarthy Summer, by rude health embrowned,
    Precedence takes of rosy fingered Spring;
And laughing Joy, with wild flowers prank’d, and crown’d,
    A wild and giddy thing,
And Health robust, from every care unbound,
    Come on the zephyr’s wing,
      And cheer the toiling clown.

  Happy as holiday-enjoying face,
    Loud tongued, and “merry as a marriage bell,”
Thy lightsome step sheds joy in every place;
    And where the troubled dwell,
Thy witching charms wean them of half their cares;
    And from thy sunny spell,
      They greet joy unawares.

  Then with thy sultry locks all loose and rude,
    And mantle laced with gems of garish light,
Come as of wont; for I would fain intrude,
    And in the world’s despite,
Share the rude wealth that thy own heart beguiles;
    If haply so I might
      Win pleasure from thy smiles.

  Me not the noise of brawling pleasure cheers,
    In nightly revels or in city streets;
But joys which soothe, and not distract the ears,
    That one at leisure meets
In the green woods, and meadows summer-shorn,
    Or fields, where bee-fly greets
      The ear with mellow horn.

  The green-swathed grasshopper, on treble pipe,
    Sings there, and dances, in mad-hearted pranks;
There bees go courting every flower that’s ripe,
    On baulks and sunny banks;
And droning dragon-fly, on rude bassoon,
    Attempts to give God thanks
      In no discordant tune.

  The speckled thrush, by self-delight embued,
    There sings unto himself for joy’s amends,
And drinks the honey dew of solitude.
    There Happiness attends
With ****** Joy until the heart o’erflow,
    Of which the world’s rude friends,
      Nought heeding, nothing know.

  There the gay river, laughing as it goes,
    Plashes with easy wave its flaggy sides,
And to the calm of heart, in calmness shows
    What pleasure there abides,
To trace its sedgy banks, from trouble free:
    Spots Solitude provides
      To muse, and happy be.

  There ruminating ’neath some pleasant bush,
    On sweet silk grass I stretch me at mine ease,
Where I can pillow on the yielding rush;
    And, acting as I please,
Drop into pleasant dreams; or musing lie,
    Mark the wind-shaken trees,
      And cloud-betravelled sky.

  There think me how some barter joy for care,
    And waste life’s summer-health in riot rude,
Of nature, nor of nature’s sweets aware.
    When passions vain intrude,
These, by calm musings, softened are and still;
    And the heart’s better mood
      Feels sick of doing ill.

  There I can live, and at my leisure seek
    Joys far from cold restraints—not fearing pride—
Free as the winds, that breathe upon my cheek
    Rude health, so long denied.
Here poor Integrity can sit at ease,
    And list self-satisfied
      The song of honey-bees.

  The green lane now I traverse, where it goes
    Nought guessing, till some sudden turn espies
Rude batter’d finger post, that stooping shows
    Where the snug mystery lies;
And then a mossy spire, with ivy crown,
    Cheers up the short surprise,
      And shows a peeping town.

  I see the wild flowers, in their summer morn
    Of beauty, feeding on joy’s luscious hours;
The gay convolvulus, wreathing round the thorn,
    Agape for honey showers;
And slender kingcup, burnished with the dew
    Of morning’s early hours,
      Like gold yminted new.

  And mark by rustic bridge, o’er shallow stream,
    Cow-tending boy, to toil unreconciled,
Absorbed as in some vagrant summer dream;
    Who now, in gestures wild,
Starts dancing to his shadow on the wall,
    Feeling self-gratified,
      Nor fearing human thrall.

  Or thread the sunny valley laced with streams,
    Or forests rude, and the o’ershadow’d brims
Of simple ponds, where idle shepherd dreams,
    Stretching his listless limbs;
Or trace hay-scented meadows, smooth and long,
    Where joy’s wild impulse swims
      In one continued song.

  I love at early morn, from new mown swath,
    To see the startled frog his route pursue;
To mark while, leaping o’er the dripping path,
    His bright sides scatter dew,
The early lark that from its bustle flies,
    To hail his matin new;
      And watch him to the skies.

  To note on hedgerow baulks, in moisture sprent,
    The jetty snail creep from the mossy thorn,
With earnest heed, and tremulous intent,
    Frail brother of the morn,
That from the tiny bent’s dew-misted leaves
    Withdraws his timid horn,
      And fearful vision weaves.

  Or swallow heed on smoke-tanned chimney top,
    Wont to be first unsealing Morning’s eye,
Ere yet the bee hath gleaned one wayward drop
    Of honey on his thigh;
To see him seek morn’s airy couch to sing,
    Until the golden sky
      Bepaint his russet wing.

  Or sauntering boy by tanning corn to spy,
    With clapping noise to startle birds away,
And hear him bawl to every passer by
    To know the hour of day;
While the uncradled breezes, fresh and strong,
    With waking blossoms play,
      And breathe Æolian song.

  I love the south-west wind, or low or loud,
    And not the less when sudden drops of rain
Moisten my glowing cheek from ebon cloud,
    Threatening soft showers again,
That over lands new ploughed and meadow grounds,
    Summer’s sweet breath unchain,
      And wake harmonious sounds.

  Rich music breathes in Summer’s every sound;
    And in her harmony of varied greens,
Woods, meadows, hedge-rows, corn-fields, all around
    Much beauty intervenes,
Filling with harmony the ear and eye;
    While o’er the mingling scenes
      Far spreads the laughing sky.

  See, how the wind-enamoured aspen leaves
    Turn up their silver lining to the sun!
And hark! the rustling noise, that oft deceives,
    And makes the sheep-boy run:
The sound so mimics fast-approaching showers,
    He thinks the rain’s begun,
      And hastes to sheltering bowers.

  But now the evening curdles dank and grey,
    Changing her watchet hue for sombre ****;
And moping owls, to close the lids of day,
    On drowsy wing proceed;
While chickering crickets, tremulous and long,
    Light’s farewell inly heed,
      And give it parting song.

  The pranking bat its flighty circlet makes;
    The glow-worm burnishes its lamp anew;
O’er meadows dew-besprent, the beetle wakes
    Inquiries ever new,
Teazing each passing ear with murmurs vain,
    As wanting to pursue
      His homeward path again.

  Hark! ’tis the melody of distant bells
    That on the wind with pleasing hum rebounds
By fitful starts, then musically swells
    O’er the dim stilly grounds;
While on the meadow-bridge the pausing boy
    Listens the mellow sounds,
      And hums in vacant joy.

  Now homeward-bound, the hedger bundles round
    His evening ******, and with every stride
His leathern doublet leaves a rustling sound,
    Till silly sheep beside
His path start tremulous, and once again
    Look back dissatisfied,
      And scour the dewy plain.

  How sweet the soothing calmness that distills
    O’er the heart’s every sense its ****** dews,
In meek-eyed moods and ever balmy trills!
    That softens and subdues,
With gentle Quiet’s bland and sober train,
    Which dreamy eve renews
      In many a mellow strain!

  I love to walk the fields, they are to me
    A legacy no evil can destroy;
They, like a spell, set every rapture free
    That cheer’d me when a boy.
Play—pastime—all Time’s blotting pen conceal’d,
    Comes like a new-born joy,
      To greet me in the field.

  For Nature’s objects ever harmonize
    With emulous Taste, that ****** deed annoys;
Which loves in pensive moods to sympathize,
    And meet vibrating joys
O’er Nature’s pleasing things; nor slighting, deems
    Pastimes, the Muse employs,
      Vain and obtrusive themes.
jeffrey robin Aug 2010
and no one has come...here

since

well
(since they
knew that
they
were .............
............................................needed!­



since the
calls

went forth!

WE..!
we
......................heard THEM!

ancient verities
................................squandered
the wealth
.......................(we did!)

of

..............................WISDOM

................­.....INTEGRITY
of
............INTELLIGENCE-ITSELF

and
when were
WE
not!

AMONGST THEM???...!!!

--

calling
heeding the call
calling
heeding the call
calling
heeding the call

tell me

WHY YOU

THINK  YOU ARE NOT

"NEEDED?"
JL Smith Jul 2017
Alone again,
But not lonely
Accepted solitude
As tranquility
Your fear
My freedom
Exploring my depth
Releasing my demons
Core settles
In tune
Mind opens
Heart composes
Serenity and beauty
Heeding inner voice
Spiritual rejoice
Gratitude
Emotional latitude
Flows freely
Rejecting the judgmental,
Artificial
Open to growth
Affirming an oath
Confident in myself
Purpose in moving forward
Trusting my gut
Relying on Superiority
The One and Only
Alone again,
But not lonely

© JL Smith
Simon Oct 2019
Like probability. Fate exhibits the constraints to a more tolerable atmosphere at heart. The heart of an atmosphere, is the atmosphere functioning with a heart. Completely one sided. Never admitting who’s mentions are who. Whose opinions mattered the absolute most. Options become tiresome. Tolerable frequencies through pure hearts devoted without contract to inner self awareness. Prompting the judgment of what atmosphere has over the heart of the problem. There are problems within hearts? WHAT!! Contrary to the balance of symmetries without depth. Hearts full of many brimming effects. Only determined to sending out there resume for better times. And which one is disclosing from the standard developments rotting the better picture into ruin? Pictures printed with resumes aren’t fruitful. When dynamics in the surface, isn’t comparable to challenge. Challenge lays claims to birthing the right focus. Take charge! Listen carefully to directions! What does that all haft to do with fate being exiled? It doesn’t. Well, not conclusively anyway. Fate is a thought manufactured behind the scenes. It won’t show it’s face directly. Too imposed in everyone else’s business. A directive with no claim in its heart. An atmosphere unsocialized with parts never discovering inner desires. Concluding fate never trusting itself. Fate exiled… Means to test one’s own claims of basic will. The hint is why does fate act? Rather then think the way it’s acting? Could simply be a perspective too old for the majority to classify broadly about. Justifications rise and fall. Birthing the right assorting facts, isn’t a focus. It’s diverging away. Imprints full of empty reassurance. Concluding something different in a basic platform the majority concentrates on. Fate just stands taller than the rest. Filtering all unsuspecting protocols from the inside out. Propagating pressure with insolence. Insolence flowing in-between the rough exteriors of right and wrong. Abiding time for another surface. Triggering the inside out dynamics at large. A picture finally noticing a part of itself without deciphering what complexes itself apart from the others. All this is a much-discovered piece of evidence. But it lacks companionship. No light or dark. A patronage not as diverse as the one heeding influences out with a weapon changing velocities around left and right. Pieces of quietness is an illusion. The surface being what it is. Underneath is where fate discloses further information completely. It’s weapon of probability is just that. A surface area too big for noticing details in itself. Rather picking others to commune a wishing sentence. Hinting at probability being a fake! There isn’t probability in the logical area of flat platforms without big thinking specifics. It’s all hogwash! Fate determines exilement to rush the borderline potential awareness of others. Except that’s probability maneuvering as a mask in the light. Tricking typical surface dwellers in an area too complex for delusional purposes. Even it’s claims are full of doubt. So why does everyone bounce from one flaw to the next? Practicing what it means to put one step after the other. Exercising doubt completely as a waypoint to a better tomorrow. More like a fruitful one-minute moment of standards too gray for focuses to admit. (Tricking won’t get you anywhere, if your full of bland statements.) An assertive quote straight from someone who exiles themselves onto others for practices into the next benign claims. Resumes with a statement that’s only delusional to what tricking isn’t. Showing you exile is the right future for an atmosphere with a heart. Which functions its heart towards the atmosphere. Switches in claims divert the true knowledge around in circles. So, who is fate, exactly? What possibly could they decide amongst themselves for the better future to the surface area of majorities? Try flipping yourself inside out. You might just want to write (Exile) on the permission slip of your own determined mark. Welcome to your identity in exile!
Fate claiming its own rights to act for itself, rather then wanting to break down others interpretations completely. Exiling every piece of information in one’s heart forever! A trick amongst claims.
Old Elm that murmured in our chimney top
The sweetest anthem autumn ever made
And into mellow whispering calms would drop
When showers fell on thy many coloured shade
And when dark tempests mimic thunder made
While darkness came as it would strangle light
With the black tempest of a winter night
That rocked thee like a cradle to thy root
How did I love to hear the winds upbraid
Thy strength without while all within was mute
It seasoned comfort to our hearts desire
We felt thy kind protection like a friend
And pitched our chairs up closer to the fire
Enjoying comforts that was was never penned

Old favourite tree thoust seen times changes lower
But change till now did never come to thee
For time beheld thee as his sacred dower
And nature claimed thee her domestic tree
Storms came and shook thee with aliving power
Yet stedfast to thy home thy roots hath been
Summers of thirst parched round thy homely bower
Till earth grew iron—still thy leaves was green
The children sought thee in thy summer shade
And made their play house rings of sticks and stone
The mavis sang and felt himself alone
While in they leaves his early nest was made
And I did feel his happiness mine own
Nought heeding that our friendship was betrayed

Friend not inanimate—tho stocks and stones
There are and many cloathed in flesh and bones
Thou ownd a lnaguage by which hearts are stirred
Deeper than by the attribute of words
Thine spoke a feeling known in every tongue
Language of pity and the force of wrong
What cant assumes what hypocrites may dare
Speaks home to truth and shows it what they are

I see a picture that thy fate displays
And learn a lesson from thy destiny
Self interest saw thee stand in freedoms ways
So thy old shadow must a tyrant be
Thoust heard the knave abusing those in power
Bawl freedom loud and then oppress the free
Thoust sheltered hypocrites in many an hour
That when in power would never shelter thee
Thoust heard the knave supply his canting powers
With wrongs illusions when he wanted friends
That bawled for shelter when he lived in showers
And when clouds vanished made thy shade ammends
With axe at root he felled thee to the ground
And barked of freedom—O I hate that sound

It grows the cant terms of enslaving tools
To wrong another by the name of right
It grows a liscence with oer bearing fools
To cheat plain honesty by force of might
Thus came enclosure—ruin was her guide
But freedoms clapping hands enjoyed the sight
Tho comforts cottage soon was ****** aside
And workhouse prisons raised upon the scite
Een natures dwelling far away from men
The common heath became the spoilers prey
The rabbit had not where to make his den
And labours only cow was drove away
No matter—wrong was right and right was wrong
And freedoms brawl was sanction to the song

Such was thy ruin music making Elm
The rights of freedom was to injure thine
As thou wert served so would they overwhelm
In freedoms name the little so would they over whelm
And these are knaves that brawl for better laws
And cant of tyranny in stronger powers
Who glut their vile unsatiated maws
And freedoms birthright from the weak devours
What a joy
What a joy
My little nephew,
Two decades back
Born abroad,
When a  guest here
A ride on
A piggy shoulder
Who used to enjoy,
To whom I bought
A motley toy
Out of himself
Made a brilliant boy.

“As per my choice
Could you buy me a donkey
Or a could you allow  me
A  tortoise
To touch
When we go to
The squalid market square
Or  the nearby church?”



Double mind
Is his nick name
Now crafting
Software is his game.

A small boy
Inquisitive
He used to ask
“Tell me why
Flowers don't grow
On the sky?”

“Tell me quick
Why animals
Don't speak?
Also stars
Don't grow
On the meadow?”

“Why is the sky high
To touch?”
Such questions helped him
Racking  his brain
To come up with
Academic research,
That troubleshoot
Societal challenge
And afford
A nation a turnaround
Or  for the better a change!


Now, conversant in IT
It is no wonder
To observe
Binary operation,flowcharts
Subroutines,syntax...
Programming languages
Are at the tip of his finger.

His study at
George Mason University
Has turned out a hit
Getting himself
In the Dean's List.

A boy that lends
To parents, relatives
And teachers
A heeding ear
Is really dear.
(To my Nephew who graduated recently)
Radwan Jun 2010
The road marched on,
beside a beach it ran.
Hailing the sea and heeding its groan.
Walking along, I came into view.
Welcoming the sea with a smirk.
The rising sun gently pushed down the red's blue.
Blessing the world with a yellow tint it lit up the view.
Much closer than the sun, another glimmer grew.
Down on the beach and off the road was where my feet then flew.
Getting closer, slowly I advanced through the sand.
Still it glimmered, though its glimmer was but a con.
A bottle lay ahead of me, flirting playfully with the sea, as he caressed her gently with his waves.
She beckoned to my curious hands.
"Come forth and grab me like I was yours."
A cork and a paper were in the bottle.
You've already been used, filled and plugged; you come with a catch. I am to receive a message!
Hastily I scratched the cork off as my fingers took it out.
Now for the message, unrolling, my eyes caught sight of the first lines..

[I write to you from the shores of pessimism:
These shores are dark and dreary.
The waves here are slow and drowsy
The water is turbid and murky
Enthusiasm is a scarcity
and optimism was long ago banished from the land.
Pessimism and depression reign supreme and none can avoid their grip.
These shores have been the end of many a happy soul's journey.
This is where they all came to know the meaning of surrender.
And the satisfaction of despair.
All flames were put out and all their torches were thrown into the waters.
You won't be needing them anymore, they were told.
The reason for that is quite obvious, torches bring light and light mediates hope.
In a place where all hope must be extinguished and remain so.
No, your torches won't be needed here.
Here is where you wallow, in darkness and despair.
Where you sit is where you sink
Slowly the sands will drag you under.
After entering, the caretakers tie one's right ankle to a rock.
The pitiful lump of obsidian shall be your home. The caretakers stand you beside your rock and explain the rules to you.
"The rope is not forged of metal, thread or leather.
Its length is not fixed but it never breaks. If ever you tug on it, back on your rock is where it'll take you. Affixed to your rock it remains. On these shores only a pair of absolutes are recognized.. Darkness and negativity.
All else are subject to fate's scrutiny.
You came to us of your own will. and by coming here you shall realize your destiny.
If one exists for a soul such as yours.
If you wish not to sink in the sand, then stay on your rock or go for a swim.
Here you will remain, on these shores, this place shall be your prison and your safety net.
Departure is not an option until your destiny is realized, but we can't guarantee such an occurrence."
Having finished with the mandatory formalities, they take their leave of you and return to their posts.

On my first day, I noted that curiosity has very little power over the minds of the shore's inhabitants.
That no inhabitant may use another's rock without permission.
That the rope expands limitlessly and that moving lightly helps prevent sinking in the accursed sands.
Allowing me to roam far and wide, yet ensuring that I will always be roaming, belonging only in these shores, on my rock, amongst my shadowy brethren.
These shores have no real boundaries... An inhabitant may choose to stay and ponder or wander off and roam the land.
There are no secrets here.
All knowledge is readily provided by the caretakers, who say that very few ever choose to stay and ever fewer choose to combine the two.
Though time and time again they are dragged back to the rocks after having tugged on their ropes, they always choose to resume their roaming.
Expectations have no place here.
Ambition was long ago thrown off the pier.
Crucified and drowned in Poseidon's terrible dear.
The caretakers offered to read me tales from the shores' diary. They found my patience and lack of affect fitting.
On these shores I remained, listening to their tales for a time, sitting on my obsidian chair for a time, gliding on the sands and at times surrendering to their grip.
To all my fellow inhabitants I spoke in whispers and respect I paid in full to all the rules of the shores.
Then it was time to wander the land.
As I departed, knowing that I would return, I felt like crawling back into the pits of my soul but I also felt the shores' hold over my humanity fading, fading down to the feel of the rope's fabric around my ankle. A constant reminder that only I can see.
A constant reminder of where I belong, of the dreariness of my home and the darkness that always lies in wait for my return.

After leaving the shores, I wandered around the northern lowlands for sometime. Of course in such a state of mind time has no meaning for the wanderer. As time's passing loses its significance when all events are perceived as irrelevant and utterly meaningless. Thus I wandered the land, moving from village to town and from forest to desert. My journey was interrupted time and time again by the rope's influence, for sometimes I would grow weary of my surroundings and choose to retreat to my rock, there the darkness and despair provide safety. Observing then became the only promising investment of my attention, and throughout my roaming I would observe my surroundings, be they humans, critters, rocks or even machines. I resolved that empirical knowledge and logical analysis were the only relevant fields of reasoning.
In retrospect, I believe these were the only perspectives my dulled affect and cold impartial existence allowed at the time, but they were fields nonetheless, new areas that interested me, progress from the aimlessness. For now, I could say "I am here to observe. I do not belong, but that doesn't matter."
The times I spent back at the shores were getting progressively intense, though the emptiness soothed my longing, it seemed the more I saw, the deeper I would sink in the shores' sands before my rope would pull me back.
It seemed the more I observed and learned, the darker my rock became. It seems knowledge has its weight on these shores.
This isn't the time for simplification. The only way out of this rut is analysis, complexities and deduction. The way of the mind, for the sake of truth and meaning. If objectivity ever meant anything to you, you would not simplify, you would indulge in your eccentricities and gorge on analytical absurdity. Feed your hunger for details and complications.
Now the shores are far behind and I've gotten the hang of this accursed rope. I won't be dragged back there anytime soon. I may now keep record of whatever I wish.
This is but a mere transcript of my quest, my voyage, my journey, my pursuit of transcendence and my search for enlightenment, for enlightenment is my holy grail. My residence at the shores of pessimism mustn't last too long, for my light can lie dormant for only so long.
The stronger my thirst grows out here, the darker my lump of obsidian gets and the heavier my feet become on the shores sands. What's really curious though is how calm the sea has been since I started my journeys.

Silence now, enough has been said, recounting the details eventually becomes a bore rather than a bonus.
It is now time for the message to be sealed and sent off on its questionable journey, to a surely unexpecting reader. I wonder if it even holds any real meaning. Let this not be warning, but a minor eye opener. May it open someone's eyes to depression's grip on us.]

And it was there that the message ended. I raised my eyes from that piece of paper and looked to the sea, a storm was brewing on the horizon.

----------------

What the F. is this anyway?
Is it a test ?
a game ?
an empty picture frame ?
Curious since birth. Now drowning in knowledge of birth...
What's next ?
Why do I always have to wait and see ?
Whatever happened to flying free ?
Why can't I just flee ?
Forged of the earth and baked in the fire of God's oven.
Infused with God's divine breath.
If I've learned anything from my time on this pitiful lump of water and rock, it is that there is no plan, there is no grand scheme, there is no justice. Humanity's behavior will always be chaotic and unintelligible.
If there is a God, then that God has chosen to be a spectator. For this day and age, God has chosen to let the world sort itself out for a change. There shall be no more miracles, only human deeds and natural disasters.

Back again to where it all started.
What do I do now ? Focus!
Find myself ? Know myself ? Control myself ?
What good would that do ?
Who do you think I am ?
Do you think what I want is really relevant ?
Do you think you would like what I want ?
Born beautiful ? Good hearted ?
Not all are born beautiful and not all are good hearted.
Not everybody has an adequately functioning mind.
What's an adequately functioning mind anyway ?
If I've learned anything from medicine, it is that the study of human life holds the key to all our relevant questions. It is that details always matter. It is that in the real world, the only thing that truly matters is to be right.

We are born beautiful, untainted and simple. Though helpless and in desperate need of our supporters, it is actually these very providers who shape us. They complicate us and teach us their ways, they contaminate our minds with their view of reality, whether knowingly or ignorantly, they lead us astray from the simple truth, just like they were led astray.
And that's not to say that parents are evil or anything of that sort.
If that's what my words meant to you, then you're an idiot who shouldn't be reading this in the first place, so get the **** out!

We tend to think of being lost as a bad thing, reasons have become a necessity for our kind and rational explanations have become our psyche's sole sustenance.
We as a species have proved our relentlessness, our strong-headedness, our ignorance and our stupidity.
Humanity is *******. Collectively, we would be regarded as the galaxy's idiot child. The down's syndrome stricken kid our galaxy had after several failed attempts when she got over 45.
So what the **** is this ?
The lay of the land ?
What's the reason for this verbal bombardment ?
Are these knowledge bombs ? Are they supposed to be words of wisdom ? Can any of the above be put to any use ?
Hah! I believe not, and I apologize if that's what I've led you to believe.
I don't think I'm special, no more than you are. I don't believe I know much.
And I sure as hell am not here to tell you how to live your life or to provide you with a lot of answers that you may or may not have been seeking.

I have but one small request however. I request an apology, I want an apology from our parents. I believe we all do, they brought us into this world against our will. Then lied to us about how terrible the world and the people in it are. Named us good people and gave us hope. Then planted ambition in our scalps and fertilized it with warmth and faith in our promise, while they played the game and knew the real deal.
If there is a grand scheme, then we are not part of it. If there is a plan, then we're simply going along for the ride, our deeds only affect us and we can never change the ride's course.
We were never part of the plan.
If enlightenment is what you seek, then the only hope for the success of such a quest is for us to know and accept our weakness, our irrelevance.
I like working my noodle
My hands love to doodle
and every question I google
As much as the next poodle.
Luridhope Jan 2012
Acerbic antagonist alliterates agonizing accusations,
blasting ******* backbiter butting beautiful bombastic brainy blond bomb.
Cumulative cranial casualties cease caveman's cognitive coherence.
Doom digger derides Daddy's dangling dire dreary ****.

Eclectic esoteric eccentric egotistical estranger;
Forthcoming fathoms fetch faithless fleeting father.
God given goblins gather gossamer ganglions;
Hell's hairy harlot harpies hover heeding Hyperion.

Ignatius imbibes irrevocably insisting,
"Jesus juggles justice's joy jarring jams."
Kindness kindles Kilimanjaro;
Malicious mountains melt, Mmm, morning marjoram.

Nothing negates Neanderthal ninnying.
Overt obsessions obfuscate original object of
purest passions, paltry past pinings,
quickly quieted, quelled,
resisted, relinquished, readily, ruefully, roundly
saturated, suffocated; surreptitiously silenced,
terribly torturing the thrashed tamed tormentor:

Ugly, ungrateful, unapologetic,
Vanity,
woefully wallowing, wailing, "Where's
Xanadu's
zeitgeist!?"
A dying man does nothing easy,“Lock and load. Let's do it”,said G.W. Green
Right before Jack Pursley sent 3-5 grams of sodium thiopental coursing through his veins
in Texas. Sticking with the states motto it was probably 5. As lethal drugs flowed into his arms, he used an obscenity to describe life, gasped once and made no further movement.
Imagine his brief confidence in the face of this adversity, before the heart’s blood
Settled in the ventricles.
             Some have called such confidence a monstrosity titled, “Hubris”--
Alexander of Macedonia thought it necessary, to cross the turbulent river against fear
-ful odds. For destiny demanded imitation of his exemplar Achilles
Quickly eroded was this by the pleas of Parmenio, who reasons it would be,“failure at the outset.”

Imagine Alexander reciting the words of G.W. Green, instead of heeding to this squelching caution
How quickly we’d throw this decisions bones in the pile, with ******
In Stalingrad & Nixon in Vietnam
All to be shoved in to, a mass grave of faulted zealots.
Covered with soil, bitter compost not to be forgotten
Rosemary sprouts next to a burning
bush in Iraq.
A storm of wind and rain
Blows through my veins

This gale carries me
Where it will
And ever I feel drawn
To the mother
Of all things

I have set my sails
With only a tempest
To guide me
Heeding only
The call of the wilds
Eve
Simply she stands at the cathedral’s
great ascent, close to the rose window,
with the apple in the apple-pose,
guiltless-guilty once and for all

of the growing she gave birth to
since form the circle of eternities
loving she went forth, top struggle through
her way throughout the earth like a young year.

Ah, gladly yet a little in that land
Would she have lingered, heeding the harmony
And understanding of the animals.

But since she found the man determined,
She went with him, aspiring after death,
And she had as yet hardly known God.
On the outer Barcoo where the churches are few,
And men of religion are scanty,
On a road never cross'd 'cept by folk that are lost,
One Michael Magee had a shanty.
Now this Mike was the dad of a ten year old lad,
Plump, healthy, and stoutly conditioned;
He was strong as the best, but poor Mike had no rest
For the youngster had never been christened.

And his wife used to cry, 'If the darlin' should die
Saint Peter would not recognise him.'
But by luck he survived till a preacher arrived,
Who agreed straightaway to baptise him.

Now the artful young rogue, while they held their collogue,
With his ear to the keyhole was listenin',
And he muttered in fright, while his features turned white,
'What the divil and all is this christenin'?'

He was none of your dolts, he had seen them brand colts,
And it seemed to his small understanding,
If the man in the frock made him one of the flock,
It must mean something very like branding.

So away with a rush he set off for the bush,
While the tears in his eyelids they glistened —
''Tis outrageous,' says he, 'to brand youngsters like me,
I'll be dashed if I'll stop to be christened!'

Like a young native dog he ran into a log,
And his father with language uncivil,
Never heeding the 'praste' cried aloud in his haste,
'Come out and be christened, you divil!'

But he lay there as snug as a bug in a rug,
And his parents in vain might reprove him,
Till his reverence spoke (he was fond of a joke)
'I've a notion,' says he, 'that'll move him.'

'Poke a stick up the log, give the spalpeen a prog;
Poke him aisy — don't hurt him or maim him,
'Tis not long that he'll stand, I've the water at hand,
As he rushes out this end I'll name him.

'Here he comes, and for shame! ye've forgotten the name —
Is it Patsy or Michael or Dinnis?'
Here the youngster ran out, and the priest gave a shout —
'Take your chance, anyhow, wid 'Maginnis'!'

As the howling young cub ran away to the scrub
Where he knew that pursuit would be risky,
The priest, as he fled, flung a flask at his head
That was labelled 'MAGINNIS'S WHISKY'!

And Maginnis Magee has been made a J.P.,
And the one thing he hates more than sin is
To be asked by the folk, who have heard of the joke,
How he came to be christened 'Maginnis'!
Here now by many paths convoluted,
Ever trying the thoughts new, acted on.
Heeding just,streams conscious flowing,
Changed and morphed in an instant blinking.

Hair long,then shaved, now streaked orange grey
Suits to jeans,tore them,robes spiritual,now **** pray!
Was straight,turned metro,for all open,but curious still,
Body clean,got pierced, now adorning pasts tattooed!
Gurus, philosophies many, still a fool ever journeying.

Heard Bach,reggaed to Marley,wood-stocked,now fused.
Loved intense,let go easy,Kama sutras experimented on.
Traveled afar,lived as a local,now a foreigner everywhere,
Hip-pied from smoke to grass,yoga to parties raved hard.

Against wars, sat in for peace elusive,fought all,now stoic,
Never shocked or surprised,took all as came,now strong.
The set mind,everchanging,the physical a compliment cosy,
Unrecognizable now,existing totally, being happy, normally?
Many shout, freak! I smile,walk on to my home in Bohemia!
Faith Melton Oct 2011
I'm losing focus.
Intake becomes more,
It becomes heavy.

The petals of the rose seem brighter,
The green grass more vivid.
I can be anything.

This is what he's turned me into.
Heeding his advice,
following in his footsteps.

I wonder why I love him,
I wonder why I'm attached.
But I'm not blind.

I know it's wrong,
He keeps me alive.
My eyes are open

Living, breathing, seeing.
I know it's bad,
not really society's favorite thing
But I love it.
Annie Setter Dec 2021
If I moved a muscle right now a window would break.
If I took a solitary step the tiles beneath me would crack.
Submerged in the oscuridad save for a small pulse of luz called optimism because that’s just how I was raised.

I know I can’t pretend to make an oasis
Because how well did that work out for me last time
The lightbulbs can yell and scream and punch the air
But nothing will make them turn on without a power source.

I can’t be breathing hard or else the candle stub I have left will blow out I have to
Guard it but keep looking for my next step using its meager light trusting
That the beacon I look for is not further than the reaches of my
Light that I will with the remaining shards of my life to keep on
Reining now is uncertainty that is
diametrically opposed to the concept that the sun is gonna rise tomorrow I promise so let me stroke your hair and shroud you until it does.

I exist in this limbo of heeding the hours that come. The ticking of the clock drudges yet I gulp every last second as it arrives.

I voraciously **** the teaspoon of trust I have left that the
Audience is just watching the plot arc to progress and that
The dramatic irony of  some surety is just beyond the radius of the hardly illuminated path beneath my shuddering feet.

Maybe someday I will stumble upon the next candlestick or something.
Maybe someday I’ll find a working light bulb buried in the snow or something.
But here I progress or something.
Un día a la vez or something.
Grappling foot by foot for something.

Something.
Jane Rochester Dec 2011
Pretentious
you stumble, heeding
terra cotta voices and
the sigh of broken chimes.
Disbelieving
you fall,
a sybil breathing rime-
for visions have a price
and you too must taste the salt.
Flounder
my pretty,
for time has bought your emnity
The blossom of your beauty
a weathervane of trust.
Michael W Noland Oct 2012
Our galaxy, a ship, speeding into the depths, of deep space, a casualty in permit, heeding the concepts, of our place, in space-less mass, glimmering from the cast, of gods, even from the cracks and smog, we move along the path, of our intent, hell bent to extend our wrath, upon the woes of men, unknown to the myriad angles, in the dangled essence, of the limitless blessings, in the finite structuring, of negative nothings, filling our hearts of imagination, manifesting, in our epiphanies recollections, of days gone, but came back to be, born freely, looping infinitely, simultaneous, in every possibility of personally realized realities, realizing themselves in sunless helms of technology, merging with the organics of our being, and seeding, the start of everything.
Michael R Burch Apr 2020
Poems about Leaves and Leave Taking (i.e., leaving friends and family, loss, death, parting, separation, divorce, etc.)


Leave Taking
by Michael R. Burch

Brilliant leaves abandon
battered limbs
to waltz upon ecstatic winds
until they die.

But the barren and embittered trees
lament the frolic of the leaves
and curse the bleak
November sky.

Now, as I watch the leaves'
high flight
before the fading autumn light,
I think that, perhaps, at last I may

have learned what it means to say
"goodbye."

Published by The Lyric, Mindful of Poetry, There is Something in the Autumn (anthology). Keywords/Tags: autumn, leaves, fall, falling, wind, barren, trees, goodbye, leaving, farewell, separation, age, aging, mortality, death, mrbepi, mrbleave

This poem started out as a stanza in a much longer poem, "Jessamyn's Song," which dates to around age 14 or 15, or perhaps a bit later. But I worked on the poem several times over the years until it was largely finished in 1978. I am sure of the completion date because that year the poem was included in my first large poetry submission manuscript for a chapbook contest.



Autumn Conundrum
by Michael R. Burch

It's not that every leaf must finally fall,
it's just that we can never catch them all.

Originally published by The Neovictorian/Cochlea, this poem has since been translated into Russian, Macedonian, Turkish, Arabic and Romanian.



Something

for the children of the Holocaust and the Nakba

Something inescapable is lost—
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone—
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past—
blown from a glimmer into nothingness, or less,
which finality swept into a corner... where it lies
in dust and cobwebs and silence.

Published by There is Something in the Autumn, The Eclectic Muse, Setu, FreeXpression, Life and Legends, Poetry Super Highway, Poet's Corner, Promosaik, Better Than Starbucks and The Chained Muse. Also translated into Romanian by Petru Dimofte, into Turkish by Nurgül Yayman, turned into a YouTube video by Lillian Y. Wong, and used by the Windsor Jewish Community Centre during a candle-lighting ceremony



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

"****** most foul! "
cried the mouse to the owl.

"Friend, I'm no sinner;
you're merely my dinner! "
the wise owl replied
as the tasty snack died.

Published by Lighten Upand in Potcake Chapbook #7



escape!

for anaïs vionet

to live among the daffodil folk...
slip down the rainslickened drainpipe...
suddenly pop out
the GARGANTUAN SPOUT...
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.

Published by Andwerve and Bewildering Stories



Love Has a Southern Flavor

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle's spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume...

Love's Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines...

Love cannot be contained, like Southern nights:
the constellations' dying mysteries,
the fireflies that hum to light, each tree's
resplendent autumn cape, a genteel sight...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.

Published by The Lyric, Contemporary Sonnet, The Eclectic Muse, Better Than Starbucks, The Chained Muse, Setu (India) , Victorian Violet Press and Trinacria



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave—
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees—
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Talent
by Michael R. Burch

for Kevin Nicholas Roberts

I liked the first passage
of her poem―where it led
(though not nearly enough
to retract what I said.)
Now the book propped up here
flutters, scarcely half read.
It will keep.
Before sleep,
let me read yours instead.

There's something like love
in the rhythms of night
―in the throb of streets
where the late workers drone,
in the sounds that attend
each day’s sad, squalid end―
that reminds us: till death
we are never alone.

So we write from the hearts
that will fail us anon,
words in red
truly bled
though they cannot reveal
whence they came,
who they're for.
And the tap at the door
goes unanswered. We write,
for there is nothing more
than a verse,
than a song,
than this chant of the blessed:
"If these words
be my sins,
let me die unconfessed!
Unconfessed, unrepentant;
I rescind all my vows!"
Write till sleep:
it’s the leap
only Talent allows.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Ordinary Love
by Michael R. Burch

Indescribable—our love—and still we say
with eyes averted, turning out the light,
"I love you," in the ordinary way

and tug the coverlet where once we lay,
all suntanned limbs entangled, shivering, white ...
indescribably in love. Or so we say.

Your hair's blonde thicket now is tangle-gray;
you turn your back; you murmur to the night,
"I love you," in the ordinary way.

Beneath the sheets our hands and feet would stray
to warm ourselves. We do not touch despite
a love so indescribable. We say

we're older now, that "love" has had its day.
But that which Love once countenanced, delight,
still makes you indescribable. I say,
"I love you," in the ordinary way.

Winner of the 2001 Algernon Charles Swinburne poetry contest; published by The Lyric, Romantics Quarterly, Mandrake Poetry Review, Carnelian, Poem Kingdom, Net Poetry and Art Competition, Famous Poets and Poems, FreeXpression, PW Review, Poetic Voices, Poetry Renewal and Poetry Life & Times



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?

Originally published as “Baring Pale Flesh” by Poetic License/Monumental Moments



At Tintagel
by Michael R. Burch

That night,
at Tintagel,
there was darkness such as man had never seen...
darkness and treachery,
and the unholy thundering of the sea...

In his arms,
who is to say how much she knew?
And if he whispered her name...
"Ygraine"
could she tell above the howling wind and rain?

Could she tell, or did she care,
by the length of his hair
or the heat of his flesh,...
that her faceless companion
was Uther, the dragon,

and Gorlois lay dead?

Originally published by Songs of Innocence, then subsequently by Celtic Twilight, Fables, Fickle Muses and Poetry Life & Times



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation—all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold
and you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.

Originally published by The Raintown Review



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels' tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.

Originally published by Celtic Twilight, then by Celtic Lifestyles and Auldwicce



Morgause's Song
by Michael R. Burch

Before he was my brother,
he was my lover,
though certainly not the best.

I found no joy
in that addled boy,
nor he at my breast.

Why him? Why him?
The years grow dim.
Now it's harder and harder to say...

Perhaps girls and boys
are the god's toys
when the skies are gray.

Originally published by Celtic Twilight as "The First Time"



Pellinore's Fancy
by Michael R. Burch

What do you do when your wife is a nag
and has sworn you to hunt neither fish, fowl, nor stag?
When the land is at peace, but at home you have none,
Is that, perchance, when... the Questing Beasts run?



The Last Enchantment
by Michael R. Burch

Oh, Lancelot, my truest friend,
how time has thinned your ragged mane
and pinched your features; still you seem
though, much, much changed—somehow unchanged.

Your sword hand is, as ever, ready,
although the time for swords has passed.
Your eyes are fierce, and yet so steady
meeting mine... you must not ask.

The time is not, nor ever shall be.
Merlyn's words were only words;
and now his last enchantment wanes,
and we must put aside our swords...



Northern Flight: Lancelot's Last Love Letter to Guinevere
by Michael R. Burch

"Get thee to a nunnery..."

Now that the days have lengthened, I assume
the shadows also lengthen where you pause
to watch the sun and comprehend its laws,
or just to shiver in the deepening gloom.

But nothing in your antiquarian eyes
nor anything beyond your failing vision
repeals the night. Religion's circumcision
has left us worlds apart, but who's more wise?

I think I know you better now than then—
and love you all the more, because you are
... so distant. I can love you from afar,
forgiving your flight north, far from brute men,
because your fear's well-founded: God, forbid,
was bound to fail you here, as mortals did.

Originally published by Rotary Dial



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Truces
by Michael R. Burch

We must sometimes wonder if all the fighting related to King Arthur and his knights was really necessary. In particular, it seems that Lancelot fought and either captured or killed a fairly large percentage of the population of England. Could it be that Arthur preferred to fight than stay at home and do domestic chores? And, honestly now, if he and his knights were such incredible warriors, who would have been silly enough to do battle with them? Wygar was the name of Arthur's hauberk, or armored tunic, which was supposedly fashioned by one Witege or Widia, quite possibly the son of Wayland Smith. The legends suggest that Excalibur was forged upon the anvil of the smith-god Wayland, who was also known as Volund, which sounds suspiciously like Vulcan...

Artur took Cabal, his hound,
and Carwennan, his knife,
    and his sword forged by Wayland
    and Merlyn, his falcon,
and, saying goodbye to his sons and his wife,
he strode to the Table Rounde.

"Here is my spear, Rhongomyniad,
and here is Wygar that I wear,
    and ready for war,
    an oath I foreswore
to fight for all that is righteous and fair
from Wales to the towers of Gilead."

But none could be found to contest him,
for Lancelot had slewn them, forsooth,
so he hastened back home, for to rest him,
till his wife bade him, "Thatch up the roof! "

Originally published by Neovictorian/Cochlea, then by Celtic Twilight



Midsummer-Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term "banshee") and, eventually, to the druids? One might assume that with the passing of Merlyn, Morgause and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil's
fen...

if nevermore again.

Originally published by Penny Dreadful



The Pictish Faeries
by Michael R. Burch

Smaller and darker
than their closest kin,
the faeries learned only too well
never to dwell
close to the villages of larger men.

Only to dance in the starlight
when the moon was full
and men were afraid.
Only to worship in the farthest glade,
ever heeding the raven and the gull.



The Kiss of Ceridwen
by Michael R. Burch

The kiss of Ceridwen
I have felt upon my brow,
and the past and the future
have appeared, as though a vapor,
mingling with the here and now.

And Morrigan, the Raven,
the messenger, has come,
to tell me that the gods, unsung,
will not last long
when the druids' harps grow dumb.



Merlyn, on His Birth
by Michael R. Burch

Legend has it that Zephyr was an ancestor of Merlin. In this poem, I suggest that Merlin was an albino, which might have led to claims that he had no father, due to radical physical differences between father and son. This would have also added to his appearance as a mystical figure. The reference to Ursa Major, the bear, ties the birth of Merlin to the future birth of Arthur, whose Welsh name ("Artos" or "Artur") means "bear." Morydd is another possible ancestor of Merlin's. In Welsh names "dd" is pronounced "th."

I was born in Gwynedd,
or not born, as some men claim,
and the Zephyr of Caer Myrrdin
gave me my name.

My father was Madog Morfeyn
but our eyes were never the same,
nor our skin, nor our hair;
for his were dark, dark
—as our people's are—
and mine were fairer than fair.

The night of my birth, the Zephyr
carved of white stone a rune;
and the ringed stars of Ursa Major
outshone the cool pale moon;
and my grandfather, Morydd, the seer
saw wheeling, a-gyre in the sky,
a falcon with terrible yellow-gold eyes
when falcons never fly.



Merlyn's First Prophecy
by Michael R. Burch

Vortigern commanded a tower to be built upon Snowden,
but the earth would churn and within an hour its walls would cave in.

Then his druid said only the virginal blood of a fatherless son,
recently shed, would ever hold the foundation.

"There is, in Caer Myrrdin, a faery lad, a son with no father;
his name is Merlyn, and with his blood you would have your tower."

So Vortigern had them bring the boy, the child of the demon,
and, taciturn and without joy, looked out over Snowden.

"To **** a child brings little praise, but many tears."
Then the mountain slopes rang with the brays of Merlyn's jeers.

"Pure poppycock! You fumble and bumble and heed a fool.
At the base of the rock the foundations crumble into a pool! "

When they drained the pool, two dragons arose, one white and one red,
and since the old druid was blowing his nose, young Merlyn said:

"Vortigern is the white, Ambrosius the red; now, watch, indeed."
Then the former died as the latter fed and Vortigern peed.

Published by Celtic Twilight



It Is Not the Sword!
by Michael R. Burch

This poem illustrates the strong correlation between the names that appear in Welsh and Irish mythology. Much of this lore predates the Arthurian legends, and was assimilated as Arthur's fame (and hyperbole)grew. Caladbolg is the name of a mythical Irish sword, while Caladvwlch is its Welsh equivalent. Caliburn and Excalibur are later variants.

"It is not the sword,
but the man, "
said Merlyn.
But the people demanded a sign—
the sword of Macsen Wledig,
Caladbolg, the "lightning-shard."

"It is not the sword,
but the words men follow."
Still, he set it in the stone
—Caladvwlch, the sword of kings—
and many a man did strive, and swore,
and many a man did moan.

But none could budge it from the stone.

"It is not the sword
or the strength, "
said Merlyn,
"that makes a man a king,
but the truth and the conviction
that ring in his iron word."

"It is NOT the sword! "
cried Merlyn,
crowd-jostled, marveling
as Arthur drew forth Caliburn
with never a gasp,
with never a word,

and so became their king.



Uther's Last Battle
by Michael R. Burch

When Uther, the High King,
unable to walk, borne upon a litter
went to fight Colgrim, the Saxon King,
his legs were weak, and his visage bitter.
"Where is Merlyn, the sage?
For today I truly feel my age."

All day long the battle raged
and the dragon banner was sorely pressed,
but the courage of Uther never waned
till the sun hung low upon the west.
"Oh, where is Merlyn to speak my doom,
for truly I feel the chill of the tomb."

Then, with the battle almost lost
and the king besieged on every side,
a prince appeared, clad all in white,
and threw himself against the tide.
"Oh, where is Merlyn, who stole my son?
For, truly, now my life is done."

Then Merlyn came unto the king
as the Saxons fled before a sword
that flashed like lightning in the hand
of a prince that day become a lord.
"Oh, Merlyn, speak not, for I see
my son has truly come to me.

And today I need no prophecy
to see how bright his days will be."
So Uther, then, the valiant king
met his son, and kissed him twice—
the one, the first, the one, the last—
and smiled, and then his time was past.



Small Tales
by Michael R. Burch

According to legend, Arthur and Kay grew up together in Ector's court, Kay being a few years older than Arthur. Borrowing from Mary Stewart, I am assuming that Bedwyr (later Anglicized to Bedivere)might have befriended Arthur at an early age. By some accounts, Bedwyr was the original Lancelot. In any case, imagine the adventures these young heroes might have pursued (or dreamed up, to excuse tardiness or "lost" homework assignments). Manawydan and Llyr were ancient Welsh gods. Cath Pulag was a monstrous, clawing cat. ("Sorry teach! My theme paper on Homer was torn up by a cat bigger than a dragon! And meaner, too! ")Pen Palach is more or less a mystery, or perhaps just another old drinking buddy with a few good beery-bleary tales of his own. This poem assumes that many of the more outlandish Arthurian legends began more or less as "small tales, " little white lies which simply got larger and larger with each retelling. It also assumes that most of these tales came about just as the lads reached that age when boys fancy themselves men, and spend most of their free time drinking and puking...

When Artur and Cai and Bedwyr
were but scrawny lads
they had many a ***** adventure
in the still glades
of Gwynedd.
When the sun beat down like an oven
upon the kiln-hot hills
and the scorched shores of Carmarthen,
they went searching
and found Manawydan, the son of Llyr.
They fought a day and a night
with Cath Pulag (or a screeching kitten),
rousted Pen Palach, then drank a beer
and told quite a talltale or two,
till thems wasn't so shore which'un's tails wus true.

And these have been passed down to me, and to you.



The Song of Amergin
by Michael R. Burch

Amergin is, in the words of Morgan Llywelyn, "the oldest known western European poet." Robert Graves said: "English poetic education should, really, begin not with The Canterbury Tales, not with the Odyssey, not even with Genesis, but with the Song of Amergin." Amergin was one of the Milesians, or sons of Mil: Gaels who invaded Ireland and defeated the mysterious Tuatha De Danann, thereby establishing a Celtic beachhead, not only on the shores of the Emerald Isle, but also in the annals of Time and Poetry.

He was our first bard
and we feel in his dim-remembered words
the moment when Time blurs...

and he and the Sons of Mil
heave oars as the breakers mill
till at last Ierne—green, brooding—nears,

while Some implore seas cold, fell, dark
to climb and swamp their flimsy bark
... and Time here also spumes, careers...

while the Ban Shee shriek in awed dismay
to see him still the sea, this day,
then seek the dolmen and the gloam.



Stonehenge
by Michael R. Burch

Here where the wind imbues life within stone,
I once stood
and watched as the tempest made monuments groan
as though blood
boiled within them.

Here where the Druids stood charting the stars
I can tell
they longed for the heavens... perhaps because
hell
boiled beneath them?



The Celtic Cross at Île Grosse
by Michael R. Burch

"I actually visited the island and walked across those mass graves of 30, 000 Irish men, women and children, and I played a little tune on me whistle. I found it very peaceful, and there was relief there." - Paddy Maloney of The Chieftans

There was relief there,
and release,
on Île Grosse
in the spreading gorse
and the cry of the wild geese...

There was relief there,
without remorse
when the tin whistle lifted its voice
in a tune of artless grief,
piping achingly high and longingly of an island veiled in myth.
And the Celtic cross that stands here tells us, not of their grief,
but of their faith and belief—
like the last soft breath of evening lifting a fallen leaf.

When ravenous famine set all her demons loose,
driving men to the seas like lemmings,
they sought here the clemency of a better life, or death,
and their belief in God gave them hope, a sense of peace.

These were proud men with only their lives to owe,
who sought the liberation of a strange new land.
Now they lie here, ragged row on ragged row,
with only the shadows of their loved ones close at hand.

And each cross, their ancient burden and their glory,
reflects the death of sunlight on their story.

And their tale is sad—but, O, their faith was grand!



At Cædmon's Grave
by Michael R. Burch

"Cædmon's Hymn, " composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon's verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker's ghoulish yet evocative Dracula.

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and of Bede
who walked there, too, their spirits freed
—perhaps by God, perhaps by need—

to write, and with each line, remember
the glorious light of Cædmon's ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.

Originally published by The Lyric



faith(less), a coronavirus poem
by Michael R. Burch

Those who believed
and Those who misled
lie together at last
in the same narrow bed

and if god loved Them more
for Their strange lack of doubt,
he kept it well hidden
till he snuffed Them out.



Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.



Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Haunted
by Michael R. Burch

Now I am here
and thoughts of my past mistakes are my brethren.
I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
for the ache in my heart is its hollowness
and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
I have nothing left.
And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
My heart cannot bear the night, or these dreams.
Your face is a ghost, though paler, it seems
when you smile.

Published by Romantics Quarterly



Have I been too long at the fair?
by Michael R. Burch

Have I been too long at the fair?
The summer has faded,
the leaves have turned brown;
the Ferris wheel teeters ...
not up, yet not down.
Have I been too long at the fair?

This is one of my earliest poems, written around age 14-15 when we were living with my grandfather in his house on Chilton Street, within walking distance of the Nashville fairgrounds. I remember walking to the fairgrounds, stopping at a Dairy Queen along the way, and swimming at a public pool. But I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again.



Insurrection
by Michael R. Burch

She has become as the night—listening
for rumors of dawn—while the dew, glistening,
reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights—flickering
in the distance—till memories old and troubling
rise up again and demand remembering ...
like peasants rebelling against a mad king.

Originally published by The Chained Muse



Success
by Michael R. Burch

for Jeremy

We need our children to keep us humble
between toast and marmalade;

there is no time for a ticker-tape parade
before bed, no award, no bright statuette

to be delivered for mending skinned knees,
no wild bursts of approval for shoveling snow.

A kiss is the only approval they show;
to leave us―the first great success they achieve.



Sappho's Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call,
while the pale calla lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

NOTE: The calla lily symbolizes beauty, purity, innocence, faithfulness and true devotion. According to Greek mythology, when the Milky Way was formed by the goddess Hera’s breast milk, the drops that fell to earth became calla lilies.



The People Loved What They Had Loved Before
by Michael R. Burch

We did not worship at the shrine of tears;
we knew not to believe, not to confess.
And so, ahemming victors, to false cheers,
we wrote off love, we gave a stern address
to things that we disapproved of, things of yore.
And the people loved what they had loved before.

We did not build stone monuments to stand
six hundred years and grow more strong and arch
like bridges from the people to the Land
beyond their reach. Instead, we played a march,
pale Neros, sparking flames from door to door.
And the people loved what they had loved before.

We could not pipe of cheer, or even woe.
We played a minor air of Ire (in E).
The sheep chose to ignore us, even though,
long destitute, we plied our songs for free.
We wrote, rewrote and warbled one same score.
And the people loved what they had loved before.

At last outlandish wailing, we confess,
ensued, because no listeners were left.
We built a shrine to tears: our goddess less
divine than man, and, like us, long bereft.
We stooped to love too late, too Learned to *****.
And the people loved what they had loved before.



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



Premonition
by Michael R. Burch

Now the evening has come to a close and the party is over ...
we stand in the doorway and watch as they go—
each stranger, each acquaintance, each unembraceable lover.

They walk to their cars and they laugh as they go,
though we know their forced laughter’s the wine ...
then they pause at the road where the dark asphalt flows
endlessly on toward Zion ...

and they kiss one another as though they were friends,
and they promise to meet again “soon” ...
but the rivers of Jordan roll on without end,
and the mockingbird calls to the moon ...

and the katydids climb up the cropped hanging vines,
and the crickets chirp on out of tune ...
and their shadows, defined by the cryptic starlight,
seem spirits torn loose from their tombs.

And I know their brief lives are just eddies in time,
that their hearts are unreadable runes
to be wiped clean, like slate, by the Eraser, Fate,
when their corpses lie ravaged and ruined ...

You take my clenched fist and you give it a kiss
as though it were something you loved,
and the tears fill your eyes, brimming with the soft light
of the stars winking sagely above ...

Then you whisper, "It's time that we went back inside;
if you'd like, we can sit and just talk for a while."
And the hope in your eyes burns too deep, so I lie
and I say, "Yes, I would," to your small, troubled smile.

I vividly remember writing this poem after an office party the year I co-oped with AT&T (at that time the largest company in the world, with presumably a lot of office parties). This would have been after my sophomore year in college, making me around 20 years old. The poem is “true” except that I was not the host because the party was at the house of one of the upper-level managers. Nor was I dating anyone seriously at the time. Keywords/Tags: premonition, office, party, parting, eve, evening, stranger, strangers, wine, laughter, moon, shadows



Survivors
by Michael R. Burch

for the victims and survivors of 9/11 and their families

In truth, we do not feel the horror
of the survivors,
but what passes for horror:

a shiver of “empathy.”

We too are “survivors,”
if to survive is to snap back
from the sight of death

like a turtle retracting its neck.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death ...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm ― I hope you hear it.

Much love I bring ― I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short ... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here ...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.



Tremble
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.



Day, and Night
by Michael R. Burch

The moon exposes pockmarked scars of craters;
her visage, veiled by willows, palely looms.
And we who rise each day to grind a living,
dream each scented night of such perfumes
as drew us to the window, to the moonlight,
when all the earth was steeped in cobalt blue―
an eerie vase of achromatic flowers
bled silver by pale starlight, losing hue.

The night begins her waltz to waiting sunrise―
adagio, the music she now hears;
and we who in the sunlight slave for succor,
dreaming, seek communion with the spheres.
And all around the night is in crescendo,
and everywhere the stars’ bright legions form,
and here we hear the sweet incriminations
of lovers we had once to keep us warm.

And also here we find, like bled carnations,
red lips that whitened, kisses drawn to lies,
that touched us once with fierce incantations
and taught us love was prettier than wise.



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Komm, Du ("Come, You")
by Rainer Maria Rilke
loose translation by Michael R. Burch

This was Rilke’s last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.

This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.

Completely free, no longer future’s pawn,
I clambered up this crazy pyre of pain,
certain I’d never return—my heart’s reserves gone—
to become death’s nameless victim, purged by flame.

Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I’m lost. Nobody knows me here.



This is my translation of the first of Rilke’s Duino Elegies. Rilke began the first Duino Elegy in 1912, as a guest of Princess Marie von Thurn und Taxis, at Duino Castle, near Trieste on the Adriatic Sea.

First Elegy
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Who, if I objected, would hear me among the angelic orders?
For if the least One pressed me intimately against its breast,
I would be lost in its infinite Immensity!
Because beauty, which we mortals can barely endure, is the beginning of terror;
we stand awed when it benignly declines to annihilate us.
Every Angel is terrifying!

And so I restrain myself, swallowing the sound of my pitiful sobbing.
For whom may we turn to, in our desire?
Not to Angels, nor to men, and already the sentient animals are aware
that we are all aliens in this metaphorical existence.
Perhaps some tree still stands on a hillside, which we can study with our ordinary vision.
Perhaps the commonplace street still remains amid man’s fealty to materiality—
the concrete items that never destabilize.
Oh, and of course there is the night: her dark currents caress our faces ...

But whom, then, do we live for?
That longed-for but mildly disappointing presence the lonely heart so desperately desires?
Is life any less difficult for lovers?
They only use each other to avoid their appointed fates!
How can you fail to comprehend?
Fling your arms’ emptiness into this space we occupy and inhale:
may birds fill the expanded air with more intimate flying!

Yes, the springtime still requires you.
Perpetually a star waits for you to recognize it.
A wave recedes toward you from the distant past,
or as you walk beneath an open window, a violin yields virginally to your ears.
All this was preordained. But how can you incorporate it? ...
Weren't you always distracted by expectations, as if every event presaged some new beloved?
(Where can you harbor, when all these enormous strange thoughts surging within you keep
you up all night, restlessly rising and falling?)

When you are full of yearning, sing of loving women, because their passions are finite;
sing of forsaken women (and how you almost envy them)
because they could love you more purely than the ones you left gratified.

Resume the unattainable exaltation; remember: the hero survives;
even his demise was merely a stepping stone toward his latest rebirth.

But spent and exhausted Nature withdraws lovers back into herself,
as if lacking the energy to recreate them.
Have you remembered Gaspara Stampa with sufficient focus—
how any abandoned girl might be inspired by her fierce example
and might ask herself, "How can I be like her?"

Shouldn't these ancient sufferings become fruitful for us?

Shouldn’t we free ourselves from the beloved,
quivering, as the arrow endures the bowstring's tension,
so that in the snap of release it soars beyond itself?
For there is nowhere else where we can remain.

Voices! Voices!

Listen, heart, as levitating saints once listened,
until the elevating call soared them heavenward;
and yet they continued kneeling, unaware, so complete was their concentration.

Not that you could endure God's voice—far from it!

But heed the wind’s voice and the ceaseless formless message of silence:
It murmurs now of the martyred young.

Whenever you attended a church in Naples or Rome,
didn't they come quietly to address you?
And didn’t an exalted inscription impress its mission upon you
recently, on the plaque in Santa Maria Formosa?
What they require of me is that I gently remove any appearance of injustice—
which at times slightly hinders their souls from advancing.

Of course, it is endlessly strange to no longer inhabit the earth;
to relinquish customs one barely had the time to acquire;
not to see in roses and other tokens a hopeful human future;
no longer to be oneself, cradled in infinitely caring hands;
to set aside even one's own name,
forgotten as easily as a child’s broken plaything.

How strange to no longer desire one's desires!
How strange to see meanings no longer cohere, drifting off into space.
Dying is difficult and requires retrieval before one can gradually decipher eternity.

The living all err in believing the too-sharp distinctions they create themselves.

Angels (men say) don't know whether they move among the living or the dead.
The eternal current merges all ages in its maelstrom
until the voices of both realms are drowned out in its thunderous roar.

In the end, the early-departed no longer need us:
they are weaned gently from earth's agonies and ecstasies,
as children outgrow their mothers’ *******.

But we, who need such immense mysteries,
and for whom grief is so often the source of our spirit's progress—
how can we exist without them?

Is the legend of the lament for Linos meaningless—
the daring first notes of the song pierce our apathy;
then, in the interlude, when the youth, lovely as a god, has suddenly departed forever,
we experience the emptiness of the Void for the first time—
that harmony which now enraptures and comforts and aids us?



Precipice
by Michael R. Burch

for Jeremy

They will teach you to scoff at love
from the highest, windiest precipice of reason.

Do not believe them.

There is no place safe for you to fall
save into the arms of love.
save into the arms of love.



Love’s Extreme Unction
by Michael R. Burch

Lines composed during Jeremy’s first Nashville Christian football game (he played tuba), while I watched Beth watch him.

Within the intimate chapels of her eyes—
devotions, meditations, reverence.
I find in them Love’s very residence
and hearing the ardent rapture of her sighs
I prophesy beatitudes to come,
when Love like hers commands us, “All be One!”



Keywords/Tags: Rilke, elegy, elegies, angels, beauty, terror, terrifying, desire, vision, reality, heart, love, lovers, beloved, rose, saints, spirits, souls, ghosts, voices, torso, Apollo, Rodin, panther, autumn, beggar

Published as the collection "Leave Taking"
RyanMJenkins Nov 2013
Here's a little story about one of my best friends, and I
We've gone through the lowest of the lows, to the ecstasy peak of highs

It all started during the second half of 12th grade
Immediately a beauty caught my eye, fixated my gaze
Her aura was not normal and I immediately needed to know her name.
It was in that film class, where we set the stage.

I tried to back away, even though it wasn't what I felt in my heart
There was just something about her that struck me right from the start
I knew in her life movie, I wanted to play a part.

Not a supporting actor, not a stagehand.

I wanted that lead role, and so I took a stand
We then embraced our connection, and took on life, hand in hand

There were clashes with the cast around us
Mental strains clogged the drains and caused too much fuss
But we knew enough to build off of what we had, trust.
That and a whole lotta love, thankful for every moment
That I was blessed with this star from above.

But we were young, high-strung, and intoxicated by our surroundings
When we shut it all out, removed all doubt,
Together on a cloud it was no less than astounding.
A future we were founding, shined brighter than sun beams
It's in those fields where life feels better than your dreams.

Existence was constantly testing us, arresting us in prisons that felt so grim
I was fighting a battle against hateful people, one I could not win.
Voices from outside led us astray, to sin
An alcoholic's logic, made me wanna get a bat and swing
But we sparked a new beginning when we dismissed other opinions.

She was my sunshine, and I let her know
We nurtured our beings, continued to grow
Anywhere she wanted me, I would surely go
We never stopped to look back, groovin' with the flow

We never meant any harm
but sometimes had to disarm each other
when the alarms were blaring.
There were occasions that were downright scary,
But peace was found in each others' eyes,
Staring into the depths of one another's soul
We physically held onto each other determined to never let go.
Despite the rain, shine, or snow
We've weathered all weather patterns
Our boat we continued to row

Merrily merrily, wait where are we?

2 hearts, minds, bodies, and souls
Our blissful union had been on a roll
But spending life on a bus, depressed, and sleep-deprived was surely taking it's toll
Got me drinking and thinking there'd be a tomorrow I wouldn't know.
Became resentful with a head full of dreadful hypotheticals
Unto none I could bestow.

Someone drowned in the nearby river
I figured I would join them after a night of abusing my liver
I immediately considered, how I felt during her moments of weakness by the cliffs
I'd've been so hurt emotionally it would seem as if internally I was pummeled by fists
I then put a pen within my grip, now connecting the dots, it led to this.

I once pushed her away, now it was her turn.
I tried holding on too tight constantly watching the bridge burn.
Impending doom filled the room inside my head
Sorrow was now the only one to lay in my bed
Zooming down a road I knew to be a dead end

When the time came, the perfect vision of our future shattered
I still kept fighting for love, but felt it didn't matter
The canvas was torn, the paint was all splattered.
I felt as if it were a sick joke,
Causing my inner demons laughter chasing a happily-ever-after

She would still call on me, whenever I was needed
Like temporary medicine even though I felt that I was bleeding.
Never heeding warnings from friends,
I felt like nothing more than a means to an end.

I lost the two that were closest, but they found each other.
In that fire I was but a scorned lover,
Cast them off my island,
While they didn't know where my life or mind went.
Lived life fast, one could say hell-bent
Then spent a lot of time, with another girl.
Decided this was gonna be my new world.
Although, it was doomed right from the start.
I was this girl's "soul mate"
but she couldn't hold my whole heart.
I tried forcing it, picturing another forever
I hurt us both, my mind is far too clever.
We were both too hurt from the past,
I knew it was a matter of time, it wasn't meant to last.
The concept of hurting someone, I just could not grasp,
2 and a half years sure went fast.

The original girl would sometimes pop in my dreams,
It was never angry but I didn't know what it could mean.
Shortly after the breakup came in girl number three,
We matched, the fun times with glee
Surely we were on a loving spree.

One night it changed, my whole being felt strange.
Inside was a feeling that I just could not tame.
I was at work stuck on a trip down memory lane
Fiery passion was the game
I knew deep inside I needed that again.
Hurt to another came down like rain,
Never intended despite how much I could explain.

I needed to let go of past pains and invite love to stay.

I messaged the girl that was once the brightest star in my solar system
We let our feelings out and again our spirits were in rhythm
It was a new beginning
Even contacted my old best friend n let him know how I missed him.
I again tried to hug her pains away and listened to every word she'd say
Common contact was slowly turning the nights into days
Replaying memories and the talks of forevers with old and new lovers.
We knew once again, that we always had, us.

Memories irreplaceable
I smile when I look out the windowsill
Reminiscing on the old thrills.

Nights spent watching sappy movies alone
while she lay with her head on my chest to the beat of my corazon.  
We once had sanctuary in each other, a home.
So many times I held her with optimism while she cried
Mascara marks on a hoodie of mine have stood the test of time
In her once upon a time was the only place I could confide
Arguments and water balloon fights.
Sneaking around to see each other always felt so right.
Halloweens and the moments in between,
Knowing the grass on the other side wasn't any more green.
Beds that were beyond places of rest,
Places where our cosmic beings could confess, love.
The best of rollercoasters had us addicted moreso than any drug.
I let tears fall in front of her once, regarding the loss of my dad
She held me oh so close and told me I'd be the best father anyone could have.
We've grown with time, and I'm happy to see her still rain down sunshine.
I'm happy that we once had each other as lovers,
and have each other as friends.
The past is past, but the stories will never end.
Wayne H Colegate Jan 2014
Some go out in a blaze of glory, some with a crazy, sad story.
I am not sure which I have chosen but it may get very gory.
I don’t care any longer about the skies I see
Or the dreams I’ve had that cease to be.
I am tired, sore and I hurt in mind and in the fairy soul
I know at this late stage I never will be whole.
I do not want to urge it on but simply to not worry
I want those who give a **** to know there was no hurry.
Music sounds dull, words are boring, what’s left to say
all that’s left is for a fool like me to pick a day.
No more pills, no checking, no pecking no heeding
no worrying, no trying and paining when you stop succeeding.
There are no magic cures for us, just pretenders selling dreams
and the rest get rich selling us on their schemes.
I will go when I go, doing just what I choose to do
Then the task of being someone special will suddenly be through.


Copyright/1/2014
Ariel Good May 2013
Colossal grey feet stride forth, Northbound,
Conquering the jungle’s labyrinth,
Leading her herd.
A young boy, whose name means Enlightenment,
Sits in awe, quiet and close,
Watching her. Each step, gracefully slow
But deliberate.
She has much to teach me, Ahren wonders,
This holy beast, an animalistic embodiment of
The perfect disciple and
My own Spirit guide.

He walks in silence, hidden in the endless green.
Two dozen female elephants follow
Their master obediently
And loyally.
Hearing her call, they destroy any and all
Which stands in their way, trusting the leadership
Of the matriarch.
She knows the way, has travelled this path
Many times before, recalling past dangers, never
Treading twice.
An unexplainable knowing is
Felt by all her kind.
Tiny eyes fill with wisdom of all she has seen,
While enormous ears listen intently,
Unselfish and kind,
Hearing always the messages
Of their family.
Ahren observes this animal on his path towards
Understanding. She is gentle, yet fears nothing, save
The pain of others.
I must learn to see through the eyes of Spirit,
And listen more than I speak, moving carefully
Down the path.
In this life it is my task to warn others of dangers encountered,
To overcome any obstacles received on my Human journey,
Heeding my master’s call.

He watches as the herd reaches a clearing.
They form a circle, surrounding the bones of
A fallen family member.
The vibratory funeral call sounds faintly.
Using her trunk, the matriarch pats the carcass,
Quietly saying goodbye.
Ahren cries with the elephants, feeling the loss
As if it was his own.
23

I had a guinea golden—
I lost it in the sand—
And tho’ the sum was simple
And pounds were in the land—
Still, had it such a value
Unto my frugal eye—
That when I could not find it—
I sat me down to sigh.

I had a crimson Robin—
Who sang full many a day
But when the woods were painted,
He, too, did fly away—

Time brought me other Robins—
Their ballads were the same—
Still, for my missing Troubador
I kept the “house at hame.”

I had a star in heaven—
One “Pleiad” was its name—
And when I was not heeding,
It wandered from the same.
And tho’ the skies are crowded—
And all the night ashine—
I do not care about it—
Since none of them are mine.

My story has a moral—
I have a missing friend—
“Pleiad” its name, and Robin,
And guinea in the sand.
And when this mournful ditty
Accompanied with tear—
Shall meet the eye of traitor
In country far from here—
Grant that repentance solemn
May seize upon his mind—
And he no consolation
Beneath the sun may find.

— The End —