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"underclothes" poems
gee i like to think of dead it means nearer because deeper firmer since darker than little round water at one end of the well it’s too cool to be crooked and it’s too firm to be hard but it’s sharp and thick and it loves, every old thing falls in rosebugs and jackknives and kittens and pennies they all sit there looking at each other having the fastest time because they’ve never met before dead’s more even than how many ways of sitting on your head your unnatural hair has in the morning dead’s clever too like POF goes the alarm off and the little striker having the best time tickling away everybody’s brain so everybody just puts out their finger and they stuff the poor thing all full of fingers dead has a smile like the nicest man you’ve never met who maybe winks at you in a streetcar and you pretend you don’t but really you do see and you are My how glad he winked and hope he’ll do it again or if it talks about you somewhere behind your back it makes your neck feel pleasant and stoopid and if dead says may i have this one and was never introduced you say Yes because you know you want it to dance with you and it wants to and it can dance and Whocares dead’s fine like hands do you see that water flowerpots in windows but they live higher in their house than you so that’s all you see but you don’t want to dead’s happy like the way underclothes All so differently solemn and inti and sitting on one string dead never says my dear,Time for your musiclesson and you like music and to have somebody play who can but you know you never can and why have to? dead’s nice like a dance where you danced simple hours and you take all your prickly-clothes off and squeeze-into-largeness without one word and you lie still as anything in largeness and this largeness begins to give you,the dance all over again and you,feel all again all over the way men you liked made you feel when they touched you(but that’s not all)because largeness tells you so you can feel what you made,men feel when,you touched, them dead’s sorry like a thistlefluff-thing which goes landing away all by himself on somebody’s roof or something where who-ever-heard-of-growing and nobody expects you to anyway dead says come with me he says(andwhyevernot)into the round well and see the kitten and the penny and the jackknife and the rosebug and you say Sure you say (like that) sure i’ll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do
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Gee I Like To Think Of Dead It Means Nearer Because Deeper Firmer
gee i like to think of dead it means nearer because deeper firmer since darker than little round water at one end of the well it’s too cool to be crooked and it’s too firm to be hard but it’s sharp and thick and it loves, every old thing falls in rosebugs and jackknives and kittens and pennies they all sit there looking at each other having the fastest time because they’ve never met before dead’s more even than how many ways of sitting on your head your unnatural hair has in the morning dead’s clever too like POF goes the alarm off and the little striker having the best time tickling away everybody’s brain so everybody just puts out their finger and they stuff the poor thing all full of fingers dead has a smile like the nicest man you’ve never met who maybe winks at you in a streetcar and you pretend you don’t but really you do see and you are My how glad he winked and hope he’ll do it again or if it talks about you somewhere behind your back it makes your neck feel pleasant and stoopid and if dead says may i have this one and was never introduced you say Yes because you know you want it to dance with you and it wants to and it can dance and Whocares dead’s fine like hands do you see that water flowerpots in windows but they live higher in their house than you so that’s all you see but you don’t want to dead’s happy like the way underclothes All so differently solemn and inti and sitting on one string dead never says my dear,Time for your musiclesson and you like music and to have somebody play who can but you know you never can and why have to? dead’s nice like a dance where you danced simple hours and you take all your prickly-clothes off and squeeze-into-largeness without one word and you lie still as anything in largeness and this largeness begins to give you,the dance all over again and you,feel all again all over the way men you liked made you feel when they touched you(but that’s not all)because largeness tells you so you can feel what you made,men feel when,you touched, them dead’s sorry like a thistlefluff-thing which goes landing away all by himself on somebody’s roof or something where who-ever-heard-of-growing and nobody expects you to anyway dead says come with me he says(andwhyevernot)into the round well and see the kitten and the penny and the jackknife and the rosebug and you say Sure you say (like that) sure i’ll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do
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41
Tip Your hat And curtsy low The masses so mandate absolute guile A handshake, a smile, a proper and refined bow! To adorn thy head and semble wit And do your best! Take pride with etiquette If not informed Ye won't last a mile And differentiation between animals distinguishes you, Resplendent child Wash your hair and underclothes with soap Lest ye resemble sow And goodness dear Have I forgotten now? Always remember to smile! So I'll take your Winter clothes with zest I'll scramble on point No unruly mess Oh, did i forget your coat? No, I've got it, relax, care for a smoke? My apologies, please forgive my latency It must be warm in here for my blood In fact... Boiling over kettle within Prevent me from committing sin I do wish to vent Pick up this pen And release red wells from his dainty, fragile neck Or... The underbelly. It's beknownst to me entrails are thick Now whatever shall I do with this fresh clutter? I'll act for free, so cordially! With my chivalrous lines But can you, my friend, respond in kind? After all, it's only common courtesy It's over now, my fantasy It dissipates with urgency And this is my confession Yes Imbibed in me from every grueling, tedious lesson An implication of uniformity The daydreams borne from the perfunctory
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Jun 30, 2014
Jun 30, 2014 at 7:56 PM UTC
Daydream From August 11th, 1843
Is it sad that I feel the most beautiful when I'm standing in front of my mirror half naked? When I feel the most **** I've never had the room to cry about a bad weight complex. I've always been beautifully thin and no angle not pleasing to look at...or so I've been told.... Told by the same male who broke down my walls and worked his hardest to get in... only to see the beautiful body under this princess' gown. The male who broke my walls and when left broke my heart leaving this beautiful body empty. I look in the mirror in my new lingerie feeling beautiful...feeling fake, because every time I see myself like this reminds me of how I looked just like this. Just as pretty, just as **** in my underclothes as I did then. And it feels so wrong and so right that I stopped looking.
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Jul 15, 2015
Jul 15, 2015 at 8:41 PM UTC
In my Lingerie.
You sit next to Randal By the river. He brings Out the postcards he’d Bought. Best send one To your mother, he says, Don’t want her worrying About you and how you’re Doing. You take the offered Postcard and put in on your Knees. Amsterdam. Randal’s Been here before, he knows The place well. Came last Year with the French girl. You wonder why he dropped Her soon after their return. Maybe she wouldn’t let him Or maybe she did too often And that put him off. You Look at the picture on the Front of Amsterdam at dawn. Ann Frank’s Haus yesterday. You remember that. Haunted You; you felt some aspects Of her were still there. What To write to Mother? Why bother? Part of you thinks, she’ll look Between the lines, see things That aren’t there, imagine things, Suggest you did this and that. She never trusts. Randal writes His scribble fast, usual crap: Weather, food, whatever. He’ll Not write to say he shafted you Twice the other night between Hot sheets. His parents don’t Know him; think him so sweet And clever. Shaft girls, smoke **** Never. You take a biro From your bag and neatly write. Dear Mother, we are well and Enjoying the sights (guess what We do at nights? Leave that out) And the weather’s fine and food Is plentiful and yes, I do change My underclothes each day and yes, We have separate beds in the hotel. (Lies are cheap) you pause. Randal Has done, he licks a stamp, presses It onto the back. Finished? He asks, Placing his hand on your knee, giving A squeeze, sending a buzz between Your knees. You smile, nod, and Hand him the card. He reads and Shakes his head and grins. All lies, He says, and all those hidden sins.
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Aug 28, 2014
Aug 28, 2014 at 3:49 AM UTC
ALICE IN AMSTERDAM
You sit next to Randal By the river. He brings Out the postcards he’d Bought. Best send one To your mother, he says, Don’t want her worrying About you and how you’re Doing. You take the offered Postcard and put in on your Knees. Amsterdam. Randal’s Been here before, he knows The place well. Came last Year with the French girl. You wonder why he dropped Her soon after their return. Maybe she wouldn’t let him Or maybe she did too often And that put him off. You Look at the picture on the Front of Amsterdam at dawn. Ann Frank’s Haus yesterday. You remember that. Haunted You; you felt some aspects Of her were still there. What To write to Mother? Why bother? Part of you thinks, she’ll look Between the lines, see things That aren’t there, imagine things, Suggest you did this and that. She never trusts. Randal writes His scribble fast, usual crap: Weather, food, whatever. He’ll Not write to say he shafted you Twice the other night between Hot sheets. His parents don’t Know him; think him so sweet And clever. Shaft girls, smoke **** Never. You take a biro From your bag and neatly write. Dear Mother, we are well and Enjoying the sights (guess what We do at nights? Leave that out) And the weather’s fine and food Is plentiful and yes, I do change My underclothes each day and yes, We have separate beds in the hotel. (Lies are cheap) you pause. Randal Has done, he licks a stamp, presses It onto the back. Finished? He asks, Placing his hand on your knee, giving A squeeze, sending a buzz between Your knees. You smile, nod, and Hand him the card. He reads and Shakes his head and grins. All lies, He says, and all those hidden sins.
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55
Yehudit stood by the window of the bedroom looking out at the garden below Baruch  lay on the bed taking in her figure standing there after having made love in his bed I like your apple orchard she said the blossom makes it so beautiful not as beautiful as you he said taking in her nakedness the sunlight touching her profile she smiled the blossom is more beautiful than I am she said come back to bed he said she turned and walked back to the bed and lay beside him I’ll have to go soon she said your mother will be returning from her work soon he watched her eyes the flush about her skin I know he said guess we best get dressed and I’ll walk you back home she kissed him and he caressed her and she ran a hand along his thigh shame we have to go she said he kissed her and said can't risk being here when Mother returns or she'll put 2 +2 and come up with 5 Yehudit sighed and moved off the bed and began to dress into her underclothes and orange flower patterned dress he got up and began to get dressed looking at her nakedness disappear into clothes the memory of their love making fresh in his mind her apple scent her body supple her peasant look her simplicity the kissing the holding the bodies interacting ready? he asked she nodded and they went down the stairs and out the back door and along the path by the apple orchard and out the back gate into the woods there was birdsong and a warm air and smell of the farm   beyond the woods back to work tomorrow she said my half day spent making love they kissed and he walked her through the woods to her house along the small road at the edge of the field by the farmed land he holding her peasant warm hand.
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Apr 25, 2014
Apr 25, 2014 at 6:27 AM UTC
YEHUDIT AFTER ***
Yehudit stood by the window of the bedroom looking out at the garden below Baruch  lay on the bed taking in her figure standing there after having made love in his bed I like your apple orchard she said the blossom makes it so beautiful not as beautiful as you he said taking in her nakedness the sunlight touching her profile she smiled the blossom is more beautiful than I am she said come back to bed he said she turned and walked back to the bed and lay beside him I’ll have to go soon she said your mother will be returning from her work soon he watched her eyes the flush about her skin I know he said guess we best get dressed and I’ll walk you back home she kissed him and he caressed her and she ran a hand along his thigh shame we have to go she said he kissed her and said can't risk being here when Mother returns or she'll put 2 +2 and come up with 5 Yehudit sighed and moved off the bed and began to dress into her underclothes and orange flower patterned dress he got up and began to get dressed looking at her nakedness disappear into clothes the memory of their love making fresh in his mind her apple scent her body supple her peasant look her simplicity the kissing the holding the bodies interacting ready? he asked she nodded and they went down the stairs and out the back door and along the path by the apple orchard and out the back gate into the woods there was birdsong and a warm air and smell of the farm   beyond the woods back to work tomorrow she said my half day spent making love they kissed and he walked her through the woods to her house along the small road at the edge of the field by the farmed land he holding her peasant warm hand.
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112
Lizbeth stood in front of the tall mirror inside her mother's wardrobe   she was wearing a short black dress her hair was tied in a bun at the back I stood watching her uncertain why we were in her parents' bedroom and why she was ********* her mother’s clothes hanging on hangers inside I looked around the room a big bed made tidily a chest of drawers   a built in cupboard a picture on the wall opposite the bed of some country scene and above the bed a huge crucifix made from wood with a plaster Christ look at this one Lizbeth said I looked at her hand taking out a long red dress she held it up then put in front of herself and turned to face me what do you think? it's a bit gaudy I said shall I try it on? no I can see what it would look like on you I said she sniffed it she must bathe in **** scent Lizbeth said she did a spin holding the dress against her how do I look in it? she's taller than you it'll fit her better I said not so sure Lizbeth said hold this I held the dress in my hand she unzipped her black dress at the back and pulled the black dress over her head and stood there in a white bra and ******* give it here she said and taking the dress she put it on her own black dress was on the floor here zip me up at the back she said I zipped her up at the back watching the straps of the white bra disappear as I zipped her up she turned on the spot and looked at herself in the tall mirror well? how do I look now? well at least it's longer than your own black dress I said it came to her ankles she looked down at it yes too ****** long she said unzip me Benny she said I unzipped her seeing the strap of the white bra come back into view she pulled the dress over her head and put it back on the hanger she stood there in bra and ******* how do I look now? undressed I said do you like me like this? I feel kind of uncomfortable you standing like that I said why do you feel uncomfortable? what if your parents come home now and see you like this and me here with you and you in your underclothes? she smiled guess they'll feel uncomfortable then she said I picked up her black dress best out it on I said now? yes now my parent's bed is over there all made up and fresh and waiting for us she said sexily I stood holding the black dress in my hand where are your parents? out some place when will they be back? don't know best get your dress on and out of their room I said what about my room? the bed's smaller and unmade and the room's untidy but we can still do it there? I heard voices from downstairs is that them back? I said in a low voice Lizbeth pulled a face **** me yes let's get to my room and so she put the red dress back in the wardrobe and shut it up and we rushed across the landing to her room and shut the door behind us I looked around her room it was as she said untidy the bed unmade books LPs soiled washing over the floor and the curtains unopened that was kind of close she said yes I said downstairs the voices were loud and a row seemed to be going on but Lizbeth seemed unconcerned standing there in her white ******* and bra holding the black dress gazing towards the unmade bed but I had other problems swimming around inside my teenage head.
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Jul 6, 2014
Jul 6, 2014 at 4:13 AM UTC
LIZBETH'S WORLD.
Lizbeth stood in front of the tall mirror inside her mother's wardrobe   she was wearing a short black dress her hair was tied in a bun at the back I stood watching her uncertain why we were in her parents' bedroom and why she was ********* her mother’s clothes hanging on hangers inside I looked around the room a big bed made tidily a chest of drawers   a built in cupboard a picture on the wall opposite the bed of some country scene and above the bed a huge crucifix made from wood with a plaster Christ look at this one Lizbeth said I looked at her hand taking out a long red dress she held it up then put in front of herself and turned to face me what do you think? it's a bit gaudy I said shall I try it on? no I can see what it would look like on you I said she sniffed it she must bathe in **** scent Lizbeth said she did a spin holding the dress against her how do I look in it? she's taller than you it'll fit her better I said not so sure Lizbeth said hold this I held the dress in my hand she unzipped her black dress at the back and pulled the black dress over her head and stood there in a white bra and ******* give it here she said and taking the dress she put it on her own black dress was on the floor here zip me up at the back she said I zipped her up at the back watching the straps of the white bra disappear as I zipped her up she turned on the spot and looked at herself in the tall mirror well? how do I look now? well at least it's longer than your own black dress I said it came to her ankles she looked down at it yes too ****** long she said unzip me Benny she said I unzipped her seeing the strap of the white bra come back into view she pulled the dress over her head and put it back on the hanger she stood there in bra and ******* how do I look now? undressed I said do you like me like this? I feel kind of uncomfortable you standing like that I said why do you feel uncomfortable? what if your parents come home now and see you like this and me here with you and you in your underclothes? she smiled guess they'll feel uncomfortable then she said I picked up her black dress best out it on I said now? yes now my parent's bed is over there all made up and fresh and waiting for us she said sexily I stood holding the black dress in my hand where are your parents? out some place when will they be back? don't know best get your dress on and out of their room I said what about my room? the bed's smaller and unmade and the room's untidy but we can still do it there? I heard voices from downstairs is that them back? I said in a low voice Lizbeth pulled a face **** me yes let's get to my room and so she put the red dress back in the wardrobe and shut it up and we rushed across the landing to her room and shut the door behind us I looked around her room it was as she said untidy the bed unmade books LPs soiled washing over the floor and the curtains unopened that was kind of close she said yes I said downstairs the voices were loud and a row seemed to be going on but Lizbeth seemed unconcerned standing there in her white ******* and bra holding the black dress gazing towards the unmade bed but I had other problems swimming around inside my teenage head.
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183
Almost by Michael R. Burch We had—almost—an affair. You almost ran your fingers through my hair. I almost kissed the almonds of your toes. We almost loved, that’s always how love goes. You almost contemplated using Nair and adding henna highlights to your hair, while I considered plucking you a Rose. We almost loved, that’s always how love goes. I almost found the words to say, “I care.” We almost kissed, and yet you didn’t dare. I heard coarse stubble grate against your hose. We almost loved, that’s always how love goes. You almost called me suave and debonair (perhaps because my chest is pale and bare?). I almost bought you edible underclothes. We almost loved, that’s always how love goes. I almost asked you where you kept your lair and if by chance I might ****** you there. You almost tweezed the redwoods from my nose. We almost loved, that’s always how love goes. We almost danced like Rogers and Astaire on gliding feet; we almost waltzed on air ... until I mashed your plain, unpolished toes. We almost loved, that’s always how love goes. I almost was strange Sonny to your Cher. We almost sat in love’s electric chair to be enlightninged, till our hearts unfroze. We almost loved, that’s always how love goes. Keywords/Tags: Almost, love, lost love, loss, lost, relationship, relationships, hesitation, procrastination, hesitancy, vacillation, near, near miss, nearly, close call, miss you, missing you, missing, loneliness, lonely
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Jan 6, 2022
Jan 6, 2022 at 8:54 AM UTC
We almost loved (that's always how love goes)
I. My teachers tell me (Cockeyed and smirking) That my looks Can be deceiving. Bastos ka pala? And they're not wrong. Disrobe me, and You will find **** and ash Running up my veins, Unvirgin pupils Lapping up Every last drop Of that ***** joke. II. Oh, how the rain falls!
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Feb 5, 2014
Feb 5, 2014 at 6:57 AM UTC
Upon Seeing His Underclothes
The photographer says to sit and be at ease. You sit on the chair he has left for you. Eye the studio old photos on the walls a tripod and camera in front. He standing there bespectacled dark haired. You want your photograph with the headpiece on? he says.   Yes it was my mother's you reply. He nods and arranges the headpiece to set it straight and even at the sides. You have very distinctive eyes he says standing back gazing at you. Your nose is straight and aligns with the center of your chin. You say nothing your nerves are bad you want him to get on with it but sit waiting. He takes the camera and sets it before you. He disappears behind the camera. You freeze frightened to move your hands stiff in your lap. Relax he says the camera won't bite. You feel hot in the black dress you sense your underclothes stick to your skin. You try and relax pretend he's not there but behind him over his shoulder staring is your mother's ghost or so seems like a figure haunting dreams.
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Jun 29, 2017
Jun 29, 2017 at 8:55 AM UTC
ALICE AND THE PHOTOGRAPHER.
Miriam coming out of her tent caught the early morning sun; let it transform her into slow wakefulness; allowed herself to be caressed by its heat, its motherly warmth. Her companion in the tent, some girl from Lancashire who spoke such utter tripe, slept and snored on. She scanned the field of tents, red and blue across the greenness. She wished she knew where Benny's tent was, but it was pouring with rain last evening and both fled to their tents to avoid getting wetter than they already were. How wet she got, right down to her underclothes; sticking to her skin, which had to be peeled off, and trying to do all that in the small tent unable to stand, with the girl gawking at her as if she'd never seen a naked body before. She zipped up the tent, and made her way up to the campsite restaurant through the green field still damp dampening her shoes. The restaurant was busy; people talking, queuing up for food and drink, table upon table packed with other campers. She lined up; she'd find a table after; sit where ever. Benny found her and told her where he was and the table. She felt a thrill enter her; a sense of excitement flowed through her body as if someone had switched a switch and sent off a deep overriding desiring itch.
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Sep 29, 2018
Sep 29, 2018 at 1:14 PM UTC
First Morning Spain 1970
A gentleman brought these clothes in for you Grace Nurse Kavel says what clothes? what gentleman? I ask sitting up in the bed on the ward new dress and underclothes and I think he said his name was Philip Kimberly Nurse Kavel says I smell perfume and disinfect mixed I hear voices around me is he here? I ask no he brought these in early this morning while you were asleep the nurse says what colour is the dress? I ask red with flowers and where he got it from I have no idea the cost in coupon points must have been a lot I guess the nurse says where is it? I ask I hear her nearby and she places a dress in my lap I feel it and touch the material with my fingers I can't see the colour I say what kind of red? blood red and white flowers she says I put the dress to my cheek and sense its softness and feel the quality is it nice? I ask it's beautiful the nurse says near me did he say when he was coming again? I ask wondering what Philip looked like how he dressed I only knew his voice and that was all he will be in later to arrange when to take you out although he wants to speak with Dr Symonds first about you and any risks I sense doubt in her voice will I be allowed out to dinner? I ask we will make sure the stumps of your legs are well bandaged and you are presentable she says what's he look like? Mr Kimberly? yes I've not seen him before I say he's handsome and well dressed she says softly she takes the dress from my hands I’ll put the dress away in your cupboard for safety she says and I hear her walk away and lay there staring into darkness hearing voices in the ward wondering where he will take me for dinner and how I will cope in public without legs or sight like walking into the coldness of an out there night.
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Jan 15, 2016
Jan 15, 2016 at 3:43 PM UTC
NEW DRESS1940.
A gentleman brought these clothes in for you Grace Nurse Kavel says what clothes? what gentleman? I ask sitting up in the bed on the ward new dress and underclothes and I think he said his name was Philip Kimberly Nurse Kavel says I smell perfume and disinfect mixed I hear voices around me is he here? I ask no he brought these in early this morning while you were asleep the nurse says what colour is the dress? I ask red with flowers and where he got it from I have no idea the cost in coupon points must have been a lot I guess the nurse says where is it? I ask I hear her nearby and she places a dress in my lap I feel it and touch the material with my fingers I can't see the colour I say what kind of red? blood red and white flowers she says I put the dress to my cheek and sense its softness and feel the quality is it nice? I ask it's beautiful the nurse says near me did he say when he was coming again? I ask wondering what Philip looked like how he dressed I only knew his voice and that was all he will be in later to arrange when to take you out although he wants to speak with Dr Symonds first about you and any risks I sense doubt in her voice will I be allowed out to dinner? I ask we will make sure the stumps of your legs are well bandaged and you are presentable she says what's he look like? Mr Kimberly? yes I've not seen him before I say he's handsome and well dressed she says softly she takes the dress from my hands I’ll put the dress away in your cupboard for safety she says and I hear her walk away and lay there staring into darkness hearing voices in the ward wondering where he will take me for dinner and how I will cope in public without legs or sight like walking into the coldness of an out there night.
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91
We're back from dinner, and that piano recital she wanted to go see some pianist at some hall in the City playing Chopin and Ravel. She's unwrapping herself from the small coat she was wearing and puts it on a chair in our hotel room and stands there swaying some. Fingers, that pianist's fingers how they moved over the black and white keys, Abela says, she gestures with her fingers in mid air, didn't he play well? Yes he did, I say, watching her movement, best get you ready for bed. What bed already? why the night is young, she replies, get to bed yourself, I'm not ready for sleepy byes. She wanders drunkenly over to the window and stares out: what a fine night it is, she says. I walk over to her and stand nearby: bed is best for you, I say. What? O I see you want your *** don't you want your *** before I pass out. She turns and gazes at me: no I want you into bed so you don't fall down or sleep on the floor as you did the other night, I say. I didn't sleep on the floor, I slept in the bed, she says. She walks swaying to the bed and sits down: there you are, I’m on the bed, happy now Mr **** Man? She says, looking at me or past me. Sure, but into bed is best, I say. O Benny, you're such a worrier, here give me a kiss and then turn on that radio, I want music, she says. I kiss her, then go to the radio and switch it on, and Mahler come on his 5th symphony. O Mahler, she says, depressing **** here get me out of these clothes. I go to her and begin to unzip her dress and she sits there swaying. Haven't you unzipped me yet? God I never felt so useless. I take off the dress by lying her down and pulling the dress down over her feet, and she lies there ********* the air in a conductor pose, then I sit her up and put on her nightdress, a thin thing of blue and over her head and get her arms in and pull down. She just sits there and stares: what about my underclothes? Going to leave those on ? Don't you want them off? She says. If you want them off, I can, I say. She lies on the bed and gazes at the light shade a white thing gathering dust. I take off her underwear and get her into bed and her head on the pillow. There go to sleep, I say, I’ll sleep on the sofa, best that way, I say. Sleep alone then, lover boy, forget the *** she says. Her eyes close and I go to the sofa, trying to sleep, but only doze.
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Sep 13, 2016
Sep 13, 2016 at 6:50 AM UTC
AFTER THE RECITAL 1972.
We're back from dinner, and that piano recital she wanted to go see some pianist at some hall in the City playing Chopin and Ravel. She's unwrapping herself from the small coat she was wearing and puts it on a chair in our hotel room and stands there swaying some. Fingers, that pianist's fingers how they moved over the black and white keys, Abela says, she gestures with her fingers in mid air, didn't he play well? Yes he did, I say, watching her movement, best get you ready for bed. What bed already? why the night is young, she replies, get to bed yourself, I'm not ready for sleepy byes. She wanders drunkenly over to the window and stares out: what a fine night it is, she says. I walk over to her and stand nearby: bed is best for you, I say. What? O I see you want your *** don't you want your *** before I pass out. She turns and gazes at me: no I want you into bed so you don't fall down or sleep on the floor as you did the other night, I say. I didn't sleep on the floor, I slept in the bed, she says. She walks swaying to the bed and sits down: there you are, I’m on the bed, happy now Mr **** Man? She says, looking at me or past me. Sure, but into bed is best, I say. O Benny, you're such a worrier, here give me a kiss and then turn on that radio, I want music, she says. I kiss her, then go to the radio and switch it on, and Mahler come on his 5th symphony. O Mahler, she says, depressing **** here get me out of these clothes. I go to her and begin to unzip her dress and she sits there swaying. Haven't you unzipped me yet? God I never felt so useless. I take off the dress by lying her down and pulling the dress down over her feet, and she lies there ********* the air in a conductor pose, then I sit her up and put on her nightdress, a thin thing of blue and over her head and get her arms in and pull down. She just sits there and stares: what about my underclothes? Going to leave those on ? Don't you want them off? She says. If you want them off, I can, I say. She lies on the bed and gazes at the light shade a white thing gathering dust. I take off her underwear and get her into bed and her head on the pillow. There go to sleep, I say, I’ll sleep on the sofa, best that way, I say. Sleep alone then, lover boy, forget the *** she says. Her eyes close and I go to the sofa, trying to sleep, but only doze.
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142
You think more of Mr Eddington her father said than almost anything else and she knew she did but her father drew the line at her having him in her bed and her mother wasn’t so keen either I don’t want cat’s hairs on the pillowcases or on those sheets or blankets and so Mr Eddington had to stay out of her bed and be content to sit by the window or on the window ledge or on the small carpet by the chest of drawers and don’t feed the **** cat at the table her father said it isn’t polite to have cat’s spittle on your hands while eating and so she sat on the chair with one foot on the stool in that I don’t give a **** pose and Mr Eddington sat himself comfortably by the stool and she sang him one of those Rock and Roll songs she liked or recited an Ezra Pound poem which her father disliked or she put her hands behind her head and whistled part of an Elvis Presley song which her mother said wasn’t ladylike at all and to sit like that her father said with your leg up with underclothes showing is just not on at all now sit like a lady would sit he said and there were times Jezebel thought she wished them both dead so long as Mr Eddington was there she just didn’t care.
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Nov 3, 2012
Nov 3, 2012 at 4:05 AM UTC
AS LONG AS MR EDDINGTON WAS THERE.
Hadasa deflowered lay smiling on the floor of the gym amongst ropes P.E. mats skipping ropes behind thick black curtains we listen for voices coming near the gym door or anyone entering from outside no one comes in recess she tells me the teacher of P.E. never comes she goes home I am glad this moment would be spoilt if someone came in now I reply she puts her underclothes back on slow savouring the moment of freedom I pull up and zip up then we lay looking up at the gym what would we have done if they'd come in? she asks me I don't know I reply but I do imagine us frozen laying there you beneath my body me on top backside bare.
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Dec 1, 2014
Dec 1, 2014 at 1:31 AM UTC
DEFLOWERED.
I’m not sorry we were in love, and I’m not sorry we broke up, but I am sorry we couldn’t stay friends. There isn’t a mind with only happy memories, but I find myself living in those the most. at least now. It took me some time to get over the anger, and the sadness. But now all I think about is Mac n’ cheese at 2 am. Hockey nights, freezing my *** off so you’d feel alive. The first time I thought, I love this woman, while you cried in my arms. The first time I said “I love you, my dear.” sitting across the bed from you. Making fun of the stupid people on the bus and their “it’s called two-s-day because it is the second day of the week.” Watching you stay upright for an entire run down the bunny hill. Waking up in the morning to the cracking of your back, Going to bed with your toes bundled up in socks. Kissing your forehead, because I loved all of you, even the parts you didn’t like. Taking your rings off just to pretend that someday I’d put a different one on. Meeting your mom and realizing that you are the same person only 20 years younger and 30 pounds lighter Watching the sun turn your green eyes blue, then blue to green, then green to grey. Drinking that god awful mix you thought was *** and coke. Showing you what an actual *** and coke should taste like, and laughing when you said “Too sweet.” The nights you’d lure me from the controller to bed with a lack of underclothes. The mornings I’d ease the tension the night built in your back. Feeling you quiver and gasp for air as you reached ecstacy with me. The first time we reached it simultaneously… while watching hockey. Hearing you say something in a kid voice when you were being cute. The first time you kissed me, instead of waiting for my lips. Always feeling super lazy when you had papers for class written a week out and I hadn’t even started on. The way you held me after the cave broke me. The way you held me when I saw you for the first time in months. Snowball the bunny, and his ***** stuffed ears, I’m sure he’ll hate me forever. Watching you struggle through Spyro the Dragon and not saying anything cause you hated people to tell you what to do. The last time we snuck out to make love holding you in my arms. The smell of your hair against my face… I’ll always miss those moments my entire life, I just hope you’ll miss me too.
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May 22, 2015
May 22, 2015 at 3:01 AM UTC
Memory Box
I’m not sorry we were in love, and I’m not sorry we broke up, but I am sorry we couldn’t stay friends. There isn’t a mind with only happy memories, but I find myself living in those the most. at least now. It took me some time to get over the anger, and the sadness. But now all I think about is Mac n’ cheese at 2 am. Hockey nights, freezing my *** off so you’d feel alive. The first time I thought, I love this woman, while you cried in my arms. The first time I said “I love you, my dear.” sitting across the bed from you. Making fun of the stupid people on the bus and their “it’s called two-s-day because it is the second day of the week.” Watching you stay upright for an entire run down the bunny hill. Waking up in the morning to the cracking of your back, Going to bed with your toes bundled up in socks. Kissing your forehead, because I loved all of you, even the parts you didn’t like. Taking your rings off just to pretend that someday I’d put a different one on. Meeting your mom and realizing that you are the same person only 20 years younger and 30 pounds lighter Watching the sun turn your green eyes blue, then blue to green, then green to grey. Drinking that god awful mix you thought was *** and coke. Showing you what an actual *** and coke should taste like, and laughing when you said “Too sweet.” The nights you’d lure me from the controller to bed with a lack of underclothes. The mornings I’d ease the tension the night built in your back. Feeling you quiver and gasp for air as you reached ecstacy with me. The first time we reached it simultaneously… while watching hockey. Hearing you say something in a kid voice when you were being cute. The first time you kissed me, instead of waiting for my lips. Always feeling super lazy when you had papers for class written a week out and I hadn’t even started on. The way you held me after the cave broke me. The way you held me when I saw you for the first time in months. Snowball the bunny, and his ***** stuffed ears, I’m sure he’ll hate me forever. Watching you struggle through Spyro the Dragon and not saying anything cause you hated people to tell you what to do. The last time we snuck out to make love holding you in my arms. The smell of your hair against my face… I’ll always miss those moments my entire life, I just hope you’ll miss me too.
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37
There is the open book her inquisitive look the way with one stockinged leg hanging over the arm of the chair the centre parted wavy dark hair and he sitting across from her at the writing desk writing to his mother saying how good he was being all alone in Paris reading the books she’d sent paying his way paying the rent eating out working in getting the studying done leaving the girls alone no late nights no ***** no cigarettes no sadness or regrets and looking up from the letter paper seeing her opposite with his book open on her lap her black laddered stockings the way she sits invitingly him smiling dotting the i’s and crossing the t’s periods at the end whispering to the dame be there soon kisses on the bottom of the letter for mother and the dame’s (bottom) maybe later letting the ink dry imaging what beneath the dame’s dress and underclothes may wait and his deep sigh.
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Jan 25, 2013
Jan 25, 2013 at 11:56 AM UTC
SHE WITH HIS BOOK OPEN.
Great Aunt Maria? Oh, We say nothing of her. She was your great Grandfather’ sister; bit Of a lost cause, I’m afraid. You found a photograph Of her? Where? What were You doing going through Grandmother’s things and She not yet cold in her grave. You show Mother the photo And she screws up her eyes, Taking in the woman pictured There. How could she pose With her underclothes on and Smoking a cigarette, too. My God, Colin, you shouldn’t be Looking at this, look at the pose, The way she stands, as if posing Like that was normal and she’s Actually smiling. Mother puts The photo against her breast, Facedown, the blank off-white Side uppermost. To think she Was related to us. If she was a Daughter of mine…Grandmother Seldom spoke of her. To have This photo in her belongings. Mother takes a quick peep at The photo, then turns it over Again. If I posed like that, Mother says, Grandfather Would have tanned my hide. You stand and wish she’d Hand you back the photo, Finders keepers kind of thing; But no, she tucks it away in Her apron pocket, then wipes Her hands on the flowered Cloth as if contaminated. You’re glad you never Showed her the other one Of Great Aunt Maria; that one’s Raunchier and much more fun.
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Apr 22, 2016
Apr 22, 2016 at 3:27 AM UTC
SAY NOTHING OF HER. (OLD POEM)
im bold to hold you // sand in folds of our underclothes // you were still holding my hand when a strange feeling arose like rose taste in a gin and yet again i feel blue // it makes you question up at me in depths of these conquerable waters cold // ~ A.M, F.H.
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Jan 9, 2021
Jan 9, 2021 at 10:32 PM UTC
blue
You want to be a nun? Magdalene said sitting on her bed in her room with Martha sitting beside her listening to a Beatles LP on the record player on the floor Martha said yes one of those ones who pray all day not like those at school who have to teach brats like us Magdalene smiled who'd be a fecking nun like that but to be a contemplative nun is something else Martha like out of this world so it is Martha gazed at the turning LP on the turntable I want to be a bride of the Crucified she said Magdalene stared at her bride of Christ? she said Martha nodded in some convent miles from anywhere and no fellars around to touch you or lift your fecking dress or skirt and ask to see your underclothes ******** Magdalene sensed Martha near her thigh close to hers almost touching she smelt of soap and toast odd combination but that's Martha she let her elbow touch Martha's that's boys for you always out for something Magdalene said wishing Martha would turn around now and kiss her but she knows she won't but she like Mary best she's probably would kiss hopefully one day ciggie? Martha said getting a packet out of her dress pocket Magdalene nodded and took a cigarette and Martha lit both cigarettes and they sat and inhaled in thought when I see or touch the Crucified I come out in goosebumps Martha said suddenly Magdalene frowned what the real one? she said no the Crucified in church or at school in the hall the big one who spreads His arms wide and looks skyward Magdalene smiled and put a hand around Martha's shoulder that's cute she said I kiss His feet in church when no one's looking Martha said or on my rosary but His feet are small on that and I'm probably kissing His legs as well not that He'd mind but it's feet I like to kiss like that Mary Magdalene did she said Magdalene wished she could kiss any part of Martha just the once or so she hugged her tight as she spoke and mused you never know.
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Feb 9, 2016
Feb 9, 2016 at 3:06 AM UTC
YOU NEVER KNOW 1963.
You want to be a nun? Magdalene said sitting on her bed in her room with Martha sitting beside her listening to a Beatles LP on the record player on the floor Martha said yes one of those ones who pray all day not like those at school who have to teach brats like us Magdalene smiled who'd be a fecking nun like that but to be a contemplative nun is something else Martha like out of this world so it is Martha gazed at the turning LP on the turntable I want to be a bride of the Crucified she said Magdalene stared at her bride of Christ? she said Martha nodded in some convent miles from anywhere and no fellars around to touch you or lift your fecking dress or skirt and ask to see your underclothes ******** Magdalene sensed Martha near her thigh close to hers almost touching she smelt of soap and toast odd combination but that's Martha she let her elbow touch Martha's that's boys for you always out for something Magdalene said wishing Martha would turn around now and kiss her but she knows she won't but she like Mary best she's probably would kiss hopefully one day ciggie? Martha said getting a packet out of her dress pocket Magdalene nodded and took a cigarette and Martha lit both cigarettes and they sat and inhaled in thought when I see or touch the Crucified I come out in goosebumps Martha said suddenly Magdalene frowned what the real one? she said no the Crucified in church or at school in the hall the big one who spreads His arms wide and looks skyward Magdalene smiled and put a hand around Martha's shoulder that's cute she said I kiss His feet in church when no one's looking Martha said or on my rosary but His feet are small on that and I'm probably kissing His legs as well not that He'd mind but it's feet I like to kiss like that Mary Magdalene did she said Magdalene wished she could kiss any part of Martha just the once or so she hugged her tight as she spoke and mused you never know.
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107
Miriam ********** in the tent out of wet underclothes where the dim hippy guy spilt his drink on purpose by design or by sheer clumsiness was unclear the short skirt a bright red was now stained Benedict had not seen he was off in Tangier sight-seeing she tosses the wet stuff in a bag and pulls out dry clean clothes from the white new suitcase her parents had bought her for the trip she dresses and goes out of the tent avoiding the hippy in the bar with red beard and guitar and goes sit on the beach wondering what it was Benedict was doing she wishes he was there making love hot with her his fingers in her hair.
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Aug 6, 2014
Aug 6, 2014 at 6:09 AM UTC
MIRIAM'S NEW CLOTHES.
Edna drew the curtains on the night sky; Nellie was already in bed, watching. Did you undress without drawing the curtains? Edna said. It was in the dark; I didn't light the candle until after. The candle flickered in the candle holder. Shame about the old dear; do think she'll cope now the old buzzard is dead? Edna said. Her daughter said she will, Nellie said, watching as the maid began to undress. **** wasn't so sure; she reckons she'll peg out next, Edna said. What does old **** know; she's just the cook, Nellie replied. She studied Edna wash quickly in her underclothes. ****** cold, Edna said. Come to bed then, said Nellie, and I'll warm you. Edna dried herself quickly; then put on her old nightgown. Poor old dear, Edna said quietly. She climbed into the old bed and pulled the blankets over them. Nellie blew out the candle and the room in the attic was swollwed by darkness, except for a slither of moonlight which pushed through the parting where the curtains didn't meet. Edna giggled. Quiet, Nellie whispered. Well don't touch me there, Edna replied. Where? Nellie said. Edna giggled again: There, she muttered. Outside it began to rain.
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Nov 15, 2018
Nov 15, 2018 at 4:01 PM UTC
Maids at Bedtime 1924.
She had crossed the bridge Many a time: Back and forth From school; to work and Back, bored almost brainless. Mostly it was hectic. From Time to time it was eerie empty. Especially at night when she Crossed it with Quinn after The cinema or the bar or both. It was there, that her da had Told her of the cancer that Crept in his lungs. The look In his face, the baritone words Erupting from his mouth, the Yellow tinge in features marking Him out for death’s touch. Today She stood by the bridge wall half Way across looking down at the Water. People passed behind, Unaware she was there, blinded By their own destination to be Elsewhere. The water was dull And ***** not as she’d imagined In her pensive thoughts. Not clear As glass. Not clean. Yet she knew It well. Knew the waters. Today it Spoke in water talk. Come in it Seemed to say. Jump in. The water’s Lovely. Death’s here too like a Comforting groom. To end it all. The loss of Da, the melancholic Madness of Mother, her own child’s Demise before her eyes, Quinn’s Deception, his mistress’s conception. All that was too much; too soon. The bridge would suffice. The Cold water a baptism of death. Always wear clean underclothes, Her mother advised; you never Know what accident might happen, And who may find you, she‘d said. Clean and presentable even when dead.
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Jul 16, 2016
Jul 16, 2016 at 12:00 PM UTC
CROSSING THE BRIDGE.( 2010 POEM)
That Sunday after church after singing in the choir after getting off the bus and walking into the small woods behind your house the skies opened and rain fell and you and she ran for cover beneath the trees the raindrops slipping through the leaves and branches and dropping on your heads and clothes and she said what will Mother say this is my best dress and she laughed and you looked at the beauty of her and the freshness of rain washing away whatever sins may have lurked on her youthful flesh and you kissed her lips and she hugged you close and the rain fell heavier and you didn’t care just standing there hugging and kissing the clothes becoming heavier with wetness and her dress clinging to her revealing her shape and the outline of her underclothes and as you stood back and gazed at her and she at you there was the distant sound of thunder and she looked up and away and shivered and said let’s run let’s go and what may have happened if the thunder never sounded and you hadn’t run you’ll never know.
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Mar 8, 2012
Mar 8, 2012 at 3:42 AM UTC
SUNDAY RAIN.
a woman in muddy underclothes looking at all things starless feels frog bone nudge the base of her skull as her friends wade, dive and wrongly mourn- it’s only her costume in the water. it will become the small talk of Halloween 2013 and vanquish the split apart three year old apportioned to any phrasing of the inmate on the Ohio row who on the day of execution dressed himself as a God easier found than vein
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Nov 2, 2013
Nov 2, 2013 at 10:59 PM UTC
death
Tilly's mother was out in the garden hanging washing; she'd let me in reluctantly, and said Tilly was changing the bedding, and would be down soon. I looked about the room while I waited; the furniture was old, and photographs were on most surfaces old and new ones, a photograph of Tilly as a young girl, a family group in some field, no one smiled, all looked at the camera with distrust. I could see Tilly's mother walk by the window with a basket of damp clothes, then she hung underclothes with wooden pegs, and I wondered whose they were, maybe the old girl's as they were not Tilly's kind from my memory. The sky was blue, and clouds drifted by. Been waiting long? Tilly said, standing by the door. About a week or so, I said. She laughed, liar how long? A few minutes, your mum let me in with a face of granite, I said. Tilly came and sat next to me on the sofa, and kissed me on the lips. Just changed the bedding, she said, if you had come earlier you could have helped me. I guess I could, I said, could have maybe done other things too. She smiled, it's your mind, I meant bedding, Tilly said. So did I, I said. What are you two up to? her mother said, coming into the room and staring at us. Just sitting and talking, Tilly said, done the bedding. Her mother looked at me, want a cup of tea? She said. Yes, that'd be good, I said. Off you go then Tilly, her mother said, and Tilly made the tea instead.
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May 23, 2016
May 23, 2016 at 6:56 AM UTC
BEDDING 1965.