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CK Baker Dec 2016
The napalan man in a violet cape  
descended the stair with a lopsided gait
a wretched procession, subscribers in cue
rattling off as they stream from the pew  

sounds and smells from a shadowy place
a catholic priest to gin up base
lanterns strung from bolted doors
cobbled streets and wooden floors  

stepping stones and iron bell
fortified by the citadel
hallowed halls and sepulcher
dragon cane for the horse drawn tour

castle turret,  archer holes
centaur scribed in chamber bowls
garden columns in courtyard view
the blood ballet and hullabaloo  

ancient tombs on warrior grounds
gods and saints who made their rounds
goliath still with battered scythe
knelt in prayer and mummified  

battle fires and crowds that roar
gallows, caves, abysmal war  
gargoyles flock the terraced *****
pearly gates to bring on hope  

serpents, snakes and burning ash
lava bombs and trident clash
mariners drift in absentee
as neptune rises from the Tyrrhenian Sea
CK Baker Feb 2017
There’s a silverback haze
on the shallow face
of the Rockwell Ridge
folded brow
puzzled chin
and dark hollow eyes
keeping watch
over the lilies
and crane flies
and will of the wisp

Rust brown ravens
and fisher kings
delight
in the reeds off north bend
(chased by the terraced streams!)
youth blades engrain
on the favoured
and historic
Banka Memorial

Mustard
and pumpkin skies
are clipped
by a call from
the resident loon
the sounds of Buddha Bar
piercing the silence
and shaping the afternoon chord

It’s a time to make way (stream side)
seems the anuran are courting
THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of
ju Apr 2015
Mum had been gone a couple of months, six I think… (An ordinary day. Feeling hollow but doing OK) …when I realized I could get rid of the sofa.

I thought it was ugly. She thought it was a bargain. A sofa’s not a keepsake and it was certainly no heirloom. I’d not inflict it on my kids. I got rid.

If I could’ve had her back then? I would’ve done. Even if it meant keeping the sofa.

Redecorated. Bought a new telly. Spent frivolous amounts of cash on scatter cushions. She disliked scatter cushions. I thought they were cosy.

My little boy drew on one of the cushions. On purpose. I was about to smack the back of his legs… (Mum would have. She smacked me when I was little) … but I stopped.

I never wanted to. I had known all along, somehow forgotten.

If I could’ve had her back then? I would’ve done. But she would not smack my children.

Mum had been gone a year… (Planting bulbs. Feeling conspicuous carrying a shovel ‘round the churchyard) …and I missed her .

It was as hot as the day she died. There was no breeze up on that hill. No cloud. Beautiful views stretched right out to the sea.

My little boy had grown. He helped carry water and dig holes. My baby was learning to walk. She wobbled on uneven turf between the headstones. I wanted Mum to see.

If I could’ve had her back then? I would’ve done. No question.


Mum had been gone three years… (Bulbs were doing OK. There was nothing left to plant that rabbits wouldn't nibble) …and I realized it was time to move on.

I kept the ghosts quiet while agents showed people round. The house sold. We moved away. A warm, terraced place in a small town by the sea. Dad died.

Mum has been gone eight years and I miss her.

Looking out from the Downs across cliff-top and sea, the churchyard seems nothing more than a soft-grey fleck on the green edge of town.

If I could bring her back now? Everything’s changed.

Ghosts exist. They sit in empty chairs and speak kettle-whistle. Wishing us well.
Re-post.
The pockets of our greatcoats full of barley...
No kitchens on the run, no striking camp...
We moved quick and sudden in our own country.
The priest lay behind ditches with the *****.
A people hardly marching... on the hike...
We found new tactics happening each day:
We'd cut through reins and rider with the pike
And stampede cattle into infantry,
Then retreat through hedges where cavalry must be thrown.
Until... on Vinegar Hill... the final conclave.
Terraced thousands died, shaking scythes at cannon.
The hillside blushed, soaked in our broken wave.
They buried us without shroud or coffin
And in August... the barley grew up out of our grave.
Prabhu Iyer Oct 2014
Carved in stone, lost in time,
freezing my parted smile,

Peering down into the unknown,
I sit next to you, toting my arms:

Where is the world
that breathed you to life?

On this lonely peak, tires
upon tires of hopes and dreams
retreat into the the terraced
spirals of mists; Every mystical
dawn dissolves into the lakes.

Gnomes bear the burden of
mysterious gates to the beyond,
as whispers tiptoe to strains
of the Quijongo.

Here epochs and worlds end.
And counts begin all over again.
Creepy Halloween blues!
irinia Sep 2015
We are the terraced women
piled row on row on the sagging, slipping hillsides of our
                                                                                               lives.
We tug reluctant children up slanting streets
the push chair wheels wedging in the ruts
breathless and bad tempered we shift the Tesco carrier bags
                                                                          from hand to hand
and stop to watch the town

The hill tops creep away like children playing games

our other children shriek against the school yard rails
‘there’s Mandy’s mum, John’s mum, Dave’s mum,
Kate’s mum, Ceri’s mother, Tracey’s mummy’
we wave with hands scarred by groceries and too much
                                                                                   washing up
catching echoes as we pass of old wild games

after lunch, more bread and butter, tea
we dress in blue and white and pink and white checked
                                                                                          overalls
and do the house and scrub the porch and sweep the street
and clean all the little terraces
up and down and up and down and up and down the hill

later, before the end-of-school bell rings
all the babies are asleep
Mandy’s mum joins Ceri’s mum across the street
running to avoid the rain
and Dave’s mum and John’s mum – the others too – stop
                                                                                                for tea
and briefly we are wild women
girls with secrets, travellers, engineers, courtesans, and stars
                                                                                 of fiction, films
plotting our escape like jail birds
terraced, tescoed prisoners rising from the household dust
like heroines.

Pennyanne Windsor, from *Poetry 1900-2000 One hundred poets from Wales
Marshall Gass Apr 2014
Banked up against a terraced mountainside
photogenic pristine rows
of blasting green
rows of manicured waterways
with two buffaloes treading ballet-like
between squelching mud and green shoots
the paddy fields stayed buoyant
all season through.

Come harvesting time
and thrashing the sunburied ripe
tendrils of husk and seed
along threshing traffic wheels
the husk sought divorce from
the long tongued long grained
wives -and parted ways.

Soon the pudding spent its silky smooth sexiness
on a plate of punchy aromatic costumes
that invaded the senses and palate
in sensual smoothness. Oh my!

Ricebowl pudding
of the worlds staple.

Author Notes
Gluttony beckons just now!
© Marshall Gass. All rights reserved.
Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,--
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so--he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.
I see you.
I gasp.

Perfection comes in the form of steel blue eyes and a Mona Lisa smile.
Merely the sight of you wipes my mind.
I know your voice, inside and out.
I know your lips, your taste, your laugh, how you tilt your head.

But your heart confuses me.
Sometimes it hurts me, sometimes I hurt it.
But it gave me the most joy. More than I could imagine.
It patched and healed the holes in my chest.
Gave me a new place to rest.


I beg,
Don’t go away forever.
You are my perfection.
I can't stop thinking of her.
A Thomas Hawkins Sep 2010
Every time I walked these cobbled streets
its just after the rains
as if God himself is trying to wash
this city down the drains

Narrow streets and terraced houses
back yard postage stamps
overflowing dumpsters
cashless carry for the tramps

No vibrant colours to be found
just different shades of brown
the colour of depression
destined to drag you down

No wonder everybody leaves
can't wait to get away
escape this drab and dying maze
in search of sunny days
Nigel Morgan Jan 2013
1

Late afternoon
leaving the city
the bus route intersects
the terraced houses,
row upon row:
right to the valley floor,
left to wooded heights.

In a bay-windowed room
a child sits at a table
beachcombing the net.
Tea is past
and there is gentle talk of
volcanoes , the Verungas,
and gorillas in the midst.
Outside, and a floor below,
a garden nestles into the dusk,
a blackbird settles itself with song.

Later, at the same table.
there is a silent grace.
A shy five year old
in scary pyjamas
comes to say goodnight.
For supper: a goat’s cheese flan,
a simple salad,
pink wine,
strong coffee.

On the mantelpiece:
the familiar jumble of cards and photos,
a collage of family faces distant shores.
On the walls:
grandmother’s woven rug,
her grand-daughter’s textiled strata,
an embroidered geology.

2

The next day,
so bright and clear,
the garden bench is warm by ten.
We sit surrounded
by the evidence
of this growing season:
emergent plants, the possibility of fruit,
even declarations of vegetables.

As ideas flow
across cake and coffee
so the shadows move,
shaping depths, enriching tones
on greys, within greens.

In the midday sun,
the garden becomes
a wild tracery of lines
as perspectives
distort, corrupt, thicken . . .
and space opens everywhere:
foliage as yet transparent
no shelter to stalk and stem.
Their very arteries revealed,
plants bask in the fragile heat
of ‘just’ Spring.
MereCat Dec 2014
Love.


I grew up in what I later had labelled for me as “une famille anglaise typique” which consisted of me, my brother and my parents. It was as typically happy as those typical families that can be found in typical children’s books and children’s imaginations. We were that ‘close-knit family unit’ type family and we fitted perfectly into that ‘ideal family home’ of our typical red-brick English terraced house. It was one hundred years old but felt older and we went to church on Sundays. We were boring, safe, long-skirted.


We loved each other with the sort of love attributed to our type of nuclear state and I’ve always found it both funny and convenient that nuclear is a word for both bombs and families. Like the people who thought things up had wanted to draw our attention to how we were a touch away from detonation and a mere countdown from demolition.


Mummy blew me full of buck-shots; her Love was fired in rounds. Each cartridge of anger settled deep but left only pleasant traces behind. They lodged beneath my skin, etched with Protection and Compassion and Parenting, and those words bled internally into my immune system so that I knew how to identify hatred and remove the threat of it from my body.


Love.


If you’d asked me of Love I would have said that Daddy rubbed it through my hair when he said “Goodnight” so that it crept through my dreams when I slept. I would have told you how I’d clung to the fence of the infants’ playground until my brother had come to tell me that it was OK to let go. I suppose I might have said that it was an underrated ingredient in Mummy’s baking that she kept in a cupboard all by itself.


I would have passed you as many clichés as you could bear to take and I would have delivered them all in the half-smiling manner of a typical intelligent six-year-old girl.


Love.


We don’t sell clichés anymore. The business of Happy Family Stereotypes fell flat and we bailed out of the sinking ship in divers’ gear that only made us sink faster. Mum forgot to restock her shelf of ingredients and the time for Typical skidded through our fingers like shopping lists and childhood.


It’s not that we no longer lace our shoes with the same strings; only that the strings have been forced to fray and have shortened themselves with knots. It’s not that we don’t continue to Love each other but that we ceased to remember to love ourselves and, when we did that, there was somehow less Love to go round. What should have been an excess curdled and I watched it rise like water vapour from hedges after a frost.


On all of our To Do lists we manage to exclude the most important detail: Love Yourself. If we were to remember the task’s existence then we’d procrastinate a bit until something easier came around. We overlook ourselves and yet people still say that we humans are selfish creatures.



Too selfish to Love ourselves?


It’s not simply that self-deprecation is in fashion (although it is) or merely because we want to draw pity from those who spectate our lives (although we do) because it is with utmost sincerity that my friend and I agree that “if I was my friend, I’d loath me.”


We sit in town on benches by the fountain that sometimes forgets to spout water and rinse out the colours of our lives in the summer rain.


She says;


“Sometimes I’m scared that my friends don’t like me, because I can only ever see myself as annoying.”


I say;


“That isn’t a 'Sometimes' thing, Evelyn.”


Love.


It’s such a difficult thing to hold onto; like an idea or an aftertaste.


She laughs like I was cracking jokes on the paving slabs and says;


“Do you think we’ll ever grow up?”


And I ponder it because I know we’ll grow old but that’s not really the same thing at all. I wonder if I’ll ever grow out of my petulance and fantasies and idiocies and excuses.


“Not really. I don’t want to, to be honest.” To be honest; I say it like I'm the sort of person who wears truths around their neck and invites others to borrow them.


“Me neither. Everyone wants to fast-forward to Prom and then hold time there like, like, I dunno - like they would hold someone’s hand.”


“I don’t.” How relieving it is to confess that I have no interest in the event that 'you just have' to Love.


“Me neither.”


“It’s just an awkward excuse for dressing up and then standing around, pretending to look pretty.”


“You going with anyone?”


“Of course I’m not,” I laugh and hope that she isn’t either so that we can carry on being two lonely, ignorant, inexperienced best friends who’ve never tasted kisses and who have no concept of the term voluptuous. Boys don't fancy girls with flat-chests and freckles.


“You should go with Aidan.”


“Why, because we’re both as short as each other?”


Love.


I laugh at her suggestion even though I know how stepped-on I’ll feel when he arrives at Prom with a tie in a shade that fits my dress and an arm around another girl.


When I was nine, I followed an instruction manual for making a Secrets Box and the first secret I squirreled away was his name. I wrote it on a piece of paper and punched love hearts into it with red pen.


Love.


These days we’ve taken to exchanging banter in Tutor or Maths and I always make sure that I never make anything that’s too much like eye contact in case of humiliation. I busy myself with the fear that, if he looked at me too closely, he’d realise that I was staring back at him with my nine-year-old self. He’d recognise in my face that I still have the secrets box, empty of all but his name, and although I don’t quite believe that I’m in love with him I know that I smile inside when we have good conversations. I know that if he asks me to Prom, I’ll say yes and not just because he is the only boy with whom I am on eye-level.


Love.


“It’d be cute,” she says and I lean away, holding up my hands as a protest and a shield.


“God no.”


And here I go, hating myself again because I have absolutely no intention of ever telling her that I keep my heart like a secrets box. I confide enough in her to say that I don’t care for myself but starve myself of honesty when it comes to caring for someone else. For which, in turn, I procrastinate on the task of self-centeredness a little longer.


Love.


I don’t know much about Love. I know that there are four types – Philia, Storge, Eros, Agape – but who could say where exactly they filter into my life? I know that I ‘love’ beaches, I ‘love’ Rolos, I ‘love’ pencil sharpenings and the smell of good books but the truth is that, when it comes to Love, I'm a sherbet love heart that's been left to dissolve in a glass-jar ocean. I'm a Cadbury's Dream that chose to melt itself out. I’m a strawberry lace that someone likes to chew the end of.
not a poem really
kirk Feb 2016
Many houses have been cleaned on ***** window routes
Terraced rows and bungelows and other glass recruits
Customers of differant types some casual, some suits
Pleasent ones and lovely ones, some of them fun hoots

One window shined, revealed behind someones bathroom door
An awful sight giving us a fright, more than we bargained for
We went to clean it was abscene, that horrible thing we saw
Showing his snake was it a mistake, or was he just a *****

Every time we went to clean situations would get worse
We didn't want to catch a glimps, of his ****** immerse
A naked burden it bacame, why was he so perverse
***** windows should remain to conceal that bathroom curse

The anxiousness we both felt, how low he always sank
Unwanted sightings of body flesh and yanking on his plank
Disgusting ways of a deprived mind, so very dark and dank
***** windows are one thing, but not when you ******* ****

We did not want to ascend, with each ladder run to climb
knowing what awaited us we didn't want to see his slime
That bathroom window was regular, he did it every time
His kind of antics should be re-classed as a life of grime

We're not interested in plonker pulling a real discusting stunt
Nakedness we don't want to see, or a nasty shiveled front
Your ***** windows are to much so we will both be blunt
Keep your wanking to yourself and ******* your ***** ****

We don't care how many times, or how much you try
There is no necessitation to see your small **** eye
Confess your sins and tell your wife and don't you effing lie
That you've been bathroom wanking and flashing your cream pie

We told him we're not cleaning, when he dosent wear a stitch
And because he had to ******* **** and treat us like his *****
We're not your pleasure ******, when you've got that certain itch
Your ***** windows we wont clean when your mind is in a ditch

It's time us girls said goodbye you've made us ******* cross
Window cleaners we may be but your not our wanking boss
So now we're gone and you know why, my friend it's adios
And all because you had to flash and have a bathroom toss
A true story about a man on a window cleaning round
Prabhu Iyer Dec 2013
Airwaves awash in the new gospel barrage:
calling forth the neighbourhood hack,
Abe Lincoln toon in towering hat,  
the corporation is coming -
will you not
collaborate my friend?

Everything good that you ever dreamed of is here:
Marbonite floored flats with self-terraced roofs;
The swankiest of cars, in imported hues;
Your arm candy drools,
now, brands, bigger brands!

All in your grasp, now, in community gates
shut safe as society decays.

Skies spitting frogs? Pestilences amass?
Listen to the Gospel according to Bane:
in the desert, smell octane. Hallelujah,
everything we make, from watches
to headscarves - your underwear is cheaper
sourced from the next so-lala-land.

Forget your sources tiny of incomes varying:
Bakers, cobblers, tinkerers, we also have
a uniform for you. Oh you rustic
tradition-bound bandy bumpkins!
Abandon your alleyways, and
welcome to the ghettos...where

What you eat, to where to retreat:
we cure everything from heartache to panache.

Wash away your sins in wonder medicines;
Waters can part, yes, see how the Pharoah
is disarmed; Big city dreams, dream
global manna beams. All that is needed for
salvation, is a little bit of classification. Are you
left-wing or right? Center-left or center-right?

The powerdrill tearing down edifices
resonating through noon. A crane arm's shadow
hovering high by the moon. Tablets from skies
now proclaim the new gospel for the land,
the airwaves are awash
of the miracle of Witwatersrand.

The corporation is coming, to a store near you:
Amen! Will you not, then, collaborate, my friend?
Molly May 2017
I'm leaving
the city that made me.
This city that smells

like a peach after rain.
It's full of junkies,
no one cares about the homeless

forever camped out, cursing
bankers earning six figure profits
still living with roommates.

Out of it again on the Ha'penney.
Watching the sun rise and wondering
how you could ever

live in a place that isn't
this filthy, this guilty,
this beautiful and pure.

This riddled with history.
With bullet wounded buildings
painting memories of not-quite-war.

Wide streets, tall terraced houses
pale era, ***** all over rural Ireland
yet still feels like home.

And you go and you go and you go.
Music bubbles up through cracks in the road.
I'm looking for a place where my womb

is my own.
I love you like a babby loves an alcoholic mammy.
Dublin, I love you to the bone.
CH Gorrie Sep 2012
Starlit nights bring a sense of tininess.
The vast soot-stained cloak of the sky,
pierced with so many tiny scintillating
spots of vim opalescent flares, is a heavy
intoxicant. It contains a thing most panache.
A girlish teetotaler beside me says,
"We're like those stars, distantly inflamed,
lost in a void of what we cannot know."

She is most apt in her contrivance.
I wish to be castellated, terraced
with Byzantine buttresses and towers-tops.
I want a portcullis for my portico that is
made mostly out of gold, an inner bailey
where the stars can sleep and the wine may flow.
I want the wine most metaphysical,
the type that flows and churns, perning
inside the inner sanctum of the mind.
Nigdaw Dec 2021
primal cave
warm
coals glow
in an iron grate
dream lives flicker
in dancing flames
hatches battened
around the ramparts
of terraced council home
droplets run
on window panes
coursing rivers
to the sea
we are alone
suspended natural animation
with only ourselves
to blame
Jake Danby May 2015
Ask
It is winter, icy night outside the ancient terraced house, crisp
and creeping-cold, the road fleeting and the boisterous,
rejoicing revelers invading my room unseen but well heard,
silky-blacked, silk-backed, slick-backed, on the loudbusybarstriken front street.
The houses are sleeping like the dead (though the dead shan’t wake the morrow, in the deep, frosted earth) or sleeping like snoring Grandma
Passed the creaking stairs, behind the thick wooden door.
The chimneys enjoy a smoke, and the street watching in lazy light.
And the people of the long and aging road are lying, dormant, on hold now.

Be still, the birds are in wait, the office-workers, the budget-blunderers, the dole-wallers and money-splashers, equestrians, assistants, cricketers and coppers, the seller and the sold to, convicts, clergy, scrap-men, soldiers, the wary eyed whistleblowers and bleak spinsters. The elderly lie alone, cold and widowed, falling in love in dreams of those long passed, gramophones serenading them with swinging sounds since forgotten. The bachelors lie not alone but feel it, aside women they met but a moment prior. And the sloothing silhouettes of foxes stalk in the brush, and the fallen leaves clump prickled by the spiking spines of a slumbering hedgehog, and the hens in the clucking coops; and the mice creep across grassy planes playing hide and go seek, darting and ducking, amidst the quiet nightly warzone.

You can hear the frost amassing, and the old homes groaning.
Only your eyes are alive to see the bellowing chimney pots washing the black sky with grey, consuming and spreading, smoke. And you stand alone in hearing the working dogs retort with the sky, the primal yowl, where Jack Russell’s, Bull Terriers, Whippets and Grey Hounds, Fox hounds, Patterdales, Lakelands and Border Terriers take wolven shape and warrant the moon and stars to adjourn.

Heed. It is much too late, or early, the day-break behemoth’s begin to crawl blind through dawn, slumped uniform and jangling key and toast crumbed stubble, golden tie pin and tracksuit top, parted as the red sea, racing rats, inhaling bus fare; openmouthed in Citrone’s, rattled morning news; in Pickwick’s cafe shutters exhale the bleak dark and swallow first light. It is genesis in Chester-Le-Street, coagulating evermore, with breakfast offers stuffed down its throat, passed my frosted window pane, sleet and rain, headphones, lit cigarette, black brew two sugars, lichened grave stones and flashing blue lights. It is break of day amongst the pushers of pencils.

Watch. It is discontent, dragging, alone coursing through a bacon stottie; clinging to a dead end rock, aside the cockles and mussels, to be exhumed by an uncomfortable chair and the computer on the blink.

Is this it. Ask. Is this it.
judy smith May 2016
Arriving, I find her briefing three press assistants on her upcoming catwalk show while simultaneously rifling through her closet — a dressing-up box filled with animal print and lacy confections — to choose her outfit for our shoot, while Desert Island Discs plays in the background.

Tucked at the end of a row of terraced houses close to London’s Portobello Road, Temperley discovered the six-bedroom property was on the market two years ago through her close friend, the designer Jasmine Guinness. The unique two-storey villa has a studio-style extension on the back of the property designed by the Victorian architect, Richard Norman Shaw.

She moved in 18 months ago with her son, Fox, 7, and her boyfriend, Greg Williams, 43, a portrait photographer, along with his two children from a previous relationship. ‘I’ve always been a Notting Hill girl at heart. I love that it’s so green, I love the market and my offices are around the corner.’

Temperley cites the interior designer Rose Uniacke (the creative genius behind the Beckham’s Holland Park home) as inspiration for fashioning her own interiors: ‘Rose has beautiful taste, sleek, clean but still really soft.’

The house’s all-white interior provides the perfect backdrop for Temperley to hang her beloved antique cut-crystal chandeliers and floor-to-ceiling mirrors sourced from Golborne Road’s Les Couilles du Chien — famous for its historic bric-a-brac — and the Clignancourt flea market in Paris. The most striking of these is an intricately etched diptych of French brasserie mirrors that sits proudly over her living room sofa.

For colourful accents, she looked to her archive of textiles, which ranges from heirlooms from her great-grandmother’s travels around the Orient to remnants of past fashion collections: ‘I have big haberdashery drawers, which are used for storing my collection in a warehouse in Greenford,’ she says. Having such a vast collection gives her the chance to indulge in some serious upcycling; a Mexican rainbow throw livens up a plain cream sofa while a wedding cloak from Turkmenistan makes a quirky wall-hanging.

Despite the global influences, the Union Jack is a recurrent motif: ‘When I worked in New York [in the mid-Noughties] I was called ‘Little Miss English’. I loved using materials such as lace and lots of references to Victoriana — all very British.’ Look closely, and you’ll find red, white and blue accents everywhere — on teacups, Roberts radios and on silk cushions.

‘To me, being British represents being able to be individual, eccentric and not taking yourself too seriously.’

Temperley was born and grew up in Somerset on her family’s cider farm in Martock, before moving to London aged 18 to study fine art at the Royal College of Art. The countryside has an ineluctable pull for Temperley and she carves her time between her office — ‘probably 80 per cent of the time, 10 per cent of the time here, 5 per cent in Somerset at the moment, and 5 per cent everywhere else’.

But if her west London home is all breathy shades of Farrow and Ball, Temperley’s country pile — a sublime 5.6-acre regency property called Cricket Court that was once the media magnate Lord Beaverbrook’s home — is the opposite: ‘In Somerset my sitting room is dark burgundy, we’ve got black bedrooms and an ochre-coloured library.’

To bring a little of the country back to the capital, Temperley peppers her house with beautiful bunches of wild flowers, sourced from florist Juliet Glaves, who grows her own blooms in Shropshire: ‘I always loved The Secret Garden and as a child I spent hours collecting flowers and drying rose petals on every surface. I am a hopeless romantic at heart and I love British country gardens and their flowers.’

Another great passion of Temperley’s is reading and no corner, staircase or table in the house is complete without stacks of books and fashion magazines: ‘Sally Tuffin [the British fashion designer-turned-ceramicist] has got an incredible fashion library at her home in Somerset and my dream one day is to have a room lined in books.’

As for the rest of the London house? It’s very much a work in progress, ‘especially being a working mum. It’s more collecting things and putting them together in a very relaxed way. Like in fashion design, when it comes to interiors things either work together or they don’t. I have a good eye and don’t like to be constricted to just doing clothes — I’d like to go into interiors. That’s the next chapter’.Read more at:www.marieaustralia.com/red-formal-dresses | www.marieaustralia.com/black-formal-dresses
David Noonan Jan 2017
End of a terraced wall
Atop of Hungry Hill
Three of us, two thirteen
Smoking John Player Blue
**** all else to do
This council estate
All we knew
From there i could see
My Da's own family home
Where he grew
How far he'd come
Could retrace his journey
While the ash still hung
Council estate to council estate
Old Ballynanty Beg
To this shiny and new
No boarded up houses yet
But stifled with bags of glue
Yet we were no dreamers
Just a three minute pop tune
A wish to run wild and free
No thoughts of  breaking through
Red brick, grey skies, hollow minds
To town we'd go
Dunnes, Boyds, Roches Stores
Robbing what we could
Batteries, perfumes and tackies
The thrill of the chase
A need to feel alive
Over Sarsfield Bridge
Where we could belong
Hearts pounding, legs racing
Back to Hungry Hill
And yes we were young
Of course we were young
But we'd still be there now
Smacked up on those bags of glue
If not for our Ma's and our Da's
For they knew how far they'd come
They knew
Tim Knight Apr 2016
She clung to his waist as if the last fisherman pitched around a lake.
She was not gonna let go until evening
fell,
until they’d made their hotel;
eyes on the autobahn ahead.

They'd once trickled into terraced tributaries hankering after hidden
held waists on corners, continuously,
as they learnt of not letting go,
kept the sense of cologne pecked necks,
fuliginous chimney pots
and the fume of hollowed out leaves on rain soaked trees
stacked next to each other on the latent apothecary's patent leather shelf,
safe in the old factory of a shell.

Their single cylinder sang along the road,
and she did not hear him singing.
coffeeshoppoems.com
David Noonan May 2017
I shall internalize to the point where i rise
Like a grey misty ash through sullen harbour skies
To descend on these eyes who never danced with ambition
Nor once sought to covet nor hold executive position
Sweeping through parochial house to office building
I consume this room as a deathly prison warden
Where time passes and falls in a desperate eerie sigh
Unable to cry in an endless stare of just getting by

I shall crawl through the past of these city streets
Retracing my footsteps as the years they recoil
The red terraced housing of old Hungry Hill
A young boy in his room sitting there still
Head full of dreams waiting for his moment to shine
Such foolish naivety of a dreamer in his prime
He would never tie his shoelaces anything but straight
Just getting by, the sole manifestation of a solemn fate

I shall leave as a mist to cover these countryside hills
As a wandering soul, a veil rolling down as early dew
Comes upon a house where children asleep in their beds
Let it be them that carry the dreams of lives better led
So that I may finally relent and lay myself down to rest
Not for deaths cold embrace but a warmer peace instead
In a world of all or nothing we have this life of you and I
Where it shall be enough to get by, by just getting by
Nigdaw Jun 2019
I lie here, supine
Listening to sirens
Heading out towards the motorway
Somewhere, someone's evening
Has turned bad,
In the streets outside the echo
Of teens on mopeds
Reverberates between the
Terraced houses, squeezing
All they can out of a 125 engine
While squeezing all the joy that is left
Out of everyone's sunday night,
Before we all head meekly to work
On monday morning
Weekend warriors, tamed by
The restraints of finances,
Needing to earn the freedom
Of another fix next friday.
I lie here on my side
A pillow blocking at least some
Of the cacophony,
More sirens head out towards
The motorway, someone's life
Has turned into a disaster
All I wanted was an early night.
Michael Edwards Mar 2019
In terraced ranks
of brick and slate
they stand in rows
and wait their fate.

The street lies in
abandoned zones
deserted now
the cobbled stones.

And all that’s seen
on darkest nights
the distant red
of rear tail lights.

By day exposed
as light breaks through
a barren land
a desolate view.

An empty scape
where bleak wind blows
where buddleia
and nettle grows.

Where rotting wood
and old tin sheets
and bricks and rubble
lie in heaps.

In terraced ranks
of brick and slate
they stand in rows
and wait their fate.
No light weight pick up sticks or childrens game
these streets of age all look the pain we travel on
and along the way
that road of well versed stones speak to me of
skeletons and dead men's bones
and harlequins that never win the coloured robe.

Global warming swarms
more food to feed the flame
that leaps and shouts out 'who the hell am I'?
no wings, can't fly
can't feast on clouds that rule the sky
no name
more pain
more streets and terraced vol au vents
more wants than needs
the fire's feeding well
and who the hell am I?

The game of jacks and random court cards
highway tightwires trapped in backyards
tripping through the cabbage patch
match this if you can,
the cooking *** that will not get hot
the trying man that does not try
the winds that wail but never cry
a merry go round
but why?

A rest,
the day I test the temperature and paddle in just to be sure
it covers me
and the sea that doesn't see will take me
to the place where blind men congregate
and wait for..
..but it's far too late for me
whatever was meant that I should have seen
has been and gone.

Sticks more stones
no lack of mobile phones to spread the word of this disaster
stifling an insane desire to laugh at my own misfortune and already five before the hour of noon, when the Sun scallops lightly across the other sea of sky
I pull my socks up,don't know why they ever fell
who can tell?
Not I.
Chris Apr 2010
Beckham's kick and Lampard's head
A whole hour we had lead

Now terraced grief sits swathed in red
England's win, swiftly dead

The mourners gather hearts of lead
Hopes of glory now are fled

No more the hallowed turf to tred
Englands players - early bed
Just change the names for the next world cup.
(It's about the football world cup - or the soccer world cup if you aren't from these parts. England's national sport...if only we were good at it!)
Robin Carretti Jun 2018
Swiftly so much to sweep
Helsing so deep the love hard to keep
Her words were off balance
Poem stanza Mama Mia all formed
Like a ballerina 575 Japanese Haiku
Designer Pucci Sochi releasing
so piercing garden jailed away

I begged I needed to feel guided
Maid hard-love of slavery
to the requiem the chariot of horses
Jumped like eyes of the demon
She pleaded with what corruption
Planes fired with struggling
Hearts became stronger

The taste was the different side
wicked fun animation
The men were changed
cruel love aviation

Needing the right ammunition
Prince Zar became 666 Stalin
Leadership of blackmail
Lips got sealed with more
love friction
Make your poems roll in
The Trump Tower polls in
Holy Gods Italian Collisuem
Every hour Poem maid

        Requiem

The maid she had his words
Less communication so
***** what transcends
Your life depends?
"Delicious" Monsterous"
Only words "Devious"
maid Beauty and the beast
to digest

Destiny short poems of ecstasy
Oh! My She-locked
No heart or morals all locked
He wanted to steal her poems
Being conned into the heist
Higher walk with the rest

Poem Requiem palace
Hannibal Rising test
Watching her movements in
her lipping

She was home "Cruella" sweeping
Willow tree weeping new maid Priscilla
The Reign suffering minds of madness

Being ruled sweeping tears to clean up



Such wicked dirt Damon the ***** work

knowing to shut up what a ****

Feeling moved around "UHual"

Choked upon on my I-pad appalled

The masquerading social media mind

of Jekyll and Hyde poems


Her getaway poems not to be fooled
Terraced thousands of poems died

All betrayed upon with more deep lies
Important words to keep them alive

Saturday night poems stay alive
Stakeout Apps Presidency
Like a heart snack breakout
This was far from democracy
The "Quickie Requiem" for a
poem tricked over taken away

My best dream


Gripping love slightly in between
Doctor words to heal the King
his beeper the right timing
Save the poem not the Queen
Love Requiem what a headache and things not to keep or words get silent why can't we speak like a migraine or a grain of the Egyptians sand to be pleaded with such corruption how does it change to love and affection
Sam Temple Jan 2016
Girl conditioner
        Lovingly stroked through whiskers
***** Flatbeard smiles

Hot and flat iron
         Please hipster gods be so kind
Beard becomes calm sea

Personal grooming
         Turned to Japanese garden
Terraced beard landscape

Rogaine investment
          Thick beard glued into donkey
Looks like a Jack-***

Caveman gone ape ****
            Preferring the barber shop
To hot biker chicks

Poor ***** Flatbeard
            No one thinks you very cool
Eskimo status

Rustling leaves fall
            No, just ****** beard in the wind
Peed some while laughing

No love for hip beards
           ***** Flatbeard needs to die
Slow, painful, mean death
Rory Nunn Jan 2017
Gold-dipped spires in pastel light
Betray the coming of the night
And the purple skirted summer sky
That harbours high society -
Crescents of wealth, alive with songs
The echoing of dinner gongs
And tenants stumbling through the dawn
From cypress-clad Olympus.

The Georgian rooftops, copper-capped
Once kept their vices tightly wrapped
Now attics shelter sharpened tongues
And whispers in the night.
The nooses tied in gilded rope
Foretell the total loss of hope
Of those who watched their dreams elope
From cypress-clad Olympus.

The faded queens and men of rank
Who filled the world with wine they drank
Now tumble to the river bank
From crumbling castle walls.
The terraced pavements' privileged throng
United in their ***** song
Repeat the lyric 'what went wrong?'
On cypress-clad Olympus.
To stair step the terraced fields of my youth ...
Privy to foraging Bobwhite quail and feeding Dove ,
Trails revisiting fields of millet , peanut and sorghum ,
dug wells and rugged , white washed cowsheds ..
Shamrock fields meeting the dusky , azure afternoon ..
The brisk shadow of redundant porch fans , overwhelmed by July's onslaught .. The welcome relief at dusk  , courtesy of sweet tea and 'brittle'
..
Copyright February 29 , 2016 by Randolph L Wilson * All Rights Reserved
Nigdaw Jan 2022
the air outside is still
as though the world
is a living room
and the trees furniture
shouts arousing fear
sound close at hand
aggressive threatening
as though directed at me
a tiny spider crawls
up the front of my shirt
one of those that makes
a web of your head
and itches all day
a car more noise than power
echoes it's exhaust sound
round the terraced houses
then
all becomes quiet
as though waves have
mellowed into a millpond
a bird sings
the most haunting beautiful
refrain,  lonely chanteuse
filling the airwaves
finally I sleep again
I have had the weirdest dreams recovering from Covid.
betterdays Jul 2014
in the taste of my
freshly brewed green tea,

is the essense
of the leaftip,
struggling,
to catch the rays
of the life giving sun.

is the strength,
of flexible twig and wood,
able to bend and sway,
with the winds, that sweep across the terraced, mountains.

is the tenacity,
of the roots that
holdfast to the
mother earth,
from which it grows

is the fragrance
of all things green
and verdant,
taking breath and life
from the skies

in the taste
of my green tea,
freshly brewed
is the gift of life
given, by
the warmth
of the sun's rays shining.

in the pale green
of the liquid....
there is much
to be given...
and,
gratefully recieved,
on a cold winter's
morning
betterdays Apr 2014
there is this photo....you see
of pretty much nothing...of
nowhere....at least....
nowhere i know...

the skies are blue, with
a cotton balling of
innoccuos clouds
it seems as tho the weather
would be pleasant there.

there is a gray-blue-rock
covered track, well road, that roughly disects the photo,
beginning right in the centre at the forfront
and then wending off
to the right behind a small hill.
the track would be wide enough for a small car
or cart
but is in the picture
devoid off traffic.

as is it's smaller,
companion walking path, terraced and to the left of the road.
cut about six foot below the road persay

to the right, a spindly tree
of indeterminate species
then, stretching off to the photo's edge,
green grasses, roughly, cropped low by machine
or beast.

to the left, once again below,
the walking path,
a swathe of green
and then, an expanse of water,
loch, lake, river,
i do not know,
but it is wide and slow.
there are no,
watercraft, no birds,
to be seen.

just water,  greenery,  
a spindly tree
and the two tracks,
leading to god knows where and coming from, behind
the lense.

but right now, the ambiguity
of destination, the lonliness
of the landscape are appealing, enthralling, even.

there is a dichotomy,
in the fecund greeness of the grass,
opposed to the, apperent,
barenness of the lake.
and in the disection of the pastoral scene, by man made road, there is disruption,

there is choice.
to, cant to one side,
or the other.
there is choice to, go forth into the unkown.
or to, retrace one steps
on the road behind.

it is a photo,
that while not
bucolic in nature,
is pleasant
that is well framed,

....that is the one...
you take when you
want to finish the roll of film,
or these days fill the memory card...

why it has me,
fascinated at present is ...
it is a photo of somewhere... that is not here...
it is a photo of somewhere...
where, the possibilties are new,untried...not impossible
.......where the grass
.......is greener...where the grass is greener...where the grass is.....
napowrimo write day 27
prompt; write a poeem in response to one of four photos supplied.
we humans always looking...
but truly my grass more than green enough for me.

— The End —